products produc ts - radikal elektronikon the model midi tc and the revolutionary ambient clockit...

Sync & Sound

experience quality.

PRo duc TSPRODUCTS

3

Founded by location sound mixers in the late eighties, ambient recording provides practically founded advice and know-how.

experience and curiosity helped to successfully develop our own products and to enlarge our product range of innovative equipment.

practical needs were the incentive to invent new products like our industry standard time code range or microphone booms and accessories.

in addition we provide qualifi ed in-house service for the products we distribute.

amBienT proDUCTs:

4 LoCKiT Time CoDe market leading time code and synchronization devices

16 QUiCKpoLe europe`s most popular booms

21 sUrroUnD rig Versatile surround microphone support

22 QUiCKpoLe aCCessories Unique boom accessories and workfl ow helpers

26 miCropHones sophisticated location sound microphones

28 miCropHone poWer sUppLY smart power supply solutions for lavs and condenser microphones

29 sonar sUrroUnD Unrivaled underwater audio recording solutions

34 CaBLes reliable connections, in-house production

36 poWer sUppLY Battery power supply for complete recording setups

37 reCeiVer sLoT mounts slot-in receivers to all V-mount cameras

38 HH aDapTor adapts microphone heads to handhelds from diff erent manufacturers

eUrope serViCe CenTer For:

courtesy of NdR

Watch our products

in action:

Get our newsletter

4 lockit time code

cinec Awardwinning system

introduced in the mid 1990‘s with the fi rst Lockit box the Lockit family has become an established system for mission critical mobile time code and synchronization tasks and was continuously refi ned.

Based around a very accurate, temperature compensated crystal oscillator (TCVCXo) the system can be calibrated in the fi eld to a reference deviation of less than .1ppm. With the newly implemented aCn continuous jam the drift can be brought down to 0. This allows for a synchrony as otherwise only found in studios, however, without hard wiring or relying on problematic rF transmission.

speaking for itself, Lockit units support all smpTe TC modes, including pull up/down and drop rates, time code over asCii, depending on the model miDi TC and the revolutionary ambient Clockit network protocol (aCn).

acknowledging this superior award winning system as a de facto industry standard a growing number of manufacturers opts for integrating oem solutions of our technology into their products. as a result these units are fully compatible with the Lockit system and up to par in terms of features and accuracy bypassing the necessity of external synchronization.

LoCKiT inTegraTors

5lockit time code

amBienT CLoCKiT neTWorK THe neXT sTep in DigiTaL ConTenT proDUCTion WorKFLoW

Within a single motion picture or television production, multiple people from diff erent departments and companies are responsible for accurate and timely processing of fi le based digital video and audio fi les. a comprehensive script workfl ow system the essential element to insure that content is processed accurately, and on schedule. The LockitsCripT workfl ow system is specifi cally designed to incorporate every element within a production script workfl ow to enhance and simplify communication from the set through post production. it can be broken down into 3 diff erent communication components that work together.

The LockitsCripT web access is the basic, free of charge cloud based production service. it is the hub that centralizes communication amongst all production departments.

as the production begins, production information such as the script and call sheets are uploaded to the web access component. scenes are then set up with actors, estimated running times, and so on. This brings us to the second component of LockitsCripT system, the apps: The LockitsCripT script supervisors and the complimentary Tonmeister app for production sound mixers. all preproduction information are synced with the apps by one simple click. The LockitsCripT app is the on-set workcenter for script supervisors and continuity.

The third component to the LockitsCripT system is the ambient Clockit network – for automatic time code and metadata distribution. The aCn is the most sophisticated and accurate time code communication system in the world designed specifi cally to elegantly integrate right into your production environment. With the aCn, audio and video are automatically and continuously synchronized, with automatic time code and metadata distribution per recorder.at the end of the day, the magic happens that saves time and insures accurate, synchronized data.press the app export button for each required report, and now script and sound reporting begins automatically. reports and eDL‘s have never been so simple. There is no longer a need to manually copy data from report to report.

lockit time code6

LoCKiT aCL 204Time CoDe anD sYnC generaTor

proD.nr. DesCripTion

Acl 204 lockit tc-Generator / trilevel-sync, word clock and Black AudioANt-2.4-smA-m90 Acl 204 ext. antenna, right angleANt-2.4-smA-m Acl 204 ext. antenna, straightlep lockit extern power cable, Hirose 4-pin to lemo 5-pinAcl-t204 leather pouch for lockit

optional antenna (ANt-2.4-smA-m90)

as all ambient Lockit devices the aCL 204 provides a rock solid, highly accurate, temperature compensated time code and sync generator. it not only covers all time code rates and sync formats but also allows to apply an off set to the TC output to compensate for the processing delay typical for most HD cameras.

3D camera rigs can be made lighter and neater by utilizing the 2nd TC output and the sync op that can be switched to drive a dual load. The integrated aCn transceiver enables the aCL 204 to work as a fully functional, generator buff ered wireless time code transceiver. even more powerful, the aCn continuous jam feature reduces the drift within the network from 0.1ppm to none at all.

plugged in into a computer, the Lockit transforms into a highly accurate midi Time Code interface with LTC / midi Time Code conversion. This way the aCL 204 opens up the possibility to time code and word clock sync for example multiple cameras with a pro Tools workstation.

KeY FeaTUres• Highly accurate time code generator• generator buff ered time code transceiver• Drift of less than 1 frame a day (~0,1ppm, 0ppm within the aCn)• supports all used frame rates• supports all used video sync and word clock formats• sunlight readable oLeD Display• adjustable time code off set• Dual sync mode, 2 TC out for 3D use• midi time code interface with LTC/mTC conversion• Built in aCn antenna• rs232, UsB • Full aCn support• Works 30 hours on 2 aa batteries• robust machined and anodized aluminum body• Dimensions: 100 mm x 74 mm x 36 mm• Weight (without batteries): 250 g

lockit time code 7

proD.nr. DesCripTion

AcN -tl tiny lockit synchronizerANt-2.4-smA-m90 Acl 204 ext. antenna, right angleANt-2.4-smA-m Acl 204 ext. antenna, straightAcN-usB tiny lockit usB cable, usB A to lemoAcN-tl-t leather pouch for tiny lockit

TinY LoCKiT aCn-TLTime CoDe generaTor

optional antenna (ANt-2.4-smA-m90)

Like its bigger brethren, the ”Tiny Lockit“ provides a rock solid, highly accurate, temperature compensating time code generator. except for the sync signal output, it comprises the full functionality of the Lockit, including ambient Clockit network support, auto tuning, wireless jam syncing as well as metadata transfer and logging. Thus the aCn-TL also can be used as fully functional, generator buff ered time code transceiver. This provides the stability of an ambient Lockit generator with the fl exibility of a wireless TC system but without the fear of dropouts. in addition, it also off ers a variable time code output level for recording TC on audio track.

