modern & contemporary art, including works from the lehman brothers collection
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Modern & ContemporaryWorks of Art 11/01/09including works from thelehman brothers collection
* DAVIS(american, 20th century)“STOCK MARKET”1959, signed, dated, and titled inpencil, numbered ‘AP’, with widemargins. Color lithograph with goldleaf on Japan paper.image: 32 x 54 in. (81.3 x 137.2cm
Modern & ContemporaryWorks of Art 11/01/09including works from thelehman brothers collection
Sunday November 1st 2009at 12 Noon
Sale 1350
Exhibitions:Thursday, October 29th &Friday, October 30th (10am to 6pm)Saturday, October 31st (12noon-5pm)
Inquiries:anne h. henry ext 3049Vice-President, Head of DepartmentDirect Tel: 267.414.1220ahenry@freemansauction.com
aimee p. dolby ext 3015Associate SpecialistDirect Tel: 267.414.1221adolby@freemansauction.com
alasdair nichol ext 3011Vice ChairmanDirect Tel: 267.414.1211anichol@freemansauction.com
libia mendez ext 3010Associate SpecialistDirect Tel: 267.414.1210lmendez@freemansauction.com
Bidding:bids departmentkati gegenheimer ext 3008Direct Tel: 267.414.1208Fax 215.599.2240kgegenheimer@freemansauction.com
Catalogue $40
Inside Front Cover: Lot 12 (detail)Inside Back Cover: Lot 221
Samuel T Freeman & Co.1808 Chestnut Street
Philadelphia, PA 19103
Telephone: 215.563.9275
Fax: 215.563.8236
www.freemansauction.com
126 Garrett Street
Charlottesville, VA 22902
Telephone: 434.296.4096
Fax: 434.296.4011
www.freemanssouth.com
Printing by Brilliant Studio
Exton, Pennsylvania
Color images of every lot are
available from mid October at
www.freemansauction.com
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Registration
Buyer’s Premium
Sales Tax
Catalogue Descriptions
Bidding
Payment
Removal of Purchases
Shipping and Packing
Important Informationfor Buyers
All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our reception desk,by fax or through our website at www.freemansauction.com. We will requireproof of identification and residence and may require a credit card and/or abank reference. By registering for the sale, the buyer acknowledges that heor she has read, understood and accepted Freeman’s Terms and Conditionsof Sale.
A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $20,000 of the hammer price of each lot, 20% on theportion from $20,001 through $500,000, and 12% on the portion of thehammer price exceeding $500,000.
All items in the catalogue are subject to the 7% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register their taxnumbers on current PA forms. Forms should be submitted to our ClientServices office on the second floor.
All item descriptions, dimensions and estimates are provided for guidanceonly. It is the buyer’s responsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. If potential buyers areunable to inspect lots in person, our specialists will be happy to preparedetailed Condition Reports on individual lots as quickly as possible. Theseare for guidance only, and all lots will be sold “as is” as per our Terms andConditions of Sale.
At the sale Registered bidders will be assigned a bidder number and given apaddle for use at the sale. Once the first bid has been placed, theauctioneer asks for higher bids in increments determined by the auctioneer.To place your bid, simply raise your paddle until the auctioneeracknowledges you. The auctioneer will not mistake a random gesture for abid.By phone A limited number of telephone lines are available for bidding byphone through a Freeman’s representative. Phone lines must be reserved inadvance. Requests must be submitted no later than 24 hours prior to thescheduled start of the sale.In writing Bid forms are available in the sale room and at the back of thecatalogue. These should be submitted in person, by mail or by fax no laterthan one hour prior to the scheduled start of the sale. The auctioneer willbid on your behalf up to the limit indicated, but is not responsible for errorsor failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.
Goods purchased will not be released until we have received full payment.Payment may be made in cash, by check, money order, or debit card.Payments by check must clear the bank before goods will be released.
Deliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removed within5 days. Purchases not so removed may be turned over to a licensedwarehouse at the expense and risk of the purchaser.
Responsibility for packing, shipping and insurance shall be exclusively thatof the purchaser. Upon request, Freeman’s will provide the purchaser withnames of professional packers and shippers known to us.
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Works from theLehman Brothers
Collection
Please note that all lots from the Lehman Brothers Collection are to be sold not subject toreserve unless noted with a red bullet point (�) after the lot number.
This applies only to lots 53, 61, 179, 206, 211, 221 and 282.
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Lehman Brothers
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In 1850, six years after German immigrant Henry Lehman opened a general store in Alabama, Lehman
Brothers was born with the arrival of Henry's brothers Emmanuel and Mayer.
Together the three brothers grew the business into a cotton trading company. After the Civil War, they
moved their operation to New York City where they entered into the stock market in 1887 with a financial
trading business. Over the next 100 years the company was involved in some of the most significant
financial deals in United States history. The company underwrote the initial public offerings of F.W.
Woolworth, Macys, and DuMont (the first manufacturer of televisions) and helped to fund the Radio
Corporation of American, known as RCA.
In the 1970s, Lehman Brothers increased its size dramatically by acquiring rival Kuhn Loeb, making them
the fourth largest investment bank in the United States. During this period, Lehman Brothers became an
international firm, opening offices in Paris, London and Tokyo. In 1984, the firm was acquired by American
Express and merged with Shearson. In 1993, American Express divested Shearson and the firm once again
became known solely as Lehman Brothers. The company's history ended abruptly in September 2008,
when it was forced into bankruptcy during the recent financial crisis.
The paintings, drawings, prints and sculpture in this sale were acquired by Lehman Brothers during their
many years of growth and expansion; they include some purchased as recently as 2008. The nearly 300
lots here represent some of the works that hung in New York, Boston and Wilmington, Delaware buildings,
and reflect the company's international business reach. This collection includes American, European, and
Asian artists with an emphasis on works from the 1970s to present day. For the most part, all works are
framed archivally and are in near perfect condition.
Freeman's will sell a second selection of prints, paintings and drawings from the Lehman Brother's
Collection on February 12, 2010, in a no-reserve single-owner sale.
Photograph on this and facing page
reproduced courtesy AP Images
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1 09-1680/193GEORGES SCHREIBER(american, 1904-1977)“BROOKLYN BRIDGE”Signed and dated ‘Schreiber 45’upper right, oil on canvassight: 31 1/2 x 43 1/2 in.(80 x 110.5cm)provenance:Butterfields, Los Angeles, May 1st,1991, lot 5129.$4,000-6,000
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Opposite: Detail of lot 31.
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2 09-1680/246JAMES E. ALLEN(american 1894-1964)“STANDING PIPE”1937, signed in pencil, from theedition of 20, with wide margins.Lithograph on wove paper.image: 15 1/4 x 10 in.(38.7 x 25.4cm)[Ryan 39].$1,200-1,800
3 09-1680/245JAMES E. ALLEN(american 1894-1964)“THE CONNECTORS”1934, signed in pencil, with widemargins. Etching on wove paper.image: 12 3/4 x 9 3/4 in.(32.4 x 24.8cm)[Ryan 66].$1,200-1,800
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4 09-1680/86CHARLES KELLER(american, 1914-1978)“SIXTH AVENUE SUBWAY”1938, signed, titled and dated inpencil, inscribed ‘20 prints’, withwide margins. Lithograph on wovepaper.image: 14 x 11 1/4 in.(35.6 x 28.5cm)provenance:Weyhe Gallery, Mt. Desert, ME.$600-1,000
5 09-1680/85CHARLES KELLER(american, 1914-1978)“BREAKING PAVEMENT”1937, signed, titled and dated inpencil, inscribed ‘20 prints’, withwide margins. Lithograph on wovepaperimage: 13 1/2 x 10 1/8 in.(34.3 x 25.7cm)sheet: 19 5/8 x 15 1/4 in.(49.9 x 38.7cm)provenance:Weyhe Gallery, Mt. Desert, ME.$600-1,000
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6 09-1680/6ADRIAAN LUBBERS(dutch, 1892-1954)“BROAD STREET”1926, signed and dated in pencil,titled ‘Broad St. New York,’ with widemargins. Lithograph on wove paper.image: 13 x 8 in. (33 x 20.3cm)provenance:Weyhe Gallery, Mt. Desert, ME.$600-1,000
7 09-1680/5ADRIAAN LUBBERS(dutch, 1892-1954)“SNOWSCENE WEST 87TH” AND“CENTRAL PARK”two prints1909 and 1927, both signed, titledand dated in pencil, both withmargins. Lithographs on wove paper.(2)image: 12 x 9 1/2 in.(30.4 x 24.1cm)andimage: 14 1/2 x 8 1/2 in.(36.8 x 21.6cm)provenance:Weyhe Gallery, Mt. Desert, ME.$1,000-1,500
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8 09-1680/386MAX ARTHUR COHN(american, 1903-1998)“COAL TOWER, EAST RIVER”Signed ‘MAX ARTHUR COHN’bottom left in ink, watercolor onpaperExecuted in 1932sheet : 14 3/4 x 20 1/4 in.(37.5 x 51.4cm)provenance:Michael Rosenfeld Gallery, NewYork, NY.$400-600
10 09-1680/388MAX ARTHUR COHN(american, 1903-1998)“STUYVESANT PARK”Signed bottom right ‘MAX ARTHURCOHN’, watercolor on paperExecuted in 1937sheet: 15 x 20 1/2 in. (38.1 x 52.1cm)provenance:Michael Rosenfeld Gallery, NewYork, NY.$400-600
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9 09-1680/387MAX ARTHUR COHN(american, 1903-1998)“EDISON POWER PLANT, EAST14TH STREET”Signed ‘MAX ARTHUR COHN’bottom right, gouache on boardExecuted in 1933sight: 22 1/2 x 18 in. (57.1 x 45.7cm)provenance:Michael Rosenfeld Gallery, NewYork, NY.$400-600
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11 09-1680/364LUIGI KASIMIR(austrian, 1881-1962)“STOCK EXCHANGE” AND“SUBTREASURY BUILDING”two printsBoth signed in pencil, both withmargins. Color etchings on wovepaper. (2)image: 17 x 10 1/2 in.(43.2 x 26.7cm); andimage: 17 1/2 x 10 3/4 in(44.5 x 27.3cm)$600-800
12 09-1680/129* DAVIS(american, 20th century)“STOCK MARKET”1959, signed, dated, and titled inpencil, numbered ‘AP’, with widemargins. Color lithograph with goldleaf on Japan paper.image: 32 x 54 in. (81.3 x 137.2cm)$500-800
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13 09-1680/53BERENICE ABBOTT(american, 1898-1991)“NEW YORK IN THE 30’S”ten prints1979, all signed in pencil bottom right, nine numbered 20/60 and one numbered 9/60 on the support(there were also 5 artist’s proofs for all lettered A-D); Parasol Press, Ltd. Portland, Oregon publisher.Gelatin silver prints mounted on wove board (lacking two prints). (10)Including:“Exchange Place,” “The Flat Iron Building;” “Hoboken Ferry;” “Lyric Theatre;” “Hardware Store;”“Fifth Avenue and Eighth Street;” “Butcher Shop;” “Yuban Warehouse;” “El at Battery;” and“Pine and Henry Street”Board size: 10 x 16 in. (25.4 x 40.6cm).provenance:Parasol Press, Ltd. (nine); and Holden Luntz 20th Century Master Photography, New York, NY. (one)$6,000-10,000
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14 09-1680/369MABEL DWIGHT(american, 1875-1955)“AQUARIUM (ALLIGATORS)”1928, signed and dated in pencil,from the edition of 50, with widemargins. Lithograph on wove paperimage: 11 x 12 in. (27.9 x 30.5cm)provenance:Weyhe Gallery, Mt. Desert, ME.[Robinson & Pirog 29].$200-300
16 09-1680/621WANDA GAG(american, 1893-1946)“SPRING ON THE HILLSIDE”1935, signed and dated in pencil,with margins. Lithograph on wovepaperimage: 9 x 11 3/4 in.(22.9 x 29.8cm)$800-1,200
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15 09-1680/334LEO JOHNMEISSNER(american, 1895-1977)“WAR BULLETINS” AND“CIVILIZATION A.D.”two prints1942, both signed and titled in pencil,numbered 37/50 and 25/50,respectively, both with wide margins.Etchings on wove paper (2)image: 6 1/4 x 9 1/8 in. (15.8 x 23.2cm)and;image: 10 3/4 x 8 3/8 in.(27.3 x 21.3cm)$800-1,200
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17 09-1680/620WALKER EVANS(american, 1903-1975)“BROOKLYN BRIDGE”the complete set of ninephotogravures1928-9 (printed in 1994), with titlepage, dedication page by LeslieGeorge Katz, and poem ‘To BrooklynBridge’ by Hart Crane, colophonpage numbered 66/100 in pencil;Eakins Press Foundation, New York,publisher. Photogravures on wovepaper in original grey linen portfoliowith printed label. (9 + portfolio)plate approx.: 10 x 6 1/4 in.(25.4 x 16cm)portfolio: 17 x 14 in. (43.2 x 35.6cm)$1,000-1,500
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18 09-1680/343LOUIS LOZOWICK(russian/american, 1892-1973)“WILLIAMSBURG BRIDGE”1930, signed and dated in pencil,numbered 6/20, with wide margins.Lithograph on wove paperimage: 8 1/8 x 13 3/4 in.(20.6 x 34.9cm)[Flint 77].$1,200-1,800
20 09-1680/345LOUIS LOZOWICK(russian/american, 1892-1973)“QUEENSBORO BRIDGE”1930, signed, dated and numbered 6/50 in pencil, with margins. Lithographon wove paperimage: 13 1/2 x 7 1/2 in. (34.3 x 19cm)provenance:Mary Ryan Gallery, New York, NY.[Flint 61].$1,200-1,800
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19 09-1680/349LOUIS LOZOWICK(russian/american, 1892-1973)“MURAL STUDY: TRIBOROUGH BRIDGE”1936, signed and dated in pencil, from the edition of approximately 10, withwide margins. Lithograph on wove paper with watermark ‘FRANCE’image: 13 1/8 x 7 1/4 in. (33.3 x 18.4cm)sheet: 17 3/4 x 11 1/4 in. (45.2 x 28.6cm)[Flint 136].$1,200-1,800
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21 09-1680/350LOUIS LOZOWICK(russian/american, 1892-1973)“BRIDGE REPAIRS (REPAIRINGBROOKLYN BRIDGE)”1938, signed, dated and numbered11/15 in pencil, with wide margins.Lithograph on wove paperimage: 12 3/4 x 7 1/2 in.(32.4 x 19.1cm)[Flint 152].$6,000-8,000
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22 09-1680/351LOUIS LOZOWICK(russian/american, 1892-1973)“DERRICKS AND MEN (RIDINGTHE GIRDER)”1939, signed, dated and numbered5/15 in pencil, with wide margins.Lithograph on Rivesimage: 13 x 8 1/2 in. (33 x 21.6cm)sheet: 16 x 12 in. (40.6 x 30.4cm)[Flint 159].$3,000-5,000
23 09-1680/346LOUIS LOZOWICK(russian/american, 1892-1973)“MID-AIR”1931, signed, dated and numbered2/50 in pencil, watermark‘FRANCE’, with wide margins.Lithograph on wove paperimage: 11 1/2 x 6 5/8 in.(29.2 x 16.8cm)sheet: 16 x 11 3/8 in.(40.6 x 28.8cm)[Flint 84].provenance:Mary Ryan Gallery, New York, NY.$3,000-5,000
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24 09-1680/348LOUIS LOZOWICK(russian/american, 1892-1973)“MURAL STUDY: LOWER MANAHTTAN”1934, signed, titled and dated in pencil, numbered AP(the total edition was 10 or fewer), with wide margins.Lithograph on wove paperimage: 13 1/4 x 7 1/4 in. (33.7 x 18.3cm)provenance:Mary Ryan Gallery, New York, NY.[Flint 135].note:This lithograph was composed as a study for one oftwo murals commissioned by the Treasury Relief ArtProject for the New York Post Office at 33rd Street,New York City. The pair of murals occupied much ofthe artist’s time between 1936-7.$3,000-5,000
25 09-1680/344LOUIS LOZOWICK(russian/american, 1892-1973)“BRIDGE IN SHADOW(WILLIAMSBURG BRIDGE)”Signed, dated and numbered 7/20 inpencil, with wide margins.Lithograph on wove paperimage: 12 x 8 in. (30.5 x 20.3cm)[Flint 47].provenance:Mary Ryan Gallery, New York, NY.$1,200-1,800
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26 09-1680/342LOUIS LOZOWICK(russian/american, 1892-1973)“HANOVER SQUARE”1929, signed, dated and numbered14/25 in pencil, with wide margins.Lithograph on wove paper,watermark ‘FRANCE’image: 14 3 /4 x 9 in.(36.8 x 22.9cm)sheet: 21 x 14 7/8 in.(53.3 x 37.8cm)[Flint 28].provenance:Mary Ryan Gallery, New York, NY.$6,000-8,000
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27 09-1680/352LOUIS LOZOWICK(russian/american, 1892-1973)“OPEN AIR BARBER”1939, signed and dated in pencil, from the edition of approximately 25(there were also 3 artist’s proofs), with full margins. Lithograph on wovepaperimage: 11 3/4 x 9 in. (29.8 x22.8cm)[Flint 164].provenance:Mary Ryan Gallery, New York, NY.note:Other copies of this print were in the collection of the Works ProgressAdministration, Federal Art Projects, New York City. This image depictsa commonplace scene from the 1930s occuring on shipping bargesdocked to load and unload along the lower east side of Manhattan.$1,500-2,000
28 09-1680/174LOUIS LOZOWICK(russian/american, 1892-1973)“ABOVE THE CITY”1932, signed, dated and numbered3/50 in pencil, with wide margins.Lithograph on wove paperimage: 17 x 7 3/4 in. (43.2 x 19.7cm)[Flint 88].$600-1,000
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29 09-1680/286JOEL GREENBERG(american, b. 1947)“BROOKLYN BRIDGE, NIGHT”Gelatin silver printExecuted in 1983sight: 18 3/4 x 23 in. .(47.6 x 58.4cm)provenance:Parasol Press, Portland, OR.$300-500
30 09-1680/359LOWELL NESBITT(american, 1933-1993)“BROOKLYN BRIDGE”1974, signed, dated and numbered49/50 (there were also an unknownnumber of artist’s proofs),presumably with full margins;Marlborough Graphics, Inc., NewYork, publisher. Color aquatint onArches.image: 25 1/2 x 34 1/4(64.8 x 80.7cm)$400-600
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31 09-1680/644YVONNE JACQUETTE(american, b. 1934)“MIDTOWN COMPOSITE”1997, signed and dated in white pencil,numbered 50/50 (there were also 7artist’s proofs), the full sheet; MaryRyan Gallery, New York, publisher.Woodcut on Okawara papersheet: 32 1/2 x 38 in. (82.6 x 96.5cm)provenance:Mary Ryan Gallery, New York, NY.$1,200-1,800
32 09-1680/643YVONNE JACQUETTE(american, b. 1934)“AERIAL VIEW OF 33RD STREET”1981, signed, dated and numbered13/60 in pencil (there were also 11artist’s proofs), the full sheet; BrookeAlexander, Inc., NY., publisher.Offset lithograph on Transpagravellum papersheet: 49 3/4 x 31 in.(126.4 x 78.8cm)provenance:Brooke Alexander, New York, NY.$1,000-1,500
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33 09-1680/486RICHARD HAAS(american, b. 1936)“VIEW LOOKING EAST ON 57THSTREET”Signed ‘R Haas’ in white pencilbottom right, graphite and gouacheon paperExecuted in 2001image: 21 1/2 x 12 1/2 in.(54.6 x 31.8cm)provenance:David Findlay Jr, Inc., New York, NY.$1,000-1,500
34 09-1680/484RICHARD HAAS(american, b. 1936)“MANHATTAN BRIDGE STUDY”Signed and dated ‘R Haas 98’bottom right in pencil, gouache onpaperimage: 22 1/2 x 11 1/4 in.(57.1 x 28.6cm)provenance:David Findlay Jr., Inc., New York, NY.$1,000-1,500
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35 09-1680/488RICHARD HAAS(american, b. 1936)“LOWER BROADWAY,WOOLWORTH BUILDING”Signed and dated ‘01 R Haas’ inpencil bottom right, graphite andgouache on papersight: 20 x 11 1/2 in.(50.8 x 29.2cm)provenance:David Findlay Jr., Inc., New York, NY.$1,000-1,500
36 09-1680/489RICHARD HAAS(american, b. 1936)“THE END OF ARCHITECTURE”Signed ‘R Haas 02’ bottom left inink, graphite and gouache on paperimage: 20 x 10 1/4 in.(50.8 x 26cm)provenance:David Findlay Jr., Inc., New York, NY.$1,000-1,500
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37 09-1680/482RICHARD HAAS(american, b. 1936)“VIEW OFWOOLWORTH,MUNICIPAL WTC”Signed ‘R Haas’ in pencil, graphite,colored pencil and gouache onpaperExecuted in 1996sight: 20 3/4 x 14 1/2 in.(52.7 x 36.8cm)provenance:David Findlay Jr., Inc., New York, NY.$1,000-1,500
38 09-1680/483RICHARD HAAS(american, b. 1936)“ST. PAUL’S, WOOLWORTH DAY”Signed and dated ‘R. Haas. 98’ inpencil bottom right, gouache andwatercolor on papersight: 20 3/4 x 14 1/2 in.(52.7 x 36.8cm)provenance:David Findlay Jr., Inc., New York, NY.$1,000-1,500
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39 09-1680/490RICHARD HAAS(american, b. 1936)“MANHATTAN VIEW: BATTERY PARK (NIGHT)”1980, signed, dated, titled and numbered AP 6/10 in pencil (theedition was 50), with margins; Brooke Alexander Editions, NewYork, publisher. Photo-etching and aquatint on Arches Coverimage: 21 1/4 x 42 1/4 in. (53.9 x 107.3cm)sheet: 26 1/2 x 47 in. (67.3 x 119.4cm)$800-1,200
40 09-1680/491RICHARD HAAS(american, b. 1936)“MANHATTAN VIEW: BATTERY PARK (DAY)”1979-80, signed, dated, titled and numbered AP 4/10 (theedition was 78), with margins; Brooke Alexander Editions, NewYork, publisher. Color photo-etching and aquatint on ArchesCoverimage: 21 1/4 x 42 1/4 in. (53.9 x 107.3cm)sheet: 26 1/2 x 47 in. (67.3 x 119.4cm)$800-1,200
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41 09-1680/487RICHARD HAAS(american, b. 1936)“QUEENSBORO BRIDGE”Oil on panelExecuted in 200118 x 80 in. (45.7 x 203.2cm)provenance:David Findlay Jr., Inc., New York, NY.$1,500-2,500
43 09-1680/204GREGOIRE GANTER(french/american, 20th-21st c.)“PLYMOUTH BETWEEN JAY ANDPEARL (DETAIL)”Signed ‘gregoire ganter’ on theovermat, signed, titled and dated‘Plymouth between Jay & Pearl-detail’ ‘© grégoire ganter 2002’ inink on foam-core verso, color photocollage mounted to foam-corecollagesight: 19 3/4 x 27 1/4 in.(50.2 x 69.2cm)provenance:The artist.$300-500
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42 09-1680/485RICHARD HAAS(american, b. 1936)“LOWER MANHATTAN LOOKINGEAST”Gouache and pastel on paperExecuted in 1999sight: 13 1/2 x 35 1/4 in.(34.2 x 89.5cm)provenance:David Findlay Jr., Inc., New York, NY.$1,500-2,500
