overkill - the years of decay (songbook) (pdf)
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As recorded by OVERKILL on MEGAFORCE Records
Managemen t: Loud & Proud ManagementTranscribed by Carl Culpepper
Edited by Jeff Jacobson and Jon ChappellMusic Engraving by W.R. Music
Production Manager: Daniel RosenbaumArt Direct ion . Ailsa Hill
Admin istration : Monica CartonDirector of Music: Mark Phillips
Photography by Frank White and Jeff 712" Tisman
ISBN: 0-89524 -553-1
Copyright © 1990 Cherry Lane Music Company. Inc.International Copyr ight Secured All Rights Reserved
MIIt~-rH~ 7tARr or:- D£~AY
INTRODUCTION
"Speed Metal" had become an established musical form by the late 1980's. What hadstarted as a small but potent radical departure from the norm, an alternative to the flood ofshallow glam bands, pop-oriented designer rock groups and dinosaur metal revivals, hasgrown into a movement. It is a movement with a tradition (its roots in the late-70's NewWave of British Heavy Metal and hardcore punk music) and an identifiable, unifying sound.It currently flaunts numerous serious practitioners lnside the genre; we now have manynew entries yearly, compared to the tenacious handful of the early 1980's (Metallica, Anthrax, Megadeth, Slayer). There is a method to what some perceive as the madness withinthe artform. It is about energy and expression. It has a harmonic and melodic language; ithas definite rhythmical, arrangemental and orchestral procedures. The lyrics and relatedsymbolic imagery deal overtly, sometimes disturbingly, with relevant social, political andglobal issues, not with boy-meets-girllove stories nor with bar-crawling machismo. It isrebellious, often painfully self-abnegating, a new voice in the wilderness of social decayand complacency. It demands to be heard .
One of the voices demanding to be heard these days is Overkill. On their 1989 release,The Years of Decay, they get right down to the business of living up to their name. Asexpected, the characteristic elements of modern speed metal are well represented. Unbelievably crunchy rhythm guitar grooves and riffs are abundant and insist on shaking thewalls throughout. The rhythm section promises to level you with unwieldly accents andbreaks, sfasmodic meter and feel changes taken at ridiculous breakneck tempos (often inexcess 0 J=200). The lead guitar soloing is absolutely blistering---defying accurate transcription with the myriad of fast picked passages, quirky melodic content, exaggeratedwhammy bar abuse and numerous physical and processor-generated effects as musicalevents. Harmonically and melodically, it is unmistakable-references to tritone and chro-
2
matic chord harmony lurk throughout the dense arrangements; odd scales and modes taketheir place along-side time-honored blues, pentatonic and diatonic sounds as viable melodic sources.
The guitarorchestration in The Years of Decay is noteworthy. Consider the effective useof acoustic and electric timbres to create a colo rful and dramatic environment in the titletrack, or the exploration of clean and distorted electric guitar tones in "Who Tends the Fire."The intra to "E.vil N.ever D.ies" is a truly orchestral moment, with the volume-swelledsounds (enhanced by wet reverb and delay processing) of multiple overdubbed guitarscreating a quasi string-section impression of violins, violas and cellos. Of course, overdubbed, heavily distorted guitars in unison riffs, ensemble chord figures and various harmonized lines are everywhere in the music, lending an unearthly thickness to the proceedings.
Rhythmic complexity is found throughout The Years of Decay. Check out the shifting ofmeter during the quttar solo of "Evi! N.ever D.ies." There are bars of 4/4, 5/4, 3/4 and 2/4within the section, which is challengi ng in its tempo alone : ..I =216. Or check out the multiple tempo changes in "The Years of Decay," "Who tends the Fire," "Birth of Tension" and"Elimination." "Nothing To Die For" is distinguished by feel changes as well as tempo andmeter changes. Besides the general tempo move from) =200 (intro, verse and chorus) toJ=220 (interlude), there is an intriguing fluctuation of triplet feel to straight-eighth feel in thesolo (Guitarsolo II). -
Dissonance and unusual melodic and harmonic devices are par for the course in modernspeed metal. Overkill's music is no exception. Consider the prevalent use of tritone (flatfive) dissonances in riff construction in "Who Tends the Fire" (Rhy. Figs. 1A and 1B), "BirthofTension" (Rhy. Fig. 4), "E.vil N.ever D.ies" (Rhy. Fig. 5) or "Skullkrusher (Rhy. Fig. 2).Chromaticism is employed in countless forms, often in conjunction with modal harmony asin "Birth of Tension." Here, the intro uses both conventional E Phrygian mode changesand chromaticism from the harmonic minor scale in A (G#) as well as the E blues scale(A#).
Like many of the thrash bands of today, the music has its roots in classic heavy metal ofthe 70's (Black Sabbath, Judas Priest and Iron Maiden) yet it is fused to distinctly modernelements. The initial lumbering 0=60), dinosaur groove of "Skullkrusher" (intro, verse,chorus) grinds inexorably forward like the most unstoppable Sabbath riff (it's even tuneddown two steps for good measure). This is contrasted sharply by the very contemporaryspeed-metal attitude in tempo (J=216) and delivery of the bridge (Rhy. Fig. 6) and guitarsolo. In the solo, two guitars (Gtrs. II and III) solo against each other in free-form polyphonic improvisation while Gtr . 1 holds down first an E5 power chord pad and then lays outaltogether, heightening the effect of the two-guitar texture. Another example is the obviousmutation of the notorious heavy metal"gallop" (In or n..,), associated with Iron Maidenand 70's metal in general, in "Who Tends the Fire" (Rhy. Fig. 2). Like the staple figure fromwhich it sprang , it receives an appropriately thick, palm-muted attack and a very staccato,accented articulation and phrasinq.
The dictionary defines "overkill" as "nuclear destructive capacity exceeding the amountneeded to destroy an enemy ... excessive killing." That'll do. In the final reckoning, Overkill is equal to the task. With their arsenal of heavy metal forces and the sheer power oftheir high decibel, high velocity, high energy musical assault, they pack the wallop neededfor ultimate annihilation. They are, indeed, equipped for excessive killing-leaving anaudience devastated and begging for more. Then, they turn it up....
- Wolf Marshall
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CONTENTS
I
51220263344516170
79
· ] 'jIJJC To Kill· . . . . . . . . . . . . . . . . . . . . . . . .. . .. . . . . . . . . . . . . .. .. . . . . . . . . . . . . . . . . . . . . . . . E1UTI/natloll. .. . .. .. . . ..... . . . . . . ... . . . .. . . .. . . . .. . . . . . ... . .. .. . . . . .... . .. . . . . . . . . . .. I Hate
Nothing To Die For· . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Playing with Spiders/Skullkrusher· Birth of Tension. .. . . . .. . . . ... . .. . . . . . .. ... .. . .... . .... . . . ... .. ... .. .. . . . .... Who Tends tile Fire· The Years of Decay· E. vil N. ever D.ies
...... ... . . .. . . .. . . . .. . . . .. . . . .. .. . . . ... . .. . ... . . . . . . . . . . .. Tablature Explanation
CHE RRY LANE MUSIC THE PRINT COMPANY
EXECUTIVE: Mich ael Le ffel1s, President Ka th leen A Mal oney , Dir ector o f Ad , ertis ing andPromotion, Len Handler, Creative Servrces Man ager; Mo nica Carton , Comracts Adm inist rato r;Kar en Carey, D rvrsion Secretary, Donna Friedman. Execul"8 Secretary.MUSIC ' Mark Pbrlhps, o .recror of Music: .Jon Cil app eli. Associate Dir ecto r of MUSlC, Jefl JacobsonMu,.c Edi tor; Steve Goreobe rq . Mu src Editor.ART: A lrSB Hrll, An OlfSCIOr, KersHn Falrbend, Ass istan t Art Dir ectorPRODUCTION: Daniel Rosenbaum, Production Manager, Belt y Chasen , Prooucnon Assistan t
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B5 N.C. F#5 G5 F#5 G5 E5(end Rhy Fig I)
GS £5 N.C. BbS
~~~§M~·~~rbr~~@
I. Ter - rni - naJ!2.3.4. See additional lyrics
B5 N.C. H5
r# ~r
I\;l. .: -
~ =:~'-'; = :;~~ == ~ ~ ~== == ==
..c..- <,
III ::> II ""1;- sl.>- >- > z>__ oj I'.M.-·-4
.. v
~v
~ ~ ~ ~ A :: Av ~ ~ ~ ~
Faster J=232lst,2nd,3rd,4th Versesw/Rhy. Fig. 1 (4 times)
~~,~B~S~N~'C~'~~~~
A
Bb5 N.C.B5 N.C.
mel L,You're shit - tin'
G5 F#5 G5 E5N.C. F#5
Fa tal?
N.C. B5
wheeze? _cough and
E5 B5 N.C. B~5
~--':\'---- Esec . ond 0 - pin ion is what need.L Laugh - in' in a wind - storm, I'm
F#5 G5 F#5 G5B5 N.C.Bb5 N.C.N.C.B5N.C. B5 N.C. E5
Ef I£~"\~~~~~~~~~~B5 N.C. C5
blow - in' all the com stalks., down.
E5 B5 N.C. BbSE5
Bb5N.C. 85 N.C. C5 N.C. B5 N.C.
IB5 N.C. N.~3
r7? #f' #~~
• •r~ ~\ i r
Cry - in' in the fu - ner . al home. For-ward my mail ___ six feet un - der ground._
12
Copyr1oht II) 1989Bloodand Iron ~slc Co./Zazmar MusicCompany (BMI)This ArrBngemanl1l) 1990 Blood and Iron MuslclZazmar MusicCompany
Inlllma~onal Copyrlghl Secured All RighI!;Reserved
F~5 G5 F#5 GS
Chorus£5Rhy. Fig. 2
na tion,
£ 5-o <,
F~ */ ~ V r iEI£ - lim - i na -
D5
£
~.t- tion.
lim . na tion.
G5c-
~' tE
E -lim . i
lim . na
(end Rhy . Fig. 2)
t~ , ~tion. _
N.C.N.C.B5£5C5 N.C. B5 N.C.
'11
Guitar solo Iw/Rhy. Fig. I (2 times) (Gtrs, 1&11)
E5 B5 N.C. BbS N.C. B5 N.C.Full Full Full Full Full FullG
A~~!~!~! i! :$-f- /. ! i:.~-. H
- f:'" .-fL-f- .# ~:t~~
@) 6 L--6-----l5
Pill Ffl P~U Pfl Fyll . .rr Pull pp '"'" .~ H P
.:::-r :/ .~/ .-;/ :-;:/ .~.~ ~
.~ -----.~
C5 N.C. B5 N.C.Full/~
85 N.C.
H P~
BS N.C. nbs N.C.
H p~
E5
Full~
F#5 GS F#5 GS
p
B5 N.C.
fI.II ~ ~ "*"* ,. ~~ "*.~:,.-!-f . st.-fLt-fL sl.sl~ -fL~~ ~ sl.sf~ -!'-. ~ :". ~ -fL t·r '1*- ---,
@) v'-3-' sem i-
P.M.- · -i harm .
p p~ st. sf. H_P sf. H p st. H p FJ~"- .... 15---.. iA (-Jov .. .- ,;
" "-
sl. S/.@ open
E
j~
E5(typ< 2)
)l "f ffI.JJ
E5 B5 N.C. B5 N.C. B5 N.C. F#5 G5 F#5 GS ~.11
I @)2. Con -
Full~..... ... ••• • •• •• .. 4·4
.. .... ... .... . ............ ~~
P~. '-,9-·-----------06II .. H P '1*-~
@) " '-'P
/'"P./
p H. P P H P
13
•
w/Rhy. Fig. 2E5
~~7~~~~¥1
12. (w/last bar of Rhy.~AS ~ ~u=r t~~~f
~
lion . _ E . lim > j • nate the right. E . lim· i-nate the wrong, E .
lim - i-nate the weak. E . lim· i-nate the strong. E . lim i· na te your feel • ings , E .
To Coda II$ AS
~'I
G5
~~~AA~t~flim - i -nate 100 late.
Faster J= 312N.C.
1\ a Gtr. I
E . lim . i-nate the hope . E - lim - i . nate! E . Lim • i-nate!
~ U U ~'---"""'-~trem . bar (grad. descent)
slack
I,
"
1\ Il Gtr, II slack
I-~ J _
(rem. bar (grad. descent)
slack
I~\ ,~\
'/ ,.
BridgeRhy. E S(lypc 1)
F ig. 3 <> o(Gtrs. I&II)
~ F r ~ rIf I had just one more
"J
day I'd
C5
turn it all L, a· mund._ I'd
05 E5(tvpe 3)'..-_ - - - ____________ ~ (end Rhy. Fig. 3)
o o <> ~-~
~gF~-_~=b .,1 1~
play at c,make a_
w/Rhy. Fig . 3ES(lypo ')
~.:=:::J@)
if had just
good clew
one more
liv - in' and
day I'd
dig
say it
me out of the
to_ your
ground. And
t¥$r ! *-iface. __ I'd
14
7Jna
15
CS N.C.B5.N.C.N.C.
race lthis
E . lim - iSlowerol = 232Guitar solo Ilw/Rhy . F ig . I (4 tim es) (GITS. I & II)E5 B5 N.C. Bb5 N.C. B5
E51lypo J)
lim· i
r
E
~I
to
Full
' ry -
train c,
sim.
ev
----
FiliIfl.,",
.~
~
Dis - eas in' a 113 lion .
FllSter .l = 3200i fT. @9fr.
A Full F#);::=<) ) ) )) Z
P.M.- - - ---- - . __•• _• • _. _.•.••. 1 sim.
q:E\~._~~:-----...~~~r ~tt1f f zEz- fway_
mak - in' a mess,
3
You 'r e
We want the cure L; and we want it now.
ES('YP< J ) F~5JX
,,~() (end Rhy . Fig. 4) e ()
J~ie $ & f Q ' ~t ?28Re - is - sue hop e. We don't care ... how!
ESltyp, 3)
Fu ll
tion, _
Run
) ) ) )P.M,- •• - - _• •. - • • - - - - - - - j
, . ;~....-
pull the_ plug _ on
Rhv. F;SFig'.4 0--------------- o
f
DS
ES BS N.C. Eb5 N.C. B5 N.C. F~S G5 Hs G5 E5 B5 N.C. BbS N.C.
