american indian and western art

American Indian and Western ArtApril 4, 2014

American Indian and Western Art

Cowan’s6270 Este AvenueCincinnati, OH 45232513.871.1670Fax 513.871.8670

cowans.com

AuctionApril 4, 2014 10 a.m.

ExhibitionApril 3, 2014 Noon - 5 p.m. April 4, 2014 8 a.m. - 10 a.m.

BidIn person, by phone, absentee or live online.

Phone and Absentee Bidding513.871.1670

Danica M. [email protected]

Susan Labry Meyn Tyrone Campbell

Specialists For This Auction

Graydon [email protected]

2 COWAN’S AMERICAN INDIAN AND WESTERN ART

American Indian and Western Art Lots 1 - 379

Cowan’s is pleased to offer property from the following:

The Eiteljorg Museum of American Indians and Western Art, Indianapolis, IndianaMr. Marvin L. Lince, OregonRichard Pohrt Jr., Michigan Dr. Kent Vickery (1942 - 2011) and Karen Vickery, ColoradoWoodford Humane Society, Versailles, KentuckyOther Private Collections

*International shipping is not available for these items. Items will only be shipped within the United States, except to California. Cowan’s adheres to CITES regulations in the sale of ivory.

Front Cover: Lot 379BaCk Cover: Lot 308InsIde Front and BaCk Covers: Lots: 26 and 223

APRIL 4, 2014 CINCINNATI, OHIO 3SEE DETAILED DESCRIPTIONS, PHOTOGRAPHS AND CONDITION REPORTS OF ALL LOTS AT COWANS.COM


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1 Nunivak Island Painted Wooden Mask overall diameter 20 in. ca 1930$2,000 - $3,000

2 Nunivak Island Painted Wooden Mask overall diameter 16.25 in. ca 1900Collected by Lutheran Missionary Reverend Tollef L. Bevig, 1894$1,500 - $2,000

3 Point Hope Eskimo Wood Mask carved with pronounced cheek bones and smiling countenance; pierced along sides for attachment, length 10 in. x width 6.25 in. third quarter 19th century$3,000 - $5,000

4 Anaktuvuk Pass Walrus Hide Mask length 11 in. x width 7 in. 19th century$800 - $1,000

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5 Yupik Hunter’s Closed-Crown Walrus Hide Hat seven baleen strips formed into seal and birds are attached to hat using thin baleen ties, height 10.75 in. x width 10 in. x length 11.75 in. second quarter 20th century$800 - $1,000

6 Eskimo Fishing Line and Tackle collection number inked on wood, length 11 in. 19th centuryFrom a Collinsville, IL Estate$400 - $600

7 *Eskimo Walrus Ivory Bow Drill decorated by multiple hands with hunting and village life vignettes, length 14 in.From a Collinsville, IL Estate$800 - $1,000

8 *Eskimo Child’s Ivory and Wood Harpoons lot of 2, lengths 20.5 in. AND 22.25 in. ca 1900 Collected by Lutheran Missionary Reverend Tollef L. Bevig, 1894$500 - $700

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9 *Eskimo Carved Bone and Fossilized Ivory Objects lot of 12, including 6 labrets, fossilized ivory cod lure, fossilized ivory spotted seal ornament, hook fragment, decorated awl, AND a doll head and seal, lengths 5.25 in. to .75 in.$800 - $1,200

10 *Eskimo Carved Ivory Snow and Fishing Tools group of 12, includes bag handles, snow knives, ice scratcher, awl, hammer, bow guard, labrets, and ice creeper, lengths 8.75 in. to .75 in. 19th centuryFrom a Collinsville, IL Estate$300 - $500

11 *Eskimo Fossilized Ivory Tools lot of 54, includes an assortment of harpoon darts and toggles, fishing hooks, weights, bag handles and netting tools, lengths 9.5 in. to 1 in.From a Collinsville, IL Estate$600 - $800

12 * Eskimo Bone and Fossilized Ivory Fishing Tools lot of 10, includes fishing pole handle, harpoon toggle, harpoon point, knife handle, weights, and spoon, lengths 17 in. - 5.25 in.From a Collinsville, IL Estate$300 - $500

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13 Eskimo Painted Wood Snow Goggles length 6.5 in. fourth quarter 19th century Collected by Lutheran Missionary Reverend Tollef L. Bevig, 1894$1,500 - $2,500

14 Siberian Eskimo Pipe with Pewter Inlay length 9.5 in. ca 1900 $1,000 - $1,500

15 *Eskimo Ivory Carved Pipe length 11.5 in ca 1900From a Collinsville, IL Estate$800 - $1,000

16 *Eskimo Ivory and Wood Snuff Box height 1.5 in. x length 2 in. ca 1900 $500 - $700

17 *Greenland Eskimo Transformation Tupilak height 1 in. x length 3.5 in. second quarter 20th century$300 - $500

18 *Eskimo Carved Ivory Dolls lot of 3, remnants of old note attached reads: by the esquimaux, heights 1.5 in. - 1.75 in. ca 1900 $1,000 - $1,500

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19 *Eskimo Carved Walrus Ivory Sewing Caddy Bettle Alaska incised on back of chair, height 6 in. x width 3.25 in. ca 1900From a Collinsville, IL Estate$400 - $500

20 *Eskimo Ivory and Bone Sewing Needles lot of 6, lengths 3.25 in. to 6.5 in. late 19th centuryEx Mr. and Mrs. Roy Fields, Anchorage, Alaska; Exhibited in 1967 at the Cook Inlet Native Association, Anchorage, AK$250 - $350

21 Eskimo Walrus Skull Coffee Mugs lot of 2, remnants of collection number on base of one, height 4.25 in. x width 3 in.; AND height 4.25 in. x width 4 in. ca 1900Collected by Lutheran Missionary Reverend Tollef L. Bevig, 1894$200 - $250

22 Eskimo Bentwood Trinket Box with baleen lacing; box coated with a red wash and the initials AF carved into bottom, height 4.5 in. x length 6.75 in. 19th centuryFrom the Estate of Kenneth Erwin, Portland, Michigan$800 - $1,000

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23 Nunivak Island Model Kayak length 30.25 in. ca 1900$800 - $1,000

24 Eskimo Walrus Skin Kayak with Hunter length 26.5 in. ca 1900$400 - $600

25 *Peter L. Smith (Cup’ik, 1912-1995) Nunivak Island Wood Carving signed on base, length 12.75 in. third quarter 20th century$500 - $700

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26 Tlingit Painted Bentwood Box painted in red, black, and green; box has a bentwood body from which two frogs emerge; lid with beveled sides, is further embellished with two carved seals poised on a softly sculpted, domed fish head; height 11.5 in. x length 15 in. x width 7.25 in. ca 1900Emerging frogs are reminiscent of those seen on the Chilkat Frog Grave House, Klukwan, Alaska. $4,000 - $6,000

27 Nuu-chah-nulth Polychrome Humanoid Mask ribbed coiffure with double-carved inset eyes, furrowed brow, and cross hatched beard with toothy grin, length 11.75 in. x 6.75 in. ca 1900$2,500 - $3,500

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28 Dzunukwa, Kwakwaka’wakw Polychrome Mask with deeply hollowed cheeks, pursed lips, and beak-like nose, length 12.75 in. x width 9.5 in. second quarter 20th century$2,000 - $3,000

29 Kwakwaka’wakw Beaver Polychrome Bowl carved of cedar and detailed with red and black paint; the beaver holds a red and black striped stick in his front paws; thin back tale further embellished with faint hatch marks; bowl with beveled edge, height 2.75 in. x length 15.25 in. late 19th century $2,000 - $3,000

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31 Charlie James (Kwakwaka’wakw, 1867-1938) Polychrome Totem Pole large five-figure totem depicting the strong man, Dzunukwa (Wild Woman of the Forest) eating a child, a raven, a warrior holding a frog, and finished with a spread-winged thunderbird; signed Charlie James Yakuglas (Yakuglasis is James’ native name), on reverse of totem, height 51 in. early 20th century$8,000 - $10,000


32 Dick Price (Kwakwaka’wakw, 1880-1936) Attributed Polychrome Totem Pole tall, four figure totem depicting the thunderbird, a whale, bear, and man; painted in colors of black, green, red, cream, yellow, and brown; mounted on square base, height 33 in. x width 13.25 in. second quarter 20th centuryAn example of Dick Price’s work can be found curated at the University of British Columbia Museum of Anthropology (no. A8419).$4,000 - $6,000



