2015 hsc visual arts art criticism and art history ... · 2015 higher school certificate...
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Centre Number
Student Number
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2015 EXAMINATIONHIGHER SCHOOL CERTIFICATE
11206741310293
15400
Visual Arts Art criticism and art history
General Instructions
•Readingtime–5minutes
•Workingtime–11hours2
•Writeusingblackpen
•Extrawritingspaceisprovidedonpages11−12
•APlatesBookletisprovidedwiththispaper
•WriteyourCentreNumberandStudentNumberatthetopofthispage
Total marks – 50
Section I Pages2–12
25 marks
•AttemptQuestions1–3
•Allowabout45minutesforthissection
Section II Pages13–14
25 marks
•AttemptONEquestionfromQuestions4–9
•Allowabout45minutesforthissection
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Section I
25 marksAttempt Questions 1–3Allow about 45 minutes for this section
Allowabout8minutesforQuestion1Allowabout16minutesforQuestion2Allowabout21minutesforQuestion3
Answerthequestionsinthespacesprovided.Thesespacesprovideguidancefortheexpectedlengthofresponse.
Extra writing space is provided on pages 11 and 12. If you use this space, clearly indicatewhichquestionyouareanswering.
Youranswerwillbeassessedonhowwellyou:
n writeinaconciseandwell-reasonedway
n presentaninformedpointofview
n usetheplatesandanyothersourcematerialprovidedtoinformyourresponse
Question 1 (5marks)
RefertoPlate1onpage1ofthePlatesBooklettoanswerQuestion1.
HowhasNataliaGoncharovacommunicatedaspectsofthemodernistperiodinherpaintingLinen,1913?
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Question1(continued)
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Question 2 (8marks)
RefertoPlate2onpage2andPlate3onpage3ofthePlatesBooklettoanswerQuestion2.
ExplainhowtheartworksofJimDenevanandAnishKapoorexplorerelationshipsbetweentheaudienceandthesite.
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Question 3 (12marks)
RefertoPlates4−7onpages4and5ofthePlatesBooklettoanswerQuestion3.
AnalysehowSwoon’schoicesdemonstrateaspectsofcontemporarypractice.
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Question3(continued)
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End of Question 3
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Section I extra writing space
If you use this space, clearly indicate which question you are answering.
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Section I extra writing space
If you use this space, clearly indicate which question you are answering.
©2015BoardofStudies,TeachingandEducationalStandardsNSW
–13–1122
2015 HIGHER SCHOOL CERTIFICATE EXAMINATION
Visual ArtsArt criticism and art history
Section II
25 marksAttempt ONE question from Questions 4–9Allow about 45 minutes for this section
AnswerthequestionintheSectionIIWritingBooklet.Extrawritingbookletsareavailable.
Youranswerwillbeassessedonhowwellyou:
n presentawell-reasonedandinformedpointofview
n applyyourunderstandingofthedifferentaspectsofcontentasappropriate(Practice,ConceptualFrameworkandtheFrames)
n userelevantexamples
Practice
Question 4 (25marks)
Technology has changed the boundaries of artmaking practice.
Withreferencetothisstatement,analysehowartistshaverespondedtonewtechnologies.
OR
Question 5 (25marks)
Examine how interpretations and understanding of practice often determine perceptions ofwhatispreciousinart.
In your answer, refer to the practices of artists and/or curators and/or art critics and/or arthistorians.
OR
Please turn over
–14–
Conceptual Framework
Question 6 (25marks)
Investigate ways artists have created significant artworks in response to significant worldevents.
Inyouranswer,refertospecificartistsandartworks.
OR
Question 7 (25marks)
Art galleries have become multiplexes* and theme parks for the contemporary audience.
BillHenson,artist
With reference to the quotation, explain the ways in which artists and/or curators createexperiencestoengageaudiences.
(*Multiplexes– multiscreen cinemas)
OR
Frames
Question 8 (25marks)
Howandwhydoartistsexpressideasinnon-representationalways?
Inyouranswer,refertospecificexamples.
OR
Question 9 (25marks)
Howdoartistsusesatire,humourandplayfulideastocommentonsociety?
Inyouranswer,refertoarangeofartworks.
End of paper
©2015BoardofStudies,TeachingandEducationalStandardsNSW
2 0 1 5 H I G H E R S C H O O L C E R T I F I C A T E E X A M I N A T I O N
Visual Arts Art criticism and art history
Plates Booklet
Plate 1: Natalia Goncharova, 1881−1962, Russia Linen, 1913 oil on canvas 95.6 × 83.8 cm
Note: Linen can refer to the woven fabric made from the flax plant, as well as to household articles such as sheets, tablecloths, shirts and underwear.
1121 Page 1
Linen 1913 © Nathalie Gontcharova/ADAGP. Licensed by Viscopy, 2015
Plate 2: Jim Denevan, b. 1961, USA Sand Drawings, 2010 aerial photograph of site-specific coastal sand drawing California, USA
Page 2
Awaiting copyright
Plate 3: Anish Kapoor, b. 1954, India Cloud Gate, 2004 stainless steel sculpture, 10.06 × 20.12 × 12.80 m Millennium Park, Chicago, USA
Page 3
© Anish Kapoor, 2015
Plate 4: Swoon (graffiti artist), b. 1978, USA artist pasting her paper stencil New York, USA, c. 2006
Plate 5: Swoon, b. 1978, USA wall pasting street art, New York, USA, 2006
Page 4
Awaiting copyright
Awaiting copyright
Plate 6: Swoon, b. 1978, USA Submerged Motherlands, 2014 installation – paper-cut stencils, drawings, printmaking, cloth, found objects exhibited in the Brooklyn Museum, USAheight approx. 23 metres
Plate 7: Technicians assisting with the installation of Submerged Motherlands
Page 5
Awaiting copyright
Awaiting copyright
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Page 8 © 2015 Board of Studies, Teaching and Educational Standards NSW
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