~~~. ... J: Full Ful l Full Full P H H H
fI ,. ./-I-~-/ ~~. f:.~ ~ ;f:. ~ ~ -fL~ ~-.../"f:.~ ..• 1'-+: ~ .jL ~ ~ • ...-.. ~ • ~. .".. .f'..- -I
@.J
sem t-harm.- - - ... .. . . ... ;
-! p F~1l F~ll Full Full p H H H.- .r '"7_ '\ ~ ~ ~ ~
, ..- / , ~ . -:' .~ .~ .~ ' oJ
-.._-_ .N.C. B5 N.C. £5 B5 N.C. BbS N.C. B5 N.C. F#5 G5 F~S G5
Bva- .. . . - . - - - - - - - - - - - . - - - - - - - - - - - - - . . - . .. .. - - - - - . - - . - . - - - - - - - - - - - . - . - .. . - - - • --C5Full)
BS N.C.p
rill -:f:........ ~ ----t~ Fullf. st. ... ~J> P p -..-t: p.... . -----. ......... .......... .......... j~-
~
'--3~~ ~ -=--=J '--- 3~ sl.r:r p p p ..R.. L F~~l:' ~sl. .s>: .---... ------.--- .- .- u .~ .:
....-
-ES B5 N.C. B ~ 5 N.C. B5 N ,C. C5 N.C. B5 N-C:'8va· - - . - .. - . - - - - - . - . - - - - . - - . - - - - • - •.••. - - • - - .. - - . - - - - - - - - - - - - - - - - - . - - • ---,
~ocoP H psl. n; e efI >l ... .fI-------. • .... .... .:r-. • ......~ .. ,,",__.f'.. .~""' • • ... -fL • ~ • • ~ I=-,,
-1- + ," 'I-n..-- -,
-~ '--3--' ~3----' 10- .P H p
sl.., " r--.. -- .. ", .~ ---::-----.~ .~ ~ .~ .~ .~ .~ sl..- I.~\.. r
/
E5 85 N.C. Bb5 N.C. B5 N.C. F~5 G5 F; 5 G5 ES 85 N.C. Bb5 N.r.
F#5 G5sl'eady gliss.F#S GS8 5 N.C.
st.B~ 5 N.C.N.C.8 5E5
C5 N.C. B5 N.C. sl.A.H.
(8 ~
N.C.A.H.
Full
BSA .1i -.- . ,
Ful l(8v~b (8va~ va
Ji-::-.!: .. -I f--1e:
----.. ...---.....~!' ~ .... .-... . . ~
:tt :tf:: t t !"(!l____.f\ Ji. := - f:: = = f:: .fI- 1! '-ft. ~. ~ ~
-...I-
@) i r_.
~
A ~l.- .. . - , P.M. P.M .Full A H. Full A .H FuU H p sl. .~ §L
'\ .-j / / ::. ........ ""-
. :: ,; , ," , ·w
~,
rlJi. !: !:E!Jtr-f ..... ,. sl. ~
h.li"-~" ...-.,._...
4!-; - sl.-- ~~P.M.' ... . - - . - . - - - -- - - .. - - - - - ... - - - - -- .. . . . ~
5-l. ~
I. AI- .~
'..
Full ~----------D5 F-----------~ ~o /Full
C5 1/2o ) ----"":\
InterludeGtrs, Half-lim e ( ~ -= 116)] & IIE5 (t ype 1)
oGtf. J-I
I i:J.~n I Fl!ll
N~ )l J-/-----------==J~j-~~4~.Q· '- . ..,.~
• -I- =-~..-=-~.' . ~ 1 ~ ... ........ .. ..... -.~ Gtr. H H 1/2 2
F 11 ~-----------~111}~.;!: ) )~.----------- 1'l1
H H • ~
Fy!! _ _ _ ______ ---' -- ------ --- ........
~~ 'ft " .A'~ .Ift ft "-- .;. ;.. .. ./.;. ;; ~ '"~
H H ~G tr. III indicated to rigbt ofslas hes In TAB ,
16
17
H P
sl.
'--3~
Full
sl.
p6
D5c-
Full
Full
6P P
C5o
Full~
Full Fu ll Full
3
- 3 --'P
H
H
3
Guitar so lo IVw/Rhy. Fig. I (2 times)
2"0--_--- - -----.Guit ar solo IIIEIj FtS C$5 0 5
,) R2? . ~ ?.?.? _~.??? _~J iF-~~ppF.a=F.?=l_.!. _? ?_? _ ~. ? ? ?_!.?_? _A••••• •• • •• 4·~ H P- ~
Full
s!F;5 IX E~:#5~~~ ,))))))))~~
P.M.· - - _. - . •.•.••. - • • • . • • . • • • • -. J "P.M.- _. - - - - -. - -- - - . - _. - _. -. _• • -. Fliil-- '" J
P P P J# ~:----, ;---., ~
·Hammer E (@open ) to F #<@ 2fr.) whileletting CI<@ 4{r.) rin g.•• Play only lo west not e of chord whe n P.M.is indi cated till en d, except wh ere no ted.
trem . bar2Y..
......--sl.sl.
------ sl. sl.(rem. p ick
Full
P
(Gte. IV out)
Pull 1{2 H P,)-' _. -- .. ..------....
):::;J J ) ) J ) ) ~;mP.M.·· ·······--·-········ ·· ·····-···· -J
flll-'" ~'-----"""-fI-~ I~ £5 BS N.C. BbS N.C. BS N.C. CS N.C. 8 5 N.C.
-
II.! tion .A.H
iF(Bva) ull
jull '/" Full 7ll !'uU Fyn 144 ..... .... .... ..fill )-
~
F~ 1l Full FrlJ Ffl F~lI P~" FullA.Hr·· 4 . .
~ ..! '" ~~ ~ ~ ~
C$S DS51.
--51.
sl. P.M.. • • • · •••.•.. ~..~
E S(l ypt 3)
sl.~~ ~.r:r;t=)
P.M.· ············-- -· -· - - - •• - - • • ,8va-- - - • - • - •.• . - • - •• - • - - - - - •• - - - , F\ll.I
Pull 1{2 Full loco---..-f - " '- - - ' H P ./.------..... . ~ -L ,
51.
'=-=
E5(lype J)
o
~sL
6
' t =closed<treble) P0 = open (bass)
Coda I~
' ../Wah P
1I.llP P P :j!:.--sf.
'* "t:- ~~+ +'f:.+ • ~ ~~~.-... ........ -r--, • • . .. •
@.; - 6sem i-harm.
p p p ~sl. -~ ~ ~ - - ~ J v V ~
J J ~J W V •
V
ES BS N.C. fibS N.C. BS N.C.
F#SA.H.
{Bva) G5 F#5 G5 E5 B5 N.C. nbs N.C.
D.S . (take 2nd ending) al Coda II@l1fr.
E Ci) ~ll
~(IYP" 1)
F#5 GS F4s GS Harm . "I )(Bva)
BSBb5N c, A.H)·Full N.C.
o , 8v~N.C.BS
C5N .C.A.H . BS N.C. ES
(8v~UN.C.B5~~O""~.
.,: .~ > p >-p -....+ .. ......................... ""1 1
"'"fljf ~ • .ll I- ...... = I=p ........ .-... ..:l..~
@. ; L....-J 3 3P M .· · · - · - - - - - - - . - -~
vib. wlbar
A HF~ A .H .~II P~
sl. r P Harm .\ I ...--.. «:»; I~'
.~~ -- . ~
./ v II
na 0E - lim - i
"f
F"""""J ) ) ) )P.M .·_· ··· ··_·_······ ···· .. · · · .. · ..
tion.ns
Chorus
Cd" (w/last bar o f Rhy. Fig. 2) Rhy . Fig . SF¢5 IX
ii.-.L-f--~&II») .Q.u)n.:Ju!...?...,J ..)J.).J.!.J),
~~i~~~~VIl=r~' ~~lim - i . nat e! E - lim . i • nate! E . lim - i na lion .
'For next 6 bars only , Gtr. J do es not P .M. but ,t ill plays only lowes! Dote .ES(Iype 3) F#5 1X
) F"'J)))))))))))))
~ P;···n···r~~ ···· ,········'1!
E Lim-
E .tion, _
B5o
(end Rhy. Fig. 5)
J=f 4W-~~~~lim . i na
E .
E5(,ype 3)
~~~E - lim . i-nate the weak .E - lim - i-nate the wrong.c,
'f
lim • i - nate the right.
w/Rhy. Fig. SF#5 JX
-, ~#~
E·- nate too late.E - lim -E -Iirn -
'/
- nate the su ong.
AS
lim •
lim nat e the ho pe. E - lim nate! E - lim . nate!_
18
Guitar solo Vw!Rhy. Fig. 1 (2 times)£5 B5 N.c.
~
B~S N.C. B5 N.C. C5 N.c. BS N.C. E5 BS N.C. BbS N.C.
5p p....---...
5p
5p
BS N.C. F#S G5 F#5 GS E5 BS N.c. BbS N.C. B5 N.C.
sf.
--
Full Full
/\/ sf.....
n.
t)
Full---............ ".-
sf. sf.
E5 B5 N.C. B~5 N.C. BS N.C. F#5 G5 F#S G5 E5
"b )I ·f ~-,
<,
sl.'------3~ '----3-------'Full - - - •••• - - - - - - _ •• - •• - . - - - - • - - - • - - - - ,
) }))
8vo1'1 " ••••• - ••••• - • - •••••••••••••• - • - • -- p~li:·'·: : '.' .- =:".' .' -- .- : .- -- =: : .: : -.-.-.-.- : :.: :.-.--- -- :., ... .. ,.r- J))} loco
.' D
<,'<,
st.
Additional Lyrics
2. Contagious? Say, why not? Not just me waitin' to rot.Painful? Yeah .} know. It couldn't be easy when J had to go.I'm yankin' on my plug and J can 't seem to get it loose.Pullin' all the stops. Your ideals change when you got nothin' to lose. (To Chorus)
3. Hopeless? There's no doubt. Set on a slow burn from th e insid e out.Careful? What for ? Last one out closes the coffin door.Spend in' all you saved and wisnin' for a little more.If I'm lookin ' at the ceiling then I must be layin' on the Floor. (To Chorus)
4. Terminal? What disease? You told me too late . What 's this cough and wheeze?Fatal? You're shit tin' me! A second opinion there's gotta be .Laughiri ' at the epidemic. Something is going around .Cryin' at the epidemic. Pulling on nails six feet underground . (To Chorus)
19
l HATEWords and Music b~
Overki l
Tune down 1/2 step.© ~ E~@ ~G~
(3) = A~ a> = B~
@) = D~ CD = E~
Fast Rock ~ =: 144lntro N.C. Play 4 tim es
1\ ... .. .. .. .. .. .. .. .. ~~ .. .,··
~
P.M.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - _. - - -. - - - - - - - - - - - - - - - -. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - _. - - - ---~f
T · .~ .~ ,~ ~
A • h n .- " " h .... " ;. z; ;.,. ~ " ;; " " " .- .: " .... ... i. ;. .... .... " ,. n'
tJ
GS$
Isr, 2nd, 3rd VersesG5 F~5
IIIl. ~ ..... ~ ,. .----.. - ,.J'r--. ~ --.·
~)------"---. ·@.,
1. So much rrou - ble! Hate this job._ Tried to get out.c, Trapped like a dcg.i.2.3. See addltional lyrics
1\J,jRhy. Fig_ I
1--*-I~-
@.' • • • ",*_-4 -4~ :;j-4 ~~-4 • • • -4~-4 ...
~ ~... - ~~ .....
P.M.----l P,M.--' P.M.----, P.M.--~
·· J W -: ':' -: ':'J " J J J J
~ ~ ~ ~
E5F~5G5FisG5II .. .. .. ..-----------' -fit- ..-----" • .--~
hill-
~
No, r don't like L, pump-in' gas.L, Doya hate to wait? _
(end Rhy. Fig. 1)f\ ..
@. • • • -4'----/-4 -4~ ~
-4 ~ :;J .. • • • "',----/'" ~....~... -i
P.M.·--~ P.M.-·--J P.M.
;; ~ r ;; ;; ~ ~ ~
~ ~
20
Copyright© 1989Bloodand Iron Iv\WcCo.IZ8.Zlnar MLl8Io Company (8MI)ThisArrangement©1990Bloodand Iron Muslc1Zazmar MusloCompany
Intema~onaJ CopyrightSOOIJl1Id All AlghtsReserved
w/Rhy. Fig . 1GS Fl5 G5 F#S
~ r~ r-= " i PMLife's a game.c, We play your rules. _ Bot - tie half emp - ty or the bor- tie half full. It
GS F#S ES
G5 Fi5 ~
~L~~-§[ t fF - ~does no good,_ no good to shout.s, But 1 scream I hate! _
G5 F#5 G5 F~S E5fill ---- -----. . .. .
·17.-
~
Say I'm has - tile. Got - ta re - lax._ Got - ta get a grip .
fiJi,Rhy. Pig. 2
'J • • • ....--------.... ....~ ~
....~ ~
.... • • • ...-------.... = ,----------,.P.M.-·-·~ P.M.····-j P,M.
';!. :;~ ~ -. . .
G5 F#5
tfill ,jr • £~ ... ... t:~J'-
I~
Here's the facts. I hate be - in' here L,
fiJi,(end Rhy. Fig. 2)
@) ~-i .... • • .. '"*-----... ...~ ~
...~ ~
....~ ~
....P,M.--- -, P.M.---' P.M.- -. ~
~ ~ ~ .';!. .
y~. . . . .
ChorusRhy. B5 A5(Wp<' 2) G5 BS A5(lype 2)
Fig.3) ) ) ) ;--J) ) J J ) ) J ) ) ) ) ) ) F) )~ ~ P.M.··· · ...... - .• -. -. - .. - - - •• • J P.M.-. _. _.•. _____ __. •. . _... _____ ••• ___.... _..••.. -- - - _. __. ___... _...• . __ J
@'Ij r r~ r;' " 1ft r ===-Ef rI hate peo > pIe that make.i, ya feel small. ] hate hay - in' my backL,
D5 85 A5(lypo 2) GS (end Rhy. Fig. 3)
) J ) ) ) J ) ) ) ) ) ) ;-J ) ) J J J ) J J J~<u ___u~uu_~u________~ P,M. •••••• ____ _ __ ••• •• _ ••••••• ___ ____ . .. J
W S [', ) ;q- a - gainst the wall, Ya know I hate L; be - in' talked down to.
21
......
be - in' marked to
hate your rules .i, hate 'em aJII _
4th lime 10 Coda~"'IJ·--------
BS A5(typ. 1) G5
P.M.
1-•n~n
P.M . P.M.
