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Oboi
Fagotto
Corno 1 in F
Corno 2 in C
TimpaniG, Bb
Violini I
Violini II
Viole
Bassi
f p
Largo (e = 60) 5 10 15
f p
f
f
f
pf mfp
pf
mfp
p f mfp
p f mfp
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Vni I
Vni II
Vle
Bassi
Allegro moderato (h = 60)20 25 30
p
p
p
p
p
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Timp.
Vni I
Vni II
Vle
Bassi
p cresc. f
35 4540
cresc. f p
f
f
f
cresc. f p
cresc. f p
cresc. f p
cresc. f p
SinfoniaJan Tegtmeyer
Vc.
tutti
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Vni I
Vni II
Vle
Bassi
f
50 55
f
f
f
f
f
f
f
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Vni I
Vni II
Vle
Bassi
p f
60 65 70
p f
f
f
p f
p f
p f
p f
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Vni I
Vni II
Vle
Bassi
75 80
mp
mp
mp
mp
a2
Vc.
2
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Timp.
Vni I
Vni II
Vle
Bassi
p f
85 90 95
f
p f
p f
f
p f
p f
p f
p f
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Timp.
Vni I
Vni II
Vle
Bassi
mf mp
100105
mf mp p
mf mp p
p
mf mp p
mf mp p
mf mp p
mf mp p
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Vni I
Vni II
Vle
Bassi
p cresc. f
110 115 120
p cresc. f
p cresc. f
p cresc. f
p cresc. f p
p cresc. f p
p cresc. f p
p cresc. f
a2
tutti
3
Ob.
Fag.
Vni I
Vni II
Vle
Bassi
p
125 130 135
p
p
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Timp.
Vni I
Vni II
Vle
Bassi
cresc. f
140 145 150
cresc. f
f
f
f
cresc. f p
cresc. f p
cresc. f p
cresc. f p
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Timp.
Vni I
Vni II
Vle
Bassi
f f
155 160 165
f f
f f
f f
f
f fp f
f fp f
f fp f
f fp f
a2
Vc.
a2
con Cb.
4
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Timp.
Vni I
Vni II
Vle
Bassi
170 175
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Timp.
Vni I
Vni II
Vle
Bassi
f
180 185
p cresc. f
f
f
p cresc. f
p cresc. f
p cresc. f
p cresc. f
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Vni I
Vni II
Vle
Bassi
p
190 195 200
p
fp fp fp
fp fp fp
fp fp fp
fp fp fp
5
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Timp.
Vni I
Vni II
Vle
Bassi
f
Tempo primo /Largo/ 205 210
f
f
f
f
pf mfp
pf
mfp
p f mfp
p f mfp
Ob.
Fag.
Cor. 1 in F
Cor. 2 in C
Timp.
Vni I
Vni II
Vle
Bassi
p mp cresc. mf
215 220225
p mp cresc. mf
mp cresc. mf
mp cresc. mf
mp mf
mp cresc. mf
mp cresc. mf
mp cresc. mf
mp cresc. mf
To Corno in G
To Corno in Eb
6
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Adami
Bassi
Vivo con fuoco (h = 80) 5
f
f
f
f
f
f
f
f
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Bassi
10
p f p f
p f p f
p f
f p f p f
f p f p f
p f p f
ACT I
Introduction
7
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Bassi
f
15
p f
p f
p f
p f
p f
p f
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Adami
Bassi
20
f
f
f
No! I say no. This can not- be! My wife, now my
f
8
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Adami
Bazzo
Bassi
p
25 30
f p
p
p
p
p
p
p
son No! This can not- be! My wife, now my son No! This can not- be!
He was ri ding- from
p
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Bazzo
Bassi
35
bat tle- When his horse threw a shoe When his horse threw a shoe The moun tain- pass was of ice, there was
9
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Adami
Bazzo
Bassi
40
p
p
decresc.
decresc.
decresc.
Where’s the mer cy?- Where’s the mer cy?- Where’s the mer cy,- how can this be?
no thing- they could do
decresc.
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Bazzo
Bassi
p
45
p
p
p
p
p
p
p
He fell from the edge with his horse hand in hand He dropped out of site
p
10
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Adami
Bazzo
Bassi
Recit. 50
He was at the
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Adami
Bazzo
Bassi
p
55
p
f
f p
f p
f
No! No!
edge When it reared and he fell He fell by de fault.- An ac ci- dent!-
f p
1°
His horse threw a shoe? Where is the blacksmith?
They are still searching for him, my lord. But Sire, you must be aware, it was nobody’s fault!
11
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Adami
Bassi
60
Bring me the man who is to blame!
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Adami
Bassi
65 70
Bring me the black smith!- Or I shall hang you for that in sult,- or I shall hang you for that in sult-
12
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Adami
Bazzo
Bassi
No! No! This can not- be!
An ac ci- dent,- an ac ci- dent!-
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Adami
Bassi
75
No! This can not- be! Bring him to me, his nail caused this
13
Fl.
Ob.
Fag.
Cor. 1 in G
Cor. 2 in Eb
Vni I
Vni II
Vle
Adami
Bassi
p cresc.
80 85
p cresc. f
p cresc. f
p cresc. f
p cresc. f
p cresc. f
p cresc. f
p cresc. f
fate, his poor work’s at fault, bring him to me!
p cresc. f
Cl. in Bb
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Bassi
p pp f
Andante non troppo (e = 80) 5 10
mf mf f
mf p mp mf p pp f p
mf p mp mf p pp p
mf p mp mf p f
mf p mp mf p f
How could you do such a
mf p mp mf pp f p
Cl. in Bb
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Bassi
1520
f
mf f mf
mf f mf p
mf f mf p
mf f mf p
thing, did you nothave the cour age- to face me? Not a son, but a King! Not a son, but a King! How could you do this to
mf f
To Corno in Eb
a2
Air
a2
a2
14
Cl. in Bb
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Bassi
p f
25
f
p f
f
f
f
me? A boy that has al ways- fought for thee. Not a son but a King, a boy that has al ways- fought for
p f
Cl. in Bb
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Bassi
pp
30 35
decresc.
decresc.
decresc.
decresc. pp
decresc. pp
thee, that has al ways- fought for thee, that has al ways- fought for thee!
decresc.
How could you do such a thing? Did you nothave the cour age- to
decresc. pp
Cl. in Bb
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Bassi
f
40 45
f
p pp p pp p pp f
p pp p pp p pp f
p pp f
p pp f
face me? Not a son, but a King, but a King. How would you? How could you? How would you? How
p pp p pp
a2
15
Cl. in Bb
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Bassi
pmf
pp
50
mf pp
p mf p pp
p mf p pp
mf p pp
mf p pp
could you? How could you do such a thing, how could you do such a thing?
p mf p pp
Fl.
Ob.
Cor. 1, 2in C
Timp.Bb
Vni I
Vni II
Vle
Adami
Bassi
ff
Vivace5
ff
pp cresc. molto ff
ff
pp cresc. molto ff
pp cresc. moltoff
pp cresc. molto ff
pp cresc. molto ff
Fl.
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
Bassi
10
f
fz
mf fz
mf fz
mf fz
mf fz
To Cl. in A
a2 To Corni in C
Melologue
You areno more!
1°
16
Fl.
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
Adami
Bassi
pp
15
p pp
pp
pp
p pp
p pp
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Carpenter
Bassi
f p
Allegretto con moto (q = 150)5
f p
f p
f p
f p
The woods are a live,- with each leaf and each branch As they sway and they swing, as they
f p
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Carpenter
Bassi
p
10
pp
pp
pp
sway and they swing, as they sway and they swing, with out- breeze Cast in deep oiled- wood, e very- e le- ment- drawn from a spe ci- men- found on his
pp
To Corni in D
You are no more! Do you hear me!
Song
sotto voce
sotto voce
a2
17
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Carpenter
Bassi
15
land, from a spe ci- men- found on his land It is beau ti- ful,- mag ni- fi- cent,- com plete,- it is fi nished,- It is beau ti- ful,- mag ni- fi- cent,- com -
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Carpenter
Bassi
20 25
plete, it is fi nished,- it is fi nished,- it is fi nished.- No two fi gures- the same No pat tern- to be car ried- a-
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Carpenter
Bassi
p
30
p
p
p
p
way, Each holds its own, each holds its own, each holds its own lit tle- tale I’m a crafts man- by trade, though I car ried- the blade In a
p
a2
pizz.
arco
pizz.
arco
a2
18
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Carpenter
Bassi
35
much diff’ rent way years a go,- In a much diff’ rent way years a go- It is beau ti- ful,- mag ni- fi- cent,- com plete,- it is fi nished,- It is
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Carpenter
Bassi
40
beau ti- ful,- mag ni- fi- cent,- com plete,- it is fi nished,- it is fi nished,- it is fi nished.- I
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Carpenter
Bassi
45 50
have an i dea- from whence this gift has come But not e ven- I be lieve,- but not e ven- I be lieve,- but not
pizz.
pizz.
arco
arco
pizz.
pizz.
