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1
Brandon ShieldsSophomore Portfolio
2015 Portfolio ReviewVirginia Commonwealth UniversitySchool of the ArtsDepartment of Graphic Design
2 This page is intentionally left blank.
3
Design Form & CommunicationJas StefanskiFall 2014
4
Design Form & Communication Project 12000 Photos
Forms in space are total dictators18 in. x 24 in. bond paper
Brandon Shields Forms in space are total dictators
5
Design Form & Communication Project 12000 Photos
Forms in space are total dictators18 in. x 24 in. bond paper
6
Design Form & Communication Project 2Video Response
Silent Video1 minute video
7
Design Form & Communication Project 2Video Response
Circular Space18 in. x 24 in. bond paper
8
Design Form & Communication Project 3Zine-Posters
Hashtag8.5 in. x 11 in. transparent vellum
9
Design Form & Communication Project 3Zine-Posters
Hashtag8.5 in. x 11 in. transparent vellum
10 This page is intentionally left blank.
11
Design Form & Communication Project 4Independent Project
Visual Braille11 in. x 8.5 in. paper
12 This page is intentionally left blank.
13
Imaging ISarah BaughFall 2014
14
Imaging I Project 1Neighborhood Installation
Pinwall8.5 in. x 11 in. paper
15
Imaging I Project 1Neighborhood Installation
Pinwall8.5 in. x 11 in. paper
16
Imaging ISarah Baugh
Project 210x10x100
No Title7 in. x 9 in. colored paper
17
Imaging ISarah Baugh
Project 210x10x100
No Title7 in. x 9 in. colored paper
18
Imaging I Project 3Accordian Book
Reliable7 in. x 10 in. matte paper
19
Imaging I Project 3Accordian Book
Reliable7 in. x 10 in. matte paper
20 This page is intentionally left blank.
21
Imaging I Project 4Space and Time
Easier Said Than Done24 in. x 18 in. matte paper
22 This page is intentionally left blank.
23
Imaging I Project 5Tarot Card Final
The Emperor18 in. x 24 in. satin paper
24 “What an army!”
They were in the Twilight Strip!
7 — “Okay, okay. No need to go into that.” Haroun noticed that old General Kitab himself, mounted on a winged mechanical horse very like Bolo’s, was flitting from Barge-Bird to Barge-Bird to keep in touch with the various discussions; and such was the freedom evidently allowed to the Pages and other citizens of Gup, that the old General seemed perfectly happy to listen to these tirades of insults and insubordination without batting an eyelid. In fact, it looked to Haroun as if the General was on many occasions actually provoking such disputes, and then joining in with enthusiastic glee, sometimes taking one side, and at other times Gust for fun) expressing the opposite point of view.
The sounds of heated quarrelling came across the water from the Barge-Birds: “I say it’s a Wild Goose Chase to go after Batcheat!” — “Yes, and what’s more, she looks like a Wild Goose, too.” — “How dare you, sirrah? That’s our beloved Princess you’re talking about; our estimable Prince Bolo’s intended and beauteous bride!” —
“No,” said Haroun flatly. “We shall not begin.” Rashid was beside himself with delight. “Well, well, well, young Haroun Khalifa,” he chortled, “you certainly did make some blinking funny friends.”
And so the Guppee armada proceeded on its merry way, with all its members busily dissecting General Kitab’s most secret battle-plans (which, of course, he cheerfully revealed to anyone who cared to ask). These plans were itemized, scrutinized, rationalized, analysed, mulled over, chewed over, made much of, made little of, and even,
after interminable wranglings, agreed. And when Rashid Khalifa, who was beginning to be as dubious as Haroun about the value of so much’ loose talk, ventured to question its wisdom, then Iff and Butt and Mali and Goopy and Bagha fell to arguing about this question, too, with as much energy and passion as before.
Only Prince Bolo remained aloof Prince Bolo rode his flying mechanical steed through the sky at the head of the Guppee forces, saying nothing, looking neither to left nor right, his eyes fixed
on the far horizon. For him there was no argument; Batcheat came first; the issue was beyond dispute.
“How is it,” Haroun wondered, “that Bolo can be so certain, when every other Guppee in this armada seems to take for ever to make up his mind about anything?”
It was Mali, the floating Gardener, striding along beside him, walking on the water, who replied in flowery voice through fleshy “lilac lips.”
