lets meet

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Public introduction at Kolding School of Design on Mach 11, 2014.

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Mange dyr lever ikke alene,men sammen med andre.

Is the observation on page 5of Hele familien! true or false?

How many is ‘mange’?

Equals ‘mange’ more then 50 percent of all animals?

@

@Snabel a

@Snabel aThe trunk of an elephant

@

@apestaartje

@apestaartjethe tail of a monkey

@apestaartje athe tail of a monkey

@apestaartjethe tail of a monkey

To be continued . . .

14.15 hello.

Let’s meet . . . • let’s start . . . i have a lot to share,

? • and you probably have some questions as well . . .

Einstein 1 2 • thank you for having me . . . • this short custo-

mized introduction, is mainly about questioning

Einstein 3 • because, it is not only valued by science.

? • by the way, if you have any questions, just ask . . .

Portrait indian • you are viewing an early portrait of me. it is

actually the first evidence, of me doing something

different, something opposite . . . please be aware,

Icon cowboy at the time • most of my friends were copying an

Portrait cowboy icon, • and carried a pistol on every hip.

? Sex pistols • i don’t know exactly why, • but i never lost this

Exit R kind of attitude. • in fact i am quite sure i will select

Audience the right, • if you all would pick the left • to leave

Exit L the concert unexpectedly.

Brain • might have something to do with the structure of

Anarchy my brain, or • the liberation of in-di-vi-dua-li-ty.

? •

Cover • recently i bought a first danish book . . .

Titlepage • i selected a children’s book, because i would be

more comfortable learning danish this way . . .

Page 1 • but alas, it did not work. i got hooked by the

stunning opening . . .

? • don’t you agree?

Mange dyr • is n’t the first sentence on the very first page

intriguing?

DK i-pad Jobs • listen . . . as you will understand i started wondering

EN i-pad Jobs instantly • once the translation hitted base . . .

Paris • seemed like some sort of exis-ten-tial phi-lo-so-

phi-cal issue . . .

Eagle & colibri • some soloist . . . • kept popping up as well . . .

True/false • luckely carnap, whom i studied way back in 1978,

did bring some relief.

How many? • by now i am aware its not really possible to return

Quantify mange true or false • when evaluating the statement.

Big data • sorry, BIG DATA are a little out of context.

maybe (at) another time in another space . . .

? • are you aware the danish and the dutch share a

Cattle preoccupation • for exotic non domestic animals?

@ the at sign, • originally used in ‘at the cost of’ is the

link i’d like to introduce . . , because . . .

Elephant • recently i discovered you use an elephant or

Snabel a 123 eliefent, • to load the at sign • with a logographic •

Monkey representation . . . • almost the same is done by

Apestaartje 12 the dutch . . . • except they use • a monkey, or abe

Apestaartje 345 • please be aware • no need to add an extra a •

. . . in the dutch example . . .

? • but is n’t it strange (and a little frightening as well),

we seem to accept virtual similarity • without any

Elephant 1 questioning?

Elephant 2 or am i nuts . . ? . . . • because i did check

Elephant 3 the resemblance • between language and image

Elephant 4 in some databases • to value both options.

Elephant 5 as it seems, • it is possible to capture the ‘snabel a’

now and then.

Monkey 1 • but although the dutch reckon ‘apestaartje’

Monkey 2 • represents the shape of a monkey’s tale,

Monkey 3 • in reality, the resemblance does not exist,

Monkey 4 • that is, to the best of my knowledge,

Monkey 5 • and unless you prove the opposite . . .’

? •

now, if you don’t mind, i would like to continue with three portfolio’s

presenting different aspects of my work.

To be continued • First, some selected work of the american students with whom i worked

at western michigan university for two years.

Second, the re-design of Vrij Nederland, show casing the collaboration with

artists and illustrators, because we valued the graphic arts to be an

important contrast

Third, finally my regular portfolio.

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