arco
arco
19
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Carpenter
Bassi
55
e ven- I be lieve- in ghosts. When the car vings- steal my thoughts for a time to re turn- and find the work’s com plete,- to re-
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Carpenter
Bassi
60
turn and find the work’s com plete- It is beau ti- ful,- mag ni- fi- cent,- com plete,- it is fi nished,- It is beau ti- ful,- mag ni- fi- cent,- com plete, it is fi nished,-
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Carpenter
Bassi
65
it is fi nished,- it is fi nished.-
1°
To Corni in Bb alto
pizz. arco pizz. arco
pizz. arco pizz. arco
20
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
f
Allegro (q = 150) 5 10
f
f
f p
f p
f p
f p
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
15 20
p
p
f
To night,- to night- the Crown of the land will take in his hand the peo ple- be low- will take in his hand the
To night,- to night- the Crown of the land will take in his hand the peo ple- be low- will take in his hand the
To night,- to night- the Crown of the land will take in his hand the peo ple- be low-
To night,- to night- the Crown of the land will take in his hand the peo ple- be low-
f p
Chorus
21
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
f
2530
f
f
f
f
p f
peo ple- be low- will take in his hand the peo ple- be low- To night- is the night, to night- we shall raise our cups to the King for the
peo ple- be low- will take in his hand the peo ple- be low- To night- is the night, to night- we shall raise our cups to the King for the
To night- is the night, to night- we shall raise our cups to the King for the
To night- is the night, to night- we shall raise our cups to the King for the
f
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
35 40 45
ri ches- be stowed- our cups to the King for the ri ches- be stowed,- our cups to the King for the ri ches- be stowed.-
ri ches- be stowed- our cups to the King for the ri ches- be stowed,- our cups to the King for the ri ches- be stowed.-
ri ches- be stowed-
ri ches- be stowed-
22
Ob.
Cor. 1, 2 inBb alto
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
mf
5055
mf
mf
mf
mf
For the young and the old and most
For the young and the old and most
The can dies,- the bles sings- For the young and the old The ci der!- The wheat! and most
The can dies,- the bles sings- For the young and the old The ci der!- The wheat! and most
mf
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
60 65
cer tain- ly- the gold and most cer tain- ly- the gold and most cer tain- ly- the gold. To -
cer tain- ly- the gold and most cer tain- ly- the gold and most cer tain- ly- the gold. To -
cer tain- ly- the gold and most cer tain- ly- the gold and most cer tain- ly- the gold. To -
cer tain- ly- the gold and most cer tain- ly- the gold and most cer tain- ly- the gold. To -
a2
23
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
70 75
night is the night, to night- we shall sing The praise of the glo ry- for the gifts from our King The praise of the glo ry- for the gifts from our
night is the night, to night- we shall sing The praise of the glo ry- for the gifts from our King The praise of the glo ry- for the gifts from our
night is the night, to night- we shall sing The praise of the glo ry- for the gifts from our King The praise of the glo ry- for the gifts from our
night is the night, to night- we shall sing The praise of the glo ry- for the gifts from our King The praise of the glo ry- for the gifts from our
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
Adami
S.
A.
T.
B.
Bassi
cresc.f
80 85
f
f
cresc. f
cresc. f
cresc. f
To
f
night- is the night the gree dy- shall bear the wrath of the
King
King
King
King
cresc. f
1°
24
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
Adami
Bassi
fp
90 95
fp
f
fp
fp
fp
King and the death of the heir, their wants and their needs con fused- as the same no more have I pa tience- there’ll be no more’f the
fp
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
Adami
S.
A.
T.
B.
Bassi
fp
100 105
fp
f
fp
fp
fp
same no more have I pa tience- there’ll be no more’f the same No more have I
To night- is the night, to night- we shall sing the
To night- is the night, to night- we shall sing the
To night- is the night, to night- we shall sing the
To night- is the night, to night- we shall sing the
fp
25
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
Adami
S.
A.
T.
B.
Bassi
110115
pa tience!- There’ll be no more’f the same, no more have I pa tience,-
praise of the glo ry- for the gifts from our King the praise of the glo ry- for the gifts from our King the praise of the
praise of the glo ry- for the gifts from our King the praise of the glo ry- for the gifts from our King the praise of the
praise of the glo ry- for the gifts from our King
praise of the glo ry- for the gifts from our King
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
Adami
S.
A.
T.
B.
Bassi
120
no more… no more! is the night the
glo ry- for the gifts from our King to night,- to night,- to night,- is the
glo ry- for the gifts from our King to night,- to night,- to night,- is the
To night,- to night,- to night,- to night,- to -
To night,- to night,- to night,- to night,- to -
26
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
Adami
S.
A.
T.
B.
Bassi
fp fp
125 130
fp fp
fp fp
fp fp
gree dy- shall bear the wrath of the King, and the death of the heir no more have I pa tience,- there’ll be no more’f the
night, to night- we shall sing the praise of glo ry- for the gifts from our King.
night, to night- we shall sing the praise of glo ry- for the gifts from our King.
night is the night, to night- the praise of glo ry- for the gifts from our King.
night is the night, to night- the praise of glo ry- for the gifts from our King.
fp fp
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
Adami
S.
A.
T.
B.
Bassi
fp fp
135 140
f p
f
fp fp p
fp fpp
fp p
same, no more, no more!
To night- is the night, to night- we shall sing the praise of glo ry- for the
to night- we shall sing the praise of glo ry- for the
the praise of glo ry- for the
the praise of glo ry- for thefp
solo 1°
27
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
f
145 150
f
f
f p
f p
f p
gifts from our King for the gifts from our King, for the gifts from our King!
gifts from our King for the gifts from our King, for the gifts from our King!
gifts from our King for the gifts from our King!
gifts from our King for the gifts from our King, for the gifts from our King!
f p
Ob.
Cor. 1, 2 inBb alto
Timp.Bb
Vni I
Vni II
Vle
Bassi
f
155160
f
f
f
f
f
f
To Corni in A
3 3 3 3
3 3
3 3
28
Vni I
Vni II
Vle
Mary
Bassi
f fp fp fp fp f p
Andante con moto (e = 144) 5 10
f fp fp fp fp p
f fp fp fp fp p
No, Sire, I have but a son, No, Sire, I have but a
f fp fp p
Vni I
Vni II
Vle
Mary
Bassi
f meno f
15 20
f meno f
f meno f
son, a beau ti- ful- son, a beau ti- ful- son, from a sol dier- so true, from a sol dier- so true from a sol dier,- from a sol dier- so true, from a sol dier- so true.
f f
Vni I
Vni II
Vle
Mary
Bassi
p f p
25 30
p f p
p f p
He’s a beau ti- ful,- beau ti- ful- boy, on ly- months by his age. He’s my breath! He’s my
p f p
Vni I
Vni II
Vle
Mary
Bassi
cresc. f meno pp
35 40
cresc. f meno pp
cresc. f meno pp
joy! He’s my soul, my stay, my breath, my joy, my soul, my soul, my stay, my breath, my joy! He’s a beau ti- ful- boy, my soul, my stay.
cresc. f
meno
pp
Vni I
Vni II
Vle
Adami
Bassi
f p pp
restare in tempo45
50
f p pp
p f p pp
I had a son, a beau ti- ful-
f p pp
Duet
Amicus (spoken): It should be known, Sire, the locals are cruel. They treat
a woman with child and no husband worse than a mule!
Adami:
29
Vni I
Vni II
Vle
Adami
Bassi
55 60
son, he was my breath, my breath and my joy, from a wo man- so true, from a wo man- so true, from a wo man,- from a wo man- so true Yet,
Vni I
Vni II
Vle
Adami
Bassi
f
65
f
f
yours lives in squa lor,- and mine is now dead. Where’s the mer cy,- where’s themer cy?- I see no
f
Vni I
Vni II
Vle
Adami
Bassi
p
70
p
p
mer cy- in dread! Where’s the mer cy- in this? Where’s the mer cy- I see no
p f
Vni I
Vni II
Vle
Adami
Bassi
f p pp f
75 80
f p pp f
f p pp f
mer cy- in dread. Where is the
p pp f
Vni I
Vni II
Vle
Adami
Bassi
85
kind ness- that I have shown to these wretch es- of e vil,- You, that take, that take with such greed
Amicus (spoken): I’ve tried to persuade her, this much is true, yet,
she will not listen, I ask you, what more shall I do?
30
Vni I
Vni II
Vle
Adami
Bassi
pp pp
90 95
pp pp
pp
you, you, that take with such greed! No one has come for ward- to help this wo man.- No one, not a one cares for
pp
Vni I
Vni II
Vle
Adami
Bassi
cresc. f f p
100 105
cresc. f f p
cresc. f f p
her and her son? Yet, yours lives, yours lives in
cresc. f f p
Vni I
Vni II
Vle
Adami
Bassi
p
110 115
p
p
squa lor- And mine, and mine’s now dead. Where’s the mer cy,- where’s the mer cy,- where’s the
p
Vni I
Vni II
Vle
Adami
Bassi
cresc. f pp
120 125
cresc. f pp
cresc. f
mer cy- in this the mer cy,- where’s the mer cy,- the mer cy,- the mer cy,- the mer cy,- the mer cy- in this? I see no mer cy,- no mer cy- in dread
cresc. f
Amicus (spoken): No one, Sire, not a one!