A5(IH<1)DS
r~--------~;~
F$S)
Hate
F#5,)
GS F#S,) )\ "I
2. So much me and you.c, But most of all,_ hate you!
~
!
D5(IYpo 2) ASJr.)
@7fr.DS(lype 2) AS BSV ll B (end Rhy . Fig. 4)
) ) ) FJ)JJJ )JJJ)JJ)P.M .' - -. - - •• - ••...••••.. - J
£¥¥~~~E Ihate you .
(You.)
w/Rhy. Fig. 4DS(type 2) AS
-&#jl e
D5(lype 2) AS DS('ype 2) AS
@7fr.BSVIJ B
T P P
~
you.hate ;
DS(lYPC 1)
j) )
§r~
FI5GS1/2
~
hate,
hate you.
D5(I ypo 2) AS
T P P
(You.)
wi Rhy.Fig. 4 (1st 2 bars only) GS BSVllDS(lypo 2) AS DS(IYP<1) AS ,). ,)-----...... 0
,## F" J~4=====@p~J~. ~rg----§~.~~~~~~I hate.i, hate,
Guitar solow/Rhy. Fig. 1 (2 times)GS F#5
1}2
fI~ ~ ~ ~~ .------.. ------. ------. -tL ---. ....---'---....-
@",
1/2~
r-: T P P ~ 1/2 T P P P
- / \ ~,.~ • ~ .::: "- /
, - ...
£5GS1/2
~T l' P
~1/2
..6
G5
1I.ll ~ -------. ~ -------. .----------
-------. --- l '/
@..I
1/2 T P PJ/2
si.r... r-.- /
~ .~ <, I~\ ~
~ ~
22
F~5Bva- - - . - - .• - - .. - - • - .. - - .• - . - • - - - - - - • - - - • - - - - -~u F~
)
GSFull FuU)~ L\F#SG5
~ ~ t t ~ t ~ f. j=:;'~~- -- - - - -
;;.... ~st. .rI'- ~
f\~ ~ -
ti
Full Full FullFuJ I j-----------------" r~-st. }------- A
.~ .~ .- .~ \.. /" '..
G5 Fls8)'Q- • - - - - - • - - • - - - - - - • - - •• - - - - - • - - • - - • - • - - - - - •• H--p'-. ---. -- . ----- -- . --.. - ---. ----. ------. ----------. ---.. -. -. -. -.
~ ~I\)~ sl. ... -I'- ~ -I'- ~ ... -I'- -I'- .....
I!I 5 5 .5
H p
~ sl. .- ~ .~
- .- 'v 'v
-,<,
w/Rhy. Fig. 2GS nsF~----- ~ ~loco
F$S ESGS
81'a' . - - •• - - - •• - •• - •• ,
! ~' ~ ~t=--------"'t"'-----""'t~1\ ' ~ .+ ' ~ ~ t :t- ~ ~ ~
f) 5 5 trem. bar
5~ ~ ~ ~sl..~ ._\ !
T1 -pc
/'~
ES
sl.
F~5
sl.
steady gliss.
sl.
vib. wlbar
tzz:J·Pull bar up.
GS F~5 D.S. [take Znd ending)slack ~
Islack
'8 1819
18',9
1819
e
23
AS (lype 2)
)N.C. Rhy. B5
Fig.s I.~~ Q
G5 F#5
) JF~5
)All "fit- .".~ ~ ~ ~ ~--------
-
@J -
me anti you .i, But mos t of all _ I hate you . I hate peo 'ple who make L,
Full Full
.A lI ) ~-
I!JFull F~• / \
Coda-$- G5
AS(lype2)
)BS
J-.....B5I
0-
Gs
1\ Ii -- ~ I I .....~ I J. --- -. ,
-r"@. ' ("
- ya feel small. I hate hay - in' my back .; a· gainst the wall. I hate be - in'.(I hate you~ I hate you!
Full FullFull A.H.
).J--~
) (15ma)fl II ~ .... _........ .. .. .. .. ... .. .. ... ... -e--. -!J
Full Full FUll~ ........ . .- f
....... 4 . .........../ A H,
/ /,., ,.,
A5(lyp,1)w/Rhy . Fig. 585) ~
J
Gs
)I ) ofPM
J'.)PM
)F#S)(end Rhy. Fig. 5 )
G5
flll P,M. P.M. .... .-........ "I ' .1 ---.eJ r
talked down to. I hate your rules.i,I hate you!
W -i- 0- FullA.H,I D::,.l I I )----------~ p Pfl II ~
h(- ..
@.I
I~l~'--.......--- "'------" semi-harm. semi-harm.A,H. FI:~ _________ <,
~ 'Y ~ ~ p P
',.,\ ft '~'\ .:'
.._w7 \ '
G5A5(lypel)B5B5
~ ~ ~-~~) 1.....
J...
fill I -- ~ I ~."I
" ._~.
eJ (" I
Ev . 'ry onel ; Ev . 'ry - one's try - in' to be num- ber.. one .c, I hale be . in' plagued withI hate you! I hate you!)
A.H.Pull A.H.fuJJ Full Full Full Full
fill fl.5nwJ.l:':\ (J5m~ f--------""~ )~ ) ~~ - --F--+ --+
eJ-~.
semi-harm.- - .• 4
A"HF~ll A.H.Full F~!L _______ <,
FullF~ll F~P /~
/ - /I~\ ,
ft ~~ ~
24
zFts G5 F#5) ) ~
G5
ar f f ~ f~~tt f!:\0g
~ ffI,;, ---..- -
-.Jnum - ber two, but most of all, I hate you! _ And 1_ hate, you ! , hate you! ,
Sva- - - - - - - - - • - - - - - l
Full Full
fiJI ~ ..f.;;, sf. loco
@)FullFull pick slide
I ):.:;., sl.-:
F#5)
~J
G5
)F#5)
E#5
)rit.
1\ JI - ) .... --... _.@) '.;./
-
-- (J hate l)A.H.
(Bva)
fiJI1'".:\ . ......
~....... .........
-@.J
* --== f slight vib. ~ ~ ~ ~rit . wlbarA.H. _________
P.M.---- - - · _ A ••• •• _ __ ___ ___ •••••••• __ .;
.~
~ . ,'Swell w/volume kno b.
Additional Lyrics
2. So mu ch trouble over me.Surrounded by jerks, can' t ya see.Smile to my face. I know ya lie.Knife in the back. Another game.Rules, rules, rules. Not for me, you fuckin' fool.Open your mouth just one more timeAnd my foot's goin' down.In one ear; out the other.A waste of time. Don 't even bother ., hate bein' here! (To Chorus)
3. Think [ know how ya got this far.Trunk I know how ya got where ya are.Think I'll hate you when you're dead.I know I know ['U hate you.Smile to my face . Know ya lie.Say I got pro blerns? Ask yourself why.Hate the games. I hate the rules.You're gonna lose.Say I'm hostile; gotta relax .Better get a grip. Here's the fact.Not much more of you! (To Chorus)
25
NOTHING TO DIE FOR
Words and Music byOverkill
B5xxx1P9fr
•
E5(lyp<1)
~c~s
tB:mFfnB4fr.
C5~"1=IOO 3f, .
1:14
OS(lypc 2)_ xx xa:J:a:l5 fr,
m-mBbS
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.
13
Fast Rock J'" 200
N.C.G RhIntro • r y. -rg. - - rfI!J, I I l L J l r- 1-,
- ~--{g.
-#-J~ :;0. ::> >
PM, .. P,M .- - ·- - - - - ... - . . •• •• • • - , P,M.·-· .-- - •.•.•• ... . - . · - - - - - - - 1 P.M,-· - . . . . . _. . - . -. - -- - - - -- - - --. ~ P.M.
.A .R ~
v~
v v~
v v
FS
mm13
'Doubled by GIl. II 3rd & 4th tunes .• "D o no t P,M, throughout thi s bar and
nex t 6 bars 3rd & 4th times.
-I I I ~
~ J -!\lJ, ,- I!-.i(-t1--i; -~ :> :>-
P.M.- - - - - - - - _• • - • •••••• •• - - _. - - . - - 4 P.M.' •• •••••• •••• - •• - • - - - - - • - - - - - - •• 1 I'.M.·· ·
I
8 7 6 6 8 8I
v~
u7 7 7
I
I
N.C.F5E ssGtrs I&Il
112 .N.C.FS
1l.3.(end Rhy . Fig . I ) ES BS
. Gtrs l&lf- . ~ -- . - - - . -. , . .. . - - - - ... ,fill - I r ...,
"'Cn. J
't I Gtr. [I
f-7f--1L--, · <- :- · ~ . . ..· . . .
~ :> "ill1:--:., ..r::.. • ..--_ · - · · · · · · ·-· - - ----- - - · · 1 r.M " P.M.
A
v v~
J J ·v~
'-
'Doubled by Cu. J12n d t lme o nly.
"P.M. l st time o nly.
FS11 4 .
E B5(Gtrs.I&Il )
F5 D5 E5 N.C.Gtrs.I&lI-· - . - - _.. _ _ - - ,
fllJ, I II · I·r-
.~. ·l!J , • .. '... .. -----::: "! "iII ______.._"ll... ---...-
n~
n .A
I 0 7 8 10 8 7t A
v~
26
Copyright~ 1989BloodBI'ldIron MusloCo.l2azmar Music Company (BMI}ThisArrangement~ 1990Sioodand Iron MusicJZazmar MusicCompany
IntamationalCopyright Secured All RightsReserved
F5F5 E5FS £5£5FSNCF5lst, 2nd, 3rd VersesN.C. GS NC
1I1I.. . , .. ~---..
I~
I.Old c - nough to know bet - ter, too young_ to care._Rhy. Fig. 2 (Gus. I & II) 2.3. See additional lyrics
II~ k , I I .--"l I I:
~
~ ~ ~ ~' ....
~ ~- = ~ ~=1 II
P.M.-· -i P.M.- ··-; P.M.- - - - ~ P.M. P.M. P.M.----~
, ;:; -'u '" -.. .~
.v u u
E5 FS E5 N.C. GS N .C. F5 E5 FS E5 F5 IS
l A ~ 9§' ~ ~Bent on self - de • struc tion, go in ' no
N.C.
- -
F5 E5F5 ES F5 ES
~~~FS E5E5FSN.C.
w/Rhy. Fig. 2N.C. G5 N.C. FS
where. If I had a rea - son, could make it work for me.L,
G5 FS
!
swer, it would - n't be so hard to see._
N.C. F5 E5 FS ES
Feel - in ' all just the same. Feel - in' all like no pain . Go . in'
GS ES FS E5 F5 E5 F5 E5 FS ES N.C.
13
sf.sl.s:sl.
not down the drain.
fill r " I I "'"
I!J '---.--'
~"---...-' ; '---.-- - '---
~ -~. -#
sl. a. sl. =i s1.. .-. - ~ P.M.- - --;
P.M. P.M. P.M. P.M .·· .~
--- .- ~A .;; ....... .:: <,:;, .... ;;; ;;; ....
u .~ -, -' u----....- -,
-- ..... --- ~
u u -v "
27
Bva- - - - - - _•••-slFull.J.
II. Guitar solo 1~w/Rhy . Fig . I (Gtr. I)
N.C. Harm.
Tn-------~- .
~~~ ~ ~q~ .fL ~D.fL~~_4'."4'_4'4'_
till Gtr. IJ f -f'- : ~; 't • ~ ~~ #...
@)
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} 444 ....... - ~sl. - - ............ - -
.<: 4' .~
.,< .y 'y
,~ .y ou
' w/out P.M."Llghtl y touch stg . wjR.J·J. finger to create harmon ic.
F5E5 B5Gtrs.I&1IS vat» n_:... __
: ..~ --.- ~~~. _ •• ;4~~~~~'~~-~I'" '1' " : --~.~~•••~ •• ~';iiiI~ locot: ( L.) I/\lJ, ,., :.. .
~ 5 5 ~--=~
fr.~ tr-: - - -- tn-: 4_ 44 Ir~ ~
lH 'w . ~
·U4
::: ~Ow
"Push stg. again stbridge pi ck-up ,
[2· ' W/ Rh y. Fig . I (l st 3 bars only)N.C.
'w/OUl P.M.
N.C.E5D5F5F5 N.C.~
B5ChorusE5
/\01 I. I. I. . ----- .-------......._.~ r I I
Let rne L, live.__ I wan . na L; give._ I've
/\11Rhy . Fig. 3 (Gtrs. I & II)
I I ~ - -I
!.~
""~~-J-~ - .. ------ -.......-..---
P.M .- • - ••..• . - • - _•• - - ..•• ..• j
" ,~ "'w .w ow4 ::: y u u
- w
ES B5 F5 N.C. F5 DS E5 N.C./\l> I. ---------
--+-----1- -~
been through hell and back so man-y times be - fore.L,
I(end Rhy. Fig. 3)
I1\11 I. . ,@)
"'~-I~ • .. .~. ~,.r.... _ ~ -
~~~~s. - q~ ::;steady gliss. ~
1'.10.1 .- ••••••• •••••••••• -- .,
~4'oy .y
~ :;-r ,
v w W w
sl.
28
•I
NC£5D5F5w/R1l.y. Fig. 3 (I st 6 bars only)E5 B5 F5 N C
t· r' ~~~ ! I- m" ~-.~ -- t r~ tt1t5- 1@..'
Take meL, there ._ I don't careL where. _ And
£5@ opltn
F5 DS G5 AS E
E5 B5 F5 N.C. ~~. ). N )------) ) )~) ). sl. )
#hr" ~E'~ -------- ~--.. P.M.- • •
~ ~-~~,
show me_ why_ there's noth - in' to die_ for,To Coda1/)-
@opon ®£"on @open * w/Rhy. Fig . I (Ger. I) (I st 4 bars only)F51 E F5' PSI E Bb5
J) J) )J Gtrp ., fII --.. N.C.. •. ___ _. _•• • ••••• ••• _•. • _. J J
~~ -I - I - + - I -
too.*wfP·M .
Faster J=228InterludeN.C.
(Gtr. II tacet) GIL [li GU.l - - -
" " - ._..- -
-I
·Gtr.I~I
~:7 I" :I§L I::7 8 7 9 7 8 7 ; : ; ~ ~ ~ : ;8 19 Ie 8 16 16 8 :g :g : :~ ~'Bass on, fo r gtr.
sf.
sl .
sf.
I ~ :: I ~~ : ~ ~ ~ ': ~ ~ : ~ ~ ; ~ i~ : ~ :~ :~ :~ : ~ : :~ :~ ~ :~ :~ I::
a.D5 D#5 E N.C.
a Gtrs.I&1l Bass arr. for gtr.IIi> I. J I 1....., r ., sl. , I , 01I T I 1\
. I--.H' - .