Connected to a computer, the Tiny Lockit transforms into a highly accurate midi time code interface with LTC / midi time code conversion. This way the aCn-TL opens up the possibility to TC sync for example multiple cameras with an e.g. pro Tools workstation.

The second Lemo connector is used for TC or communications and can be confi gured as UsB, rs232, or gp i/o.

as known from the aCL 204, the user interface is easy and intuitive to use.

Due to its smaller form factor the aCn-TL is especially suitable for applications on small cameras and in setups where a sync signal is not required. Thanks to the machined, pearl blasted and anodized aluminum body the Tiny Lockit can easily withstand the roughest production conditions.

KeY FeaTUres• Highly accurate time code generator• generator buff ered time code transceiver• Drift of less than 1 frame a day (~0,1ppm, 0.0ppm within the aCn)• supports all used frame rates• oLeD Display readable even in brightest sunlight• adjustable time code off set• adjustable time code level for recording TCon audio track• UsB time code interface with LTC/ mTC conversion• Built-in antenna• rs232, UsB and gp i/o port• Full ambient Clockit network support• Works 12 hours on 2 aaa batteries• robust machined and anodized aluminum body• Dimension: 71,5 mm x 56 mm x 20 mm• Weight (without batteries): 118 g

8 lockit time code

amBienT LoCKiT moUnTaCm-204 & aCm-TL

Acl 204 mounted with Acm-204

AcN-tl mounted with Acm-tl

mounted with Acm-Fs

aCm-204

example for use

proD.nr. DesCripTion

Acm-204 lockit mount with back plate for Acl 204 incl. Acm-msAcm-tl lockit mount with back plate for Acm-tl incl. Acm-msAcm-ms 3/8“ male divided fi xable thread with connection for Acm lockit mount Acm-Fs 3/8“ female thread with connection for Acm lockit mount

The aCm-204 is a quick release mount with screw on back plate for later aluminum body aCL 204(incl. quick release, back plate, aCm-ms).

The aCm mount is a quick release mount with a fi xable 3/8” male thread. This makes the use of Velcro to attach your aluminum aCL204 to the camera a relic of the past.

aCm-TLThe aCm-TL is a quick release mount screwed on aCn-TL or adhered to legacy Lockits (incl. quick release, adhesive tape, aCm-ms).

Acm-ms

Acm-Fs

9lockit time code

LoCKiT sLaTeaCn-Ls

ambient Lockit devices the “Lockit slate“ provides a rock solid, highly accurate, temperature compensated time code generator.

double the brightness with 2 cells less and still longer battery life

The completely revised LeD time code display features double the brightness at less than half of the power consumption of its predecessor. Therefore we could reduce the batteries to only 4 aa cells and still achieve a prolonged battery life.additionally we equipped the new slate with light and motion sensors. Thus the brightness can now be automatically adjusted to the local light situation and the display fl ips when the slate is turned upside down.

transmit the clapped time directly to the lockitscRipt app

Furthermore our new slate comprises the full functionality of the Tiny Lockit including aCn (ambient Clockit network) support, metadata and clap time transfer, and logging.These network capabilities also allow the ”Lockit slate“ to be a fully functional, generator buff ered time code transceiver. This provides the stability of an ambient Lockit generator with the fl exibility of a wireless TC system but without the fear of dropouts.

use the display standalone as fully functional tiny lockit

Thanks to an all new and revolutionary modular construction, the electronic section of the Lockit slate can also serve as a fully functional, compact standalone display for documentary or desktop use. Housed in a machined, pearl blasted and anodized aluminum body it can easily withstand the roughest production conditions.

Never loose the time code when changing batteries …

Thanks to the built-in supercap the aCn-Ls is able to hold the highly accurate time code for more than 10 minutes after loss of power. Thus changing batteries no longer automatically means to rejam the slate.

choose the matching slate body to suite your purse and style

interchangeable slate bodies allow for customization and will be made available as easy to swap clapperboards in various sizes, weight, and materials ranging from basic to classy. so, the user will always be able to choose the slate body that suits him best.

LoCKiT sLaTe

modular time code slate and display

AcN-ls display modul back

10 lockit time code

BeeTLeaCn-BT

adds versatility to aCn-equipped Lockit devices and the sound Devices 788T

The ambient Beetle (aCn-BT) is a Bluetooth dongle that adds versatility to aCn-equipped Lockit devices and the sound Devices 788T. When used with the 788T, it serves as an alternative to the CL-WiFi, and off ers a very reliable wireless connection and low power consumption.

When used with a Lockit device (aCL 204, aCn-TL, aCn-Ls, aCn-mL), the Beetle enables wireless connectivity between the aCn and ios devices. in more detail, the aCn Lockit collects and buff ers time critical metadata with highly accurate timestamp, while the aCn-BT module transmits this non-time critically to the LockitsCripT app.

The ambient Bloutooth dongle (aCn-BT) has a Binder connector, which enables use of diff erent cables for connection to other devices. it has Bluetooth 4.0, or low energy (Le), which works immediately with all recent ios devices consuming less energy while maintaining the bandwidth, and is compatible with older Bluetooth devices. Thanks to the external antenna, range is comparable with WiFi while more robust.

TeCHniCaL DeTaiLs• opens a reliable connection between aCn and ios devices• reliable, power saving alternative to sound Devices CL-WiFi• Works with all aCn capable devices• Bluetooth 4.0• externa antenna for better range• no additional batteries needed• material: pom• Dimension: approx. 12 x 28.5 x 50 mm• Weight: approx. 25 g

For use with sound devices 788t Recorder

For use with AcN devices

11lockit time code

TonmeisTer app

The Tonmeister app is a versatile sound report tool, and so much more. in addition the comprehensive sound report features, an optional 788T plug-in will be available for complete control of the sound Devices 788T.

KeY FeaTUres• import scripts from Final Draft or adobe story• import call sheets via free LockitsCripT account• receive slate numbers from LockitsCripT t app*• integrated Teradek and Vitec Video Livestream• Comprehensive sound report including comments, tags, etc.• name tracks by mic and actors from call sheet• export as pDF, XmL, soundminer• Transmit scene, take, notes, and rec TC to LockitsCripT app*

788T pLUg-in FeaTUres:• arm and name tracks• remote record stop• Track clipping indicator• route inputs, outputs, and headphones• Display and meter brightness control• edit scene, take, add notes for upcoming and all recorded takes• automated clip list synchronization with LockitsCripT app*• Works with CL-WiFi and aCn-BT

*AcN-ml required

lockit time code12

The all new aCn-mL is the most powerful time code device we have ever built.

it is a time code master, wireless video proxy server, and “on the set“ metadata synchronization hub.