33 Kwakwaka’wakw Polychrome Totem Pole finely carved three-figure totem, Dzunukwa is seated with a child on bottom, followed by a man holding a wolf, and is topped by a thunderbird; name Jack penciled on front of base, last name illegible, height 34.25 in. x width 17.75 in. ca 1900$3,000 - $5,000



34 Charlie James (Kwakwaka’wakw, 1867-1938) Polychrome Totem Pole signed at base, height 14 in. first quarter 20th century$1,000 - $2,000

35 Charlie James (Kwakwaka’wakw, 1867-1938) Attributed Polychrome Totem height 13.5 in. first quarter 20th century$1,000 - $2,000

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36 Haida Polychrome Totem Poles lot of 2, heights 20.5 in. AND 15.5 in. first quarter 20th century$800 - $1,000

37 Chilkat Polychrome Carving carved using two cedar planks; a man stands in the doorway of ceremonial house; Chilkat written on base and a line of faint, illegible descriptive text penciled on back, height 15.25 in. x width 10.75 in. early 20th century$800 - $1,200



38 Tsimshian Polychrome Wooden Rattle composed of two hand-carved alder halves attached using thick sinew; Sisiutl is depicted on both sides in black and red; collection number on handle, length 12 in. x diameter 8 in. late 19th century$3,000 - $5,000


39 Haida Painted Cedar Bark Hat decorated with a frog painted in red and black; a five-pointed star with a dentalium shell and a single blue bead decorates top, height 5.5 in. x diameter 13.5 in. ca 1900$1,500 - $2,000

40 Nuu-chah-nulth Painted Basketry Hat woven of cedar bark with inner headband; the conical hat has two whales and a trapezoidal detail painted in red, black, blue, and green, height 6 in. x diameter 15.5 in. late 19th century $2,000 - $2,500

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41 Tlingit Chilkat Child’s Blanket woven of mountain goat wool in colors of blue, yellow, cream, and black; central panel depicts a man surrounded by totemic imagery; fringe composed of wool and cedar bark; checkerboard signature of blue and black are bound to twisted wool along sides, length 25 in. x width 40.5 in. late 19th century $10,000 - $15,000


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42 Tlingit Halibut Hook one half deeply carved in the form of a bird, length 8.25 in. x width 4.5 in.. 19th century$600 - $800

43 Northwest Coast Carved Bone Amulet length 3.25 in. late 19th century$500 - $700

44 Nuu-chah-nulth Wooden Polychrome Paddle length 57 in. 20th century$800 - $1,000

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45 Don Lelooska (Kwakwaka’awkw, 1933-1996) Decorative Mask signed on reverse; overall length 28 in. x width 16 in. mid-20th century$2,000 - $2,500

46 Don Lelooska (Kwakwaka’awkw, 1933-1996) and Shona Hah (Cherokee, 1912-1997) Plains Doll height 15.5 in. mid-20th century$800 - $1,000

47 Shona Hah (Cherokee, 1912-1997) Northwest Coast Mother and Child signed on base, height 11 in. x length 13.5 in. third quarter 20th century$600 - $800

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48 Francis Williams (Nootka, 1919-1996) Lidded Pictorial Basket decorated eagles, canoes filled with hunters, and birds in flight, height 2 in. x diameter 1.75 in. third quarter 20th century$1,000 - $1,500

49 Klickitat and Lillooet Imbricated Baskets lot of 2, both baskets have old Hudson Bay Fur Co., Inc. tags with manuscript descriptions; smaller, Lillooet basket with a tag identifying it from the Dunlap Collection, height 7.5 in. x width 11 in.; AND a larger Klickitat, height 12.5 in. x width 12.25 in. 19th century$1,000 - $1,500

50 Klamath/ Modoc Baskets lot of 5, sizes range from height 6 in. x diameter 8.25 in. to height 3 in. x diameter 5 in. late 19th - early 20th centuryDeaccessioned from the Eiteljorg Museum Collection. Proceeds from the sale will benefit the Eiteljorg Museum’s Art Acquisition Fund.$1,000 - $1,500


51 Northern California Baskets lot of 3, including a Modoc hat, height 4 in. x diameter 7 in.; PLUS a Klamath basket, height 4.25 in. x diameter 8 in.; AND an unfinished Northern California basket, height 3 in. x diameter 5.5 in. early 20th century$500 - $700

52 Klamath/ Modoc Baskets lot of 3, sizes range from height 3.25 in. x diameter 6.25 to height 4.25 in. x diameter 8 in. early 20th centuryDeaccessioned from the Eiteljorg Museum Collection. Proceeds from the sale will benefit the Eiteljorg Museum’s Art Acquisition Fund.$600 - $800

53 Mono-Miwok Winnowing Tray length 26 in. x width 21.25 in. second quarter 20th century$600 - $800

54 Yokuts Basket decorated with two-toned banding; pedestal base, height 3.5 in. x diameter 5.75 in. ca 1900$500 - $700

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55 Yokuts Basket formed with slightly flared walls and a with a double zigzag band around midsection; three tick marks incorporated into basket wall, height 9.75 in. x diameter 21.5 in. early 20th century$1,500 - $2,500

56 California Mission Figural Basket heavily decorated with three bees, a cowboy, a duck, and flowers; bottom of basket detailed with a four-pointed star, height 3.75 in. x diameter 6.5 in. second quarter 20th century$500 - $700

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57 Abe Sanchez (Mission, 20th century) Basket beautifully woven with stair-stepped bands around body eventually reaching a flat shoulder and short neck; bottom of basket further embellished with six paired birds and two single birds, height 7 in. x diameter 11.75 in. late 20th century$1,500 - $2,000


58 Hupa Beaded Hide Hair Ornament length 18.25 in. x at widest 3.5 in. late 19th century$1,000 - $1,500

59 Plateau/Columbia River Sheep Horn Spoon length 9.5 in. late 19th century$400 - $600

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60 Northern Plains Elk Antler Dentalium Purse decorated along ends with deeply incised crisscrossed decorations, length 6 in. 19th century $1,000 - $1,500

61 Nez Perce Corn Husk Bag length 10.75 in. x width 9 in. ca 1900From the Collection of John W. Painter, Cincinnati$400 - $600

62 Plateau Parfleche Envelope length 23 in . x width 11.75 in. ca 1900$600 - $800

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63 Pima Baskets lot of 3, all designed with variations of the meandering line, height 5.25 in. x diameter 11.75 in.; height 9 in. x diameter 10 in.; AND height 3.5 in. x 14.75 in. first half 20th century$1,000 - $1,500

64 Pima Olla height 9.25 in. x diameter 11 in. early 20th century$400 - $500

65 Pima Figural Polychrome Olla detailed with stacked, red willow triangles outlined with devil’s claw; four avian and four reptilian figures further decorate basket, height 11.5 in. x diameter 12.5 in. first quarter 20th century$1,500 - $2,500

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66 Pima Basket large basket decorated with geometric patterns reminiscent of wings radiating from center, and checkered diamonds, height 6 in. x 19 in. ca 1900$1,000 - $2,000

67 Pima Basket woven with a bold meandering line pattern; three crosses are situated in triangular pendants which hang from rim, height 5.5 in. x diameter 17.25 in. first quarter 20th century$800 - $1,000

68 Pima Basket basket with a deep bowl form; tuning fork geometrics decorate upper third of basket, height 7.5 in. x diameter 18.25 in. ca 1900$1,000 - $1,500

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69 Pima Baskets lot of 3, height 6.5 in. x diameter 16.75 in.; height 5 in. x diameter 13.5 in.; AND height 4 in. x diameter 10.5 in. ca 1900$1,500 - $2,000

70 Pima Baskets lot of 2, height 4.75 in. x diameter 10.5 in.; AND height 6.75 in. x diameter 11 in. first quarter 20th centuryFrom the Estate of Jane Murphy, Shandon, Ohio$400 - $600

71 Apache Oval Basket height 3.25 in. x length 11.25 in. early 20th century$400 - $600

72 Apache Polychrome Basket height 4.75 in. x diameter 15.5 in. ca 1900$1,000 - $1,500

73 Apache Basket height 4.5 in. x diameter 14.25 in. second quarter 20th century $400 - $500

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74 Apache Basket large tray designed with crosses around and within a central flower; diamond border edges outer circumference of basket, diameter 26.5 in. second quarter 20th century$3,000 - $4,000


