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Gently

BLACK STAR

Words and Music byAVRIL LAVIGNE

Am7 F C G6

Black star,

for ev- er- you will be

a shin ing-

star, shin ing-

star, be what -

ev er- you can be.

A rock star,

you will al ways- be

a black

star, black

Am7 F C G6

What The Hell

Kobalt Music Publishing Limited (66.67%)/Universal Music Publishing (33.33%).

All rights in Germany administered by Universal Music Publ. GmbH.

A D F#‹ D

q = 155

what if I

- with

dates?

(Yeah, yeah, yeah,

yeah.)

’cause

y- way.

friend.

(Yeah, yeah, yeah,

yeah.)

Words & Music by Avril Lavigne,Max Martin & Shellback

rage than

- it’s

round- and

wrong.

(Yeah, yeah, yeah,

yeah.) I

Don’t

can’t

wrong.

’cause

(Yeah, yeah yeah,

yeah.) You’re

your knees begg

ing- please stay

with me.

est- ly,- I just need

to be a lit tle- cra

(1º only)

my life I’ve been good

but now, oh,

I’m think ing- what the hell.

I want is to mess

a round- and I

don’t real ly- care a bout

if you love me,

if you hate me,

you can’tsave me, ba by,- ba

but now, whoa,

what the hell.

What...

what...

what... what the hell?

A D F#‹ D2.

la, la, la, la, la,

la, la...

whoa... whoa...

say that

I’m mess ing- with your head.

Boy, I like mess ing- in

Yeah, I

am mess ing- with your head

when I’m mess sing- with you

but now, oh,

I want is to mess

a round- and I

don’t real ly- care a bout...

but now, oh,

I want is to mess

a round- and I

don’t real ly- care a bout

if you love me,

if you hate me,

you can’tsave me, ba by,- ba

but now, whoa,

what the hell.

la, la,

la, la, la, la, la, la,

la, la.

Moderately

Words and Music by AVRIL LAVIGNEand EVAN TAUBENFELD

Ain’t seen too much of you late ly,- and you’re

Bb(add4)

start ing- to get on my nerves. This is

ex act- ly- what hap pened- last time, and it’s

Bb(add4)

not what we de serve.- It’s a,

It’saa waste

wasteofof

time,time

shaklate

ing,ly,

-- and

andI’mI’m

Bb(add4)

ingning

outout

search.words.

If it’s

real ly- meant to be, then you

F[add4]

could find a way to see.

Bbsus2

And may be- you should just shut up,

e ven- when it gets tough,

ba by,- ’cause this is love.

Bbsus2

And you know when push comes to shove,

it’s gon na- take both of us.

CTo oda

Ba by,- this is love.

Bb(add4)

It’s real ly- great to be with you; this is

Bb(add4)

how I could spend my life, but I’m

D.S. al Coda

cap a- ble- of tak ing- care of my self,- so if you

Bb(add4)

fuck this up then go take a hike.

(You and me,

we can both start o ver,

- just the two of us.

We can get a lit tle- clos er.

- So fol low- me

hon est- ly,-

and you will see.

F5 Bbsus2

AndAnd may be- you should just shut up,

e ven- when it gets tough,

ba by,- ’cause this is love.

Eb Bbsus2

And you know when push comes to shove,

it’s gon na- take both of us.

Moderately

WISH YOU WERE HERE

Words and Music by AVRIL LAVIGNE,MAX MARTIN and JOHAN SCHUSTER

I can be tough;

I can be strong,

B[add4]

but with you

it’s not like that at all.

There’s a girl

who gives a shit

B[add4]

be hind- this wall;

you just walk through

it. And I re mem- ber-

those cra zy- things you said. You left

B[add4]/D#

them run ning- through my head. You’re

ways- there, you’re ev ’ry- where,- but right

now I wish you were here.

those cra zy- things we did, did

B[add4]/D#

n’t- think a bout- it, just went with it. You’re

ways- there, you’re ev ’ry- where,- but right

now I wish you were here.

damn, damn!

B[add4]

What I’d do to have you

here, here.

(I wish you were here.)

CTo oda

damn, damn,

B[add4]

what I’d do to have you

near, near.

(I wish you were here.)I’d

the way you are

B[add4]

with who I am;

don’t have to try

hard. We al ways-

D.S. al Coda

say it like it is,

B[add4]

and the truth

is that I real ly- miss

don’t wan na- let go.

I just wan

na- let you know

that I nev

er- wan na- let go,

let go

oh- oh.-

don’t wan na- let go.

I just wan

na- let you know

that I nev er- wan na- let go,

go, let go,

let go, let go, let

go, let go, let go, let go,

let go, let go, let go, let go. Damn,

damn, damn!