The aCn-mL master Lockit is both the fl agship and hub of the sophisticated aCn network system. it provides a rock solid, highly accurate, temperature compensating time code generator. With powerful, new processor architecture, it delivers established aCn features like 0.0 ppm drift (thanks to continuous jam) as well as generator buff ered time code transceiver mode, and more.

“Built-in WiFi enables AcN communication between ipads“

Built-in WiFi router enables ipads running LockitsCripT and Tonmeister apps to automatically sync all metadata. it serves as the metadata synchronization hub as it‘s onboard webserver collects and stores all metadata on the set. meanwhile, ipads running LockitsCripT and Tonmeister apps maintain a local data backup.

“ARRi AleXA communication plus collection of critical metadata with most cameras“

Thanks to our partnership with Teradec and Vitec the master Lockit (aCn-mL) can interface with their recorders, store up to 64 gB of video, and distribute video proxys directly into the LockitsCripT app. These video clips are associated with the collected metadata. now you can use the LockitsCripT app to reference actual video clips within associated takes and scenes, while accessing all data collected during that shot!

“Wireless video proxy distribution directly into the lockitscRipt app“

ambient has partnered with arri to integrate aLeXa metadata protocol into the aCn-mL via ethernet. This enables the master Lockit to provide the aLeXa with the driftless time code while the master Lockit simultaneously collects metadata. in addition, it has built-in gp i/o and LanC ports, enabling the master Lockit to collect record start / stop positions of most cameras, including red, Blackmagic and panasonic.

masTer LoCKiT aCn-mLaCn-mL

lockit time code 13

TeCHniCaL DeTaiLs

• WiFi routing for communication between LockitsCripT and Tonmeister apps

• proxy streaming and recording with Terradeck or Vitec streaming boxes

• Collects and stores all aCn distributed metadata• Forwards metadata to ios devices via WiFi / Bluetooth Le• integrated webserver• reads and stores arri alexa metadata via ethernet• reads and stores rec start/stop TC of all cameras with

gp i/o or Lanc• Highly accurate Lockit time code generator• generator buff ered time code transceiver• Drift of less than 1 frame a day (~0,1 ppm)• no drift at all within the aCn• supports all used frame rates• oLeD Display readable even in brightest sunlight• adjustable time code output for recording TC on audio track• material: rugged, anodized aluminum• Dimensions: approx. 121.5 x 66 x 30 mm• Weight: approx. 300 g

14 lockit time code

The ambient LockitsCripT ios app is designed to quickly simplify, organize, and edit documentation for continuous communication through all departments on a production set, and continue communication through the post-production process. Designed for script supervisors in mind, has an easy to use intuitive communication tool developed in close cooperation with industry professionals to simplify, enhance, and automate every aspect of production communication.

import preps, schedules, scripts, and call sheets

preps, schedules, scripts and call sheets can be easily imported within the app or via laptop/ desktop computer through a totally free-of-charge LockitsCripT online account. The online account enables uploading and syncing among multiple ipads and computers, while being capable of handling several independent projects.

script editing

import scripts from common solutions such as Final Draft or adobe story. Fully edit, add comments, and mark off -dialogues with simple to learn gestures.

on the set

organized by shooting day and scene, the screen editor‘s Log interface contains Clip and Take areas. numbered clips are assigned to the appropriate take container by simply swiping the clip. Highlight the print or non-print Button within each take, and label with standard or customized comments (including camera related comments such as from distance, iso, asa, angle, etc.) LockitsCripT also includes tools for work time recording, as well as lined script preparation. prepare a complete lined script comments, mark on and off parts, and generate a detailed lined script in pDF format.

end of day

reports, including Daily progress reports, editor‘s Log, Clip Log, and Facing page, are automatically generated and updated throughout the work day and ready for export. They can be emailed without ever leaving the app in excel‘s edit-friendly format, or in pDF format for additional fl exibility. For additional convenience, the optional ambient LockitsCripT cloud-based production service is available for instant delivery of customizable reports and aLe exchange fi les directly to post production!

LoCKiTsCripT app: THe ULTimaTe CommUniCaTion TooL For moTion piCTUre anD TeLeVision proDUCTion

lockit time code 15lockit time code

proD.nr. DesCripTion

Acc 501 controller for lockit systemAccsi-Gps Ambient serial interface with Gps module for Acc 501

CLoCKiT ConTroLLer aCC 501

a whole set of features as time code, word clock, miDi TC and

gps capability makes the aCC501 rather a time code

swiss army knife than just a master clock. an extensive

keypad and a graphical LCD with command and menu bars ensure an intuitive but comprehensive

user interface.

Using a reprogrammable mpU the controller features a future-proof

design with growing capabilities. Firmware revisions are obtainable

through the download section and can easily be performed by the user.

KeY FeaTUres• Time code master clock with LTC and asCii time code, send, receive

TC and check diversion, tune other Lockit units and Lockit featured products (arri alexa, sound Devices audio & Video recorders, si 2K, aeta 4minx, Weiss Cam, p+s Technik, …)

• UsB interface for data download, programming, miDi time code and serial sony-p2 transmission

• Low jitter word clock generator with all clocks up to 192 KHz incl. pull up/down

• interface for gpio and connection of accessories such as gps receiver, rF transceiver etc.

• powering options: internal battery, UsB, external 6 – 12 Volts• 4 x aa cell for over 24 hours operation• standby mode for keeping accurate time code• Firmware updates by user, available through download

gps-moDULeaCCsi-gpsambient’s gps module has been kept small enough to be stored in the Controller pouch. it comes with a 2 meter cable attached and can be used to derive position data and universal time (UTC) to jam the internal time code generator.

The gps reference signal of one pulse per second can also be used to calibrate the internal reference oscillator. Thus, it is possible to synchronize cameras anywhere worldwide to well under 0.5 frames off set.

AccsiGps

16 Quickpole Boompoles

CarBon FiBer miCropHone Boomsambient carbon fiber booms are designed with the following essential features:

• robust design for long life• Lightweight but rigid• Low handling noise• easy action• add on accessories• easy Customer maintenance for extended life

CarBon FiBer TUBe pHiLosopHYFor more than 20 years ambient recording has now been producing professional carbon fiber boompoles. The tubes used for our products are not off the shelf items but specially manufactured to our own specification using upscale yet still affordable Hi-Q modulus carbon fibers. This high quality soon made ambient the leading manufacturer for professional booms in many parts of the world.