75 Apache Figural Basket designed with a central flower and 8 dogs height 3.25 in. x diameter 12 in. second quarter 20th century$500 - $700

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76 Navajo Wedding Baskets lot of 6, graduated baskets ranging in size from height 5 in. x diameter 20 in. to height 1.5 in. x diameter 6.75 in. second quarter - mid-20th century$800 - $1,000


77 Acoma Figural Polychrome Jar four-color polychrome jar created with a globular body and fluted neck; fully decorated with geometrics, split leaves, and two large parrots, height 13.5 in. x diameter 11 in. ca 1900$2,500 - $3,500

78 Acoma Jar fully decorated with a complex design incorporating stylized birds, wings, and butterflies, height 8.25 in. x diameter 10.5 in. first quarter 20th century$1,500 - $2,500

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79 Mary Histia (Acoma, 1881-1973) Jar signed on base, Acoma Sky City, New Mexico, Mary Histia height 8.25 in. x diameter 11 in. mid-20th century$1,000 - $1,500

80 Lucy Lewis (Acoma, 1898-1992) Jar decorated with an undulating rainbow band filled with parrots and flowers; signed on base, height 6.5 in. x diameter 8.75 in. third quarter 20th century $1,000 - $1,500

81 Lucy Lewis (Acoma, 1898-1992) Award Winning Bowl titled 1968, the bowl embraces the simplicity of the modern era by the absence of decoration and the concentration of form; semi-circular flat handles on sides; signed and dated/ titled on inside; SWAIA First Award Annual Indian Market 1968 ribbon included; height 6.5 in. x diameter 12 in. 1968$2,000 - $2,500

detail of signature


82 Marie Zieu Chino (Acoma, 1907-1982) Jars lot of 3, all signed on base, height 3.5 in. x diameter 4.5 in.; height 6 in. x diameter 7.25 in.; height 3.75 in. x diameter 5 in. mid-20th century$1,000 - $1,500

83 Zia Figural Jar height 6 in. x diameter 6.5 in. ca 1900$800 - $1,000

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84 Margaret Tafoya (Santa Clara, 1904-2001) Carved Redware Jar potted with a large tapering base, wide shoulder, and slightly fluted neck; burnished red surface with deeply carved with geometrics along shoulder; signed on base Margaret Tafoya; with First Place Original American Indian & Western Relic Show, Los Angeles, October 1972 ribbon, height 16 in. x diameter 13 in. third quarter 20th century$10,000 - $20,000


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85 Margaret Tafoya (Santa Clara, 1904-2001) Carved Blackware Bowl highly polished and deeply carved shoulder exhibiting designs of geometrics and rain clouds; signed on base, height 7.5 in. x width 7 in. third quarter 20th century$2,500 - $3,500

86 Toni Roller (Santa Clara, b. 1935) Carved Blackware Jar signed and dated on base, height 5.25 in. x diameter 5 in. November 1985$500 - $700

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87 Linda Tafoya Sanchez (Santa Clara, b. 1962) Carved Blackware Jar a thin strip of unpolished micaceous clay sparkles above and below the central feathered band; signed on base Linda Tafoya-Oyenque/ Santa Clara-San Juan, height 6 in. x diameter 7.75 in. fourth quarter 20th century$1,000 - $1,500

88 Helen Shupla (Santa Clara, 1928-1985) Jar deeply carved with soft curves and sharp angles; signed on base, height 7.5 in. x diameter 10 in. third quarter 20th century$1,000 - $1,500

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89 Elizabeth Naranjo (Santa Clara, b. 1929) Blackware Jar beautifully formed large vase with a deeply carved band which encapsulates a thick bodied Avanyu; signed on base, height 15 in. x diameter 10.5 in. third quarter 20th century$3,000 - $5,000


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90 Margaret (b. 1936) and Luther (1911-1987) Gutierrez Santa Clara Polychrome Bowl signed on base, height 4 in. x diameter 4.5 in. mid-20th century Deaccessioned from Baltimore Clayworks, Baltimore, Maryland$800 - $1,000

91 Maria Martinez (San Ildefonso, 1887-1980) Blackware Bowl highly burnished with light gunmetal surface; signed on base Marie, height 4 in. x diameter 8.5 in. ca 1930$2,000 - $2,500

92 Maria (1887-1980) and Julian Martinez (1879-1943) San Ildefonso Blackware Bowl gunmetal finish and painted with Avanyu around shoulder; signed on base, height 4.25 in. x diameter 6.25 in. 1925-1943$800 - $1,000

93 Maria (1887-1980) and Santana (1909-2002) Martinez San Ildefonso Blackware Jar signed on base, height 4.75 in. x diameter 5.5 in. 1943-1954$800 - $1,000

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94 Maria (1887-1980) and Santana (1909-2002) Martinez San Ildefonso Blackware Bowl signed on base, height 3.25 in. x diameter 8.5 in. 1943-1954$1,000 - $1,500

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95 Maria Martinez (1887-1980) and Popovi Da (1922-1971) San Ildefonso Blackware Plate with the repeating feather design in a gunmetal finish; signed and dated on base, diameter 6.5 in. August 1966$2,500 - $3,500


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96 Rose (ca.1900-1989) and TsePe (b. 1940) Gonzales, San Ildefonso, Black and Sienna Bowl bowl designed with a carved band with lower edge serrated; band with sienna finish; signed by both Rose and TsePe on base, height 3.75 in. x diameter 5.5 in. 1974Published: 1975 Seven Families in Pueblo Pottery. Maxwell Museum of Anthropology: University of New Mexico. p 83.$600 - $800

97 TsePe Gonzales (San Ildefonso, b. 1940) and Dora TsePe (Tewa, b.1939) Blackware Bowl decorated with a silver bear paw set with a small turquoise stone and surrounded by a spray of multi-colored spots; signed and dated on base, height 4 in. x width 4 in. 1976$800 - $1,000

98 Russell Sanchez (San Ildefonso, b. 1966) Black and Sienna Jars lot of 3, includes one lidded jar, height 7.75 in.; PLUS a smaller jar with sgraffito decoration, height 3 in.; AND a kiva bowl, height 4 in. x diameter 6.5 in. third quarter 20th century$1,000 - $1,500

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99 Stella Teller (Isleta, b. 1929) Nacimiento Set 12 piece set; signed on base of Mary and Baby Jesus, heights 1 - 3.25 in. third quarter 20th century$600 - $800

100 Zuni Bowl height 6 in. x diameter 14.75 in. third quarter 20th century$1,000 - $1,500

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101 Joy Navasie, Second Frog Woman (Hopi, 1919-2012) Jar frog hallmark on base, height 5 in. x diameter 6.5 in. third quarter 20th century$600 - $800

102 Navasie Family Hopi Pottery lot of 5, artists include Joy Navasie (1919-2012), height 3.75 in. x diameter 7.5 in.; PLUS Loretta Navasie (b. 1948, daughter of Joy), height 4.5 in. x diameter 6.25 in.; PLUS Marianne Navasie (b. 1951-, daughter of Joy), height 8.75 in. x diameter 10.5 in.; PLUS Grace Navasie (b. 1953- daughter of Joy), height 4.5 in. x diameter 9.5 in.; AND Fawn Garcia Navasie, (b. 1959, niece of Joy), height 5.5 in. x diameter 8 in.$2,000 - $3,000


103 Fanny Polacca Nampeyo (Hopi, 1900-1987) Jar squat form with a pronounced, flared rim; decorated with the early Sikyataki migration pattern around body; signed on base, height 3.5 in. x diameter 7.25 in. mid-20th century$1,000 - $1,500

104 Garnet Pavatea (Hopi, 1915 - 1981) Jars lot of 2, both large pieces including a flat-shoulder jar with extended neck; signed on base, height 7 in. x diameter 16.25 in,; AND a bowl painted with Heheya, height 4 in. x diameter 13.75 in. third quarter 20th century$1,500 - $2,500

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105 Warren Ondelacy (Zuni, 1895-1972) Attributed Cluster Turquoise Squash Blossom Necklace unsigned and made with Villa Grove Turquoise. Classic example with large naja with 64 turquoise stones in naja alone, length 32 in. mid-20th century$3,000 - $5,000