B[add4]

What I’d do to have you here,

here, here.

(I wish you were here.) Damn,

damn, damn,

B[add4]

what I’d do to have you near,

near, near.

Moderately fast

LastYou

nightknow

blackedI’m a

out,cra

think.bitch.

(I(What

didwhat

whatwant

didwhen

putfeel

in mylike

drink?)it.)

memwan

- berna

- out,lose

andcon

thentrol.-

(Oh,(Oh,

oh.)oh.)

C#5 E5

wokeyou

updon’t

withreal

newgive

too.shit,

(Your(You

namego

waswith

andwith

namego

was onwith

you.)it.)

I’cause

wouldyou’re

dofuck

itin’-

allcra

verrock

gain.roll.

You ou

- said,

“Hey,

what’s your

name?”

It took one

and now I’m not the

Yeah, you

and since that

you stole my

and you’re the one to

blame.

Yeah, and that’s

D(add2)

I smile.

It’s been a while

since ev ’ry- day and ev

E[add4]

’ry- thing- has felt this

CTo oda

E[add4]

The rea son- why

D(add2)

I, I, I,

i- ile.-

E[add4] Dsus2

You know that I’m a cra zy- bitch. I

what I want when I feel like it.

All I wan na- do is lose con trol.-

D.S. al Coda

Esus F#m

All I wan na- do is lose con -

And that’s

E[add4]

The rea son-

I, I, I,

I smi -

- i ile.-

Moderately fast

STOP STANDING THERE

You’reAll

justthis

standtalk

inging

by.to you,

IYou’redon’t

justknow

wastwhat

ingI’m

- time.to do.

I don’tWhy don’t

knowyou just

wheremeyou

the truthstand,

awhat’s

boutin

- meside-

you?your head.

And asAll

thethis

timethink

goesing-

by,of you;

hopethat

youwhat

you’realdo

- izeing

-- too?

You’reifal

youways-

to,mind;

justtalk a

mightbout- you

withof

you.the time.

AndSo don’t waste an oth- er- day,

don’t waste an oth- er- min ute.-

I can’t wait to see your face,

just to show you how much I’m in it.

So o pen- up your heart;

help me un der- stand.-

Please tell me who you are

so I can show you who I am.

show you who I am.

ing- there,

stand ing- there,

and stop act

ing- like you don’t care.

And stop be

ing- scared,

be ing- scared.

Stop act -

ing- like you don’t care.

So don’t waste an oth- er- day,

don’t

waste an oth- er- min ute.-

I can’t wait to see your face,

just to show you how much I’m in it.

O pen- up your heart;

help me un der- stand.-

Please tell me who you are

so I can show you who I am.

Who I am,

who I am,

who I am.

Moderate Pop Rock

I LOVE YOU

la la la la

la. La

la la la

likelike

yourthe

smile,way

likemis

yourbe-

vibe,have-

likewe

yourget

style,wast

ed,-butbut

that’sthat’s

notnot

whywhy

lovelove

you.you.

AndAnd

likekeep

theyour

waycool

when Iyou’re

amsuchcom

star,cat-

ed,-butbut

that’sthat’s

notnot

whywhy

lovelove

you.you. Hey,

do you feel,

do you feel

me? Do you feel

what I feel too?

Do you need,

do you need

me? Do you need

me? You’re

ti- ful-

but that’s not

why I love you.

not sure

you know

that the

on- I love you is you

be ing- you,

just you.

CTo oda 1

Yeah, the reas

on- I love you is all

we’ve

been through,

and that’s

why I love you.

that’s

why I love you, yeah.

F C/E C G

F C/E C

D.S. al Coda

E ven- though

we did n’t

- make it through,

am al ways

- here for you,

you, you, you.

that’s

why I love you. La

la la la la

oh, oh.

la la laThat’s

why I love you.

Pop Rock

EVERYBODY HURTSWords and Music by AVRIL LAVIGNE

and EVAN TAUBENFELD

Ebmaj7 Bb F3fr

Ebmaj7

Don’tIt

know,feels

Ebmaj7

don’tlike

Play L.H. as 8ths on repeat

knownoth

ifing-

canly-

thisters-

own.more.

Whendo

you’re

Ebmaj7

havegone

leavecan’t

me?breathe.

AndItI

seemsknow

Ebmaj7

I’myou

losnev

somemeant

thingto

- deepmake

sidefeel

- ofthis

me.way.

HoldThis

on,can’t

Ebmaj7

topen-

me.ing.-

Ebmaj7

I see, now

I see.

’ry- bod- y- hurts

some days,

it’s

o kay- to be

fraid.