I ~ L -' I 'I l I I r sl. L 1 'I f 1 .J r r ::: : j! #~ ~ "1 ~J..¥ -* t____-tJ -* ~~- - -sl.
H
... ~ ftU ~ ~ a ~
3 8 5-----3 --8- -7- 1-7 o~ J U ~
sl.J u '>------':'--OJ
HNot in strict timeF5/E G#5 A5Gtrs.I&lI Bass arc for gtr.
1111 I
-. "t i
~-l~ T t.~.. -,t ~~ q~~:J D-,t ~___-li -,t ~.~=sl. :: = ~1I.~.. "111 sf.
H H >- :> :>
I <,
r,y 'u ""
I L - .. u,: .:
---- ------ sl. sf.H H
29
~
FullFullp
Tempo I ~-,
Triplet feel (n =J j\)Guitar solo II
@OPCD
Rhy.FigA E s J ~ J
{?l,b l'.fD_D]..G ..rDJ sim.Full
Glr. .f-------- -. - - - .. -. ---.--- - --'=-""t ........ ....... -. .......... ..j.,..~-fA- ... ~j p
,,~IIlt r; ~ "f:---:,.. -fA- ...-. •
~
semi-harm. L-3-' oJ ... ... 3F'~J!. ___ . __ . ______ . __________ "" . . . lV"'Io4 ...... - - .... P FF
.~
FIll P.~ I ..--...h J ..~ -
(end Rhy. Fig. 4) rt/Rhy. Fig. 405(typc 1) D#5 6 ope..,
J :J E
JTJ JTJ ) ) 8 va· - • - - - •• - - - - - - .. - ... - • - - - - - - - - - - - • - - - - ........ - • - .. - ........ - • - - - - ... 1Full
P.M .- - . . ___•••.•.. .• J .f-------._.---- -------- - -" P FuJI
I\~ sl. r.~• •~ f-------- ---- a_"'\.
~
Full----- ------~~h FIll -.............. ............... ...... . -1---- --. - -- _a • -----.---~
.~
.~_ . --
<,
b
C5
)
@op<n
E
J)JPM J
Straight eighth feel@Open
Rhy . E Bb5Fig.S.fJJ .J
0#5 PM J q05(1 1)
sL
lo cofpe +- + -
~.... ..
I!:f= ~.,a. ~.,a. ~ ...I\ll ... ~. ......................... . . , '- I-
(!)
P.M.- ····i P,M .·· ··· ~
~ .... ...... . . . .. .. ..._............. ~.. h
,..~
"
(end Rhy. Fig. 5)~p.n C5sl. ctsJ)J ~
PM J
@opcn
E C#5
JTI •P J
C5
j
@op<o
E
nJM J
Bb5
)
@opcn
E
nJPM J
sl. C5
)~
@open
E
JTJPM J
@ open
E C#S
J)J )PM .J.. ~ ..
~~-.... ~ ... ----- P. ... ... .
j,.M.···-· O!:
_....~-fA- ~fill h. I. ~ I. :r- ~. !: 0... ~,.....
(!J t:=.-J c=-JP.M.··-· ~ P.M.··-· i P.M.·· · .- .. ~ P.M.-····~ P.M .- .. ··~ P.M."" ·i
h
~W
ft
.~~
Sva- - - - - • - .. - . - .....Full
Fun)
Triplet feel JJ"J .)\)w/Rhy, Fig. 4 (2 tim es)
@Open
E pH r H
~~-"'-- ... F ~ .,...1-, ~ -f'I- • -f'I- :. ~H
f= ~ !I\l.l ~~. ~ -fA- •'r)t- .@.I I L 3 I
,3 ~
HPHPH P 711 Full~ P H P H P H PHI' H P .! ,~ .~
r: .~ ":.~ .... .~
, ~ ." ~- .., .........."
P H P
30
Full
L--6I
>IS
FUllJ ______ sl. sl.
17
FujI,17
Fullf
I19
17 211
F ull1
19 " I
BbS
Straight eigh th fee lw/ Rhy . Fig. 5
@ op cn
E
D S (IYP< 2) D$S8va- - - • - - - - • - - - - - - - - - - - - - - - - - - . - - - - - - • - - - - - - - - •• - ••• - - - - - - - - - - - ••• • - - - - • - 1 ® a pen
Full Ej • • • Fu ll F ull Full Fu U C5
~~~ ( i~-@g§~f~G~'J 3 3 '-3--'
287" FUll Full Fu ll P.M.-----~
! ! f. . ..~
/ -' ~
~. -v
P,M.- _• . . ~
@Open @opc n @ opc n @opcn @ opt'n @apen nSE C#S E C#5 C5 E BbS E C5 E C~5 . E C5
~~ ~ ... ~f: L. ~ ~ ~ h ... b~ b+ O ~ L. b~ q~+-
.
I!J ==--- ~ =.-J ~ ~
p.M - - . - ~ I'.M.· ·· ~ P.M.--·-i P.M."'· l P.M,--·- - ~ P.M· · _. . ~
I 9 s e 9 I ' 13p; I ~ ",
I7 6 6 7 9 II
8 11 '/ 7 16 7 7 \6 8 8 16 13 ,. 11 IS
,-J-,
Triplet feel (n=-J } )wjRhy . Fig. 4 (2 l imes)
@op...E
~~I' P p P
I' P I' I' P I' P P I' P
~~P I'
~~P P
tb~I\;,I '~~~ ..~ +~ «>: ~~ -f'--~ ~~ ~~~..f-.- .
- j- -1"'--1
!j 3 3 3 3 3 3 3 3 3 J 3 3
'I' P P P I' I' I' P P P I' P I' P I' P I' P P I' P P I' P~ ~ ~ ...--------... ~ ~ ..--------.... ~ ~ ~~ ...--------... ~
y u ...
I
®oponD5(lype 2) D#5 E 8 11a- - - - - _••••• - ••• •• . - - - - - - - •• - •• - ••••
PI' p p .-r.....l' PI' PI' PI' P I' PI' 3 3
~" 3 J 3 3 3 3 J 3 ]' 1' PI'
1
3 3pI' PI' PI' PI' PI' PI' P I' PI' P I' p I' PI' P I',;------..."..------....~~~..-----.....~---------.... ---------....~..----......I '5" 5 , , 5 , , 5 , I " , , " , , " , , " , ,~6 '" • , • " , , I
31
Straight eighth feel
8Ya-•. __ . _••• __• _. _•.... _• _..•......•••• _• . _..... _..... ~~(~~: :).. ~$.5... _._®L~:~ ~~g. 5 (Gtrs. r ~JCDFull E BbS E CS
P n p )~4.. ~ • 444_44"",,",,-P P ~ ~------ sl
1\11 .~p b.--b!: b.~ blL~ ~IL~ -f'-.f&-.-(l- ~ ~ f!:~
I!J
~ .....U _f ---J ---J ""--- 6~
3-Play lSI time only
3 3 3J-1!.Z
FuU sf.p P.~
P P P P r p j.------ ..-.--..... ...----... .-----.......~' ~. ~ .
.... ...........~~\,.- <,..
:
@opcn
E C#5@opon
E c#5@OPCD
C5 E B~5
@opcn
E C5@a""n
E@O""D
EPlay 4 limes
C5 C~5
D.S. flake Znd ending) al Coda
~FSjE
(loco)1\11
I!J ~ :! ~ :! .~ :! :! :!II .. II .... II II II II:> :> :> >- :> >- >- :>
P.M.······ , P.M.····· - -, P.M... · ·---j P.M.·· .... . ~
"'u u
u z;
.wjRhy. Fig. I (Gtr. 1)
Coda E5(lypo :1)
-$- GtrJ )\ )\~ f I 1 )\ J.. )\ )1 l- I ~ )II ..
" t - I
Gtrs. I & II·w /P.M. E5 B5 F5
J.. )\ )\ ~ I I 1 )\ <> )\ "1 "f )\ f )\ "(
4~:> c> :>
I I ~
Additional Lyrics
2. Make my own decisions.just go away.Take the consequences, just not today.Got enough reasons, still not workin' for me .Got all the answers, still so hard to see.Somethin' is confusin' me. Somethin' is abusin' me .Sornethin' is refusin' me.Life!
3. Old enough to know better, too dead to change.Went in with a full deck, goin' out deranged .J had all the reasons; tried, it didn't work for me.I had all the answers. 1 was too blind 10 see.Mirror man in my eye. Mirror man gonna cry .Mirror man make you die.
32
PLAYING WITH SPIDERS;SKULLKRUSHER
Words and Music byOverkill
PLt\.YINC \VITH SPIDERS
'Tap w/edg~ of pick.HHp p
Pin 8 .
p p
Fast , freely J = 176N.C.
• Approx. 10 sec.
1\ ll.(Gtr. effects ad Jib) y limes ="Tsi. -v st.- - .--· - . ;h- - ~. · - - .--I@) h- iP- ~ ~ ~-1-H' *1's£ *TsL
mf H
'1' sl: -vst. "Tsi. ' 1'sl:
· . ~ ~ ~ -----A . . . I' .,T
R ~ <s:> ~
------- ~ -l ~ ---...-
v ~ ~
Tune down 2 whole step s:
®=CQ)"'E~(2)~F Q)=G@) = B~ CD = clntro
*
.1' P "1' P-----.
0....---..
I I5 e 8 2., ..
;.~ ;~7. 7.
6 7e e 3 5 '---"
' Tap wjedge of pick. H H
'1 P . ' 1' P 01' P '1 P
I
6~e....---..
Ie i! 126
~16 04
it;
'Tap w/edge of pick .
'r
*r
~~~§~I~~_;,=;:'~:-'~~I H H H
i , 0 0-l' .. " ~~"I"""-l' ''-~' " MI, , 0 0 OJ 1-----+-----+-------H 'Tsl *1'sl. *T sl: *T si. '1' sl: *1' sL "Hl 11' H
5 4 e-------p p p p
2 5 4 e-------p r e
Segue 10 "Skullkrusher "
Co~right <fI 1989BloodandIron Music Co.lZa.zmllr MosieCompany (8MI)This Arrangementce 1990Bloodand Iron MusiclZazmarMusioCompany
International Co~lighl Sew l1ld All RightsAeselVad 33
SKUL"LRRUSHER
sf.
N.C.Full
,I.
AS GS'xxx x ~~5[r. tffFFR 3fr.
AS
--sf. <, sf.-Read no tat ion as if gtr . is in standard tun ing.
/'III -- /- ~ -.......
@) -: <,
~./ ~-.r ~ ~~. ~ -sf. 0.... ~ ~~. ~
/' ~.... ~ ~~-:j.sl. sl. sf.
f F~~~ -- .............. ..........
AR /
-/ ./ -' ../ ,... ~ ... v ~ v
-Tune down 2 ste ps :® ~c ® ~ Eb~~FQl"G
@ ~Bb <D "cSlow Rock J= 60
Intro N.C. N.C.Gtrs [&11 ~
2nd lime subs tit u te Rhy. Fill \ A5 N.C.
/'I~ rI tr- •• • • . .......... ... .... --.....- FJlL--
@)
~ --:z.I
~»: OT :i: ~~ ~
-: Irl" ~ =t.-~sf. sl.
fp.444'4 4 4Full.................. --- I"","",""
/u / I
./ ./ ./ / Iv v v "' ~ v "'sl. sf. sf.
BbSE5 ASGS
sl.
Rhy . Fill \- - - - . . - •. ~
GtGlrs .I&11 £5
r. tr- Full
sfsf.
s/r-J.................
/'I II -- I ;;;;;;:;:;:;::. Rhy. Fig. \ (Gtrs. [ & II )
. .@)
~/' Irl" ~ ....--~~~ ~ Gtr. srL- I
~ ~:;t' ~ ~ ~~T.sl. ~~
sl. II .
sl. ~Full P.M.· -- - - _. , P.M.-- T
/ I
././ v r:
v
./ . ./~ ~ J ~
£5 GS N.C. G5 H5 FS E5 G5 E5 AS Bb5 E5 G5(end Rhy. Fig. I)
F#5 F5
P.M.·· · .. · l P.M. P.M.···-- - i P.M. P.M... - -- .. -- I
.1(
l st, 2nd, 3rd VersesE5 G5 E5 Bbs AS E5 (;5 N.C. B~5 AS N.r. A5
--~.: ,G5
I. Stand - in' at the cross > roads, Which way you gon -na go ? And wh a t you gon -na do when it co mes'l.,2.3. See additional lyrics
Rhy, Fig. 2
P.M.--------· .--~ P.M .--···· -.--~ P.M.-- · .. - - --- - - , PM .
2 5~-1 6 7 5 7
sl. .\1. sl
e
me
P.M.-- -- ,
ee
011, _ gon - ua get
e
P.M.- - _• • • - _. - -. - - - -I
Take a ride on this ma > chine.o - line.
eB
E5 G5
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42
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Additional Lyrics
2. Ridin' on a livin' hell. Got another soul to sell.Right is right and wron g is wrong.Life' s a dream on thi s machine.And last s just about as long .So ya think you know it all. And when you ride , you never fall.I got som e news for you.Entice you with a wick ed smile . Take a ride for a while,Seems that the news is tru e. Yes, it 's true. (To Chorus)
3. Track s go on for miles through the agony and smiles.Lavin' there in pieces on the groun d.What the hell, you take a chance. Krusher calls, make your stance.When you 're dead you never make a sound .Racin ' with the devil.Engine' s slowin' down .F ifty years 100 early.And you 're layin' on the gro und.You're krushed . (To Chorus)
43
........
BIRTH OF TENSIONWords and MusIc by
Overkill
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CopyrighI@ 1989Bloodand Iron IW.Jslc Co.lZa1:mar MusicCom~I1Y (8MI)ThisArrangement@ 1900Bloodand Iron Muslci2azmar MusloCompany
Inl&mational Copyright Secured All flighlS Reserved
E5FS1st,2nd,3rd Verses
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I .You are kill - ing me. Mouth is mov - in' but J2.3. See addtttonal lyrics
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the rea -sons you'll nev - er find . _ Did you
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kill your fa - ther? Sleep with your moth - er? l-dol-ize your sis - ter?Wereyou jeal-ous of your broth-er?Did ya
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Faster J :0 205Guitar solow/Rhy. Fig . 4 (9 times)E5
Full.J••
f\ II r.:--. ~. f:..fI- $- •••• .4~ .fI-'" t').