31
Vni I
Vni II
Vle
Mary
Adami
Bassi
f p pp mf
130 135
f p pp mf
pp f p pp mf
Where’s the mer cy,- I see no mer cy- in dread Where’s the mer cy?- Where’s the mer cy?- No, Sire, I have but a son, No,
I had a son,
pp f p pp mf
Vni I
Vni II
Vle
Mary
Adami
Bassi
p
140 145
p
p
Sire, I have but a son, a beau ti- ful- son from a sol dier- so true, a beau ti- ful- son from a sol dier- so true,from a sol dier,- from a sol dier- so true.
a beau ti- ful- son, a beau ti- ful- son from a wo man- so true a beau ti- ful,- beau ti- ful- son from a wo man so true.
p
Vni I
Vni II
Vle
Mary
Adami
Bassi
pp p mp mf
150
pp p mp mf
pp p mp mf
Please let me go to his care!
p
Please show mer cy!- Please show mer cy!- Please let me
Where’s the mer cy? Where’s the mer cy? Where’s the mer cy? I see no
pp p mp mf
Vni I
Vni II
Vle
Mary
Adami
Bassi
f pp f
155
f pp f
f pp f
go to his care! Please let me go to his care!
mer cy- in dread! Where’s the mer cy?- I see no mer cy- in dread!
f pp f
sotto voce ord.
Amicus (spoken): So you still defy my plendering plea? Sire, I fear she’ll become a whore, ask them, I’m sure they’ll agree!
32
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
p
Lento (q = 80)5 10
p
p
p
p
p
From your star look ing- down up on- me, You’ve
p
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
15 20
cresc. f
cresc. f
cresc. f
left me a world I now dis a- vow,- I now dis a- vow.- Come to me! Take us home! You’ve left me a
cresc. f
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
25 30
p
p
p
world I now dis a- vow.- Your friends de si- re,- your foes they laugh
p
Air
con sord.
con sord.
33
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
35 40 45
p
swords leave their sheaths on no one’s be half- his boots so cold, his heart torn off side, hell’s
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
p f
50 55
p f
f
f p
f p
f
mi nions- have come ta king- our king from the light. From your star look ing- down at my
f p
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
6065
p
fate you’ve left me a world I now dis a- vow,- I now dis a- vow.- Come to me! Take us home! You’ve
a2
34
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
f
Vivace (h = 80)70 75
f
f
f
f
f
left me a world I now dis a- vow.- For give- me! For give- me! I know not what I’ve done. Show
f
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
sf sf
80 85
sf sf
sf sf
sf sf
mer cy,- not for me, but as a man that once had a son! Take me! I beg you, take me, not my boy! Take me,
sf sf
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
sf
90 95
sf
sf
sf
take me, take me, take me in his stead! For give- me! For give- me! I know not what I’ve done. Take me, I
sf
senza sord.
senza sord.
/ 0
a2
35
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
sf
100 105
sf
sf
sf
beg you! Take me, not my boy, take me, take me, take me, take me, take me, take me in his stead! Show mer cy,- not for
sf
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
Lento (q = 80) Vivace (h = 80)110
p
p
p
me! Show mer cy,- not for me, not for me! But as a
p
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
115 120
man that once had a son, but as a man that once had a son. Take me, take me not my boy, take me, take me in his stead! Take me,
Vc.
36
Cl. in A
Fag.
Cor. 1, 2in A
Vni I
Vni II
Vle
Mary
Bassi
125
take me not my boy, take me, take me in his stead!
Ob.
Cor. 1, 2in Bb
Timp.Bb
Vni I
Vni II
Vle
S. A.
T. B.
S.
A.
T.
B.
Bassi
p
Allegro (q = 150)5 10 15
p
p
p
p
Vni I
Vni II
Vle
S. A.
T. B.
Bassi
20 25
What have you done? Blame fools for your pain! We’re poor hun gry- pea sants,- please take us in vain, please Si re,- your
What have you done? Blame fools for your pain! We’re poor hun gry- pea sants,- please take us in vain, please Si re,- your
To Cl. in Bb
To Corni in Bb
tutt’i bassi
1°
Chorus
37
Ob.
Cor. 1, 2in Bb
Timp.Bb
Vni I
Vni II
Vle
S. A.
T. B.
S.
A.
T.
B.
Bassi
f
3035
f
f
f
f
f
mer cy- is all that we ask a migh ty- King must fol low- his task!
mer cy- is all that we ask a migh ty- King must fol low- his task!
To night,- to night- the Crown of the land will
To night,- to night- the Crown of the land will
To night,- to night- the Crown of the land will
To night,- to night- the Crown of the land will
f
Ob.
Cor. 1, 2in Bb
Timp.Bb
Vni I
Vni II
Vle
S. A.
T. B.
S.
A.
T.
B.
Bassi
f
40 45 50
f
f
p f
p f
f
What have you done? Blame fools for your pain! We are poor hun gry- pea sants,- please take us in vain!
What have you done? Blame fools for your pain! We are poor hun gry- pea sants,- please take us in vain!
take in his hand the peo ple- be low- To night- is the
take in his hand the peo ple- be low- To night- is the
take in his hand the peo ple- be low- To night- is the
take in his hand the peo ple- be low- To night- is the
p f
38
Ob.
Cor. 1, 2in Bb
Timp.Bb
Vni I
Vni II
Vle
S. A.
T. B.
S.
A.
T.
B.
Bassi
p
55 60
f
f
f
f
p f
What have you done? Blame fools for your pain! We are poor hun gry- pea sants-
What have you done? Blame fools for your pain! We are poor hun gry- pea sants-
night, to night- we shall raise, To night- is the night, to night- we shall raise our
night, to night- we shall raise, To night- is the night, to night- we shall raise our
night, to night- we shall raise, To night- is the night, to night- we shall raise our
night, to night- we shall raise, To night- is the night, to night- we shall raise our
p f
Ob.
Cor. 1, 2in Bb
Timp.Bb
Vni I
Vni II
Vle
S. A.
T. B.
S.
A.
T.
B.
Bassi
cresc. f
65 70
f
f
p cresc. f
p cresc. f
p cresc. f
please take us in vain, please take us in vain! Si re,- please
please take us in vain, please take us in vain! Si re,- please
cups to the King for the rich es- be stowed,- for the rich es- be stowed,- for the
cups to the King for the rich es- be stowed,- for the rich es- be stowed,- for the
cups to the King for the rich es- be stowed,- for the rich es- be stowed,- for the
cups to the King for the rich es- be stowed,- for the rich es- be stowed,- for the
p cresc. f
39
Ob.
Cor. 1, 2in Bb
Timp.Bb
Vni I
Vni II
Vle
S. A.
T. B.
S.
A.
T.
B.
Bassi
f
7580
f
f
p f
p f
p f
take us in vain!
take us in vain!
rich es- be stowed.- To night!-
rich es- be stowed.- To night!-
rich es- be stowed.- To night!- To night!-
rich es- be stowed.- To night!- To night!-
p f
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
p
Andantino (h = 68) 5
p
p
Let us pass it is our right, to en ter,- to en ter,- to en ter,- to en ter- to en ter- to -
Let us pass it is our right, please let us pass it is our right to en ter- to -
Let us pass, ‘tis our right, to en ter,- to en ter,- to en ter,- to en ter,- to en ter- to -
Let us pass, ‘tis our right, to en ter- to -
p
To Corni in G
3 3 3 3
3 3
3 3
Chorus
Vlc. con Cb.
40
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
f
ad lib.1015
f
f
night! To en ter,- to en ter,- to en ter- to night!- Let us pass it is our right to
night! To en ter,- to en ter,- to en ter- to night!- Let us pass, let us pass to
night! To en ter,- to en ter,- to en ter- to night!- Let us pass, let us pass to
night! To en ter,- to en ter,- to en ter- to night!- Let us pass it is our right to
f
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
20 25
en ter,- to en ter- to night,- to night,- to en ter- to en ter- to en ter- to en ter- to night!-
en ter,- to en ter- to night,- to night,- to en ter- to en ter- to en ter- to en ter- to night!-
en ter,- to en ter- to night,- to night,- Let us pass to night!-
en ter- - to night,- to night!- Let us pass to night!-
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Carpenter
Bassi
f
Larghetto (q = 54) 5 10
f
pp f p
pp f p
pp f p
pp f p
Melologue
Mary (spoken): I feel my heart pounding…
41
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Bassi
15 20 25
sf
sf
sf
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Bassi
30 35
Ob.
Vle
Carpenter
pp
Allegretto con moto (q = 128) 40
pp
Vni I
Vni II
Vle
Mary
Bassi
pp
Larghetto (q = 54)
4550
pp
pp
pp
My blood is astoundly warm on the back of my hand…
Each breath is beleaguered…
Each cry is as eager…
1°
to rise and float me away.
Yet from this place I hug dearly awaiting the sun to rise warmly…
I feel a strange embrace
Carpenter: (from afar) It is beautiful, magnificent, complete, it is finished… It is finished.
What is happening? Your voice courses my veins.
Oh my dear, I cannot see you, yet I feel you
42
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Bassi
f
55 60
f
f pp
f pp
f pp
f pp
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Carpenter
Bassi
pp
Allegretto con moto (q = 128)65 70
pp
pp
pp
pp
pp
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Carpenter
Bassi
a2
Hold me!
