eugenie vronskaya the night walker - john martin gallery · london, w1s 4jg info@jmlondon.com tel...

— Eugenie VronskayaThe Night Walker

John Martin Gallery

Please note that all paintings are offered for sale upon receipt of catalogue. For all enquiries call Tara Whelan 020 7499 1314 tara@jmlondon.com

www.jmlondon.com

— Sleeper oil on canvas, 30 x 40 inches, 76 x 102 cms

— Eugenie VronskayaThe Night Walker

6 – 21 November 2015

John Martin Gallery

38 Albemarle StreetLondon, W1S 4JG

info@jmlondon.comwww.jmlondon.com

Tel +44 (0)20 7499 1314Mon-Fri 10 - 6, Sat 10 - 1:30

— Horse in Redoil on canvas, 20 x 30 inches, 51 x 76 cms

So we’ll go no more a roving so late into the night, Though the heart be still as loving, and the moon be still as bright.

The late night rovers in Byron’s poem are lovers, but Eugenia Vronskaya does her night walking alone. Over the past few years she has got into the habit of taking nocturnal rambles around her home in the Scottish Highlands, surrendering to the embrace of the dark. Like other women artists and mothers distracted during the day by domestic tasks, she has become a creature of the night.

Artists need time alone not just to paint but to dream, and nighttime is the traditional time for dreaming. Sometimes she walks with her dog, sometimes a neighbour’s horse, too old to ride but in need of exercise and companionship. On the eve of major changes in her life, with her sons growing up and a planned move back to London, the nocturnal ritual has become a sort of leave-taking.

From her first solo show in 1989, Vronskaya has stood out for her effortless technique acquired during six years rigorous training at Moscow Fine Art University. She has made a name for her portraits and still lifes, but complains that painting objective reality is too easy: “I don’t question, I just paint. It’s not enough.” She wants more, and she has found it in the alternative reality of the borderlands between waking and sleep.

There is a Symbolist streak in contemporary painting, discernible in the dreamscapes of Peter Doig and Chris Ofili. But while Doig and Ofili set the scene for the viewer’s reverie, Vronskaya directs the performance. Her monumental Dreaming Head informs us that it is she who is doing the dreaming: when we enter her paintings, we enter her dreams. We follow the tall figure in the long flapping blue coat and top hat as she wanders barefoot like a sleepwalker through snowy woods, paddles through water phosphorescent with the reflected starlight or battles through rain that lashes the picture plane like a windscreen. Sometimes the paint is thick and lustrous; more often it is dispersed in drips, dribbles and efflorescent blooms of solvent. Occasionally it is so thinned that it just stains the canvas in passing, like a photograph lifted from the developing fluid before the image is definitively fixed. As much as journeys of the imagination, these new works are adventures in paint and print.

In her magician’s costume, Vronskaya could be a conjurer about to produce a rabbit from her hat. But painting is more difficult than magic: rabbits aren’t provided, they have to be caught. The Night Walker series lets us share the excitement of the chase and the romance of the artist’s solitary journey into terra incognita while the rest of the world is asleep.