Due to a special construction using cross windings the heavy duty tube of the Qp series is very strong in compression mode, increasing stiffness and preventing buckling at long extended lengths with excellent strength to weight ratio. This boom won‘t break – contrary to the boom op!

The lighter material used in the QX series is a homogeneous compound of carbon fiber epoxy. This gives an excellent stiffness at minimal weight and a nice surface feel predestining it for eng, TV and studio work.

The all new Qs series boompole is handmade out of pre-preg carbon. Layer by layer it is crafted to be the stiffest and most precise pole on the market. This made the Qs pole the first “premium pole” by ambient recording.

all our poles own internal soft felt bushings to ensure rattle free operation and no seizing by dirt, humidity or cold temperatures.

courtesy eckhard kuchenbecker

17Quickpole Boompoles

emra & dabo, ethiopia

QX BoompoLeeng & DoCUmenTarY

The QX series has retained all the features that have made ambient Quickpole booms so successful, adding features that will especially appeal to those working “on the road”. Light and compact but still robust and well balanced makes this the perfect choice for professionals who want a universal, professional tool for every-day work.

proD.nr. LengTH WeigHT

QX 550 50-195 cm 445 gQX 565 65-260 cm 535 gQX 580 80-330 cm 620 gQX 5100 100-420 cm 745 gQX 5130 130-560 cm 925 g

KeY FeaTUres• extremely light, compact, solid, robust, perfectly

balanced• 1 mm custom made pull wind carbon fi ber tube • stainless steel tip with special hole for easy assembly

of internal cabling• Larger diameter for coiled internal cabling

QcsX

QccX with QApl & p35 QccXs

CaBLingThe QX booms up to QX 5100 can be fi tted with internal straight and an coiled cable.

Boom size and wiring (mono / stereo) to be specifi ed on order.

18 Quickpole Boompoles

proD.nr. LengTH WeigHT

Qp 480 105-350 cm 680 gQp 4140 154-540 cm 1000 gQp 120 extension 145 cm 420 g

Qp BoompoLeFeaTUre FiLm

a special multilayer construction of the tubes with 1.5 mm wall thickness makes the Qp range extremely rugged and stiff , recommending these booms especially for the rigorous use in feature & TV fi lm as well as documentary work where high length with superior control are the priorities.

The extraordinary rigidity will allow boom operators to swing and point their mic precisely without the boom bouncing or dipping into the picture. With a clearly defi ned scope of application the range is limited to 2 suitable lengths.

The modular extension Qp 120 can quickly be added as a 5th segment and gives an extra boost of length for wide, large crowd shots without the weight when not in use. With an outer diameter of 35 mm the extension will also fi t into a standard manfrotto pivot clamp allowing stand mounted.

KeY FeaTUres• High rigidity, stiff , light, robust, perfectly balanced• 1,5 mm custom made pull wind carbon fi ber tube • stainless steel tip with special hole for easy assembly

of internal cabling• Up to 6,75 m length with Qp 120• straight internal cabling option

courtesy André Zacher

CaBLingThe complete range of Qp booms can be fi tted with internal straight cabling.

Boom size and wiring (mono / stereo) to be specifi ed on order.

CaBLingThe complete range

19Quickpole Boompoles

With the Qs we wanted to go one step beyond and construct our masterpiece.

Thus it is handmade out of pre-preg carbon. This is an extremely time-consuming way of production but it gives us the possibility to design the tube characteristics layer by layer. our aim was to create a boom so stiff , lightweight and well balanced that the boom op can control his microphone like a surgeon controls his scalpel but from an 18 feet distance! Besides the tubing we refashioned the screw locks for better grip when working with gloves. The result we achieved is nothing less than the stiff est, most precise boom on the market that can truly be called the best pole we ever built.

The modular extension Qp 120 can quickly be added as a 5th segment and gives an extra boost of length for wide, large crowd shots without the weight when not in use. With an outer diameter of 35 mm the extension will also fi t into a standard manfrotto pivot clamp allowing stand mounted.

KeY FeaTUres• extremely stiff , very precise, well balanced and lightweight• Handmade 1,5 mm premium pre-preg carbon fi ber• refashioned locking screws

proD.nr. WeigHT LengTH

Qs 1120 g 154 - 520 cm (with optional Qp120) - up to 675 cmQsm 740 g 105 - 345 cm

CaBLingThe Qs booms can be fi tted with internal straight cabling.

Qs BoompoLepremiUm FeaTUre FiLm

With the Qs we wanted to go one step beyond and

The Qs booms can be fi tted with internal

20 JumBo

JUmBoeXTra Long BoompoLe

These booms were designed for tripod-mounted operation and by using our Quickpole multilayer carbon fi ber tubes with an increased oD up to 40 mm they can be extended to more than 10 meters. Various accessories are obtainable for mounting the booms on light stands with pivoting clamp and counterweights.

By extending the stand they can be used to place microphones up to 12 meters high above ground level in recording situations as studio, classical music, church organ, feature fi lm crowd scenes and also for surround recordings with the a-raY. Jumbo booms have also been used to carry small cameras, lights, measuring equipment or aerials.

The booms can be internally cabled and a special tip permits to even pass multicore cables as used for multichannel recordings. The end is fi tted with a slotted tube, ring and carabineer for attaching a counter weight.

KeY FeaTUres• High rigidity, stiff , robust, light weight• 1,5 mm custom made carbon fi ber tube • only 2650 gram• aluminum tip with special hole for easy assembly of internal cabling• Up to 10,60 m length with Qp 6200• straight internal cabling option

proD.nr. DesCripTion

Qp 5190 standard Jumbo Boom, 212 - 860 cm, 1840 gQp 210 Jumbo extension, 205 cm, 740 g, converts Qp 5190 to Qp 6200Qp 6200 Jumbo Boom, 240 - 1060 cm, 2650 g; incl. bookcase, length: 255 cmQms manfrotto tripod stand QmW Wheel set for manfrotto tripod standQmG 35 manfrotto counter weight for Jumbo booms, 4 kgQmJ 35 manfrotto pivoting clamp for Qp 5190, diameter 35 mmQAJ 40 Ambient pivoting clamp Qp 6200, diameter 40 mm

21suRRouNd RiG

a-raYsUrroUnD miCropHone sUpporT

This unique, portable microphone support allows the user to place 5 microphones (6th center surround arm optional available) at distances from 50 cm to over 2 meters apart in diff erent confi gurations.

