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Georg PhilippTelemann(1681 — 1767)
I n s t r u m e n t a l w o r k s f o rV i o l a d a G a m b a
Part 1: Works with Viola da Gambawithout Continuo – twv 40
Vol. i: For solo Viola da Gamba
Sonata in D major (twv 40:1)12 Fantaisies (twv 40:26 – 37)
VMM
Georg PhilippTelemann(1681 — 1767)
I n s t r u m e n t a l w o r k s f o rV i o l a d a G a m b a
Part 1: Works with Viola da Gambawithout Continuo – twv 40
Vol. i: For solo Viola da Gamba
Sonata in D major (twv 40:1)12 Fantaisies (twv 40:26 – 37)
ViMa t 9 i – Version 1.0 – November 2020. A publication (http://www.vistamaremusica.com/).Editing and typesetting © 2020 Maurizio M. Gavioli. Licensed under the Creative Commons license “Attribution - Share Alike” (in simple words,
do with it whatever you like as long as you give me proper credit and share derivativeworks like this one; for details, see http://www.creativecommons.org/licenses/by-sa/3.0).
Egraved with MuseScore (http://musescore.org/). Texts set in EB Garamond (http://www.georgduffner.at/ebgaramond/) andLibertinus Sans (https://github.com/libertinus-fonts/libertinus).
C o n t e n t s
Sonata (D maj., twv 40:1) 5(from Der Getreue Music-Meister)
Fantaisies pour la Basse de Violle:Fantasia 1 (c min., twv 40:26) 12Fantasia 2 (d maj., twv 40:27) 16Fantasia 3 (e min., twv 40:28) 19Fantasia 4 (f maj., twv 40:29) 22Fantasia 5 (b maj., twv 40:30) 24Fantasia 6 (g maj., twv 40:31) 28Fantasia 7 (g min., twv 40:32) 31Fantasia 8 (a maj., twv 40:33) 34Fantasia 9 (c maj., twv 40:34) 36Fantasia 10 (e maj., twv 40:35) 40Fantasia 11 (d min., twv 40:36) 42Fantasia 12 (e maj., twv 40:37) 46
P r e fa c e
This edition contains all Telemann works for one or more violas da gamba withoutcontinuo (twv class 40). It only includes works for which the viola da gamba isexplcitly stated as an instrument, either as the only possibility or one among several. Itdoes not include works which could be perfored on the viola da gamba or have been (orcould be) adapted to it.
This volume includes the pieces for solo viola da gamba; another volume containsthe works for two viols, but still without continuo.
The sourcea used for this volume are:• Telemann G.P., Der Getreue Music-Meister, Hamburg 1728, copy in the Bibliothèque
Nationale de France (Paris).• Telemann G.P., [xii] Fantaisies pour la Basse de Violle, Hamburg 1735, only extant
copy in the Niedersächsisches Landesarchiv Osnabrück, Ledenburg Collection.
Editorial remarks• All editorial additions are placed above the staff or marked by dotted lines or parentheses.• Original clefs, time and key signatures, note values, ties, slurs, bar lines and beamings have been
retained.• All marked accidentals have been retained, even when superfluous according to modern
conventions; however, they have been silently ‘modernised’ when today conventions dictate adifferent sign (i.e.: a sharp used to raise a flattened note has been converted to a natural sign).
• Accidentals above the staff or in small type between parentheses are editorial suggestions.
4
Critical notes:1. On this chord the source has a fermata sign. As this point is very unsuitable as movement
end, we moved the fermata sign to measure 82, right before the Andante.2. Original: b .3. Original: 4. In the source, the slur was between e and f.5. Original: a above.6. Tempo indication originally on next source line, i.e. at the beginning of the second repeat.7. Original: b.8. Original: 9. In the source the repetition of meas. 31 and 32 is indicated by an ‘internal’ pair.
FunfzehnteLectiondesMusic-Meisters(Hamburg1728);p.57
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Recitatif
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