baroque art major artists bernini rembrandt rubens caravaggio style themes encourage faith...

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BaroqueArt

Major Artists

Bernini

Rembrandt

Rubens

Caravaggio

StyleThemes

Encourage Faith

"Catholic Art”

sensual

Capture action and

emotion

Chiascuro: Contrast between light and

dark

BaroqueBaroque 1600 – 1750.

From a Portuguese word “barocca”, meaning “a pearl of irregular shape.”

Implies strangeness, irregularity, and extravagance.

The more dramatic, the better!

Marries advanced techniques and grand scale of the Renaissance w/ the emotion, intensity and drama of Mannerism

Baroque Style of Art & Architecture

Baroque Style of Art & Architecture Dramatic, emotional.

Colors were brighter than bright; darks were darker than dark.

Counter-Reformation art.

Paintings & sculptures in church contextsshould speak to the illiterate rather than to the well-informed.

Ecclesiastical art --> appeal to emotions.

St. Peter’s Basilica, Vatican

City

by Gianlorenzo Bernini

St. Peter’s Basilica, Vatican

City

by Gianlorenzo Bernini

1600 Catholic popes finance magnificent Catholic popes finance magnificent

cathedrals and grand workscathedrals and grand works Why?Why?

Counter-Reformation’s triumphCounter-Reformation’s triumphAttract new worshippers w/ “must-see” Attract new worshippers w/ “must-see”

architecturearchitecture

In France Absolute monarchs use it to glorify Absolute monarchs use it to glorify

themselvesthemselves Power and grandeur of the king is most Power and grandeur of the king is most

impressiveimpressive

Catholics vs. Protestants Flanders:Flanders:

CatholicCatholicReligious art flourishesReligious art flourishes

• RubensRubens

England and HollandEngland and Holland ProtestantProtestant

Religion images forbiddenReligion images forbiddenStill-lifes, portraits, landscapes, themes from daily lifeStill-lifes, portraits, landscapes, themes from daily life

• RembrandtRembrandt

Church of Santiago de Compostella, Spain

Church of Santiago de Compostella, Spain

Church of Veltenberg Altar, Germany

Church of Veltenberg Altar, Germany

Interior of a Dominican Church in Vilnius

Interior of a Dominican Church in Vilnius

“Calling of St. Matthew”Caravaggio

“Calling of St. Matthew”CaravaggioOrdinary people,

everyday events.

Faith open to all!

“The Cardsharps”Caravaggio, 1595“The Cardsharps”Caravaggio, 1595

“Christ on the Cross”

Diego Velázquez

, 1632

“Christ on the Cross”

Diego Velázquez

, 1632

“Las Meninas

Diego Velázqu

ez

1656

“Las Meninas

Diego Velázqu

ez

1656

Valazquez, Pope Innocent X

                                    

Francis Bacon,

1953

“The Elevation

of the Cross”

by Peter Paul

Reubens

1610-11

“The Elevation

of the Cross”

by Peter Paul

Reubens

1610-11

Descent from the Cross 1612

Ominously dark skyOminously dark sky Christ is central figureChrist is central figure Tragic themeTragic theme Spot-light on ChristSpot-light on Christ Emotional Emotional PowerfulPowerful

“The Ecstasy of

St. Theresa of

Avila”

by Gianlorenzo Bernini

1647-52

“The Ecstasy of

St. Theresa of

Avila”

by Gianlorenzo Bernini

1647-52

More on St.Theresa

St. Theresa: saw vision St. Theresa: saw vision and heard voicesand heard voices

Pieced by angel’s dart Pieced by angel’s dart filling her with divine lovefilling her with divine love

““The pain was so great that I screamed The pain was so great that I screamed aloud; but at the same time I felt such aloud; but at the same time I felt such infinite sweetness that I wished the pain infinite sweetness that I wished the pain to last forever.”to last forever.”

Your reaction?Your reaction?

Vermeer

Protestant or Catholic?

WHY?

Rembrandt The NightwatchThe Nightwatch 1642 1642

“A Bust of Louis XIV”by Bernini

“A Bust of Louis XIV”by Bernini

“A Bust of Cardinal Richelieu”by Bernini

“A Bust of Cardinal Richelieu”by Bernini

“Louis XIV”

HyacintheRigauld

“Louis XIV”

HyacintheRigauld

The greatest “David” (at least in Peri’s humble opinion)

Bernini, The Rape of ProserpineHow do you do this in marble?

Bust of Cardinal Scipione Borghese

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