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44 09-1680/203GREGOIRE GANTER(french/american, 20th-21st c.)“FRONT ANDWASHINGTON”Signed and dated verso ‘Front &Washington © gregoire ganter2002’ in ink, signed again on theovermat ‘grégoire ganter’ in pencil,photo collageimage: 17 1/4 x 21 in.(43.8 x 53.9cm)$300-500
45 09-1680/434PAUL CHING-BOR(chinese, b. 1963)“TWILIGHT HUDSON II”Signed indistinctly and dated in bluepaint bottom left ‘02 Ching Bor’,watercolor on papersheet: 22 1/2 x 30 1/4 in.(57.1 x 76.8cm)provenance:Spanierman Gallery, New York, NY.$600-1,000
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46 09-1883/3GEORGES MANZANA PISSARRO(french, 1871-1961)“QUAI HENRI VI PARIS- SOLEILCOUCHANT”Signed and dated ‘manzana 33’bottom right, oil on board18 x 21 5/8 in. (46 x 55cm)provenance:Stern Pissarro Gallery, London.$7,000-10,000
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47 09-1883/2GEORGES MANZANA PISSARRO(french, 1871-1961)“POULE BLANCHES”Signed ‘G. Manzana’ bottom left,also with Parisian preparer’s stencilverso, oil on canvas21 1/4 x 25 5/8 in. (54 x 65.1cm)provenance:Stern Pissarro Gallery, London.$8,000-12,000
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48 09-1680/361LUDOVIC-RODO PISSARRO(french, 1878-1952)“LE FETE”Signed and titled ‘Ludovic RodoLe fête Place de la Nation’ in ink,watercolor and ink on papersight: 10 5/8 x 14 9/16 in.(27 x 37cm),provenance:Stern Pissarro Gallery, London$1,000-1,500
49 09-1680/362LUDOVIC-RODO PISSARRO(french, 1878-1952)“LES QUAIS DE SEINE”Signed bottom left in ink ‘LudovicRodo’, watercolor, ink, and charcoalon papersight: 10 5/8 x 14 9/16 in.(27 x 37cm)provenance:Stern Pissarro Gallery, London.$1,000-1,500
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50 09-1883/1HUGHES CLAUDE PISSARRO(french, b. 1935)“L’ARC DE TRIOMPHE”Signed ‘H. Claude Pissarro’ bottomright, signed and titled verso, oil oncanvas18 1/4 x 21 3/4 in. (46.4 x 55.2cm)provenance:Stern Pissarro Gallery, London.$5,000-8,000
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51 09-1680/665ALBERT ANDRE(french, 1869-1954)“LA RUE DES ROCS”Signed ‘Albert Andre’ bottom left,inscribed with artist’s name, titledand dated on label verso, oil onboardExecuted in 194315 1/2 x 18 3/4 in (39.4 x 47.6cm)$6,000-10,000
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52 09-1680/666ALBERT ANDRE(french, 1869-1954)“VIEILLE MAISON A ANTIBES”Signed ‘Alb. André’ bottom right,inscribed ‘17488’ on stretcherExecuted in 191718 1/2 x 21 3/4 in. (47 x 55.2cm)$5,000-8,000
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53 �9-1680/57BERNARD CATHELIN(french, 1919-2004)“LA FERME DE LA PLAINE,MONTELEGER”Signed and dated ‘Cathelin 60’bottom right, titled and dated ‘Laferme de la Plaine MONTELEGER’verso dated ‘Septembre 60,’ oil oncanvas21 1/4 x 32 in. (54 x 81.3cm)$10,000-15,000
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Opposite: Detail of lot 141.� This lot has a reserve
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54 09-1680/385MAURICE GOLUBOV(american, 1905-1987)UNTITLEDOil on boardExecuted in 19439 1/8 x 24 3/4 in. (23.2 x 62.8cm)$500-800
55 09-1680/78BYRON BROWNE(american, 1907-1961)“IMAGE IN BLACK”Signed and dated ‘Byron Browne1948’ upper right, signed again,titled, dated and inscribed ‘ByronBrowne 1948- Image in Black-20” x 26” N.Y.C.’ in ink verso, oil oncanvas26 x20 in. (66 x 50.8cm)exhibited:Nassau County Museum of Art,Roslyn, NY.$4,000-6,000
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58 09-1680/333LEE BONTECOU(american, b. 1931)“SEVENTH STONE”1965-68, signed, dated and numbered 20-31 in pencil, with full margins; UniversalLimited Art Editions, publisher, and with their blindstamp. Lithograph on ChathamBritish handmade paper.image: 14 x 10 3/4 in. (35.6 x 27.3cm)sheet: 25 x 20 in. (63.5 x 50.8cm)[Field 7; Sparks 21].$2,000-3,000
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56 09-1680/183FRITZ GLARNER(swiss, 1899-1972)“COLOR DRAWING FOR RELATIONALPAINTING”1963, signed and dated in pencil,numbered 35/35 (there were also 2artist’s proofs), with full margins;Universal Limited Art Editions, WestIslip, NY., publisher, and with theirblindstamps. Color lithograph on wovepaper.image: 20 1/2 x 12 in. (52.1 x 30.4cm)sheet: 31 1/2 x 23 1/4 in. (80 x 59.1cm)[Sparks 9].$1,500-2,000
57 09-1680/182FRITZ GLARNER(swiss, 1899-1972)“COLORED DRAWING”1963, signed and dated in pencil,inscribed ‘artist’s proof’ (the editionwas 23 plus 2 artist’s proofs), with fullmargins; Universal Limited Art Editions,West Islip, NY., publisher. Colorlithograph on Chatham Britishhandmade paper.image: 13 x 12 in. (33 x 30.4cm)sheet: 25 x 20 in. (62.9 x 50.8cm)[Sparks 10].$1,500-2,000
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59 09-1680/95CHRISTO(american, b. 1935)“LOWER MANHATTAN PACKEDBUILDINGS (PROJECT) (2BROADWAY AND 20 EXCHANGEPLACE)”1964-66, signed in pencil,numbered 22/100, the full sheet;Galerie Der Spiegel, Cologne,publisher. Color offset lithograph onwove paper.sheet: 27 9/16 x 21 1/2 in.(70 x 54.6cm)[Not in Schellmann].provenance:Pace Prints, New York, NY.$1,000-1,500
60 09-1680/24ALEXANDER CALDER(american, 1898-1976)COMPOSITION1967, signed in pencil, numberedXV/XV (proof, the regular editionwas 130 in Arabic numerals), withmargins. Color lithograph on wovepaper.image: 25 1/2 x 20 in.(64.8 x 50.8cm)$800-1,200
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61 � 09-1680/181FRIEDEL DZUBAS(german/american, 1915-1994)“TUNDRA II”Oil on canvasExecuted in 196245 5/8 x 42 3/4 in. (115.9 x 108.6cm)provenance:Elkon Gallery, New York, N.Y.$10,000-15,000
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62 09-1680/97CLAES OLDENBURG(american, b. 1929)“PROPOSED COLOSSALMONUMENT FOR BATTERSEAPARK, LONDON, DRUM SET(1966)”1969, signed in pencil, numbered252/300 (there were also 16 artist’sproofs), the full sheet; Multiples,Inc., New York, publisher. Coloroffset lithograph on textured wovepaper.sheet: 24 x 35 1/4 in.(60.9 x 89.6cm)[Axsom & Platzker 62].$500-700
63 09-1680/98CLAES OLDENBURG(american, b. 1929)“THROWING INK BOTTLE WITHFLY AND DROPPED QUILL”1991, signed in pencil, numbered45/75 (there were also 18 artist’sproofs), with full margins; the artistand Gemini G.E.L., Los Angeles, co-publishers, and with both of theirblindstamps. Color lithograph onArches 88.image: 35 x 30 in. (88.9 x 76.2cm)sheet : 45 x 35 in. (114.3 x 88.9cm)[Axsom & Platzker 229].provenance:Gemini G.E.L, Los Angeles, CA.$600-800
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65 09-1680/285JOE TILSON(british, b. 1945)“SUN MANTRA”from “mantra series”1979, signed and dated in pencil, numbered 65/75 (therewere also 14 artist’s proofs), with full margins; WaddingtonGraphics, London, publisher. Color etching and collage onhandmade paper.image: 29 1/2 x 33 in. (34.9 x 83.8cm)sheet: 34 1/2 x 38 in. (87.6 x 96.5cm)$500-800
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64 09-1680/639YAACOV AGAM(israeli, 1928)“SUITE 3”the complete set of 3 prints1974, all signed in ink, numbered 17/140 (there were also60 artist’s proofs in Roman numerals), the full sheets(lacking the title and text pages, portfolio box); TransworldArt, Fribourg, Switzerland, publisher. Color screenprints onArchessheet: 30 3/4 x 30 1/4 in. (78.1 x 76.8cm) (each)Including:“Forme Couleur,” “Forme Lignes,” and “Rythme LigneForme.”$1,000-1,500
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67 09-1680/43ANTONIO SAURA(spanish, 1930-1998)“DIEGO VELASQUEZ DE SILVA” AND“FRANCISCO DE GOYA”from “poste centrale”1977, both signed in pencil, numbered 101/125 and 95/125respectively (there were also 10 artist’s proofs for each),the full sheets; Yves Rivière, Paris, publisher. Two colorzincographs with stamps on Arches. (2)sheet: 23 x 31 in. (58.4 x 78.7cm)[Cramer 279-80].provenance:Galerie Catherine Putman, Paris.$1,000-1,500
66 09-1680/634WILLIAM SCOTT(1913-1989)“BLUE FIELD”from a poem for alexander1972, signed and dated ‘W. SCOTT 72’ in pencil, numbered39/72, presumably with the Kelpra Studios stamp verso,the full sheet. Color screenprint on wove papersheet: 22 3/4 x 30 1/2 in. (57.8 x 77.5cm)$700-900
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68 09-1680/119DAVID HOCKNEY(british, b. 1937)“GODETIA”1973, signed and dated in pencil,numbered 2/100 (there were also23 artist’s proofs), with full margins;Petersburg Press, New York andLondon publisher. Color etching andaquatint on Arches mould-madepaper.image: 17 x 11 1/2 in.(43.2 x 29.2cm)sheet: 23 x 16 1/2 in.(58.4 x 41.9cm)[Scottish Arts Council 155].$7,000-10,000
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69 09-1680/278JIM DINE(american, b. 1935)“RED OCHRE FLOWERS”1978, signed and dated in pencil,numbered 7/45 (there were also 11artist’s proofs), with full margins; PaceEditions, New York, publisher. Coloretching, aquatint, drypoint, engravingand electric tools on Fabriano Classico.image: 24 1/2 x 20 in. (62.2 x 50.8cm)sheet: 39 x 27 1/2 in. (99.1 x 69.8cm)[D’Oench & Feinberg 8].provenance:Pace Prints, New York, NY.$1,200-1,800
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70 09-1680/276JIM DINE(american, b. 1935)“NUTCRACKER”1973, signed and dated in pencil,numbered 84/100 (there were also10 artist’s proofs), with full margins;Petersburg Press, New York, andDayton’s Gallery 12, New York, co-publishers. Color lithograph onArches Cover Buff.image: 9 x 21 in. (22.8 x 53.3cm)sheet: 30 x 22 1/4 in.(76.2 x 56.5cm)[D’Oench & Feinberg 107].$1,000-1,500
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71 09-1680/277JIM DINE(american, b. 1935)“LITHOGRAPHS OF THE SCULPTURE:THE PLANT BECOMES A FAN”the complete set of 5 lithographs1974, all signed with initials and dated in pencil,two annotated ‘Printer’s Proof’ and threeannotated ‘B.A.T.’ (the edition was 80 plus 16artist’s proofs), will full margins; Petersburg Press,New York, publisher. The complete set of fivelithographs on Natsume 4007. (5)sheet (approx): 36 x 24 in. (91.4 x 61cm) (each)[Williams College 171-5].provenance:Pace Prints, New York, NY.$2,000-3,000
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72 09-1680/275JIM DINE(american, b. 1935)“VEGETABLES”seven prints1969, all signed in pencil, all numbered 52/96 (there were also 12 artist’sproofs), all with full margins; Petersburg Press, London, publisher.Lithographs with collage on Hodgkinson handmade waterleaf. (7)sheet: 17 1/2 x 16in. (44.4 x 40.7cm) (each)[Mikro Galerie 66a,b,d-h].Including:I, II and IV-VIII$2,500-3,500
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73 09-1680/312JULES OLITSKI(american, 1922-2007)“GRAPHICS SUITE #1”two prints1970, both signed in pencil, from the edition of150 plus an unknown number of artist’s proofs.Waddington Graphics Ltd., London, publisher.Color screenprints on J.B. Green ColdpressWaterleaf. (2)sheet: 35 x 26 in. (88.9 x 66cm) (each)[Wilkin & Long 46, 49].$500-700
75 09-1680/23ALEX KATZ(american, b. 1927)“SWAMP MAPLE II”1970, signed and numbered 26/90 in pencil (therewere also an unrecorded number of artist’s proofs), thefull sheet; Mourlot Press and Brooke Alexander, Inc.,New York, co-publishers. Color lithograph on Arches.sheet: 40 1/2 x 27 1/4 in. (102.9 x 69.2cm)[Maravell 36].provenance:Brooke Alexander, New York, NY.$1,000-1,500
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74 09-1680/622WAYNE THIEBAUD(american, b. 1920)“SILVER LANDSCAPE”1971, signed and dated in pencil, numbered 14/50 (therewere also 10 artist’s proofs), with full margins; ParasolPress, New York, publisher. Color screenprint on Arches.image: 21 1/4 x 21 in. (54 x 53.3cm)sheet: 30 x 22 1/2 in. (76.2 x 57.1cm)[Parasol 13].$1,500-2,000
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76 09-1680/530ROBERT RAUSCHENBERG(american, 1925-2008)“HIND”from “pages and fuses”1973-4, from the edition of 34(there were also 7 artist’s proofs),the full sheet; Gemini G.E.L., LosAngeles, publisher. Colorscreenprint, pigment and tissue onmolded handmade paper.sheet (approx, irregular):25 1/2 x 20 in. (64.8 x 50.8cm)[Gemini 637].$2,000-3,000
77 09-1680/525ROBERT RAUSCHENBERG(american, 1925-2008)“GENERAL DELIVERY”1971, signed, dated and numbered205/300 in pencil (there were also30 artist’s proofs), with full margins;Walker Art Center Minneapolis,publisher. Color screenprint withcollage on wove paper.image: 45 x 30 1/2 in.(114.3 x 77.5cm)sheet: 49 x 34 in. (124.4 x 86.4cm)$1,500-2,000
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78 09-1680/526ROBERT RAUSCHENBERG(american, 1925-2008)“MORE DISTANT VISIBLE PART OFTHE SEA”from “suite of nine prints”1979, signed, dated and numbered63/100 in pencil (there were also anunrecorded number of artist’sproofs), the full sheet; Multiples Inc.,New York, publisher. Color offsetlithograph with screenprint andcollage on Rives BFK.sheet: 30 1/2 x 23 in.(77.5 x 58.4cm)$1,200-1,800
79 09-1680/527ROBERT RAUSCHENBERG(american, 1925-2008)“WHY CAN’T YOU TELL”from “suite of nine prints”1979, signed, dated, and numbered54/100 in pencil (there were also anunrecorded number of artist’sproofs), the full sheet; Multiples Inc.,New York, publisher. Color offsetlithograph with screenprint andcollage on Rives BFK.sheet: 30 1/2 x 23 in.(77.5 x 58.4cm)$1,200-1,800
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80 09-1680/528ROBERT RAUSCHENBERG(american, 1925-2008)“SHOOT FROM THE MAIN STEM”from “suite of nine prints”1979, signed, dated, and numbered59/100 in pencil (there were also anunrecorded number of artist’sproofs); Multiples Inc., New York,publisher. Color offset lithographwith screenprint and collage onRives BFK.sheet: 30 1/2 x 23 in.(77.5 x 58.4cm)$1,200-1,800
81 09-1680/529ROBERT RAUSCHENBERG(american, 1925-2008)“FROM THE SEAT OFAUTHORITY”from “suite of nine prints”1979, signed, dated and numbered44/100 in pencil (there were alsoan unrecorded number of artist’sproofs), the full sheet; Multiples Inc,New York, publisher. Color offsetlithograph with screenprint andcollage on Rives BFK.sheet: 30 1/2 x 23 in.(77.5 x 58.4cm)$1,200-1,800
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82 09-1680/180FRANK STELLA(american, b. 1936)“MOULTONBORO”from “eccentric polygons”1974, signed and dated in pencil, numbered 22/100 (there were also 12artist’s proofs), with margins; Gemini G.E.L., Los Angeles, publisher, and withtheir blindstamps. Color lithograph and screenprint on Arches.image: 13 1/2 x 14 3/4 in. (34.2 x 37.4cm)sheet: 17 1/4 x 22 1/4 in. (43.8 x 56.5cm)[Axsom 95].provenance:Castelli Graphics, New York, NY.$1,000-1,500
84 09-1680/514ROBERT GOODNOUGH(american, b. 1917)“PORTFOLIO”suite of four screenprints1973, all signed and dated‘Goodnough ‘73’ and numbered24/150 in pencil (there were also20 artist’s proofs for all), all withmargins; Pace Editions Inc., NewYork, publisher. Color screenprintson Fairfield Strathmore. (4)sheet: 26 x 31 in. (66 x 79cm)(each)Including:1, 2, 3 and 4$2,000-3,000
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83 09-1680/179FRANK STELLA(american, b. 1936)“CONWAY”from “eccentric polygons”1974, signed and dated in pencil, numbered 16/100 (there were also 10artist’s proofs), with margins; Gemini G.E.L., Los Angeles, publishers, andwith their blindstamps. Color lithograph and screenprint on Arches.image: 10 x 15 in. (25.5 x 38.1cm)sheet: 17 1/4 x 22 1/4 in. (43.8 x 56.5cm)[Axsom 97].provenance:Castelli Graphics, New York, NY.$1,000-1,500
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85 09-1680/517ROBERT INDIANA(american, b. 1928)“POLYGONS”the complete set of seven prints1975, all signed and dated in pencil, numbered 83/100 (there were also 25 artist’s proofs in Romannumerals), all with full margins; Galerie Denise René, New York, publisher, and with their blindstamps.Color screenprints on Arches.image: 24 x 22 in. (60.9 x 50.6cm) (each)sheet: 31 x 28 in. (70.9 x 71.1cm) (each)[Sheehan 85-91]. (7).Including:“Triangle;” “Square;” “Pentagon;” “Hexagon;” “Heptagon;” “Octagon;” and “Nonagon.”provenance:Editions Denise René, Paris$6,000-8,000
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86 09-1680/515ROBERT INDIANA(american, b. 1928)“BROOKLYN BRIDGE”from “decade”1971, signed and dated in pencil, numbered 53/200 (therewere also 25 artist’s proofs in Roman numerals), with fullmargins, Multiples, Inc. New York and Los Angles,publisher. Screenprint in greys and blacks on SchoellersParole paperimage: 31 3/4 x 31 3/4 in. (80.8 x 80.8cm)sheet: 38 3/4 x 32 in. (98.4cm)[Sheehan 67].$400-600
87 09-1680/26ALFRED JENSEN(american, 1903-1981)“PORTFOLIO I-IV”two prints1973, both signed and dated in pencil, numbered137/150 and 148/150 respectively (there werealso 20 artist’s proofs for each), with widemargins; Pace Editions, New York, publisher.Color screenprints on Arches. (2)image: 30 x 30 in. (76.2 x 76.2cm) (each)sheet: 35 x 35 in. (88.9 x 88.9cm) (each)provenance:Pace Prints, New York, NY.$400-600
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88 09-1680/600SYLVIA PLIMACK MANGOLD(american, 1938)“FLOOR I”1973, signed and dated in pencil, numberedAP 20 (the total edition was 29), withmargins; Brooke Alexander Editions, NewYork, publisher. Lithograph with handcoloring on Arches Cover.image: 22 x 30 in. (55.9 x 76.2cm)provenance:Brooke Alexander, New York, NY.$600-800
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89 09-1680/660ROBERT MOTHERWELL(american, 1915-1991)“PRIMAL SIGN I”1979-80, signed in pencil, numbered46/60 (there were also 10 artist’s proofsin Roman numerals), with full margins;published by the artist and released byBrooke Alexander Editions, New York. Coloretching and aquatint on cream Whatman.image: 24 x 9 3/4 in. (60.9 x 24.7cm)sheet: 28 3/4 x 21 1/2 in. (73 x 54.6cm)[Engberg & Banach 256; Belknap 223].provenance:Jerald Melberg Gallery, Charlotte, NC.$1,000-2,000
90 09-1680/522ROBERT MOTHERWELL(american, 1915-1991)“PRIMAL SIGN II”1980, signed with initials in ink, numbered45/45 (there were also 10 artist’s proofs inRoman numerals), with full margins; theartist, publisher, released by PetersburgPress, London and New York. Color etchingand aquatint on German Etching paper.image: 23 3/4 x 9 3/4 in. (60.3 x 24.7cm)sheet: 30 1/2 x 20 3/4 in. (77.4 x 52.6cm)[Engberg & Banach 268; Belknap 235].provenance:Jerald Melberg Gallery, Charlotte, NC.$1,000-2,000
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91 09-1680/655ROBERT MOTHERWELL(american, 1915-1991)“PRIMAL SIGN III”1980, signed with initials in ink, numbered ap IX/X (theedition was 35 in Arabic numerals), with full margins;published by the artist and released by PetersburgPress, London and New York. Color etching andaquatint on Arches Cover.image: 23 1/4 x 9 3/4 in. (59 x 24.7cm)sheet: 29 x 21 in. (73.6 x 53.3cm)[Engberg & Banach 269; Belknap 236].provenance:Jerald Melberg Gallery, Charlotte, NC.$1,000-2,000
92 09-1680/664ROBERT MOTHERWELL(american, 1915-1991)“PRIMAL SIGN IV”1980, signed with initials in ink, numbered 29/62 (therewere also 10 artist’s proofs in Arabic numerals), withfull margins; published by the artist and released byPetersburg Press, New York and London. Color etchingand aquatint on German Etching paper.image: 23 5/8 x 11 3/4 in. (60 x 29.8cm)sheet: 30 1/2 x 22 in. (77.5 x 55.9cm)[Engberg & Banach 270; Belknap 237].provenance:Jerald Melberg Gallery, Charlotte, NC.$1,000-2,000
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93 09-1680/521ROBERT MOTHERWELL(american, 1915-1991)“HERMITAGE”1975, signed and numbered 177/200 inpencil (there were also 30 artist’s proofs inRoman numerals), with wide margins; theArtist and Tyler Graphics Ltd., Mount Kisco,NY., co-publishers, and with theirblindstamps. Color lithograph andscreenprint on Arches.image: 40 1/2 x 28 1/2 in.(102.9 x 72.4cm)sheet: 46 1/2 x 31 3/4 in. (118.1 x 80.6cm)[Engberg & Banach 180; Belknap 149].provenance:Brooke Alexander, New York, NY.$3,000-5,000
94 09-1680/520ROBERT MOTHERWELL(american, 1915-1991)“GAULOISES BLEUES(RAW UMBER EDGE)”1971, signed in pencil, numbered 27/38(there were also 6 artist’s proofs), with fullmargins; Universal Limited Art Editions,West Islip, New York publisher, and withtheir blindstamps. Color aquatint andlinocut on Auvergne a la Main Richard deBas handmade paper.image: 11 1/2 x 6 1/2 in. (29.2 x 16.5cm)sheet: 25 x 15 1/2 in. (63.5 x 39.4cm)[Engberg & Banach 99; Belknap 70].$1,500-2,000
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95 09-1680/356LOUISE NEVELSON(american, 1899-1988)“AQUATINT PORTFOLIO”four etchings1973, all signed and dated inpencil, numbered 85/90 (therewere also 15 artist’s proofs), allwith margins; Pace Editions, NewYork, publisher. Color etchingsand aquatint with collage onC.M. Fabriano “Rosapina.” (4)image: 29 3/4 x 19 13/4 in.(75.6 x 50.2cm) (each)[Baro 115, 117 and 119-20].Including:Plates I, III, V, VI$2,500-3,500
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96 09-1680/357LOUISE NEVELSON(american, 1899-1988)“DAWN’S CLOUDS”1977, signed and dated in pencil,numbered 39/75 (there were also10 artist’s proofs), the full sheet;Pace Editions, New York, publisher.Cast paper relief in white.sheet: 28 x 39 in. (71.1 x 99.1cm)provenance:Pace Prints, New York, NY.$2,500-3,500
97 09-1680/358LOUISE NEVELSON(american, 1899-1988)“SKY FLOWER”1977, signed, titled, dated andnumbered 2/20 in pencil, the fullsheet; Pace Editions, New York,publisher. Color etching and collageon Arches Buff.sheet: 30 x 22 in. (76.2 x 55.9cm)$400-600
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98 09-1680/10AGNES DENES(hungarian/american, b. 1938)“UNTITLED”the complete set of five lithographs1994, all signed and dated ‘A Denes ‘94’ in white pencil, all numbered 7/20(there were also a few artist’s proofs), all with full margins; Sylvan Cole, NewYork, publisher. Lithographs printed in white ink with gold dust on black wovepaper. (5)image: varioussheet: 24 3/4 x 35 1/2 in. (62.9 x 90.2cm) (each)Including:“Fish Pyramid - A Floating City,” “The Pyramids as They Were,” “Flying HalfBird: An Organic Space Station,” “Flying Bird Pyramid for the 22ndCentury,” and “When the Pyramid Awakens.”provenance:G.W. Einstein Company, NY.$2,000-3,000