Take meaway…
Or leave me Voice of whisper, cruel joke, I banish you…
pizz.
arco
pizz.
arco
pizz.
arco
Be gone, words of desire
Carpenter: (from afar) It is beautiful, magnificent, complete, it is finished…
pizz.
(pizz.)
pizz.
Who are you? Did you not hear? They want my boy! My boy in trade for the heir!
It is finished.
43
Fl.
Cor. 1, 2in G
Vni I
Vni II
Vle
Carpenter
Bassi
mf
Andantino (e = 108) 5 10
mf p mf
mf p
mf p
mf p
Oh Ma ry,- oh Ma ry- poun ding- heart, need not fear.
mf p
Fl.
Cor. 1, 2in G
Vni I
Vni II
Vle
Carpenter
Bassi
15
p
Oh poun ding- heart need not fear. Rise up bring the boy as re ques- ted- I’m here, as re ques- ted- I’m here rise up bring the boy! Oh
Fl.
Cor. 1, 2in G
Vni I
Vni II
Vle
Carpenter
S.
A.
T.
B.
Bassi
f
20 25
fp
p f p
p f p
p f p
poun ding- heart, need not fear! Rise up! Rise up! As re
Rise up! Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear Rise up, bring the boy,
Rise up! Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear Rise up, bring the boy,
Rise up! Rise up! Rise up! Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear Rise up, bring the boy,
Rise up! Rise up! Rise up! Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear Rise up, bring the boy,
p mf p
Air with Choir
arco
arco
Vc.
44
Fl.
Cor. 1, 2in G
Vni I
Vni II
Vle
Carpenter
S.
A.
T.
B.
Bassi
30 35
mf p
mf p
mf p
ques ted,- I’m here you shall see that I have come
Rise up, bring the boy, as re ques- ted,- we’re here. Now cast your eyes and you shall see
Rise up, bring the boy, as re ques- ted,- we’re here. Now cast your eyes and you shall see
Rise up, bring the boy, as re ques- ted,- we’re here. Now cast your eyes and you shall see
Rise up, bring the boy, as re ques- ted,- we’re here.
mf p
Fl.
Cor. 1, 2in G
Vni I
Vni II
Vle
Carpenter
S.
A.
T.
B.
Bassi
fp fp
40
fp fp
p fp fp pp p f
p fp fp pp p f
p fp fp pp p f
That will save but a son
Bring ing- words, hid den- words Bring ing- words, hid den- words That will
Bring ing- words, hid den- words Bring ing- words, hid den- words That will
Bring ing- words,hid den- words Bring ing- words,hid den- words That will save but a son That will
Bring ing- words,hid den- words Bring ing- words,hid den- words That will save but a son That will
pp p
tutti
45
Fl.
Cor. 1, 2in G
Vni I
Vni II
Vle
Carpenter
S.
A.
T.
B.
Bassi
p mf
45 50
p pp mf
mf
p mf
p mf
And it is beau ti- ful,- mag ni- fi- cent,- com plete,- and fi nished,- and it is beau ti- ful.- And they are
save, that will save but a son Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear
save, that will save but a son Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear
save, that will save but a son Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear
save, that will save but a son Oh Ma ry,- oh Ma ry,- poun ding- heart need not fear
f p mf
Fl.
Cor. 1, 2in G
Vni I
Vni II
Vle
Carpenter
S.
A.
T.
B.
Bassi
p
55
p mf pp p
p
p
p
beau ti- ful- And they arebeau ti- ful,- so beau ti- ful- and they arebeau ti- ful,- mag ni- fi- cent,- so beau ti- ful.-
need not fear Oh poun ding- heart, it need not fear. Oh poun ding- heart, it need not fear.
need not fear Oh poun ding- heart, it need not fear. Oh poun ding- heart, it need not fear.
Oh poun ding- heart, it need not fear. Oh poun ding- heart, it need not fear.
Oh poun ding- heart, it need not fear. Oh poun ding- heart, it need not fear.
p
Corno 1 muta in Bb altoCorno 2 muta in Bb
46
Cl. in Bb
Cor. 1 in Bbalto
Cor. 2 in Bb
Vni I
Vni II
Vle
Adami
Bassi
fp
p
mf
Calmo (e = 98)5
p
p
p mf
p mf
p mf
fp mf
To be a child like this, a child so pure, a child with out- care, to have a heart so sweet, a mind so clear, a
fp mf
Cl. in Bb
Cor. 1 in Bbalto
Cor. 2 in Bb
Vni I
Vni II
Vle
Adami
Bassi
mf
10 15
mf
mf
mf p mf
mf p mf
mf p mf
p mf
mo ment- like this is rare. When earth ly- con cerns- are left to the old and life is but a taste
p
And stairs all rise to the wisps of the clouds where the sun warms your
p mf
Cl. in Bb
Cor. 1 in Bbalto
Cor. 2 in Bb
Vni I
Vni II
Vle
Adami
Bassi
20 25
pp f p
pp f p
pp f p
pp f p
face, where the sun warms your face. And rain be gins- ra ther- than falls and gains are shared by
pp f p
AirACT II
pizz. arco
47
Cl. in Bb
Cor. 1 in Bbalto
Cor. 2 in Bb
Vni I
Vni II
Vle
Adami
Bassi
Più mosso (q = 92)30 35
f
f
f
f
f
f
all. To be a child like this, a child so pure, to be a child be fore- the fall. In stead- of a King that
f
Cl. in Bb
Cor. 1 in Bbalto
Cor. 2 in Bb
Vni I
Vni II
Vle
Adami
Bassi
4045
p
p
rules the land and sends sons off in fear this is my world, my feet in the ground wheredears to- me- dis ap pear,- where dears to- me- dis ap- pear.- Sur roun ded- by things that
p
Cl. in Bb
Cor. 1 in Bbalto
Cor. 2 in Bb
Vni I
Vni II
Vle
Adami
Bassi
50 55
f
f
mf
mf
p mf
p mf
live and live likewhat is be hind- this door, re min- ding- me of all I’ve lost, of the lives that are no more, of the lives that are no more.
mf p
48
Cl. in Bb
Cor. 1 in Bbalto
Cor. 2 in Bb
Vni I
Vni II
Vle
Adami
Bassi
6065
f
f
f
f
f
f
In stead- of a King that rules the land and sends sons off in fear this is my world, my feet in the ground wheredears to- me- dis ap- pear,- where dears to- me- dis ap- -
f
Cl. in Bb
Cor. 1 in Bbalto
Cor. 2 in Bb
Vni I
Vni II
Vle
Adami
Bassi
p
Tempo I (Calmo e = 98)70 75
p
p
p
p
pear, where dears to- me- dis ap- pear,- where dears to- me- dis ap- pear.-
p
Cl. in Bb
Cor. 1 in Bbalto
Cor. 2 in Bb
Vni I
Vni II
Vle
Adami
Bassi
mf
80 85
p
mf
mf
mf
mf
You knownot what comes from out of your lips, please, A mi- cus- speak no more! To be a child like this, a child so pure is what all of us should wish
mf
a2
a2
49
Cl. in Bb
Cor. 1 in Bbalto
Cor. 2 in Bb
Vni I
Vni II
Vle
Adami
Bassi
90
for. No lon ger- fin ding- new rhyme in all this time, as they en ter- lives’ dark hold, where you be come- a lea der- or King with a tar nished,- de ser- ted-
Cl. in Bb
Cor. 1 in Bbalto
Cor. 2 in Bb
Vni I
Vni II
Vle
Adami
Bassi
95
pp cresc.
pp cresc.
pp cresc.
pp cresc.
soul, with a de ser- ted- soul. To be a child like this, a child so
cresc.
Cl. in Bb
Cor. 1 in Bbalto
Cor. 2 in Bb
Vni I
Vni II
Vle
Adami
Bassi
f p pp
100
p
f p
f p pp
f p pp
f p pp
f p pp
pure, a child so pure, is what all of us should wish for.
f p pp
To Corno in C
To Corno in C
50
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
Bazzo
S.
A.
T.
B.
Bassi
fp
h = 90 5
fp
f p
f p simile
f p
f p
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
Bazzo
Bassi
10 15
You looked in to- her face, you struck him down, for this you will be shmooood, for this you will be
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
Bazzo
Bassi
cresc. f
20
cresc. f
fp cresc. f p
fp cresc. f p
fp cresc. f p
shmooood, for this you will be shmooood! That does n’t- sound so bad, that does n’t- sound so bad, it is pro ba- bly- not so good. Ei ther- way, ei ther-
cresc. f p
Air with Choir
solo
51
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
Bazzo
S.
A.
T.
B.
Bassi
cresc.
25 30
p f fp cresc.
f fp cresc.
f fp cresc.
f fp cresc.
way, it cer tain- ly- fits the mood! It’s pro ba- bly- not so good! Shmoood, shmoood?
It does n’t- sound so bad, it does n’t- sound so bad, it is
It does n’t- sound so bad, it is
It does n’t- sound so bad, it does n’t- sound so bad, it is
It does n’t- sound so bad, it is
f fp cresc.
