february 1988
Post on 29-Mar-2016
224 Views
Preview:
DESCRIPTION
TRANSCRIPT
I$E
P . O . B o x 2 2 1 1 3 TOFTEN IN ERROR - NEVER IN DOUBTN c A 9 4 1 2 2
Februa ry , 1 988 Happy vaiant ines Dayt
REMOTE CONTROL AND FREE WILL: SEVERING THE ELECTRONIC UMBILICAL CORD
Next t ime you ' re tear ing the house apar t look ing for the Freedom phone,remember, there was a t ime before the cord less wor ld when everyth ing wasconnected - when a l l c i rcu i ts ran together and people were phys ica[y l inkedto the i r consumer e lect ronic dev ices. But those days are long gone and wehave w i l l i ng l y a l l owed ou rse l ves to be t rapped w i th in a deb i l i t a t i ng web o frad io waves , l ase r beams , and m ic rowave t ransmiss ions . Th i s d i sas t rouspredicament was shoved down our throats by a major po l i t ica l /manufa{ur ingconspi racy a imed at e f fect ing the reverse engineer ing of that por t ion of ourb ra in respons ib le fo r t he a l l - impor tan t co rne rs tone o f wes te rn c i v i l i za t i ont h e i l l u s i o n o f f r e e w i l I .Th i s f ounda t ion o f modern l i f e i s be ing e roded in a d iabo l i ca l andi r revers ib le manner . Convinced that remote-contro l dev ices create an expandedfreedom of choice, we are s lowly d is tanc ing ourselves f rom our consumerelect ronic exper ience, no longer reaching to our machines and changingchanne ls , t r ack ing reco rd cu ts r o r t u rn ing o f f l i gh ts . As resu l t we a rebecoming v i c t ims o f a se l f - i nduced soc ia l l obo tomy .
Continued on Page 4
FROM th6 Ed.itorYOU HEARD IT HERE FIRST - REAdETS Of IASIfeature ar t ic le ( I ' Impor tant Pop Music andMusica l Oxymorons" ) were t ipped to a t rendis only now being fu l ly explo i ted in themarketp lace. Rhino Records s ignal led thebeg inn ing o f an " Impor tan t Mus ic " se r i es w i ththei r January re lease o- "MovErs s ) " - a"Bes t O f " f rom recen t L i ve A id -s t y le reco rd ings . Nex t ou t , "Pa r t Two : ThePo l i t i cs " f ea tu r i ng S t i ng , Ruben B lades , Pe te r Gabr ie l and Run DMC. Expec tedth i s sp r ing , "Pa r t Th ree : Grea t Soc ia I I ssues r r f ea tu r i ng recen t l y d i scove redtracks by Harry Chapin as wel l as excerpts f rom an Eth iop ian rock operaco-wr i t ten by Andrew L loyd Webber and Bob Geldor f .GOT A NOSE FOR CASH? Rel iab le sources have ver i f ied that the U.S. TreasuryDepar tmen t w i l l camou f lage the i r con t rove rs ia l d i s in fec tan t sp ray ing o f U .S .cu r rency by l abe l i ng the p rocess as a " scen t i ng " exe rc i se . A mu l t i -m i l l i ondol lar propaganda campaign suppor t ing the process, "Making Scents of YourCen ts " w i l l b t i t z t he med ia th i s Sp r ing .wE DON|T KNow YoU BUT wE LoVE YoU DEPT. - Roses may be red but our account ingsheets are def in i te ly in the b lack. Thanks for your suppor t and th is V-Day,remember , i f you can ' t be w i th the one you l ove , t hen go see "Fa ta l
mon th ' sOther
that
, - \
At t rac t i on . "o tqcs
oJ memonieee\er\ l ine,,1ten I(\+t +\re norne
You shoul L rvwVe thni \ou lrgn".
o bg lv,nge in gour \it"_ yorllsooi be ,i uo,"; wi,d - 3? u, R, an dwhof are qou doivrq? \Nrrlr'na +hisrrdrl,rlous
I neursle"*er $^at" is at
minutes.t The makers claim the vitamin isr absorbed eight to ten times more efr-r cently t}rough the nose than tlroughI the stomach, because stomaeh acid. can destroy vitamin &12. This vita'I min is said to grve You energy be'
cause it helos mature red blood cells\ou don { +hP the neu{slerfe s ioon, CI'\ourll n€$ er inole lu , a hi6her, . t $";.-.
