examining books and developing orientations - my...

The University of South DakotaReading Recovery® Training Center

Examining Books and Developing Orientations

Mary Collins, Teacher Leader

Garreth Zalud, Trainer

Gary Cheeseman, Professor

The University of South DakotaReading Recovery® Training Center

This session will…

Overview different ways to examine books and create orientations that are focused on individual need and by time in program.

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In The Context of A Child

In this presentation we will talk about how one can examine books. If this presentation is to be meaningful to you, what we say must ALWAYS be referenced to a child you teach. Consider each point and take into account the experiences and needs of a specific student. Think about these factors in relationship to a student with whom you are working.

Did You Read This Book?

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DID YOU TURN OUT OKAY?DID YOU TURN OUT OKAY?DID YOU TURN OUT OKAY?DID YOU TURN OUT OKAY?

Background

Story Introductions should expose helpful information but keep the child responsible for ‘reading.’

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Clay – Orientation to the Story

Having (1) carefully selected a book for a particular child the teacher (2) [thinks] about the best ways to orient this child to the text…Take the ‘bugs’ out of the text before he tries to read it.

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Clay – Orientation to the Story

• Make the child familiar…

• You might…

• In the first year or two it helps if the child knows the story before he reads it.

• Introduce into [NBO] any concept, or word, or phrase structure that [the teacher] has not heard the child use.

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A Trip to McDonald’s

Familiar: When you discuss/go to McDonald’s with a child, they know what to expect based on their experiences, you don’t have to tell them everything, but you do help them with some of the details, and they do the rest. As you make more trips to McDonald’s children require less assistance.

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Choice of a book

• Choose the new book very carefully.

• Teachers need to have experience using little books and learn how to progressively select books to assist individual children to read with success. LLDI 2 pp89.

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Book Selection

• Knowing how to review a book and determine its relevance for the competencies, background experiences and knowledge, and interests of a student is a prerequisite for selection of any book.

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Text Level

A predetermined level assigned to a book does not determine whether a text is suitable for a child. A range of factors can contribute to the way a book either challenges or supports a reader.

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Book Selection

When selecting a book, teacher must determine how the text and book will support the reader, where there will likely be challenges, and the kind of scaffolding/prompting/explaining they will need to do in the orientation in order for the reader to meet the challenges.

Becoming A Little More Systematic

Sometimes it helps to have guidance thinking through aspects that may be considered in selecting and planning an orientation.

In that spirit, we have listed some ideas and will share some examples of how it could work.

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Within the Child -Experience

• Life’s experiences or what they know about the topic

• School experiences

– How literacy is being taught in classroom

• Reading

• Writing

• Book experiences

– Kind of books that the child has been reading versus the new book

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Within the Child – Language

• Language patterns used

– At home

– On the playground

– In school

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Within the Child – Culture

• Cultural background

– Ability to imagine or believe story

– Conflict of values

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Within the Child – Interests

• Interests

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Within Book - Content

• Content

– Important ideas

– Common experiences depicted

– Connections to other books

– Story line and or plot

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Within Book – Language Patterns

• Language Pattern

– Language pattern - syntax

– Children's language / Book language

– Predictability and redundancy

• Repeating structure (sentence - phrase - word)

• Rhyming

• Pattern of pattern change (only a word or several words)

• Number of repetitive patterns

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Within Book – Print/Text Features

• Text features

– Print size and font

– Amount of print (number of words, pages, sentences per page)

– Text match to picture

– Layout (where lines break, page layout, continuations to another page, etc.)

– Use of space on the page

– Punctuation:

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Within Book - Words

• Words

– Frequently encountered words

– High frequency words

– New and Important words

– Conceptual words

– Long words

– Referent words

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Within Book Content/Cultural Match

• Content -Cultural Match• Culturally specific material and publishers. Publishers

try to publish materials for a wide market and therefore, culturally specific materials are hard to find. This is true for American Indian people.

• Photographs add real-life credibility to text. Thus, they are very effective in culturally specific materials.

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Application of the Within the Book Ideas to a Story

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The University of South DakotaReading Recovery® Training Center

The University of South DakotaReading Recovery® Training Center

The University of South DakotaReading Recovery® Training Center

The University of South DakotaReading Recovery® Training Center

The University of South DakotaReading Recovery® Training Center

The University of South DakotaReading Recovery® Training Center

The University of South DakotaReading Recovery® Training Center

The University of South DakotaReading Recovery® Training Center

The University of South DakotaReading Recovery® Training Center

The University of South DakotaReading Recovery® Training Center

The University of South DakotaReading Recovery® Training Center

Catch That Frog - Content

– Ideas:

– Common experiences depicted: Going to the grocery store with a parent. Trying to catch a pet that got away.