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
f p
35 40
f p
f decresc. p
f p
f decresc. p
pro ba- bly- not so good. I cer tain- ly,- I cer tain- ly- would not want to be him. I cer tain- ly,- I cer tain- ly- would not want to be
pro ba- bly- not so good. I cer tain- ly,- I cer tain- ly- would not want to be him. I cer tain- ly,- I cer tain- ly- would not want to be
pro ba- bly- not so good. I cer tain- ly,- I cer tain- ly- would not want to be him. I cer tain- ly,- I cer tain- ly- would not want to be
pro ba- bly- not so good. I cer tain- ly,- I cer tain- ly- would not want to be him. I cer tain- ly,- I cer tain- ly- would not want to be
f p
pizz. arco pizz. arco
52
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
Bazzo
S.
A.
T.
B.
Bassi
f fp
45 50
fp
f p pp fp fp fp
f p pp fp fp fp
f p pp fp fp fp
Shmoood, shmoood? Who is this prude a ny- way?- Who is this prude a ny- way?-
him. It does not sound so bad. It’s
him. It does not sound so bad. It’s
him. It does not sound so
him. It does not sound so
f p pp fp fp fp
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
Bazzo
S.
A.
T.
B.
Bassi
cresc. f
55
fp cresc. f
fp p cresc. f
fp p cresc. f
fp p cresc. f
It sounds, it sounds, it sounds a lit tle- bit
pro ba- bly- not so good. It does not sound so bad, it does not sound so bad, it is pro ba- bly- not so good.
pro ba- bly- not so good. It does not sound so bad, it does not sound so bad, it is pro ba- bly- not so good.
bad. It’s pro ba- bly- not so good, it does not sound so bad, it is pro ba- bly- not so good.
bad. It’s pro ba- bly- not so good, it does not sound so bad, it is pro ba- bly- not so good.
fp p cresc. f
53
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
Bazzo
S.
A.
T.
B.
Bassi
p
60 65
f p
p f decresc. p
p f decresc. p
p f p
rude. Shmood, shmood? We should leave! We should leave this hor ri- ble- place, we should leave this hor ri- ble-
Shmood? Shmood? Shmood?
Shmood? Shmood? Shmood?
Shmood? Shmood? Shmood?
Shmood? Shmood? Shmood?
p
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
Bazzo
S.
A.
T.
B.
Bassi
f p
70
f p
f p
f p
f p
place Let us feast, let us feast, let us feast! Si re,- come a -
we should leave this hor ri- ble- place! Let us feast, come a long,- let us feast, come a long,- come a -
we should leave this hor ri- ble- place! Let us feast, come a long,- let us feast, come a long,- come a -
We should leave, we should leave this hor ri- ble- place! let us feast, come a long,- come a -
We should leave, we should leave this hor ri- ble- place! let us feast, come a long,- come a -
f p
a2
54
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
Bazzo
S.
A.
T.
B.
Bassi
sf sf sf
p
75
sf p
sf sf sf p
sf sf sf p
sf sf sf p
long! Let us feast, let us feast, come a long,- Si re- come a long!- Let us
long! Let us feast, come a long!-
long! Let us feast, come a long!-
long! Let us feast, come a long!-
long! Let us feast, come a long!-
sf sf sf p
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
Bazzo
S.
A.
T.
B.
Bassi
f
80 85
f
f
f
f
feast, Si re- come a long!-
Come a long,- Si re,- come a long!-
Come a long,- Si re,- come a long!-
Come a long,- Si re,- come a long!-
Come a long,- Si re,- come a long!-
f
a2
solo
a2
To Corni in D
55
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Adami
Bassi
fff
Vivace (q = 172) 5
ff f
ff f
ff f
fff
fff
ff f
Get out! Get out! Get out! Get a way- from me, you
ff f
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Adami
Bassi
ff f
10 15
ff f p
ff f
ff
fff
p
ff f p
ff f p
fools! Get out! Get a way,- a way,- a way,- get a way- from me you fools! I’m sur roun- ded- by i diots,- by je sters,- by
ff f p
Air
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3 3
3
3 3 3
3
3 3 3
3
3 3
3
3 3
3
3 3
3 3
3 3
3 3
3 3
ten.
ten.
ten.
ten.
ten.
ten.
ten.
56
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Adami
Bassi
ff f
20
ff f p sfp
ff f
ff
ff fp sfp
ff fp sfp
ff f p sfp
mules. Get out! Get out! Get out! I com mand- you, go, get a -
ff f p sfp
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Adami
Bassi
f
25 30
f
f
f
cresc.
cresc. f
cresc. f
way! Send for the bi shop!- He’s from Rome, un like- you, he will
cresc. f
3
3 3
3
3 3
3 3
3 3
3 3
3 3
3
3 3
3
3 3
3 3
3 3
3 3
3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3 3
3 3
3 3
3 3
3 3 3 3
3 3 3
3
3 3 3
3
3 3 3 3
57
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Adami
Bassi
p
35
p
p
p
p
p
know what it should say. He will know what it should say. I’m sur roun- ded- by i diots,- by jes ters,- by mules.
p
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Adami
Bassi
ff f
40
ff f
ff f
ff
ff f
ff f
ff
Get out, get out! Go, get a way,- go, get a way- from me you
f
3 3
3 3
3 3
3 3
3 3 3
3
3 3 3
3
ten.
ten.
ten.
ten.
ten.
ten.
ten.
58
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Adami
Bassi
45 50
fools, get a way- from me you fools!
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Bishop
Bassi
f
Molto vivace (h = 108) 5
f
f p
f p
f p
The King has gone mad, we must leave, we must hide!
I’ve heard, do not wor ry!- A die-
f p
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Bishop
Bassi
10 15
But the heir has fal len,- his horse threw a shoe, he slipped from the edge, the
will not leave your side.
To Corni in D
3 3 3 3 3 3 3
3 3 3 3 3 3 3
3
3 3 3
3
3 3
3
3 3
3 3
3 3
Dialogue
59
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Bishop
Bassi
f
20 25
f sf p f
f sf p f p f
f sf p f p f
f sf p f p f
King now blames you! No,
It was an ac ci- dent,- an aw ful- mis hap!- I will speak with the King, I will take up the case.
f sf p f p f
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Bassi
30
no, he’s gone mad, the prince is now dead. He wants A die,- your grand son,- your grand son-
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Bishop
Bassi
p
35 40
p
p
p
p
in his stead. He is not the same. We must leave! We must flee!
I still don’t be
p
a2
60
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Bishop
Bassi
f
45
f
f
f
f
No, he’s gone
lieve it, he’s a God fea- ring- man. This is our home, this is our land.
f
Ob.
Fag.
Vni I
Vni II
Vle
Mary
Bassi
5055
mad. He wants your grand son- in his stead.
p cresc.
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Adami
Bishop
Choir ofPriests
Bassi
p f decresc. p
Grave, ma mosso (q = 50) 5
f decresc. p
pp f decresc. p
pp f decresc. p
pp f decresc. p
...a man ...more po wer- ful-
Who... has carved ...this
Who …has carved
Who …has carved
pp f decresc. p
secco
secco
secco
secco
Duet with Choir
61
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Adami
Bishop
Choir ofPriests
Bassi
fmp
f decresc. p
10
f mp f decresc. pp
f mp f decresc. pp
f mp f decresc. pp
f mp fdecresc.
pp
...and ca pa- ble ...than you or I!
mas ter- piece ...so beau ti- ful?- Who’s
…this mas ter piece- ...so beau ti- ful?- Who has carved? Who’scarved this mas ter- piece, so beau ti- - ful?-
…this mas ter piece- ...so beau ti- ful?- Who has carved? Who’scarved this mas ter- piece, so beau ti- - ful?-
f mp f decresc. pp
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Adami
Bishop
Bassi
cresc. f
15
cresc. f
cresc. f decresc.
cresc. f decresc.
cresc.f decresc.
A man more po wer- ful- than you or I! …than you or
carved this mas ter- piece- so beau ti- ful?-
cresc. f decresc.
Ob.
Cor. 1, 2in D
Vni I
Vni II
Vle
Adami
Choir ofPriests
Bassi
p
20
p
p pp
p pp
p pp
I! ..A man more po wer- ful- than you or I.
Who has carved this mas ter- piece- so beau ti- ful?-
Who has carved this mas ter- piece- so beau ti- ful?-
p pp
To Corni in Eb
62
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Carpenter
Bassi
f p f p f
Maestoso (q = 132) 5
f p f p f
f p f p f
f p f p f
f p f p f
f p f p f
f p f p f
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Carpenter
Bassi
p cresc.
10
p cresc.
p cresc.
p cresc. sf sf p
p cresc. p
p cresc. p
How I preached to you and still you ig
p cresc. p
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Carpenter
Bassi
f
15 20
f
f
fp fp cresc. f p
fp fp cresc. f p
fp fp cresc. f p
Stop this pre side- ful-
nore it. Have you not learned a thing? Have you not learned a thing?
fp fp cresc. f p
Duetto
63
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Bassi
25
cresc.
cresc.
cresc.
im pu- dence,- here on earth I’m still your King! If I pos sessed- the de mon- that will hang but a
cresc.