Laura GascoiGne

— Over the Hillsoil on canvas, 20 x 30 inches, 51 x 76 cms

— Little Red Dressoil on canvas, 59¾ x 71¾ inches, 152 x 182 cms

— The Chaseoil on linen laid on board, 15¾ x 11 inches, 40 x 30 cms

— Escape, Snow (Blue Coat Top Hat)oil on canvas, 49¼ x 61 inches, 125 x 155 cms

— Caithness Moonoil on canvas, 20 x 30 inches, 51 x 76 cms

— Boy and Horseoil on linen laid on board,, 15¾ x 11¾ inches, 40 x 30 cms

— Blue, Red, Greenoil on linen laid on board,, 15¾ x 19¾ inches, 40 x 50 cms

— Blue Coatoil on canvas, 49¼ x 61 inches, 125 x 155 cms

— Watching the Seadrypoint etching, 13 x 9½ inches, 33 x 24.5 cms, edition of 7

— Escape 1drypoint etching, 13 x 9½ inches, 33 x 24.5 cms, edition of 7

— Dusk by the Seaoil on linen laid on board, 7 x 5 inches, 18 x 13 cms

— Watching the Seaoil on board, 16½ x 8¼ inches, 41 x 21 cms

— Red Hilloil on linen, 10 x 11¾ inches, 25 x 30 cms

— Woodland Creatureoil on board, 13½ x 15¾ inches, 30 x 40 cms

— Night Light at Teanassieoil on board, 6½ x 8¼ inches, 17 x 21 cms

— Fire Horseoil on canvas, 61½ x 72 inches, 156 x 183 cms

— Moon Gazingoil on canvas, 11¾ x 9 inches, 30 x 25 cms

— Sunrise Prayeroil on canvas, 20 x 30 inches, 51 x 76 cms

— Night Walkeroil on canvas 61½ x 72 inches, 156 x 183 cms

— The Night Walker (Driving Rain)oil on canvas, 72¾ x 54¼ inches, 185 x 138 cms

— Blue Horseoil on linen laid on board,, 9¾ x 13¾ inches, 25 x 35 cms

— Moon Riveroil on canvas, 20 x 30 inches, 51 x 76 cms

— Moon Rideoil on linen, 40 x 30 inches, 102 x 76 cms

— Single Rideroil on linen laid on board,, 15¾ x 11 inches, 40 x 30 cms

Eugenie Vronskaya was born in Moscow in 1966. From the age of 9 to 13 she studied icon painting before being accepted by Moscow University’s School of Fine Art, the youngest student to be admitted in the College’s history. At 22 she applied for a travel visa to the UK. With little money and no contacts she arrived in London and soon found a following for her paintings made on the streets using discarded house paints. Finding a base at the Greenwich Studios she met Sir Anthony Caro who invited her to a summer residency at Pine Planes, New York State there meeting Clement Greenberg, Bob Storrs and working with the artist Larry Poons. Later that year she had her first sell-out show in London and soon after won a bursary to study at the Royal College of Art under Paul Huxley. In 1996 she moved to the Scottish Highlands where she has lived for the last seventeen years with her two sons.

PubLic coLLections

Pushkin Museum, Moscow, New Tretyakov Gallery, Moscow. Tate Gallery, London, Victoria and Albert Museum, London

education

1975 – 79 Studied Icon painting, Moscow 1981 – 83 Moscow School of Art1983 – 89 Moscow Fine Art University (BA and MA). 1991 – 93 Royal College of Art, London (MA), painting

soLo exhibitions

1982 Kuznetsky Most, Moscow1990 Boundary Gallery, London1991 Boundary Gallery, London1995 Socollnic, Gasworks Gallery, London 1995 TMI, Copenhagen, Denmark. 1996 Detatched, Kingsgate Gallery, London2005 War And Peace, Boundary Gallery, London2006 Iconostas, Kilmorack Gallery, Scotland2008 Between The Lines, Rebecca Hossack Gallery, London2011 River Runs Through..., Kilmorack Gallery Scotland2012 Solo show, Jane Roberts Fine Art, Fauburg Saint Honoré, Paris2014 Accidentally Deliberate, Kilmorack Gallery, Scotland2015 Still Point in a Turning World, The Scottish Gallery, Edinburgh, Scotland

awards and residences

1990 International Artist Workshop Triangle, USA (Invited by Sir Anthony Caro)Glasgow Printmaking Workshop1991 Visa International Bursary1992 International Artist Workshop, Pachinpaway, Zimbabwe‘TMI’ Award, Denmark2007 Award Best Local Artist, ICA, Scotland 2012 Ruth Borchard Self Portrait Award

Published by John Martin Galleryfor the exhibition Eugenie Vronskaya, ‘The Night Walker’6 - 21 November 2015 at John Martin Gallery,38 Albemarle Street, London W1S 4JG Opening hours: Monday to Friday 10am to 6pm and Saturdays, 10am to 1:30pm

Images © Eugenie VronskayaCatalogue © John Martin Gallery, 2015Paintings for sale on receipt of catalogue.For all enquiries call Tara Whelan020 7499 1314 tara@jmlondon.comAll paintings can be seen at www.jmlondon.com

www.jmlondon.com

www.jmlondon.com