~
'" '" '" l' (w Jwah wah as filter}
- ... - - - - ~ P.M.· ---1 PM .-· --.~ P.M. Full ....... .. ................... H P P P-~
~
~"...,. , ~-
~~ ~
'v ·u
L L L L L L L L L L. I
6./ 6H6 ~rFull8 1'0 ' . • - - - .... - ..... , loco
f\ l.I ;.H. .1: b.... ~ t:- ~ .... ./.~------:;..--. .. . . H'V ~... .. ... - -..........~...~
- --
~
trem. bar
.l! P Ful l P H~ ~- ..../H~ ~-----:;-'v ' L 'L 'L 'v ' L
'" / ..... ..----.... ,
.-Full) .
8va- . - - - - - - - - - - - . - - - - . - - - - - • - - - - - - - - - - • - - - - - . - - - .. - - - - - - . - - ...• - - - - - - - - .°1~. _ - - -- - . ................ "I
~-----~ .«>.full}
A.H.···.(8va)~
f\l.I. ¥- ~~..'--- ....f*:...---'"-!L
~ .fI-£J-' .. ~ ~ ~ .. .-:----... st.~I .
.- .I~ ~
trem , bar -I
_.
Full ------------ . .. .. _~*1
H~A.H ..•~ Full )~ ~sl.I ---.... .....----...,
/ 'v ....... ,~
'L 'v ~
I
I
-Pull bar up. ··Pull bar up as Iar as POS!l~t
48
I lo co
8m- - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1*1
--- H ~H------..... ~ p1\ It' ,...---...., .~.-... - s '.• ~ -f-:- .f'- .f'- .f'- ~ •
-I'@)
--------"']
__ H ~H .r,pick slides - - - •. . . ••• ••• - - - - . - .
--------- .---------..... sl.
,/'~
, ~
~,~ <,
<,
8 l 'tl - - - - - - - - - •• - - - . - . - - - - - . - . - . • . .•• • •• - - - • - •• •• • - •• • • - • - - - - - • - - - •• - • . - - - - - - - . - - . - . - - - - - - - - ..• - •• • • • • • - - -
P H1\11 .f'-.f'- •• • .f'-~ #-#-.. f-:.f'- . #-~ • • .f'-.#-. • • .. #- .. • .. .f'- .. .,.. • ;;----...
.-@) -,t~
-------~ r, H./' A --:-...
OJ 'J 'J OJ ' J ~ oJ 'J ' J . ", ,,,, .", , ~
8 va-~ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - •••••••••• • • - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ••... - - . - • • • . . - .]
fill' ------ s . arm, -_wl - · --_._- ~ ~. ~ .. ~ . . - . .. . .._-. . . .. -. .. - _.. . .. » -.
~(Vib. w /bar)
--...t rem . bar
Full I Harm,
./~ sl . 4 -5 -" ,
-
sl.sl
..
(t5)
Sva- •• - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ••••• - - - - - - - • - - - - - - - • - - - - - - - - - • - - - - - - - - - - - - - • l
\1', I loco
1-----(49l---__ --tI9l-----'--__I-_lJ
1S I_:2 _
~ l- .
I ~I
lo~
*Slack ,Bva- - - - - - - - - - - - - - - - - - ••••• - • - - - - - - - - - - - - - - - - - - - - - - - - - - - - - l
' .. " J/2H P H~ I ~6s/slfi ll ...::-:-:-- ...----. ...----. ~ ~ ....------.....~~ s . ---- - ~ - --
- - .::J--1~
t.J I r I
• .. • .. .. .. vib. w fbar 1. • ~~----~sl, S/. B ]' H ~sl.
---.. r: "'-:..---:-.. - ' A <,
.~ ~
H pull bar up.
slack
2 slack
2
{eJ
I I',
!e le
gd
A.H ,(l Sma )
Full
(it7@4~t~~~~~~~~F~~~ If) A .~~vib, wlbar
d --- t~.:....:...; :....:..... r_-------
~ ! ~ ,; I,. i~ ItH. pitch : A
49
D.S. alC0d4ijBb5NC
w/Rhy. Fig. 4£5
fI II 4. , .---. --
~...
3. You_ areL,
1\11 4.
~~ ~ T ~~~ ~~~ .. ~ :J. ... ~ 17'"d"_____.._u
• I
"
.v v v . u ~
Coda
t N.C. E5 Play 4 times1\ II
- . .. .!,.,
~ ":J T ":J ~~ ~ q~.. ;" ,,; ;;:;
P.M.·· ·· -, P,M.· · ··· · ·· · · ·· · · ··4
. ., .". ,. ,.
;.v ~ v v v
E5Play 3 times£5I\Il
- ·· ·~
~;, ,~, ", ~" ;~; :;:=:,P.M.-····· ~ P.M.······ ... _....... . . ~ p,M,······l P.M.······4 P.M.---··,·~
· ·· ·. ~ . . . ~ ~ ~ ~ 4 - -v
Ab5 GS Ab5 £5 AS N.C. ES
.......sl.
1\11
.~ b':i: ~ , 1:it :J:. :.I::: ~ ~ ... ~~ ~q~'" ~1;-
sl.rit, a tempo
.......v v ~ v u - <,
~
Addittonat Lyrics
2. Don't you understand? Too much tens ion , snap.Then you lose your grip.Too many demand s, start at birth, snap.From the womb you're ripped.Leave your dreams inside, behind.Never had a reason that you'll never find ,Tension builds another way.Gonna make you all go away . (To Chorus)
3. You are killin' me. So many ways,So little time to think .Life's catastrophe. My glass emptyAnd J really need a drink.Mavin' all so very quick.Mavin' so fast that it gets me sick.Let me outta here .Livin' ain't livin' with the tension and the fear. (To Chorus)
50
WHO TENDS THE FIREWords and Music by
Overkill
Esus4
ESVIIo xx x~7fr.
FS
IIFm~7(#4 ) :>
E F#5.mmE5
m1
BI> S
"Freely J=88
Asus2n rof\ GtL I :> :> ::> :> :> oj oj.
-- -~
- -I r1I1jJ
clean let ring> - • - - - . - - - - . - - - - - . - - - - - - - - • - - . - - . - - . - - . - . - - . ~ sim .ton e
~.'. S - v v
~ ~0~
9~ ~
A ~ .~
H
I t
e e e e 6
I
e 0 e e
H~e 6 l) a 0 B e e e e e2 :2 :2 :2 -,.' :2 2 ~ :2 :2
3 :2
"dim.rit .
Esus4Fmlij7(#4) :>
c>Asus2
Moderately J= 120
@ openE
Rhy.Fig. lA o(Gtr. II) Rhy. Fig. I B (GtL I)
I-,;.
@2fr.B
) JBbS
*F ade outwlool. knob .
let ring throughout
~:,e 0 90 e 0
Ie e
Ie e e
3 3 J 3 J 3 3 J 9 J2 :2 ;> 3 J J 3 9
(end Rhy. Fig . 1A)
@open @2fr. @2fr . 1/2E B BbS F#~
¢ )J () J ).~
8 """ I' , ,' , , "I, ",', ,I' , , ' ·, ' , :~
Copyright ~ 1989Bloodarid Iron Music Co.l2azmar MUlilc Company (BMI)ThisArrlll1gemenl e 1990Bloodand Iron Muslcl2azmar MusicCompany
IntematIonal CopyrightSecured All AighlS Reserved 51
(Gtr. 1Il out)
I
w/Rhy. Fi gs. IA & IB) Play 4 limes
*Rhy. 85 (end Rhy. Fig. 2) B~ 5
(~~~.~Jl)m n ffl n m n m ffl*(~:s.))~t:~:.d.,:·0U - , 0-0'oSo 0- U 00"oooo' 0U h 0000 00" o.o"u 00_'u0000 000 -,U 0- 0U 000"0 0:~~, w/""o:,,'" f~: i
25 bars.
£5 (e nd Rh y. Fig. 3)
w;~(RnY Fig 2 (~(31l~n~;) ~~, 3 1 ,mo u[J----!TIu0!Jo-m u[]u __Q--!!Jj~ '2nd time only, C tr , I sub sti tut es E5 (or next 24 bars.
for
torchwrit ·
Who keeps th eWhat does this
-------
r~ tf .J~•
with smoke so you_ can' tWhat do 1- do_
your eyes L,
go?_Who fills
Where do
w/Rhy . Fig . 2 (3 tim es)
F~~~~~~E~b~~~~~I need _ th e fire. _
Proph - e . cies., are fool - ish.c,see?now? _
es li t?_ing mean ?_
w/Rhy. F ig. 3
~:~
l st, 2nd Versesw/Rhy. Fi g. 2 (3 times)
~ R-~~~~~~~'-----'
L Who Icnds L, the fire?_2.What is __ th IS mearr- ing?
I need _ theTh ey nev er
torch eslast. _ Th ey
lit. _nev er
To seespeak
th rou gh all __the tru th.c,
theSo
w/Rhy. Fig . 3
l~~~
f#S F5
J J e-
]
sm okewhy are they
Half time feelw/Rhy. Fig. IB
Rhy. E
~f
CO y • e r - ingcall ing me
mc. _now? _
o (end Rhy. Fig. 4)
4
FS
Chorusw/Rh y. Fi g. 4 (2 ti mes)w/Rhy. F ig. IB ( lS I 7 bars only)
~ Er-o~~~~~~~-4have see n the fires __ bu rn - ing._ Burn - ing th rough th e night.
E F#5 FS
hav e watched the tid es a - tum . ing,
52
w/Rhy. Fill Iw/Rhy. Fig. 4 (1 st 2 bars only) F $S FS
E ,----~&t IF_~- ~: I I~
1.2. And th ey go_ from dark to light.3. Still the fi - re bum - ing bright.
*GtlS. wIFill II&II N.C. E N.C.flJl. r-- J--------, r-----3--, Rhy, Fig. 5 ..----3---, r-- J - ------.
I!! .......:-' • ..". n ~ • ::,;sL "0" sl.
~ -'';' ~a ----sL " st. Double tim e ~ '"198' Glr. I: w/d iBlorlion. N.C. GS N.C. AS N.C.
3rd rime to Coda Rh F' 6F5 N.C. (end Rhy. Fig. 5) ~ y. 19.
/lJl. ,-----3---, .----3---, 1 I I, .
.~J----l-"i, ,!J
~~sl. ~ • T :> >-
sl:P.M. - .. , P.M.· . ~ P.M, · ·j
", , -
" ~ -::. ~ . - - ~ - - -'t .- ~ ~
s/.---.. sl
Play 4 time sBbS N.C. AS N.C. G5 AS GS N.C. GS N.C. AS N.C. BbS N.C. AS N.C. G5 DS
1IJl. 1.0>- :> r I I J >- I I I I I ~ :> z>>-( end Rhy. Fig. 6)
~
~I-Jzi
I '" r r > sL I :> >- 1 r I •>-P,M . ---~ P,M, " 1 P.M .---~ P.M. -.~ P.M. --- -1
I
P.M.--; P.M. • • • ~
I ' I :~': ~ § ~ ~ ~ : ~ ~~7 7 7 7 7 1 7 7 7 7 ? 7 7
sl:Bridge
r#-~~NC r ri "I ) ~ ) r ./ r- .±d: tI don 't know 'cause I can - not see. All I' m
You don't know that yo u 're gon - na die. Birth, life,Yes, I know that I can - not see. And I'm
Ri ff A HGte.
sd I J I J I I bl I I J I J-J J-- r ~h~ I I ~ .1-
ItT Gtc.~zf r I T I I r I I I I I J 1-.- r r I r r I rII H
sl. H ~
. .- ..: ~. .~. .. .':! .. ~ ~ ~ ':
1
-- :... '~ ./ ~.~-
--sl. H -----Rhy. Fill 1 Fill 1
1\ ~ FS I\~ -M----
~) -6' s [ @)
::6' pick slide
sl.
53
H
llJoI ~.(L - .. "fI'- .- • jt... "fI'- • "fI'- ).f'- «<..'!J
l'msu re is [ go t > la be. I'm not sure that e . yen rne.L,deat h is the rea v son w hy . Save th ose tears that you're gon - na cry. _sure that I got . la be. All th ese voic - es are kill - in' rne. L,
fu ll fI
J~ n D IJ I I ~1 I I J j~1IlJ.
1-- I I j I r I J-J~. - _..-
~ 1 ~ t : :j r r r I r r I r r l r r I i r I I I~-- H
Full
I ~ f{ ~
.~ ....'~ ~ .. , .;: .... .~
~ ~
.--.--
[1.2.s:11.11 • ~.f'- "fI'- • "fI'- ..
~ --'!J
But I kno w th at J go t ta be..'Ca use I kno w that you're gon . na die.
And they
Full (e nd Riff A)
f\~ I I j I I J I I J~ J Jj~~
+",. -'!J f r I r r I r r I L I -I
~
Ful l
1 . • __A~···4·4··44··~
/I
.::-. '~'~ ~
. . ... ...~
w/ Rhy. Fill 2G5 N.C. AS N.C. BbS N.C.
~
AS N.C.w/Rhy . Fi g. 6 (last 2 bars only )
GS AS GS N.C. GS N.C. AS N.C. BbS N.C. AS N.C. GS D5
w/Rhy. Fig. 6 (I st 2 bars onl y) w/Ri ff BN.C. G5 N.C. A5 N.C. Bbs N.C. AS N.C. G5 AS G5 N,C.
it£- ti·_- ++tl~~~~~~~:m@)
Rh y. Fill 2 (G lrs. I & lJ ) Riff B (Gtrs . I & II)
f\lJ. r I I I L> I sl.-1---1- -"'1--1:"'1-
It\"- -"-. --..;
z> ;> 1- r r -- l.-J IP.M. --I
P.M.. ,P.M. - --i
P.M. - ,
~ n ...-:..~ ~
~ '--'
sl.
f\J.I ------ ~-
t:1;=J- .l!J -..l l'
~
~ ~
~ ~v -st.
54
Slower ) = 120Half time feelw/Rlty . Fig. 5 (Gtr. lJ)(2 times)E
Gtr.1 Fdbk.
~---
that I got· ta be _ me.
Full
J _-0
say
Full
say that I got,
Full Full Full rit .I g 1 Fdbk.
j
~"'J~9 ~ ~ 1: ~ ~ 1j 447 1j ~14 ';..,7 1;
N.C.N.C.FS I/2 N.C. E
Ir '~;~ --------Wr--;;:'------:y~-.-.;-~-:.:.~---.:~:.:.--~----I~-n~~§~~~F5~A~.
