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M O N TA G EM A R C H 3

M O N TA G E

“what amounts to montage…is the indirect image of time, of duration.”

- Gilles Deleuze

René Clair & Eric Satie, Entr’acte (1924)

B E R L I N D A D A

Hannah Höch 1889-1978

Hannah Höch, Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch in Germany

(1919)

Gropius, 1913

Dada Propaganda

Dada Persuasion

Anti-Dada

Dada World

Hannah Hoch, Da-dandy (1919)

Hannah Höch, The Beautiful

Girl (1920)

Raoul Hausmann, Mechanical Head (The Spirit of Our

Time) (1920)

Raoul Hausmann, Self-Portrait (ABCD)

(1924)

Kurt Schwitters, Mz601 (Merz 601)

(1923)

Merz = Kommerz

Kurt Schwitters, Small Sailors Home

(1926)

Mondrian, 1921

Kurt Schwitters, Merzbau (1933)

John Heartfield, The Hand Has Five

Fingers (1928)

C O N S T R U C T I V I S M

El Lissitzky, Beat the Whites with the Red Wedge (1919)

El Lissitzky, Proun 19D

(1920/21)

Proun = Project for the affirmation of the new

Malevich, 1915

El Lissitzky, Self-Portrait

(Constructor) (1924)

Vladimir Tatlin, Monument to the

Third International (1919-1920)

Alexander Rodchenko, Books (1924)

Alexander Rodchenko, War of the Future (1930)

Varvara Stepanova, The Results of the First Five-Year Plan (1932)

Dziga Vertov 1896-1954

Dziga Vertov, The Eleventh Year (1928)

Dziga Vertov, Man with a Movie Camera (1929)

“…revealing the process of revelation itself, the secrets of film-making. An investigation of the way we make sense of the visible world…

- Jeremy Hicks

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