• Connections to other books:

– Story line and or plot: Simple story line --everything is going well, there is a problem, and the problem gets solved. Beginning: Normal shopping trip. Middle: Something unexpected --a frog gets loose. End: Carol catches her pet frog.

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Catch That Frog - Language

– Language pattern - syntax: Noun-verb phrase. Simple sentences.

– Predictability and redundancy: Understanding opposite creates predictability: in front – back, etc.

– Repeating structure (sentence - phrase -word): ____ jumped

– Number of repetitive patterns: Opposite action is depicted on two page spread and in text.

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Catch That Frog – Text/Print/Picture

– Information beyond the text that is in the pictures:

– Layout (where lines break, page layout, continuations to another page): Most pages have a complete single sentence, some have two sentences per page.

– Use of space on the page: Clear space between letters, words, and sentences. Text and print are separated by space.

– Punctuation: Period.

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Catch That Frog – Text/Print/Picture

– Print size and font: Easy to read know unusual a's or g's.

– Amount of print (number of words, number of pages, number of sentences per page): 23 pages. Average 5.7 words per page. Range of words per page is 4-10, with most having 5-6 words per page.

– Text match to picture: Strong match between action words and picture.

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Catch That Frog - Words

– Frequently encountered words: "Jumped" occurs 10 times.

– High frequency words: A, and, in, it, on, the, to.

– New and Important words:

– Conceptual words:

– Long words: around, behind

– Referent words: Carol-she; frog-it

Think About a Child You Teach

• Experience

• Language

• Cultural Background

• Interests

Discuss how you might introduce this story to a child you are teaching.

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Catch That Frog –Cultural Perspective

• In many of the schools in our region, we work with American Indian children. How would this book be viewed by a child in a family that is practicing traditional American Indian values?

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Catch That Frog Revisited

• The use of a story like “Catch That Frog” can create internal conflict for an American Indian child who is being raised in family that is practicing traditional Indian values.

Maachiange

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American Indian Children

Selecting culturally sensitive curriculum can be a difficult process. Albeit, American Indian people have few contemporary stories within mainstream American education it is still important to balance the past with the present in accurate literary portrayals. It is equally important to depict American Indian people as progressive, modern, vibrant people with a great deal to offer and an enriching culture. ( Maachiange, 2009)

Are you considering the unique customs and characteristics of the children from other cultures you are working with?

An Example

The next example shows how Mary used the points to craft an introduction for Stephen.

Stephen’s New Book

Choosing a Book for Stephen

• Experience

– Life’s experiences: Stephen has brothers, sisters, mom, and dad. They enjoy having fun together

– Cultural background/values: Family is important.

• Content

– Important ideas: Importance of family. Dad is playing a trick on the children and mom.

– Common experiences: Family playing together

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Choosing a Book for Stephen

• Language: The book language, other than that listed to the right, is not out of the ordinary for Stephen. He’s had dialogue and “said ____” in other books.

• Book Language: has dialogue and “said ___”. Asleep.

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Choosing a Book for Stephen

Repeating structures: ____ is up. (3 times) wake up (8 times) (Sometimes capital, sometimes lower case.)

Number of repetitive patterns: 2

Pattern or pattern change: “Wake up” sometimes has “Dad” before, sometimes after, sometimes it is by itself.

Print size and font: about the same as other books he’s read

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Characteristics of Books and Stories

Choosing a Book for Stephen

Amount of print: He’s read The Bus Ride which has more words on a page; he shouldn’t have difficulty with amount of print, but he comments on amount of text on a page. Gradually increasing amount of print.

Text match to picture: Pictures are supportive

Layout: Text on left page, picture on right page, except last page. He’s had books with different layouts and they don’t seem to trick him.

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Characteristics of Books and Stories

Choosing a Book for Stephen

Use of space on the page: Space between characters, who’s talking.

Punctuation: Quotation marks, has had before.

Frequently encountered words: Wake, up, children’s names (New to him)

• High frequency words: Known: is, mom, dad, I New?: Look

In reading: said

• New and important words: asleep

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Characteristics of Books and Stories

Choosing a Book for Stephen

What the child is mostly doing at difficulty

– Mostly using meaning and structure

– Previous running record:No said bunny

Said the rabbit

What the child needs to learn to do next

– Use more visual information (known words, first letter)

– Has to look in the book Wake Up, Dad because the pattern changes.

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Child’s Competencies

Wake Up, Dad

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Introducing Books

After considering the child and the story, introductions are carried out in a conversational exchange – like negotiations between a parent and a child.

Clay offers many different ways to conduct the orientation (LLDI 2, pp. 90-92; 162-163)

Take The Bugs Out!

Having (1) carefully selected a book for a particular child the teacher (2) [thinks] about the best ways to orient this child to the text…Take the ‘bugs’ out of the text before he tries to read it.

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Thank U.