paper : ii - university of mysore
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Instructions for the Candidates 1. Write your roll number in the space provided on the top of this page. 2. This paper consists of Hundred multiple-choice type of questions. 3. At the commencement of examination, the question booklet will be
given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below :
(i) To have access to the Question Booklet, tear off the paper seal on the edge of the cover page. Do not accept a booklet without sticker seal or open booklet.
(ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given.
4. Each item has four alternative responses marked (A), (B), (C) and (D). You have to darken the circle as indicated below on the correct response against each item.
Example : A B C D
where (C) is the correct response.
5. Your responses to the questions are to be indicated in the OMR Sheet kept inside this Booklet. If you mark at any place other than in the circles in the OMR Sheet, it will not be evaluated.
6. Read the instructions given in OMR carefully. 7. Rough Work is to be done in the end of this booklet. 8. If you write your name or put any mark on any part of the OMR
Answer Sheet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification.
9. You have to return the OMR Answer Sheet to the invigilators at the end of the examination compulsorily and must nOT carry it with you outside the Examination Hall.
10. You can take away question booklet and carbon copy of OMR Answer Sheet after the examination.
11. Use only Blue/Black Ball point pen. 12. Use of any calculator, electronic gadgets or log table etc., is
prohibited. 13. There is no negative marks for incorrect answers. 14. In case of any discrepancy found in the Kannada translation of a
question booklet the question in English version shall be taken as final.
Paper : II
Subject : MUSIC
Subject Code : 40
Roll no.
OMR Sheet no. : ____________________
Name & Signature of Invigilator/s
Signature : _________________________________ name : _________________________________
Time : 2 Hours Maximum Marks : 200
number of Pages in this Booklet : 24 number of Questions in this Booklet : 100
K – 4020 1 ±Üâ.£.®æãà./P.T.O.
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2. D ±Ü£ÅPæ¿áá ŸÖÜá BÁáR Ë«Ü¨Ü ®ÜãÃÜá (100) ±ÜÅÍæ°WÜÙÜ®Üá° JÙÜWæãíw¨æ.
3. ±ÜÄàPæÒ¿á ±ÝÅÃÜí»Ü̈ ÜÈÉ, ±ÜÅÍæ° ±ÜâÔ¤Pæ¿á®Üá° ̄ ÊÜáWæ ̄ àvÜÇÝWÜáÊÜâ Ü̈á. Êæã Ü̈Æ 5 ̄ ËáÐÜWÜÙÜÈÉ
¯àÊÜâ ±ÜâÔ¤Pæ¿á®Üá° ñæÃæ¿áÆá ÊÜáñÜᤠPæÙÜX®Üíñæ PÜvÝx¿áÊÝX ±ÜÄàQÒÓÜÆá PæãàÃÜÇÝX¨æ.
(i) ±ÜÅÍæ°±ÜâÔ¤PæWæ ±ÜÅÊæàÍÝÊÜPÝÍÜ ±Üvæ¿áÆá, D Öæã©Pæ ±Üâo¨Ü Aíb®Ü ÊæáàÈÃÜáÊÜ
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¿ÞÊÜâ¨æà ÖæaÜác ÓÜÊÜá¿áÊÜ®Üã° PæãvÜÇÝWÜáÊÜâ©ÆÉ.
4. ±ÜÅ£Áãí¨Üá ±ÜÅÍæ°WÜã (A), (B), (C) ÊÜáñÜᤠ(D) Gí¨Üá WÜáÃÜá£Ô¨Ü ®ÝÆáR ±Ü¿Þì¿á
EñܤÃÜWÜÚÊæ. ¯àÊÜâ ±ÜÅÍæ°¿á G¨ÜáÃÜá ÓÜÄ¿Þ¨Ü EñܤÃÜ¨Ü ÊæáàÇæ, PæÙÜWæ PÝ~Ô¨Üíñæ
AívÝPÜꣿá®Üá° PܱݳXÓܸæàPÜá.
E¨ÝÖÜÃÜOæ : A B C D (C) ÓÜÄ¿Þ¨Ü EñܤÃÜÊÝX¨ÝªWÜ.
5. D ±ÜÅÍæ° ±Ü£ÅPæ¿á hæãñæ¿áÈÉ PæãqrÃÜáÊÜ OMR EñܤÃÜ ÖÝÙæ¿áÈÉ ¯ÊÜá¾ EñܤÃÜWÜÙÜ®Üá°
ÓÜãbÓÜñÜPÜR Ü̈áª. OMR ÖÝÙæ¿áÈÉ AívÝPÜꣿáÆÉ æ̈ ̧ æàÃæ ¿ÞÊÜâ æ̈à ÓܧÙÜ̈ ÜÈÉ EñܤÃÜÊÜ®Üá°
WÜáÃÜá£Ô¨ÜÃæ, A¨ÜÃÜ ÊÜåèÆÂÊÜÞ±Ü®Ü ÊÜÞvÜÇÝWÜáÊÜâ©ÆÉ.
6. OMR EñܤÃÜ ÖÝÙæ¿áÈÉ Pæãor ÓÜãaÜ®æWÜÙÜ®Üá° hÝWÜÃÜãPÜñæÀáí¨Ü K©Ä.
7. GÇÝÉ PÜÃÜvÜá PæÆÓÜÊÜ®Üá° ±ÜâÔ¤Pæ¿á Pæã®æ¿áÈÉ ÊÜÞvÜñÜPÜR¨Üáª.
8. ¯ÊÜá¾ WÜáÃÜáñÜ®Üá° Ÿ×ÃÜíWܱÜwÓÜŸÖÜá¨Ý¨Ü ¯ÊÜá¾ ÖæÓÜÃÜá A¥ÜÊÝ ¿ÞÊÜâ¨æà bÖæ°¿á®Üá°,
ÓÜíWÜñÜÊÝ¨Ü ÓܧÙÜ ÖæãÃÜñÜá ±ÜwÔ, OMR EñܤÃÜ ÖÝÙæ¿á ¿ÞÊÜâ¨æà »ÝWܨÜÈÉ ŸÃæ¨ÜÃæ,
¯àÊÜâ A®ÜÖÜìñæWæ ¸Ý«ÜÂÃÝWÜᣤàÄ.
9. ±ÜÄàPæÒ¿áá ÊÜááX¨Ü®ÜíñÜÃÜ, PÜvÝx¿áÊÝX OMR EñܤÃÜ ÖÝÙæ¿á®Üá° ÓÜíËàPÜÒPÜÄWæ
¯àÊÜâ ×í£ÃÜáXÓܸæàPÜá ÊÜáñÜᤠ±ÜÄàPÝÒ PæãsÜw¿á ÖæãÃÜWæ OMR®Üá° ¯Êæã¾í©Wæ
Pæãívæã¿áÂPÜãvܨÜá. 10. ±ÜÄàPæÒ¿á ®ÜíñÜÃÜ, ±ÜÄàPÝÒ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ÊÜáñÜᤠ®ÜPÜÆá OMR EñܤÃÜ ÖÝÙæ¿á®Üá°
¯Êæã¾í©Wæ ñæWæ¨ÜáPæãívÜá ÖæãàWÜŸÖÜá¨Üá.
11. ¯àÈ/PܱÜâ³ ¸ÝÇ…±ÝÀáíp… ±æ®… ÊÜÞñÜÅÊæà E±ÜÁãàXÔÄ. 12. PÝÂÆáRÇæàoÃ…, ˨Üá®ݾ®Ü E±ÜPÜÃÜ| A¥ÜÊÝ ÇÝW… pæàŸÇ… CñÝ©¿á
E±ÜÁãàWÜÊÜ®Üá° ¯Ðæà˜ÓÜÇÝX¨æ. 13. ÓÜÄ AÆÉ¨Ü EñܤÃÜWÜÚWæ Má| AíPÜ CÃÜáÊÜâ©ÆÉ . 14. PܮܰvÜ ÊÜáñÜᤠCíXÉàÐ… BÊÜ꣤WÜÙÜ ±ÜÅÍ氱ܣÅPæWÜÙÜÈÉ ¿ÞÊÜâ¨æà Äࣿá ÊÜÂñÝÂÓÜWÜÙÜá
PÜívÜáŸí¨ÜÈÉ, CíXÉàÐ… BÊÜ꣤WÜÙÜÈÉÃÜáÊÜâ¨æà Aí£ÊÜáÊæí¨Üá ±ÜÄWÜ~ÓܸæàPÜá.
BO
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T SE
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l N
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(Figures as per admission card)
Total Number of Pages : 24
Paper II 2 K – 4020
ÓÜíXàñÜ
±æà±ÜÃ… – II
WÜÊÜá¯Ô : D ±Ü£ÅPæ¿áá ®ÜãÃÜá (100) ÊÜÓÜ᤯ÐÜu ÊÜÞ¨ÜÄ¿á ±ÜÅÍæ°WÜÙÜ®æã°ÙÜWæãíw¨Üáª, ±ÜÅ£Áãí¨Üá ±ÜÅÍæ°¿áã
GÃÜvÜá (2) AíPÜWÜÙÜ®Üá° Öæãí©¨æ. GÇÝÉ ±ÜÅÍæ°WÜÙÜ®Üã° PÜvÝx¿áÊÝX EñܤÄÓܸæàPÜá.
1. Ãܹàí¨ÜÅ ÓÜíXàñÜ ÃÜaÜ®æWÜÙÜÈÉ ÊÜááSÂÊÝX GÐÜár Ë»ÝWÜWÜÚÊæ ?
(A) GÃÜvÜá
(B) BÃÜá
(C) ®ÝÆáR
(D) ÊÜáãÃÜá
2. D PæÙÜX®Ü ÊÝPÜÂWÜÙÜ ÓÜñÝÂÓÜñÜÂñæ¿á®Üá° ¯«ÜìÄÔ.
i. Êæã¨ÜÆ ¸ÝÄWæ ±Üâ¨ÜáPæãRpær„ ÍæçÈ¿áÈÉ ±ÜÙܯ ÊÜááWæçì¿á ²ÇæÉ„ AÊÜÃÜá ÊÜáê¨ÜíWÜ ÊÝ¨Ü®Ü ÊÜÞw¨ÜÃÜá.
ii. ÊÜáê Ü̈íWÜ ÊÝ Ü̈®Ü̈ ÜÈÉ ±ÜÅ¥ÜÊÜá ̧ ÝÄWæ ÓÜíXàñÜ PÜÇݯ˜ ±ÜÅÍÜÔ¤¿á®Üá° ±Üvæ̈ ÜÊÜÃÜá ±ÝÇÝ^p… ÊÜá~ I¿áÂÃ….
i ii (A) ÓÜÄ ÓÜÄ
(B) ñܱÜâ³ ñܱÜâ³
(C) ÓÜÄ ñܱÜâ³
(D) ñܱÜâ³ ÓÜÄ
3. PæÙÜX®Ü ÊÝPÜÂWÜÙÜ®Üá° ±ÜÄÎàÈÔ.
a. XàñÜWæãà±ÝÆÊÜ®Üá° ŸÃæ¨ÜÊÜÃÜá g¿á¨æàÊÜ.
b. PÝÊÜ PèñÜáPÜ¨Ü ÇæàSPÜÃÜá pæãào. a b (A) ñܱÜâ³ ñܱÜâ³
(B) ÓÜÄ ñܱÜâ³
(C) ñܱÜâ³ ÓÜÄ
(D) ÓÜÄ ÓÜÄ
4. D PæÙÜX®ÜÊÜâWÜÙÜÈÉ ÊÜáê¨ÜíWÜ¨Ü ÍæÅàÐÜuñæ¿á®Üá° ¿ÞÊÜâ¨Üá ÓÝÃÜáñܤ¨æ ?
(A) ÓæãWÜÓÜáWÜ ÊÜáê¨ÜíWÜ ñÜÇÝÊÜáá
(B) ÓÜíXàñÜ WÝ®ÜÊÜáá
(C) ñÜíŸãÄ Ëáàq¨ÜÊÜ
(D) ÊæãàPÜÒÊÜáá WÜƨÜ
5. ÓÜíXàñÜ ÓÝÃÝÊÜáêñÜÊÜ®Üá° ŸÃæ¨ÜÊÜÃÜá ¿ÞÃÜá ?