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99 09-1680/9AGNES DENES(hungarian/american, b. 1938)“MAP PROJECTION: THE SNAIL “1976, signed and dated in pencil,numbered 34/50, titled ‘MapProjections- The Snail,’ (there werealso 20 artist’s proofs), withmargins; Pace Editions, New York,publisher. Color lithograph on BFKRives.image: 24 x 30 in. (61 x 76.2cm)$400-600
101 09-1680/443PHILIP LARSON(american, b. 1944)“SECOND GATE (FEAR)”Signed with intitials ‘PL’ and dated‘FEB 1979’ in pencil bottom left,titled ‘SECOND GATE (FEAR),’ 23karat gold leaf on gessoed paperExecuted in 1979sheet: 22 3/4 x 29 1/2 in.(57.8 x 74.9cm)$500-1,000
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100 09-1680/188GENE DAVIS(american, 1920-1985)“MOSTLY MOZART FESTIVAL”1975, signed in pencil, numbered94/144 (there were also 9 artist’sproofs), with wide margins. Publishedby the Lincoln Center/List Art program,New York. Color screenprint on heavywove paper.image: 29 1/2 x 56 in. (74.9 x 142.2cm)provenance:Pace Prints, New York, NY.$700-900
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102 09-1680/534ROBERT ZAKANITCH(american, b. 1935)“LITTLE RED”1977, signed and titled ‘RS Zakanitch1977/ LAUREL SERIES’ in greenupper right corner verso, acrylic oncanvas60 x 72 in. (152.4 x 182.9cm)provenance:Robert Miller Gallery, New York, NY.Holly Solomon Gallery, New York,NY.Brooke Alexander, Inc., New York,NY.$1,000-1,500
104 09-1680/533ROBERT ZAKANITCH(american, b. 1935)“BEETLE PALM”Signed and dated ‘RS Zakanitch ‘77’ in pencil bottom right,acrylic monotype with graphiteExecuted in 1977image: 24 x 18 in. (60.9 x 45.7cm)sheet: 30 x 22 1/2 in. (76.2 x 57.1cm)provenance:Robert Miller Gallery, New York, NY.$600-1,000
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103 09-1680/536ROBERT ZAKANITCH(american, b. 1935)UNTITLED1978, signed, dated and numbered 23/31 in pencil (therewere also 8 artist’s proofs), presumably with full margins;Brooke Alexander Editions, NY., publisher. Colorscreenprint with gouache hand-coloring on Arches 140 lb.Coldpress.image: 30 1/2 x 49 in. (77.5 x 124.5cm)sheet: 40 1/4 x 56 3/4 in. (102.2 x 144.1cm)provenance:Brooke Alexander, New York, NY.$600-1,000
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105 09-1680/492RICHARD KALINA(american, b. 1946)“QUEEN’S ROAD”Oil on canvasExecuted in 197884 x 48 in. (213.4 x 121.9cm)Unframed.provenance:Tibor de Nagy Gallery, New York,NY.$1,200-1,800
106 09-1680/493RICHARD KALINA(american, b. 1946)“SAVANA LAMAR”Signed, titled, dated and inscribed,‘RICHARD KALINA SAVANALAMAR 1978 OIL/CANVAS70” x 40” ©’ in ink on upperstretcher verso, oil on canvas70 x 40 in. (177.8 x 101.6cm)Unframed.provenance:Tibor de Nagy Gallery, New York,NY.$1,000-1,500
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107 09-1680/494RICHARD KALINA(american, b. 1946)“LANDS END”Oil on canvasExecuted in 198070 1/8 x 40 in. (178.1 x 101.6cm)provenance:Tibor de Nagy Gallery, New York,NY.$1,000-1,500
108 09-1680/308JOYCE KOZLOFF(american, b. 1942)“NOTIONS OF FINISH - FRIEZE I”Acrylic and graphite on canvasExeucted in 197478 1/4 x 78 1/4 in.(198.8 x 198.8cm)provenance:Tibor de Nagy Gallery, New York,NY.$2,500-4,000
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109 09-1680/148ED KERNS(american, b. 1945)“VIS A TERGO”Signed and dated ‘Ed Kerns 1978’ in penciland titled ‘VIS A TERGO’ in ink verso,acrylic on stitched canvas mounted onboard48 x 48 in. (121.9 x 121.9cm)provenance:Rosa Esman Gallery, New York, NY.$1,000-1,500
110 09-1680/151EDDA RENOUF(american, b. 1943)“DENSITY DRAWING #6”Signed and dated ‘Edda Renouf 1979’ inpencil bottom right, inscribed ‘DensityDrawing #6-lines incised before cadmiumred and sienna pastel chalk’ bottom left inpencil, pastel with incised lines with redand sienna pastel chalk57 x 19 in. (144.8 x 48.9cm)$2,000-3,000
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111 09-1680/411NABIL NAHAS(lebanese, b. 1949)“UNTITLED #3”Signed bottom right in pencil and dated ‘Nabil Nahas 78’,graphite and ink on paperimage: 18 x 18 in. (45.7 x 45.7cm)sheet: 22 x 22 in. (55.9 x 55.9cm)provenance:Robert Miller Gallery, New York, NY.$4,000-6,000
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112 09-1680/134DENNIS KARDON(american, b. 1950)“AURORA RISING”Acrylic on canvasExecuted in 197932 x 35 in. (81.3 x 88.9cm)provenance:Barbara Toll Fine Arts, New York,NY.$600-1,000
113 09-1680/163EMILY MASON(american, b. 1932)“YOU CANNOT SOLDER ANABYSS WITH AIR”Signed and dated ‘Emily Mason ‘79’lower right corner, oil on canvas40 1/2 x 52 1/2 in.(102.9 x 133.4cm)provenance:The Artist.$1,200-1,800
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114 09-1680/161EMILY MASON(american, b. 1932)UNDERWATER SPRINGSigned and dated ‘Emily Mason ‘75’bottom right in pencil, oil on papersheet: 14 1/4 x 11 1/2 in.(36.8 x 29.2cm)provenance:The Artist.$600-1,000
116 09-1680/164EMILY MASON(american, b. 1932)“SHINES FROMWITHIN”Signed and dated ‘Emily Mason ‘80’bottom center in pencil, oil on papersheet: 14 1/4 x 14 1/2 in.(36.2 x 36.8cm)provenance:The Artist.$600-1,000
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115 09-1680/162EMILY MASON(american, b. 1932)“SO SLIGHT A FILM”Signed and dated ‘Emily Mason ‘78’bottom right in pencil, oil on papersheet: 14 1/4 x 14 1/2 in.(36.2 x 36.8cm)provenance:The Artist.$600-1,000
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118 09-1680/531ROBERT STRAIGHT(american, b. 1946)“UNTITLED (FAN)”Signed and inscribed ‘RobertStraight / Untitled / mixed mediaconstruction / 14th Floor’ verso, oil,encaustic, fiberglass and canvas,backed to panelExecuted in 1979overall: 27 x 53 1/4 x 3 in.(68.6 x 135.3 x 7.6cm)$1,000-1,500
117 09-1680/102CLINTON J. HILL(american, b. 1922)“RED RACER”Signed with initials and dated bottom right in pencil of three sheets, signedand dated bottom right of fourth sheet, dyed and bleached handmade paperin four parts, framed togethersheet: 22 1/4 x 18 in. (56.5 x 45.7cm) (each)overall: 22 1/4 x 72in. (56.6 x 182.9cm)$1,000-1,500
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119 09-1680/69BILLY AL BENGSTON(american, b. 1934)“VENICE”Signed with initials and dated ‘B.A.B.1973’ and inscribed ‘Venice’ bottomcenter in red ink, watercolor andmarker on paper29 1/2 x 41 1/4 in. (74.9 x 104.7cm)$1,000-1,500
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120 09-1680/307JOSEPH RAFFAEL(american, b. 1933)“CELEBRATION”1979-80, signed and dated incolored pencil, numbered 14/44(there were also 6 artist’s proofs),the full sheet; published by theartist, printed at Archer Press,Oakland, California. Color lithographon Rives BFK.sheet: 30 x 23 3/4 in.(76.2 x 60.3cm)$300-500
122 09-1680/306JOSEPH RAFFAEL(american, b. 1933)“GOLDEN LILY”Signed and dated ‘© JOSEPHRAFFAEL 1978’ in yellow pencil,unique watercolor over lithographon papersight size: 21 1/2 x 28 1/2 in.(54.6 x 72.4cm)$300-500
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121 09-1680/661JOSEPH RAFFAEL(american, b. 1933)“LILY LARK”Signed bottom right in coloredpencil, unique watercolor overetching on wove paperimage: 23 x 17 1/4 in.(58.4 x 45.1cm)$300-500
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123 09-1680/423NEIL WELLIVER(american, 1929-2005)“DUCK TRAP”1973, signed ‘Welliver’ in pencil,numbered 100/144, with widemargins, from a suite of 6 images.H.K.L. Ltd., publisher. Colorscreenprint on Buckeye 80lb Cover.image: 35 3/4 x 36 in.(90.8 x 91.4cm)sheet: 40 x 40 in (101.6 x 101.6cm)provenance:Brooke Alexander, New York, NY.$400-600
124 09-1680/425NEIL WELLIVER(american, 1929-2005)“OSPREY’S NEST”1979-80, signed in pencil, numbered11/80 (there were also 15 artist’sproofs), with wide margins; BrookeAlexander Editions, New York,publisher. Color woodcut on KizukiSarashi Hanga paper.image: 29 1/2 x 31 1/2 in.(74.9 x 80cm)sheet: 35 3/4 x 36 in.(90.8 x 91.5cm)provenance:Brooke Alexander, New York, NY.$400-600
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125 09-1680/575STEPHEN LORBER(american, b. 1943)“THREE BASKETS”Signed ‘Lorber 1978 ©’ bottom rightcorner, oil on canvas36 x 40 in. (91.4 x 101.6cm)provenance:Gladstone/Villani Gallery, New York,NY.$2,000-3,000
127 09-1680/626WILLIAM H. BAILEY(american, 1930)“VIALE”2002, signed, dated and numbered6/25 in pencil (there were also 10artist’s proofs), with full margins;Crown Point Press, San Francisco,publisher. Etching with aquatint onSomserset Satin White.image: 15 x 18 in. (38.1 x 45.7cm)sheet: 26 x 28 in. (66 x 71.1cm)$400-600
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126 09-1680/625WILLIAM H. BAILEY(american, 1930)STILL LIFE #51978, signed, dated and numbered10/50, with full margins, Solo Press,New York, publisher. Lithograph onwove paper.image: 18 x 22 1/2 in.(45.7 x 57.2cm)$500-700
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128 09-1680/263JANICE BIALA(american, 1903-2000)“SNOW IN THE COUNTRYLAND”Signed bottom right ‘Biala’, oil oncanvasExecuted in 197647 x 47 1/2 in. (119.4 x 120.7cm)provenance:Gruenebaum Gallery, New York, NY.$2,000-3,000
129 09-1680/264JANICE BIALA(american, 1903-2000)“STUDY FOR ‘PINK WALL WITHBRUSHES’”Signed ‘Biala’ bottom right, gouacheon handmade paperExecuted in 197913 x 12 in. (33 x 30.5cm)provenance:Gruenebaum Gallery, New York, NY.$600-1,000
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130 09-1680/376MARTHA MAYER ERLEBACHER(american, b. 1937)“PEARS AND EGGS II”Signed and dated bottom left ‘10-17-79 M. Mayer E.,’ pencil andwatercolorsight: 16 1/2 x 20 in.(41.9 x 50.8cm)$500-700
132 09-1680/146ED BAYNARD(american, b. 1940)“GREEN ORCHID”Signed with artist’s monogram anddated bottom right, watercolor onpaperExecuted in 197841 1/2 x 29 1/2 in. (105.4 x 74.9cm)provenance:Alexander F. Milliken Gallery, NewYork, NY.$400-600
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131 09-1680/624WILLIAM ALLAN(american, b. 1936)“ALBACORE”Signed bottom right ‘William Allan’in graphite, watercolor on ArchespaperExecuted in 1973image: 6 1/2 x 22 1/2 in.(16.5 x 57.1cm)provenance:Odyssia Gallery, New York, NY.$1,000-1,500
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133 09-1680/512ROBERT DASH(american, b. 1934)“ONE ON THE EASEL”Signed ‘Robert Dash’ bottom right,acrylic on paperExecuted in 1976sight: 40 1/4 x 28 1/2 in.(102.2 x 72.3cm)provenance:Hirschl & Adler Galleries, New York,NY.$1,000-1,500
134 09-1680/139DON NICE(american, b. 1932)“PEANUTS”Signed bottom right ‘nice’, titled‘peanuts’ bottom left, dated ‘75’ inpencil bottom center, watercolor onwove paperimage: 18 x 36 in. (45.7 x 91.4cm)provenance:Nancy Hoffman Gallery, New York,NY.$600-1,000
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135 09-1680/554SANDY WALKER(american, b. 1942)“MOUNT SHASTA”a triptychAll panels titled, signed, numbered and dated in pencil verso, alsoindividually inscribed ‘Mt. Shasta’ (left panel), ‘Sandy Walker’ (middlepanel), ‘117 1976’ (right panel) in pencil verso; oil on canvas. (3)overall: 64 x 108 in. (162.6 x 274.3cm)Unframed.provenance:Grace Borgenicht Gallery, New York, NY.$3,000-5,000
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136 09-1680/555SANDY WALKER(american, b. 1942)“THE TETONS- MOUNT MORAN”Oil on canvasExecuted in 197859 1/8 x 68 in. (150.2 x 170cm)$2,000-3,000
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137 09-1680/558SANDY WALKER(american, b. 1942)“TETON VIEW I”Initialled and dated ‘SW 78’ bottomright in pencil, oil, crayon and ink onpaper48 x 48 1/2 in. (121.9 x 123.2cm)provenance:Grace Borgenicht Gallery, New York,NY.$600-1,000
139 09-1680/557SANDY WALKER(american, b. 1942)“TETONS”Initialled and dated ‘SW 78’ bottomcenter in pencil, pencil and contecrayon on papersheet: 22 x 30 in. (55.9 x 76.2cm)provenance:Grace Borgenicht Gallery, New York,NY.$600-1,000
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138 09-1680/556SANDY WALKER(american, b. 1942)“OKRACOKE LANDSCAPE”Initialled and dated bottom center inpencil, ‘SW 78’, watercolor andcrayon on papersheet: 22 1/4 x 29 3/4 in.(56.5 x 75.6cm)provenance:Grace Borgenicht Gallery, New York,NY.$500-700
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140 09-1680/293JOHN GUNDELFINGER(american, 1937-1991)“ACROSS UPPER MEADOWS-SUNSET THROUGH HAZE”Signed ‘J. Gundelfinger’ bottom left,oil on canvasExecuted in 197950 1/8 x 72 1/4 in. (127 x 183.5cm)Unframed.provenance:A.M. Sachs Gallery, New York, N.Y.$3,000-5,000
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141 09-1680/113DANIEL MORPER(american, b. 1937)“COMMUNICATIONS FROM THEWEST”Gouache on paperExecuted in 1977sight: 18 x 24 3/4 in.(45.7 x 62.9cm)$800-1,200
143 09-1680/654ROGER LAUX NELSON(american, b. 1945)“WOODS (NORTHERN)”Signed in pencil and dated ‘RogerLaux Nelson 1-14-79’ bottom right,titled ‘WOODS (Northern) 3,’ oil onbuff paperimage: 24 x 37 in. (60.9 x 94cm)sheet: 29 1/2 x 41 1/2 in.(74.9 x 105.4cm)$800-1,200
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142 09-1680/114DANIEL MORPER(american, b. 1937)“INNER GORGE III”Signed and dated ‘Morper 83’bottom right, pastel on papersight: 46 1/4 x 55 1/8 in.(117.5 x 140cm)$2,000-3,000
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144 09-1680/546SALLY VAGLIANO PETTUS(american, b. 1942)“SNOW TARTAN”Oil on canvasExecuted in 197848 x 72 in. (121.9 x 182.9cm)$600-1,000
146 09-1680/211HAROLD GREGOR(american, b. 1929)“SPRING: FLATLANDS XIII”Signed and dated ‘HAROLD GREGOR 1984’ in bottom right margin and titled ‘SPRINGFLATLANDS XIII’ in bottom left margin, watercolor and acrylic on paperimage: 6 x 69 in. (15.2 x 175.3cm)provenance:Tibor de Nagy Gallery, New York, NY.$1,500-2,500
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145 09-1680/210HAROLD GREGOR(american, b. 1929)“ILLINOIS LANDCAPE”Signed ‘H GREGOR’ bottom right,watercolor on paperExecuted in 1979sight: 20 x 28 in. (50.8 x 71.1cm)provenance:Tibor de Nagy Gallery, New York,NY.$1,000-1,500
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147 09-1680/638WOLF KAHN(american, b. 1927)“ON THE OUTSKIRTS OFAMAGANSETT”Signed ‘W Kahn’ in crayon bottomleft, color pastel on paperExecuted in 1978sight: 9 3/4 x 12 3/4 in.(24.8 x 32.4cm)provenance:Grace Borgenicht Gallery, New York,NY.$1,500-2,000
148 09-1680/497RICHARD PITTS(american, 20th c.)“MEADOW BROOK”Oil on canvasExecuted in 1978-198036 x 52 in. (91.4 x 132.1cm)provenance:David Findlay Jr., Inc., New York, NY.$800-1,000
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149 09-1680/302JON SCHUELER(american, 1916-1992)“SEPTEMBER: RED AND GRAY”Oil on canvasExecuted in 197936 3/4 x 51 in. (93.3 x 129.5cm)provenance:John C. Stoller & Co., Minneapolis,MN.$3,000-5,000
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150 09-1680/4ADELE ALSOP(american, b. 1948)“JANUARY IN THE SNOW”Signed ‘A ALSOP’ bottom left, oil oncanvasExecuted in 198448 x 52 in. (121.9 x 132.1cm)provenance:David Findlay Jr., Inc., New York, NY.$800-1,200
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152 09-1680/71BROOKS ANDERSON(american, b. 1957)“PASSAGE”Signed and dated ‘Brooks Anderson‘85’ bottom right, oil on masonite41 7/8 x 84 in. (106.4 x 213.4cm)provenance:David Findlay Jr., Inc., New York, NY.Schmidt Bingham Gallery, New York,NY.$1,000-1,500
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151 09-1680/47BARBARA CUSHING(american, b. 1948)“BASS HARBOR MARSH”Signed and dated ‘© Cushing 1983’bottom right, oil on canvas22 x 32 in. (55.9 x 81.3cm)provenance:Robert Schoelkopf Gallery, NewYork, NY.$400-600
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155 09-1680/249JAMES COOK(american, b. 1947)“BARGE TRAFFIC, PARK COUNTY,MISSOURI”Signed ‘Cook’ bottom left, oil on paperExecuted in 198622 x 65 in. (55.9 x 165.1cm)provenance:Tatistcheff Gallery Inc., New York, NY.$400-600
153 09-1680/250JAMES COOK(american, b. 1947)“WAKE OF THE BARGE, WI”Signed ‘COOK’ bottom left, oil on paperExecuted in 1986sheet: 22 1/4 x 65 1/2 in.(56.5 x 166.4cm)provenance:Tatistcheff Gallery Inc., New York, NY.$400-600
154 09-1680/248JAMES COOK(american, b. 1947)“SUNSET SHIPPING, NEAR NEWORLEANS”Signed ‘COOK’ bottom right, oil onpaperExecuted in 198425 x 81 1/8 in. (63.5 x 206.1cm)provenance:Tatistcheff Gallery Inc., New York, NY.$400-600
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156 09-1680/287JOHN A. MEYER(american, 1944-2002)“GRAINFARMER”Signed ‘John Meyer’ bottom right,signed again, titled and dated ‘IA 15GRAINFARMER. © J Meyer 1981’ inink verso, acrylic on masonite10 x 16 in. (25.4 x 40.6cm)provenance:Schmidt Bingham Gallery, New York,NYStremmel Galleries, Ltd. Reno, NV.$2,500-3,500
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157 09-1680/190GEORGE STAVE(american, b. 1923)“FARM, TWO ROCK, CA”Signed ‘George Stave 1985’ bottomcenter, oil on canvas9 7/8 x 24 3/4 in. (25.1 x 62.9cm)$600-1,000
158 09-1680/596SUSAN SHATTER(american, b. 1943)“VIRGIN RIVER”Sgned and dated ‘© Susan Shatter80’ bottom center in ink, watercoloron papersheet: 49 1/2 x 37 1/2 in.(125.7 x 95.3cm)provenance:Fischbach Gallery, New York, NY.$700-900
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159 09-1680/579STEPHEN PACE(american, b. 1918)“FALL FOLIAGE”Signed and dated ‘PACE. 80’ bottomleft, watercolor on paperimage: 28 3/4 x 20 1/2 in.(73 x 52cm)provenance:A.M. Sachs Gallery New York, NY.$1,000-1,500
160 09-1680/430PAT COLVILLE(american, b. 1931)“IN THE GARDEN”Encaustic on canvasExecuted in 198565 7/8 x 53 7/8 in.(167.3 x 136.8cm)$1,500-2,500
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161 09-1680/568SHEILA GARDNER(american, b. 1948)“EVENING MASS”Signed ‘gardner’ bottom right, oil oncanvasExecuted in 198440 x 52 in. (101.6 x 132.1cm)$800-1,000
162 09-1680/607TOM UTTECH(american, b. 1942)“PHIL SAWDOW’S MEMORY:LUNCH, BUCKINGHAM LAKE”Incised ‘Tom Uttech June 28 1984©’, oil on canvas26 x 28 in. (66 x 71.1cm)provenance:Monique Knowlton Gallery, Inc.,New York, NY.$600-1,000
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163 09-1680/604THEODORE WADDELL(american. b. 1941)“HDR 97”Oil on paperExecuted in 1986sheet: 20 x 26 1/8 in.(50.8 x 66.4cm)provenance:Stephen Wirtz Gallery, SanFrancisco, CA.$2,000-3,000
164 09-1680/603THEODORE WADDELL(american, b. 1941)“BERESFORD SERIES II”two prints1986, both signed and dated inpencil, both from the edition of 13;Experimental Workshop, Emeryville,CA, publisher. Drypoints withextensive hand-coloring on RivesBFK. (2)image: 11 3/4 x 9 in.(32.4 x 22.8cm) (each)sheet: 16 x 13 in. (40.6 x 33cm)(each)$500-700
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165 09-1680/519ROBERT KULICKE(american, 1924-2007)“PEONIES IN A GLASS VASE”Signed and dated “Kulicke 80’ ingraphite bottom center, oil onragboard15 3/4 x 9 1/8 in. (40 x 23.1cm)$3,000-5,000
166 09-1680/317KEN DAVIES(american, b. 1925)“STUDY FOR ‘URN’”Signed ‘Ken Davies’ bottom left, oilon masoniteExecuted in 198512 1/2 x 10 in. (31.7 x 25.4cm)provenance:Thomas Segal Gallery, Boston, MA.Hirschl & Adler Galleries Inc., NewYork, NY.$2,500-4,000
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167 09-1680/318KEN DAVIES(american, b. 1925)“CAST IRON”Signed ‘KEN DAVIES’ bottom left, oilon masoniteExecuted in 198616 x 21 3/4 in. (40.6 x 55.2cm)provenance:Hirschl & Adler Galleries, Inc., NewYork, NY.$3,000-5,000
168 09-1680/319KEN DAVIES(american, b. 1925)“STUDY FOR ‘CAST IRON’”Initialed ‘KD’ bottom left, oil onmasoniteExecuted in 19865 1/8 x 7 in. (12.9 x 17.8cm)provenance:Hirschl & Adler Galleries, Inc., NewYork, NY.$1,500-2,500
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169 09-1680/581STEVAN JENNIS(american, b. 1945)“BLACK HOUSE”Acrylic on paperExecuted in 1984sheet: 42 x 30 1/2 in.(106.7 x 77.5cm)provenance:Barbara Toll Fine Arts, New York,NY.$700-900
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170 09-1680/428OLEG KUDRYASHOV(russian, b. 1932)“COMPOSITION, PLATE 1728”Signed and dated 'Oleg Kudryashov88' bottom right and numbered 1/1in pencil, inscribed illegibly andtitled verso.Unique etching andwatercolor on wove paper.image: 36 x 24 in. (91.4 x 60.9cm)sheet: 41 x 28 in. (104.1 x 71.1cm)provenance:Robert Brown Gallery, Washington,D.C.$1,000-1,500171 09-1680/77
BRUCE PORTER(american, 20th-21st c.)“NUMBER AND HARMONY VII”Signed and dated ‘Bruce Porter /1980’ verso on canvas, oil on canvas49 3/4 x 39 1/2 in.(126.4 x 100.3cm)$500-800
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Works from theLehman BrothersCollection: Part II02/12/10www.freemansauction.com Freeman’s 1808 Chestnut Street Philadelphia Pennsylvania 19103
Tel:215.563.9275 Fax:215.563.8236
All lots to be soldwithout reserve
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172 09-1680/398MICHAEL MAZUR(american, b. 1935)“POND EDGE V”2007, from the edition of 50, the fullsheet. Color etching, aquatint, andwoodcut on paper.sheet: 32 x 36 in. (81.3 x 91.4cm)provenance:Mary Ryan Gallery, New York, NY.$300-500
174 09-1680/396MICHAEL MAZUR(american, b. 1935)“CYCLAMEN II”Signed and dated ‘Mazur ‘80’ inpencil bottom right, titled ‘CyclamenII’ bottom left, pastel on papersheet: 47 1/2 x 31 1/2 in.(120.6 x 80cm)provenance:John C. Stoller & Co., Minneapolis,MN.$600-800
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173 09-1680/397MICHAEL MAZUR(american, b. 1935)“CALLA LILY/AMARYLLIS I”1980, signed and dated ‘Mazur 80’in pencil bottom right, the full sheet.Color monotype with extensivepastel hand-coloring on wove paper.sheet: 31 1/2 x 47 1/2 in.(80 x 120.8cm)$600-800
Opposite: Detail of lot 179.