“It is Love,” Mali said. “It is all for Love. Which is a wonderful and dashing matter. But which can also be a very foolish thing.”
The light failed slowly, then more quickly.
“Beauteous? Have you forgotten that voice, that nose, those teeth … ?”
declaimed Butt the Hoopoe, “if you then say they must not utilize same? And is not the Power of Speech the greatest Power of all? Then surely it must be exercised to the full?”
“It’s certainly getting a lot of exercise today,” Haroun replied. “I don’t believe you Guppees could keep a secret to save your lives.”
“We could tell secrets to save our lives, however,” Iff replied. “I, for example, know a large many secrets of great juiciness and interest.”
“I, also,” Butt the Hoopoe said without moving its beak. “Shall we begin?”
Haroun mused. “If any soldiers behaved like this on Earth, they’d be court-martialled quick as thinking.”
“But but but what is the point of giving persons Freedom of Speech,”
INTO THE TWILIGHT
STRIP
HAROUN AND THE SEA OF STORIESSALMAN RUSHDIE
This page is intentionally left blank.
25“What an army!”
They were in the Twilight Strip!
7 — “Okay, okay. No need to go into that.” Haroun noticed that old General Kitab himself, mounted on a winged mechanical horse very like Bolo’s, was flitting from Barge-Bird to Barge-Bird to keep in touch with the various discussions; and such was the freedom evidently allowed to the Pages and other citizens of Gup, that the old General seemed perfectly happy to listen to these tirades of insults and insubordination without batting an eyelid. In fact, it looked to Haroun as if the General was on many occasions actually provoking such disputes, and then joining in with enthusiastic glee, sometimes taking one side, and at other times Gust for fun) expressing the opposite point of view.
The sounds of heated quarrelling came across the water from the Barge-Birds: “I say it’s a Wild Goose Chase to go after Batcheat!” — “Yes, and what’s more, she looks like a Wild Goose, too.” — “How dare you, sirrah? That’s our beloved Princess you’re talking about; our estimable Prince Bolo’s intended and beauteous bride!” —
“No,” said Haroun flatly. “We shall not begin.” Rashid was beside himself with delight. “Well, well, well, young Haroun Khalifa,” he chortled, “you certainly did make some blinking funny friends.”
And so the Guppee armada proceeded on its merry way, with all its members busily dissecting General Kitab’s most secret battle-plans (which, of course, he cheerfully revealed to anyone who cared to ask). These plans were itemized, scrutinized, rationalized, analysed, mulled over, chewed over, made much of, made little of, and even,
after interminable wranglings, agreed. And when Rashid Khalifa, who was beginning to be as dubious as Haroun about the value of so much’ loose talk, ventured to question its wisdom, then Iff and Butt and Mali and Goopy and Bagha fell to arguing about this question, too, with as much energy and passion as before.
Only Prince Bolo remained aloof Prince Bolo rode his flying mechanical steed through the sky at the head of the Guppee forces, saying nothing, looking neither to left nor right, his eyes fixed
on the far horizon. For him there was no argument; Batcheat came first; the issue was beyond dispute.
“How is it,” Haroun wondered, “that Bolo can be so certain, when every other Guppee in this armada seems to take for ever to make up his mind about anything?”
It was Mali, the floating Gardener, striding along beside him, walking on the water, who replied in flowery voice through fleshy “lilac lips.”
“It is Love,” Mali said. “It is all for Love. Which is a wonderful and dashing matter. But which can also be a very foolish thing.”
The light failed slowly, then more quickly.
“Beauteous? Have you forgotten that voice, that nose, those teeth … ?”
declaimed Butt the Hoopoe, “if you then say they must not utilize same? And is not the Power of Speech the greatest Power of all? Then surely it must be exercised to the full?”
“It’s certainly getting a lot of exercise today,” Haroun replied. “I don’t believe you Guppees could keep a secret to save your lives.”
“We could tell secrets to save our lives, however,” Iff replied. “I, for example, know a large many secrets of great juiciness and interest.”
“I, also,” Butt the Hoopoe said without moving its beak. “Shall we begin?”
Haroun mused. “If any soldiers behaved like this on Earth, they’d be court-martialled quick as thinking.”