106 Warren Ondelacy (Zuni, 1895-1972) Attributed Turquoise Cluster Concha Belt eight conchas and a matching buckle; each concha with 27 stones set in fine silver work, unsigned, length of concha 3.25 in. x width 3.25 in.; length of belt 40 in. second quarter 20th century$2,000 - $3,000

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107 Tommy Singer (Navajo, b. 1940) Turquoise and Coral Inlay Squash Blossom Necklace TC stamped on reverse of pendant; ten birds strung on double row of silver beads; length 25 in. ca 1970 $500 - $600

108 Tommy Singer (Navajo, b. 1940) Chip Inlay Cuff in a delicate curvilinear pattern, inside length 5.8 in. x width 1.25 in. x gap 1 in. third quarter 20th century$400 - $600

109 Navajo Chip Inlay Peyote Bird Cuff arrow head hallmark; cuff with a bird and tipi set in a night scene of moon and stars, inside length 5.75 in. x width 2 in. x gap 1 in. ca 1970$500 - $600

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110 Navajo Silver and Turquoise Squash Blossom Necklace 22 cabochons of Bisbee turquoise set in simple bezels and surrounded by twisted wire; blossoms are stamped on petals and strung on a double row of silver beads, length 28 in. mid-20th century$1,000 - $1,500

111 Navajo Silver and Turquoise Squash Blossom Necklace heavy silver weight with large baroque turquoises graduating to sizeable naja, length 28 in. third quarter 20th century$600 - $800

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112 Navajo Silver and Turquoise Squash Blossom Necklace cast fleur-de-lis blossoms set with oval turquoise cabochons and strung on a double row of silver beads; naja set with 11 stones, length 24 in. second quarter 20th century$1,000 - $1,500

113 Navajo Silver and Turquoise Squash Blossom twelve blossoms and a large naja complemented with bright blue turquoise, length 26 in. ca 1970$400 - $600

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116 Navajo Silver and Turquoise Squash Blossom Necklace 18 silver blossoms with four large turquoise stones strung with a single strand of silver beads, length 26 in. ca 1970$600 - $800

117 Zuni Turquoise Cluster Necklace and Bracelet lot of 2, necklace with eight dangles and handmade chain, length 15 in. AND a complementary bracelet, inside length 5.25 in. x width 1.25 in. x gap 1.1 in. mid-20th century$600 - $800

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114 Navajo Liberty Head Dime Squash Blossom Necklace composed of hand-wrought beads and silver naja, length 24.5 in. ca 1916$800 - $1,000

115 Navajo Silver Squash Blossom Necklace fourteen blossoms and a heavy naja that complement hand-made beads, length 26 in. mid-20th centuryTeal McKibben’s shop in Santa Fe, La Bodega$800 - $1,000


118 Navajo Large Silver Cuff inside length 5.5 in. x width 3.5 in. x gap 1.35 in. mid-20th century$600 - $800

119 Navajo Silver Cuffs lot of 2, inside length 5.75 in. x width 3 in. x gap 1 in. ca 1970$200 - $400

120 Navajo Ingot Bracelet with Turquoise each terminal finished with a green turquoise stone, inside length 5.75 in. x gap 1.125 in. early 20th century$800 - $1,000

121 Navajo Silver and Turquoise Ketoh length 3.25 in. x width 3 in. second quarter 20th century $1,000 - $2,000

122 Navajo Silver and Turquoise Cuff designed with 16 turquoise stones placed to resemble a flower, inside length 5.5 in. x width 2.25 in. x gap 1.5 in. third quarter 20th century $400 - $600

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123 Navajo Turquoise and Silver Cuff eight Landers Blue turquoise cabochons set in a simple bezel outlined with twisted wire; hallmarked JT with feather, inside length 5 in. x width 2.5 in. x gap 1 in. mid-20th century$600 - $800

124 Navajo Silver and Turquoise Cuffs lot of 2, including a cuff with 24 turquoise stones; marked DV, interior circumference 5.5 in. x gap 1 in.; AND a cuff set with three Bisbee turquoise cabochons, interior circumference 5.5 in. x gap 1.25 in. third quarter 20th century $500 - $700

125 Navajo Silver and Turquoise Bracelets lot of 2, includes one with a large triangular stone, inside length 5.5 in. x width 1.75 in. x gap 1.25 in. ; AND a row bracelet with seven stones, inside length 5.2 in. x width .8 in. x gap .8 in. third quarter 20th$600 - $800

126 Navajo Silver and Bisbee Turquoise Ring and Earrings lot of 2, including a silver ring with two cabochons of Bisbee, size 7; AND a pair of screw-back earrings each with a teardrop shaped Bisbee stone, length 2 in. third quarter 20th century$300 - $500

127 Navajo and Santo Domingo Silver and Turquoise Cuffs lot of 3, includes a Navajo cuff set with a single tear-drop shaped turquoise stone, interior circumference 5.25 in. x gap 1.25 in.; PLUS another cuff with three turquoise settings, interior circumference 5.25 in. x gap 1 in.; AND a cuff by Lorenzo Tortalita (Santo Domingo, 1925-1998), set with four turquoise stones, interior circumference 5.5 in. x gap .75 in. mid- third quarter 20th$600 - $800

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128 Tom Burnsides (Navajo, 1910-1957) Silver and Turquoise Cuff set with three sizable round turquoise cabochons; stamped sterling and T.B., inside length 5.75 x gap 1.25 mid-20th century$800 - $1,200

129 Navajo Silver and Turquoise Bracelets lot of 2, a heavy silver cuff with a rectangular turquoise; stamped NL, inside length 6.2 in. x width 1.1 in. x gap 1.6 in.; AND the other set with a single turquoise stone, scalloped edge band, inside length 5.6 in. x width .8 in. x gap .9 in. third quarter 20th century$400 - $600

130 Navajo Silver and Turquoise Cuff and Ring three stone bracelet marked JP, possibly for a member of the Platero family, inside length 5.5 in. x width 1.5 in. x gap 1.25 in.; AND a ring set with a single turquoise stone, marked Fred, size 8.5. ca 1970s$400 - $500

131 Arthur Yowytewa (Hopi, 1922-2006) Silver and Turquoise Cuffs and Ring lot of 3, all with feather and sun hallmark; including a cuff with a square green turquoise cabochon, inside length 5.25 in. x gap 1.125 in.; PLUS another made of heavy gauge silver; two oval and one rectangular shaped stone set into band, inside length 5.25 in. x gap 1.25 in.; AND a ring with two green turquoise stones, length 1.5 in., size 9.75. second quarter 20th centuryDeaccessioned from the Eiteljorg Museum Collection. Proceeds from the sale will benefit the Eiteljorg Museum’s Art Acquisition Fund.$300 - $500

132 Navajo Silver and Turquoise Cuffs lot of 2, including a cuff set with a single large turquoise stone and flanked on either side by coral; marked KJ, possibly for Kee Joe, interior circumference 5.75 in.; gap 1 in.; AND a cuff with three large turquoise stones, interior circumference 5.75 in.; gap 1.25 in. third quarter 20th century$400 - $600

129128

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133 Navajo Coral and Turquoise Tufa Cast Cuff hallmarked with elk tracks; set with ten baroque pieces of red coral combined with a single turquoise stone, inside length 5.5 in. x 1.25 in. x gap 1.5 in. ca 1970s $1,000 - $1,500

134 Dan Simplicio (Zuni, 1917-1969) Attributed Turquoise and Coral Bracelet leaf-shaped coral is offset by turquoise nugget and silver dots, unsigned, inside length 5 in. x width 2.1 in. x gap 1.1 in. second quarter 20th century$2,000 - $3,000

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135 Frank Patania, Sr. (American, 1899-1964) Coral Necklace Suite lot of 4, necklace and bracelet hallmarked; necklace with five curvilinear plaques set with red coral, length 16 in. x width 1 in.; bracelet with seven rectangular stones combined with raised strips of silver, inside length 5.6 in. x width 1.25 in. x gap 1 in.; AND a pair of clip-on earrings, length 1.25 in.$1,000 - $1,200

136 Mark Chee (Navajo, 1914-1981) Silver Cuffs lot of 2, both pieces with hallmark; includes a silver cuff with traditional stamping, inside length 5.4 in. x width 1.5 in. x 1.0 in. AND one set with a single turquoise stone and simple stamping, inside length 5.5 in. x gap 1.0 in. mid-20th century$600 - $800