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175 09-1680/75BRUCE COHEN(american, 1953)UNTITLEDOil on canvasExecuted in 198168 1/2 x 42 in. (174 x 106.7cm)$4,000-6,000
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176 09-1680/99CLEVE GRAY(american, 1918-2004)“IN PRAGUE #22”Acrylic on canvasExecuted in 198450 x 59 in. (127 x 149.9cm)provenance:Armstrong Gallery, New York, N.Y.$2,500-4,000
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177 09-1680/640YAYOI KUSAMA(japanese, 1929)“WATERMELON”1986, signed and dated in pencil,numbered 14/75 (there were also 8artist’s proofs), with wide margins;published by the artist. Colorscreenprint on Izumi.image: 18 x 21 in. (45.7 x 53.3cm)sheet: 21 1/4 x 24 1/2 in.(53.9 x 62.2cm)[Kusama 91].provenance:Peter Blum, New York, NY.$1,000-1,500
178 09-1680/641YAYOI KUSAMA(japanese, 1929)“HELLO”1989, signed and dated in pencil,titled in Japanese and numbered14/75 (there were also 8 artist’sproofs), with wide margins;published by the artist. Colorscreenprint on Izumiimage: 18 x 21 in. (45.7 x 53.3cm)sheet: 21 x 24 in. (53.3 x 61cm)[Kusama 131].provenance:Peter Blum, New York, NY.$1,000-1,500
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179 � 09-1680/539ROY LICHTENSTEIN(american, 1923-1997)“I LOVE LIBERTY”1982, signed and dated in pencil,numbered 37/250 (there were also73 artist’s proofs), with full margins;the Artist and People for theAmerican Way, Washington, D.C,co-publishers. Color screenprint onArches 88 wove paper.image: 32 3/8 x 21 in.(82.2 x 53.3cm)sheet: 38 3/8 x 27 1/16 in.(97.5 x 68.7cm)[Corlett 192].$15,000-25,000
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180 09-1680/12AL HELD(american, 1928-2005)“STONE RIDGE”four etchings1983, 1983, 1984 and 1985 respectively, all presumablysigned, dated and numbered in pencil verso (theeditions were 65 plus 10 artist’s proofs for #1 and #4and 50 plus 15 artist’s proofs for #5 and #7), the fullsheets; Pace Editions, New York, publisher. Coloretchings on TH Saunders. (4)sheet: 27 x 40 in. (68.6 x 101.6cm) (each)Including:#1, 4, 5, and 7provenance:Pace Prints, New York, NY.$2,000-3,000
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181 09-1680/311JUDY PFAFF(american, b. 1946)“YOYOGI II”1985, signed and titled in pencil,numbered 48/75 (there were also10 artist’s proofs), with margins;Crown Point Press, San Francisco,publisher. Color woodblock onJapan.image: 31 x 35 in. (78.7 x 88.9cm)provenance:Crown Point Press, San Francisco,CA.$1,000-1,500
183 09-1680/611TONY KING(american, b. 1944)“FRANKLIN 100”1983, signed ‘T. King ‘83’ andnumbered 31/100 in pencil, withmargins. Color screenprint with goldleaf.image: 17 3/4 x 40 1/2 in.(44.5 x 102.6cm)$400-600
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182 09-1680/205GREGORY AMENOFF(american, b. 1948)“TIERRA AZUL II”1987, signed, titled and numbered‘Tierra Azul II. Gregory Amenoff10/86’ in pencil bottom center,inscribed ‘VI Smith Proof’ bottomleft, with margins. Color monotype.image: 32 7/8 x 28 1/2 in.(83.5 x 72.4cm)sheet: 35 1/2 x 29 1/2 in.(90.2 x 74.9cm)$400-600
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184 09-1680/144DUNCAN HANNAH(american, b. 1952)“APPALACHIA”Signed with initials and dated ‘DH86’ bottom right, signed, dated andtitled ‘Duncan Hannah 12.86Appalachia’ in ink verso, oil oncanvas72 x 48 in. (182.9 x 121.9cm)provenance:The Artist.$1,500-2,500
185 09-1680/268JEAN WELCH(american, 20th-21st c.)“FLORIDA PLUM”Signed and dated ‘WELCH 1984’bottom right, oil on canvas, framed,52 x 42 in. (132.1 x 106.7cm)provenance:Virginia Miller Galleries$1,500-2,500
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186 09-1680/338LILIANA PORTER(argentine, b. 1941)“THE ILLUSTRATION”Signed and dated ‘Liliana Porter,1984’ and titled ‘the illustration’ inpencil bottom left, mixed media andcollage on papersheet: 39 1/2 x 59 3/4 in.(100.3 x 151.8cm)$2,000-3,000
187 09-1680/214HARRIET SHORR(american, b. 1939)“OYSTERS AND PEARLS”Signed ‘harriet shorr’ bottom left,framed, oil on canvasExecuted in 198540 x 60 in. (101.6 x 152.4cm)$1,000-1,500
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188 09-1680/197GERARDO PITA(spanish, b. 1950)“MIELE I”Signed and dated ‘GERARDO PITA -1985’ bottom left, conte crayon onpapersight: 18 3/4 x 24 1/2 in.(47.6 x 62.2cm)provenance:Staempfli Gallery, New York, NY.$800-1,200
189 09-1680/198GERARDO PITA(spanish, b. 1950)“MIELE II”Signed and dated ‘GERARDO PITA.1985’ bottom left, conte crayon onpapersight: 18 3/4 x 24 3/4 in.(47.6 x 62.9cm)provenance:Staempfli Gallery, New York, NY.$800-1,200
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190 09-1680/273JESUS BAUTISTA MOROLES(american, b. 1950)“LAPSTRAKE (COMMISSIONMODELLO)”Granite assemblage21 x 12 x 4 1/2 in.(53.3 x 30.5 x 11.4cm)Executed in 1986provenance:Phyllis Weil and Company, NewYork, NY.$2,000-3,000
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191 09-1680/436PEREZ CELIS(argentine, 1939-2008)“DINAMICAS VISIBLES”Signed, inscribed and dated ‘PerezCelis N.Y. 1984’ upper left, mixedmedia on canvas41 3/4 x 52 in. (106 x 132.1cm)provenance:Virginia Miller Galleries, Miami, FL.$1,500-2,500
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192 09-1680/438PEREZ CELIS(argentine, 1939-2008)“UNTITLED II”Signed and dated ‘Perez Celis NewYork 1984’ in pencil bottom right,mixed media on papersheet: 27 1/2 x 39 in.(69.9 x 99.1cm)provenance:Virginia Miller Galleries, Miami, FL.$800-1,200
193 09-1680/437PEREZ CELIS(argentine, 1939-2008)“UNTITLED I”Signed and dated ‘Perez Celis NewYork 1984’ in pencil bottom right,mixed media on papersheet: 27 1/2 x 39 in.(69.9 x 99.1cm)provenance:Virginia Miller Galleries, Miami, FL.$800-1,200
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194 09-1680/668IN-HYUNG KIM(korean, b. 1958)“UNTITLED 1546, 1562, 1509”three drawings from “66drawings”All signed and dated ‘IKIM97’ inpencil bottom edge, gouache, inkand graphite on paper. (3)sheet: 8 1/4 x 11 3/4 in.(21 x 29.8cm) (each)provenance:Art Projects International, New York,NY.$600-1,000
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195 09-1680/236IN-HYUNG KIM(korean, b. 1958)“UNTITLED 1553, 1528, 1532, 1558”three drawings from “66 drawings”All signed and dated ‘IKIM97’ in pencil bottom edge, gouache, ink andgraphite on paper. (4)sheet: 8 1/4 x 11 3/4 in. (21 x 29.8cm) (each)provenance:Art Projects International, New York, NY.$800-1,200
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196 09-1680/237IN-HYUNG KIM(korean, b. 1958)“UNTITLED 1557, 1561, 1519, 1522”from “66 drawings”All signed and dated ‘IKIM97’ in pencil bottom edge, gouache, ink andgraphite on paper. (4)sheet: 8 1/4 x 11 3/4 in. (21 x 29.8cm) (each)provenance:Art Projects International, New York, NY.$800-1,200
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197 09-1680/238IN-HYUNG KIM(korean, b. 1958)“UNTITLED 1504, 1538, 1539, AND 1542”four drawings from “66 drawings”All signed and dated ‘IKIM97’ in pencil bottom edge, gouache, ink andgraphite on paper. (4)sheet: 8 1/4 x 11 3/4 in. (21 x 29.8cm) (each)provenance:Art Projects International, New York, NY.$800-1,200
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198 09-1680/646ZHANG DAWO(chinese, b. 1943)“A VINEYARD TALE”Ink on Japan paper mounted tocanvas on boardExecuted in 2001sheet: 27 x 54 in. (68.6 x 37.2cm)provenance:Joey Chang Art, Beijing.$3,000-5,000
Opposite: Detail of lot 282.
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200 09-1680/645ZENG HAO(chinese, b. 1963)“UNTITLED (RED)”2002, signed bottom right in pencil,numbered 183/199, with fullmargins. Color lithograph on paper.image: 25 1/2 x 22 in.(63.5 x 35.9cm)sheet: 30 x 25 in. (76.2 x 63.5cm)provenance:Galerie du Monde, Hong Kong.$600-800
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199 09-1680/274JIAN-JUN ZHANG(chinese, b. 1979)“TIME CHAPTER: HONGCUNVILLAGE #2”oil paint on photographExecuted in 200438 7/8 x 47 in. (98.7 x 119.4cm)provenance:Art Projects International, New York,NY.$500-800
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201 09-1680/231IK-JOONG KANG(korean/american, b. 1960)“8 x 8 x 9”complete set of nine woodblock prints2007, one signed, titled, dated and numbered 12/30 (there were also anunrecorded number of artist’s proofs), all with full margins; Carl Soloway Galleryand Clay Street Press, Inc., Cincinnati, OH., co-publishers. Color woodblocks onRives BFK. (9)image: 28 x 28 in. (71.1 x 71.1cm) (each)sheet: 30 x 30 in. (76.2 x 76.2cm) (each)provenance:Carl Solway Gallery, Cincinnati, OH.$1,000-1,500
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202 09-1680/36ANISH KAPOOR(indian, b. 1954)“UNTITLED (PLATE 9)”from ‘12 etchings’2007, signed in pencil, numberedverso 5/40 (there were also 6artist’s proofs), with full margins;Paragon Press, London, publisher.Color etching on Somerset TexturedSoft White Paper.image: 20 1/2 x 26 in. (52 x 66cm)sheet: 30 1/2 x 35 1/2 in.(77.5 x 90.2cm)provenance:Paragon Press, London.$2,000-3,000
203 09-1680/590SUMANA CHOWDHURY(indian, 20th-21st c.)“BRAIN MAPPING 2”Signed and dated ‘Sumana 07’bottom right, signed, titled, dated‘Sumana Chowdury Untitled “BrainMapping” [2] acrylic on canvas48”x36”/ Sumana 07.’ bottom rightin ink verso, inscribed ‘Top [2]’verso, acrylic on canvas48 x 36 in. (121.9 x 91.4cm)Unframed.provenance:Tamarind Art Gallery, New York, NY.$1,500-2,500
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204 09-1680/551SAMIT DEY(indian, b. 1964)“YELLOW PLUS”Titled and dated “‘YELLOW PLUS’2006”, acrylic on canvas48 x 54 in. (122 x 137.2cm)provenance:Tamarind Art Gallery, New York, NY.$1,500-2,500
205 09-1680/325KRISHNA PRIYA DASGUPTA(indian, 20th c.)“UNTITLED I”Signed ‘KPDASGUPTA/ email:tikipadasgapthat Vediffmail.com/Signeture [sic]’ in ink verso, andtitled, dated and inscribed‘“UNTITTLED [sic] 1 / 60x60 /Acrylic, Conte, Earth Colour,canvas/ 18.12.2006/ KrishnapriyaDasgupta/ 910 Subodh Park/KOLKATA 799979076/ WESTBENGAL/ INDIA/19889987589100’, acrylic, conte,and earth color on canvas60 x 60 in. (152.4 x 152.4cm)provenance:Tamarind Art Gallery, New York, NY.$1,000-1,500
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206 � 09-1680/450POURAN JINCHI(iranian, b. 1959)“UNTITLED (POETRY #96-3)”Signed and dated ‘Jinchi 1996’ inyellow lower left, mixed media oncanvas46 x 34 in. (116.8 x 86.4cm)Unframed.provenance:Art Projects International, New York,NY.$10,000-15,000
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207 09-1680/142DRISS OUADAHI(algerian, b. 1959)“THE FOG RETURNS”Signed twice and dated “DRiSSOUADAHi D. Ouadahi 2007”, titled“öl auf leinwand The Fog Returns”and inscribed and dated “Dusseldorf2007 110 x 130cm.” verso, oil oncanvasoverall: 43 1/2 x 51 1/4 in.(110.5 x 130.2cm)provenance:Hosfelt Gallery, San Francisco, CA.$1,200-1,800
208 09-1680/141DRISS OUADAHI(algerian, b. 1959)“BAGNOLET”Inscribed with artist’s name ‘DRISSOUADAHI’ and signed twice, titledand dated ‘Bagnolet. 2007’ inoilstick verso, oil on canvas19 3/4 x 23 5/8 in. (50.2 x 60cm)provenance:Hosfelt Gallery, San Francisco, CA.$800-1,200
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209 09-1680/143DRISS OUADAHI(algerian, b. 1959)“ENCHANTED PLACE”Signed twice, titled and dated‘DRISS OUADAHI D. Ouadahi 2007enchanted place oi auf Leinwand’verso in black crayon, oil on canvas15 3/4 x 19 3/4 in. (40 x 50.2cm)provenance:Hosfelt Gallery, San Francisco, CA.$500-800
210 09-1680/630WILLIAM KENTRIDGE(south african, b. 1955)“LARGE TYPEWRITER”2003, signed in pencil, numbered 10/40(there were also 8 artist’s proofs),with fullmargins; LeRoy Neiman Center for PrintStudies at Columbia University, New York,publisher. Etching on Somerset Satin.image: 23 7/16 x 29 7/8 in.(59.7 x 75.9cm)sheet: 30 7/16 x 36 11/16 in.(47.7 x 93.2cm)provenance:Jim Kempner Fine Arts, New York, NY.note:One of South Africa’s most celebratedartists, William Kentridge is widely knownfor his Drawings for Projection series offilms that depict an evolving charcoaldrawing on a single sheet of paper. In thefilms, sections are progressively drawn,erased, redrawn, with traces of old framesvisible; perhaps a metaphor for the senseof fading memory or the passing of timeand the traces it leaves behind.$1,200-1,800
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211 � 09-1680/44ARTURO HERRERA(venezuelan, b. 1959)“MINE”2007, signed with initials and dated ‘AH 07’ in pencil,numbered 5/23 (there were also 5 artist’s proofs), thefull sheet; Dieu Donné, New York, publisher. Pigmentedabaca watermark on pigmented cotton base sheet withhand-cut collaged pulp-painting.60 x 30 in. (152.3 x 76.2cm)note:“Mine” was published in 2007 by Dieu Donné, a non-profit artist workspace located in New York City.The abstract shapes of the present work echo the artist’sunique felt work wall paintings in which cut-out fabricshapes pinned to the wall hang like the tangled forms of aJackson Pollock painting. These immense, colorful, andoften high contrast works in paper blend a wide range oftechniques, fusing collage, watercolor, cut-paper, drawing,and more.Arturo Herrera has had solo exhibitions at Centre d’ArtContemporain, Geneva; Dia Center for the Arts, NewYork; Centro Galego de Arte Contemporánea, Santiago deCompostela; the Whitney Museum of American Art,New York; UCLA Hammer Museum, Los Angeles; andP.S. 1 Contemporary Art Center, New York, among others.His work appeared in the Whitney Biennial (2002)provenance:Dieu Donné Papermill, New York, NY.$10,000-15,000
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212 09-1680/650ELIZABETH MAGILL(irish, b. 1959)“ONCOMING”from “parlous land”2005-6, signed and numbered16/45 in pencil (there were also 8artist’s proofs), the full sheet;Paragon Press, London, publisher.Color lithograph on SomersetVelvet.sheet: 24 x 33 in. (60.9 x 83.8cm)provenance:Kerlin Gallery, Dublin.$2,000-3,000
213 09-1680/159ELIZABETH MAGILL(irish, b. 1959)“PARLOUS LAND”from “parlous land”2005-6, signed and numbered16/45 (there were also 8 artist’sproofs) in pencil, the full sheet;Paragon Press, London, publisher.Color lithograph on SomersetVelvet.sheet: 23 3/4 x 33 1/2 in.(60.3 x 85.1cm)provenance:Kerlin Gallery, Dublin.$2,000-3,000
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214 09-1680/672ELIZABETH MAGILL(irish, b. 1959)“ROCHES POINT”from “parlous land”2005-6, signed and numbered16/45 in pencil (there were also 8artist’s proofs), the full sheet;Paragon Press, London, publisher.Color lithograph on SomersetVelvet.sheet: 23 1/2 x 33 in.(59.7 x 83.8cm)provenance:Kerlin Gallery, Dublin.$2,000-3,000
215 09-1680/671ELIZABETH MAGILL(irish, b. 1959)“THORNBIRD”from “parlous land”2005-6, signed ‘Magill’ bottom rightand numbered 16/45 (there werealso 8 artist’s proofs), the full sheet;Paragon Press, London, publisher.Color lithograph on SomersetVelvet.sheet: 23 1/2 x 33 in.(59.6 x 83.8cm)provenance:Kerlin Gallery, Dublin.$2,000-3,000
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216 09-1680/670ELIZABETH MAGILL(irish, b. 1959)“LOWER LOUGH”from “parlous land”2005-6, signed and numbered16/45 in pencil (there were also 8artist’s proofs); Paragon Press,London, publisher. Color lithographon Somerset Velvet.sheet: 23 3/4 x 33 1/2 in.(60.3 x 85.1cm)provenance:Kerlin Gallery, Dublin.$2,000-3,000
217 09-1680/669ELIZABETH MAGILL(irish, b. 1959)“SKIRT TALES”from “parlous land”2005-6, signed and numbered16/45 in pencil (there were also 8artist’s proofs), the full sheet;Paragon Press, London, publisher.Color lithograph on SomersetVelvet.sheet: 23 1/4 x 33 1/16 in.(59 x 84cm)provenance:Kerlin Gallery, Dublin.$2,000-3,000
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218 09-1680/373MARK FRANCIS(british, b. 1962)“PENDULUM #3-6”four prints2007, all signed, dated andnumbered 32/33 in pencil (therewere also 6 artist’s proofs for all);Edition Copenhagen, Denmark,publisher. Lithographs (one incolors) on Velin d’Arches. (4)sheet: 30 x 21 1/2 in.(76.2 x 54.6cm) (each)provenance:Galerie Lelong Paris.$2,000-3,000
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219 09-1680/602SIR TERRY FROST(british, 1915-2003)“HALZEPHRON”four woodcut collages2001, all presumably signed anddated in pencil, numbered 34/40(there were also 8 artist’s proofs forall), full margins; Paragon Press,London, publisher. Color woodcutcollages on Velin Arches blanc. (4)sheet: 24 x 14 15/16 in.(61 x 38.1cm) (each)Including:“E,” “F,” “G,” “H.”provenance:Paragon Press, London.$5,000-7,000
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220 09-1680/226HERBERT BRANDL(austrian, b. 1959)“OHNE TITEL”Signed and dated verso ‘BRANDL2007’ in pencil, oil on canvas35 1/2 x 27 3/4 in. (90.2 x 70.5cm)Unframed.provenance:Galerie Bärbel Grässlin, Frankfurt-am-Main, Germany.$8,000-12,000
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221 � 09-1680/54BERNAR VENET(french, b. 1941)“97.5° ARC x 14”2003, stamped bottom right with the artist’s initials andnumbered ‘BV 6/25’ (there were also 5 artist’s proofs),stamped with title verso; William Shearburn Gallery, St.Louis, MO and Jim Kempner Fine Art, New York, co-publishers. Rolled and welded steel with black patina7 1/2 x 21 13/16 x 6 13/16 in. (19.1 x 55.4 x 17.3cm)provenance:William Shearburn Gallery, St. Louis, MO.Davis-Keil Projects, Chicago, IL.$20,000-30,000
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222 09-1680/55BERNAR VENET(french, b. 1941)“97.5° x 14”2004, signed and dated in pencil,numbered 20/50 (there were also10 artist’s proofs), with full magins;William Shearburn Gallery, St. Louis,MO and Jim Kempner Fine Art, NewYork, co-publishers. Colorscreenprint on wove paper.image: 33 x 48 in. (83.9 x 121.9cm)sheet: 39 1/2 x 54 in.(100.4 x 137.2cm)provenance:William Shearburn Gallery, St. Louis,MO.$1,500-2,000
223 09-1680/56BERNAR VENET(french, b. 1941)“INDETERMINATE LINE II”2005, signed, titled and dated inpencil, numbered 9/45 (there werealso an unrecorded number ofartist’s proofs and 4 printer’sproofs), the full sheet; Art of thisCentury, New York, publisher.Screenprint on wove paper.sheet: 60 x 40 1/2 in.(152.4 x 102.9cm)provenance:William Shearburn Gallery, St. Louis,MO.$1,500-2,000
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224 09-1680/606THOMAS SCHÜTTE(german, b. 1954)UNTITLEDfrom “o.t. (aus der seriequengelware)”2002, signed and dated in pencil,numbered 13/35 V, with widemargins. Color etching on wovepaper.image: 12 1/2 x 9 1/2 in.(31.7 x 24.1cm)sheet: 22 3/4 x 16 1/2 in.(57.8 x 41.9cm)provenance:Produzentengalerie, Hamburg,Germany.$1,500-2,500
225 09-1680/663THOMAS SCHÜTTE(german, 1954)UNTITLEDfrom “o.t. (aus der seriequengelware)”2002, signed and dated in pencil,numbered 13/35 V, with widemargins. Color etching on wovepaper.image 12 1/2 x 9 1/2 in.(31.7 x 24.1cm)sheet: 22 3/4 x 16 1/2 in.(57.8 x 41.9cm)provenance:Produzentengalerie, Hamburg,Germany.$1,500-2,500
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226 09-1680/662THOMAS SCHÜTTE(german, 1954)UNTITLEDfrom “o.t. (aus der seriequengelware)”2002, signed and dated in pencil,numbered 13/35 V, with widemargins. Color etching on wovepaper.image: 12 1/2 x 9 1/2 in.(31.7 x 24.1cm)sheet: 22 3/4 x 16 1/2 in.(57.8 x 41.9cm)provenance:Produzentengalerie, Hamburg,Germany.$1,500-2,500
227 09-1680/408MIMMO PALADINO(italian, b. 1948)“CALIFORNIA SUITE NO. 11”2004, signed in pencil, numbered17/50, with full margins; Mixografia,Los Angeles, publisher. Mixographon handmade paper with chinecollé.image: 27 1/2 x 19 1/2 in.(69.8 x 49.6cm)sheet: 33 x 23 in. (83.8 x 58.4cm)provenance:Mixografia, Los Angeles, CA.$500-700
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228 09-1680/617VERA IDA MÜLLER(swiss, b. 1979)“HAUS NR. 2”Signed and dated ‘V.I. Müller 2008’verso on canvas bottom left, oil oncanvas47 1/4 x 39 3/8 in. (120 x 100cm)Unframed.provenance:Galerie Römerapotheke, Zurich.$2,500-3,500