“But but but what is the point of giving persons Freedom of Speech,”
INTO THE TWILIGHT
STRIP
HAROUN AND THE SEA OF STORIESSALMAN RUSHDIE
David ShieldsFall 2014
Typography I
26
Typography I Project 1Ligatures
Representational Ligature18 in. x 24 in. bond paper
27
Typography I Project 1Ligatures
Fictional Ligature18 in. x 24 in. bond paper
28
Typography I Project 2Slogan
Proven on Instagram18 in. x 24 in. bond paper
Proven onInstagram
29
Typography I Project 2Slogan
Proven on Instagram18 in. x 24 in. bond paper
PROVEN ONInstagram
30
Typography I Project 3Running Text
Into the Twilight Strip8 in. x 10 in. book
31
Design Form & Communication Project 3Running Text
Into the Twilight StripHTML
32
Typography I Project 4Contrast in the Grid
The Pritzker Architecture Prize8 in. x 8 in. paper
The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture. It is often referred to as the Nobel Prize of architecture.
2014 recipient: Shigeru Ban
Awards Ceremony June 13, 2014
Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
The prize carries a grant of $100,000.
Philip Johnson was the first Laureate in 1979.
The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.
2014 recipient: Shigeru Ban
Awards Ceremony June 13, 2014
Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
It is often referred to as the Nobel Prize of architecture. Philip Johnson was the first Laureate in 1979.
The prize carries a grant of $100,000.
The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.
2014 recipient: Shigeru Ban
Awards Ceremony June 13, 2014
Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
It is often referred to as the Nobel Prize of architecture. Philip Johnson was the first Laureate in 1979.
The prize carries a grant of $100,000.
The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.
2014 recipient: Shigeru Ban
Awards Ceremony June 13, 2014
Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
It is often referred to as the Nobel Prize of architecture.
Philip Johnson was the first Laureate in 1979.
The prize carries a grant of $100,000.
The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.
2014 recipient: Shigeru Ban
Awards Ceremony June 13, 2014
Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
It is often referred to as the Nobel Prize of architecture. Philip Johnson was the first Laureate in 1979.
The prize carries a grant of $100,000.
The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture. It is often referred to as the Nobel Prize of architecture. Philip Johnson was the first Laureate in 1979. The prize carries a grant of $100,000.
2014 recipient: Shigeru Ban
Awards Ceremony June 13, 2014
Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.
2014 recipient: Shigeru Ban
Awards Ceremony June 13, 2014
Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
It is often referred to as the Nobel Prize of architecture.
Philip Johnson was the first Laureate in 1979.
The prize carries a grant of $100,000.
The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.
2014 recipient: Shigeru BanAwards Ceremony June 13, 2014
Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
It is often referred to as the Nobel Prize of architecture.
Philip Johnson was the first Laureate in 1979.
The prize carries a grant of $100,000.
33
Typography Project 4Contrast in the Grid
The Pritzker Architecture Prize8 in. x 8 in. paper
The Hyatt Foundation established this award in 1979 to honor annually
a living architect who consistently and significantly contributed to
humanity and the built environment through the art of architecture.
2014 recipient: Shigeru Ban
Awards Ceremony June 13, 2014
Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
It is often referred to as the Nobel Prize of architecture.
Philip Johnson was the first Laureate in 1979.
The prize carries a grant of $100,000.
The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.
2014 recipient: Shigeru Ban
June 13, 2014Awards Ceremony
Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
It is often referred to as the Nobel Prize of architecture.
Philip Johnson was the first Laureate in 1979.
The prize carries a grant of $100,000.
The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture. Awards Ceremony June 13, 2014. Philip Johnson was the first Laureate in 1979. It is often referred to as the Nobel Prize of architecture.
2014 recipient: Shigeru Ban
Rijksmuseum in AmsterdamThe Pritzker Architecture Prize
The prize carries a grant of $100,000
The Hyatt Foundation established this award in 1979
to honor annually a living architect who consistently
and significantly contributed to humanity and the built
environment through the art of architecture. 2014 recipient: Shigeru Ban
Awards Ceremony June 13, 2014
Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
It is often referred to as the Nobel Prize of architecture.
Philip Johnson was the first Laureate in 1979.
The prize carries a grant of $100,000
The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.
2014 recipient: Shigeru Ban
Awards Ceremony June 13, 2014 Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
It is often referred to as the Nobel Prize of architecture.
Philip Johnson was the first Laureate in 1979.
The prize carries a grant of $100,000.
The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture. Awards Ceremony June 13, 2014. Philip Johnson was the first Laureate in 1979. It is often referred to as the Nobel Prize of architecture.