(A) ˨ÝÂÃÜ|Â
(B) ÎÅà¯ÊÝÓÜ PÜË
(C) ÍÝÄká
(D) ñÜáÆg
6. ÃÝWÝíWÜ&QÅ¿ÞíWÜ ÊÜáñÜá ¤ E±ÝíWÜWÜÙÜá ¿ÞÊÜâ¨ÜÃÜ Ë»ÝXàPÜÃÜ|ÊÝX¨æ ?
(A) AíWÜ& AíX Ë»ÝXàPÜÃÜ|
(B) g®ÜPÜ&g®Ü ˻ÝXàPÜÃÜ|
(C) ÃÝWÜ&ÃÝX~ Ë»ÝXàPÜÃÜ|
(D) ÃÝWÜ&ÊæàÆ Ë»ÝXàPÜÃÜ|
7. PæÙÜX®Ü ÊÝPÜÂWÜÙÜ ÓÜñÝÂÓÜñÜÂñæ¿á®Üá° ¯«ÜìÄÔ :
i. ˨ÝÂÃÜ|ÂÃÜá ÊæáàÆPÝ¥Üì ÊÜÂÊÜÓ槿á®Üá° ÓÜêÑrÔ¨ÜÃÜá.
ii. ÓÜí±Üä|ì ÊæáàÆPÝ¥Üì ÊÜÂÊÜÓæ §¿á®Üá° ÊæíPÜoÊÜáUO…ÃÜÊÜÃÜá ±ÜÄaÜÀáÔ¨ÜÃÜá.
i ii (A) ñܱÜâ³ ñܱÜâ³
(B) ÓÜÄ ñܱÜâ³
(C) ÓÜÄ ÓÜÄ
(D) ñܱÜâ³ ÓÜÄ
Total Number of Pages : 24
K – 4020 3 Paper II
1. Rabindra Sangeeta compositions are mainly divided into
(A) Two (B) Six (C) Four (D) Three
2. Evaluate the following statements :
i. Pudukkottai style of Mridangam playing was started by Palani Murgiah Pillai.
ii. Palghat Mani Iyer was the first mridangist to be awarded the Sangita kalanidhi.
i ii (A) True True (B) False False (C) True False (D) False True
3. Examine the statements :
a. Jayadeva is the author of Geeta Gopala.
b. Tota is the author of kavya koutuka.
a b (A) False False (B) True False (C) False True (D) True True
MUSIC
Paper – II
Note : This paper contains hundred (100) objective type questions. Each question carries two (2) marks. All questions are compulsory.
4. One of the following hails the greatness of mridanga.
(A) Sogasuga Mridanga Talamu (B) Sangeetha Gyanamu (C) Tamburi Meetidava (D) Mokshamu Galada
5. Sangeetha Saramrutha was written by (A) Vidyaranya (B) Srinivasa kavi (C) Shahji (D) Tulaja
6. Raganga - kriyanga and Upanga are comes under the classification of
(A) Anga – Angi classification (B) Janaka – Janya classification (C) Raga – Ragini classification (D) Raga – Vela classification
7. Evaluate the following statements :
i. Vidyaranya created the melakartha system.
ii. Venkatamakhin introduced the sampoorna melakartha system.
i ii (A) False False (B) True False (C) True True (D) False True
Total Number of Pages : 24
Paper II 4 K – 4020
8. ÓÜãPÜÒ$¾ÊÝ¨Ü Æ¿áŸ¨Üœ Öæãí©Pæ¿ááÙÜÛ
æ̧ãàÇݤ®…WÜÚWæ ±ÜÅÔ Ü̈œÊÝ Ü̈ ZÃÝ®Ü ¿ÞÊÜâ̈ Üá ?
(A) hæç±ÜâÃ…
(B) BWÜÅ
(C) ±Üq¿ÞÆ
(D) WÝÌÈ¿áÃ…
9. PæÙÜX®Ü ÊÝPÜÂWÜÙÜ ÓÜñÝÂÓÜñÜÂñæ¿á®Üá° ¯«ÜìÄÔ :
i. ÊæáàÇÝ±Ü¨Ü œ£¿áá BÃæãàÖÜ| ÊÜáñ Üá ¤ AÊÜÃæãàÖÜ|WÜÙÜÈÉ ÓÜí±Üä|ì ÓÜÌÃÜWÜÙÜ®Üá° Ö æ ã í © Ã Ü á Ê Ü â ¨ Ü á Ê Ü Þ ñ Ü Å Ê Ü Æ É ¨ æ , A¨Üá I¨Üá A¥ÜÊÝ BÃÜá ÓÜ ÌÃÜWÜÙÜ®Üã°
Öæãí©ÃÜŸÖÜá¨Üá.
ii. AÓ Üí± Ü ä|ì Ê æ á àÇݱ ܨ Ü œ £¿á® Ü á °
ÊæáàÇݱܨܜ£Ááí¨Üá ±ÜÄWÜ~ÓÜÇÝWÜáñܤ¨æ.
i ii
(A) ÓÜÄ ñܱÜâ³
(B) ñܱÜâ³ ñܱÜâ³
(C) ÓÜÄ ÓÜÄ
(D) ñܱÜâ³ ÓÜÄ
10. A¼®ÜÊÜ WÜá±Ü¤ÃÜ ±ÜÅPÝÃÜ ®Ýo ÓÜíWÜÅÖÜ
(A) 14
(B) 15
(C) 11
(D) 13
11. PæÙÜX®ÜÊÜâWÜÙÜÈÉ AÓÜÊÜáÊݨܨܪ®Üá° WÜáÃÜá£Ô.
(A) ÐÜvÜj
(B) MáÐÜ»Ü
(C) WÝí«ÝÃÜ
(D) ¯ÍܨÜ
12. PæÙÜX®Ü ÊÝPÜÂWÜÙÜ ÓÜñÝÂÓÜñÜÂñæ¿á®Üá° ¯«ÜìÄÔ : i. C£¤àb®Ü ©®ÜWÜÙÜÈÉ Qà æ̧ãàv…ì Ôí¥ÜÓæçgÃ…WÜÙÜ®Üá°
ËÓÜõñÜÊÝX ŸÙÜÓÜᣤ¨ÝªÃæ. ii. »ÝÃÜ£à¿á ÓÜíXàñÜÊÜ®Üá° ÓÜêÑrÓÜÆá C¨Üá
AñÜáÂñܤÊÜáÊÝ¨Ü ÊÜÞWÜìÊÝX¨æ.
i ii (A) ÓÜÄ ñܱÜâ³
(B) ÓÜÄ ÓÜÄ
(C) ñܱÜâ³ ÓÜÄ
(D) ñܱÜâ³ ñܱÜâ³
13. hÝQàÃ… ÖÜáÓæç®… D PæÙÜX®ÜÊÜâWÜÙÜÈÉ ¿ÞÊÜâ¨ÜPæR ÓæàĨÜÊÜÃÜá ?
(A) ¨æÖÜÈ ZÃÝ®Ü
(B) Ÿ®ÝÃÜÓ… ZÃÝ®Ü
(C) ±Üíhݸ… ZÃÝ®Ü
(D) Ag‚ÃÜvÜ ZÃÝ®Ü
14. »ÝÃÜ£à¿á Ó ÜíXàñ ܨ ÜÈÉ ÓÝí±ÜŨÝÀáP Ü ÓÜ¨Ü ªÄÊæá¿á (APèÔrP…) E±ÜPÜÃÜ|WÜÙÜ®Üá° ¯ÃÜíñÜÃÜÊÝX BÁáRÊÜÞwPæãÙÜÛÆá PÝÃÜ| H®Üá ?
(A) A®Ý¿ÞÓÜÊÝX ÍÜáÅ£ ÊÜÞvÜáÊÜâ¨Üá
(B) ×ñÜPÜÃÜ ®Ý¨Ü
(C) WÜÊÜáPÜ Eñݳ¨Ü®æ¿á ¯SÃÜñæ
(D) ±ÝÅbà®Ü ÓÜí±ÜŨݿá
15. PæÙÜX®Ü ÊÝPÜÂWÜÙÜ ÓÜñÝÂÓÜñÜÂñæ¿á®Üá° ¯«ÜìÄÔ :
i. ÍæçPÜÒ~PÜ A«Ý±ܮÜÊÜâ ŸÖÜÙÜ ËÓݤÃÜÊÝ¨Ü A«Ü¿á®Ü Ë»ÝWÜWÜÙÜá ÊÜáñÜᤠ±ÝÅËà|ÂñæWÜÚí¨Ü PÜãwÃÜáñܤ¨æ.
ii. WÜáÃÜáWÜÙÜá ÊÜáñÜᤠÓÜíXàñÜ ÓÜíÓæ§WÜÙÜá PæàÊÜÆ ±ÜŨÜÍÜìPÜÃÜ®Üá° ÓÜêÑrÓÜáÊÜñܤ Pæàí©ÅàPÜêñÜÃÝX¨ÝªÃæ.
i ii (A) ÓÜÄ ñܱÜâ³
(B) ÓÜÄ ÓÜÄ
(C) ñܱÜâ³ ÓÜÄ
(D) ñܱÜâ³ ñܱÜâ³
Total Number of Pages : 24
K – 4020 5 Paper II
8. A Gharana famous for Boltans, with delicate Rhythmic interaction.
(A) Jaipur
(B) Agra
(C) Patiyala
(D) Gwaliyar
9. Evaluate the following statements :
i. Melapadhati consists not only Sampurna Swaras in Arohana and Avarohana, it can also have five or six swaras.
ii. Asampurna melapadhati is also considered as a melapadhati.