The construction uses a central rectangular axis, telescopic arms and special sliding nodes with toothed fl anges and quick release skewers that provide fast and easy set up. By arranging the nodes in plane or perpendicular it is possible to create well known multiple microphone confi gurations like Decca Tree and others as well as experimental 3D arrays. The experimental character is emphasized by the possibility of adding more nodes to achieve setups with 7, 8 or 9 microphones. made of aluminum and carbon fi ber the a-raY is at the same time light and very strong and folds down to a small package that can be stowed away in the included carrying pouch.

also available is a kit version including a QuickLok and mikeLink. an optional 6-channel breakout box with detachable multicore snake and microphone leads that are completely customer-confi gurable allow for standard microphones and Colette systems alike. accessories for rigging can be provided on request.

Users include austrian TV orF, german TV nDr and mDr, the semper opera, Japan radio and other users experimenting with surround sound formats.

The a-raY can be supplied with a shorter central axis and arms of diff erent lengths to suit customer wishes.

a-mBoXThe a-mBoX is a multicore breakout box for up to 6 microphones. equipped with 6 Ta3m connectors it is suitable for all balanced and unbalanced microphones. The tiny Ta3 receptacles off er professional signal handling at most compact size and can optionally be fi tted with rubber boots for improved humidity resistance. With a Binder 440 locking type plug the multicore cable is connected to the a-mBoX and therefor off ers a high reliability.

proD.nr. DesCripTion

A-RAY surround microphone support without accessoriesA-Ray decca center bar with boom segment, pair of long armsA-mBoX multicore breakout box for up to 6 microphonesA-mk6 A-Ray A-mBoX multicore, sixfold, length 15 m

22 Quickpole AccessoRies

DipsTiCKQDs

The Dipstick is an add on accessory for our booms (or any one else´s) and permits to boom over the head of a cameraman or round corners, allowing to get closer to the action. The toothed fl ange can be set to predefi ned angles and once locked will not turn.

The Dipstick can be folded back on the boom or removed when not required.

proD.nr. DesCripTion

Qds Articulated Boom segment

TransporT Cases & sHoULDer BagsBC & aBB

proD.nr. DesCripTion

Bc50 Boom case for QX550, length 63 cmBc65 Boom case for QX565, length 73 cmBc80 Boom case for QX580, length 93 cmBc100 Boom case for QX5100 & Qp480, length 113 cmBc130 Boom case for QX5130, length 140 cmBc150 Boom case for Qp4140, length 163 cmBc200 Boom case for Qp5190 & Qp6200, length 249 cmABB-80 Boom bag for QX565 & QX580, length 80 cmABB-110 Boom bag for QX5100 & Qp480, length 110 cmABB-160 Boom bag for QX5130 & Qp4140, length 160 cm

Hard and soft boom cases are available for all booms. The BC tubes with a diameter of 5 cm are made out of robust pVC.

The water-repellent shoulder bags are available in three sizes.

23Quickpole AccessoRies

QUiCKLoKQrT

The ambient QuickLok quick release tip for microphone assemblies is the fi rst snap connection noise-free enough to allow for professional boom action and similar applications.

The body of the QuickLok mounts onto the 3/8” thread of a microphone boom or stand and is secured in place via a grub screw. The tip fi ts into the mic support and can be tightened securely using a screwdriver or similar through a cross hole. The ingenious mechanism with tapered design provides a rigid, absolutely rattle free joint and has a self-locking and self-locating action.

This universal piece will fi nd its place for quick disassembly of rigs, microphones, antennas and more not only on location, but also in music recording studios.

proD.nr. DesCripTion

QRt Quick release tip incl. 2x threaded tips QRtt extra 3/8“ threaded tip for Quicklok

VerTiCaL sWiVeLQaVs

This 2-axes swivel is used for mic assemblies (stereo Bar, a-raY, etc.), which are suspended from a boom such as the Jumbo series.it ensures that the mic assembly always levels out horizontally independent of the angle the boom is set at. When the boom is vertical the mikeLink prevents the microphone assembly from contacting the boom and thus making noise.

it also allows the microphone position to be set up at ground level and then be swung up into position.

proD.nr. DesCripTion

QAVs mikelink vertical swivel

sTereoBarQams

The Qams is a highly fl exible microphone mount for your stereo recordings. infi nitely variable distances between 6 and 46,5 centimeters give you the possibility to record with sophisticated stereo techniques from XY to aB.

proD.nr. DesCripTion

QAms stereo mic bar with sliding screws

stereo recordings. infi nitely variable

46,5 centimeters give you the possibility to record with sophisticated stereo

stereo mic bar with sliding screws

24 Quickpole AccessoRies

proD.nr. DesCripTion

Qum universal mic swivel

proD.nr. DesCripTion

QAt top tip multifunction support accessoryQAt/Ad spigot with internal and outer 3/8” threadQAt-eco XlR tip QAt-eco/kabel QAt-eco with thin cable for wind shield

QaT & QaT-eCo/KaBeLThe Top Tip (QaT) is milled out of aircraft aluminum and is fully confi gurable by the user. The XLr Tip (QaT-eco/Kabel) is a simplifi ed version that, due to its simplicity and low cost, can always remain with the mic assembly when used with the spigot QaT-aD.

KeY FeaTUres• Comfortable break point. Used together with

QuickLok, (un) mounting a microphone/windshield combination becomes ”a snap“

• Compatible with any mic suspension or windshield

• greatly reduces handling noise compared to traditional setup due to very thin cable from XLr to mic

• mounting of plug-on transmitter at the boom tip

• rigid construction guarantees that the transmitter will not move around or knock against the boom

• Confi gurable for mono or stereo microphones.• easy repairs or re-confi guration using standard

neutrik connectors.• Thin fl exible cable is available from ambient

QAt

• Comfortable break point. Used together with top tip set

• Confi gurable for mono or stereo microphones.• easy repairs or re-confi guration using standard QAt-eco/

kabel

TWisTerQUm

The Twister is a knuckle joint with two axes of rotation allowing the mic assembly to be adjusted horizontally independent of the booming angle.

This is essential with the use of stereo or surround microphones to maintain a correct perspective reproduction.

25Quickpole AccessoRies

typical application

QUiCKpoLe WireLess BoomQWB

growing complexity of the scene, less time for setup and the demand to have the microphone instantly on spot are common for location sets or eng situations of today. The requirements make a wireless boom the system of choice. although some manufacturers provide plug-on transmitters for this purpose, these units lack the versatility of a traditional transmitter that can also be used to quickly wire up an actor or reporter on demand. ambient recording introduces the QWB and Ump ii set that addresses this issue and enables a belt back to transmit the signal of any powered microphone.

The QWB (Quickpole Wireless Boom) resembles a mounting plate for transmitter and the mic power supply at the tip of the boom.

This is a preferred position since it reduces cable clutter, allows for quick collapsing and expanding of the boom and provides a wide operation range with a minimum of interference.