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Bassi
f
30
f
f
f p
fp
f p
child would I not swing my sword at you? Would I not swing my sword at you? With out- your scorn ful- ban ter- are
f p
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Bassi
35
these the words of God? Tell me, tell me, tell me are they true? Tell me, tell me are they
64
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Carpenter
Bassi
Lento Tempo I40 45
sub.p f fp fp fp fpsf
sub.p f fp fp fp fp sf
sub.p f fp fp fp fp sf
true? Are they true? Then all I ask is a sin gle- word, a sin gle-
Yes, oh yes! God’s words, they are so.
sub.p f fp fp fp fp sf
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Bassi
cresc. f p f p
50
cresc. f p f p
cresc. f p f p
cresc. f p f p
cresc. f p f p
word I can not- find. And if you know it not leave my site for’t will be
cresc. f p f p
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Carpenter
Bassi
f p f p cresc.
55
f p f p cresc.
p cresc.
f p f p cresc.
f p f p cresc.
f p f p cresc.
pro ven!- You know God no more than I, you know God not more than I!
You
f p f p cresc.
(spoken aside)
The King is vulnerable!This my chance …
65
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Carpenter
Bassi
p sub. f
60 65
p sub. f
p sub.f
f
f
f
asked for an ans wer- that saves you from hell. I can not- pro vide- some false word to re lieve- you from this spell.
f
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Carpenter
Bassi
p cresc.
70
p cresc.
p cresc.
p cresc.
p cresc.
Stop this pre ten- tious- rank!
Do you not lis ten- to your self?- Fall on your knees! I can not-
p cresc.
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Carpenter
Bassi
f
75 80
f
f
f
f
f
I’ve fal len- to my knees, you need not to tell me
beg for your life to be spared, if you will not pay the fee. If you will not pay the fee.
f
66
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Carpenter
Bassi
f
85
f
this. I’ve read and re spon- ded- to it. It e choes- my quiv’ ring- fist. I can feel it sur rounds- me like
Have you not learned a thing? Do you not lis ten- to your self?- I can not-
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Carpenter
Bassi
90
mil lions- of sighs. Tell me! Tell me, tell me will I die? Tell me,
beg for your life to be spared.
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Carpenter
Bassi
p
95
p f p
cresc. p f p
p f p
p f p
p f p
tell me will I die, will I die? Damn you! Will I die?
So I shall die and you shall die! Did you be lieve- your self- a God? Well
p f p
67
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Carpenter
Bassi
p p
100 105
p
p
p fp fp fp fp fp
p fp fp fp fp fp
p fp fp fp fp fp
Damn you! Tell me the word! Damn you, damn you, tell me the word! Damn you,
I shall die and you shall die! Did you be lieve- your self- a God? Did you be lieve- your self- a God? Did you be
fp fp fp fp fp
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Adami
Carpenter
Bassi
f p f p
110
f p f p
f p f p
f p f p
f p f p
f p f p
damn you, tell me the word!
lieve your self- a God?
f p f p
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Bassi
f p cresc.
f p cresc.
fp
cresc.
f p cresc.
f p cresc.
f p cresc.
f p cresc.
68
Cl. in Bb
Fag.
Cor. 1, 2in Eb
Vni I
Vni II
Vle
Bassi
f
115
f
f
f
f
f
f
Cl. in Bb
Fag.
Cor. 1 in Eb
Cor. 2 in C
Vni I
Vni II
Vle
Carpenter
Bassi
p
Maestoso (h = 54) 5
p
fp
fp
p
p
p
The child must be spared, thy son the right ful- heir sprin kled- with the wa ter- that I give to
p
Cl. in Bb
Fag.
Cor. 1 in Eb
Cor. 2 in C
Vni I
Vni II
Vle
Carpenter
Bassi
mf cresc. f
10 15
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f p
mf cresc. f p
mf cresc. f p
thee, and you A da- mi,- from this mo ment- say I, step down and beg for give- ness- from me! And
mf cresc. f p
Corno 2 muta in C
Monologue
69
Cl. in Bb
Fag.
Cor. 1 in Eb
Cor. 2 in C
Vni I
Vni II
Vle
Carpenter
Bassi
p
20 25
p
p
p
if you do not heed these words that I seed you shall be coun ted,- a sin ner- in deed.-
Cl. in Bb
Fag.
Cor. 1 in Eb
Cor. 2 in C
Vni I
Vni II
Vle
Adami
Bassi
Allegro giusto (h = 80) 5
fp
fp
sf sf sf sf sf sf sf sf sf sf sf sf
sf sf sf sf sf sf sf sf sf sf sf sf
sf sf sf sf sf sf sf sf sf sf sf sf
You speak of things made by man kind.- For this rea son- I will let you a mend- your plea
sf sf sf sf sf sf sf sf sf sf sf sf
Cl. in Bb
Fag.
Cor. 1 in Eb
Cor. 2 in C
Vni I
Vni II
Vle
Adami
Bassi
10 15
What of my sol diers,- dead in the fields, a way- from your wa ter?- Though they have kneeled, do they pe rish- by
Response
70
Cl. in Bb
Fag.
Cor. 1 in Eb
Cor. 2 in C
Vni I
Vni II
Vle
Adami
Bassi
f fz
20 25
f fz
f fz
f fz
f p fz
f p fz
f p f
death? For all sin, I at test.- Are they damned to hell no mat ter- how they plea? What a bu sy- place
f
Cl. in Bb
Fag.
Cor. 1 in Eb
Cor. 2 in C
Vni I
Vni II
Vle
Adami
Bassi
fz fz fz fz
30
fz fz fz fz
fz fz fz fz
fz fz fz fz
fz fz fz fz
fz fz fz fz
hell must be, next to Faust, Naust and me… For I as sure- you, I as sure- you, I as sure- you I
Cl. in Bb
Fag.
Cor. 1 in Eb
Cor. 2 in C
Vni I
Vni II
Vle
Adami
Bassi
fp
35
cresc. fp
fp
fp
cresc. fp
cresc. fp
cresc.
shall not, I shall not beg thee! Get a way,- Bi shop,- get a way- from me! Get a -
cresc. fp
71
Cl. in Bb
Fag.
Cor. 1 in Eb
Cor. 2 in C
Vni I
Vni II
Vle
Adami
Bassi
fp cresc.
40
fp cresc.
fp
fp cresc.
fp sf sf sf sf sf cresc.
fp sf sf sf sf sf cresc.
fp sf sf sf sf sf cresc.
way! Go! Get a way- from me! Bi shop,- get a way- from me! Go! Go! Get a -
fp sf sf sf sf sf cresc.
Cl. in Bb
Fag.
Cor. 1 in Eb
Cor. 2 in C
Vni I
Vni II
Vle
Adami
Bassi
sf f
45 50
sf f
sf f
sf f
sf sf f
sf sf f
sf sf f
way from me! Get a way!- Get a way!-
sf sf f
Vni I
Vni II
Vle
Mary
Bassi
Andante non troppo (h = 82) 5
Shee, shee, shee, shee, now close your eyes, now close your eyes and leave your cares shee, shee, shee,
To Corno in D
To Corno in F
Song
72
Vni I
Vni II
Vle
Mary
Bassi
2nda voltacol canto10 15
shee, and let them rise to wave them, wave them all a good bye- Where the springs are all blue,
Vni I
Vni II
Vle
Mary
Bassi
20 25
rain bows- of dew glis ten- like stars, bright and new where the fish flip and
Vni I
Vni II
Vle
Mary
Bassi
30 35
flop, and moon sha dows- hop to flik ker- a top- calm waves that roll with the tide, like
Vni I
Vni II
Vle
Mary
Bassi
40
weaves of thread that co ver- your bed and keep you safe and sound.
Vni I
Vni II
Vle
Bassi
45 50
73
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Adami
Demons’choir
Bassi
sf
Grave (q = 52) 5
sf
sf fp fp
sf fp fp
p cresc. sf f f
p cresc. sf f f
sf f
Kee ya! Kee! Kee!
Kee ya! Kee! Kee!
sf f
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Demons’choir
Bassi
fp
10
f p
f f
f
f f
f f fp fp fp
f f fp fp fp
Ba nished- I have learned you beg my re turn-
Why? Why? Why? Why?
Why? Why? Why? Why?
f
Scene
74
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Adami
Bassi
f
15
f mf
mf
f p mf
f p mf
f p
Your coun cil- has failed and I’m the last one to be
Why? Ask the de mons- you call! If you can not- see my past, then you’re no see’r of all.
p mf
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Demons’choir
Bassi
cresc.
20
fz fz cresc.
fz fz fz cresc.
cresc. fz fz fz
cresc. cresc.
cresc. cresc.
cresc. cresc.
hailed. This pro phet- sent by the one he reads from the air, I un der- stand- your de spair.- This chi se- ler- ofwood leaves a tale not un der- -
Kee, I see… like a God… your de spair.-
Kee, I see… like a God… your de spair.-
fz cresc.
pizz. arco
pizz. arco
pizz. arco
pizz. arco
1°
75
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Adami
Bassi
p f
p f
p
p
p fp cresc. f
p fp cresc. f
p fp cresc. f
stood. But like chill in the
Do not tell me what I know, mor ning- light is soon to show.
p fp cresc. f
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Bassi
p f
25
f
p f
p f
p f p
p f p
rain, I can’t re lieve- you, your pain. I can’t… Be sides…- I’d ra ther- burn in my pot than loo sen- this car pen- ter’s-
p f
1°
76
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Adami
Bassi
f f
Vivace (q = 150)30 35
f f
p f p f p
p f p f p
p f p f p
knot.