229 09-1680/374MARKUS LINNENBRINK(german, b. 1961)“ME THINKS YOU RIGHT, NOPROBLEM”2004, Center Street Studio, Milton,MA, publisher. Color monotype onpaper.sheet size: 47 x 35 1/2 in.(119.4 x 90.2cm)provenance:Barbara Krakow Gallery, Boston,MA.$400-600
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230 09-1680/196GEORGIA MARSH(american, b. 1950)“GIRL GROUPS #16” AND “GIRL GROUPS #18”two drawings2007, signed ‘Georgia Marsh’ bottom left in pencil and ‘Georgia Marsh 07’in pencil bottom right respectively, two watercolors on paper. (2)image: 26 x 40 in. (66 x 101.6cm) (each)provenance:Senior & Shopmaker Gallery, New York, NY.$400-600
231 09-1680/195GEORGIA MARSH(american, b. 1950)“COLD MOON III”Signed ‘Georgia Marsh’ in pencil bottom center, dated ‘20’ and ‘03’ bottomleft and right (respectively), charcoal on paperExecuted in 2003sheet: 30 x 44 in. (76.2 x 111.8cm)provenance:Senior & Shopmaker Gallery, New York, NY.$400-600
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232 09-1680/384MATT MULLICAN(american, b. 1951)UNTITLEDthe complete set of 10 color screenprintsand 64 etchings1992, the first screenprint and first etchingsigned in pencil, the remaining prints signedwith initials, dated, numbered from theedition of 32 and sequentially stamped recto(etchings) and verso (screenprints) (therewere also 5 artist’s proof’s copies); CarlSolway Gallery, Cincinnati, publisher. Thecomplete set of 10 color screenprints and 64etchings, title, text and colophon, thescreenprints loose (individually framed) onMagnani Pescia; and the etchings loose(unframed) on Magnani Pescia white ragpaper, within original grey cloth-coveredportfolio box with printed image, and artist’sname on spine.sheets: 29 1/2 x 21 1/2 in. (74.9 x 54.6cm)(each screenprint)sheets: 15 x 11 in. (38.1 x 28cm) (eachetching)(10 + porfolio box).provenance:Carl Solway Gallery, Cincinnati, OH.$2,500-3,500
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233 09-1680/636WILLIAM TILLYER(british, b. 1938)“LIVING IN ARCADIA IV - #14”Signed ‘Tillyer’ in pencil bottom right,unique watercolor over handmadeMixografia relief on cotton paperExecuted in 1991.image (approx): 9 x 12 in.(22.8 x 30.5cm)sheet: 14 x 17 in. (36 x 44cm)provenance:Mixografia, Los Angeles, CA.note:“Living in Arcadia IV” - #2, and #14 aretwo works from a series of 24 uniquewatercolors executed on handmadepaper reliefs at Mixografia, Los Angelesand the artist’s studio in Yorkshire,England.$500-700
234 09-1680/635WILLIAM TILLYER(british, b. 1938)“LIVING IN ARCADIA IV - #2”1991, signed ‘Tillyer’ in pencilbottom right, unique watercolor overhandmade Mixografia relief oncotton paperExecuted in 1991.image (approx): 9 x 12 in.(22.8 x 30.5cm)sheet: 14 x 17 in. (36 x 44cm)provenance:Mixografia, Los Angeles, CA.$500-700
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235 09-1680/355LOUISE BOURGEOIS(french/american, b. 1911)“THE SONG OF THE BLACKS AND THE BLUES”1989-1996, signed in crayon, numbered 'PP I' (printer’s proof, the editionwas 40 plus 17 artist's proofs); the full sheet. Solo Impressions, Inc., NewYork and Parasol Press, Ltd., New York, co-publishers. Color woodcut andlithograph with handcoloring on Rives BKF Roll paper.sheet: 21 1/2 x 96 in. (54.6 x 243.8cm)provenance:Solo Impressions, Inc., New York, NY.$7,000-10,000
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236 09-1680/353LOUISE BOURGEOIS(french/american, b. 1911)"LE LIT GROS EDREDON (WITHLIPS) / BED #2"1997, signed and dated in pencil,numbered 89/100 (there were also15 artist's proofs), with full margins,Guggenheim Museum, New York,publisher. Color aquatint, etching, andengraving on Somerset textured whitepaperimage: 20 x 24 in. (50.8 x 61cm)sheet: 25 x 31 in. (63.6 x 78.8cm)provenance:Greg Kucera Gallery, Seattle, WA.$1,000-1,500
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237 09-1680/657LOUISE BOURGEOIS(french/american, b. 1911)“UNTITLED #2”from “fugue”2003-5, signed with initials ‘LB’ inpencil, annotated ‘#2’ andnumbered 7/9 in pencil verso (therewas also one artist’s proof), the fullsheet; Procuniar Workshop, NewYork, publisher. Color screenprintwith lithography on StonehengeCream wove paper.image: 10 9/16 x 14 1/2 in.(26.8 x 36.8cm)sheet: 12 x 16 in. (30.5 x 36.8cm)provenance:Procuniar Workshop, New York, NY.$3,000-5,000
238 09-1680/659LOUISE BOURGEOIS(french/american, b. 1911)“UNTITLED #4”from “fugue”2003-5, signed with initials ‘LB’ inpencil, annotated ‘#4’ andnumbered 7/9 in pencil verso (therewas also one artist’s proof), the fullsheet; Procuniar Workshop, NewYork, publisher. Color screenprintwith lithography on StonehengeCream wove paper.image: 10 9/16 x 14 1/2 in.(26.8 x 36.8cm)sheet: 12 x 16 in. (30.5 x 36.8cm)provenance:Procuniar Workshop, New York, NY.$3,000-5,000
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239 09-1680/658LOUISE BOURGEOIS(french/american, b. 1911)“UNTITLED #6”from “fugue”2003-5, signed with initials ‘LB’ inpencil, annotated ‘#6’ andnumbered 7/9 in pencil verso (therewas also one artist’s proof), the fullsheet; Procuniar Workshop, NewYork, publisher. Color screenprintwith lithography on Stonehengecream wove paper.image: 10 9/16 x 14 1/2 in.(26.8 x 36.8cm)sheet: 12 x 16 in. (30.5 x 36.8cm)provenance:Procuniar Workshop, New York, NY.$3,000-5,000
240 09-1680/354LOUISE BOURGEOIS(french/american, b. 1911)“UNTITLED #10”from “fugue”2003-5, signed with initials ‘LB’ inpencil, annotated ‘#10’ andnumbered 7/9 in pencil verso (therewas also one artist’s proof), the fullsheet; Procuniar Workshop, NewYork, publisher. Color screenprintwith lithography on StonehengeCream wove paper.image: 10 9/16 x 14 1/2 in.(26.8 x 36.8cm)sheet: 12 x 16 in. (30.5 x 36.8cm)provenance:Procuniar Workshop, New York, NY.$3,000-5,000
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241 09-1680/656LOUISE BOURGEOIS(french/american, b. 1911)“UNTITLED #15”from “fugue”2003-5, signed with initials ‘LB’ inpencil, annotated ‘#15’ andnumbered 7/9 in pencil verso (therewas also one artist’s proof), the fullsheet; Procuniar Workshop, NewYork, publisher. Color screenprintwith lithography on Stonehengecream wove paper.image: 10 9/16 x 14 1/2 in.(26.8 x 36.8cm)sheet: 12 x 16 in. (30.5 x 36.8cm)provenance:Procuniar Workshop, New York, NY.$3,000-5,000
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242 09-1680/65BILL JENSEN(american, b. 1945)“WITH COLOR II”Egg and oil tempera on paperExecuted in 2006sheet: 20 x 13 3/4 in.(50.8 x 34.9cm)provenance:Danese Gallery, New York, NY.$1,200-1,800
243 09-1680/64BILL JENSEN(american, b. 1945)“NOTES FROM THE LOGGIA XIV”Ink and tempera on paperExecuted in 2005sheet (irregular): 22 x 15 in.(55.9 x 38.1cm)provenance:Danese Gallery, New York, NY.$1,200-1,800
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244 09-1680/377MARTIN GOLLAND(canadian, b. 1975)“TUNNEL”Signed and dated “Martin Golland‘07” in ink verso, oil on canvas66 x 54 in. (167.6 x 137.2cm)provenance:Birch Libralato, Toronto.$2,000-3,000
245 09-1680/378MARTIN GOLLAND(canadian, b. 1975)“HIDE OUT”Signed and dated ‘Martin Golland‘03’ in pencil bottom right, oil onmylar22 x 18 in. (50.6 x 45.7cm)provenance:Birch Libralato, Toronto.$800-1,200
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246 09-1680/152EDGAR BRYAN(american, b. 1970)“UNTITLED I”2006, signed and numbered 6/20in pencil (there were also 10 artist’sproofs), with full margins;Simmelink/Sukimoto, Kingston,New York, publisher. Color aquatinton paper bright white HahnemuhleCopperplate.image: 16 1/2 x 17 1/4 in.(41.9 x 43.8cm)sheet: 23 1/2 x 23 3/4 in.(59.6 x 60.3cm)provenance:Senior & Shopmaker Gallery, NewYork, NY.$400-600
247 09-1680/153EDGAR BRYAN(american, b. 1970)“UNTITLED II”2006, signed and numbered 5/20in pencil (there were also 10 artist’sproofs), with full margins;Simmelink/Sukimoto, Kingston,New York, publisher. Color aquatinton bright white HahnemuhleCopperplate.image: 23 1/2 x 25 3/4 in.(59.7 x 64.1cm)sheet : 31 x 32 1/2 in.(78.7 x 82.6cm)provenance:Senior & Shopmaker Gallery, NewYork, NY.$500-700
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250 09-1680/128DAVID SHAPIRO(american, b. 1944)“ORIGIN AND RETURN 10”2008, colograph, relief and etching on Japanese paper.sheet: 12 x 52 in. (30.5 x 132.1cm)$600-1,000
248 09-1680/121DAVID REED(american, b. 1946)“UNTITLED #2 (LP40)”2001, signed and numbered 14/30 in pencil (there were also an unrecordednumber of artist’s proofs), presumably with full margins; Jacob Samuel,Santa Monica, publisher. Integrated color aquatint with chine collé on paper.image: 11 1/2 x 58 3/4 in. (29.2 x 149.2cm)sheet: 18 1/4 x 63 3/4 in. (46.4 x 161.9cm)provenance:Jonathan Novak Contemporary Art, Los Angeles, CA.$2,500-4,000
249 09-1680/122DAVID REED(american, b. 1946)“UNTITLED #4 (LP41)”2001, signed and numbered 14/30 in pencil (there were also an unrecordednumber of artist’s proofs), with full margins; published by Jacob Samuel,Santa Monica. Whiteground color aquatint with chine collé on paper.image: 11 1/2 x 58 3/4 in. (29.2 x 149.2cm.)sheet: 18 1/4 x 63 3/4 in. (46.4 x 161.9cm)provenance:Jonathan Novak Contemporary Art, Los Angeles, CA.$2,500-4,000
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251 09-1680/90CHERYL WARRICK(american, b. 1956)“BEND II”Acrylic and mixed media on paperExecuted in 2006sheet: 31 1/2 x 42 3/4 in.(80 x 108.6cm)provenance:Dolan/Maxwell, Philadelphia, PA.$600-1,000
252 09-1680/91CHERYL WARRICK(american, b. 1956)“LOST TIME”Acrylic and mixed media on two joined sheets of wove paperExecuted in 2007image: 11 x 58 in. (27.9 x 147.3cm)sheet: 13 x 60 in. (33 x 152.4cm)provenance:Dolan/Maxwell, Philadelphia, PA.$600-1,000
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253 09-1680/389MIA WESTERLUND ROOSEN(american, b. 1942)“UNTITLED”Signed and dated 'Mia WesterlundRoosen '07' in pencil verso of leftpanel, oil stick on two sheets ofmylar, framed togetheroverall: 18 x 24 in. (45.7 x 61cm)provenance:Betty Cunningham Gallery, NewYork, NY.$1,200-1,800
254 09-1680/468RHONDA TYMESON(american, 20th c.)“UNTITLED, GREEN”Watercolor and sumi ink on cutpaperExecuted in 2006sheet: 30 1/2 x 37 1/2 in.(77.5 x 95.3cm)provenance:Cheryl Pelavin Fine Arts/PelavinEditions, New York, NY.$600-800
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255 09-1680/279JOANNE GREENBAUM(american, b. 1953)“UNTITLED”2007, signed, dated and numbered4/20 in pencil (there were also 4artist’s proofs), with full margins;Diane Villani Editions, New York,publisher. Color etching onSomerset Textured White.image: 24 x 17 3/4 in.(60.9 x 45.1cm)sheet: 31 x 24 in. (78.8 x 60.9cm)$600-1,000
257 09-1680/453RADCLIFFE BAILEY(american, b. 1968)“TRANSBLUESENCY”2003/2006, signed and dated‘Radcliffe Bailey 2003’ in pencil, thefull sheet; Paulson Press, Berkeley,CA, publisher. Unique monoprintwith aquatint, etching, velvet, feltcollé, and photogravure on paper.sheet: 44 x 30 in. (111.8 x 76.2cm)provenance:Paulson Press, Berkeley, CA.$1,000-1,500
256 09-1680/667JOANNE GREENBAUM(american, b. 1953)“UNTITLED”2007, signed, dated and numbered4/20 in pencil (there were also 4artist’s proofs), with full margins;Diane Villani Editions, New York,publisher. Color etching onSomerset Textured White.image: 24 x 17 3/4 in.(60.9 x 45.1cm)sheet: 31 x 24 in. (78.8 x 60.9cm)$600-1,000
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258 09-1680/417NANCY RUBINS(american, b. 1952)“STUDIES”the complete set of six prints2006, all signed in pencil and numbered 5/18 (there were also 3 artist’sproofs), all with full margins; Jacob Samuel, Santa Monica, CA, publisher,and with their blindstamp. Pigment prints with embossing on wove paper,with title page, colophon and portfolio box (as issued). (6)image (approx): 15 x 12 in. (38.1 x 30.5cm) (each)sheet: 19 1/2 x 16 in. (49.5 x 40.6cm) (each)provenance:Jonathan Novak Contemporary Art, Los Angeles, CA.$3,000-5,000
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259 09-1680/256JAMES SIENA(american, b. 1958)“SHADED CONNECTED HOOKS”2007, signed, dated and numbered37/42 in pencil (there were also 6artist’s proofs), with full margins;Harlan & Weaver, Inc., New York,publisher. Color etching withJapanese gampi chine collé onMagnani Pescia bright white paper.image: 14 x 11 in. (35.6 x 27.9cm)sheet: 23 x 18 in. (58.4 x 45.7cm)provenance:Harlan & Weaver, New York, NY.$1,000-1,500
261 09-1680/13ALAN DEHMER(american, 20th c.)“LOW COUNTRY”Signed in pencil ‘Alan’ bottom right,the full sheet. Color gum print onpaper.Executed in 2008sheet: 20 1/2 x 22 1/2 in.(52 x 57.2cm)$400-600
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260 09-1680/282JOCELYNE ALLOUCHERIE(canadian, b. 1947)“LAMES II (UNTITLED 5)”2007, inkjet photo on paper43 3/8 x 30 1/2 in. (110.2 x 77.5cm)provenance:511 Gallery, New York, NY.$1,000-1,500
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262 09-1680/470RICHARD ARTSCHWAGER(american, b. 1923)“T.W.M.D.R.B.”the complete set of three prints2003, all signed, dated and numbered 17/25 (there were also 7 artist’sproofs) in pencil, with full margins; Harlan & Weaver, New York, publisher.Etchings with aquatint and drypoint on Hahnemühle bright white. (3)image: 8 x 10 in. (20.3 x 25.4cm) (each)sheet: 18 x 20 in. (45.7 x 50.8cm) (each)provenance:Harlan & Weaver, New York, NY.$2,500-3,500
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263 09-1680/449POLLY APFELBAUM(american, b. 1955)“WOOD STREET”the complete set of fourwoodblock prints2007, all signed with initials anddated in pencil ‘PA 08’, allnumbered 3/45 (there were also 5artist’s proofs), all with full margins;Durham Press, Durham, PA,publisher. Color woodblocks onTanbo paper, with archivalcorrugated cardboard portfolio boxprinted with title on outside coverand colophon information printed oninside cover (as issued). (4)image: 12 x 10 in. (30.5 x 25.4cm)(each)sheet: 18 x 16 in. (45.7 x 40.6cm)(each)provenance:Durham Press, Durham, PA.$1,200-1,800
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264 09-1680/538ROSEMARIE FIORE(american, b. 1972)“FIREWORK DRAWING #20”Firework and paper collageExecuted in 2007sheet: 38 x 50 in. (96.5 x 127cm)provenance:Dieu Donné Papermill, New York,NY.$800-1,200
265 09-1680/115DARINA KARPOV(russian, b. 1973)“ DELUGE”Watercolor on paperExecuted in 200841 x 30 in. (104.1 x 76.2cm)provenance:Pierogi, Brooklyn, NY.$1,500-2,500
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266 09-1680/637WILLIE COLE(american, b. 1955)“POR LA MESA DE MI ABUELITA”2008, presumably signed in pencil and numbered 10/10 verso (there wereno artist’s proofs), the full sheet; Brodsky Center for Innovative Editions,Rutgers University, New Brunswick, NJ., publisher. Pale pink pigmentedcotton linter cut by water stream, white polyester yarn adhered to surfacewith pale pink cotton pulp, with embossing.40 x 40 in. (101.6 x 101.6cm)provenance:Brodsky Center for Innovative Editions, New Brunswick, NJ.$7,000-9,000
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267 09-1680/549SAM GILLIAM(american, b, 1933)“THE NEWMOVIE (PURPLECIRCLE)”2007, signed, dated and titled inpencil, annotated ‘M P’ in pencilbottom left, with full margins;Tandem Press, Madison, WI.,publisher. Unique color relief anddigital monoprint on cut woodveneer mounted to archival matboardimage: 33 1/2 x 29 1/2 in.(85.1 x 74.9cm)sheet: 37 3/4 x 33 1/4 in.(95.9 x 84.5cm)provenance:Tandem Press, Madison, WI.$2,000-3,000
268 09-1680/550SAM GILLIAM(american, b. 1933)“THE NEWMOVIE (DIGITALBLEND)”2007, signed, dated and titled inpencil, annotated ‘M P’ in pencilbottom left, with margins; TandemPress, Madison, WI, publisher.Unique color relief and digitalmonoprint on cut wood veneermounted to archival mat board.image: 33 1/2 x 29 1/2 in.(85.1 x 74.9cm)sheet: 37 3/4 x 33 1/4 in.(95.9 x 84.5cm)provenance:Tandem Press, Madison, WI.$2,000-3,000
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269 09-1680/548SAM GILLIAM(american, b. 1933)“SDS”1978, signed, titled and dated inpencil, numbered 25/30, titled‘SDS’, with wide margins. Colorscreenprint on wove paper.image: 26 x 24 in. (66 x 60.9cm)sheet: 40 x 30 in. (101.6 x 76.2cm)provenance:Middendorf/Lane Gallery,Washington, D.C.$1,000-1,500
270 09-1680/471RICHARD BOSMAN(american, 1944)“VII” AND “VIII”two monotypesCirca 1985-90, both signed in penciland individually titled ‘VII’ and ‘VIII’,both with margins; Derriere L’etoileStudios, New York, publisher. Colormonotypes on paper. (2)image: 30 1/8 x 17 1/2 in.(76.5 x 44.5cm)sheet: 34 1/8 x 21 1/4 in.(86.7 x 54cm)$1,200-1,800
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271 09-1680/605THOMAS NOZKOWSKI(american, b. 1944)“UNTITLED #2; #4 AND #6”three prints2002, from the editions of 25 (there were also 10 artist’s proofs), all the fullsheets; Simmelink/ Sukimoto Editions, Kingston, New York, publisher. Threecolor etchings and aquatint on Hahnemuhle Copperplate bright white paper.(3)sheet: 22 x 29 1/2 in. (55.9 x 74.9cm) (each)provenance:Senior & Shopmaker Gallery, New York, NY.$1,500-2,000
272 09-1680/270JEFF KOONS(american, b. 1955)TRAINfrom untitled portfolio1995, signed and dated in pencil, numbered 30/50(there were also 10 artist’s proofs), will full margins; theArtist, publisher. Color offset lithograph on on Biber GS300 G board.sheet: 27 1/2 x 39 1/2 in. (69.9 x 100.3cm)provenance:Jim Kempner Fine Arts, St. Louis, MO.$1,000-1,500
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273 09-1680/313JULIE MEHRETU(ethiopian/american, b. 1970)“CIRCULATION”2005, signed, dated and numbered 13/25 in pencil (there were also 10artist’s proofs), with full margins; Crown Point Press, San Francisco,publisher. Etching with aquatint and engraving on gampi paper chine collé.image: 27 3/4 x 39 3/4 in. (70.4 x 101cm)sheet: 35 3/4 x 47 in. (90.8 x 119.4cm)provenance:Crown Point Press, San Francisco, CA.$5,000-7,000
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274 09-1680/31AMY SILLMAN(american, b. 1966)“R & E”2007, signed, dated andnumbered 1/20 in pencil (therewere also 10 artist’s proofs), withmargins; Crown Point Press, SanFrancisco, publisher, and with theirblindstamps. Color etching andaquatint on Somserset Satin White.image: 25 3/4 x 19 3/4(65.4 x 50.2cm)sheet: 35 x 28 in. (88.9 x 71.1cm)provenance:Crown Point Press, San Francisco,CA.$1,000-1,500
275 09-1680/30AMY SILLMAN(american, b. 1966)“O & N”2007, signed, dated and numbered2/20 in pencil (there were also 10artist’s proofs), with full margins;Crown Point Press, San Francisco,CA., publisher, and with theirblindstamps. Color etching andaquatint on Somerset Satin White.image: 25 7/8 x 19 7/8 in.(65.7 x 50.5cm)sheet: 35 x 28 in. (88.9 x 71.1cm)provenance:Crown Point Press, San Francisco,CA.$1,000-1,500
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276 09-1680/149ED RUSCHA(american, b. 1937)“YOUR SPACE #1”2006, signed and dated in pencil,numbered 5/30 (there were also 10artist’s proofs), with full margins;Crown Point Press, San Francisco,publisher, and with theirblindstamps. Etching on SomersetSatin White.image: 20 x 24 in. (50.8 x 60.9cm)sheet: 25 1/2 x 29 in.(64.8 x 73.6cm)provenance:Greg Kucera Gallery, Seattle, WA.$1,000-1,500
277 09-1680/150ED RUSCHA(american, b. 1937)“YOUR SPACE ON BUILDING”2006, signed and dated in pencil,numbered 9/30 (there were also 10artist’s proofs), with full margins;Crown Point Press, San Francisco,publisher, and with theirblindstamps. Color etching andaquatint on Somerset Satin White.image: 23 3/4 x 19 3/4 in.(60.3 x 50.2cm)sheet: 29 1/2 x 25 in.(74.9 x 63.5cm)provenance:Greg Kucera Gallery, Seattle, WA.$1,000-1,500
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278 09-1680/510ROBERT BECHTLE(american, b. 1932)“20TH STREET VW”2007, signed, dated and numbered‘TP B’ in pencil (one of five trialproofs apart from the regular editionof 15 plus 10 artist’s proofs), with fullmargins; Crown Point Press, SanFrancisco, publisher, and with theirblindstamp. Color etching andaquatint on Somerset Satin White.image: 16 x 25 in. (40.6 x 63.5cm)sheet: 24 1/2 x 32 1/2 in.(62.1 x 82.5cm)provenance:Crown Point Press, San Francisco,CA.$2,000-3,000