137 Mark Chee (Navajo, 1914-1981) Coral and Silver Cuff stamped with hallmark; set with seven pieces of coral, inside length 5.2 in. x width 1.4 in. x gap 1.1 in. mid-20th century$800 - $1,000

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138 Pueblo Twelve-Strand Coral Necklace twelve strands of branch coral dotted with silver beads, length 26 in. mid-20th century$500 - $700

139 Zuni Three-Strand Fetish Necklace 60 animals carved on shell and serpentine strung with coral beads, length 30 in. mid-third quarter 20th century$500 - $700

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140 Pueblo Heishi Fetish Necklace with an assortment of 17 bone animals including rabbits, turtles, armadillos, beavers, foxes, frogs, and squirrels; animals separated with olive heishi, length 23 in. third quarter 20th century $300 - $500

141 Zuni Three-Strand Fetish Necklace composed of 70 shell, pipestone, serpentine, and turquoise carved animals carved on strung with olive heishi, length 28 in. mid- third quarter 20th century$500 - $700


142 Lillian Francisco (Laguna, 20th century) Coral Needlepoint Watch Cuff with more than 100 pieces of coral; signed LF, inside length 5.3 in. x width 2.25 in. x gap 1.2 in. ca 1970 $300 - $400

143 Augustine and Rosalie Pinto (Zuni, 20th century) Raised Mosaic Cuffs and Rings lot of 4, two bracelets and rings hallmarked ARP; bracelet inside length 5.25 in. x width 2.5 in. x gap 1.1 in.; PLUS matching ring, size 6.5; PLUS another bracelet with similar image, inside length 5.1 in. x width 2.5 in. x gap 1.1 in.; AND ring, size 6.5 third quarter 20th century$800 - $1,000

144 Augustine and Rosalie Pinto (Zuni, 20th century) Raised Mosaic Bracelet and Ring lot of 2, both signed ARP, inside length 5.5 in. x width 1.75 in. x gap 1.25 in. ; AND ring, size 4.25 third quarter 20th century$1,500 - $2,000

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145 Ray Tracey (Navajo, 20th century) Reversible Gold, Lapis, and Turquoise Pendant unsigned, two-piece pendant with lapis, chrysoprase, and turquoise inlay on one side and jet, coral, sugilite, and agate on opposite; 14k gold chain, length 17 in., length of pendant 2 in. fourth quarter 20th centuryProceeds donated to the Woodford Humane Society, Versailles, Kentucky$1,000 - $2,000

146 Ray Tracey (Navajo, 20th century) 14 Karat Gold and Sterling Silver Necklace and Earring Set with all signed on reverse; set includes an open collar sterling necklace with pendant; pendant has a diamond-shaped inlay of jet, sugilite, and opal inlay on a tufa-cast 14K gold and sterling silver mount, pendant length 2.25 in.; overall length 7 in.; AND a pair of matching earrings, length 1.25 in. fourth quarter 20th centuryProceeds donated to the Woodford Humane Society, Versailles, Kentucky$1,000 - $1,500

147 Ray Tracey (Navajo, 20th century) Sterling Silver Inlaid Pendant with Chain sterling pendant formed into the figure of a Yei, signed and dated on reverse, length of pendant 3.5 in.; overall length 10 in. 1999Proceeds donated to the Woodford Humane Society, Versailles, Kentucky$600 - $800

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148 Ray Tracey (Navajo, 20th century) Inlaid Split Pendant, Signature Line thick, reversible pendant inlaid with spiny oyster, turquoise, coral and jet; opposite with silver overlay and sugilite, turquoise, and jet inlay, length of pendant 1.75 in.; chain length 15 in. fourth quarter 20th centuryProceeds donated to the Woodford Humane Society, Versailles, Kentucky$500 - $700

149 Ray Tracey (Navajo, 20th century) Silver and Lapis Inlay Pendant, Earring, and Cuff Suite all hallmarked, suite includes a cuff with mother of pearl and lapis inlay, inside length 4 in. x gap 1 in.; PLUS a triangular pendant with lapis inlay, length 2.75 in.; AND earrings, length 1.25 in. fourth quarter 20th centuryProceeds donated to the Woodford Humane Society, Versailles, Kentucky$300 - $500

150 Ray Tracey (Navajo, 20th century) Spiny Oyster and Lapis Inlay Sterling Pendant a bold, figural pendant formed using sterling silver and set with spiny oyster, lapis, and coral inlay; hallmarked on reverse, length 4.25 in. late 20th centuryProceeds donated to the Woodford Humane Society, Versailles, Kentucky$500 - $700

151 Ray Tracy (Navajo, 20th century) 14 Karat Gold and Pearl Earrings pendant earrings with fire opal and sugalite inlay; hallmarked on reverse, length 1.75 in. 20th centuryProceeds donated to the Woodford Humane Society, Versailles, Kentucky$200 - $300

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152 Lawrence Saufkie (Hopi, 1935-2011) Inlaid Cuff set with turquoise, coral, shell, and wood, marked Saufkie and sterling and image of a bear, inside length 5.2 in. x width 1.75 in. x gap 1 in. mid-20th century $600 - $800

153 Julian Lovato (Santo Domingo, b. 1922) Silver and Turquoise Pendant and Ring lot of 2, both with hallmarks on reverse, includes a teardrop shaped pendant set with two turquoise cabochons, length 2.75 in. AND a ring set with a single stone, size 7. third quarter 20th century$1,000 - $1,500

154 Preston Monongye (Hopi, 1927-1987) Tufa Cast Silver and Turquoise Belt Buckle heavy tufa cast silver belt buckle detailed with leaves and a large turquoise cabochon; hallmark on reverse, length 3.25 in. x width 2.5 in. third quarter 20th century$1,000 - $1,500

155 Preston Monongye (Hopi, 1927-1987) Tufa Cast Silver and Turquoise Bolo tufa cast silver Kokopelli set with a large Lone Mountain turquoise cabochon; hallmarked on reverse, length of slide 4 in. third quarter 20th century$1,500 - $2,500

156 No Lot

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157 Larry Golsh (Pala Mission, 21st century) Tufa Cast Silver and Turquoise Necklace thick rectangular pendant with one side taking an organic form; set with two turquoise cabochons; hallmarked on reverse, length of pendant 2.75 in. x width 1 in. x depth .25 in. late 20th century$700 - $900

158 Phil Loretto (Jemez, 21st Century) Pueblo Necklace hand-engraved beads decorated with colorful sayings and a variety of pueblo and city imagery, signed and dated, length 27 in. 1988$2,000 - $2,500

159 Pueblo Silver Concha Belt with eight conchas and matching buckle; all with simple oval shape decorated with a raised ridge, length 2.5 in. x width 2.25 in. x belt length 30 in. third quarter 20 century $600 - $800

160 Navajo Silver and Turquoise Concha Belt with eight conchas and a matching buckle, length of concha 4 in. x width 3.5 in. x belt length 40 in. ca 1970$1,000 - $1,500

161 Navajo Silver Concha Belt with eight conchas plus a complementary buckle, length of concha 3.1 in. x buckle length 3.6 in. x belt length 45 in. mid-20th century $600 - $800

162 Navajo Silver and Turquoise Concha Belt with six conchas each accented by a single turquoise stone, seven butterflies, and a silver buckle, length of concha 3.25 in. x length of buckle 3.5 in. x belt length 42 in. mid-20th century$600 - $800

163 Hal & Margie Hiestand (American, 21st century) Silver and Turquoise Concha Belt marked MH, ten large oval turquoise stones are separated by eleven elongated oval stones, belt length 39.75 in. x width 1.5 in. 2003$1,500 - $2,000

164 Navajo Sterling Concha Belt nine oval conchas and matching buckle, each set with a single turquoise stone, belt length 46 in. x concha length 2.5 in. x buckle length 3.5 in. ca 1970$400 - $600

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165 Austin Wilson (Navajo, active 1930-1950s) Silver Salad Service Set Plus reverse of fork with hallmark, with deep stamp decorations and set with a single turquoise stone, length 9.75 in.; AND an unmarked pair of iced tea spoons, length 8 in. second quarter 20th century$400 - $600

166 Navajo Pawn Silver Salad Service Sets lot of 2 pairs, including one pair of heavily stamped hand-rolled ingot; hallmarked on reverse with a bent arrow, length 9 in. and 8.5 in.; AND a delicate pair set with oval turquoise cabochons, both lengths 9.5 in. early 20th centuryFrom the Estate of Dominic Kirane (1905-1974), Mayor of Belvidere, Illinois$400 - $600