2014 recipient: Shigeru Ban
Rijksmuseum
in Amsterdam
The Pritzker Architecture Prize
The prize carries a grant of $100,000
The Hyatt Foundation
established this award in
1979 to honor annually
a living architect who
consistently and significantly
contributed to humanity and
the built environment through
the art of architecture.
2014 recipient: Shigeru Ban
Awards Ceremony
June 13, 2014
Rijksmuseum in Amsterdam
The Pritzker Architecture Prize
It is often referred to as the Nobel Prize of architecture.
Philip Johnson was the first Laureate in 1979.
The prize carries a grant of $100,000.
34 This page is intentionally left blank.
35
Typography I Project 5Haroun and the Sea Stories
Chapter 718 in. x 24 in. bond paper
“What an army!”
They were in the Twilight Strip!
7 — “Okay, okay. No need to go into that.” Haroun noticed that old General Kitab himself, mounted on a winged mechanical horse very like Bolo’s, was flitting from Barge-Bird to Barge-Bird to keep in touch with the various discussions; and such was the freedom evidently allowed to the Pages and other citizens of Gup, that the old General seemed perfectly happy to listen to these tirades of insults and insubordination without batting an eyelid. In fact, it looked to Haroun as if the General was on many occasions actually provoking such disputes, and then joining in with enthusiastic glee, sometimes taking one side, and at other times Gust for fun) expressing the opposite point of view.
The sounds of heated quarrelling came across the water from the Barge-Birds: “I say it’s a Wild Goose Chase to go after Batcheat!” — “Yes, and what’s more, she looks like a Wild Goose, too.” — “How dare you, sirrah? That’s our beloved Princess you’re talking about; our estimable Prince Bolo’s intended and beauteous bride!” —
“No,” said Haroun flatly. “We shall not begin.” Rashid was beside himself with delight. “Well, well, well, young Haroun Khalifa,” he chortled, “you certainly did make some blinking funny friends.”
And so the Guppee armada proceeded on its merry way, with all its members busily dissecting General Kitab’s most secret battle-plans (which, of course, he cheerfully revealed to anyone who cared to ask). These plans were itemized, scrutinized, rationalized, analysed, mulled over, chewed over, made much of, made little of, and even,
after interminable wranglings, agreed. And when Rashid Khalifa, who was beginning to be as dubious as Haroun about the value of so much’ loose talk, ventured to question its wisdom, then Iff and Butt and Mali and Goopy and Bagha fell to arguing about this question, too, with as much energy and passion as before.
Only Prince Bolo remained aloof Prince Bolo rode his flying mechanical steed through the sky at the head of the Guppee forces, saying nothing, looking neither to left nor right, his eyes fixed
on the far horizon. For him there was no argument; Batcheat came first; the issue was beyond dispute.
“How is it,” Haroun wondered, “that Bolo can be so certain, when every other Guppee in this armada seems to take for ever to make up his mind about anything?”
It was Mali, the floating Gardener, striding along beside him, walking on the water, who replied in flowery voice through fleshy “lilac lips.”
“It is Love,” Mali said. “It is all for Love. Which is a wonderful and dashing matter. But which can also be a very foolish thing.”
The light failed slowly, then more quickly.
“Beauteous? Have you forgotten that voice, that nose, those teeth … ?”
declaimed Butt the Hoopoe, “if you then say they must not utilize same? And is not the Power of Speech the greatest Power of all? Then surely it must be exercised to the full?”
“It’s certainly getting a lot of exercise today,” Haroun replied. “I don’t believe you Guppees could keep a secret to save your lives.”
“We could tell secrets to save our lives, however,” Iff replied. “I, for example, know a large many secrets of great juiciness and interest.”
“I, also,” Butt the Hoopoe said without moving its beak. “Shall we begin?”
Haroun mused. “If any soldiers behaved like this on Earth, they’d be court-martialled quick as thinking.”
“But but but what is the point of giving persons Freedom of Speech,”
INTO THE TWILIGHT
STRIP
HAROUN AND THE SEA OF STORIESSALMAN RUSHDIE
36
Drown in sweat
This page is intentionally left blank.