i ii
(A) True False
(B) False False
(C) True True
(D) False True
10. natya Sangraha according to Abhinava Gupta
(A) 14
(B) 15
(C) 11
(D) 13
11. Choose the odd one.
(A) Shadja
(B) Rishabha
(C) Gandhara
(D) nishada
12. Evaluate the following statements :
i. keyboard synthesisers are widely used now-a-days.
ii. This is the best way to create Indian music.
i ii (A) True False (B) True True (C) False True (D) False False
13. Zakir Hussain belongs to (A) Delhi Gharana (B) Banaras Gharana (C) Punjab Gharana (D) Azarada Gharana
14. The continuing preference for traditional acoustic instruments in Indian music is due to
(A) Ease of tuning (B) Pleasant tone (C) Accuracy in gamaka production (D) Age old tradition
15. Evaluate the following statements :
i. Academic teaching has a wide variety of disciplines and specialisations.
ii. Gurus and musical institutions are oriented only on creating performers.
i ii (A) True False (B) True True (C) False True (D) False False
Total Number of Pages : 24
Paper II 6 K – 4020
16. PæÙÜX®ÜÊÜâWÜÙÜ®Üá° ÓÜÄ¿ÞX hæãàwÔ :
a. AÇÝÉ©¿Þ TÝ®… 1. ¶ÝÃÜáPݸݨ… ZÃÝ®Ü
b. ¶ÜQàÃ… ŸPÏ… 2. hæç±ÜâÃ… ZÃÝ®Ü
c. PÜÆáÉTÝ®…, 3. ±Üíhݸ…
¸æçÃÜáTÝ®… ZÃÝ®Ü
d. ÖÝi ËÇÝ¿áñ… 4. Ag‚ÃÜvÜ
TÝ®… ZÃÝ®Ü
(A) a – 4, b – 1, c – 3, d – 2
(B) a – 2, b – 3, c – 4, d – 1
(C) a – 3, b – 4, c – 1, d – 2
(D) a – 1, b – 4, c – 2, d – 3
17. Ãܹàí¨ÜÅ ÓÜíXàñÜ¨Ü ±ÜÅԨܜÊÝ¨Ü ÓÝí±ÜŨÝÀáPÜ
PÜÇÝ˨ÜÃÜá
(A) A±ÜOÝì æ̈àË ÊÜáñÜᤠAËá¿Þ pÝWæãàÃ…
(B) ÎÅà¨æàË ÊÜáñÜᤠԨæœàÍÜÌĨæàË
(C) XàñݨæàË ÊÜáñÜᤠÔàñݨæàË
(D) XÄhݨæàË ÊÜáñÜᤠ¯ÊÜáìÇݨæàË
18. “APÝR P æàÙ ÜÊÝÌ” GíŸ ÊÜaÜ® Ü¨Ü ÊÜáãÆPÜ
±ÜÅԨܜÃÝ¨Ü PÜÇÝ˨Ü/PÜÇÝË¨æ ¿ÞÃÜá ?
(A) WÜíWÜã¸ÝÀá ÖÝ®ÜWÜÇ…
(B) ÊÜáÈÉPÝgáì®… ÊÜá®ÜãÕÃ…
(C) ¸ÝƱܳ ÖÜáPæRàÄ
(D) PÜáÊÜÞÃÜ WÜí«ÜÊÜì
19. GÃÜvÜá Ë«Ü¨Ü ÓÜíXàñÜ bQñæÕ ¿ÞÊÜâÊÜâ ?
(A) ÖÝvÜáÊÜ bQñæÕ, ®ÜêñÜ bQñæÕ
(B) WÜÅÖÜ|ÎàÆ ÓÜíXàñÜ bQñæÕ, ÓÜQÅ¿á ÓÜíXàñÜ
bQñæÕ
(C) ÊÜáÃÜáPÜÚÓÜáÊÜ/ñÜvæñÜvæ¨Üá ŸÃÜáÊÜ ÊÜáñÜá¤
¯ÃÜíñÜÃÜ bQñæÕ
(D) ±ÜÅñæÂàPÜ ÊÜáñÜᤠÓÜÊÜáãÖÜ bQñæÕ
20. PæÙÜX®ÜÊÜâWÜÙÜ®Üá° ÓÜÄ¿ÞX hæãàwÔ :
a. ±ÝÇÝ^p… ÊÜá~ 1. ±Üâ¨ÜáPæãRpær„ ÍÝÇæ
I¿áÂÃ…
b. ±ÜÙܯ ÓÜáŸÅÊÜá| 2. ñÝíhæãàÃ…
²ÇæÉ„ Êæç¨Ü®ݥÜ
I¿áÂÃ…ÃÜ ÎÐÜÂ
c. ñÝíhæãàÃ… 3. ñÝíhæãàÃ… ÍæçÈ
Êæç¨ÜÂ®Ý¥Ü I¿áÂÃ…
d. q. Pæ. ÊÜáã£ì 4. ±ÝÇÝ^p… ÊÜá~
I¿áÂÃ…ÃÜ WÜáÃÜá
(A) a – 3, b – 1, c – 4, d – 2
(B) a – 2, b – 3, c – 1, d – 4
(C) a – 1, b – 4, c – 2, d – 3
(D) a – 4, b – 3, c – 1, d – 2
21. “A¼®ÜÊÜ WÜá±Ü¤” ¿ÞÊæÃÜvÜ®Üá° ÊÜiìԨݪÃæ ?
(A) ÊÜáívÜ±Ü ÊÜáñÜᤠE±ÜaÝÃÜ
(B) ±ÜÅPÜê£ ÊÜáñÜᤠE±ÜaÝÃÜ
(C) ±ÜÅPÜê£ ÊÜáñÜᤠÊÜáívܱÜ
(D) ÊÜáívÜ±Ü ÊÜáñÜᤠԩœWÜÙÜá
22. Æ¿áÊÜ®Üá° ÖæàWæ ÊÝÂTݯÓÜÇÝX¨æ ?
(A) GÃÜvÜá QÅÁáWÜÙÜ ®ÜvÜá訆 ËÃÝÊÜá
(B) WÜ~ñÜÍÝÓÜŒ¨Ü PÜÅÊÜáÃÜaÜ®æ
(C) ñÝÙܨÜÈÉ QÅÁáWÜÙÜ aÜÆ®æ
(D) ñÝÙÜ¨Ü »ÝWÜWÜÙÜá
23. Pæã|¡PæãàÇ… Gí¨ÜÃæ
(A) E±ÜPÜÃÜ|¨Ü ÓÜÊÜáÑr
(B) hÝ®Ü±Ü¨Ü ®ÜêñÜÂ
(C) Æ¿á¨ÜÈÉÃÜáÊÜ ÊÜ|ìWÜÙÜ «Ü̯àPÜÃÜ|
(D) Jí¨Üá Ë«Ü¨Ü hÝ®Ü±Ü¨Ü Æ¿á
Total Number of Pages : 24
K – 4020 7 Paper II
16. Match the following :
a. Alladiya khan 1. Farrukabad Gharana
b. Fhakeer Baksh 2. Jaipur Gharana
c. kallukhan, Bairu 3. Punjab
khan Gharana
d. Hajji Vilayat khan 4. Azarada Gharana
(A) a – 4, b – 1, c – 3, d – 2
(B) a – 2, b – 3, c – 4, d – 1
(C) a – 3, b – 4, c – 1, d – 2
(D) a – 1, b – 4, c – 2, d – 3
17. A famous traditional artiste of Rabindra Sangeeta is
(A) Aparnadevi and Amiya Tagore
(B) Shridevi and Siddeshwaridevi
(C) Geetadevi and Seetadevi
(D) Girijadevi and nirmaladevi
18. An Artiste become famous through a vachana “Akka kelavva”.
(A) Gangubai Hangal
(B) Mallikarjun Mansur
(C) Balappa Hukkeri
(D) kumar Gandharva
19. Two types of music therapy are
(A) Singing therapy, dance therapy
(B) Receptive music therapy, active music therapy
(C) Intermittent and continuous therapy
(D) Individual and group therapy
20. Match the following :
a. Palghat Mani 1. Pudukkottai
Iyer School
b. Palani 2. Disciple of
Subramania Tanjore
Pillai Vaidyanatha Iyer
c. Tanjore 3. Tanjore style
Vaidyanatha
Iyer
d. T.k. Murthy 4. Guru of Palghat
Mani Iyer
(A) a – 3, b – 1, c – 4, d – 2
(B) a – 2, b – 3, c – 1, d – 4
(C) a – 1, b – 4, c – 2, d – 3
(D) a – 4, b – 3, c – 1, d – 2
21. “Abinava Gupta” Omits these two
(A) Mandapa and Upachara
(B) Prakriti and Upachara
(C) Prakriti and Mandapa
(D) Mandapa and Siddhis
22. Laya is described as
(A) The rest between two kriyas
(B) Mathematical permutation
(C) Movement of kriyas in a tala
(D) Parts of a tala
23. konnakkol is
(A) An instrumental ensemble
(B) A folk dance
(C) Vocalisation of rhythmic syllables
(D) A type of folk rhythm
Total Number of Pages : 24
Paper II 8 K – 4020
24. PæÙÜX®Ü ÊÝPÜÂWÜÙÜ ÓÜñÝÂÓÜñÜÂñæ¿á®Üá° WÜáÃÜá£Ô :
i. iàÊæ¿á®Üá° ñÜíŸãÄ¿áÈÉ ŸÙÜÓÜÇÝWÜáñܤ̈ æ.
ii. C¨ÜÃ Ü ± ÜÄOÝÊÜáÊÝX iàÊÜÓ Ü Ìà ÜW ÜÙ Üá
ÖÜáqrPæãÙÜáÛñܤÊæ.
i ii (A) ñܱÜâ³ ñܱÜâ³
(B) ÓÜÄ ñܱÜâ³
(C) ñܱÜâ³ ÓÜÄ
(D) ÓÜÄ ÓÜÄ
25. PæÙÜX®ÜÊÜâWÜÙÜÈÉ AÓÜÊÜáÊݨܨܪ®Üá° WÜáÃÜá£Ô.
(A) ±Ý¨ÜÊÜå…
(B) AÐÜr±Ü£
(C) g£ÓÜÌÃÜÊÜå…
(D) QàñÜì®ÜÊÜå…
26. aèPÜ PÜÇÝ ÊÜ|ìÊÜå… ¿ÞÊÜ ±Ü¨ÜPæR ±Ü¿Þì¿á
±Ü¨ÜÊÝX¨æ ?