’ry- bod- y- hurts,

CTo oda

’ry- bod- y- screams,

’ry- bod- y- feels

and that’s o

da da da da,

that’s o

- kay.

la la la.

D.S. al Coda

man y- ques tions,- so much on my mind.(So

man y- an swers- I can’t find.)I

I could turn back the time. I

won der- why.

some days.

la la la,

that’s oEv

’rykay.-

- bod- y- hurts

It’s

o kay- to be

a fraid.

Ev ’ry- bod- y- hurts

some days,-

yeah, we all

feel a fraid.-

Ev ’ry- bod- y- feels

this way,

but it ’ll- be

o kay.-

Can some bod- y- take

me a way-

to a bet

ter- place.

Ev ’ry- bod- y- feels

this way,

it’s o -

da da da da,

it’s o

- kay.

la la la,

it’s o

da da da da,

it’s o

la la la,

it’s o

- kay.

With drive

NOT ENOUGH

Words and Music by AVRIL LAVIGNEand EVAN TAUBENFELD

D5 Asus

I’m sor

ry’ries

thatthis

we’rehurts

you,ing,-

butall

triedtime

tothat

whatspent

wewith

had once,you

was’ry-

wrong,day,-

wasthink

n’tit’s

- keeprun

ingning-

-medown

wake.drain.

You did n’t

I’m- lis

ten,ing

you didthat

n’twe’re- hear

meing.-

when IDon’t

saidmake

wantas

more,hard

gotyou

noit would

more,be, it’s

weren’tlot

stealeas

way,it

-seems,

oh.yeah.

It’s not e nough,- it’s not

e nough- to give

it is I want.

e nough- to get

’ry- thing- I need.

I wish it was.

I think it’s time

CTo oda

D.S. al Coda

to give this up.

Oh, oh, oh, oh,

oh, oh, oh, oh.

All the mem -

can feel it fall ing- down,

ly,- slow ly.-

can see you’re start ing- to drown,

can’t stop

it now.

can see you burn ing- out

so show

me, show me

you’re gon na- turn it round,

be cause...-

It’s not e nough,- it’s

e nough- to give

me what

it is I want.

e nough- to get

e nough- to give

me what

it is I want.

e nough- to get

Play 3 times

I wish it was.

I think it’s time

to give this up.

D A Bm

e nough- to get

me what

it is I want.

e nough- to get

me, yeah, yeah,

yeah, yeah.

Moderately slow

4 REAL

If I show

you, get to know

you, if I

you just for to day,-

am I gon na- wan na-

go? Am I gon na- wan na- go

me you feel the same.

’Cause I’m

4 real. Are you 4 real? I can’t help

my self;- it’s the way I feel. When you

me in the eyes like you did last night, I can’t

stand to hear you say good bye.- And it feels

so right, ’cause it feels so right just

have you stand ing- by my side, so don’t

CTo oda

me go, ’cause you have my soul, and I

just want ed- you to know. I don’t wan na-

back, ’cause I know that we

have some thing- the past

could nev er- change.

And now I’m stuck in the mo -

ment,- and my heart is o

pen.- Tell

D.S. al Coda

me that you feel the same.

Oh, ’cause I’m

just want ed- you to know. Hold

(hold) me down

(me down). Hold (hold) me now.

I’m safe

(I’m safe), I’m sound

(I’m sound)when you’re a round.-

(I’m sound)when you’re

a round.-

’Cause

my self;- it’s the way I feel. When you

stand to hear you say good bye.- And it feels

have you stand ing- by my side, so don’t

just want ed- you(I’m

to know.4

I’mreal.)

my self;- it’s the(The

wayway

I feel.I

When you

feel.)

stand to hear you say(Feels

good bye.-so

And it feels

right.)

have you stand ing- by(By

my side,my

so don’t

letside.)

just want ed- you to know.

Moderate Pop Rock

DARLIN

ling,- you’re hid

ing- in the

clos et- once a gain,-

start smil

I know you’re

ing- real

hard not to

turn your head a way,-

pret ty- dar

ling.- Face

to mor- row,-

to mor- row’s- not yes ter- day.-

C G Am F

Yes ter- day,-

oh, oh.

Pret ty-

please, I know

it’s a drag,

CTo oda

wipe your

eyes and put

up your head.

I wish you could

be hap

py- in stead,

- there’s

ing- else I can

do than love

you the best

that I can.

Yeah, yeah,

yeah, yeah.

D.S. al Coda

ling,- I

was there

once a while a go.-

I know

G Am F

that it’s

to be stuck

peo ple- that you love

no bod- y- trusts.

yeah, yeah.

That I can,

C G Am

And you’re not

the on -

ly- one

who’s been through,

I’ve been

there a lone-

and now

so are you.