37
Drown in sweat
Design Methods & ProcessLauren ThorsonSpring 2015
38
Design Methods & Processes Project 1Digital Utopia
Seismic World11 in. x 17 in. digital illustration
SilentStress
Restrain
Release
39
Design Methods & Processes Project 1Physical Utopia
Lost souls need guidance8.5 in. x 11 in. cutouts
40
Design Methods & Processes Project 2Speculative Space Installation
Towers3D mapping projection on foamboards
41
Design Methods & Processes Project 2Speculative Space Installation
Towers3D mapping projection on foamboards
42
Design Methods & Processes Project 2Speculative Space Publication
United Typographic Territories Map34 in. x 22 in. bond paper
43
Design Methods & Processes Project 2Speculative Space Publication
United Typographic Territories Map34 in. x 22 in. bond paper
44
Design Methods & Processes Project 4Scroll
Quote by Lao Tze17 in. x 68 in. bond paper
45
Design Methods & Processes Project 4Scroll
Quote by Lao Tze17 in. x 68 in. bond paper
46
47
Design Methods & Processes Project 4Flag
Blue Cohort Flag3 ft. x 5 ft. silky faille
48
Design Methods & ProcessesLauren Thorson
Project 5Make A Day Publication
Rebound33.1 in. x 46.8 in. bond paper
49
Design Methods & ProcessesLauren Thorson
Project 5Make A Day Publication
Connection33.1 in. x 46.8 in. bond paper
50
AGGRESSIVEThis page is intentionally left blank.
51
AGGRESSIVE
Stephanie ClarkSpring 2015
Imaging II
52
Imaging II Project 1Mundane Objects
Aggressive 118 in. x 24 in. matte paper
AGGRESSIVE
53
Design Form & Communication Project 1Mundane Objects
Aggressive 218 in. x 24 in. matte paper
aggressive
54 This page is intentionally left blank.
55
Imaging II Project 1Mundane Objects
Aggressive 318 in. x 24 in. matte paper
56
Imaging II Project 2Vinyl Cover
Tetsuo & Youth12 in. Gatefold, 11.5 in. x 11.5 in. sheet
57
Imaging II Project 2Vinyl Cover
Tetsuo & Youth12 in. Gatefold, 11.5 in. x 11.5 in. sheet
120
2015
0
1. SUM
MER
2. MU
RAL
3. BLUR M
Y HAN
DS (FEAT. GU
Y SEBASTIAN)
4. DOTS & LIN
ES5. FALL
RECO
RD 1 / SIDE 1
RECO
RD 1 / SIDE 2
RECO
RD 2 / SIDE 1
RECO
RD 2 / SIDE 2
6. PRISON
ER 1&2 (FEAT. AYESHA JAC
O)
7. BODY O
F WO
RK (FEAT. TROI & TERR
ACE M
ARTIN)
8. LITTLE DEATH (FEAT. N
IKKI JEAN)
9. NO
SCR
ATCH
ES (FEAT. NIKKI JEAN
)
10. WIN
TER11. C
HO
PPER (FEAT. BILLY BLUE, BU
K OF
PSYCH
ODR
AMA, TRO
UBLE, TR
AE THA TRU
TH, FAM
LAY & G
LASSES MALO
NE)
12. DELIVER13. M
ADON
NA (AN
D OTH
ER MO
THERS IN
THE H
OO
D) [FEAT. N
IKKI JEAN]
14. ADOR
ATION
OF TH
E MAG
I (FEAT. CRYSTAL
“ROVEL” TO
RRES)15. TH
EY.RESURREC
T.OVER.N
EW. (FEAT. AB-SO
UL
& TROI)
16. SPRING
1. SUMMER / 1:26
2. MURAL / 8:48Wasalu Jaco, S. Johnson, Kyle Davison, D. Hampton,Alain Milon (Writers)The Buchanans (Producer)“Chanson d’Un Jour d’Hiver” performed by Alain Milon& Cortex (Sample credits)
3. BLUR MY HANDS (FEAT. GUY SEBASTIAN) / 5:27Jaco, Larry Griffin Jr., Mark London (Writers)S1, M-Phazes (Producers)
4. DOTS & LINES / 6:32Jaco, Simon Morel (Writers)Lupe Fiasco, DJ Simonsayz, JackLNDN (Producers)Nikki Jean (Background vocals)
