art. museums lourve paris, france tate, london

ART

MUSEUMS

• LOURVE PARIS, FRANCE

TATE, LONDON

HERMITAGE, ST. PETERSBERG, RUSSIA

PRADO SPAIN

GUGGENHEIM IN BILBAO, SPAIN

BRITISH MUSEUM

RENAISSANCE 16th c.

• Figures from the Bible , classical history, mythology, commissioned portraits, use of perspective, CHIAROSCURO, secular backgrounds and material splendor.

BOTTICELLI

PRIMIVERA

BrunelleschiFlorence

RAPHAEL

• SCHOOL OF ATHENS

MARRIAGE OF THE VIRGIN

MICHAELANGELO

baroque

DA VINCI

BAROQUE

• Response of Counter Reformation

• More colorful, richer in texture and decoration

• Scenes embody mystery and drama, violence and spectacle.

• Stir emotions and win back defectors.

• Art for the public consumption

Bernini

Durer

Caravaggio

El Greco

The Resurrection

RembrandtNorthern Renaissance/ baroque

RUBENS

FRANZ HALS

• DESCARTES

HALS

HALS

• BOY W/ LUTE

Northern Realism17th century

• Values: quiet opulence, comfortable, comfortable domesticity, realism

• Middle class Dutch patrons commission secular works: portraits, still life's, landscapes

VERMEER

MILLET

‘THE ANGELEUS’

• ‘THE FIELD’

ROCOCO

• ART OF FRENCH ARISTOCRACY PORTRAYING NOBILITY IN SYLVAN SETTINGS OR ORNATE INTERIORS

• CANDY BOX ART. FRIVOLOUS, DELICATE, ELEGANCE, SWEETNESS

BOUCHER

FRAGNORD

BOUCHER

• ‘The Love Letter”

HOGARTH

• NOON

• GIN LANE

RIGAUD

Watteau• Next slide “the country dance”

WATTEAU

NEO CLASSICISM18 TH C.

• A RETURN TO CLASSICAL ANTIQUITY FOR INSPIRATION, SCENES ARE HISTORICAL AND MYTHOLOGICAL

• APPEAL IS TO INTELLECT NOT THE HEART

• EMOTIONS ARE RESTRAINED

• VALUES: REASON, ORDER, BALANCE, REVERANCE FOR ANTIQUITY

JACQUES LOUIS DAVID

Ingress

ROMANTICISM19TH C.

• REACTION AGAINST COLD AND UNFEELING REASON OF THE ENLIGHTENMENT AND AGAINST THE DESTRUCTION OF NATURE RESULTING FROM THE INDUSTRIAL

REVOLUTIONSTRESS IS ON LIGHT, COLOR, SELF

EXPRESSION IN OPPOSITION TO THE EMPHASIS ON LINE AND NEOCLASSICALISM

VALUES: EMOTION, FEELING, MORBIDITY, EXOTICISM, MYSTERY.

GERICAULT

DELICROIX

• TAINGER LIBERTY

• MASSACRE AT

• CHOIS

SPEED OF STEAM

BURNING OF PARLIAMENT

Turner

• ‘Burial at Sea”

Shipwreck

GOYA

GOYA

CONSTABLE

DAUMIER

CARTOONIST

EIFFEL

IMPRESSIONISM

• ATTEMPT TO PORTRAY THE FLEETING AND TRANSITORY WORLD OF SENSE IMPRESSIONS BASED ON SCIENTIFIC STUDIES OF LIGHT

• FORMS ARE BATHED IN LIGHT AND ATMOSPHERE

• COLORS FUSE FROM A DISTANCE• VALUES: THE IMMEDIATE,

ACCIDENTAL, AND TRANSITORY

CZANNE

• The Card Players

MONET

• VENICE

RENOIR

• THE BOATING PARTY

DEGAS

SEURAT

Side Show

Toulouse Lautrec

RODIN

• THINKER

• GATES OF HELL

EXPRESSIONISM19TH AND 20TH C.

• INDEBTED TO FREUD• ART TRIES TO PENETRATE THE FAÇADE OF

BOURG. SUPERFICIALITY AND PROBE THE PSYCHE, THAT WHICH LURKS BENEATH AN INDIVIDUAL’S CALM AND ARTIFICAL POSTURE.

• VALUES: SUBLIMNAL ANXIETY– PICTORAL VIOLENCE…MANIFEST AND LATENT

MANET

MUNCH

DESPERATION

• ANXIETY

KIRCHNER

• Street Scene

• The red cocotte

The tempest

Beckman‘the night’

Van Gogh“Starry Night”

SURREALISM20th c.

• Also indebted to Freud

• Explores the dream world and world without logic or reason or meaning

• The strange encounters between objects

• Subject often indecipherable in their strangeness

• Values: the dream sequence, illogic, fantasy

Ernst

• 3 children and a

• nightingale

De Chirico

• ‘nostalgia”

Dali

Miro‘dog barking at the moon

Chagall‘self portrait w/ seven fingers’

‘self portrait’

POST IMPRESSIONISMGAUGUIN

CUBISM

• No single point of view

• No continuity

• or simultaneity of image contour

• All possible views of subject are compressed into one view of top, sides, front and back

• Values: a new way of seeing a view of the world as a mosaic of multiple relationships

PICASSO

STILL LIFE WITH A CHAIR CANNING

• Three Dancers

• SEATED WOMAN

Matisse

The Dance

Harmony

• ‘open window’

Kirchner

• Berlin Street Scene

• Street in Berlin

KATHIE KOLLWITZ

BRAQUE ‘THE TABLE’

ABSTRACT EXPRESSIONISM

• NON REPRESENTATIONAL ART

• SHAPES, LINES AND COLORS

BRAQUE

• MOORE

• RECLINING FIGURE

Abstract

• Rothko

• orange and red

De KOONING

• WOMAN

Dadaism

• Life is random and uncontrolled

• Inability to control our lives

• Literally means ‘hobby horse’

DADAISMTHE FANTASTIC AND THE

ABSURD• HANNAH HOCH

• CUT WITH A KITCHEN KNIFE

• Houseman

• “Spirit of our Times”

DuChamp

• Three stoppages

Anslem…Departure from Egypt

GIOCOMETTI

• MAN POINTING• DOG

THE PALACE

ARCHITECTURE

• HOW DOES IT DEFINE A PERIOD?

• HOW DOES IT SHOW WHO IS IN POWER?

• HOW DO ART AND ARCHITECTURE REFLECT THE ECONOMIC INTEREST OF THE PEOPLE?

• MEDIEVAL GOTHIC GIVES WAY TO GRANDEUR OF BAROQUE(ecclesiastical and royal bldg)

• 18th c. gives way to classical and aristocratic style

• Replaced by romantic, neo-gothic and industrial architec. Of 19thc

• Blends into the rising bldgs. Of the industrial cities of 20 th c.

Architecture

• Christopher Wren• St. Paul’s Cathedral

IM PEI

Pyramid at the Lourve

BAUHAUS\GROPIUS

Christo and Jeanne- Claude

• Art that enhanced people’s sensual experience of the everyday world

• Previous slide is the wrapping of the Reichstag in Berlin

Enhancing the rural terrain

Paris bridge

The Gates, Central Park

• AMEN