If you don’t o bey- my de si- re,- I a lone- will light the fi re- and with these hands
p f p f p
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Adami
Bassi
f p f
40 45
f f
f f
f f
f ff pp f
f ff pp f
f ff pp f
You will pe rish- and no - -
hold you be low.- Now… de mon,- what must I know?
f ff f
a2
pizz. arco
77
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Adami
Demons’choir
Bassi
ff
50
ff
ff
ff
ff
cresc. ff
one shall care.
So you as sume- this word holds my fate re veal- ing- re venge- for my hate. But
Keee!
Keee!
cresc. ff
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Adami
Bassi
55 60
f sf p sf p sf
f sf p sf p sf
f sf p
Do not con fuse- Baz zo- and me, do not con fuse- Baz zo- and me, a sim ple- mes sen- ger,- I’m not
make no mis take,- damned sa yer- of fear!
f sf p sf p sf
78
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Demons’choir
Bassi
sf sf
65
sf sf
sf sf
sf sf
sf sf
sf sf
sf sf
he!
Bats and vi pers,- vi pers- and bats, which shall be de ployed- with
Bats and vi pers,- vi pers- and bats, which shall be de ployed- with
sf sf
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Adami
Demons’choir
Bassi
70 75
f
f
You foul crea ture- of the night,
pow ers- o ver- you
that have you de stroyed,- that have you des troyed!-
pow
pow
ers- -
ers- o
o
ver
ver
-
- you that have you that have you de stroyed!-
79
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Adami
Bassi
80 85
Dear A da- mi,- I see, it is as ea sy- as can be: do you not find it but a
tell me the word or leave my sight!
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Bassi
p
90 95
p
muse what this car pen- ter- has done? Chiseled in wood be fore- the i dol- was struck and you de man- ded- her
Vc.
a2
+ Cb.
80
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Adami
Demons’choir
Bassi
ff
100 105
ff p
ff
ff
cresc. molto ff p
cresc. molto ff p
cresc. molto ff p
son!
No, you can not- have my soul. Re lease- me, you
Clear your eyes and you shall see!
Clear your eyes and you shall see!
ff p
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Adami
Bassi
cresc. f
110
f p cresc. f
cresc. f
fp cresc. f
fp cresc. f
fp cresc. f
vi per,- I de mand- you, re lease- your hold!
fp cresc. f
81
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Bassi
Grave (q = 52)115
You shall know your fate, but you must first a gree.- On re turn- of the heir, he’ll have no po wer- o ver-
Ob.
Fag.
Cor. 1 in D
Cor. 2 in F
Vni I
Vni II
Vle
Medea
Bassi
120
me. Pro mise- my place, re turned,- next to the throne, or I shall not tell you, or I shall not tell you this word he has
Ob.
Fag.
Vni I
Vni II
Vle
Medea
Adami
Bassi
125
sown!
My God, she does not know, she can not- see, as I be lieved- so.
82
Fl.
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Medea
Adami
Bassi
f sf sf
Presto (h = 110)130 135
f sf sf
f sf sf
f
f
f
f
f
Now
Leave me, leave me, leave this place! No, no lon ger- I em brace.-
f
Fl.
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Medea
Adami
Demons’choir
Bassi
mf f
140
mf f
mf f
f
f
p mf f
p mf f
p mf f
you shall see!
Foul
I see at the base, the base of the cliff you’ve fal len- as one
I see at the base, the base of the cliff you’ve fal len- as one
p mf f
1°
3 3
83
Fl.
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Medea
Adami
Demons’choir
Bassi
145 150
sf sf sf
sf sf sf
f f
p f
p f
p f
Kee, I see! Kee, I see! I see, I
crea ture,- do not speak, hold fast to your tongue! You ser pent- do not speak, slink back to your hole!
Kee! Kee! Kee! Kee! Kee!
Kee! Kee! Kee! Kee! Kee!
f
Fl.
Ob.
Fag.
Cor. 1, 2in D
Vni I
Vni II
Vle
Medea
Adami
Bassi
p
155 160
p
p
p
p
p
p
see your fate. You shall pe rish!- No one shall care!
Wings meet my fold, death I’m not rea dy,- re lease- me your hold, re lease- me your
p
3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 33 3
84
Fl.
Ob.
Fag.
Vni I
Vni II
Vle
Medea
Adami
Demons’choir
Bassi
165 170
p cresc.
p cresc.
cresc.
cresc.
cresc.
You struck the girl, de man- ded- her son.
hold! No! No! No! No!
You struck the girl, de man- ded- her
You struck the girl, de man- ded- her
f cresc.
Fl.
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Medea
Adami
Demons’choir
Bassi
f
175
f
f
mf f
f
f
f
f
At the base of the cliff you have fal len- - as one.
No! you can not- have my soul, re lease,- re lease- me your hold!
son.
son.
f
a2
85
Fl.
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Adami
Bassi
180185
You have seen, you have seen the heir, you have seen,
Fl.
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Medea
Adami
Bassi
Andante (h = 46)190 195
p
p
cresc. p
cresc. p
p
A son? No, A da- mi,- I see you just as your wife’s death came
you have seen but a son!
p
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
a2
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
86
Fl.
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Medea
Bassi
Adagio in quattro (q = 46)
true. My site is now clear just as the o ther- - I
Fl.
Ob.
Fag.
Cor. 1, 2in D
Timp.d, A
Vni I
Vni II
Vle
Medea
Bassi
200205
knew. I saw you as you now are, fal len.- - -
Vni I
Vni II
Mary
Adami
pp mp
Tempo ad lib. attacca5
pp mp
a2
To Corni 1, 2 in Bb alto
Melologue Ia
Beauty can be deceptive whenattached to an ultimatum.
What does itsay to you, Sire?
A carpenter gave me a gift last nightfor which he demanded no payment,nor words of thanks.
But it was a trick, concealinga riddle that my council couldnot decipher, and yet I’m sureto know its wrath in a moment.
Can you tell me whatthey were unable to?
87
Cl. in Bb
Fag.
Adami
Bassi
f p
Andante non mosso (q = 52) 10
f p
f p
Cl. in Bb
Fag.
Vni I
Vni II
Mary
Adami
Bassi
sf p
ten. ten.15 20 25
sf p
pp
pp
sf p
Vni I
Vni II
Mary
Adami
Tempo ad lib.
Vni I
Vni II
Mary
Adami
fz ff
poco stringendo30
fz ff
Ob.
Cor. 1, 2in Bb alto
Timp.in Bb, F
Vni I
Vni II
Vle
Bassi
f
Allegro (q = 150) 5 10
f
f
f
f
f
f
Melologue II
1. Fall onyour knees…
2. For mercy'llbe shown…
1. and hear theangels sing…
2. not asgranted…
1. this night is divine (even)for those that haveforgotten him…
2. under a star the child wasborn and you believedit true…
Vc. only
for this you will be...
For this you wereblessed with kingdom…
but this nightyou lookedinto her face…
and struckhim down...
Melologue Ib
What does itsay to you, Sire?
The words are of life,are of love. You are free!
There is no riddle, it is of hope, you are a lucky man!
What I've done cannot be willed away. I struck him down and now I shall pay.
I don’tthink so.
Hope? You speak wordsthat I never thought Iwould hear again, but Ihear no hope in them.
Then surely your priests have taught you nothing. You were pardoned, Sire!
If it were onlythat simple
(The hinged panels move)
Present yourself, demon!Behind the door!Show yourself to me!
Take me!
FinaleChorus
88
Ob.
Cor. 1, 2in Bb alto
Timp.in Bb, F
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
15 20
To night,- to night- the towns of the land will take in their hand the King be stowed,- will take in their hand the
To night,- to night- the towns of the land will take in their hand the King be stowed,- will take in their hand the
To night,- to night- the towns of the land will take in their hand the King be stowed,-
To night,- to night- the towns of the land will take in their hand the King be stowed,-
Ob.
Cor. 1, 2in Bb alto
Timp.in Bb, F
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
25 30
f
King be stowed,- will take in their hand the King be stowed.- To night- is the night, to night- we shall raise our cups to the
King be stowed,- will take in their hand the King be stowed.- To night- is the night, to night- we shall raise our cups to the
To night- is the night, to night- we shall raise our cups to the
To night- is the night, to night- we shall raise our cups to the
f
89
Ob.
Cor. 1, 2in Bb alto
Timp.in Bb, F
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
35 40 45
King, and the God we know, our cups to the King and the God we know, our cups to the King and the God we know.
King, and the God we know, our cups to the King and the God we know, our cups to the King and the God we know.
King, and the God we know,
King, and the God we know,
Ob.
Cor. 1, 2in Bb alto
Timp.in Bb, F
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
5055
for the young and the old!
for the young and the old!
The can dies,- the bles sings,- for the young and the old! The ci der,- the wheat!
The can dies,- the bles sings,- for the young and the old! The ci der,- the wheat!
90
Ob.
Cor. 1, 2in Bb alto
Timp.in Bb, F
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
60 65
And most cer tain- ly- the gold, and most cer tain- ly- the gold! For the young and the old!
And most cer tain- ly- the gold, and most cer tain- ly- the gold! For the young and the old!
And most cer tain- ly- the gold, and most cer tain- ly- the gold! For the young and the old!
And most cer tain- ly- the gold, and most cer tain- ly- the gold! For the young and the old!