I just want you

to know,

want you to know

it’s not your

fault,

it’s not your

fault.

G C G7sus

Am7 Fsus2

C G7sus

your fault.

Am7 Fsus2

Your fault,

C G7sus

it’s not your fault,

Am7 Fsus2

your fault,

your fault.

Pret ty-

please, I know

it’s a drag,

wipe your

eyes and put

up your head.

I wish you could

be hap

py- in stead,

- there’s

ing- else I can

do than love

you the best

that I can.

you the best

that I can.

Yeah, yeah,

yeah, yeah.

That I can.

ling,- you’re hid

ing- in the

clos et- once a gain,-

start smil

Moderately slow

REMEMBER WHEN

Re mem- ber- when I cried

to you a thou sand- times?

I told you ev ’ry- thing;-

you know my feel ings.-

It nev er- crossed my mind

that there would be a time

for us to say good bye.-

What a big sur prise.-

But I’m not lost;

G[add4]

not gone.

I have n’t- for got.-

These feel -

ings- I can’t shake no more; this feel

G[add4]

ing’s- run ning- out the door. I

can feel it fall ing- down, and I’m

not com ing- back a round.- These feel -

ings- I can’t take no more. This emp

G[add4]

ti- ness- in the bot tom- drawer is

ting- hard er- to pre tend,- and I’m

not com ing- back a round- a gain.-

C G Am F

Re mem- ber- when.

C G Am

I re mem- ber- when

it was to geth- er- ’til the end.

Now I’m a lone- a gain;-

where do I be gin?-

I cried a lit tle- bit,

but you died a lit tle- bit.

Please say there’s no re grets,-

and say you won’t for get.-

But I’m not lost,

G[add4]

and I’m

not gone.

I have n’t- for got.-

These feel

ings- I can’t shake no more; this feel -

G[add4]

not com ing- back a round.- These feel

ings- I can’t take no more. This emp -

G[add4]

ti- ness- in the bot tom- drawer is get

not com ing- back a round- a gain-

hey- en.-

Re mem- ber- when

hey- en.-

That was then;

now, it’s the end;

I’m not com ing- back.

I can’t pre tend.-

Re mem- ber- when

hey- en.-

G[add4]

These feel

ings- I can’t shake no more; this feel -

G[add4]

not com ing- back a round.- These feel

ings- I can’t take no more. This emp -

G[add4]

ti- ness- in the bot tom- drawer is get

not com ing- back a round- a gain.-

(fadeout to end)

Am73fr

C/F3fr

Moderately

GOODBYEWords and Music by

AVRIL LAVIGNE

G/B C G C G/B C

GoodGood

bye,bye,

goodbrown

bye,eyes,

goodgood

byebye

love.now.

I can’tGood

hide,bye,

can’t

-hide,shine,

can’ttake

hidecare

whatof

hasyour

come.self.-

I have to go,

CTo oda

I have to go,

I have to go

and leave you a lone.-

But al ways- know,

al ways- know,

al ways- know

that I love you so,

I love you so.

I love you so,

D.S. al Coda

La lul la- by,-

dis tract- me with your eyes.

La lul la- by.-

La lul la- by,-

help me sleep to night.-

La lul la- by.-

I have to go,

I love you so,

I love you so.

I love you so,

I love you so.

Slower, with some freedom

G/B C G

- brown

- my love.

G[add2]/B Am

G5 G C G C G

Moderately fast

ALICEfrom Walt Disney Pictures’ ALICE IN WONDERLAND

Tripplay

pingthe

- out,game, but

ningcan’t

- a round.stay.

-I’ve got

I’mmy

unhead

- ground;straight,

II’m

fellnot

down,gon na- change,

yeah,I’m

fellgon na-

down.change.

I’mI’ll

freakwin

ingthe

- out,race, keep

whereup

amwith

now?pace.

UpTo -

day’ssidethe

- down,day

and Ithat

can’tI

stopstart

now.pray.

YouYou

can’tcan’t

stopget

now,my way,

no.oh.

I’ll get

F[add#4]

I’ll sur

vive.-

When the world’s crash ing- down,

when I fall and hit the ground,

I will turn my self- a round;- don’t you try to stop me. I,

I won’t

I’ll

found my self-

in Won

der- land,-

back on

my feet

a gain.-

Is this real?

Is it pre tend?-

I’ll

a stand

un til-

the end.

I’ll get

F[add#4]

I’ll sur

vive.-

When the world’s crash ing- down,

when I fall and hit the ground,

I will turn my self- a round;-

Repeat and Fade

Optional Ending

don’t you try to stop me. I,

I won’t

black star - sheets-piano.rusheets-piano.ru/wp-content/uploads/2013/01/avril-lavigne-goodbye...wish...

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