(A) ñÝ®Ü ÊÜ|ìÊÜå…
(B) ËÆíŸ ÊÜ|ìÊÜå…
(C) ±Ý¨Ü ÊÜ|ìÊÜå…
(D) ¨ÝÃÜá ÊÜ|ìÊÜå…
27. PæÙÜX®ÜÊÜâWÜÙÜÈÉ AÓÜÊÜáÊݨܨܪ®Üá° WÜáÃÜá£Ô.
(A) ÍÝÂÊÜÞ ÍÝÔŒ
(B) ÊÜááñÜá¤ÓÝÌËá ©àQÒñÜÃ…
(C) ñÝÂWÜÃÝg
(D) ÓÝÌ£ £ÃÜá®ÝÙ…
28. g¿á¨æàÊÜ ¿ÞÊÜ ÍÜñÜÊÜޮܨÜÊÜÃÝX¨ÜªÃÜá ?
(A) 12®æ¿á ÍÜñÜÊÜÞ®Ü
(B) 10®æ¿á ÍÜñÜÊÜÞ®Ü
(C) 9®æ¿á ÍÜñÜÊÜÞ®Ü
(D) 14®æ¿á ÍÜñÜÊÜÞ®Ü
29. PæÙÜX®ÜÊÜâWÜÙÜÈÉ ñܱݳXÃÜáÊÜ hæãàw¿á®Üá°
WÜáÃÜá£Ô :
(A) ÃÜÓÜãÆ®… ¸ÝÀá – PÜ¥ÜP… ®ÜêñÜÂ
(B) ¶Ü¿Þh‚… TÝ®… – BWÜÅ
(C) AŸáªÇ… ÖÜÈàÊÜå… g‚¶ÜÃ… TÝ®… – ÔñÝÃ…
(D) ÍÜÃÜO… ÃÝ~ – ÓÜÃæãਅ
30. PæÙÜX®ÜÊÜâWÜÙÜ®Üá° ÓÜÄ¿ÞX hæãàwÔ :
a. »Üor ®Ý¿áPÜ 1. A®ÜáËᣠÊݨÜ
b. »Üor ÇæãÆÉo 2. A¼ÊÜÂQ¤ ÊݨÜ
c. ÍÜíPÜáPÜ 3. »ÜáQ¤ ÊݨÜ
d. A¼®ÜÊÜWÜá±Ü¤ 4. Eñܳ£¤ ÊݨÜ
(A) a – 2, b – 3, c – 4, d – 1
(B) a – 3, b – 4, c – 1, d – 2
(C) a – 1, b – 2, c – 4, d – 3
(D) a – 4, b – 1, c – 3, d – 2
31. PÜÇݼgn (ÊÜáÁáÓæãó) ±ÜÙܯ ÎÅà GÊÜå….
ÓÜáŸÅÊÜá| ²ÇæÉ„ ¿ÞÊÜ ÊÜÐÜì Ü̈ÈÉ g¯Ô Ü̈ªÃÜá ?
(A) 1908
(B) 1903
(C) 1904
(D) 1907
32. WÜÅí¥ÜÓÜãb ÓÜãaÜÂíPÜ ¿ÞÊÜâ̈ ÜÄí Ü̈ PÜãwÃÜ̧ æàPÜá ?
(A) ÇæàSPÜ®Ü ÖæÓÜÃÜá, ±ÜÅPÜoOæ ËÊÜÃÜWÜÙÜá
(B) ÇæàSPÜ®Ü iàÊÜ®ÜaÜÄñæÅ
(C) ÓÜíÍæãà«Ü®Ý ±ÜíwñÜ®Ü iàÊÜ®ÜaÜÄñæÅ
(D) ±ÜÅPÝÍÜPÜ®Ü iàÊÜ®ÜaÜÄñæÅ
Total Number of Pages : 24
K – 4020 9 Paper II
24. Evaluate the following statements :
i. Jeeve is used in a tambura.
ii. This results in the creation of jiva swaras.
i ii
(A) False False
(B) True False
(C) False True
(D) True True
25. Choose the odd one out.
(A) Padam
(B) Ashtapati
(C) Jatiswaram
(D) keerthanam
26. Chauka kala varnam is another term for
(A) Tāna varnam
(B) Vilamba varnam
(C) Pada varnam
(D) Daru varnam
27. Choose the odd one out.
(A) Shyama Shastry
(B) Muthuswami Deekshithar
(C) Tyagaraja
(D) Swathi Tirunal
28. Jayadeva lived in
(A) 12th century
(B) 10th century
(C) 9th century
(D) 14th century
29. Find the incorrect pair.
(A) Rasoolan Bai – kathak dance
(B) Fayaz khan – Agra
(C) Abdul Halim Zafer khan – Sitar
(D) Sharan Rani – Sarod
30. Match the following :
a. Bhatta nayaka 1. Anumiti vaada
b. Bhatta Lollata 2. Abhivyakti
vaada
c. Shankuka 3. Bhukti vaada
d. Abhinavagupta 4. Utpatti vaada
(A) a – 2, b – 3, c – 4, d – 1
(B) a – 3, b – 4, c – 1, d – 2
(C) a – 1, b – 2, c – 4, d – 3
(D) a – 4, b – 1, c – 3, d – 2
31. The Birth year of Mridangam Maestro
Palani Sri M. Subramania Pillai was
(A) 1908
(B) 1903
(C) 1904
(D) 1907
32. Bibliographical index should consist of
(A) name of Author, Publication Details
(B) Biography of the Author
(C) Biography of the Research Scholar
(D) Biography of the Publisher
Total Number of Pages : 24
Paper II 10 K – 4020
33. PæÙÜX®ÜÊÜâWÜÙÜ®Üá° ÓÜÄ¿ÞX hæãàwÔ :
a. MARC 1. Pݲ, IJÅíp…,
ıæäÅvÜãÂÓ…
b. µàv…¸ÝÂP… 2. ÓÝrqÔrPÜÇ… G®ÝÈÔÓ…
ÊæáPݯÓÜÊÜå…
c. ¹¹ÉÁãàÊæáqÅ 3. Êæáή… ÄàvæàŸÇ…
PÝÂoÇÝXíW…
d. ıæäÅWÝŵ 4. SDI
(A) a – 2, b – 3, c – 4, d – 1
(B) a – 3, b – 4, c – 2, d – 1
(C) a – 2, b – 1, c – 4, d – 3
(D) a – 4, b – 3, c – 1, d – 2
34. ÍÜáÅ£ ÓܨæãàÈPÜÃ… PÜoRÃ… ¿ÞÊÜ ZÃݮܨÜ
ÓÜíXàñÜPÝÃÜÃÜá BX¨ÝªÃæ ?
(A) QÃÝOÝ ZÃÝ®Ü
(B) hæç±ÜâÃ… ZÃÝ®Ü
(C) BWÜÅ ZÃÝ®Ü
(D) ñÝ®æÕà®… ZÃÝ®Ü
35. ÓÜíTæÂWÜÙÜ®Üá° ËË«Ü Ë«Ý®ÜWÜÙܮݰX ÓÜÄ¿Þ¨Ü PÜÅÊÜá¨ÜÈÉ Ë»ÝXÓÜáÊÜ ±ÜÅQÅÁá¿á®Üá° H®æí¨Üá
PÜÃæ¿ááñݤÃæ ?
(A) PÝí¹®æàÍÜ®…
(B) ±æäŸݹÈq
(C) ±ÜÊÜááÂìpæàÍÜ®…
(D) BÈjà¸ÝÅ
36. ÓÜíXàñÜÊæí Ü̈Ãæ XàñÜÊÜå…, ÊÝ Ü̈ÂÊÜå… ÊÜáñÜᤠ®ÜêñÜÂÊÜå…
Gí¨Üá ÊÝÂTÝ娆 ¯àw¨ÜÊÜÃÜá ¿ÞÃÜá ?
(A) ±ÝÍÜÌì¨æàÊÜ
(B) vÝ. GÊÜå…. ¸ÝÆÊÜááÃÜÚà PÜêÐÜ¡
(C) »ÜÃÜñÜ
(D) ÊÜÞñÜíWÜ
37. PÝÆ Ô¨ÝœíñÜÊÜ®Üá° _________ »ÝWÜWÜÙÝX
Ë»ÝXÓÜÇÝX¨æ.
(A) BÃÜá
(B) HÙÜá
(C) ®ÝÆáR
(D) Gíoá
38. ñÜvÜËÆɨæ ÃÝWÜÊÜ®Üá° WÜáÃÜá£ÓÜáÊÜ Ë«Ý®ÜÊÜ®Üá°
H®æí¨Üá PÜÃæ¿ááñݤÃæ ?
(A) ¥Ýp…
(B) BÃæãàÖÜ
(C) ±ÜPÜRvÜ
(D) ÓÜÌÃÜ
39. PÜ®ÝìoPÜ ÓÜíXàñܨÜÈÉ CÃÜáÊÜ £àÊÜÅ ÓÜÌÃÜWÜÙÜ ÓÜíTæÂ
GÐÜár ?
(A) 7
(B) 12
(C) 5
(D) 9
40. ÊæáçÓÜãÃÜá ÓܨÝÎÊÜ ÃÝ¿áÃÜá ¿ÞÃÜ
BÓݧ®Ü¨ÜÈɨܪÃÜá ?
(A) ÊÜááÊÜá¾w PÜêÐÜ¡ÃÝg Jvæ¿áÃ…
(B) ®ÝÆÌw PÜêÐÜ¡ÃÝg Jvæ¿áÃ…
(C) ÃÝg Jvæ¿áÃ…
(D) g¿áaÝÊÜáÃÝhæàí¨ÜÅ Jvæ¿áÃ…
41. ©à±Ü¤, PÜÃÜá|, ÊÜáê Ü̈á, ÊÜá«Ü ÊÜáñÜᤠ_________ ÍÜáÅ£¿á I¨Üá hÝ£WÜÙÝXÊæ.
(A) B¿áñÜ
(B) Ãè¨ÜÅ
(C) ÍÝíñÜ
(D) ÖÝÓÜÂ
Total Number of Pages : 24
K – 4020 11 Paper II
33. Match the following :
a. MARC 1. Copy, reprint,
reproduce
b. Feedback 2. Statistical
Mechanism analysis
c. Bibliometry 3. Machine readable
cataloguing
d. Reprography 4. SDI
(A) a – 2, b – 3, c – 4, d – 1
(B) a – 3, b – 4, c – 2, d – 1
(C) a – 2, b – 1, c – 4, d – 3
(D) a – 4, b – 3, c – 1, d – 2
34. Shruti Sadolikar katkar is the musician of
(A) kirana Gharana
(B) Jaipur Gharana
(C) Agra Gharana
(D) Tansen Gharana
35. Process of splitting numbers into different ways in proper order is called
(A) Combination
(B) Probability
(C) Permutation
(D) Algebra
36. The definition of music as Geetam, Vadyam and nrutyam was given by
(A) Parshvadeva
(B) Dr. M. Balamurali krishna
(C) Bharata
(D) Matanga
37. Time theory is divided into _________ parts.
(A) six
(B) seven
(C) four
(D) eight
38. The way to identify a Raga immediately is called
(A) Thaat
(B) Aroha
(C) Pakkada
(D) Swara
39. The number of thivra swaras in karnatic music are
(A) 7
(B) 12
(C) 5
(D) 9
40. Mysore Sadashiva Rao was in the court of
(A) Mummadi krishnaraja Wodeyar
(B) nalwadi krishnaraja Wodeyar
(C) Raja Wodeyar
(D) Jayachamarajendra Wodeyar
41. The 5 Jaatis of sruthis are Dipta, Karuna, Mrudu, Madhya and
(A) Ayata
(B) Roudra
(C) Shanta
(D) Hasya
Total Number of Pages : 24
Paper II 12 K – 4020
42. ÊÜÓÜíñÜ MáñÜáË®ÜÈÉ ÓÝÊÜÞ®ÜÂÊÝX ÖÝvÜáÊÜ ÃÝWÜ
¿ÞÊÜâ¨Üá ?