167 Santo Domingo Painted Dance Bag composed of red and yellow painted canvas with a long hide strap, length of bag 9.25 in. x overall width 9.25 in. second quarter 20th century$200 - $400

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168 Mamie Deschillie (Navajo 1920-2010) Stuffed Cardboard Cutout playfully painted and stuffed leopard with googly eyes and earrings signed on body sight 15 x 13.75 in.; framed 20.5 x 23.5 in. fourth quarter 20th century$500 - $700

169 Mamie Deschillie (Navajo 1920-2010) Cardboard Cutout painted buffalo with fur and gold dangling earrings initialed on leg sight 12.5 x 13 in.; framed 17.5 x 19 in. fourth quarter 20th century$400 - $500

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170 Navajo Late Classic Woman’s Dress two panels of raveled flannel have been finely woven using colors of lac and cochineal red, aniline red, indigo, and dark brown; each panel with 10 spider woman crosses and further detailed with alternating thick, thin and scalloped bands, 33.75 x 49 in. ca 1870This dress was purchased by the current owner from the estate of William Haskell Simpson (1858-1933). Santa Fe Railways employeed Simpson around 1880, and by 1900 he had become the rails’ general advertising agent. He is most known for creating the now collectable Atchison, Topeka, and Santa Fe’s art calendars. Simpson acquired much of the rail’s early art collection which he used in the calendar advertisements. Today, the ATSF’s collection (now the Burlington Northern Santa Fe Railway) is one of the largest collections of Southwestern art in the country.D’Emilio, Sandra and Susan Campbell. Visions & Visionaries, The Art and Artists of the Santa Fe Railway (1991: pp 16-22, 33-35).From the Estate of William Haskell Simpson (1858-1933)$10,000 - $15,000


171 Hopi Manta twill weave with indigo and natural brown; 45 in. x 40 in. fourth quarter 19th century$1,000 - $1,500

172 Navajo Late Classic Child’s Blanket woven in blue, indigo, natural gold and aniline red 48 x 30.5 in. ca 1870From the Collection of Marvin L. Lince, Oregon$6,000 - $8,000

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173 Navajo Third Phase Chief’s Blanket finely woven in aniline red, indigo, cream, and black 77 x 58.5 in. ca 1880-1885From the Collection of Dr. Kent and Karen Vickery, Colorado$8,000 - $10,000


174 Navajo Third Phase Chief’s Blanket woven in red, orange, brown, blue-green, and a carded brown 79 x 54 in. late 19th century$5,000 - $7,000

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175 Navajo Third Phase Chief’s Blanket woven in red, carded brown, indigo, blue, and yellow 47 x 60 in. late 19th century $3,000 - $5,000


176 Navajo Transitional Third Phase Chief’s Blanket 82 x 51 in. ca 1900$1,500 - $2,000

177 Navajo Transitional Weaving 69 x 47 in. late 19th century$1,500 - $2,000

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178 Navajo Transitional Weaving 74 x 56 in. early 20th century$2,000 - $3,000

179 Navajo Transitional Weaving 71.5 x 55 in. ca 1900 $1,000 - $1,500

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180 Navajo Chinle Weaving 77.5 x 56 in. second quarter 20th century$800 - $1,000

181 Navajo Transitional Weaving 83.5 x 55 in. ca 1900$800 - $1,000

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182 Navajo Germantown Weaving 87.5 x 64.25 in. ca 1900$3,000 - $5,000

183 Navajo Germantown Eyedazzler Weaving (including fringe) 85 x 49 in. fourth quarter 19th centuryPurchased by consignor’s mother in 1910$5,000 - $6,000

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184 Navajo Klagetoh Roomsize Weaving 178 x 122 in. (14 ft. 8 in. x 10 ft.) second quarter 20th century$6,000 - $8,000


185 Navajo Ganado Roomsize Weaving 142 x 108 in. (10 ft. x 9 ft. 1 in.)$6,000 - $8,000

186 Navajo Ganado Roomsize Weaving 156 x 76 in. (13 ft. x 6 ft. 3 in.)Purchase from Faust Gallery, Scottsdale; Ex Glen Campbell Collection$10,000 - $15,000

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187 Navajo Crystal Roomsize Weaving 122 x 87 in. (10 ft. x 7 ft. 2 in.) second quarter 20th centuryFrom the Estate of William E. and Bertha E. Schrafft’s , Boston, Massachusetts$5,000 - $7,000


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188 Navajo Two Grey Hills Roomsize Weaving 63 x 136 in. (5 ft 3 in. x 11 ft. 4 in.) second quarter 20th century$4,000 - $6,000

189 Navajo Western Reservation Roomsize Weaving 121 in. 60.5 in. (10 ft. x 5 ft) second quarter 20th century$5,000 - $7,000

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190 Navajo Ganado Weaving 95 x 54 in. early 20th century$1,000 - $1,500

191 Navajo Ganado Variant Weaving 75.5 x 41 in. early 20th century$1,000 - $1,500

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192 Navajo Teec Nos Pos Weaving 64 x 47.5 in. first quarter 20th century$4,000 - $5,000

193 Navajo Teec Nos Pos Weaving 76.25 x 47.5 in. first quarter 20th century$4,000 - $5,000

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194 Navajo Teec Nos Pos Weaving 90 x 49 in. second quarter 20th century$3,000 - $5,000

195 J.B. Moore Navajo Crystal Weaving plate 12, 73.5 x 53 in. early 20th centuryAnthony, Alexander E., Jr. ed. J.B. Moore: The Catalogues of Fine Navajo Blankets, Rugs, Ceremonial Baskets, Silverware, Jewelry and Curios: Originally Published Between 1903 and 1911. Albuquerque: Avanyu Publishing, Inc. 1987 reprint.$2,500 - $3,500

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196 J.B. Moore Navajo Crystal Storm Pattern Weaving variant of plate 28, 80 x 42 in. (7ft. 6 in. x 3 ft. 4 in.) early 20th centuryAnthony, Alexander E., Jr. ed. The Navajo. Albuquerque: Avanyu Publishing, Inc. 1986 reprint.$1,500 - $2,500

197 Navajo Crystal Banded Weaving 75.5 x 52 in. second quarter 20th century$1,000 - $1,500

198 Navajo Ganado Weaving 81.5 x 53.5 in. first quarter 20th century$600 - $800

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199 Navajo Western Reservation Weaving 53 x 35 in. second quarter 20th century $800 - $1,000

200 Navajo Pictorial Weaving 26.5 x 36.5 in. mid-20th century$300 - $400

201 Navajo Pictorial Single Sunday Saddle Blanket overall length 44 x 34 in. mid-20th century$1,000 - $1,500

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202 Navajo Yei Weaving 96 in. x 66.5 in. late 20th century$2,000 - $2,500

203 Navajo Single Yei Weaving 53.5 x 27 in. first quarter 20th century$600 - $800

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204 Navajo Crystal Weaving 74 x 63 in. early 20th century$2,000 - $3,000


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205 Navajo Two Grey Hills Weaving 79 x 57 in. second quarter 20th century$1,000 - $1,500

206 Navajo Western Reservation Weaving 76 x 43 in. second quarter 20th century$1,000 - $1,500

207 Navajo Crystal Weaving length 65 x 45.5 in. first quarter 20th century$300 - $500


208 Photogravures of Inuit Life lot of 8 unsigned photogravures depicting arctic life image 7.75 x 9.5 in.; with mount 10.25 x 12.5 in. second quarter 20th century$1,000 - $1,500


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210 211

209 Fred Harvey Company Photograph blindstamp copyright 1906/ Fred Harvey in lower left, housed in original wooden frame 17 x 13 in. (sight) ca 1906$1,000 - $1,500

210 William Pennington (American, 1874-1940) Signed Platinum Print Navajo titled lower left; signed and copyrighted lower right 15 x 18.75 in. early 20th century$500 - $700

211 Mark Klett (American, b. 1952) Silver Gelatin Print Plywood Tree-Pees, Meteor Crater, Arizona signed, titled and dated by artist 16 x 20 in. (sight) 5/30/82Rick Wester Photographic Arts and Services$800 - $1,200