I ." ~1---------[-(~4: ·----------------t---'r~-)---+-------
sl.sl
Gtr. I r-3 ------,
sl
Ill> r--J--, .---3_ I k:--J 1 I 'I I I' - oj J--'J .....Y • -.J Gtr. il-.,.)I [ r f r f ~I 1 r I r 1sL n sl.l--.3 ---.....;J
L--J-1---3---.J
L-- J -------l
sl. sl..: .~...---.... ~ ft
,~
'vft
~
----- -------,~
F5>-
N.C. E5Rhy . Fig. 7:> :::0.
FS>-
"Th ro ughou t next 8 bars, P.M. refersto both gtrl .
(end half time feeJ)
;j1 ES
s/.
L r--3--,
l~ J 1
E51\;;, >-
II:J
I~ listl f r f r r l.UJ l.liJ l.liJ UUl-.- 3---.JL--j_
sl. "P.M.·· .... -- .•. ... .. - - -- . - - . - .. ... .. ................ -- ... -- .... - --- -1:>
P.M. >-...--...
,~ .~ .. .~
... ~ ~
~ .ft ~ ;: ~ :: ::: ::: ::- ~ ::-'--" ~ ;;: ::- :: :: ::
'y
~ l.UJ l.liJ l.UJ UU qr r .- .- l.liJ>- P.M. • -.---. - -.·.-----·---_·_····_······················ · ···--1 >- P.M. >-:> :> P.M.···· .... ··· ····-·· ---- ·-
iii iii i iii iii i ! : ! I: 'I' iii iii I
55
F5(end Rhy. Fig. 7)>- :>
ESF5>-
f\J.l:>
~.-
~
Ull CLU Ull LUJ Ull liLJ:> :> -~ >- :>. ... _. _. _.. - - . .. - . _. . . . . . ~ P.M. P.M. - --- - . .•. . • ••. . . . . .• • • - •. . - ................................ -( P.M.
." j .; ." ."~ ~ ." :- ~ :; ~ ~
~ ~ ~ ~ ~ ~
:; :: ~ ~ 'i :; ;; ~ :: ~ ~ ~ ~ :; ~ '1 '1
3 rt! Versew!Rh y. Fig. 7
N.C. E5 FS ES
j t
Who tends L the fire? __ Who ke eps _ the torch ·
es
FS
@ ¥Iit?_ Who mls your eyes ,.. with smoke so you can't
ES
~.@)
w/Rhy. Fill 3FS )
see? need the lire._
F
)
tty rneed _ th e torch - es lit_ to _ see.L
F~5 F5D.S. al Cod;
%
I
Rhy . Fill 3
(GlT f)1\J.l ~
(c; tr . II) lliJ WiU*P.M.····· · · · · · ·· -1 =-*I'.M. :>
;:;L
L
V
"P.M . refers 10 bo th gt rs,
56
p
Gtr.I
'Bass arr. fO f gt r.• '1' .100I . refers to both gt rs.
... "Gt r. JJ indicated to right of slash in 7 AB.
P
Faster .J= 144N.C.
(Gtr, II tacet)G I1\J.l tr . > :>- > > >1'
· : ·
~· · ..-
Ie; > • • • ~ -# -# ~ T T ~T :J. "'Gtr. t' t t' , 'f f 1- 1- ! r,-n-=:>p II
>- >P.M.······························ - ... -- -. 1 ;> >1'... P.M. . • . . . . . . . . . . . . . . . . . . ... . . . - . - ..... -.-.- -- j
p .....· . ·· .
~ ~ ~ ~ ~ - A ~ - - - -~ .......~ ~
~J "
Coda
~
:~7p
N.C.
5
85
7
C5
9
w/Rhy . Fig. 8 (Gt r. I)E5 D5Gtr. Il
pU 3
ES D5 C5 B5 N.C.Rhy. Fig. 8 (G trs. [ & II) - - - - - - - - - ,
~: ~
~~:~ - ---------=1:!i-=------:Ie --~
Faster J= 208Guitar soloN.C.
Full
Gtr. )II -"'~ """".-.... """".-....vvFull
rake sem iharm.
PUllH P
Full P H P
1Gtr.
I Rhy . Fig. 9 ___
P.M.·· ~ P.M. --., P.M.... ~ P.M.··oj P.M.···1 P.M.--1 P.M.• • • -1 P.M.··· '1
5 7 ! 8 7 S~ 57 7 7 7 7 7 7 7 7 7 ----=
H
7 75
77
7 7
57
p
(Gtr, II tacet)FullFUll
)full
J
G5 N.C.
Gtr. Full'" ,--~""".....,..~ III :-!Full
-L\I\ll
:-----.. P ~-~ ~: £~ ~: t: ~t:~ -f~ f: ~ f. ft.·:t..~ ~--.
V· 3
Full Full Full Full Full
I , 1p
Jp
r-. p ;~~ .;;---. ,..-........
./ ./~ .~ ,~ .~ 'v ~_
,~
"'Let E <CD 12 fT.)ring w jvibra tofor 2 heats intonext bar.
1\>1 >- ~
~--~
~ >- > I • • • • z> • • >- • • :> • • > • • >------ >H
P.M. -- - -l P.M.-. -1 P.M.. - .. -.- •.•• ~ P.M. ---~ P.M.----I P.M. ---~ P.M.···~
~
v ~ v~
~
~ ~ ~ J ~ ~ ~ ~ v J V
H
N.C.
~lgr:K./
J--J---J~Gtr.II "f
FS
P
Full
H P~
I\ll ~~~ .. ~ .. ~ .. .. ;-------.. - ...~~ ('
~!t--j-f)-I- -
@)
[rem. bargrad bend FUll
~/Jl£K./H P ~ P:-~ --- "
fill(end Rhy. Fig. 9)
I--+ + -- -I-
@) • • > • • :> • • > • • ::>- • • >- ----7:>
P.M.·····, P.M.·-··-' P.M.-----~ P.M. - .. - .-~ P.M.-----" P.M.
~J J U J
J J J ~ ~ ~ ~ J " J
w/Rhy. Fig. 9(Gtr Uitacet) -I Full FullGtr.~ ~ H P I'--.. H
4L-~~- * f=t·SJ-f-T-f-- ./--~# r-~
G5
f-f- -I::
~ sL
Full
A sl. H PFull0.. H
Ful!
/\
Gtr. Sir---------......III
Full
)_ 'J ,~
.~ "'" 'J,
• Pullup on bar. st.
58
P.M.· · ····· ~
(S-) 5 8 5
F ull
(f\r~~'
FullP J --- ---
1310 13 \
A.H.~~p
1/2f- - ·· - - - - <,
FSFullI 1/2 A.H.~ C5 Gtr.N.c. f -------- (Bva)
~: 5~~·~~~..-....v4 ' II >- >- ./ ~ I' ~~
. ~ ii E ~~ CE" ~~~ ~Full
I ./ .u ..
A.H. pit ch G- LeI A.H . ring w/vibrato
for next 2 bar s.
P.M.· - - 'P.M.· _. ~P.M . _ ._~P.M. . . . ~P,M.•. ~
I I ~~1, 3 4 3 C::J
1__
33 3 3 J J 3 3 3 3 3 --------
H sl.
55
P.M . . • . ,
555
P.M . - --l
11
~d_i- ------j>- - -H sl.
p
1212
121210
1212
A .H.(l Sma)
Full "> >-Gtr. ) e ~~- - - ~-~=~Ii 3 ---J *GtJ.
A.H. UlFull
[
·Gtr. III indica ted to left of slash In TAB.
P.M. - - ~ P.M.··· ~ P.M. • • • ~ P.M . · ··< P.M. --- . ~ P.M. - -'-l P.M. · ·· ,
5 53
55
5 5 I 65 5
55 5
H
J7 7
57 7
77 7
59
illFull
J)>:>rp
1/2
)
II , J H -R I I I J I I .; I I ...- ... ~ ~.,
~-_.
~""" ................ ................... . 4 ......... . ... ...... ....~
..........
1/1 "sem i· harm. Full
•p p f
/ ,J -4-.~
:', ::::
~_ .... ................ 4 4 4 . ... ........"
. ...... .. .. _... . ... 4
..Refers to GIr. II only. Full
flJl, ~) -
I!J >- :> >H :>- :>- >-
P.M.···, r .M.·· ' i P.t.!. . • . - i P.M. •• -. i P.M.· . - ~ Full~ \
~
FullH
Full
1) [1 1 d) £ d - r;\
:::]~j,'/flol ... '*" .. sl.
'I!J ...:.; sl.
full Full. 4 ......................... 4 ........
j 1 • .......... .... . ... ....... sL./ ././ ./
," ------ --........ - ......... ....._.......... 4 .. .. sl: .......Full 1/2 "Gtr, II indicated to left of slashes in TAB.
) /\ 1":'\Au - - ~ .... .................. . 4 . .
0..- .@; --
Full 1/2I A .......... . .................. ~ . .. ....,~
/ / \4
,~
'~J
Slower J:: 144N.C.
(Gtr. III out)
flo!Gtrs, J & II
~.
I!J ::> • • • ......... -,j-,j T "',-71 =i :>- • • .... ... ... -,;- -,;- -,;- ~-,j ~:>- c>>- :>- >1' :> :> pP.M. • - ••. - • - • ••• ••• •• - •• - • - - • - - - - •• • - - - • - • •• • - • - ~ P.M. · -' " ....•..•..... ••••...............••.•. ~
;
P p
E5 F#S GS AS ES
60
THE "YEARS OF DECAYWords and Music by
Overkill
Emadd9Cm aj7sus,H
ESlls2
Iiin
Emadd9
m13
E5
~w/Rh y. Fig .1
Cmaj7su s#4 Emadd9(end Rl1y. Fig. I)
Emadd9Rhy. Fig . I
Modera tely J= J 12
Intro GIT. I (a eon s, gtr.)l\iI 1';'"\ ~ -~ i:---
---"* ~.... u-
sl.U
let ring> . • ...•• - - • • - - - - - - - - - - - • ~
mp
eTA w
R~
GtLFdbk.v
sl,
1\1I 111";'\ ... '- ~ - _ . - _ . _ - - - ~- - - -~ ~ ,..-1"•-.- ... _A. _____". - , . '
. _ •• _A_ - - . ~ -... .. - . . -----. . , . (G t r. IJ ou t). ~-: - " - .....
- ... -@) n:_____________ n:___________n:_______________:cr~
Fade in 0'-------------=-0"_______________0"_______________"0"--------------"0"Fdbk . mp dim .
' AH ~ ;;
;: , ~
-'51, 2nd, 3rd Verses(! w/Rhy. Fig. 1 (3 '!. times)~ Emadd9
~Emadd9 Cmaj7susH
for ev - 'ry - thing you do.L,
Emadd9
loll. And you payLOut on this road takes its2.3. See additional lyrics'During 3rd V erse, Rh y, Figs . 1,2 8<3 are played by cl ean dec. w/ eharu s.
Emadd9 Cmaj7s\ls.4
~ , ! ~~~!~~> \ ~~~Un . der lights, mad e me blind . Thi s
w/Fill l (1st time only)Emadd9 Gmaj7 Gm aj7/F#
Rhy. Fig. 2I
(end Rhy. Fi~2) Rhy. Fig. 3 (end Rhy, Fig. 3)i ~ ~
+ --r-~--~- -I--~
tJ ... . L I I I = .... .... 1 .... - ...I . 111
~let ring - - ....•• - . - - - - . - • " - - .. ~ et ring - - - • - • - ..• - ••. - - . -Ilet ring . . . . • __ . ____ . _. _... __• _. ~ lei ring - . - . ~ let ring » - - - - •• ~
I A
A
V
A
V V w
I .v
C D~M
~~777~t"~@ g1 place is the same as last -- night. -
Fill I (clean elec.)
I\~ '" --@j
u ~
1-- -
Copyright If) 1999Blood and Iron Mus ic CO.1Za2mar MUSICCompany (8MI)This Arrangemeotlf) 1990 Blood and Iroo Music1ZazmarMusic Company
Inlema~ooQl Copyright Secmed AURights Reserved61
Out of con, trol takes its_ toll. But you
Cmaj7sus~
learn to live with your dr eams and _
Fspea k
~ r. jog your rnind L, to th ose c, you findc;
Emadd9w/Rhy. Fig. 2C Dadd4
Jist . ' uing c, to wha t you have to say._
Emadd9Gm aj7fF#Gmaj7
E---C ::Jj22~~~~~~~~~~wfRhy. Fig. 3 (5 times)Emadd 9
would -n 't change th e way. _
Gmaj7/F# Em add 9 Gmaj7 Gmaj7 fFi
would, n' t s top the de
Gmaj7 fF# Em add9To Coda IGm aj7Emadd9 •
~~~ -------- =======0•. r F j O~
To Codal;Gmaj7 Gmai7/F#$
?3l~u~~~t1f;--~cay . _
Emadd9
II P
Cmaj7sus ~4
Guitar solo 1w/Rhy. Fig . I (3Y2 times)
Ernadd9Acous. gtr.
lfI li S~ -. :;.... ...------.... ,~ . .. - 4 4 4 4 4 4 4 4 4 . . . . . . . . """"'". !
K.m---,/-I!) I
"""". . ....... 4 4 4 4 . 4 4 ...... H . . . . H P ~ 4 4 4 . 4 . 4 . . 4 4 4 4 4 """"""
~
"'" I
ft
,/
H PH P
Cmaj7sust4Emad d9sl
Cmaj7sus#4
P u ll
-AI\JI ~ :;.. .. .. *" -If- ~ t: ~ .(I- .(I-~-1l- *" !'-~~. +- ,
I!) "--" u
rake rakeFull H P H Pr-: .-----..,. ------..
.~ "v
I·u .u
"U
62
w/Rh.y. Fig. 2Bdd4Emadd9 C.......... ... ........ t: .". ~~ ~ t:II» ..,..' sl...,.. • ..,.. .". ,_, - .jt.----~ 11- ~
@)
1/2. .. ......... sl. ~u ·u u
~ ./ D 'U
Emadd9r,'\
l¢ FuU
fli>n H P~
...D.S. (tempo f)al Coda f
~
Full
/\ - H P
-'Two gtrs . arr. for one.
..
(Drum fills)(w/lst bar Rhy. Fig. 3)
Ema~1\ » ---- --....
I@)De - cay a - way.
Gtr, III » -------------- .....---: =-----
I@) n ______n--=======-----nu u U'--------- ---------dim.
':::
'"v '<V7
(w/last bar Rh.y. Fig. 3)Coda I
... Gmaj7 Gmaj7/P.