(A) ®Üí¨Ü
(B) ŸÓÜíñ…
(C) ÖÜËáàÃ…
(D) Pæà¨ÝÃ…
43. ÓÜí±Üä|ì – LyÜÊÜ ÃÝWÜPæR Jí¨Üá E¨ÝÖÜÃÜOæ
(A) ¹ÆÖÜÄ
(B) Pæà¨ÝÃÜWèÙÜ
(C) WÜÃÜávÜ«Ü̯
(D) PÜÇÝÂ| ÊÜÓÜíñÜ
44. ÓÜíXàñÜ̈ ÜÈÉ CÇæQóP… E±ÜPÜÃÜ| ÖÝWÜã CÇæPÝó̄ P…
E±ÜPÜÃÜ|WÜÙÜ®Üá° ŸÙÜÓÜÆá ÊÜááS PÝÃÜ|
¿ÞÊÜâ¨Üá ?
(A) hÝWÜ£PÜÊÝX ˨ÜáÂñ… ÍÜQ¤¿á Æ»ÜÂñæ
(B) D E±ÜPÜÃÜ|WÜÙÜ®Üá° ŸÙÜÓÜáÊÜâ¨Üá
¶ÝÂÍÜ®æàŸÇ… ÖÝWÜã B«Üá¯PÜÊÝX¨æ
(C) WÜá|ÊÜáor¨Ü APèÔrP… E±ÜPÜÃÜ|WÜÙÜá
ÓÜáÆ»ÜÊÝX ƼÓÜáÊÜâ©ÆÉ
(D) ÓÜáƻܩí¨Ü Bí²ÉµPæàÍÜ®…, «Ü̯ÊÜáá¨ÜÅ|
ÊÜáñÜᤠwipæçÓæàÍÜ®…WÜÙÜÈÉ ŸÙÜPæ
45. ÍÜíPÜÃÝ»ÜÃÜ|¨ÜÈÉ WÜêÖÜ»æà¨Ü¨Ü ŸÙÜPæ¿áá 5 ŸêÖÜñ… ÃÝWÜWÜÙÜ®Üá° ¯àvÜáñܤ¨æ
(A) Qàà ÜÊÝ~, PÝíñ ÜÊ Ü á~, P Ü® ÜPÝíX,
WÜ|ÊÜáã£ì, MáÐܻܲſá
(B) SÃÜÖÜÃܲſá, ÖÜ®ÜáÊÜá ñæãàw, PÜÇÝÂ~,
ÖÜÄPÝí»æãài, ®Üo»æçÃÜË
(C) QàÃÜÊÝ~, SÃÜÖÜà ܲſá, P æãàÓÜÆ,
ÃÜñÝ°íX, Pݲ
(D) ÖÜ®ÜáÊÜá ñæãàw, ÊæãàÖÜ®Ü, ¹ÆÖÜÄ,
PÝÊÜáÊܘì¯, ÊÜÞ¿ÞÊÜÞÙÜÊÜ WèÙÜ
46. ¹Ô¾ÇÝÉ TÝ®… ¿ÞÊÜ aÜÆ®ÜbñÜŨݨÜÂíñÜ ÍÜÖÜ®Ý¿å… ®ÜáwԨܪÃÜá ?
(A) ÃÜká®ÜPÜ ÃÜká®ÜPÜ ±Ý¿áÇ… ¸Ýhæ
(B) ®ÜÊÜÃÜíW…
(C) WÜãíh… E£à Íܸݯà
(D) ¸æçgá ¸ÝÊÝÅ
47. PæÙÜX®Ü ÊÝPÜÂWÜÙÜ ÓÜñÝÂÓÜñÜÂñæ¿á®Üá° ¯«ÜìÄÔ :
1. ÊÝ¿å…È®…®Üá° Jí¨Üá PÜwxÀáí¨Ü ¸ÝÄÓÜŸÖÜá¨Üá.
2. Jí¨Üá ÊÝ¿å…È®…®ÜÈÉÃÜáÊÜ ÓÜÄWæWÜÙÜ ÓÜíTæ ®ÝÆáR™.
(A) 1 ñܱÜâ³ ÊÜáñÜᤠ2 ÓÜÄ
(B) 1 ñܱÜâ³ ÊÜáñÜᤠ2 ñܱÜâ³
(C) 1 ÓÜÄ ÊÜáñÜᤠ2 ñܱÜâ³
(D) 1 ÓÜÄ ÊÜáñÜᤠ2 ÓÜÄ
48. SívÜ hÝ£ «ÜáÅÊÜ ñÝÙÜ __________ WÜÙÜ®Üá° Öæãí©ÃÜáñܤ¨æ.
(A) 18 QÅÁáWÜÙÜá
(B) 17 QÅÁáWÜÙÜá
(C) 25 QÅÁáWÜÙÜá
(D) 20 QÅÁáWÜÙÜá
49. PæÙÜX®ÜÊÜâWÜÙÜÈÉ ÓÜÊÜáÊÜÆɨܪ®Üá° WÜáÃÜá£Ô.
(A) ÊÜ|ìÊÜå…
(B) PÜê£
(C) £ÇÝÉ®Ü
(D) BÇݱܮÜ
50. PæÙÜX®ÜÊÜâWÜÙÜ®Üá° ÓÜÄ¿ÞX hæãàwÔ : a. ÊÜá¨ÜªÆÊÜå… 1. »ÜÃÜñÜ®ÝoÂÊÜå…
b. CvÜPÜR 2. PÜ¥ÜPÜRÚ
c. ÊÜáê¨ÜíWÜÊÜå… 3. ÓÜ£÷à¿á
d. TæãàÇ… 4. Êæãàׯ¿áorÊÜå…
(A) a – 1, b – 2, c – 4, d – 3 (B) a – 2, b – 1, c – 3, d – 4 (C) a – 3, b – 2, c – 4, d – 1 (D) a – 2, b – 4, c – 1, d – 3
Total Number of Pages : 24
K – 4020 13 Paper II
42. A raga usually sung/played during spring season
(A) nand (B) Basant (C) Hameer (D) kedar
43. An example of a sampoorna – audava raga is
(A) Bilahari (B) kedaragowla (C) Garudadhwani (D) kalyana Vasantha
44. The main reason for the usage of electric and electronic equipment in music is
(A) Universal availability of electricity (B) It is fashionable and modern to use
these equipments (C) Quality acoustic instruments are not
easily available (D) Ease of amplification, use in
recording and digitisation
45. Grahabedha is applied on Shankarabharana, it yields 5 other major ragas
(A) keeravani, kanthamani, kanakangi, Ganamurthi, Rishabha Priya
(B) kharaharapriya, Hanuma Todi, kalyani, Harikambhoji, nata Bhairavi
(C) keeravani, kharaharapriya, kosala, Ratnangi, kaapi
(D) Hanuma Todi, Mohana, Bilahari, kamavardhini, Mayamalava Gowla
46. Bismilla khan played Shahanai during the entire film
(A) Jhanaka Jhanaka Payal Baje (B) navarang (C) Gunj Uthi Shabani (D) Baiju Bavra
47. Evaluate the following statements. 1. Violin can be played with a stick. 2. The number of strings on a violin is
always 4. (A) 1 is false and 2 is true (B) 1 is false and 2 is false (C) 1 is true and 2 is false (D) 1 is true and 2 is true
48. khanda Jati Dhruva Taala consists of (A) 18 kriyas (B) 17 kriyas (C) 25 kriyas (D) 20 kriyas
49. Choose the odd one out. (A) Varnam (B) kriti (C) Tillana (D) Alapana
50. Match the following : a. Maddalam 1. Bharatanatyam b. Idakka 2. kathakali c. Mridangam 3. Sattriya d. khol 4. Mohiniyattam (A) a – 1, b – 2, c – 4, d – 3 (B) a – 2, b – 1, c – 3, d – 4 (C) a – 3, b – 2, c – 4, d – 1 (D) a – 2, b – 4, c – 1, d – 3
Total Number of Pages : 24
Paper II 14 K – 4020
51. Jí¨Üá ÓÜÌÃ Ü¨Ü Êæáà騆 AƳ ËÃÝÊÜáÊÜ®Üá ° __________ Gí¨Üá PÜÃæ¿ááñݤÃæ.
(A) ±ÜíaÜÊÜá
(B) ËÊÝ©
(C) A±Ü®ÝÂÓÜ
(D) £Ãæãà»ÝÊÜ
52. PæÙÜX®ÜÊÜâWÜÙÜÈÉ ÓÜÊÜáÊÜÆɨܪ®Üá° WÜáÃÜá£Ô.
(A) 7 ñÝÙÜWÜÙÜá
(B) 35 ñÝÙÜWÜÙÜá
(C) 175 ñÝÙÜWÜÙÜá
(D) 108 ñÝÙÜWÜÙÜá
53. ÊÜáê¨ÜíWÜ¨Ü GÃÜvÜã Ÿ©WÜÚWæ GÐÜár ±Ü¨ÜÃÜWÜÙÜÈÉ aÜÊÜáìÊÜ®Üá° PÜqrÃÜáñݤÃæ ?
(A) GvÜ -3, ŸÆ -3 (B) GvÜ -1, ŸÆ -2 (C) GvÜ -2, ŸÆ -4 (D) GvÜ -2, ŸÆ -3
54. ËÊÝ© ÃÝWÜÊÜ®Üá° BÁáR ÊÜÞw :
(A) ÐÜ|á¾S²Å¿á
(B) PæãàQƲſá
(C) SÃÜÖÜÃܲſá
(D) »ÝÊܲſá
55. ±Ü¨Ü¾»ÜãÐÜ|©í¨Ü AÆíPÜêñÜÃÝ¨Ü PÜ®ÝìoPܨÜÊÜÃÜá
(A) ÓæÊÜá¾íWÜáw ÎÅà¯ÊÝÓ… I¿áÂÃ…
(B) BÃ….Pæ. ÎÅàPÝíñÜ®…
(C) GÊÜå…. ¸ÝÆÊÜááÃÜÚàPÜêÐÜ¡
(D) ®ævÜá®ÜáÄ PÜêÐÜ¡ÊÜáã£ì
56. PæÙÜX®ÜÊÜâWÜÙÜÈÉ AÓÜÊÜáÊݨܨܪ®Üá° WÜáÃÜá£Ô.
(A) «ÜáÅÊÜ ñÝÙÜ
(B) ÊÜáñÜ ñÝÙÜ
(C) HPÜ ñÝÙÜ
(D) aÜaÜñÜá³o ñÝÙÜ
57. ÃÜÔPܲſá¨Ü PÜo±Ü¿Þw ÓÜíTæÂ
(A) 27
(B) 74
(C) 72
(D) 47
58. ×í¨ÜãÓݧ¯¿áÈÉÃÜáÊÜ ÃÜã±ÜPÜñÝÙÜ¨Ü Jí¨Üá
BÊÜñÜì®Ü¨ÜÈÉ GÐÜár G~PæWÜÚÃÜáñܤÊæ ?