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Edward S. Curtis (American, 1868 - 1952) was a photographer and printer of stunning technical virtuosity. He printed a small body of his earliest and finest negatives in platinum, printing out prints, and silver processes specifically for personal exhibitions and sale to elite patrons. In these master exhibition prints, Curtis’ technical virtuosity is hallmarked by tremendous subtlety, delicacy, and richness. They are his greatest images executed in the most dramatic, challenging processes of photographic expression.Today, master exhibition photographs comprise substantially less than one percent of Curtis’ extant work. These seminal pieces embody the impetus of the project and the genius of the artist himself. These rare, haunting photographs are unparalleled as permanent documents of Native American life. In all respects they are the masterpieces of Curtis’ lifetime.Platinum printing may be the most beautiful and exacting of all photographic printing processes. Although an exceptionally demanding and expensive medium, Curtis printed a small body of his best images in platinum. Platinum prints are Curtis’ most highly realized photographs, exhibiting miraculous tonal subtlety and resolution. 212 Edward Curtis (American, 1868-1952) Signed Platinum Photograph By the Canal, Maricopa printed on textured paper; copyright blindstamp lower left; signed lower right plate no. 68 from volume 2 of The North American Indian 16.25 x 11.75 in.From the Estate of Edward S. Curtis$1,500 - $2,500

213 Edward Curtis (American, 1868-1952) Signed Platinum Photograph Quniaika, Mohave printed on textured paper and signed lower right plate no. 60 from volume 2 of The North American Indian 14.25 in. x 11.25 in.From the Estate of Edward S. Curtis$1,000 - $2,000


215

214 Edward Curtis (American, 1868-1952) Signed Platinum Photograph unpublished portrait printed on textured paper; copyright blindstamp lower left; signed lower right 16.25 x 12 in.From the Estate of Edward S. Curtis$800 - $1,000

215 Edward Curtis (American, 1868-1952) Signed Platinum Photograph printed on textured paper; copyright blindstamp lower left; signed lower right 12 x 15.75 in.From the Estate of Edward S. Curtis$800 - $1,200

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216 Edward Curtis (American, 1868-1952) Signed Platinum Print printed on textured paper blind stamp in lower left of mount, signed lower right on photograph 8 x 6 in. (image)$1,500 - $2,000

217 Edward Curtis (American, 1868-1952) Photogravure A Gray Day in the Bad Lands plate no. 86 from portfolio 3 of The North American Indian 18.25 x 22.25 in.Gifted from the Washington County Public School System, Maryland to current owner$600 - $800


218 Edward Curtis (American, 1868-1952) Photogravure The Kiva Stairs - San Ildefonso plate no. 584 from portfolio 17 of The North American Indian 11.5 x 15.5 in. University of Alberta Library stamp on reverse.$1,500 - $2,000

219 Edward Curtis (American, 1868-1952) Photogravure The Offering - San Ildefonso plate no. 586 from portfolio 17 of The North American Indian 11.25 x 15.5 in.$2,000 - $2,500

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220 Edward Curtis (American, 1868-1952) Photogravure A Zuni Girl plate no. 613 from portfolio 17 of The North American Indian 11.5 x 15.5 in.$2,000 - $2,500

221 Edward Curtis (American, 1868-1952) Photogravure A Zuni Woman plate no. 614 from portfolio 17 of The North American Indian 11.5 in. x 15.5 in.$1,500 - $2,000

222 Edward Curtis (American, 1868-1952) Photogravure A Corner of Zuni plate no. 615 from portfolio 17 of The North American Indian 11.5 x 15.5 in.$800 - $1,000

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223 An Important Work by Henry Farny (Cincinnati, 1847-1916) Gouache on Paper After Big Game signed and dated 1907, with bullseye monogram, lower rightExhibition label on verso housed in original gilt and gesso frame 8.75 in. x 5.5 in.The small gouache by Henry Farny, one of the master artists of the American West during the late 19th and early 20th century, has not been offered since it was sold by the artist in Cincinnati. The meticulously executed example offers a lone hunter in winter, facing the viewer, snow shoes embedded in the soft powder. Farny’s iconic “lemon sky” shows through a bare forested backdrop.The painting was purportedly purchased directly from the artist (the Collection at one time contained numerous Farny’s). Farny, as many Cincinnati collectors are aware, was prone to drink and have bouts of inactivity. While he was nationally known and collected during his lifetime, he often only sold his work because of necessity, and such is the case here. Many Farny pictures are still buried in Cincinnati with similar stories, by which they were purchased directly from the artist.Exhibited: The Taft Museum of Art, Cincinnati, OH. The Vanishing Frontier: Henry Farny, 1847-1916. June 13-October 19, 1997.Purchased from the Artist and Descended in the family until the present; Private Collection, Cincinnati, Ohio$80,000 - $120,000

224 Henry Farny (Cincinnati, 1847-1916) Bronze Pueblo of Zuni / Bernice Sal Ql Saye signed Farny and dated 99 numbered 6/10, with the artist’s bullseye monogram title inscribed near base ht. 5 in.A detailed study of this bronze, taken from Farny Paints the Far West, by Susan Labry Meyn (Plate. 21, pg. 115), 2007 offers an explanation for Farny’s Southwestern subjects:During his career, Farny made several bronzes with Indian subjects. It is difficult to know where or even whether, Farny met this woman because there is no documentation indicating that Farny ever traveled to Zuni Pueblo, or even to the Southwest. When he drew southwestern illustrations for Century Magazine (fig. 31, pg. 50), for example, Farny used John K. Hillers’s famous photographs of the Zuni (figs. 32 and 33, pg. 51), taken for the Smithsonian Bureau of Ethnology, as source images. Farny did meet members of a Zuni delegation, who traveled to Washington, D.C. in 1882, but the published records of that journey did not include the names of any women.Even though he did not visit Zuni Pueblo, we know that Farny’s interest in the Zuni people continued throughout his life because he continued to depict them, probably using Hillers’s photos. Farny’s body of work includes a number of pueblo images, generic views that include the architecture of Zuni Pueblo or one of the Hopi pueblos. Often the images show women wearing their traditional dress and performing a variety of daily tasks. Literature: Henry Farny Paints the Far West, Susan Labry Meyn, 2007.Exhibited: Cincinnati Art Museum, Cincinnati, OH. Vanishing Frontier: Rookwood, Farny, and the American Indian. October 20, 2007-January 20, 2008.$8,000 - $12,000


225 Joseph Henry Sharp (Cincinnati, 1859-1953) Oil on Canvas California Chrysanthemums signed J H Sharp lower right title inscribed in pencil on verso housed in original gilt and gesso Southwestern frame 19.5 in. x 23.5 in. (sight)While Joseph Henry Sharp was widely regarded as a painter of the American Indian, he is only recently being celebrated for his still life paintings. A recent publication- In Poetic Silence: The Floral Paintings of Joseph Henry Sharp (2010)- a work by Thomas Minckler, shows evidence of a prolific output of the artist’s magnificent studies of flowers in bloom. Sharp employed the same impressionist technique to his Western still lifes as he did with his loose Indian subjects.This particular work has an entertaining family story. It was purchased from the artist and descended in the same family until the present day. James Stagner and Leona Louise Stagner, newly married in 1929 in Carlsbad, NM, decided they would like to buy a painting from the Taos artist. While Mr. Stagner wished to have an Indian picture, the family story goes that Mrs. Stagner claimed she ran a “floral” home. Therefore, they bought California Chrysanthemums.A copy of the book, In Poetic Silence: The Floral Paintings of Joseph Henry Sharp, accompanies this lot.$20,000 - $30,000


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226 John Hauser (Cincinnati, 1859-1913) Gouache on Paper Pueblo Indian Woman signed John Hauser. Jr. and dated 93 lower left housed in a gilt wood frame 16 in. x 8.25 in. (sight)$2,000 - $3,000

227 Henry Howard Bagg (American, 1852-1928) Oil on Canvas Buffalo Trail signed H H Bagg lower right housed in original carved wood frame inscribed in pencil on verso Charles S. Grieve-Framer- / 8229 St Monica Blvd / L.A. 46 label on verso HENRY HOWARD BAGG-Amer. / Lincoln, Nebraska 1852-1928 / Ref: American Art Annual / (1898-1934) / Bayley, F.W.-”Little / Known Early American / Portrait Painters” / Mallett-”Index of Artist” 21.25 in. x 35.25 in. (sight)$8,000 - $12,000