) cause it helps mature red blood cellsJ r that carry oxygen to tissue.t l17- .:-=-=---- .-
? ^=-==-
tletterz....16)-,,ffitr( aq/vige...
a 5ophoruore hlgh school lev el'*i *il the *, o rll' e co'.D Yr\q bhslin3a Pa,{ rl.li+h o\erPoP, ln[r,rtrialp; l lulior, , lpece i i plocatiun t
the new raiPro ch e rY'\en1 bt*w een
fhe U5 t ussR, *ho realtg SNesq ehir* -hat +*vp,l rocv + rollefs
\ e*he f .social picrrastes . d,o RJ t€
ear fttR.,a *hinK
be {r e"'
Duo,
V, "PU
r s ' l
O ,.tt ta-
Uncle €ddJ, nd.ToKl o
zs
t
It
J\0V ' t t n€U€f - YY\U\E - fU ( r r ro { t rs^ ' , ' ( rnse : . *
b[tr plo:^g, f *t*)t+ernce--']d Y' I\X::e\€r 5ee Mi.Aniqht Cn-bo* I{ goy ! ::*"d i [, do \0u. rec-all +he €d when
' Jon \.-^'\ o,qh,t rol\s uP h6 caur bo1 c'o5+u*9 +put:' ,f in {he .|r osh'.a" 6 eign#'1
. . t t 0
Put: 'rt ln {he lroSh'can to Srgn'tY.
hus ne\, a\) oK€nin4, hrs leaurnS chtld-f",rra {oc rna*ufr{5 7l'fvre A*R trpo;I- lb uDuc clNbo\ c'sfu*t$
t )\<
+j-I
CouA"7
:\l(a*s o J r'
h;.^,, FLA
Don'l_ pft o++ '*il'lpwrDcrow wh^t Uoucqn do lne dnqoGfer -fo*Dcroid
ttiiii iii a a a a o a a a ao o a a c t ! a a aa o a a 3 O a a a
o o a o a oa a a a a
a a a a f ao a o a a a a a
a a o o a o fo o a a a
a a aa a f a a
? o a a a o ta a a o a o a oa a o a a oo o o a o aoaa aaa
a a
rri'''i,.333:.a a aa a aa a a
a a at a ta a o iit
aa l aaI t r - - ! l a
3ro'Slrrii:'!ii.-j.3t.a a
.t!-.fdN
Aal
MAIPPYVAIt rNTINEB
D A Yry
3??
a
(Remote Contro l : Cont inued f rom page 1 ) a
The use of remote contro l dev ices t r iggers a once-removed master-s lavecomplex. As i f by our super ior human wir r r w€ can atmost " th ink" or11. garag"door open or "crap" the cof feemaker in to act ion. The resul t o f th is is thatwe a re l ead ing - ou r soc ie t y i n to a depersona l i zed impa t ien t m indse t wh ich w i I Ibe far more submiss ive to technologi la l fasc ism. Belause we no longerphysica l ly contro l our mechanica l Jervants and because we lack the umbir ica le rec t r i ca l connec t i ons wh ich fo rmer l y j o ined us to ou r mach ine - f r i ends r wesubconsc ious ry l ose an e remen t o f re -sp6ns ib i l i t y f o r t he i r ac t i ons . Thefur ther we d is tance ourselves l to tn th l act ions of our technorogy, the easieri t i s t o r a t i o n a l i z e a n d j u s t i f y t h e d i s a s t e r s w h i c h w i r l r e s u l t . A s t h econspi rator iar forces behind th is technology are "*" t " 1 d. generaton ra j -sedon rad io con t ro l l ed m in i s tock ca rs w i I I be -much more to le ran t o f aremote -con t ro l S ta r -Wars s t y led sa te l l i t e war .rn add i t i on , t he remote -con l ro l men ta l i t y paL ron izes ou r dw ind l i ngcouch-potato at tent ion span such that we-no longer to lerate anyth ing thatdoes not concentr icar ty j ibe wi th our current tastebuds- . - sparred the longt r ip from the couch to the TV, we no ronger ""t icr.-" i th" " i i i i l i " .presen ta t i ons . rns tead we f l i p impa t ien t l y f rom t i t i t l a t i on to t i t i l l a t i ondemanding to be amused, exc i ted o i sat is f ied. we have become less in terestedin those f i c t i ons wh ich cha r renge ou r sens ib i l i t y and i ns tead , punch ou rremote contro l led enter ta inment systems in to a s i rbmiss ive s tate in which we!9ma1d onry the repackaged "newne-ss"- ; i
famir iar formuras.F ina l l y , t he co rd less t rans fo rma t ion p resen ts us w i th the eve r -con t i nu ingi l r us ion o f a "new- f reedomr " when i t a l i ua r l y d i sp i . . " " wha t t i ny sc in t i l r asof pr ivacy that technorogy has not yet invaded. t l re cordress car phone, forexample, creates the myth of new comirunicat ion f reedom when, in rea l i ty , a11i t does i s pe rm i t t he co rd less ca r phone w i re tap . ( see i sh 9 : wha t r s t heNew Pr i vacy? ) . By sw i t ch ing f rom a tun ing knob to a co rd less remote , commandof your te lev is ion can now be "overrunt ' by those r i t r , more sophis t icatedremote devices. Remote t ransmiss ions mereiy permi i oCrr" r " to enter yourpenumbra of pr ivacy zones and to act on your- behal f whi re removing the senseof human responsib i l i ty for these act ionS.