279 09-1680/432PAT STEIR(american, b. 1938)“ALPHABET GRISAILLE”2007, signed ‘Pat Steir 2007’ inpencil, numbered 7/20, (there werealso 10 artist’s proofs) with fullmargins, published by Crown PointPress, San Francisco. Color aquatinton Somerset Textured White.image: 24 x 45 in. (60.9 x 114.3cm)sheet: 33 x 53 in. (83.8 x 134.6cm)provenance:Crown Point Press, San Francisco,CA.,$1,500-2,500
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280 09-1680/381MARY HEILMANN(american, b. 1940)“MARGOT”1998, signed, dated and numbered38/40 in pencil (there were also 10artist’s proofs), with full margins,published by Crown Point Press, SanFrancisco, CA. Color aquatint onSomerset Textured White.image: 29 3/4 x 21 7/8 in.(75.6 x 55.7cm)sheet: 41 1/4 x 29 1/2 in.(104.8 x 74.9cm)provenance:Crown Point Press, San Francisco,CA.$1,200-1,800
281 09-1680/25ALEXANDER ROSS(american, b. 1960)UNTITLEDColored pencil, watercolor, graphite,and flashe on paperExecuted in 2007sheet: 18 x 15 in. (45.7 x 38.1cm)provenance:David Nolan Inc, New York, NY.$2,000-3,000
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282 � 09-1680/541RYAN MCGINNESS(american, b. 1971)“BLACK HOLES”complete set of four prints2006, all signed, dated and threenumbered 33/33 in pencil,monoprint numbered 1/1 (therewere also 6 artist’s proofs), fullsheets; World House Editions,Middlebury, Connecticut and EditionCopenhagen, co-publishers. Colorlithographs and one unique colormonoprint with three .22 caliberbullet holes, with the hand-madelinen-covered portfolio case withcolophon/justification page. (4)sheet: 30 1/4 x 21 1/4 in.(76.8 x 54cm) (each)provenance:Galerie Lelong Paris.$10,000-15,000
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283 09-1680/92CHESTER ARNOLD(american, b. 1952)“MEANS OF COMMUNICATION”Signed with intials and dated ‘C.A. 07’ bottom right, signed again and titled ‘CHESTERARNOLD/ MEANS OF COMMUNICATION’ and inscribed ‘18 x 22 oil/linen’ on linen in inkverso, inscribed ‘With all our ways and means, the ego spits and rages, pages turn to light,endless volumes multiply—no news in this world of hapless nations no words better than theGreeks billionaires buy houses, geeks resolve their will to stall the fall of fate. I’m sitting in theroad among my histories, counting transient verbs’ in ink verso, oil on linen18 x 22 in. (45.7 x 55.9cm)Unframed.provenance:Catherine Clark Gallery, San Francisco, CA.$1,000-1,500
284-299No lots
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Modern &Contemporary
Works of Art
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300 09-1029/2CAMILLE PISSARRO(french, 1831-1903)double-sided drawingWOMAN CARRYINGWATERCHICKENS, PEASANTWOMANWASHING (VERSO)Signed ‘C.P.’ in ink lower left (front)and again faintly in pencil upper left;inscribed ‘O.C.P.(8)IIiia17’ in pencilupper right (perhaps by anotherhand), graphite drawing on paper.sight: 6 1/2 x 4 1/4 in.(16.5 x 11.4cm)provenance:Cape Cod, MA. Estate (Owner wasa secretary to Albert Barnes,founder of the Barnes Foundation,Merion, PA.).$2,000-3,000
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301 09-1029/4PIERRE AUGUSTE RENOIR(french, 1841-1919)‘L’ENFANT AU BISQUIT(JEAN RENOIR)”Circa 1898-1899, from the edition of100 (plus some trial proofs), withwide margins. Color lithograph onlaid paper.image: 12 1/2 x 10 3/8 in.(31.8 x 26.2cm)sheet: 24 7/8 x 18 1/2 in.(63.2 x 47cm)[Stella 31, Delteil 31].provenance:Krasner Gallery, New York, NY.Cape Cod, MA. Estate (Owner wasa secretary to Albert Barnes,founder of the Barnes Foundation,Merion, PA.).$2,000-3,000
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302 08-4134/74PIERRE AUGUSTE RENOIR(french, 1841-1919)“LE CHAPEAU EPINGLE 2 IEMEPLANCHE”1898, with a single printed signatureat bottom right, from the edition of200. Color lithograph on MBM laidpaper.image: 24 x 19 1/2 in.(60.9 x 49.5cm)sheet: 29 13/16 x 24 5/16 in.(75.6 x 61.7cm)[Delteil, Stella 30].provenance:Mr. Lessing J. Rosenwald,Jenkintown , PABy family descent to daughterJoan Rosenwald Scott (Mrs. I.M.Scott)The Estate of Mrs. I. M. Scott,Haverford, PAnote:Mr. Lessing J. Rosenwald, Chairmanof Sears & Roebuck from 1932 until1939 was a well-known collector of20th Century art and rare bookswho bequeathed most of hiscollection to the Library of Congressand the National Gallery of Art. Theprint being offered here was keptaside from those given to theseinstitutions because his daughterhad expressed fondness for the printfrom an early age.$25,000-40,000
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303 09-1522/9(AFTER) MARC CHAGALLBY CHARLES SORLIER(russian/french, 1887-1985)“FEMME AU BOUQUET”from “nice et la cote d’azur”Signed in pencil, numberedLIV/LXXV (artist’s proof, the editionwas 150 in Arabic numerals), withwide margins; Fernand Mourlot,Paris, publisher. Color lithograph onArches.image: 24 1/2 x 18 in.(62.2 x 45.7cm)sheet: 29 3/8 x 20 3/4 in.(72.1 x 52.8cm)[Sorlier 37].$7,000-10,000
304 09-1522/10(AFTER) MARC CHAGALLBY CHARLES SORLIER(russian/french, 1887-1985)“THE FIGHT OF JACOB AND THEANGEL”from “nice et la cote d’azur”1967, signed in pencil, numbered11/100 (Sorlier calls for the editionof 200), with wide margins. Colorlithograph on Arches.image: 20 3/8 x 16 1/8 in.(51.7 x 41cm)sheet: 29 x 22 in.(73.7 x 55.9cm)[Sorlier 40].$6,000-10,000
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305 09-1029/3GEORGES BRAQUE(french, 1882-1963)“AU COUCHANT (OISEAU XVI)”1958, signed in pencil, numbered30/75 (there were also 75 artist’sproofs), the full sheet; MaeghtGalerie, Paris, publisher. Colorlithograph on Arches.sheet: 19 1/4 x 25 5/8 in.(48.9 x 65cm)[Vallier 126].provenance:Cape Cod, MA. Estate (Owner wasa secretary to Albert Barnes,founder of the Barnes Foundation,Merion, PA.).$5,000-8,000
306 09-1027/3RAOUL DUFY(french, 1877-1953)REGATESPencil on paper13 5/8 x 21 1/8 in. (34.6 x 53.7cm)note:This lot will be accompanied by acertificate of authenticity fromFanny Guillon-Laffaille.provenance:Private Collection, ME.$4,000-6,000
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307 09-8062/2JEAN DUFYfrench, 1888-1964“FANTAISIE EQUESTRE”Signed ‘Jean Dufy’ bottom right, watercolor on paper laid down to cardboard17 3/8 x 22 in. (44.1 x 55.9cm)note:This lot will be accompanied by a certificate of authenticity from JacqueBailly, dated “September 15, 2009” and numbered 4114. It will also beincluded in the forthcoming catalogue raisonné.provenance:A Charlottesville, VA. Estate.$10,000-15,000
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308 09-8060/4(AFTER) HENRI MATISSE(french, 1869-1954)“ODALISQUE AU COFFRET ROUGE”Circa 1926, signed and numbered 188/200 in pencil, with wide margins.Color aquatint. on Arches.image: 16 x 21 5/8 in. (40.7 x 55cm)sheet: 22 1/8 x 29 3/4 in. (56.3 x 75.6cm)[Duthuit Appendix III].provenance:Private Collection, MD.$20,000-30,000
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309 09-1688/1VARIOUS ARTISTS“MONUMENT A CHRISTOPHE COLOMB ET A MARCEL DUCHAMP”the complete set of 13 etchings1968-71, each signed in pencil and numbered 23/125 (there were also 35 copies hors-commerce in Roman numerals); Éditions Georges Visat, publisher. The complete set of 13etchings (10 in colors), title, justification, loose on Lana pur fil paper in individual wrappersembossed with artist’s name, all within larger wrapper embossed with album title. Withinoriginal blue, cloth-covered boards and slipcase with metallic embossed monogram ‘MD’and title on spine (as issued); the Miro framed separately.portfolio: 16 x 11 3/4 in. (40.6 x 29.8cm)(1 framed + portfolio).Including:Pierre Alechinsky, Arman, Enrico Baj, Hans Bellmer, Camille Bryen, Max Ernst, WilhelmHausmann, Man Ray (2), Roberto Matta, Joan Miro, Hans Richter, and Dorothea Tanning.provenance:Éditions Georges Visat, publisher.Private Collection, PA.$5,000-7,000
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310 09-8060/1PABLO PICASSO(spanish, 1881-1973)“FEMME ACCOUDEE”1959, signed in pencil,numbered 31/50, with widemargins; Galerie Louise Leiris,Paris, publisher. Color linoleumcut on Arches paper.image: 25 3/16 x 20 7/8 in.(64 x 53.1cm)sheet: 28 1/8 x 24 in.(71.4 x 60.9cm)[Bloch 922; Baer 1240].provenance:Walker Galleries, CA.Private Collection, MD.$50,000-80,000
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312 09-8059/1PABLO PICASSO(spanish, 1881-1973)“DRESSAGE AU CIRQUE, AVEC, AUPREMIER PLAN, ECUYERE,MAGICIEN, FAUCONNIER ET LACOLOMBE DE NOE”plate 36 from “series 156”1970, with stamped signature,numbered 26/50, with widemargins; Galerie Louise Leiris, Paris,publisher. Etching on BFK Rives.image: 14 3/8 x 19 1/8 in.(36.5 x 48.6cm)sheet: 19 3/4 x 25 7/16 in.(50.2 x 63.8cm)[Bloch 1891; Baer 1897].$4,000-6,000
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311 09-1899/1PABLO PICASSO(spanish, 1881-1973)“VIEILLARD ASSIS AVEC UNEFEMME ET DANSEUSE”plate 239 from “series 347”1968, signed in pencil, numbered38/50, with wide margins; GalerieLouise Leiris, Paris, publisher.Etching on BFK Rives.image: 6 3/4 x 10 3/8 in.(17.2 x 26.3cm)sheet: 11 x 14 7/8 in.(28 x 37.9cm)[Bloch 1719; Baer 1736].$5,000-7,000
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313 09-1885/1(AFTER) PABLO PICASSO(american, 1881-1973)“FAUNES ET FLORE D’ANTIBES”the complete set of 12 offset lithographs1960, stamp-numbered ‘32’ in red on the justification(from the American edition of 125); Au Pont des Arts &Spadem, Paris, publisher. The complete set of 12 offsetcolor lithographs plus the color frontispiece, hors-texte,title, text by Jaime Sebartès and justification, loose (asissued) on Arches, within original canvas-covered folderboards, with printed signature and title.portfolio: 26 1/4 x 20 1/4 in. (66.7 x 51.4cm)$3,000-5,000
314 09-1892/2PABLO PICASSO(spanish, 1881-1973)“REFLEXION DU PEINTRESUR LA VIE”1967, stamp-signed, numbered15/50 in pencil, with wide margins.Etching on BK Rives.image: 13 5/8 x 11 1/2 in.(34.3 x 29.2cm)sheet: 21 3/8 x 17 13/16 in.(54.3 x 45.3cm)[Bloch 1446; Baer 1481].$2,000-3,000
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315 09-1460/2PABLO PICASSO(spanish, 1881-1973)“VALLAURIS- 1956 EXPOSITION”1956, signed in red crayon, from theedition of 200, with wide margins.Association des Potiers de Vallauris,publisher. Color linoleum cut onArches.image: 26 x 21 1/4 in.(66.1 x 52.1cm)sheet: 38 1/8 x 25 1/2 in.(96.8 x 64.8cm)[Bloch 1271; Baer 1042].$8,000-12,000
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316 09-1460/3PABLO PICASSO(spanish, 1881-1973)“VALLAURIS”1956, with the ‘EMPREINTEORIGINALE DE PICASSO’ and‘Madoura Plein Feu’ pottery stampson the underside, numbered40/100, white ceramic platediameter: 16 1/2 in. (42cm)[Ramie 330].$4,000-6,000
317 09-1859/1PABLO PICASSO(spanish, 1881-1973)“HIBOU AUX AILES DEPLOYEES”1957, partially painted terra cotta plate, inscribed ‘Edition Picasso’and with the ‘EDITION PICASSO’ and ‘MADOURA’ pottery stampson the underside, numbered 30/200diameter: 17 1/2 in. (44.5cm)[Ramie 397].$8,000-12,000
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318 09-1729/3JOAN MIRO(spanish, 1893-1983)“LES AMIS DU MUSEE D’ARTMODERNE DE PARIS”1972, signed in pencil, numbered5/75, the full sheet; Sociéte desAmis du Musée d'art moderne deParis, publisher. Color lithograph onArches.sheet: 35 1/4 x 24 3/4 in.(89.6 x 62.9cm)[Mourlot 840].$8,000-12,000
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319 09-1826/3JOAN MIRO(spanish, 1893-1983)“EXPOSITION DES OEUVRESRECENTES”1953, signed, numbered 124/150 inpencil, poster for Exhibition ofRecent Works at Galerie Maeght,Paris. Color lithograph (beforeletters) on Arches.image: 27 1/8 x 20 1/2 in.(68.9 x 52.1cm)sheet: 29 7/8 x 22 in.(75.9 x 55.9cm)[Mourlot 191].$1,000-2,000
321 09-1861/21JOAN MIRO(spanish, 1893-1983)“ALBUM 19: PLANCHE 11”1961, signed with initial ‘M.’ andnumbered ‘30/75’ in pencil, the fullsheet; Maeght, Paris, publisher.Color lithograph on BFK Rives.sheet: 20 1/8 x 26 1/8 in.(51 x 66.3cm)Unframed.[Mourlot 319].[see Cramer books 70].provenance:Private Collection, PA.$1,000-1,500
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320 09-1861/13JOAN MIRO(spanish, 1893-1983)UNTITLEDFROM “UBU AUX BALEARES”1971, signed and numbered 9/120 inpencil; Tériade, Paris, publisher.Color lithograph on wove paper.image: 17 1/4 x 21 3/8 in.(43.8 x 54.3cm)sheet : 18 7/8 x 25 3/4 in.(47.9 x 65.4cm)[Mourlot 768; see Cramer books146].provenance:Private Collection, PA.$1,200-1,800
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322 09-1528/2JOAN MIRO(spanish, 1893-1983)“LE DANDY”1969, signed in pencil, inscribed ‘H.C.’ (an hors-commerce print outside of theregular edition of 75), with full margins; Maeght, Paris, publisher. Color aquatint,etching and carborundum on Mandeure rag.image: 16 1/4 x 17 1/4 in. (41.3 x 43.8cm)sheet: 29 1/4 x 23 1/8 in. (74.3 x 58.8cm)[Dupin 492].$6,000-8,000
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323 09-1886/4(AFTER) JOAN MIRO(spanish, 1893-1983)“CONSTELLATIONS”four pochoirs1959, all from the total edition of384, the full sheets; André Bretonand Pierre Matisse Gallery, NewYork, co-publishers. Color pochoirreproductions on Arches aftergouaches by the artist. (4)sheet: 17 1/8 x 14 1/8 in.(43.5 x 35.8cm) (each)[see Cramer books 58].Including:“L’oiseau migrateur;” “Le bel oiseaude’chiffrant l’inconnu au coupled’amoureux;” and “Le passage del’oiseau divine,” and “Chiffres etconstellations amoureux d’unefemme.”provenance:Private Collection, Georgia.$3,500-4,500
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324 09-1886/3(AFTER) JOAN MIRO(spanish, 1893-1983)“CONSTELLATIONS”three pochoirs1959, all from the total edition of 384, the full sheets; André Bretonand Pierre Matisse Gallery, New York, co-publishers. Color pochoirreproductions on Arches after gouaches by the artist.sheet: 17 1/8 x 14 1/8 in. (43.5 x 35.8cm) (each; two horizontal, onevertical)(3).[see Cramer books 58].Including:“Femmes au bord du lac à la surface irisée par le passage d’uncygne;” “L’étoile matinale;” and “La Poétesse.”provenance:Private Collection, Georgia.$2,500-3,500
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325 09-1886/1(AFTER) JOAN MIRO(spanish, 1893-1983)“CONSTELLATIONS”three pochoirs1959, all from the total edition of 384, the full sheets; André Bretonand Pierre Matisse Gallery, New York, co-publishers. Color pochoirreproductions on Arches after gouaches by the artist.sheet: 17 1/8 x 14 1/8 in. (43.5 x 35.8cm) (each; two horizontal, onevertical)(3).[see Cramer books 58].Including:“Le léver due soleil;” “Verg l’arc-en-ciel;” “Le chant du rossignol aminuit et la pluie matinale.”provenance:Private Collection, Georgia.$2,500-3,500
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326 09-1886/2(AFTER) JOAN MIRO(spanish, 1893-1983)“CONSTELLATIONS”three pochoirs1959, all from the total edition of 384, the full sheets; André Bretonand Pierre Matisse Gallery, New York, co-publishers. Color pochoirreproductions on Arches after gouaches by the artist.sheet: 17 1/8 x 14 1/8 in. (43.5 x 35.8cm) (each; two horizontal, onevertical)(3).[see Cramer books 58].Including:“Femmes encerclées par le vol d’un oiseau;” “Personnages dans lanuit guidés par les traces phosphorescentes des escargots;”“Personnage blessé.”provenance:Private Collection, Georgia.$2,500-3,500
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327 09-1861/12JOAN MIRO(spanish, 1893-1983)“MARAVILLAS CON VARIACIONESACROSTICAS EN EL JARDIN DEMIRO”one print1975, signed in pencil, numbered75/75, with wide margins; EdicionesPolígrafa, Barcelona, publisher. Colorlithograph on Arches.image: 19 x 13 in.(48.3 x 33.1cm)sheet: 29 1/4 x 20 5/8 in.(74.3 x 52.4cm)[see Mourlot 1051-72].provenance:Private Collection, PA.$1,500-2,500
328 09-8060/3JOAN MIRO(spanish, 1893-1983)“LITHOGRAPH FOR THE LOSANGELES COUNTY MUSEUM OFART”1969, signed in pencil, numbered65/100, with full margins, published forthe Los Angeles County Museum ofArt. Color lithograph on Arches.image: 24 1/2 x 18 1/4 in.(62.3 x 46.3cm)sheet: 29 5/8 x 22 in. (75.2 x 55.9cm)[Maeght 623, Mourlot 555].provenance:Private Collection, MD.$5,000-7,000
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329 09-1830/4ANTON ROOSKENS(dutch, 1906-1976)“ANTON ROOSKENS: 12 ORIGINAL LITHOGRAPHS”incomplete set of 11 color lithographs1967, each signed in pencil and inscribed ‘H.C.’ on the justification (one ofthe 10 hors-commerce copies, the edition was 100 in Arabic numerals plusthe deluxe edition of 25 in Roman numberals which included an originalsigned gouache); Court Gallery Graphics, Denmark, publisher. Theincomplete set of 11 color lithographs loose on Hanemühle wove paper,introduction by Gunnar Jespersen, numbered justification sheet, lacking onesigned and numbered lithograph. Contained within linen-covered portfoliobox with printed text (as issued).portfolio: 15 7/8 x 12 3/4 in. (40.3 x 32.4cm)$1,500-2,000
331 09-1826/2HENRY MOORE(british, 1898-1986)“SIX RECLINING FIGURES WITH RED BACKGROUND”1981, signed in pencil and numbered ‘VI/XV’ (an artist’s proof,the edition was 50 in Arabic numerals); Raymond SpencerCompany, Ltd., London, publisher. Color lithograph on THSaunders.image: 8 5/8 x 9 3/4 in. (21.9 x 24.8cm)[Cramer 618].$1,000-2,000
330 09-1861/4FRIEDENSREICH HUNDERTWASSER(austrian, 1928-2000)“GOOD MORNING CITY”1969-70, signed and dated in ink and with the artist’s red stamps, numbered'4919/10,000' in pencil, with wide margins; Dorothea Leonhart, publisher.Color screenprint with metal imprints on Fabriano.image: 30 1/4 x 19 1/2 in. (76.8 x 49.5cm)[Koschatzky 41].provenance:Private Collection, PA.$1,000-1,500
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332 09-8060/8ANDRE BOURRIE(french, b. 1936)VILLAGE BUILDINGSSigned ‘a. bourrié’ and with artist’sdevice bottom right, oil on canvas28 7/8 x 23 5/8 in. (73.3 x 60cm)provenance:Private Collection, MD.$800-1,200
333 09-1884/2EUGENE PAUL (GEN PAUL)(french, 1895-1975)“MONTMARTRE”Ink and pastel on paper, signed ‘GenPaul’ and titled ‘Montmartre’ bottomright in inksight: 17 3/4 x 14 3/4 in(45.1 x 37.4cm)$2,000-3,000
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334 09-1889/3JANKEL ADLER(polish, 1895-1949)UNTITLEDSigned ‘Adler’ bottom left, oil onmasoniteExecuted ca. 19436 3/4 x 9 1/2 in. (17.2 x 24.1cm)provenance:Sotheby’s Olympia: Thursday, May25, 2006 [Lot 00269]Private Collection, London.$6,000-10,000
335 09-1884/1ZVI MAIROVICH(israeli, 1911-1973)STANDING FEMALE FIGURESigned ‘Z MAIROVICH’ bottomright, gouache on paper25 1/2 x 18 1/2 in. (64.8 x 47cm)$2,000-3,000
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336 09-1531/1OLIVIER DEBRE(french, 1920-1999)UNTITLEDSignature incised at bottom right ‘O.DEBRÉ,’ signed and dated ‘O. DEBRÉ1956,’ verso, oil on canvas39 1/2 x 46 1/2 in (100.3 x 118.1cm)$15,000-25,000
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337 09-1889/1MÜBIN ORHON(turkish, 1924-1981)UNTITLED COMPOSITIONSigned ‘Mubin’ upper left and againverso, oil on canvasExecuted circa 1950-5524 x 15 in. (60.9 x 38.2cm)provenance:Private Collection, London.$10,000-15,000
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338 09-1889/2MÜBIN ORHON(turkish, 1924-1981)UNTITLEDSigned ‘Mubin’ bottom left andsigned ‘MUbIN’ and dated verso, oilon canvasExecuted in 195611 3/4 x 5 7/8 in. (29.8 x 14.9cm)provenance:Private Collection, London.$3,000-5,000
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339 09-1531/2THANOS TSINGOS(greek, 1914-1965)“FLEUR ROUGE SUR FOND ROSE”Signed and dated ‘TSINGOS/59’,bottom right, signed and titled ‘No.17 / Fleur rouges sur fond rosé /TSINGOS / 1959’ on canvas,inscribed on stretcher ‘MRS COLE’,oil on canvas16 1/4 x 10 3/4 in. (41.3 x 27.3cm)note:This painting has beenauthenticated by Marc Ottavi andwill also be included in theforthcoming catalogue raisonné(projected publication date of2010).$5,000-8,000