(A) 6
(B) 7
(C) 3
(D) 9
59. wíwÊÜáÊÜâ ±ÜÅÓÜá¤ñÜ ©®Ü¨ÜÈÉ _________ BX¨æ.
(A) ÊÜáê¨ÜíWÜ
(B) WæàñÜá
(C) væãàÈR
(D) ñÜËÇ…
60. ÍÜá¨Üœ ÊÜáñÜᤠ£àÊÜÅ ÊÜá«ÜÂÊÜáWÜÙÜ®Üá° _________
ÃÝWܨÜÈÉ ŸÙÜÓÜÇÝWÜáñܤ¨æ.
(A) ±ÜäËì
(B) ¿áÊÜá®…
(C) ÓæãÖܯ
(D) ÊÜÞÊÜì
61. £à®… ñÝÙÜÊÜâ PÜ®ÝìoP… ÊÜÂÊÜÓ槿á _________ Wæ
ÓÜÊÜÞ®ÜÊÝX¨æ.
(A) B©ñÝÙÜ (2 PÝÇæç)
(B) ËáÍÜÅ aݱÜâ ñÝÙÜ
(C) SívÜ £Å±Üâo ñÝÙÜ
(D) ÃÜã±ÜPÜ ñÝÙÜ
Total Number of Pages : 24
K – 4020 15 Paper II
51. Short halt on a note is called (A) Panchama (B) Vivadi (C) Apanyasa (D) Tirobhava
52. Choose the odd one out. (A) 7 talas (B) 35 talas (C) 175 talas (D) 108 talas
53. How many layers of skin are tied on either side of the Mridanga ?
(A) Left-3, Right-3 (B) Left-1, Right-2 (C) Left-2, Right-4 (D) Left-2, Right-3
54. Choose the Vivadi raga. (A) Shanmukhapriya (B) kokilapriya (C) kharaharapriya (D) Bhavapriya
55. _________ is a Padmabhushana awardee from karnataka.
(A) Semmangudi Srinivasa Iyer (B) R.k. Srikanthan (C) M. Balamuralikrishna (D) nedunuri krishnamurthy
56. Pick the odd one out. (A) Dhruva tala (B) Matya tala (C) Eka tala (D) Chachatputa tala
57. katapayadi Sankhya of Rasikapriya
(A) 27
(B) 74
(C) 72
(D) 47
58. Rupak tala in Hindustani has how many
counts per cycle ?
(A) 6
(B) 7
(C) 3
(D) 9
59. Dindima is our present day
(A) Mridanga
(B) Gethu
(C) Dholki
(D) Tavil
60. Shuddha and Teevra madhyama is used
in the raga
(A) Poorvi
(B) Yaman
(C) Sohani
(D) Marwa
61. Teen taal is equivalent to the following
taala in karnatak system.
(A) Aditala (2 kaLai)
(B) Misra Chaapu Tala
(C) khanda Triputa Tala
(D) Rupaka Tala
Total Number of Pages : 24
Paper II 16 K – 4020
62. ÊÜáê¨ÜíWÜ, ñÜŸÆ, T æãàÇ… ÊÜááíñݨÜ
ÊݨæãÂà±ÜPÜÃÜ|WÜÙÜÈÉ ËÎÐÜrÊÝX ŸÙÜPæ¿ÞWÜáÊÜ “PܱÜâ³ ±Üqr”¿áá H®Ü®Üá° EÇæÉàUÓÜáñܤ¨æ ?
(A) ÊÜáãdÜì®Ü
(B) ±ÜâÐÜRÃÜ
(C) ÊÜÞgì®Ü
(D) ÓÝÆWÜ ÓÜãvÜ
63. PæÙÜX®ÜÊÜâWÜÙÜÈÉ AÓÜÊÜáÊݨܨܪ®Üá° WÜáÃÜá£Ô.
(A) ¸æãÅàÊܱÜÃÝÊÜá
(B) ŸíoáÄà£
(C) £Ú¿áÇæàÃÜá
(D) ÊÜá®ÜÓÜá ¯Æ³
64. ÓÜáÙÝ© Gí¨ÜÃæ
(A) ±Üâ®ÜÃÝÊÜ£ìÓÜáÊÜ
(B) ÓÝí±ÜŨÝÀáPÜ
(C) B«Üá¯PÜ
(D) ñÝÙÜ
65. ____________ E±ÜPÜÃÜ|ÊÜ®Üá° ±ÜÄÊÜ£ìÔ
SíiÃÜÊ Ü®Ý °XÔ¨Ü Ö æW Ü YÚP æ ± Ü â¨ ÜáP æã Rp æ r $ ç
ÊÜá®Üá³íw¿á ²ÇæÉ$ç AÊÜÃܨݪX¨æ.
(A) ÊæãàÔìíW…
(B) yæãàÆP…
(C) væ±…
(D) ñÜŸÆ
66. ÓÜíXàñ… ¸æãà«… ŸÃæ¨ÜÊÜÃÜá ¿ÞÃÜá ?
(A) ÍÜÃÜaÜí¨ÜÅ ±ÜÃÜíg±æ
(B) Ë. BÃ…. ±ÜoÊÜ«Üì®…
(C) AÖæãàŸÇ…
(D) ®ÝÃܨ…
67. »ÝñÜVívæ ÓÜÌÃÜ È² ÊÜÂÊÜÓ槿áÈÉ PæãàÊÜáÆ ÓÜÌÃܨÜ
bÖæ° ¿ÞÊÜâ¨Üá ?
(A) –
(B) .
(C) |
(D) X
68. PæÙÜX®ÜÊÜâWÜÙÜÈÉ AÓÜÊÜáÊݨܨܪ®Üá° WÜáÃÜá£Ô.
(A) XpÝÃ…
(B) PÝÉÄ®æp…
(C) ©ÆáÅŸ
(D) ÊÜÞÂívæãÈ®…
69. PÜ®ÝìoPÜ ñÝÙÜÊÝ Ü̈ HPÜÊÜÂQ¤¿áÈÉ ŸÙÜPæ¿ÞWÜáÊÜ
‘±ÜÃÜ®…’±Ü¨ÜÊÜâ H®Ü®Üá° ÓÜãbÓÜáñܤ¨æ ?
(A) ÊæãàÃÜ ÊÜááíbñÜÊÝ Ü̈ ÃæãàÈíW… Ë®ÝÂÓÜWÜÙÜá
(B) PÜꣿáÈÉ ®ÜáwÓÜƳvÜáÊÜ Aí£ÊÜá ®Ý¨ÜWÜÙÜá
(C) £àÊÜÅ pæí±æä
(D) ÊæãoPÝ¨Ü ÊÜááPݤ¿á
70. ÃÜkáÈÉ A¥ÜÊÝ ÃÜkáÆÉÄ¿á®Üá° Cí Ü̈á _________ Gí¨Üá PÜÃæ¿ááñݤÃæ.
(A) Ôí¸ÝÇ…WÜÙÜá
(B) SíiàÃÜ
(C) WæãoárÊݨÜÂ
(D) ÊæãàÔìíW…
71. ñæÊÜá¾íWÜá ¿ÞÊÜ ÃÝg嬆 hÝ®Ü±Ü¨Ü ÓÜíXàñܨÜ
ÃÜã±ÜÊÝX¨æ ?
(A) Bí«ÜÅ ±ÜŨæàÍÜ
(B) ñÜËáÙÜá ®ÝvÜá
(C) PÜ®ÝìoPÜ
(D) ÊÜáÖÝÃÝÐÜó
Total Number of Pages : 24
K – 4020 17 Paper II
62. The characteristic “Black Patch” used in instruments like Mridanga, Tabla, khol etc. are referred to as
(A) Moorchana
(B) Pushkara
(C) Maarjana
(D) Saalaga Sooda
63. Choose the odd one.
(A) Brovaparama
(B) Banturithi
(C) Teliyaleru
(D) Manasu nilpa
64. Suladi means
(A) Repetitive
(B) Traditional
(C) Modern
(D) Tala
65. Pudukkottai Manpundia Pillai is credited to have modified _______ instrument and made it into khanjira.
(A) Morsing
(B) Dholak
(C) Dep
(D) Tabla
66. Sangeet Bodh was authored by
(A) Sharachandra Paranjape
(B) V. R. Patawardhan
(C) Ahobal
(D) narad
67. Under Bhatkhande swara lipi system
symbol for komala swara is
(A) –
(B) .
(C) |
(D) X
68. Choose the odd one.
(A) Guitar
(B) Clarinet
(C) Dilruba
(D) Mandolin
69. ‘Paran’ is a term used in karnatak
percussion solo to refer to
(A) Rolling patterns before mora
(B) Ending strokes played for a kriti
(C) Fast tempo
(D) Short ending
70. Jhalli or Jhallari is now known as
(A) Cymbals
(B) khanjira
(C) Gottuvadya
(D) Morsing
71. Temmangu is a folk musical form in the
state of
(A) Andhra Pradesh
(B) Tamil nadu
(C) karnataka
(D) Maharashtra
Total Number of Pages : 24
Paper II 18 K – 4020
72. ¸ÝÆíñÝűÜâ ÃÜg¯àPÝíñÜ ÃÝÊ… ¿ÞÊÜâ¨Ü®Üá°
ÓÜíPÜÆ®Ü ÊÜÞw¨ÝªÃæ ?
(A) gÊÜÚWÜÙÜá
(B) PÜ®ÜPܨÝÓÜÃÜ QàñÜì®æWÜÙÜá
(C) PæÒàñÜſᠱܨÜWÜÙÜá
(D) ÓÝÃÜíWܱÝ~ ±Ü¨ÜWÜÙÜá
73. ¨ÝÃæãài HÃÜÊÜá¾ ¿ÞÊÜâ¨ÜPæR ±ÜÅԨܜ ?
(A) ÇÝÊÜ~
(B) ŸáÃÜÅPÜ¥Ý
(C) PæãàÃÜÊÝ~
(D) ÖÝÆQR
74. »ÝÃÜ£à¿á ÓÜíXàñ… PÝ C£ÖÝÓ… ÇæàSPÜ ¿ÞÃÜá ?