5. FALL / 1:13
6. PRISONER 1&2 (FEAT. AYESHA JACO) / 8:36Jaco, Maurice Thomas (Writers)MoeZ’art (Producer)Nikki Jean (Background vocals)
7. BODY OF WORK (FEAT. TROI & TERRACE MARTIN) / 5:53Jaco, L. Griffin Jr., J. Griffin (Writers)S1, Vohn Beatz (Producers)Marisol (Background vocals)
8. LITTLE DEATH (FEAT. NIKKI JEAN) / 4:29Jaco, Nicholle Leary, L. Griffin Jr., J. Griffin (Writers)S1, Vohn Beatz (Producers)
9. NO SCRATCHES (FEAT. NIKKI JEAN) / 4:22Jaco, Leary, Morel, Robert Kelly (Writers)DJ Simonsayz (Producer)“You Remind Me of Something” performed by R. Kelly (Sample credits)
10. WINTER / 1:31
11. CHOPPER (FEAT. BILLY BLUE, BUK OF PSYCHODRAMA, TROUBLE, TRAE THA TRUTH, FAM LAY & GLASSES MALONE) / 9:32Jaco, Daucoury Natche, Adam Feeny, Pedritho Dorsonne, Jeffery Robinson, Mariel Orr, Frazier Thompson, Nathaniel Johnson, Charles Penniman (Writers)DJ Dahi (Producer)
12. DELIVER / 3:52Jaco, Tyrone Griffin, M. Thomas, P. Jones (Writers)MoeZ’art, Marcus Stephens (Producers)PJ, Ty Dolla $ign (Background vocals)
13. MADONNA (AND OTHER MOTHERS IN THE HOOD) [FEAT. NIKKI JEAN] / 4:43Jaco, Natche, Leary (Writers)DJ Dahi (Producer)
14. ADORATION OF THE MAGI (FEAT. CRYSTAL “ROVEL” TORRES) / 5:06Jaco, Natche (Writers)DJ Dahi (Producer)
15. THEY.RESURRECT.OVER.NEW. (FEAT. AB-SOUL & TROI) / 5:38Jaco, Natche, Herbert Stevens, M. Tucker (Writers)DJ Dahi, Blood Diamonds (Producers)
16. SPRING / 1:35
TETSUO & YOUTH LUPE FIASCO
CREDITS TO THE ATLANTIC RECORDING CORPORATION, A
WARNER MUSIC GROUP COMPANY.
RECORD 1
/
SIDE
1
1.
SUM
MER
2.
MURAL 3. BLUR MY
HANDS
(FEAT. GUY
SEBASTIAN)
4. DOTS
&
LINES 5. FALL RECORD 1 /
SIDE 2
6. PR
ISO
NER
1&2
(FEA
T.
AYES
HA
JACO
) 7.
BODY OF WORK (FEAT. TROI & TERRACE MARTIN) 8. LITTLE
DEATH (FEAT.
NIKKI
JEAN) 9.
NO SCRATCHES (FEAT. NIKKI JEAN)
RECORD 2 / SIDE 110. W
INTE
R 11. C
HOPP
ER (F
EAT.
BIL
LY B
LUE,
BUK
OF
PSYC
HODRAMA, TROUBLE, TRAE THA TRUTH, FAM LAY & GLASSES MALONE) 12. DELIVER 13. MAD
ON
NA (AN
D OTHER M
OTHERS IN THE HOOD) [FEAT. NIKKI JEAN] RECORD 2
/
SIDE
2 14
. AD
OR
ATIO
N O
F TH
E MAGI
(FEAT. CRYSTAL “ROVEL” TORRES)
15.
THEY.RESURRECT.OVER
.NEW
. (FEAT.
AB-SOUL
& TROI)
16. SPRING
58 This page is intentionally left blank.
59
Imaging II Project 3Psychogeographic Map
Barriers18 in. x 24 in.
BEWARE THERE IS A DOG
PLEASE DON’T CROSS
REROUTE YOUR VEHICLE
60 This page is intentionally left blank.
61
Daniel SinclairSpring 2015
Typography II
62
63
Typography II Project 1Typographer Fusion
Accept New Forms, Develop Loud Tensions24 in. x 36 in. matte paper
64
Typography II Project 2Newspaper Publication
via20.47 in. x 14.76 in. newspaper
65
Typography II Project 2Newspaper Publication
via20.47 in. x 14.76 in. newspaper
66
Typography II Project 3Type in Context
400 Stuart Circle Plaque18 in. x 33 in. matte on foamboard
67
Typography II Project 3Type in Context
400 Stuart Circle Plaque18 in. x 33 in. matte on foamboard
68
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