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340 09-1900/1AFRO(italian, 1912-1976)UNTITLED COMPOSITIONSigned, dedicated and dated ‘ageorge afro 53.’ in ink bottom right,watercolor and graphite on paper11 1/4 x 8 3/4 in. (28.5 x 22.2cm)provenance:The Artist.Gifted to Dr. and Mrs. JosephKelleher, Princeton, NJ.Gifted to Dr. William Schellman,Princeton, NJ.Private Collection, Pennsylvania.note:Dr. Patrick J. Kelleher was aprofessor of art and archeology atPrinceton University and director ofits Art Museum from 1960-1972. Heis widely credited with expandingthe university’s collection andorganizing exhibitions whichnecessitated the construction of abigger museum, now consideredone of international importance.As a soldier in World War II, MajorKelleher was credited with savingseveral artifacts and works of artfrom falling into the hands of theNazis. Perhaps during this time, hemay have met and known the artistwho gifted him this drawing.Dr. William Schellman was aprofessor of architecture atPrinceton University, and wascommissioned by Kelleher to designhis Princeton home.$10,000-15,000
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341 08-1025/34HANS HINTERREITER(swiss, 1902-1989)“OPUS 117. 1960.”Signed, inscribed and dated in ink onthe supporting mat board, ‘HansHinterreiter, op. 117 /Plastiktempera; 13.7.60’ (withassociated diagram also in ink),acrylic on paper19 3/4 x 15 in. (50.2 x 38.1cm)provenance:Ericson Gallery, New York, NY.Dwan Gallery, Los Angeles, CA.exhibited:Albright-Knox Art Gallery, TheMembers Gallery.$3,000-5,000
342 09-1538/1MAX VON MOOS(swiss, 1903-1979)UNTITLEDSigned with initials and dated‘M.V.M. 57’ bottom right, alsosigned and dated ‘Max von Moos1957’ verso, oil and tempera onmasonite19 3/4 x 30 3/8 in. (50.2 x 77.2cm)provenance:Private Collection, Germany.$1,200-1,800
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343 09-8062/4CONSTANTINE KLUGE(french, 1912-2003)“LA SEINE RUE DU PORT ROYAL”Signed ‘C Kluge’ bottom right, oil oncanvas32 1/4 x 51 3/4 in. (82 x 131.4cm)provenance:A Charlottesville, VA. Estate.$3,000-5,000
344 09-1547/12FRANCOIS GALL(french, 1912-1987)“PL. DU TERTRE”Signed ‘F. gall’ bottom right, signedand titled on stretcher, oil on canvas8 5/8 x 10 1/2 in (21.9 x 26.7cm)$3,000-5,000
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345 09-1547/13FRANCOIS GALL(french, 1912-1987)FEMME AU CHAPEAUSigned ‘F. gall’ bottom left, oil oncanvas16 1/4 x 13 in. (41.3 x 33cm)$4,000-6,000
346 09-1547/7FRANCOIS GALL(french, 1912-1987)“CROTON”Signed and titled ‘F. gall / croton’bottom right, oil on canvas8 1/2 x 10 1/2 (21.6 x 25.4cm)$2,500-4,000
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347 09-1547/23ANDRE GISSON(american, 1921-2003)“LA PLACE DU CHÂTELET”Signed ‘Gisson’ bottom left, oil oncanvas9 x 12 in. (22.9 x 30.5cm)$1,000-1,500
349 09-8062/3ANDRE GISSON(american, 1921-2003)LANDSCAPE WITH MOTHER ANDCHILDSigned ‘A. Gisson’ bottom right, oilon canvas20 x 24 in. (50.8 x 61cm)provenance:A Charlottesville, VA. Estate.$3,000-5,000
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348 09-1547/20ANDRE GISSON(american, 1921-2003)“RAINY DAY, PLACE DUCHATELET”Signed ‘Gisson’ bottom left, oil oncanvas12 x 16 in. (30.5 x 40.6cm)$1,500-2,500
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350 09-1547/21ANDRE GISSON(american, 1921-2003)CAROUSELSigned ‘Gisson’ bottom right, oil oncanvas9 x 12 in. (22.9 x 30.5cm)$600-1,000
352 09-1547/24ANDRE GISSON(american, 1921-2003)MIXED FLOWERStwo paintingsEach signed ‘Gisson’ upper left.Each oil on canvas (2)9 x 12 in. (22.9 x 30.5cm) (each)$1,000-1,500
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351 09-1547/22ANDRE GISSON(american, 1921-2003)YOUNG GIRL ON A BALCONYSigned ‘Gisson’ bottom left, oil oncanvas9 x 12 in. (22.9 x 30.5cm)$1,000-1,500
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353 09-8062/1LE PHO(french, 1907-2001)PICKING FLOWERSSigned ‘Le Pho’ and signed again inChinese bottom right, oil on canvas28 7/8 x 36 in. (73.3 x 91.4cm)provenance:Wally Findlay Galleries, Palm Beach, FL..A Charlottesville VA Estate.$20,000-30,000
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354 09-1779/1LE PHO(french, 1907-2001)LA MATERNITESigned ‘Le pho’ and signed again inChinese bottom right, oil on canvas21 1/4 x 25 1/2 in. (54cm x 64.8cm)provenance:Wally Findlay Galleries, Palm Beach, FL.note:This lot will be accompanied by originalinvoice and guarantee from WallyFindlay Galleries, Inc. dated July 25,1988.$15,000-25,000
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356 09-1820/1NATVAR BHAVSAR(indian, b. 1934)THREE FIGURESSigned ‘NATVAR’ bottom right, oilon canvas24 1/4 x 34 1/4 in. (61.6 x 87cm)provenance:Private Collection, PA.$1,000-1,500
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357 09-1820/3NATVAR BHAVSAR(indian, b. 1934)UNTITLEDSigned in pencil, with wide margins.Color etching on wove paper.image size: 7 3/4 x 9 7/8 in.(19.7 x 25.1cm)provenance:Private Collection, PA.$200-400
355 09-1861/26LEBADANG(french, b. 1922)UNTITLEDSigned ‘Lebadang’ and with artist’sdevice bottom center right,watercolor, presumably on paperlaid down to canvas27 1/2 x 39 1/4 in. (69.8 x 99.7cm)provenance:Private Collection, PA.$2,000-3,000
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358 09-8084/1KRISHNA SHARAO KULKARNI(indian, 1916-1994)“ENVOY OF THE EPICS”Signed ‘KS Kulkarni’ bottom left, mixed media and acrylic on canvas36 x 46 in. (91.4 x 116.8cm)provenance:Franz Bader Gallery, Washington, D.C.Private Collection, VA.note:A typewritten label attached verso is inscribed “Prof. K.S. Kulkarni /Skidmore College / Saratoga Springs / New York 12866 / Envoy of the Epics/ Mixed Acrylic”$10,000-15,000
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359 09-1778/1FRANCIS NEWTON SOUZA(indian, 1924-2002)“COUNTRY LANDSCAPE WITH POND- PHOENICIA N.Y.”Signed and dated ‘Souza 71’ upper left, signed, titled, dated and inscribed inink verso ‘F.N. SOUZA COUNTRY LANDSCAPE WITH POND- PHOENICIA,N.Y. 1971,’ and inscribed ‘O.C B-71-001’, oil on canvasboard20 x 24 in. (50.8 x 60.9cm)Unframed.provenance:Estate of the Artist.$30,000-50,000
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360 09-1778/2FRANCIS NEWTON SOUZA(indian, 1924-2002)“STILL LIFE”Signed and dated ‘Souza 64’ upper center, signed, titled and dated verso‘F.N. SOUZA Still Life 1964’ in ink and inscribed with catalogue number‘08-64-002’, oil on masonite17 1/2 x 21 1/4 in. (44.5 x 54cm)Unframed.provenance:Estate of the Artist.$20,000-30,000
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361 09-1778/4FRANCIS NEWTON SOUZA(indian, 1924-2002)UNTITLED- CHEMICAL HEADSigned and dated ‘Souza 1970’ in inkupper right, inscribed ‘Ch-Chemp-70-010’ verso, chemical alterationon magazine paper with collageadhered to paper11 x 8 3/8 in. (27.8 x 21.3cm)Unframed.provenance:Estate of the Artist.$5,000-8,000
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362 09-1778/3FRANCIS NEWTON SOUZA(indian, 1924-2002)UNTITLED- CHEMICAL HEADSigned and dated ‘Souza 97’ upperright and again at center left,inscribed verso ‘CR-Chm IP-97-018’in pencil and ‘C-97-360’ in ink,chemical alteration and ink onprinted magazine paper11 3/4 x 9 1/8 in. (29.8 x 23.1cm)Unframed.provenance:Estate of the Artist.$5,000-8,000
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363 09-1778/5FRANCIS NEWTON SOUZA(indian, 1924-2002)UNTITLED- LANDSCAPESigned and dated ‘Souza 97’ bottomleft, inscribed verso ‘CR-Chm GMP-97-003’, chemical alteration and oilpaint, black felt-tip pen and markeron printed magazine paper13 1/4 x 9 1/8 in. (33.6 x 23.2cm)Unframed.provenance:Estate of the artist.$7,000-10,000
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364 09-1532/1RAFAEL FERRER(puerto rican, b. 1933)UNTITLEDSigned and dated ‘Ferrer 88 V’ bottom left, signed and dated again ‘R. Ferrer1988’ in purple crayon verso, inscribed ‘Mixing Memory and desire (T.S.Eliot)’ verso, oil on canvas48 x 84 in. (121.8 x 213.3cm)Unframed.$6,000-8,000
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365 09-1586/1DAVID LONDONO MANZUR(columbian, b. 1929)“VARIATION”Signed and dated ‘Manzur 62’bottom right, titled verso, oil onboard27 1/4 x 12 3/4 in. (69.2 x 32.4cm)provenance:Obelisk Gallery, Washington, DC.$1,000-1,500
367 09-1826/4NOBU FUKUI(japanese/american, b. 1942)UNTITLEDSigned and dated ‘Nobu Fukui 1970’and inscribed ‘#29’ verso, oil oncanvas47 x 47 in. (119.4 x 119.4cm)$700-1,000
366 09-1822/2LEONARDO NIERMAN(mexican, b. 1932)THE BRIDGESigned and dated ‘Nierman 64’bottom right, oil on panelsight: 23 1/8 x 39 1/2 in.(58.7 x 100.3cm)provenance:Private Collection, PA.$1,000-1,500
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368 09-1785/1ALEXANDER CALDER(american, 1898-1976)“FLYING COLORS”1973, signed in pencil, numbered93/100, published for BraniffAirlines, the full sheet. Colorlithograph on wove paper.Sheet: 23 1/4 x 34 in.(59.1 x 86.4cm)note:This work was published tocommemorate the unveiling of“Flying Colors,” Braniff Airlines’South American fleet of jets, one ofwhich was painted in six colors byAlexander Calder.$1,000-2,000
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369 09-1861/14ALEXANDER CALDER(american, 1898-1976)UNTITLEDPencil signed and numbered 67/90.Color lithograph on wove paperimage size: 22 3/8 x 32 in.(56.8 x 81.3cm)provenance:Private Collection, PA.$800-1,200
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371 09-1820/5ALEXANDER CALDER(american, 1898-1976)RED AND BLUE BALLOONSSigned in pencil, numbered 78/125,the full sheet. Color lithograph onwove paper.27 x 19 1/4 in. (68.6 x 48.9cm)provenance:Private Collection, PA.$2,000-4,000
370 09-1336/37ALEXANDER CALDER(american, 1898-1976)BIRD and FISHtwo prints1975, both signed in pencil, numbered 55/100 and 8/100 respectively, bothwith the ‘Flying Colors Collection 1975’ embossed stamp bottom right, withmargins. Color lithographs on wove paper. (2)image (approx): 14 x 29 3/4 in. (35.6 x 75.6cm) (each)provenance:A Pennsylvania Corporation.$1,200-1,800
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373 09-1711/26STANLEY WILLIAM HAYTER(british, 1901-1988)“WINGED FIGURES(PERSONNAGES AILES)”1952, signed, dated, titled andinscribed 'Essai de Couleurs' inpencil (trial proof, the edition was90 plus 15 artist’s proofs), withmargins; Kornfeld and Klipstein,Bern, publishers. Color engraving,soft-ground etching and scorper incolors on heavy wove paper.image: 15 3/4 x 12 7/8 in.(40 x 32.7cm)sheet: 19 3/4 x 17 in.(50.2 x 43.2cm)[Black/Moorhead 205].$1,000-1,500
372 09-1711/27STANLEY WILLIAM HAYTER(british, 1901-1988)“TROPIC OF CANCER”1949, signed, dated, and titled inpencil, numbered 31/50 (there werealso 5 artist's proofs), with margins.Engraving and etching on BarchamGreen.image: 21 5/8 x 27 1/4 in.(55 x 69.2cm)sheet: 27 x 33 in(50.2 x 43.2cm)[Black/Moorhead 190].$4,000-6,000
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375 09-1890/6MILTON AVERY(american, 1885-1965)“DRAWBRIDGE (THE HARLEM RIVER BRIDGE)”1936, signed and dated in pencil, numbered 26/60, with margins.Drypoint on wove paper.sheet: 6 3/8 x 12 7/8 in. (16.2 x 32.7cm).[Lunn 10].$1,500-2,500
377 09-1890/9MILTON AVERY(american, 1885-1965)“NIGHT NUDE (BLUE AND BLACK)”1953, signed and dated in pencil, inscribed ‘artist’s proof’ (the edition was25), with margins. Color woodcut on wove Japan.image: 9 11/16 x 24 in. (24.6 x 60.9cm)[Lunn 48ii].$3,000-4,000
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376 09-1890/7MILTON AVERY(american, 1885-1965)“FISH (GREEN)”1952, signed and dated in pencil, numbered 54/100, with margins.Color woodcut on wove Japan.image: 2 1/2 x 9 in. (6.3 x 22.9cm)[Lunn 41].$1,000-1,500
374 09-1890/8MILTON AVERY(american, 1885-1965)“STRANGE BIRD (YELLOW AND BLACK)”1953, signed, dated and numbered 22/25 in pencil, with wide margins.Color woodcut on wove Japan.image: 7 1/4 x 12 3/4 in. (18.4 x 32.4cm)[Lunn 45ii].$2,000-3,000
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379 09-1884/6ROLPH SCARLETT(american, 1891-1984)UNTITLEDSigned ‘SCARLETT’ in ink bottomleft, gouache, ballpoint pen and inksheet: 8 5/8 x 11 1/2 in.(21.9 x 29.2cm)provenance:Estate of the Artist.$800-1,200
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380 09-1884/8ROLPH SCARLETT(american, 1891-1984)LE CHEVAL MANGESigned 'Rolph Scarlett' in ink bottomleft, gouache on papersheet: 12 x 18 in. (30.5 x 45.8cm)provenance:Estate of the Artist.$1,500-2,500
378 09-1884/9ROLPH SCARLETT(american, 1891-1984)UNTITLEDSigned ‘SCARLETT’ bottom rightand again upside down at upperright, gouache on papersheet: 16 1/2 x 13 3/4 in.(41.9 x 34.9cm)provenance:Estate of the Artist.$800-1,200
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381 09-8060/2ROBERT MOTHERWELL(american, 1915-1991)“RED SEA III”1983, signed in pencil, numbered11/70 (there were also 10 artist’sproofs in Roman numerals), with widemargins; published by the artist andreleased by Tyler Graphics, Mt. Kisco,NY. Color etching and aquatint onGeorge Duchêne Hawthorne ofLarroque handmade paper.sheet: 28 7/16 x 11 3/4 in.(72.2 x 29.8cm)sheet: 35 7/16 x 18 in.(90.6 x 45.8cm)[Engberg & Banach 316, Belknap 292].provenance:Private Collection. MD.$10,000-15,000
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383 09-1520/2ROBERT MOTHERWELL(american, 1915-1991)“AFRICA SUITE”plate v1970, signed in pencil with initialsand numbered 116/150 (there werealso an unrecorded number ofartist's proofs), with full margins;Marlborough Graphics, Inc., NewYork, publisher. Screenprint onJ.B. Green.image: 31 1/2 x 23 1/2 in.(80 x 59.7cm)sheet: 40 3/4 x 28 1/4 in.(103.5 x 71.8cm)[Engberg & Banach 73; Belknap 44].provenance:Private Collection, PA.$1,500-2,500
382 09-1900/2ROBERT MOTHERWELL(american, 1915-1991)“AUSTRALIA”1983, signed in ink, numbered 21/25(there were also 6 artist's proofs),with wide margins; Tyler Graphics,Ltd., Mt. Kisco, NY, publisher, withthe artist's chop mark. Aquatintfrom one copper plate printed nochre, lift-ground and soft-groundetching from one copper plateprinted in black on German Etchingpaper.image: 17 5/8 x 23 5/8 in.(44.8 x 60cm)sheet: 25 x 30 in. (63.5 x 76.2cm)[Engberg & Banach 322; Belknap296].$2,500-3,000
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384 09-1029/1WILLEM DE KOONING(dutch/american, 1904-1997)WOMANSigned ‘de Kooning’ in pencil bottomcenter, ink on paperExecuted ca. 196010 15/16 x 8 7/16 in. (27.8 x 21.7cm)provenance:Cape Cod, MA. Estate (Owner wasa secretary to Albert Barnes,founder of the Barnes Foundation,Merion, PA.).$7,000-10,000
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386 09-1890/2FRANK STELLA(american, b. 1936)“LES INDES GALANTES II”1973, signed, dated and numbered 7/100 inpencil (there were also 20 artist’s proofs);Petersburg Press, Ltd., London, publisher.Offset lithograph in black and gray onJ. Green mould-made paper.image: 8 x 16 in (20.3 x 40.6cm)sheet: 16 x 22 in. (40.6 x 55.8cm)[Axsom 87]. Unframed.$1,000-1,500
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387 09-1890/3ELLSWORTH KELLY(american, b. 1932)“RED/BLUE (UNTITLED)”from “ten works x ten painters”1964, unsigned and unnumbered, from theedition of 500 (there were also 10 artist'sproofs), with full margins; the WadsworthAtheneum, Hartford, CT, publisher, andwith Ives-Sillman blindstamp. Colorscreenprint on Mohawk Superfine Cover,with original folder printed with artist'sname.image: 22 x 18 in. (55.8 x 45.7cm)sheet: 24 x 20 in. (61 x 50.8cm)[Axsom 2]. Unframed.$1,500-2,000
385 09-1890/10FRANK STELLA(american, b. 1936)“CATO MANOR”from “multicolored squares, state ii”1973, signed, dated and numbered 10/20in pencil (there were also an unknownnumber of artist’s proofs), inscribed‘State II” in pencil; Petersburg Press, Ltd.,London, publisher. Offset lithograph inblack and gray on T.H. Saunders mould-made paper.image: 10 1/4 x 10 1/4 in (26 x 26cm)sheet: 16 x 22 in. (40.6 x 55.8cm)[Axsom 78a].Unframed.$1,000-1,500
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388 09-8060/6DALE CHIHULY(american, b. 1941)“BASKET DRAWING”Signed ‘Chihuly’ bottom center,mixed media on paper41 x 29 3/8 in. (104.1 x 74.6cm)provenance:Private Collection, MD.$3,000-5,000
389 09-1899/4REUBEN NAKIAN(american, 1897-1986)“SALOMEWITH HEAD OF JOHNTHE BAPTIST”Incised with signature, unglazedterracotta and white pigment8 1/2 x 5 3/4 x 3 3/8 in.(21.6 x 14.6 x 8.6cm)provenance:The Artist.Private Collection, MD.$2,000-4,000
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390 09-1888/1MICHAEL LOEW(american, 1907-1985)ABSTRACTSigned and dated 'Loew '55' in blackink bottom right, watercolor onpaper.sight: 6 x 9 in. (15.3 x 22.9cm)$800-1,200
392 09-1560/2HENRY FAULKNER(american, 1924-1981)FIGURES IN A PARKSigned “Faulkner” bottom right, oilon board12 1/4 x 16 1/2 in. (31.1 x 41.9cm)$1,000-1,500
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391 09-1899/2ROBERT KULICKE(american, 1924-2007)PEAR, ORANGE, LEMON AND EAROF CORN ON GREY TABLESigned and dated ‘Kulicke 58’ upperright, oil on boardsight: 5 1/2 x 8 1/8 in.(14 x 20.6cm)provenance:Barbara Kulicke, wife of the Artist.Susan Isaacs Gallery, Wilmington,DE.Private Collection, MD.$2,000-3,000
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394 09-1685/1JACOB LAWRENCE(american, 1917-2000)“MAN ON SCAFFOLD”1985, signed, dated, and titled inpencil, inscribed 'A/P' (one of 6artist's proofs, the edition was 60),the full sheet; Francine SedersGallery, Seattle, WA., publisher.Color lithograph on Arches.29 7/8 x 22 1/4 in. (74.8 x 56.5cm)[Nesbett L85-1].provenance:Private Collection, PA.$4,000-6,000
393 09-1537/1LARRY RIVERS(american, 1923-2002)“NINE FRENCH BANK NOTES I”1963-4, signed, dated andnumbered 20/26 in pencil (therewere also an unrecorded number ofartist’s proofs), with wide margins;Universal Limited Art Editions, WestIslip, NY., publisher, and with theirblindstamp. Color lithograph onwove paper.sheet: 19 7/8 x 28 in.(50.5 x 71.1cm)[Sparks 37].$2,000-3,000
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396 09-1685/2ROMARE BEARDEN(american, 1911-1988)“FIREBIRDS”1979, signed in pencil and numbered14/300 (there were also 25 copieshors-commerce); with widemargins. Transworld Art, publisher.Color lithograph on wove paper.21 1/2 x 15 in. (54.6 x 38.1cm)[Gelburd & Rosenberg 83].provenance:Private Collection, PA.$2,000-3,000
395 09-1685/3ROMARE BEARDEN(american, 1911-1988)“OUT CHORUS, JAZZ”1979-1980, signed in pencil andnumbered 75/200. Color photo-engraving on wove paper.12 3/8 x 16 1/4 in. (31.4 x 41.3cm)[Gelburd & Rosenberg 1].provenance:Private Collection, PA.$2,000-3,000
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397 09-1826/1LOUISE NEVELSON(american, 1899-1988)“THE NIGHT SOUND”from “lead intaglio series”1971, signed, titled, dated andnumbered 57/150 in pencil on thesupport (there were also 20 artist’sproofs); Pace Editions, New York,publisher. Lead intaglio collage onFabriano31 1/8 x 25 1/4 in. (79.1 x 64.1cm)[Baro 110].$2,000-3,000
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399 09-1820/4DUANE MICHAELS(american, b. 1932)“MAGRITTE”1979, titled, signed and numbered77/100 in ink in the margin. Gelatinsilver print.5 x 7 1/4 in. (12.7 x 18.4cm)provenance:Private Collection, PA.$1,000-1,500
398 09-1678/1SAUL STEINBERG(american, 1914-1999)“VIOLIN DANCER”Signed and dated ‘STEINBERG / 1959’ in pencilbottom right, ink and colored pencil on staff paper19 x 12 1/2 in. (48.3 x 31.8cm)provenance:Sidney Janis Gallery, New York, NY.Makler Gallery, Philadelphia, PA.$2,000-3,000
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400 09-1900/4ROBERT MAPPLETHORPE(american, 1946-1989)“THOMAS”1986, signed and dated ‘Robert Mapplethorpe ‘86’ bottom right, numbered2/10 bottom left, signed ‘Robert Mapplethorpe’ and dated ‘1986’ in black inkwithin copyright stamp verso, inscribed ‘1632’, titled, dated and numbered‘Thomas 1986 2/10’ in black ink verso. Gelatin silver print.image: 19 1/4 x 19 1/8 in. (48.8 x 48.6cm)sheet: 23 1/4 x 19 7/8 in. (59 x 50cm)provenance:Robert Miller Gallery, New York, NY.Private Collection, Pennsylvania.$8,000-12,000