Play 4 times
P.M. - __- __• • • __- __- __- - . - ••• - _.. -- _.. 00 _ •••• -- _ _j
Faster J= 132G5 F' 5 ES Gmaj7 Gmaj7/F#(GtT. lout)
P.M. - . - • - - - •• i
: ~ ~ I: ~ ~ ~
e e
63
Gmaj7/F$Gmaj7ASGSN.C.BSN.C.G5BridgeES F~5
1\ jJ, - - - JI.---.,
~
I'm go -i.n ' horne.L
1\ IIRhy. Fig. 5
--i
~ ~~===
4J: .,;- ~ ~ ~ ~ -,f >- - .... :>:;j
P.M. P.M. I'.M,· · .. . ---. - . •...... <P.M.-- -······· ······~
I
~ -u W ""
Gmaj7/F~
1\ II £5 F~5 G5 N.C. D5 N.C. D5 C5 Gmaj7 !I- ~ -fI--' ,t.,... -
~
I don't know where .
.(.)_1>(end Rhy_Fig. 5)
~
~ ~~ ~ :i ~45· :;j ~..? ...~
-.f :>~
-,f :>... sl. sl .
P,M, P.M. P.M.·· · ··· - - •........ ~ P.M.- · - ···· --- ·······'!
~ ~
~.... u - ,---", .... - 4
sf. sf.w/Rhy, Fig . 5E5 F#5 GS N.C. 85 N.C. G5 AS GOlaj7 Gmaj7/F~ £5 F~5 G5 N.C. DS N.C. 05 C5
t~ - I "l~. f' ) I - I
I'm go' in' home .
Gm aj 7 Grnaj7 / F ~w iRIlY- Fig. 6 (4 tim es)
C#5F#5 Arnaj7
~ sm~.J! ----- ~
J - 'i1~ ~----;sNot far from here! Out on this road.
F#5 Arnaj7 C#5 F#5
tr#~] l - I - I - ~~~
- Pay • in' this
Rhy. Fig. 6
F#5 Amaj? C#51\ II II
~
~ ~ ! ~ ~ ~ ~ ! :;j --. >- :; + :>
P M.--·········· ··- ---··· .. . . . . . . . •... -- - - .................... < P.M.····· _· ··-l
u
;:<r
64 _...
Amaj7 C#5
~~.
F#5 Am aj7
tolJ. _ Ow! _
BS
Fill it with an . gerl ;
J
C5 AS
stage! _theSet
B5
Make , me whole!
~ ~ ~ I : ~ '~ : I ~ ~ ~
B5 C5 AS B5 C5 G/B C5
Fill it with rage! _ No, I don't what is to - day. __ But 1_
---sl.
t4
Gmaj7/F~
Guitar solo 11rs E5 w/Rhy . Fig. 4 (4 times)
AS ~'---3--------, ~5~maj7
~.~~ & &,
~%F--_ ~~~~~I~~~~~
in the years of de - cay! _
H P
{ { {2' '
semi-harm> - - - - -'1Full Full Full FujiFull
I
I j
falls __ know it
n1
85
,.. ;I
ES
Gmaj7
(8~~---" Gmaj7/F'
_ ~ ~/:~~~ r-J-, sl.
---~"""'H P P
A.H.-------,F~U H P P/ \~, ----
ES
H P..... ~
H P
sl. A.H.pitches: D#
sf.
Half-time feelw/Rhy. Fig. 6 (4 times)
E5 Gmaj7 Gmaj7IFf F'SBva- - - - - - - • • • - . - - - - - - - - - - - •• .•.•
F~I ~ F~ ~~.... .. .... .. Full1\;1 ..?--...~ ~ ~ ~ ...._--------.... sl/ ~ 't: += f:. :j:: += t: :J!: t-~ t!:. .. t!:. .. .... II" )---.-................-..-......-----.
-/ / <, / <,
v •
a..~
Pullj~
"
F~S
lei ring- - - - •• ~
F~./-.y 'VI
Iet ring- - - - - - - - - - ~
~./
·u
Ama]? C#5 (end halftime feel) w/Rhy. Fig. 4 (4 times)FU!~ __ . . E5 Gmaj7 Gmaj7/F#.-L4~4~.-. sl. 'k~i ---..----------.-.--.--------------..~- -; -------i-P' -. .--~; .; --..,~~ rr~' Iol;l /4 V",
ou' 4~44U ...... ~. ..~.. . ~.
-@)
66
Full- ,._------_ ..........J. ... """ '- sl. F~Ly .... 00 •••••• ••
+.-j'--J--..J '--3 -1 '--J-l
H P H I' H P-- -- ....-.........OJ .~ -= .'"
E5Gmaj7/Fjloco Gmaj7 E5
Full Full Fullri·"......... . . ........
¥==U~ ....~.uuu r~
Full
I ~)"!!--. ... - " Full
:;1' C> ::uuu~ -7 S
I I,s
:~/ \ 12 14 Ii! 104104 \2 14
Gmaj7 Gmaj7/F# £ 5 Gm aj7 Gmaj7!F~
FullFull
..~i~f-.. . "" ....
~-~.~.. - ll .. • • q~q~.... ....
~I L-3 ----1 ~--,f... r·· .....sl.
F,!!.ll F ullH p . ~
J t u
-: ,--- <,
.• 'ucc- ' ..
~ u ~
st.
Free time
Gtr. IIE~US2 rt-.D,S. (Tempo J) al Coda Jl
Full 0 o
"Jl ... ~_ .......1:/------_._. . . . - -_._-
======-- 1";\ ~>- •.. -- --:::-.., .
t' 5grad. release
Fullp .1"""" .-...-.--- ...- - •.-.. --- 'A I .,,
,
·Power shut-offsound enha ncedby reverb.
Faster J= 132w/Rhy. Fig. 4 Play 3 t im esE5 Gmaj7 Gmaj7! F# E5
Coda II.; ) J ) ) ) ) J ) ) ) ) .; ) J )
P.M.· - - ••. -.- •.••.••.•.• -- .. . .. . . ... - ____• . • ____•. •.••.•. __ • • • . ___ J
t grad. Tit .
~: .. I - :!I - I ..I
E N.C . E D E BS C G5 F~ S E D E BSt:\ Rhy. Fig. 7
~ ~~ • ~ . ' ~3:;;j.' ~ #>- >- >-
,- ' A' I A ,.,,~ ' ...
.:.I ':' .,.I ;,
~
/ '~'""""".
st.
67
~
c(end Rhy. Fig. 7 ) w/Rhy. Fig. 7
GS F#S E D E B5 C G5 F#Sw/Fill 2E D E B5
All :;; >- Fdb.~ ~ .. ... . . . .. --. -.,. - . ". '" .-- ••• • • • . '_pw.
.. ~ p. -_ ... - - - ...... ... .- . '. pp ••.. ~ ........ ........- . ..
'".. .~ - .... ... . &..- -.--.@) .. .. I I
Fdbk.
~
-: ~
~
F$SG5
A]-I. pit ches. D E
D E
1
Outrew/Rhy. Fig. 7E
1 fF#5G5c
1\ J1 .... , .,>
@)
The of de - cay! Theyears(T he years of de - ca y .)
A.H."'- -· · · · · · · ' 1(B va)
Full Full Pull Full Ful l
i ,;.:---....... '"' Ii P
,..~~nnA.+f\ J.I ••st eady gliss. ~ - --~ .fl-U .fl-. - --
@) '-3-.J
pick slid e A.H .·······-·· ····,Full FullI rrr >:':»; H p Full Full Full Full
./ ./ -.~ .c .-': .-::
-
F#5GSBS C
.l1.-----J- -
ED
1E
1I\w. r-, - - - )
~of de . cay! __ Theyears
(T he years of de . cay .)
A.H. Pull
J4 1/4 --- Full ~
,. }--. ~ H H~ .~~ ~~f\J1 • ------ . l- • ---
~+ ..--'#- • •
@)
If4 1/4 A.H.Pull
Full~ '1"'- - ~ H H ~ P ...... .... ~"I';r'"
/I ".-:: ..----.. ,------.., / .---... /
..
Fill 2
steady glissf\J1
@) I --pick slide
68
wl.Rhy. Fig. 7 (till fade) wjRiff ARepeal and fadew/Gtr. effects
E D E B5 C G5 F~5 E D E B5 C G5 F#5
~~ 1 n~l } 1, ~ 1 n--J l'
f'f - - t -I
r ~ I F I -r G r Ir I
:~G J ~years of de - cay!_ The years of de-cay!_ The
(The years of de - cay.) (The years of de - cay.)
Riff A
pII .. .--- .--...
~
P~
.~
Additional Lyrics
2. Promised the world, as your worldChanged before our eyes.And the days became the weeksAnd the weeks the years.No one remembers that very first day.How it slipped away.Forever [ wait,Pulling in, putting out as the motors whine.To remind me I'm home and I'm here to stay.As we decay.Another day.Decay away.
3. Self-sacrifice every night.And together we payed a price in bloodThat spilled out through the years.And another day passes away.Look to the blackDrawn farther back.Look to each day.See the decay.Times I've had,Good and bad.Win or loose,This is what I choose.
69
E.VIL N .EVER D .1ESWords and Music by
Overkill
Ab5xxxx
~4fr.
D5
!jfSfr.AS BbS(lype2)mBf X XXX~5fr. p6h.
B5
~"G5xXXXp3fr.
Bb5
•FS
~E5
~11
Freely J=108
N.C.Intro Gtr.
[1\ .. ~ • ~ I
~ I (J 4-mp ~.-::::::--=::: ~ ~ --=: ~ -= -= -= -= -= -==::::. .....:::;::, -= -= -= -:;;;;:, --=.....:: ~
wldelay and reverb
~
T ~ "A ~ ~ ~ ~
~ .- "-vei. swells
.....-::: -= -= ......:= -= t:'\
~ #J ~ #J ~-=
Gtr.~ J9- -e- 9-t7'
&- II.. ,.., r, --
I Gtr.' I 0-=:::. -< """" -= :- -= -= --=: -= -= -= -= [ -= -= -= -= -= --=
.~.- .;;
".~ .~ - ~ n
~ .~
.~
'v
Gtr'fi e:II " II ,s- -e- i9- ,.., ,., ~ , ~ b.p. bi9-
~ I
-= -= -= -=: -= -= -= -= -= -= -= -= -=: -=:; -= ....::; ....::; -=
.~'v
--- ~
::: v
'v
GtL____s..~f"_
______________s~~~_-- o$../flfJ.e. ---------------~/g£~ -~fl" I
l!J I I ~ ~-......---~
-= -= -=- -=trem. bar
- _s-'g.c_~ - _sj{lfJs - _sj{y;.k:.. -- s.fg(;}L~l
III!II
"I I .~ ' I.~\ I.~\ I.~\ ,~\ II,. II
Copyright~ 1989Blood and lroll MusicCo./ZazmarMusicCompany (BMI)
70Thl. ArmngBmGlIl~ 1990Bloodand Iron MuslclZJUmar Music Company
InlBrnaDonllJ CopyrlghtSecured All Righls Aesorvoo
.....
f
·w/dJitorl,on
Faster.l = 216 Play 8 rimesE5 (end Rhy. Fig . 2)
~:'-2) ~ J ~ ) ) ) ~'> >- :;:::.- :::>r .M.· ···-- ············· - J
ES• I 1";\d --------...... ()
vol. off--~==========
Gtr,11-
Play 8 timesF#5
(end Rhy. Fig. 1) E5 1";\
) j) )\ 'f "f f·;::- >-
:~
Gtr. w/F'i11 II E5(o9)
fI lJ. .. ". " .
@;
~I
~I
~I
let rlng » ••••• - - • • - •••••• ~ sim,
~
..Moderately .I", 120
Rhy. FSFig. I J', )
(Gus. I & II) P:M.
fn~:~~~
BbSGtrs.1&110t# >-
@)
e-
<> .::> "f --
F5
) ~ ) ~ ;--) )~ - > I >-
••••• ••• •• •• _•••••••••••••••••• J
I.Re . venge is sweet for those who wait.2.3.4. See additional lyrics
ES FjS
),),),)),),).;).;.; J ~):::;::;.. • ::::::> ,. ~ • >- • ::::>- • .>- • :::> • :::::>-P.M -- - _- - - •. - J
Nev > e r ear . Iy, al > ways late. Wait· ing now to con > sum - rnate a mar- riage made in hell.
G5E5 ES
) ~ ) ~ )) ) '? ) ~ ) '? ~) ) ~ ) ~ .; '? ) ~:> """ :> """ :> ::> :> ::> z> :> >- >-P.M - .. - - _.. - .• - - . .. • . . . . . . . . . J P.M.··················· ·· ··· -. - - . - .
~ r g5E~1~~s~~~E" a=r~~j ~Hand in hand you walk a - lonec, as good ad . vice seems to drone. E . vii cuts right to the bone.
Fill I
fill
~
l!J
--= ==-
71
F#5 C5 B5 BpS F#5
~ ,.r=,--J ) ~ '! )I n-JP.M.- .... J P.M. . . . . . J
., f=tf gWtr),
A - wak ens me._
.,J
B5 BbS
Has it come?_ES
(end Rhy . Fig. 3)
~ ;--)t.;:1. .... J w/Rhy. Fig. 2
B5 B~5
~ "f
~r
C5)
Chorus4th time wfVocaJ Fill I C5
) ,) ,) J Rhy . )
~-->-----: -- :-------~
~, ~~~~~~~~~
vil _
go,_
E
Will itGtrs. E5
1 & II r-J ;---J r-J41h lime to Coda IJI :> • :> • :> •
E5 1\). P.M.- · ···_·······················J
~~~§~~ ~
Will it ev - er _ die? _
F#5 CS B5 BbS
t [ g~
Don't you know'L,
BS B~S
b'M8ing me?_
it _ done'L,Is
tak
C5
Play 3rd timeonly,l st and 2nd timestacet,
2nd lime 10 Coda1Ird lime 10 Coda If
~
Not in strict timeE5
Faster J= 216G5 F#5
(cont, in notation)
Refers to both gtrs,
In time ( ~ = 216)Guitar solo Tw/Rhy. Fig . 2 (Gtrs. I & II) (8 times)E5
Slower J= 208CS
II .. . . ...
@J
nev . er dies!