(A) BaÝ¿áì ŸêÖÜÓܳ£
(B) BÃ…. Ô. ÊæáÖݤ
(C) ±ÜÅ©à±… PÜáÊÜÞÃ… ©àQÒñ…
(D) sÝPÜãÃ… hæç¨æàÊ… Ôí[…
75. PæÙÜX®ÜÊÜâWÜÙÜ®Üá° ÓÜÄ¿ÞX hæãàwÔ :
a. ŸíoáÄ࣠PæãàÆá 1. ÓÜÊÜá
b. ÊæãàPÜÒÊÜáá WÜÆ¨Ü 2. A£àñÜ
c. ÓÜÃæãàg ¨ÜÙÜ ®æà£Å 3. A®ÜWÜñÜ
d. aævæ Ÿá©œ ÊÜá®ÜáÃÜ 4. ÊÜá«Ý©
(A) a – 3, b – 4, c – 1, d – 2
(B) a – 2, b – 3, c – 4, d – 1
(C) a – 4, b – 2, c – 1, d – 3
(D) a – 3, b – 1, c – 4, d – 2
76. MáÑ ÓÝÌ£¿áÊÜÃÜ ÊÜÞWÜì¨ÜÍÜì®Ü¨Ü®ÜáÓÝÃÜ ‘±ÜâÐÜRÃÜ’ ÊÜ®Üá° ÃÜã±ÜâWæãÚst ¨æàÊÜÇæãàPܨÜ
ÊÝÓÜá¤Îȳ ¿ÞÃÜá ?
(A) ËÍÝÌËáñÜÅ
(B) PæãàÖÜÆ
(C) ËÍÜÌPÜÊÜáì
(D) »ÜÃÜñÜ
77. ÊÜáU ÖÜê¨Ü¿áÊÜå…, D »ÝÐÜÂÊÜ®Üá° ¿ÞÃÜ PÜꣿá
ÊæáàÇæ ŸÃæ¿áÇÝX¨æ ?
(A) ÊæíPÜo ÊÜáU
(B) ÎÅàPÝíñÜ ÊÜáU
(C) WæãàËí¨Ü ÊÜáU
(D) ÓÜÃÜÔg ÊÜáU
78. ¨ÜáűܨÜ, C¨ÜÃÜ Aí£ÊÜá »ÝWÜÊÜ®Üá° H®æí¨Üá
PÜÃæ¿ááñݤÃæ ?
(A) ÓݧÀá
(B) dÜpÝÌíW…
(C) A»æãàW…
(D) AíñÜÃÜ
79. ÆWÝ®… WÝí«ÝÃ…®Üá° BËÐÜRÄÔ Ü̈ÊÜÃÜá ¿ÞÃÜá ?
(A) ÊÜáÈÉPÝgáì®Ü ÊÜá®ÜãÕÃ…
(B) PÜáÊÜÞÃÜ WÜí«ÜÊÜì
(C) ÃÝÊÜÞÍÜÅ¿á ÃÜkÞ
(D) ±Üíwñ… gÓ…ÃÝh…
80. ±ÝÅbà®Ü ñÜËáÙ… ±Ü®…&±ÜÇæç ÊÜÂÊÜÓ槿áá
(A) ÃÝWÜ ÊÜÂÊÜÓæ§
(B) ñÝÙÜ ÊÜÂÊÜÓæ§
(C) XàñÜ ÊÜÂÊÜÓæ§
(D) ÊݨÜ ÊÜÂÊÜÓæ§
Total Number of Pages : 24
K – 4020 19 Paper II
72. Balantrapu Rajanikantha Rao has
compiled
(A) Javalis
(B) kanakadasa keerthanas
(C) kshetrayya Padams
(D) Sarangapani Padams
73. Daroji Eramma is famous for
(A) Lawani
(B) Burrakatha
(C) korawani
(D) Halakki
74. Author of Bharatiya Sangeet ka Itihas
(A) Acharya Brahaspati
(B) R. C. Mehta
(C) Pradeep kumar Dixit
(D) Thakur Jaidev Singh
75. Match the following :
a. Bantureeti kolu 1. Sama
b. Mokshamu 2. Ateeta
Galada
c. Saroja Dala 3. Anagata
netri
d. Chede Buddhi 4. Madhyadi
Manura
(A) a – 3, b – 4, c – 1, d – 2
(B) a – 2, b – 3, c – 4, d – 1
(C) a – 4, b – 2, c – 1, d – 3
(D) a – 3, b – 1, c – 4, d – 2
76. He was the celestial architect who
designed the ‘Pushkara’ as per the
instructions of Sage Svati.
(A) Viswamitra
(B) kohala
(C) Vishwakarma
(D) Bharata
77. Makhi Hrudayam, a commentary was
written on the text of
(A) Venkata Makhi
(B) Srikantha Makhi
(C) Govinda Makhi
(D) Sarasija Makhi
78. Terminal part of Drupad is known as
(A) Sthayi
(B) Chatwang
(C) Abhog
(D) Antara
79. Lagan Gandhar invented by
(A) Mallikarjun Mansur
(B) kumar Gandharva
(C) Ramashraya Jha
(D) Pt. Jas Raj
80. Ancient Tamil Pan-palai system is
(A) Raga system
(B) Tala system
(C) Geetha system
(D) Vadya system
Total Number of Pages : 24
Paper II 20 K – 4020
81. PæÙÜX®Ü ÊÝPÜÂWÜÙÜ®Üá° WÜÊÜá¯Ô : ÊÝPÜ (A) : Êæãàׯ¿áorÊÜå… ®ÜêñÜÂÍæçÈ¿áá
Êæãàw ÊÜÞvÜáÊÜÊÜÙÜ ®ÜêñÜÂÊÝX¨Ü᪠C¨ÜÃÜ ÊÜáãÆ PæàÃÜÙÜ.
ÊÝPÜ (R) : ÊÜáÖÝÃÝg ÓÝÌ£ £ÃÜá®ÝÙ…ÃÜÊÜÃÜá ÐæãàÐÜP Ü Ê Üáñ Üá ¤ Ó ÜíÁãàgPÜÃÝX ¯àw¨Ü PæãvÜáWæWÜÚí¨ÝX D ÍæçÈ¿áá ±ÜÅÔ©œ¿á®Üá° ±Üv橨æ.
(A) ÊÝPÜ A ÊÜáñÜᤠR ÓÜÄ¿ÞX¨æ ÊÜáñÜᤠR ÊÝPÜÂÊÜâ A ÊÝPÜ嬆 ËÊÜÃÜOæ¿ÞX¨æ
(B) ÊÝPÜ A ÊÜáñÜᤠR ÓÜÄ¿ÞX æ̈ B Ü̈Ãæ ÊÝPÜ A
PÜáÄñÜá ÊÝPÜ R ¯àw¨Ü ËÊÜÃÜOæ ñܱÜâ³
(C) ÊÝPÜ A ÓÜÄ ÊÜáñÜᤠÊÝPÜ R ñܱÜâ³
(D) ÊÝPÜ A ñܱÜâ³ B¨ÜÃæ ÊÝPÜ R ÓÜÄ
82. Xàñæ¿á GÃÜvÜá ÊæçË«ÜÂñæWÜÙÜá ¿ÞÊÜâ¨Üá ?
(A) »ÜWÜÊÜ©Yàñæ ÊÜáñÜᤠAÐÜrÊÜPÜÅ Xàñæ
(B) ÓÜíaÝÄ Xàñæ ÊÜáñÜᤠÆPÜÒ| Xàñæ
(C) »ÝÊÜ Xàñæ ÊÜáñÜᤠhÝ®Ü±Ü¨Ü Xàñæ
(D) ®ÝÃÜ¨Ü Xàñæ ÊÜáñÜᤠ»ÝÃÜñÜ Xàñæ
83. PæÙÜX®ÜÊÜâWÜÙÜ®Üá° ÓÜÄ¿ÞX hæãàwÔ : a. ÃækãàÊÜáÅ ñÝÙÜ 1. 16 ÊÜÞñÝÅWÜÙÜá
b. TæàÊÜár ñÝÙÜ 2. 15 ÊÜÞñÝÅWÜÙÜá
c. gp… ñÝÙÜ 3. 12 ÊÜÞñÝÅWÜÙÜá
d. ÓÝÊÜÄ ñÝÙÜ 4. 14 ÊÜÞñÝÅWÜÙÜá
(A) a – 1, b – 4, c – 2, d – 3 (B) a – 2, b – 1, c – 3, d – 4 (C) a – 4, b – 3, c – 1, d – 2 (D) a – 3, b – 2, c – 4, d – 1
84. ÓÜíaÝÃܨÜÈÉ ±ÝÅÃÜí¼PÜ ÓÜÌÃÜ ÊÜáñÜᤠPæã®æ¿á ÓÜ ÌÃÜWÜÙÜá Jí¨æà BX¨ÜªÃæ A¨Ü®Üá° H®æí¨Üá PÜÃæ¿ááñݤÃæ ?
(A) AíÓÜ ÓÜÌÃÜ
(B) ÓݧÀá ÓÜÌÃÜ
(C) ®ÝÂÓÜ ÓÜÌÃÜ
(D) WÜÅÖÜ ÓÜÌÃÜ
85. PÜ®ÝìoPÜ ÓÜíXàñܨÜÈÉ __________ aݱÜâ ñÝÙÜWÜÚÊæ.
(A) 4 (B) 7 (C) 3 (D) 16
86. ¸ÝÙܱܳ ÖÜáPæRàÄ GÈÉ¿á ±ÜÅԨܜÊÝ¨Ü hÝ®Ü±Ü¨Ü ÖÝvÜáWÝÃÜÃÝX¨ÝªÃæ ?
(A) ŸíWÝÆ
(B) PÜ®ÝìoPÜ
(C) ñÜËáÙÜá®ÝvÜá (D) Bí«ÜÅ
87. ÍÝÂÊÜÞ ÍÝÔ÷¿áÊÜÃÜ ÓÜÌÃÜ hÝ£WÜÙÜá ¿ÞÊÜ ÃÝWÜWÜÙÜÈÉÊæ ?
(A) »æçÃÜË, ñæãàw, ¿á¨ÜáPÜáÆ PÝí»æãài
(B) »æçÃÜË, PÝí»æãài, ñæãàw
(C) ñæãàw, ÍÜíPÜÃÝ»ÜÃÜ|, ®Ýo
(D) PÜÇÝÂ~, B®Üí¨Ü»æçÃÜË, ÓèÃÝÐÜó
88. ÓÜíXàñÜÊÜâ ¿ÞÊÜ ÆÈñÜ PÜÇæWÜÙÜ ÓÜËá¾ÍÜÅ|ÊÝX æ̈ ?