Due to the use of our Quickpole standard carbon fi ber tube for the mid-axis and thin aluminum for the mounting plates the construction is lightweight but very sturdy at the same time.

Velcro straps and soft pads provide quick, easy and save mounting of any common belt pack TX and the Ump ii microphone power supply.

proD.nr. DesCripTion

QWB mounting plate for ump ii and transmitter QWB-Re Rain cover for QWB with ump ii / tX

typical application

the demand to have the microphone instantly on spot are common for location sets or eng situations of today. The requirements make a wireless boom the system of choice. although some manufacturers provide plug-on transmitters for this purpose, these units lack the versatility of a traditional transmitter that can also be used to quickly wire up an actor or

ambient recording introduces the QWB and Ump ii set that addresses this issue and enables a belt back to transmit the signal of any powered

The QWB (Quickpole Wireless Boom) resembles a mounting plate for transmitter and the mic power supply at the tip of the boom.

This is a preferred position since it reduces cable clutter, allows for quick collapsing and expanding of the boom and provides a wide operation range with a minimum of

Due to the use of our Quickpole standard carbon fi ber tube for the mid-axis and thin aluminum for the mounting plates the construction is lightweight but very sturdy at the

Velcro straps and soft pads provide quick, easy and save mounting of any common belt pack TX and the Ump ii microphone power supply.

mounting plate for ump ii and transmitter Rain cover for QWB with ump ii / tX

26 micRopHoNes

emesseraTe 208

The aTe 208 emesser is a very small ”fi gure-of-eight“ microphone intended to convert any boom mic on the fl y into a m/s stereo system.Featuring a high quality 48 V ph powered real condenser capsule, it delivers an enhanced dynamic range required for critical recordings.

The aTe 208 set comes complete with mounting clip and Y-loom, which outputs both m and s signals in a standard balanced 5-pin XLr. including all the necessary accessories and allowing continued use of the existing shotgun mic, suspension and windshield it off ers a very economic solution for those who don‘t want to part with their favored shotgun to go stereo. Due to the m/s technology and the same mic being used for dialogue and ambience recordings seamless transitions between mono and stereo are feasible without alteration of the sound characteristics. The frequency response therefore was custom-tailored to match the acoustic pattern of typical boom mics at 90° with the characteristic, distinct bass roll-off .

The result is a distinguished stereo perception with pronounced presence and minimal negative phase correlation at the low end with exceptional good suppression of handling noise.

emesser

very small ”fi gure-of-eight“ microphone intended to convert any boom mic on the fl y into a m/s stereo system.Featuring a high quality 48 V ph powered real condenser capsule, it delivers an enhanced dynamic range required for critical recordings.

The aTe 208 set comes complete with mounting clip and Y-loom,

TinYmiKeaTm 216

This high quality miniature microphone can work straight of the low voltage power on DsLr or small DV cameras. alternatively, an active adaptor cable allows phantom powered operation that makes it all the same a suitable accessory for the popular small HD cameras with XLr inputs. meeting the requirements of most common camera types, the Tinymike is available in preconfi gured sets, which contain all necessary bits and pieces. a special adapter also allows for boom or stand mount operation.

The Tinymike has been successfully used in many documentaries and broadcast applications and was rewarded with the Cinec award for technical innovation.

cinec Awardwinner

The Tinymike has been successfully used in many documentaries and broadcast applications and was rewarded with the Cinec award for technical innovation.

27micRopHoNes

proD.nr. DesCripTion

Atm216HdslR kit for use with dslR camera contains (1), (2), (3), (4), (7) and (8)Atm216pH kit for camera with 48 V ph power contains (1) - (6)

Atm216 tinymike miniature electret shotgun microphone (1)AtmWs Velvet foam windshield (2)AtmWJ Fluff y windgag (3)AtHRY custom Rycote suspension incl. insert and QBs hot shoe mount (4)AtHpd concentric mounting adaptor with variable diameter to fi t all generic mic brackets (5)Atmemp Active adaptor cable (6)Atm3.5 Adaptor cable Binder 3-pin to 1/8“ jack, damped (7)Atm3.5H Adaptor cable Binder 3-pin to 1/8“ jack, undamped (8)

AtB101 Boom adaptorAtmB tinyBar two way hot-shoe mountAtmp mounting plateQBs mounting adaptor for 3/8“ female threads incl. Allen key®

Atm216pHuniversal tinymike kit

for cameras with 48 V ph XlR power.

(1)

(2)

(3)

(5)

(6)

(7)

(8)

(4)

Atmp

AtmB

Atmp

AtB 101

QBs

28 micRopHoNe poWeR supplY

UniVersaL miCropHone poWer sUppLYUmp ii

The Ump ii was consequently designed for use on the boom tip tip or as small belt-pack. The case is very light and uses 2 aa cells for low weight and high energy.

The autonomous supply avoids additional drain of the belt pack‘s batteries and thus ensures long battery lifetime plus making the unit compatible with any transmitter with mic-level input.

in- and output connectors allow for individual confi guration and are keyed against accidental interchange.

a 4 colored LeD interface indicates battery status and selected powering mode that covers 12 and 48 Volt phantom plus 12 V T-power.

proD.nr. DesCripTion

ump ii universal microphone powering p48 / p12 / t12ump-Bc ump ii belt clip

eLeCTreT miCropHone poWer sUppLYemp

The emp nicknamed ”The eumel“ (pronounce ”oymal“, german for widget) is exactly that: a small widget that allows hardwired use of lavalier mics. it converts phantom 48 V to 5.6 V electret power and outputs the signal electronically balanced with low impedance. a range of models is available with standard sockets to fi t the plugs of most popular wireless systems in 2 or 3-wired confi guration.

proD.nr. DesCripTion

emp06l ph 48 volts electret converter for micron (new)emp2B ph 48 volts electret converter for microdot & dpAemp2l ph 48 volts electret converter for sennheiser 1000emp3.5 ph 48 volts electret converter for sennheiser evolutionemp3l ph 48 volts electret converter for sennheiser sk 50 oder sk 250emp3s ph 48 volts electret converter for AkGemp4l ph 48 volts electret converter for Audio ltd. mini tXemp4s ph 48 volts electret converter for shureemp5s ph 48 volts electret converter for lectrosonicsemp6l ph 48 volts electret converter for Audio ltd.emp8l ph 48 volts electret converter for micron (old)

ump-Bc optional belt clip available

amBienT ”soUnD FisH“ asF-1

The asF-1 is completely designed and manufactured by ambient recording in response all the requests for a professional-quality, yet aff ordable hydrophone designed specifi cally for use with standard audio gear. We exceeded our expectations. The result is an extremely natural sounding, low noise underwater microphone. Well, it took us nearly 3 years but fi nally we did it.

crystal clear, low noise audio from infra- to ultrasound

With the development of the ambient ”sound Fish“ we focused on high audio quality with best handling. Therefore we designed a linear, low distortion microphone preamp off ering a linear frequency response from 10 Hz - 40 kHz.