Bu t hey r so wha t ! we r re the ,co rd ress genera t i on . The re a re no t i es tha t b indus because we power eve ry th ing by l as6 r beams ana raa io waves . su re , we ,11pay for i t down the road, bgt - fo i r ight now, f lop down on that couch, p ick upthe remote and enjoy the r i fe you ter iporar i ry contror .
AvR ader b R"f D
fillrc hatl and ft+R, u.rere *.ded at ^ hbl'e-h ?od s-tc^r,anf Nd.t *herc + he td uP ̂
N\{h S+['s ?hoht nunnbe F o n ,{, ond Jhen l'ttichnel
5n1def.K C'+j
som€Placeplanrl
OT & HAPPENING)airrl df .|ll *tacs A+R
II
tI
i l o
l[erue lilleche:e * Jur*rne &+en^an q: llg#.rtg:^r,
f Ouul [nT[..*on + Opnah $rin{ny
i1o^V Dqnza + l4ercdi'l{r 8i.nty &xt .
! C nu.f, \,tuoolerY + il-ea*hen Jhovrnas
imr tl + l-rsq Sonef
! rr'.l i I h a m 5 ha*ne r + I'rronk e Pr+ (y,ffTf*t'#Jf;t! Oon Joh^son r fmrna Sc.**e
thw
! I I
I
t{e
e&.,,1 "Ccivrre 9$ry " L$ cc^ + Jo[1 t hvdrtl Lorderl
I T.o..rf "Nour
Go Flan e\." U llrnan
REPORT
iNoutl LiKe. To Scc tfaKr' lowI - v - v - - - r l t - l t , - - ! ! | - r F !
I ' I I I I I I I I I I I I T I I I T T - I I I - I I I I I I I I I I TT .
!Je{f l/lac'(yreqor (o+ +1rc All-l\ew Onl;g fo^,)+Donna DixonI J ! \
.OFTEN flV ERROR - NEVER IN NI]BT'
POETRAPHO]IrcSPOETRAPHONICS LIVE
Y o u C a n ' t J u s t H e a rThem !
You ' ve Go t t oExper ience Them!
Watch for Spr ingt imeshows at MusicWorks andBerkeley Sguarer ond t's3o !And for you acoust icf a n s , d o n ' t f o r g e t
POETRACOUSTICS(Va I ium voca ls andgu i ta r on l y )
2 / 1 s / 1 89 p . m . a t S C H I A V O 1 5 08 t h ( a t 8 t h a n dM i s s i o n ) i n S . F .
|aII
-o.
E(
EFI|oE
!oIt{
7D!To-I
frU|
. . ' . -
fuTr+Fp,!
4,t)
lLiu.
POETRAPHO]IrcS
Thef 're \yk !
loo /o hton ' heavl uc't|hf^crew necK t-lun,:i *l* &Aloao t ^oTfo: " O(t tn n ( f rDr-
tui.ur. irr Ooubt" SlatKwtl l trt',it kierS- \ne s'Ee - Xl.rrt
racge 5 t? per shiff\l\te p% postqe !
verbal assa^^llt ,t6sson4 4k s+a{4
creawr J.otse, !
THISF O
S P A C ER R E N T
p. o.5 F
iIREPORT
\\4oo
( cal 6rr mD re" inh)
WRITE T OI\r
&x 2>tt3- CA- Q4tzz
top related