(A) WÝ¿á®Ü, ÊݨÜÂ, ®ÝoÂ
(B) ®ÝoÂ, bñÜÅPÜÇæ, ÎƳPÜÇæ
(C) ÊÜÞÎì¿áÇ… Bp…Õì, ®ÝoÂ, WÝ¿á®Ü
(D) WÝ¿á®Ü, ÊݨÜÂ, Êæà¨Ü
89. ÊÜáê¨ÜíWÜ¨Ü ²ñÝÊÜáÖÜ ¿ÞÃÜá ?
(A) ¨ÝÓ… ÓÝÌËáWÜÇ…
(B) ®ÝÃÝ¿á|ÓÝÌËá A±Ü³
(C) AÙÜWÜ®Üí¹¿á ²ÇæÉ$ç
(D) ±ÝÇÝ^p… ÊÜá~ I¿áÂÃ…
90. ®æÃÜÊÜÇ… ¿ÞÊÜâ¨ÜÃÜ ËÓܤÃÜOæ¿ÞX¨æ ?
(A) ÓÜÌÃÜ Ë®ÝÂÓÜ
(B) ÓÝ×ñÜ ˮÝÂÓÜ
(C) Æ¿á Ë®ÝÂÓÜ
(D) AÆíPÝÃÜ Ë®ÝÂÓÜ
Total Number of Pages : 24
K – 4020 21 Paper II
81. Consider the following statements : Statement (A) : Mohiniyattam is the
dance of the enchantress and originates from kerala.
Statement (R) : Maharaja Swathi Thirunal’s contribution as patron and composer has popularised the style.
(A) Both A and R are true and R is the explanation of A
(B) Both A and R are true but R is not the correct explanation of A
(C) A is true and R is false (D) A is false but R is true
82. Geetha has two varieties (A) Bhagavad Geetha, Astavakra Geetha (B) Sanchari Geetha, Lakshana Geetha (C) Bhava Geetha, Janapada Geetha (D) narada Geetha, Bharata Geetha
83. Match the following : a. Jhomra tala 1. 16 matras b. Khemta tala 2. 15 matras c. Jat tala 3. 12 matras d. Sawari tala 4. 14 matras (A) a – 1, b – 4, c – 2, d – 3 (B) a – 2, b – 1, c – 3, d – 4 (C) a – 4, b – 3, c – 1, d – 2 (D) a – 3, b – 2, c – 4, d – 1
84. In a sanchara, if the starting and ending swaras are the same, it is known as
(A) Amsa swara (B) Sthayi swara (C) nyasa swara (D) Graha swara
85. karnatak music has ________ chaapu talas.
(A) 4 (B) 7 (C) 3 (D) 16
86. Balappa Hukkeri is a famous folk singer of (A) Bengal (B) karnataka (C) Tamil nadu (D) Andhra
87. Swarajathis of Shyama Shastry are in these ragas.
(A) Bhairavi, Todi, Yadukula kambhoji
(B) Bhairavi, kambhoji, Todi (C) Todi, Shankarabharana, nata (D) kalyani, Anandabhairavi,
Sourastra
88. Music is the combination of these Fine Arts
(A) Vocal, Instrumental, Dance (B) Dance, Painting, Sculpture (C) Martial Arts, Dance, Vocal (D) Vocal, Instrumental, Veda
89. The father of Mridangam is (A) Das Swamigal (B) narayanaswamy Appa (C) Azaganambia Pillai (D) Palghat Mani Iyer
90. neraval is an elaboration of (A) Swara Vinyasa (B) Sahitya Vinyasa (C) Laya Vinyasa (D) Alankara Vinyasa
Total Number of Pages : 24
Paper II 22 K – 4020
91. PæÙÜX®ÜÊÜâWÜÙÜ®Üá° ÓÜÄ¿ÞX hæãàwÔ :
a. ÐÜvÜj 1. PÝPÜÈ ¯ÐܨÜ
b. ÓÝ«ÝÃÜ| 2. aÜñÜáÍÜáÅ£ ¨æçÊÜñÜ
WÝí«ÝÃÜ
c. AíñÜÃÜ 3. ÍÜá¨Üœ ÊÜÞ«ÜÂÊÜá
WÝí«ÝÃÜ
d. ±ÜÅ£ ÊÜÞ«ÜÂÊÜá 4. ÍÜá¨Üœ ¨æçÊÜñÜ
(A) a – 4, b – 2, c – 3, d – 1
(B) a – 1, b – 3, c – 4, d – 2
(C) a – 3, b – 4, c – 2, d – 1
(D) a – 4, b – 3, c – 1, d – 2
92. ±ÜÅŸí«Ü¨Ü AíWÜWÜÙÜá ¿ÞÊÜâÊÜâ ?
(A) ÊæáƱÝPÜ, E¨ÜY†ÖÜ, «ÜáÅÊÜ, A»æãàWÜ
(B) QÅ¿á, PÜÆ, ÊÜÞWÜì, AíWÜ, ±ÜÅñÜÂíWÜ
(C) ±ÜÆÉË, A®Üá±ÜÆÉË, aÜÃÜ|
(D) bñæ¤àÍÜÌÃÜ, GoárWÜvæàÍÜÌÃÜ
93. P æÙ ÜX® Ü h æãàw¿áÈÉ AÓ ÜÊ ÜáÊݨܨ Ü ª® Üá °
WÜáÃÜá£Ô.
(A) BË»ÝìÊÜ & £Ãæãà»ÝÊÜ
(B) AƳñÜÌ & ŸÖÜáñÜÌ
(C) ÊÝ© & ÓÜíÊÝ©
(D) AÊÜÃæãàÖÜ & ±ÜPÜRvÜ
94. Jí¨Üá ÃÝWܨÜÈÉÃÜáÊÜ HPÜ ±ÜÅPÝÃÜ¨Ü ÓÜÌÃÜÊÜ®Üá°
H®æí¨Üá PÜÃæ¿ááñݤÃæ ?
(A) AaÜÆ ÓÜÌÃÜ
(B) PæãàÊÜáÆ ÓÜÌÃÜ
(C) ÍÜá¨Üœ ÓÜÌÃÜ
(D) £àÊÜÅ ÓÜÌÃÜ
95. XàñÜ WÝ¿á®Ü̈ ÜÈÉ ÆPÜÒ| Ü̈ ÊÜáãÆÊÜÂQ¤ ¿ÞÃÜá ?
(A) ñÝ®æÕà®…
(B) ±Üíwñ… Ë. G®…. »ÝñÜVívæ
(C) vÝ. ±ÜÆáÓÜRÃ…
(D) ÊÜÞñÜíWÜ
96. ÓÜÌÃÜ Gí¨ÜÃæ (A) HÙÜá ñÝÙÜWÜÙÜ Æ¿á
(B) ÓÜíXàñÜ¨Ü ÓÜÌÃÜ
(C) WÝ¿á®Ü ÍæçÈ
(D) ÊÜá®ÜÔÕ®Ü PÜƳ®æ
97. ®ÜÊÜÓÜí˜ ñÝÙÜWÜÙÜá
(A) ÖÜÄP Ü¥ æ ± Ü Å¨ ÜÍ Üì® Ü¨ Ü Ê æàÙ æ 9 ¸ÝÄ ®ÜáwÓÜƳvÜáÊÜí¥Ü¨Üáª
(B) ®ÜÊÜÃݣŠPÝÆ Ü̈ÈÉ ®ÜáwÓÜƳvÜáÊÜ 9 ñÝÙÜWÜÙÜ ÓÜÊÜáãÖÜ
(C) ¿áPÜÒWݮܨÜÈÉ ŸÙÜPæ¿ÞWÜáÊÜ ñÝÙÜWÜÙÜ ÓÜÊÜáãÖÜ
(D) ±ÜÅ£Áãí¨Üá ©QRWÝX ¨æàÊÜÓݧ®ÜWÜÙÜÈÉ E±ÜÁãàXÓÜƳvÜáÊÜ ñÝÙÜWÜÙÜ ÓÜÊÜáãÖÜ
98. ÓÜíXàñÜ ÓÜí±ÜÅ¨Ý¿á ±ÜŨÜÎ쯿á®Üá° ¿ÞÊÜ CÓÜË¿áÈÉ ±ÜÅPÜqÓÜÇÝXñÜᤠ?
(A) 1908 (B) 1904 (C) 1909 (D) 1910
99. ÃÝWܨÜÈÉÃÜáÊÜ ÊÜááS ÓÜ ÌÃÜÊÜ®Üá° H®æí¨Üá PÜÃæ¿ááñݤÃæ ?
(A) ÓÜíÊÝ© (B) AíÍÜ
(C) A®ÜáÊÝ© (D) ËÊÝ©
100. ¨ÜáűܨܨÜÈÉ Wæ㟨Ýì¯ ÍæçÈ¿áá ¿ÞÊÜâ¨Ü®Üá° A®ÜáÓÜÄÓÜáñܤ¨æ ?
(A) ¸æçh…° (B) ÃÝÊÜÞªÓ…
(C) ñÝ®æÕà®… (D) ¸ÝSá
Total Number of Pages : 24
K – 4020 23 Paper II
91. Match the following : a. Shadja 1. kakali nishada b. Sadharana 2. Chatushruti Gandhara Daivata c. Antara 3. Shuddha Gandhara Madhyama d. Prati 4. Shuddha
Madhyama Daivata (A) a – 4, b – 2, c – 3, d – 1 (B) a – 1, b – 3, c – 4, d – 2 (C) a – 3, b – 4, c – 2, d – 1 (D) a – 4, b – 3, c – 1, d – 2
92. The angas of the Prabandha are (A) Melapaka, Udgraha, Dhruva,
Abhoga (B) kriya, kala, Marga, Anga,
Pratyanga (C) Pallavi, Anupallavi, Charana (D) Chitteswara, Ettugadeswara
93. Odd pair in the following list is (A) Avirbhava – Tirobhava (B) Alpatwa – Bahutwa (C) Vaadi – Samvadi (D) Avaroha – Pakkada
94. A steady note in a raga is called (A) Achala swara (B) komala swara (C) Shuddha swara (D) Teevra swara
95. Originator of lakshana of geet singing is (A) Tansen (B) Pt. V.n. Bhatkhande (C) Dr. Paluskar (D) Matanga
96. Swara is a (A) Rhythm of seven beats (B) Musical note (C) Style of singing (D) Mind’s imagery
97. navasandhi talas are (A) Played 9 times during a Harikatha
performance (B) Set of 9 talas played during
navratri (C) Set of talas used in Yakshagana (D) Set of talas used in temples for each
of the directions
98. Sangeetha Sampradaya Pradarshini was published in the year
(A) 1908 (B) 1904 (C) 1909 (D) 1910
99. Main swara in the raga is called (A) Samvadi (B) Amsha (C) Anuvadi (D) Vivadi
100. In Drupad, Gobardaani variety follows (A) Baijn (B) Ramdas (C) Tansen (D) Bakhu
Total Number of Pages : 24
Paper II 24 K – 4020
bñÜᤠŸÃÜÖÜPÝRX ÓܧÙÜ
Space for Rough Work
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