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400AANNIE LEIBOVITZ(american, b. 1949)"JOHN LENNON AND YOKO ONO, THE DAKOTA, N.Y.,DECEMBER 8, 1980"Inscribed in ink marker, 'John Lennon and Yoko Ono / the Dakota N.Y.-December 8, 1980 / For Nick / AP 1/5 love, Annie Leibovitz' (the editionwas 40). Dye bleach print.sheet: 14 x 14 in. (35.6 x 35.6cm)$15,000-25,000
229
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401 09-1899/3JIM DINE(american, b. 1935)“RED ROBE”1976, signed and dated in pencil,numbered 4/36 (there were also 6artist's proofs), with wide margins.Pace Editions, New York, publisher.Color etching on CopperplateDeluxe.image: 35 3/4 x 23 1/2 in.(90.8 x 59.7cm)sheet: 42 x 30 in. (106.8 x 76.2cm)[Williams College 212].$5,000-7,000
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402 09-1520/1ALEX KATZ(american b. 1927)“JOAN AND CAROL”Oil on aluminumExecuted circa 197028 7/8 x 28 7/8 in. (73.3 x 73.3cm)Unframed.provenance:Robert Miller Gallery, New York, NY.Private Collection, PA.$30,000-50,000
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403 09-1687/1ANDY WARHOL(american, 1928-1987)“MICK JAGGER”one print1975, signed in pencil, numbered4/250 (there were also 50 artist’sproofs), also signed in felt pen byMick Jagger, the full sheet; SeabirdEditions, London, publisher. Colorscreenprint on Arches Aquarelle..image: 38 3/4 x 28 3/4 in.(98.4 x 73cm)sheet: 43 1/2 x 28 3/4 in.(110.5 x 73cm)[Feldman & Schellman II.141].$15,000-25,000
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404 09-1866/1ANDY WARHOL(american, 1928-1987)“PLAINS INDIAN SHIELD”from “cowboys and indians”1986, signed in pencil and numbered 201/250 (there were also 50 artist'sproofs), the full sheet; Gaultney Klineman Art, Inc., New York, publisher.Color screenprint on Lenox Museum Board.sheet: 36 x 36 in. (91.4 x 91.4cm)[Feldman & Schellmann II.382].$8,000-12,000
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405 09-1866/3ANDY WARHOL(american, 1928-1987)“GENERAL CUSTER”from “cowboys and indians”1986, signed in pencil and numbered 122/250 (there were also 50 artist'sproofs), the full sheet; Gaultney Klineman Art, Inc., New York, publisher.Color screenprint on Lenox Museum Board.sheet: 36 x 36 in. (91.4 x 91.4cm)[Feldman & Schellmann II.379].$15,000-20,000
234
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406 09-1866/2ANDY WARHOL(american, 1928-1987)“GERONIMO”from “cowboys and indians”1986, signed and numbered 122/250 in pencil (there were also 50 artist’sproofs), the full sheet; Gaultney Klineman Art, Inc., New York, publisher.Color screenprint on Lenox Museum Board.sheet: 36 x 36 in. (91.4 x 91.4cm)[Feldman & Schellmann II.384].$15,000-20,000
235
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407 08-1679/1SIDNEY GOODMAN(american, b. 1936)“IN MEMORIAN” (SIC)Signed and dated ‘Goodman 60’bottom left, oil on canvas48 1/2 x 58 in. (123.2 x 147.3cm)provenance:Private Collection, PA.$5,000-8,000
408 09-1884/3ALFRED MORANG(american, 1901-1958)UNTITLEDSigned “ALFRED MORANG” bottomright, oil on board22 1/2 x 19 1/4 in. (57.2 x 48.9cm)$2,500-3,500
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409 09-1677/1EDNA ANDRADE(american, 1917-2008)“SEAWALL”Signed and dated ‘EDNA ANDRADE1988’ in pencil bottom left, inscribedwith title bottom right, collage andfrottage on paper8 1/2 x 12 in. (21.6 x 30.5cm)provenance:Marian Locks Gallery, Philadelphia,PA.Private Collection, PA.$500-700
411 09-1823/1HUMBERT HOWARD(american, 1915-1992)FARM SCENESigned and illegibly dated ‘HumbertHoward ‘4_’ bottom right, oil oncanvas24 1/8 x 31 3/4 in. (61.3 x 80.6cm)$3,000-5,000
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410 09-1560/1HUMBERT HOWARD(american, 1915-1992)STRAWBERRIESSigned and dated ‘humbert Howard70’ upper left, oil on board14 x 17 in. (35.6 x 43.2cm)provenance:Private Collection, FL.$1,200-1,800
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412 09-1690/1CHARLES SEARLES(american, 1937-2004)“UNTITLED #3”Signed and dated ‘Searles 97’bottom right in pencil, from theedition of 3, painted bronze inshadowbox frame19 7/8 x 15 3/4 in. (50.5 x 40cm)provenance:Sande Webster Gallery, Philadelphia,PA.$2,500-4,000
413 09-1865/14DOX THRASH(american, 1893-1965)CLOWNSigned ‘D.THRASH’ bottom right, oilon canvas28 1/4 x 32 in. (71.8 x 81.3cm)provenance:Private Collection, Penn Valley, PA.$7,000-10,000
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41509-1865/17DOX THRASH(american, 1893-1965)CIRCUSSigned ‘D. THRASH’ bottom left, oilon boardsight: 18 1/2 x 22 3/4 in.(47 x 57.8cm)provenance:Private Collection, Penn Valley, PA.$4,000-6,000
end of sale.
41409-1865/16DOX THRASH(american, 1893-1965)DOWNTOWN DWELLINGSSigned ‘D. THRASH’ bottom left,gouache on papersight: 11 1/2 x 10 3/8 in.(29.2 x 26.4cm)provenance:Private Collection, Penn Valley, PA.$2,000-3,000
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Index
Abbott, B., 13Adler, J., 334Afro, 340Agam, Y., 64Alechinsky, P., 309Allan, W., 131Allen, J., 2, 3Alloucherie, J., 260Alsop, A., 150Amenoff, G., 182Anderson, B. 152Andrade, E., 409André, A., 51-52Apfelbaum, P., 263Arman, 309Arnold, C., 283Artschwager, R., 262Avery, M., 374-377
Bailey, R., 257Bailey, W., 126, 127Baj, E., 309Baynard, E., 132Bearden, R., 395, 396Bechtle, R., 278Bellmer, H., 309Bengston, B., 119Bhavsar, N., 356, 357Biala, J., 128, 129Bontecou, L., 58Bosman, R., 270Bourgeois, L., 235-241Bourrie, A., 332Braque, G., 305Brandl, H., 220Browne, B., 55Bryan, E., 246, 247Bryen, C., 309
Calder, A., 60, 368-371Cathelin, B., 53Celis, P., 191-193Chagall, M. (after), 303, 304Chihuly, D., 388Ching-Bor, P., 45Chowdhury, S., 203Christo, 59Cohen, B., 175Cohn, A., 8-10Cole, W., 266Colville, P., 160Cook, J., 153-155Cushing, B., 151
Mapplethorpe, R., 400Marsh, G., 230, 231Mason, E., 113-116Matisse, H. (after), 308Matta, R., 309Mazur, M., 172-174McGinness, R., 282Mehretu, J., 273Meissner, L., 15Meyer, J., 156Michaels, D., 399Miro, J. (after), 323-326Miro, J., 309, 318-322, 327, 328Moore, H., 331Moos, M., 342Morang, A., 408Moroles, J., 190Morper, D., 141, 142Motherwell, R., 89-94, 381-383Müller, V., 228Mullican, M., 232
Nahas, N., 111Nakian, R., 389Nelson, R., 143Nesbitt, L., 30Nevelson, L., 95-97, 397Nice, D., 134Nierman, L., 366Nozkowski, T., 271
Oldenburg, C., 62, 63Olitski, J., 73Orhon, M., 337, 338Ouadahi, D., 207-209
Pace, S., 159Paladino, M., 227Paul, E., 333Pettus, S., 144Pfaff, J., 181Picasso, P., 310-317Pissarro, C., 300Pissarro, G., 46, 47Pissarro, H., 50Pissarro, L-R., 48, 49Pita, G., 188, 189Pitts, R., 148Porter, B., 171Porter, L., 186
Hill, C., 117Hinterreiter, H., 341Hockney, D., 68Howard, H., 410, 411Hundertwasser, H., 330
Indiana, R., 85-86
Jacquette, Y., 31, 32Jennis, S., 169Jensen, A., 87Jensen, B., 242, 243Jinchi, P., 206
Kahn, W., 147Kalina, R., 105, 106, 107Kang, I-J., 201Kapoor, A., 202Kardon, D., 112Karpov, D., 265Kasimir, L., 11Katz, A., 75, 402Keller, C., 4, 5Kelly, E., 387Kentridge, W., 210Kerns, E., 109Kim, I-H., 194-197King, T., 183Kluge, C., 343Koons, J., 272Kozloff, J., 108Kudryashov, O., 170Kulicke, R., 165, 391Kulkarni, K., 358Kusama, Y., 177, 178
Larson, P., 101Lawrence, J., 394Lebadang, 355Leibovitz, A., 400ALichtenstein, R., 179Linnenbrink, M., 229Loew, M., 390Le Pho, 353, 354Lorber, S., 125Lozowick, L., 18-28Lubbers, A., 6, 7
Magill, E., 212-217Mairovich, Z., 335Mangold, S., 88Man Ray, 309Manzur, D., 365
Dasgupta, K., 205Dash, R., 133Davies, K., 166-168Davis, 12Davis, G., 100Dawo, Z., 198De Kooning W., 384Debre, O., 336Dehmer, A., 261Denes, A., 98, 99Dey, S., 204Dine, J., 69-72, 401Dufy, J., 307Dufy, R., 306Dwight, M., 14Dzubas, F., 61
Erlebacher, M., 130Ernst, M., 309Evans, W., 17
Faulkner, H., 392Ferrer, R., 364Fiore, R., 264Francis, M., 218Frost, T., 219Fukui, N., 367
Gag, W., 16Gall, F., 344, 345, 346Ganter, G., 43, 44Gardner, S., 161Gilliam, S., 267-269Gisson, A., 347-352Glarner, F., 56-57Golland, M., 244Golubov, M., 54Goodman, S., 407Goodnough, R., 84Gray, C., 176Greenbaum, J., 255, 256Greenberg, J., 29Gregor, H., 145-146Gundelfinger, J., 140
Haas, R., 33-42Hannah, D., 184Hao, Z., 200Hausmann, W., 309Hayter, S., 372, 373Heilmann, M., 280Held, A., 180Herrera, A., 211
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names
attributed to
studio of
circle of
follower of
manner of
school of
after an artist
signatures & dates
measurements
any statement as to authorship, attribution, origin, date, age,provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.
Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.
Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.
Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.
Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.
Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.
Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.
School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.
After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.
Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.
Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.
All references to signature, inscriptions and dates refer to the present stateof the work.
Dimensions are given height before width.
Glossary
Raffael, J., 120-122Rauschenberg, R., 76-81Reed, D., 248, 249Renoir, P-A., 301, 302Renouf, E., 110Richter, H., 309Rivers, L., 393Roosen, M., 253Rooskens, A., 329Ross, A., 281Rubins, N., 258Ruscha, E., 276, 277
Saura, A., 67Scarlett, R., 378-380Schreiber, G., 1Schueler, J., 149Schütte, T., 224-26Scott, W., 66Searles, C., 413Shapiro, D., 250Shatter, S., 158Shorr, H.. 187Siena, J., 259Sillman, A., 274, 275Souza, F., 359-363Stave, G., 157Steinberg, S., 398Steir, P., 279Stella, F., 82, 83, 386, 387Straight, R., 118
Tanning, D., 309Thiebaud, W., 74Thrash, D. 412, 414, 415Tillyer, W., 233, 234Tilson, J., 65Tsingos, T., 339Tymeson, R., 254
Uttech, T., 162
Venet, B., 221-223
Waddell, T., 163, 164Walker, S., 135-139Warhol, A., 403-406Warrick, C., 251, 252Welch, J., 185Welliver, N., 123, 124
Zakanitch, R., 102-104Zhang, J-J., 199
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free≤an’smodern & contemporary works of art
11/01/09
Purchase removal, shipping andoffsite storage information
successful bidders for the modern & contemporaryart sale will be expected to pick up all propertyfrom freeman’s no later than 4.30 pm on friday,november 13th, 2009.
Shippers who have worked with Freeman’s include butare not limited to:
Aiston Fine Art:Tel: 212.715.0629 Fax: 212.838.6982email: mark@aistonart.com
Packaging Store:Tel: 215.361.6940 Fax: 215.361.6941email: hrpa112@aol.com
UPS:Tel: 215.629.4990store4242@theupsstore.com
A. Mastrocco Jr. Moving & StorageTel: 215.491.0346email: mastroccomovers@snip.net
Navis Pack & ShipTel: 610.534.0750email: rebecca.michaelson@gonavis.com
Property not picked up from Freeman’s within tenbusiness days of the auction will be transferred to astorage facility as noted in our terms and conditions.There will be packing, transport, storage and releasecharges. For the convenience of the successful bidder,all purchased lots will be packed and transferred to thestorage facility together.
Payment of the hammer price, premium and anyapplicable sales taxes must be made directly toFreeman’s prior to the release of property.
Please contact Freeman’s at 215-563-9275 ext. 3008with shipping related queries.
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specialist departments
Americanalynda a cainsamuel ≤ free≤an iiamy parenti
Asian Artsrobert waterhouserichard cervantes
English & ContinentalFurniture, Silver & Decorative Artsrobert waterhousedouglas girtonkerry jeffery
Fine Jewelrysamuel ≤ free≤an iikate waterhouse
Fine Paintings & Sculpturealasdair nicholdavid weisslibia elena mendezaimee pflieger dolby
Fine Printsanne henrydavid weissaimee pflieger dolbylibia elena mendez
Modern & Contemporary Artanne henryalasdair nicholdavid weissaimee pflieger dolby
Pop Culturesimeon lipman
Oriental Rugs & Tapestriesdavid weissrichard cervantes
Rare Books, Manuscripts,& Ephemeradavid j bloomjoe huenke
depart≤ents
Appraisalsanita heriotsa≤uel ≤ free≤an iijames e buckleydonald e walter
Appraisal Servicesandrea vainiusjessica tudor
≤useum Servicesthomas b. mccabe ivlynda a cain
Client Servicesmary maguire carrollkati gegenheimerjessica carterbethany mobbssusannah hendersonmeghan styles jones
Operationshanna doughermarcell zomboribenjamin fisherjacob schelljohn burkejulius claytonbethany mobbsgerald davis
Financehanna dougherjeffrey miller
Business Development &≤arketingthomas b. mccabe ivlily stonechristopher browne
Trusts & Estateschristian jusselsamuel t freeman iiithomas b. mccabe iv
Photographyelizabeth fieldelizabeth hintontom clark
officers
chair≤ansamuel ≤ freeman iivice chair≤analasdair nichol
presidentpaul roberts
executive vice presidentsja≤es e buckleyhanna dougher
senior vice presidentchristian jussel
chief financial officereric a smith
vice presidentsdavid j bloomlynda a cainanne henryrobert waterhousedavid weiss
representativesdavid weissWashington, DCdweiss@freemansauction.comTelephone: 202.412.8345
colin clarkeCharlottesville, VAcclarke@freemanssouth.comTelephone: 434.296.4096Fax: 434.296.4011
robert and kate waterhouseAnnapolis, MDrwaterhouse@freemansauction.comTelephone: 267.414.1226
Directory
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11/01/09
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Decorative ArtsWednesday 11th November, 200933 Broughton Place, Edinburgh EH1 3RR
www.lyonandturnbull .com
CLARICE CLIFFSQUARE STEPPED BOWL, EARLY 20TH CENTURYshape 367, decorated in the 'Apples' pattern
23cm across
£800-1,200
Viewing times Sunday 8th November 2pm - 5pm Monday 9th November 10am - 5pmTuesday 10th November 10am - 5pm Morning of Sale
Enquiries John MackieTel: +44 (0)131 557 8844E-mail: john.mackie@lyonandturnbull.com
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AuctionSunday December 6th at 2pm
Exhibitions:Thursday,December 3rd andFriday, December 4th10am-6pmSaturday, December 6thNoon-5pm
Inquiries:alasdair nicholdirect tel: 267.414.1211anichol@freemansauction.com
david weissdirect tel: 267.414.1214dweiss@freemansauction.com
libia elena mendezdirect tel: 267.414.1210lmendez@freemansauction.com
Catalogue $35
Upcoming
www.freemansauct ion .com
Fine American & European Paintings &Sculpture 12/06/09
Detail from:JASPER FRANCIS CROPSEY(american 1823-1900)"AUTUMN ON THE HUDSON "Signed 'J.F. Cropsey' bottom left,oil on canvas20 x 32 in. (50.8 x 81.3cm)provenance:Private Collection, North Carolina .$100,000-150,000
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Fine PaintingsWednesday 2nd December, 200933 Broughton Place, Edinburgh EH1 3RR
www.lyonandturnbull .com
WILHELMINA BARNS-GRAHAM(SCOTTISH 1912-2004)GOODBYE JOHNNY 2Signed and dated July 27, 2000, acrylic onArches paper
58.5cm x 77cm (23in x 30.25in)
£7,000-10,000
Viewing times Sunday 29th November 2pm - 5pm Monday 30th November 10am - 5pmTuesday 1st December 10am - 5pm Morning of Sale by appointment only
Enquiries Nick Curnow or Elena RatchevaTel: +44 (0)131 557 8844E-mail: nick.curnow@lyonandturnbull.com
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AuctionSunday December 6th at 2pm
Exhibitions:Thursday,December 3rd andFriday, December 4th10am-6pmSaturday, December 6thNoon-5pm
Inquiries:alasdair nicholdirect tel: 267.414.1211anichol@freemansauction.com
david weissdirect tel: 267.414.1214dweiss@freemansauction.com
libia elena mendezdirect tel: 267.414.1210lmendez@freemansauction.com
Catalogue $35
UpcomingFine American & European Paintings &Sculpture 12/06/09
Detail from:GUY CARLETON WIGGINS(american 1883-1962)"THE PLAZA IN WINTER,1959"Signed 'Guy Wiggins NA'bottom right, oil oncanvasboard12 x 16 in. (30.5 x 40.6cm)provenance:From the Lehman BrothersCollection.$15,000-25,000
www.freemansauct ion .com
G09-06880_247.qxd:bid form 10/5/09 12:47 PM Page 1
1Unless otherwise indicated, allProperty will be offered byFreeman’s as agent for theConsignor.
2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.
3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unless otherwisestated, does not own the Propertyoffered for sale and has made noindependent investigation of theProperty. Freeman’s makes nowarranty of title, merchantability orfitness for a particular purpose, orany other warranty orrepresentation regarding thedescription, genuineness,attribution, provenance or conditionto the Property of any kind or naturewith respect to the Property.
4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.
5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriateincrement of bids or the constitutionof lots.
6The highest bidder acknowledgedby the auctioneer shall be the buyer.The auctioneer has the right toreject any bid, to advance thebidding at his absolute discretionand in the event of any disputebetween bidders, the auctioneershall have the sole and finaldiscretion either to determine thesuccessful bidder or to re- offer andresell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.
7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the same andwithdraw the Property from sale.
8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in theexclusive discretion of theauctioneer, subject to compliance bythe buyer with these Conditions ofSale. Buyer thereupon assumes fullrisk and responsibility of theproperty sold, agrees to sign anyrequested confirmation of purchase,and agrees to pay the full price, plusBuyer’s Premium, therefore or suchpart, upon such terms as Freeman’smay require.
9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of .1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and
will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.
10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.
11No “buy” bids shall be accepted atany time for any purpose.
12Any pre-sale bids must besubmitted in writing to Freeman’sprior to commencement of the offerof the first lot of any sale. Freeman’scopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreeman’s accepts these bids for theconvenience of bidders not presentat the auction, Freeman’s shall notbe responsible for the failure toexecute, or, to execute properly, anypre-sale bid.
13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s
Premium shall be: 25% on the first$20,000 of the hammer price ofeach lot, 20% on the portion from$20,001 through $500,000, and12% on the portion of the hammerprice exceeding $500,000.
14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.
15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freeman’s.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.
16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.
17No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.
18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.
Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co,(“freeman’s”) shall be offered and sold on the terms and conditions set forthbelow which constitutes the complete statement of the terms and conditions onwhich all property is offered for sale. by bidding at the auction, whether presentin person or by agent, by written bid, telephone, internet or other means, the buyeragrees to be bound by these terms and conditions.
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BERNAR VENET(french, b. 1941)“97.5° ARC x 14”2003, stamped bottom right with theartist’s initials and numbered ‘BV6/25’ (there were also 5 artist’sproofs), stamped with title verso;William Shearburn Gallery, St. Louis,MO and Jim Kempner Fine Art, NewYork, co-publishers. Rolled andwelded steel with black patina7 1/2 x 21 13/16 x 6 13/16 in.(19.1 x 55.4 x 17.3cm)provenance:William Shearburn Gallery, St. Louis,MO.Davis-Keil Projects, Chicago, IL.
www.freemansauction.com Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236
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