Ob.
Cor. 1, 2in Bb alto
Timp.in Bb, F
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
70 75
To night- is the night, to night- we shall sing the praise of his glo ry- to the God of our King, the praise of his glo ry- to the
To night- is the night, to night- we shall sing the praise of his glo ry- to the God of our King, the praise of his glo ry- to the
To night- is the night, to night- we shall sing the praise of his glo ry- to the God of our King,!
To night- is the night, to night- we shall sing the praise of his glo ry- to the God of our King,!
91
Ob.
Cor. 1, 2in Bb alto
Timp.in Bb, F
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
80 85
God of our King, the praise of his glo ry- to the God of our King. To night- we shall sing. To night- is the night, to -
God of our King, the praise of his glo ry- to the God of our King. To night- we shall sing. To night- is the night, to -
To night,- to night,- to night,- to night.- To night- is the
To night,- to night,- to night,- to night.- To night- is the
Ob.
Cor. 1, 2in Bb alto
Timp.in Bb, F
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
90 95
night we shall sing the praise of his glo ry- to the God of our King, to the God of our
night we shall sing the praise of his glo ry- to the God of our King, to the God of our
night, to night- the praise of his glo ry- to the God of our King.
night, to night- the praise of his glo ry- to the God of our King.
92
Ob.
Cor. 1, 2in Bb alto
Timp.in Bb, F
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
100105
King, to the God of our King.
King, to the God of our King.
...of our King, to the God of our King.
...of our King, to the God of our King.
Fag.
Vni I
Vni II
Vle
Bassi
Andante (h = 60) 5
Fag.
Vni I
Vni II
Vle
Bassi
10 15
To Corni 1, 2 in C
To Tambourine
Gavotte
93
Vni I
Vni II
Vle
Bassi
Allegretto (q. = 56) 5 10 15
f p f f p f
f p f f p f
f p f f p f
Ob.
Tamb.
Vni I
Vni II
Vle
Bassi
Allegro (q = 120) 5
Ob.
Tamb.
Vni I
Vni II
Vle
Bassi
10 15
Fl.
Tamb.
Vni I
Vni II
Vle
Bassi
5
Passepied
I
Two Musettes with Tambourin
Fine
II
94
Fl.
Tamb.
Vni I
Vni II
Vle
Bassi
1. 2.
Musette I D.C.10
15
Ob.
Tamb.
Vni I
Vni II
Vle
Bassi
fp
L'stesso tempo 5 10
f f f
p f p f p f fp
p f p f p f fp
p f p f p f fp
f f f fp
Ob.
Fag.
Cor. 1, 2in C
Vni I
Vni II
Vle
Mary
Bazzo
Blacksmith
Choir
Bassi
mf
Andantino (e = 144) 5 10 15
mf
mf p
mf p mf
mf p mf
mf p mf
Light the can dles,- light the lan terns!- Filled with glo ry- and clear’s this night, so clear at last!
Light the can dles,- light the lan terns!- Filled with glo ry- and clear’s this night, so clear at last!
Light the can dles,- light the lan terns!- Filled with glo ry- and clear’s this night, so clear at last!
Filled with glo ry- and
Filled with glo ry- and
mf p mf
Bridge
To Timpani
a2
Vaudeville
95
Ob.
Fag.
Cor. 1, 2in C
Vni I
Vni II
Vle
Blacksmith
Choir
Bassi
f p
20 25 30
p
mf
p f p
p f p
f p
I have carved and I have whit tled.- I’ve said what I’ve said, but re mem- ber- the mes sage,- you ne ver-
clear’s this night, so clear at last!
clear’s this night, so clear at last!
decresc. p f p
Ob.
Fag.
Cor. 1, 2in C
Vni I
Vni II
Vle
Mary
Bazzo
Blacksmith
Choir
Bassi
35 40 45
Light the can dles,- light the lan terns!- Filled with glo ry- and clear’s this night, so clear at last!
Light the can dles,- light the lan terns!- Filled with glo ry- and clear’s this night, so clear at last!
know who will be next. Light the can dles,- light the lan terns!- Filled with glo ry- and clear’s this night, so clear at last!
Filled with glo ry- and clear’s this
Filled with glo ry- and clear’s this
a2
a2
a2
96
Ob.
Fag.
Cor. 1, 2in C
Timp.in c, G
Vni I
Vni II
Vle
Bazzo
Choir
Bassi
ff
50 55 60
f p f
f f
f f
f p f
f p f
f p f
Now look on thebright side, there’s drink, there’s food, our King is safe, he is safe
night, so clear at last!The King’s re turned,- re turned- to his fold. The King’s re -
night, so clear at last! The King’s re -
f p f
Ob.
Fag.
Cor. 1, 2in C
Timp.in c, G
Vni I
Vni II
Vle
Mary
Bazzo
Choir
Bassi
p
65 70
p
p
p
p
p
‘Tis all a bout- love and all a bout-
and for got- ten- a bout- shmood.
turned, re turned- to his fold and for got- ten- a bout- shmood.
turned, re turned- to his fold and for got- ten- a bout- shmood.
p
3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3
3 3 3 3 3 3 3
97
Fl.
Ob.
Fag.
Cor. 1, 2in C
Vni I
Vni II
Vle
Mary
Bazzo
Blacksmith
Bassi
75 8085
f
f p
f
f p
fp
f p
joy, lift up your hearts, lift them high! Light the can dles,- light the lan terns!- Filled with
Light the can dles,- light the lan terns!- Filled with
Light the can dles,- light the lan terns!- Filled with
f p
Fl.
Ob.
Fag.
Cor. 1, 2in C
Vni I
Vni II
Vle
Mary
Bazzo
Blacksmith
Choir
Bassi
90 95 100
glo ry- and clear’s this night, so clear at last!
glo ry- and clear’s this night, so clear at last!
glo ry- and clear’s this night, so clear at last!
Filled with glo ry- and clear’s this night, so clear at last!
Filled with glo ry- and clear’s this night, so clear at last!
a2
98
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
mf f
Allegro (q = 144) 5 10
f
mf f p
mf f p
mf f
Ce le- brate- in ce le- bra- tion!- Ce le- brate- in ce le- bra- tion!- He’s re turned,-
Ce le- brate- in ce le- bra- tion!- Ce le- brate- in ce le- bra- tion!- He’s re turned,-
Ce le- brate- in ce le- bra- tion!- Ce le- brate- in ce le- bra- tion!-
Ce le- brate- in ce le- bra- tion!- Ce le- brate- in ce le- bra- tion!-
mf f p
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
15 20 25
p
p
p
he reig neth,- he is King! Now ce le- brate- in ce le- bra- tion!-
he reig neth,- he is King! Now ce le- brate- in ce le- bra- tion!-
ce le- brate- in ce le- bra- tion!- Fal len,- fal len,- he has ri sen- and a ri- sen- he’s re -
ce le- brate- in ce le- bra- tion!- Fal len,- fal len,- he has ri sen- and a ri- sen- he’s re -
p
a2
Chorus
99
Ob.
Cor. 1, 2in C
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
p f
30 35 40
f
f
f
cresc. f
Ce le- brate- in ce le- bra- tion!- Ce le- -
Ce le- brate- in ce le- bra- tion!- Ce le- -
turned, ...and a ri- sen- he’s re turned.- Ce le- brate- in ce le- bra- tion!- Ce le- -
turned, ...and a ri- sen- he’s re turned.- Ce le- brate- in ce le- bra- tion!- Ce le- -
cresc. f
Ob.
Cor. 1, 2in C
Timp.in c, G
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
p
45 50 55
p
p p
p p
p
brate in ce le- bra- tion!- He’s re turned,- he reig neth,- he is King! Now ce le- brate- in ce le- bra- tion!- Ce le- brate!-
brate in ce le- bra- tion!- He’s re turned,- he reig neth,- he is King! Now ce le- brate- in ce le- bra- tion!- Ce le- brate!-
brate in ce le- bra- tion!- Now ce le- brate- in ce le- bra- tion!- Ce le- brate!-
brate in ce le- bra- tion!- Now ce le- brate- in ce le- bra- tion!- Ce le- brate!-
p p
a2
100
Ob.
Cor. 1, 2in C
Timp.in c, G
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
60 65 70
Ce le- brate!- Ce le- brate!- He’s re turned!- Ce le- brate- in ce le- bra- tion!- For he has re turned,- and
Ce le- brate!- Ce le- brate!- He’s re turned!- Ce le- brate- in ce le- bra- tion!- For he has re turned,- and
Ce le- brate!- Ce le- brate!- He’s re turned!- Ce le- brate- in ce le- bra- tion!- For he has re turned,- and
Ce le- brate!- Ce le- brate!- He’s re turned!- Ce le- brate- in ce le- bra- tion!- For he has re turned,- and
Ob.
Cor. 1, 2in C
Timp.in c, G
Vni I
Vni II
Vle
S.
A.
T.
B.
Bassi
75 80
he shall reign! For he has re turned,- and he shall reign! All hail our King, our King is King!
he shall reign! For he has re turned,- and he shall reign! All hail our King, our King is King!
he shall reign! For he has re turned,- and he shall reign! All hail our King, our King is King!
he shall reign! For he has re turned,- and he shall reign! All hail our King, our King is King!
101
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