Clean elec, * ......... ,(Clean elec. & Acous, gtr, out) Full
II:! r 1 J r I J r I J Gtrs, I & II )~:...-'"
~ r r J r r J ~r r J ~ ~~ ~ACOliS . "'0 .. -.. " .,gtr. "let ring' .... ~ sim. Full.-,
, ~
~ ~
* •
Sva ••• .. - - - - - . - ..•.........•••. - - - ... . . . •• - - - - ... . . • . - - ..... - - - - • • - - - . - - - ...•. 1
~
-i~-----------
/:~.H. Full(J5~-------~Gtr .m
II .. . ,0# - - - - .. ~ .. --- ... - ."--'" . ~~ II. -...,..~~- ~ • .. .. ... ...' _. .....•-. ::;j-- - +- +--F-1If) :;f - - 3
trem. barwlwah
rake vib. wlbar~l
as filter ~ ---------- ====-----Full ~A.H. ~------- _M ,~ . .~ ," ."/' .~ .~ ' ,..-
A.H. pitch: £<Pull up on
72
HH
--
sl.
A_H.- ....• _~
(8ya)I'h. IV>) )Full
)
A.H. pitch: E
Not in strict time"2 BbS
sL ~Pl'1i ,)r----,)---,) "/~ --------- :>
Full
)loco
A<I :e~~~ ~~-fE~-II- t).-if:-=r---; .. ~ ... ~. ~. t ~-- 1-\:.- ;L..- ~?-f--r-:-~"-' --,-- .•.---@:l's/.
A.H. -·---- 1
F ull Full Ph II'> I'hI I' I p J I r-;
,.--.., / / /'J '<' ,." "J T' ~
.,\
.-.~ --/ '-- ..~., .-
. .
Pull ~25/. ___H I[
1-----,.£--liHi~5__I2--ls___l5___I5___I5_____iSc7'""'~---_1_-__f4_+4---15__i
D.S. al Coda J
) ~:>
slack
BbS * Pull up 011 bar.
I'IJl 't ~
-_ . -,- - r -[ '- - £]- .~
vib. wlbarFull
J slack~
....
1\ ... III--------~ 0' .I) H P HW'V'~ P H J£ ~.}. H 1i PH ~~~~t....----.. - ===-r--. ---- :~ ...----... ---~ ---..~ ---- ----::-- -------... ~ -----------)f---1l.-. . - .
- F--' -F- ---I' cF - ~-----l- .. - --_.. --l). .~ 3 J Jw/wo,h trem. bar
as filter ' 2 I W w J 0' '-V W ~ ~ ~- ------- ---- ~ 'V"r Ii "'!/P H -..v '-l/ p HWW PH'... P P · T P H TP P H H \) H /- :--.... 1• •"\ ..".~ 17 19 (19) 17 19 2219 17 2 .A:::- ;:: v - . .~ .~
"T ap ",:/pi ck wh ile
1/1 lime (~ '" 216)Guitar solo [J
w/Rhy. F"ig. 2 (Ctrs. I & II) (8 times)ES
Coda I Sva - - - - . - - . - - - .. - - - . - - . - - .. - - . - - - . - . - .. - - . - - . - - . - - - - - - - . - - . 1 loco
.A '2 W 1 :0- ~ JJJr H P H /lIT Gtr ~---- W :---VWW W 1 0'w -..v T p "Tp Ip fr -------.. -r--,
d epressin g bar.
"~
1 2 ' 1/21!'2
Ip H P I-('Y -i>
sl.
• I Y,
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" HI
/"-P H
semiharm.
ful!A.H.·····,
73
BbSG t rs, F=F""'F'I l\I&II ................ ,.Jl 'I
P,M , -' - ·' .J :>Full Ful l
Dh--f.l_IO. .... ..~~~ .... ~ -fL-f'- • • 0,-.,-.''f:.f:.,-. ........~ ~~~ 0 ~ ..... 0". L.
....• -
~ 5 L....--Jsem i-harm. . - .. .... ... i trem. pick semi-Full FuJI harm.~.
• 'j .~ 'J 'J .v .v .- .-
la k
Slower J= 120Int erludeES (cont. in notation)
0 ---------0-----------0'-Gtr. I)) ).) )AS B ~S (I Y po 2) DS AS Bb5(lype1)
1\ a (Gtr. TIl out):> » >- Gtr. II s c
I-¥.--
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b(Jr slack
I . rv W)
Glr.IIII LI. L. --------.... L
~
pick slide*-= =- -= -= :-- --= -= -=
I".u 'VI
·Vol. swells . ---Gtr. F~~; I" _ _ _ _ _ ----- ----- - -_._ --- - , , .. - - -- ... . . ' ' . _.. -- ... - ' . ----- - , 1- -- - ........, , , _ , I --,_.- , ,+'"- ----eo-- -_.' --.- ' .." "-lIa - - - - - - - -- - - - - - - - -
I~- -!- - n _____D _______n ____.__n _______n ______n__________.___n-------u_____n
~u___u __________u _______u-----u_____u _________u _______u _____u
Pdbk.
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c>
F#S GS E S
~P.M . • .• _J
F #S GS
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n'J r:»P.M.··-· .J :> •
Fi5 G5
~:>
ES
rs:P.M . • •• • J
F #5 GS
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E F#5 G5
.; ) JP:M. •• : .• • :. J
Read the rights.i;
F;S G5 E5 F;S GS A5 Abs G5 F#5
-------- ~~ ~IiI
a proph-et's word.i, I've
74
FtS G5 £5 F~5 G5 AS Ab5 GS F#5ES F#S G5 £5 F#5 G5 ES F#5 G5 A5 Ab5 G5 F#S E5 F#5 G5 E5
~"fm~>~"f~~. ~learned to deal _ with the L; ab - surd.L And reach a dark-ened pin - na - cle _ of
E5-r;r' F#S GS E5 F#5 G5 E5 F#5 G5
w/Rhy. Fig. 4 (last bar only)@open @open @open @open
AbS E F#5 GS Abs E F#5 G5 AbS E F#S G5 Ab E F$5 GS
))) )n~ ))))nJnJP.M•• - ••••••• -- •• ---------.--.- .•.•. -- .... - .•.••. - ••••••••••.•• J
GS FS(end Rhy. Fig. 5)£5F5 BbSF5 E5
)
F5 Bb5 E5FS £5£5F5 Bb5
light.
Slower J= 84£5 F5 £5
Rhy.Fig.S))) )n~ ))) ))))
P.M. -- -- --- -- -. - •.•••••••.•• - -.' __ - . • _. _.. _.J
~: ,..,d. ''''I. (till ~.S.) -
FS Bb5F5 ESFS BbS E5
rIT
£S
rfSFS BbS E5
w/Rhy. Fig. 5 (2 times)E5 F5 £5
~~:I~·FE~~~~~~~.J
Mon - ey - hun - gry, pow· er . thirst - y, pen - ny - pinch - ing, fear - in - flier - ing, dou - ble - cross· ing, back stab - bing.
FS BbS
steal - ing,
FS £5
rap - ing, soul
FS BbS £5
wash - ing, mind
r r FFS ES
Suck -ing, brain
ES G5 F5 E5
FAt ~@) ~~~ ~~~Prom - is - ing e - ter - ni - ty for a price.
E . vii nev - er dies!_
Freely BbS D.S. al Coda II
F"J r,-, ~:> > f ~~___
~'" II
A jJ,1 .... + ....... '." ',. ,.. H P s . s. ... ....~ - ,
(rem.-----------~-----------
Harm.~
pick·T H P H P H p sl. sl.
'\I. .\\ r: <. ....- D
~ ~ ~ ~
\~J""
ES
F5 ~"I f_1@)
con - stant -preach-ing, sal - va - tion- reach-ing low -est form of hu -rnan Iuck - in' life!In time) = 126Guitar solo IIIw/Rhy. Fig. 2 (Gtrs, I & II) (7 times)
Coda II E5• Gtr. -- -- - - - - - - - -liarm:r8vaT--_____
III *T .--. .-' .•••--------, . »>-~ P H P H
1 0 produce harm., lightlytouchQ) 14fr. w/R.H. finger.
H H1\>1 ++. P H H H /I-¥...{t-
.. -@., .- sl. p > ----semi-harm. - - ~ P.M.'---··" P.M. . • . ,
p P H H H Ii H H
-. ,~
~oJ ~ , u .-
sf.
75
Not in strict time(Gtrs . I & II out)
N.C.
-r I' I' TP P
ES Bb5Gtrs. ~I & II) ) ) ) ) ) ) ) "">j
>- :> :> > ' >P.M. • - •••..• •• - •••••••• " ••••.•• _J
'11 p Full
1'1.11 ...... ~ H.--!!.. • b-.-.~ l7 ...... -4It. _ ~....-..~ 4t~ .. J;:::;;:!.l. ~~~-{L~ T I' I':"'~ T P I'...... .,.:.;.,.~ ~ ~
.~-+
~ c;::= (i 6 6P.M.• • ~ P.M.•• ~ Frll Pull
"~ T P P 1Y-t TY-Z T P I'H H HH I' p i~sL TPP...--.... ·v ~
__ :;--- IV .---.. -cr- .x: _........~ "" ...--.... .. .- .~
. 1••\v
A~I n-;
-Tap w/edge of pick throughout next 10 ban.
pT P I'T I' ppT P I'T P PT P PT I' I'
#t:0 11' P f::~ T I' p t~ :3-:Z ~~ ~ (0 r P I' £:~ T PII,. I~""+~ ~+~~ ~~ ~ ~.__ ~ -!'-~ t.:.. .,a.~
~ 6 6 6 6 6 6
T I' P T P P -c3---Z T P_ P vLz T PT P P
T PT I' I'
T P T.J--Z T Ll'~ p ~ P ~ PV
.A
U
. .
T I' I'T P PT P I'T I' PpT P P
~q! \, T I' ~~ T P P t~ T P p #t~ T~ to TP pI\;l 'Eq~ ~~. f: ~ ~~ ~:e ~~ 1~ #~ ~ ~~ ioI. ~ ~~
l!! 6 6 6 6 6
~~T P P T~ T P_l'
T P P p P T P PT P PT I' I' ~ T P P ~A T --=--<, '- .: <, '-.
-
8va ......• - - - ...•.....•..• - • _•. _•......•• . ....• • _....•.• _•••• _... _••.• ••..... _., loco
T P bTJT I' P T I' P
~~ ~J'-Z _ :~ T~ :~ t:~L e1IJ1\.<~~ T~P :.~ T ~ P jf";~ T..L...r T I' P .... .. I-
""if 66 6 6 6 6
T I' P T P P T P P T~ I' P T P p..,.----....",- T ':-. I' .~ T P_P ...---..... T P P T P P :':.~ T P I' .~ T I' 11'·v
.~ ~-<, .... .~ .~ :- ... .C" .....
'v ·u
H bT p . T P sl T P I' T P T I' T P
~'~b;. t.-;s. bt:b;\. ~~ ~-!'-~ \'.,a.~....T P H T I' H T-!'-~.. b..---....... b~
T I' H
~~
7 6 6 6
HTP TPsl TFp TFp:-::-?..... ' .....
~
T P H T P,----..
T P H.z '>.
'"
76
T~ T P H qT~ #T~ Bva ... - .. ---.-----.-- --.~· ········ . • - - . - •••••.... -.1 loco
-4h-#!~ .11 . #'+~~\ q~,~t;t~~q~TP H IIT~llT~ - ~~~ ~ ~. ;.., -fl.-~ .• .II.~_ + .h'.
@) 7 66 '-3--' sl.
Don 't pick · · · ···· ·· ·· 1
T P~H TPH T P H T P H T P H T P H TP .-E. sl: ... sl. sl: .-" .~ ;~ -- ........ --"" ... "" '" .~ -
•·Tap wje dge of pick down
6111 stg, in rhythm indicated.
D.S al Coda fJI
~
B~5
( Gtr. HI ou t)Gtrs. I & II
Slower ..1= 208
f\;! ... ... r- ~-- . .@) 'bll ~"t: . ' ~~ II
~-0>'--' :::>
~ )~\~
-
t)
Faster )=216G5 F#5Gm /B]
Slower ..I = 208(G trs. 1 & 11 tacet)C G/D
• Refers to both gtr s,
1\ tJ. ~. r----... _'"' ~ • - .-14-. ----
-€J
E . vii nev - er
Clean elec. (Clean elec. & Aco us, gtr. ou1\ jj [ I J r 1 J r \ J Gt rs. I & II-
-@)
ACOUSU r r J r [ J br [ J ~ ~~-gtr."let nne - . .. , sim.
... .... . - ... - v
~
-
E5 C5Gtrs.
Co~a~Nn n n ~ "I-+ P.M.·· ·· ················- .. · ·J
.J! ~
135 n bs
ens me. L.;
BS BbS
;---J9r ~t~
C5 8 5 BbS CS
Gtrs, ) .r-J -- )
1I&Ild ~ 'I E¥
Has it come?_ A - wak
E5 CS
w/Rhy. Fig. 2E5
.~.-\~~~dies.
Will it go,_
C5 BS Bb5
) f) w/Rhy. Fig. 2
[ 1 r'l:£5
J f '71SDon't you know?_
77
FS FtsF5F#S
):>
GS
)r-.)"fz>
wjRiff AFtS
Gtrs. lI.1&11 -,l"l E
-r=E - vil __ nev-er __
F#5 FS F~S FS F#S FS;r:- 71' !'"f ir.M.
I
FS F~S FS
~.~~._~dies! _
Riff A
fI~ I I I I- -------"hlf--lf- -
@) ::> >- :>P.M. -_ . ~ P.M. · _· ~ P.M.···~ P',M.-.-,
w
Additional Lyrics
2. Keep me close to your heart.Adversity will come apartAnd finish just before you start.Never question why.Today was then . Remember when?Skipping numbers one through ten .Permanence through the pen. (To Chorus)
3. Laughter stands accusing me.Emotion stands abusing me.The battered and the bruising me.Is there darkness when you die?I heard a sound. No one there.I heard a shot. No one cares .Laughter turns into despair. (To Chorus)
4. Evil hidden everywhere.Evil has a chilling stare.Null and void of any careIs where the answer lies.It does no good to beg or cry.It doe s no good to question why.It does no good , it never dies. (To Chorus)
78
TIME TO KILLELIMIN~rION
1 Hl\TENortHING TO 1)1£ FOR
PLA..'lING \7\lIT1--1 SPIDERS/SIZULLKRUSHERBlRTl-1 OF TENSION
WHO TENDS TI-rE~ FIRE~rl-lEYEA..RS OF DECl\Y
E.VIL N.EVER D.lES
2 1694 072 18
Printed in U.S.A. iCherryLa ne MusicCompany, Inc .''q I.,WJlY sn pnnted m USlC "
zo. 80 > 430 . Port Che ster, NY 1057J ·43O$17.95i" 1 1 ~ .6.
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