Works with standard 48 V phantom power

Following our idea to create an underwater microphone for professional sound recordists, we worked hard to build a hydrophone which can be fed directly from standard 48 V phantom power. Thus, this microphone works right out of the box with all professional audio gear using standard XLr connections. no adapters are required!

Waterproof up to 100 m

The asF-1 is machined out of high-quality, stainless steel (V4a) and can easily withstand the water pressure of 100 m depth. additionally, the cable material (specially formulated nBr, V4a polyurethane) was selected for its long term resistance against seawater corrosion.

soNAR suRRouNd 29

30 soNAR suRRouNd

LoW noise HYDropHoneTC 4042

The ambient TC 4042 is the all-rounder within the ambient hydrophone range. not as sensitive as the 4032 but with an exceptional snr it is perfectly suited for every sea-state and high peak levels. Due to its compact size the TC4042 will match perfectly with sonar surround directivity spheres where the high-pressure zone in front of the sphere compensates for the slight high frequency roll-off compared to the 4032. This makes it a premium choice for submarine multichannel recordings.

LoW noise sea-sTaTe Zero HYDropHoneTC 4032

The ambient TC 4032 is a so-called ”sea-state Zero Hydrophone“.This refers to the highest sensitivity achievable at most natural sound characteristics. Based on the TC4032 by reson the ambient 4032 kit is ready for direct interfacing to state-of-the-art audio recorders and mixers. With a linear frequency response from 5 Hz up to 100 kHz combined with a signal to noise ratio second to none within the underwater sound world it is suited best for omnidirectional mono recordings under water.

proD.nr. DesCripTion

AsF-1 professional hydrophone, 10 m cable, 48 Vph poweredtc 4032 ultra low noise hydrophone with build-in 10 dB preamplifi er, w/o connector, w/o cabletc 4042 low noise hydrophon, with build in 20 dB preamplifi er, w/o connector, w/o cable

included 10 m underwater cable with professional underwater connector

Within the purchased parts package we included a 10 meter underwater cable with sealed aHs V4a underwater connector. Thus, the aFs-1 can be used right out of the box without additional adapters or cables. other cable lengths are available on request.

KeY FeaTUres:• Frequency response: 7 Hz - 40 kHz (-3 dB)• polar pattern: omni directional• THD: 0,1 % (10 Hz - 40 kHz)• Dimensions: 180 mm x 25 mm• max depth: 100 m• Housing material: V4a stainless steel• encapsulating material: special formulated nBr• Weight (without cable): 270 g• power supply: 48 V phantom• included detachable 10 m underwater cable• special designed stainless steel aHs underwater connector

31soNAR suRRouNd

sAe Alumni Award winning system

DireCTiViTY spHereDs-30

maritime life fi lls the underwater world with countless interesting sounds.

Due to the particular acoustic characteristics of that

medium, it has been impossible to make high quality multi channel

recordings under water - until now.

after two years of research sonar surround has succeeded in developing a new awarded and patented technique to give omnidirectional hydrophones a polar pattern close to a super-cardioid. Thus sound mixers now have the possibility to utilize approved recording techniques even underwater.

soUnD CHaraCTerisTiCs: polar pattern 30 cm rs*

* measured with airborne sound; calculated for 1500m/s sound velocity

sonar miX DigiTaLsmD

The sonar mix Digital is a 2-channel hydrophone preamp/interface. Based on the renowned UsB pre2 by sound Devices, the sonar mix Digital off ers high quality mic preamps, eff ective brickwall limiters and a high insensitivity against humidity. To fulfi ll the special demands of stationary hydrophone installations all necessary components have been arranged user-friendly in a 2 rU 19“. a central power supply and optimized signal routing overcomes the need for external adaptors and Y-splitters. additionally the radiating audio ground can be connected with the water through a galvanic anode. if plugged to a mac, pC or Linux system the sonar mix Digital transforms into a class-compliant computer audio-interface. This way you are always able to record in highest quality (192 kHz, 24 Bit) the hydrophone sounds directly on your Computer. With this feature scientists can use the installation for research purposes up to 85 kHz without disturbing the live stream at any time they want.

32 soNAR suRRouNd

rUggeD sTereoBar For 2 Ds DireCTiViTY spHeresrs-2

The rs-2 is made out of anodized aluminum and fi nished with universal joints glued in under high pressure.The massive pom clamp off ers high stability and fl exibility for optimized balance and buoyancy.The rs-2 can easily be attached to the sD-UW.

sUrroUnD rigrs-5

The rs-5 rig consists of two rs-2, which are jointed with one center bar.Thus it also is made out of anodized aluminum and fi nished with universal joints glued in under high pressure. The special reinforced pom clamps are easily able to hold up to six fl ooded Ds-30 spheres.

Finding the perfect buoyancy and balance is simple thanks to a 3/8“ thread attached to the center clamp of the rs-5.

Disassembling the rig is done within seconds by only unscrewing 4 wing nuts. The single bars with only 80 cm length will fi t easily into any diving bag.

33soNAR suRRouNd

UnDerWaTer HoUsingsD-UW

The housing is made out of hard-anodized seawater resistant aluminum and afterwards pTFe coated which gives it the highest possible durability and stability.

The likewise machined cover off ers a perfect sight on all meters and displays of the recorder thanks to a rugged makrolon window.

all sound Devices 7 series recorders are attached within seconds thanks to a fl exible mount.

Up to 8 waterproofed, underwater connectors allow you to record with most sophisticated surround techniques.

Thanks to a mechanic or electronic remote (available upgrade) the diver has full control over gain, record and stop as well as power functions. Two handles off er optimal usability underwater even with the rs-2 and rs-5 surround rig also thanks to slightly negative buoyancy, which can easily be adjusted depending on whatever you like to attach to your housing.

With its static design the sD-UW is waterproof up to a depth of 100 m.

This underwater housing was made to carry a complete sound system and can easily be enlarged to a video, sound and light system thanks to 5 threads on housing and handles.

34 cABles

aUDio CaBLes & aDapTorsambient supplies all standard audio cables as well as customized solutions.

our high quality microphone cables are produced in any required length and layout up to 8 channel multicores.

all cables are hand assembled in germany by our highly trained staff and tested considerably in a two-step quality check. This way we can guarantee that an ambient audio cable will measure up to the high expectations you rightfully have of an ambient recording product.

