and impress the examiner. here are the chords added to the melody c chord = c e g g chord = g b d f...
Post on 18-Jan-2016
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And Impress The Examiner
Here are the chords added to the melody
C chord =C E G
G chord =G B D
F chord =F A C
G7 chord =G B D F
Instead of chords try creating a single note bass-line
This is a good idea to use but on its own it is very boring
Try using it at the same time as another accompaniment
Try varying the rhythm
Try using the other notes of the chords to vary your single note bass-line
E.g. C chord is made up of the notes C E and G
C chord = notes C E GG chord =
G B DF chord =
F A CG chord =
G B D
F= F A
C
G=
GB
DF
C chord =C E G
Once you have worked out the basic chords there are many ways of changing them to make them more interesting
Break up the chords so that the notes are played one at a time instead of all at once
Try breaking them up in different directions- ascending and descending
Ascending Descending
If you like the sound of block chords try varying the order of the notes to make them more interesting
GEC
ECG
CGE
ECGC
GEC
ECGC
ECG
DBG
GDB
CAF
FCA
DBG
GDB
CAF
FDBG
Dotted rhythms make the accompaniment more interesting
Because the rhythm of the melody is different to the rhythm of the accompaniment we call this a cross-rhythm
A long, low, sustained note is called a pedal note
Try adding a pedal note underneath the chords
Condensing the pedal note onto the same stave as the chords look like this
Try changing the rhythm of the accompaniment to triplets
This creates more cross-rhythms
If you change the broken chords to semiquaver (quarter) notes the accompaniment sounds much busier and more detail can be added to them
Try varying the direction of the notes
(ascending, descending, mixed)
Ascending
Descending
Mixed
Here is an example of a semiquaver accompaniment using ascending, descending and mixed patterns
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