Knowing that a chain is always just as strong as the weakest link, at ambient we are paying greatest attention to which is often neglected and dealt with low priority.

requirements for location equipment diff er considerably from stage applications; still most suppliers provide cables exclusively for that purpose.

Though thin in diameter the polyurethane gives an exceptional robustness and retain it‘s fl exibility and integrity over a wide temperature range making it the ideal choice for rough outdoor use. Cord supported stranded wires and braided shielding add to the mechanical strength and assures best signal immunity against interferences of any kind.

proD.nr. DesCripTion

mk mono microphone cable, Ø 3,8 mm, length on request mks stereo microphone cable, Ø 4,55 mm, length on request

Find the full audio cable selection on our website:

http://www.ambient.de/en/products/ambient-recording/cables/audio-cables.html

35cABles

CoiLeD BreaKaWaY CaBLesFor eng miXers

our coiled breakaway cables off er high fl exibility with high comfort. no dangling cables to step on and no hasty cable length adjustments anymore but full concentration on the sound.

The ambient breakaway cables are high quality custom made multicores with best electrical shielding and imperishable polyurethane coating. The 1.8 m long cable can easily be extended to 4 meters without losing the tensions even after years.

We off er diff erent versions for all commonly used eng mixers. This way additional adaptors or cables can be avoided and the sound bag remains tidy and clearly arranged.

proD.nr. DesCripTion

HBs 302 coiled breakaway cable for sound devices 302, mixpre-d, Wendt X2 and shure Fp24mks HBs10Y7-35 for sound devices 442 / 442N, 552, sQN4 (old designs), cooper cs104, tW electronic lp44 / lp4 32 with Y-cable (HBY7-35)

Find the full breakaway cable selection on our website:

http://www.ambient.de/en/products/ambient-recording/cables/breakaway-cables.html

Time CoDe / sYnC CaBLesWith our own market leading time code generator series we know how much is depending on the cable quality. a broken time code cable can make the diff erence between make and break of a production. Therefor all cables are manufactured in our own workshop by hand solely with high quality components. our two step quality control ensures that you get the quality you rightfully expect from an ambient product.

proD.nr. DesCripTion

ltc-out/epic lockit time code output cable to Red epic/scarlet tc-sYNc/epic lockit time code & sync output split cable for Red epic/scarlet

Find the full time code selection on our website:

http://www.ambient.de/en/products/ambient-recording/cables/timecode-cables.html

Time CoDe / sYnC CaBLes

high quality components. our two step quality control ensures that you get the quality you rightfully expect from an ambient product.

36 poWeR supplY

porTaBLe poWer soLUTionsaKKUpaK, VpaK, npFpaK & HVB

generally all Hirose distribution boxes – with 4, 6 or 10 Hirose sockets – have a lead with Hirose 4-pin connector. on request we also manufacture the boxes with a lead to 4-pin XLr male connector.

The aKKUpaK has a closed, spring-loaded np1 compartment and is mounted onto a plate that will ensure fi rm fi t in the pouch and provide a compact, rigid support for radio receivers etc. to be velcroed in place.

The VpaK ii is suited for standard V-mount batteries and has available Hirose sockets up to 5 units and internal, reversible fuse (release current: 10 a). The VpaK-302 mod ads a plate with two mounts for slot-in receivers and brackets to fi x a sound Devices 302 mixer to the VpaK ii (Versions for 552 and 664 are available, too).

AkkupAk

proD.nr. DesCripTion

AkkupAk Np 1 battery case with 3 pcs. Hirose 4-pin sockets and 1 cable with Hirose 4-pin plug connectorVpAk ii V-lock battery mount 4 x Hirose 4-pin socket, output cable w/ Hirose 4-pin plug connectorVpAk-302 V-lock battery mount for two receiver and sd 302 mixerHVB-10 Hirose distribution box, 10x 4-pin sockets and lead to Hirose 4-pin plug connectorHVB-4 Hirose distribution box, 4x 4-pin sockets and lead to Hirose 4-pin plug connectorHVB-6 Hirose distribution box, 6x 4-pin sockets and lead to Hirose 4-pin plug connector

example for use

VpAk-302VpAk-302

HVB

VpAk ii

37ReceiVeR slot

proD.nr. DesCripTion

Vslot V-mount slot for unislot receiverVsl-X5 Adaptor cable, tA5F to 5-pin XlR male, length approx. 65 cmVsl-2X3 Adaptor cable, tA5F to double 3-pin XlR male, length approx. 20 cmVsl-1X3 Adaptor cable, tA5F to 3-pin XlR male, length approx. 20 cm, for mono radio linkVsl-2tA3 Adaptor cable, tA5F to double tA3F, length approx. 40 cm, for sound devices 788t e.g.

V-moUnT CHassisVsLoT

many professional video cameras are equipped with a V-mount battery terminal. But only few also off er a possibility for slide-in radio receivers. The ambient V-sLoT chassis provides the solution: mounted between the camera and battery supply, the power is looped through to the camera, simultaneously powering the receiver. Here the common V-mount system is being used, adaptation to other systems like e.g. anton Bauer are possible with standard adaptor panels.

The V-sLoT can be used with all receivers equipped with a Unislot connector (25-pin D-sub). To off er highest fl exibility, a Ta5m jack is attached at the bottom, off ering two balanced outputs for dual receivers. This way dangling cables become a relic of the past due to customizable cables for every camera type.

Thanks to the ambient V-sLoT every V-mount equipped camera can be transformed into a compact eng camera system.The slot will be delivered with standard adaptor cable VsL-2X3.

VsLoT

38 HH AdAptoR

proD.nr. DesCripTion

HHA sennheiser 5000 microphone capsules to lectrosonics (1)

HHA-s sennheiser 5000 microphone capsules to shure & sony mount (2 + 3)

HHA-ss sennheiser 5000 microphones to sennheiser evolution, 2000 & 9000 mount (4)

HHA-sHs shure compatible microphones to sennheiser evolution, 2000 & 9000 mount (5 + 6)

HHA-ssH sennheiser 2000/9000 microphone capsules to sony, shure & lectrosonics mount (7)

HHA-BsH Beyerdynamic microphone capsules to shure mount (8)

HHA-sHB shure microphone capsules to Beyerdynamic mount (9)

HanDHeLD aDapTor seriesadapts most common microphone heads to handhelds with sennheiser or shure compatible mount such as sony, Lectrosonics, Zaxcom or Lectrosonics mount.

1)

2)

3)

4)

5)

6)

7)

8)

9)

Ambient Recording GmbHSchleissheimer Str. 181c

d -80797 MunichGermany

Tel: +49 89 3605510-0Fax: +49 89 6518558

Email: info@ambient.dewww.ambient.de

AUGUST 2014

experience quality.