228 Howard Norton Cook (American, 1901-1980) Oil on Board Taos Dancer signed lower right title inscribed on verso housed in original paint-decorated wood frame labels on verso from Cline Gallery Fine Art and Wiggins Fine Art 19.25 in. x 14.75 in. (sight)$6,000 - $8,000


229 Freemont Ellis (American, 1897-1985) Oil on Canvas Borderland signed Fremont F. Ellis lower right title inscribed on verso housed in a carved and gilt wood frame labels on verso from Altermann Galleries and Fenn Galleries Ltd. 19.5 in. x 24.75 in. (sight)$15,000 - $25,000


230 Howard Post (American, b. 1948) Oil on Canvas Corrientes Cattle signed H E Post © lower left housed in a gilt wood frame 19.5 in. x 39.5 in. (sight)$7,000 - $10,000


231 William Schmedtgen (American, 1862-1936) Watercolor and Gouache on Paper An Old Friend signed Schmedtgen lower right and Wm Schmedtgen verso title inscribed on verso housed in original gilt and gesso frame 11.25 in. x 13.5 in. (sight)$250 - $350

232 Charles Partridge Adams (American, 1858-1942) Oil on Wood Plank “Aaron” the Good signed Chas P. Adams on verso title inscribed lower left 10.75 in. x 8.25 in.$400 - $600


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233 Sidney H. Riesenberg (American, 1885-1962) Oil on Board Cavalry Scene signed lower left housed in a gilt wood frame 17 in. x 16.5 in. (sight)$2,000 - $4,000

234 Jack Van Ryder (American, 1898-1968) Oil on Board Arizona Desert signed Jack Van Ryder lower left title inscribed on frame plaque housed in a gilt wood frame 19.5 in. x 19.5 in. (sight)$800 - $1,200


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235 Fred Fellows (American, b. 1934) Oil on Masonite Western Painting signed Felllows / CA lower left housed in a wood frame 16 in. x 20 in. (sight)$400 - $600

236 Carl Von Hassler (American, 1887-1962) Oil on Canvas Valley Landscape signed C.F. Von Hassler lower right housed in original painted wood frame 28 in. x 31.75 in. (unframed)$3,000 - $5,000


237 Charles M. Russell (American, 1864-1926) Bronze Plaque Young Warrior signed on verso CMR 4.5 in. x 3.75 in.$400 - $600

238 Ken Ottinger (American, b. 1945) Bronze First Lesson signed K.A. Ottinger and dated 1973 numbered 5/16 height 7.5 in., largest base diameter 11 in.$2,000 - $3,000

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239 Robert Farrington Elwell (American, 1874-1962) Bronze Birchbark Canoe signed © R. Farrington Elwell / Sc Noggle Bronze Works, Prescott, Arizona Foundry mark to other side of base. 35 in. x 9.25 in.This model of Birchbark Canoe, cast at Noggle Bronze Works in Prescott, Arizona, is masterful in both its casting and patina. The artist took great care demonstrating delicate detail to the canoe, especially in the ropes and ties. The soft verdigris to the waves and base is the first to surface with the Noggle mark with such patina; it is believed that Farrington Elwell initially cast this model in the 1930s.$10,000 - $15,000


240 Remington Schuyler (American, 1884-1955) Oil on Canvas en grisaille signed lower right 17.75 in. x 32,75 in. second quarter 20th century$1,000 - $1,400

241 Michael J. Mueller (American, 1893-1931) Oil on Canvas Northeast Indian, possibly Abenaki or Iroquois signed MJ Mueller and dated 24 lower right housed in a gilt wood frame 27.5 in. x 21.25 in. (sight)$200 - $300

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242 Treva Wheete (American, 1890-1963) Color Woodcut on Paper Manuel of Tesuque signed Treva Wheete and dated 35 lower right titled lower left and numbered 106/200 housed in a black metal frame 9.5 in. x 7.5 in. (sight)$800 - $1,200

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243 Ken Ottinger (American, b. 1945) Oil on Canvas Plains Indian signed K.A. Ottinger / 1973 / © Copyright Kenneth A. Ottinger Accos. Inc. l.r. verso with paper label Ken Ottinger / Painter-Collector / Post Office Box 65116 / Los Angeles, Calif. 90065 / Area 213 254-8042 19.25 in. x 15.25 in. (sight)$1,000 - $2,000

244 Roy Kerswill (American, 1925-2002) Watercolor on Paper Western Landscape signed lower right housed in a wood frame 21.25 in. x 14.25 in. (sight)$800 - $1,000

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245 Bob Scriver (American, 1914-1999) Bronze Elk signed and dated 1966 height 10 in.$400 - $600

246 After Alexander Phimister Proctor (American, 1862-1950) Bronze Plaque Pony Express signed © A. Phimister Proctor / Sc titled lower center housed in a stepped wood frame diameter 16.75 in. (sight)$800 - $1,200

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247 Paul Surber (American, b. 1942) Watercolor and Gouache on Paper Indian Encampment Scene signed Paul Surber and dated 1994 lower left housed in a painted wood frame 9.5 in. x 19.5 in. (sight)$600 - $800

248 Gene Kloss (American, 1903-1996) Etching and Drypoint Gunnison River Cliffs signed, titled and numbered 24/75 in margin plate size 12 in. x 17.5 in.$1,000 - $1,500

249 Rod Goebel (American, 1946-1993) Oil on Masonite Talpa Bouquet signed Rod Goebel lower left verso inscribed “Talpa Bouquet” / Original Oil by Rod Goebel and stamped REPRODUCTIONS RIGHTS RESERVED / Rod Goebel’s Studio housed in original gilt and gesso frame 10.5 in. x 16.5 in. (sight)$800 - $1,200

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250 Gerry Metz (American, b. 1943) Oil and Watercolor on Board Indian Squaw signed Gerry Metz lower right housed in a gilt wood frame 7.25 in. x 9.25 in. (sight)$500 - $700

251 Helen Alison Frase Penniman (American, b. 1882) Oil on Canvas The Crippled Cowboy signed HAF. Penniman lower left label on verso Peabody Institute and Charcoal Club / Exhibition of / Works of American Artists, label also contains the artist’s name, address, and title 29.25 in. x 21.25 in. (sight)$600 - $800

252 Western Landscape, Oil on Board signed illegibly and dated lower left 19.25 in. x 29.25 in. (sight) 1920$600 - $800


253 John Heber Stansfield (American, 1878-1953) Pair of Oil on Masonite A Shaft of Light Untitled each signed J.H. Stansfield and dated lower right small painting titled A Shaft of Light on verso both unframed, largest 25.5 in. x 19.5 in.$300 - $500

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254 James Erwin Boren (American, 1921-1990) Watercolor on Paper Monument Valley signed and Dated James Boren / 1966 lower right title printed on Altermann Galleries label on verso housed in a gilt wood frame 20.25 in. x 26.75 in. (sight)Illustrated Krakel, Dean. James Boren: A Study in Discipline. Fagstaff, AZ, Northland Press. 1968. Pg. 35.$3,000 - $5,000


255 Allan Houser (Chiricahua Apache, 1914-1994) Acrylic on Canvas The Stud signed Allan Houser lower left housed in a gilt and gesso Southwestern frame 23.5 in. x 17.5 in. (sight)$10,000 - $15,000


256 Bob Haozous (Chiricahua Apache, b. 1943) Steel Sculpture Cloud Lady signed and dated on base height 6.75 in. x length 8.75 in. 1999$500 - $700

257 Bob Haozous (Chiricahua Apache, b. 1943) Alabaster Sculpture Buffalo signed on hind leg height 9.25 in. x length 9.5 in. third quarter 20th century$600 - $800

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258 Neil Howell (American, 20th century) Oil on Canvas Moving Camp signed Neil Howell lower right and on verso title inscribed on verso and dated Dec/83 housed in a gilt wood frame 19.5 in. x 15.5 in. (sight)$100 - $200

259 Beatien Yazz (Navajo, 1928-2013) Gouache on Paper signed and dated lower right sight 19.5 x 15.5 in.; framed 20 x 23.5 in. 1979$300 - $500

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260 Gary Kapp (American, b. 1942) Gouache on Paper Untitled signed Gary Kapp / © l.r. housed in a wood frame with a band of geometric inlay 15.5 in. x 11.5 in. (sight)$400 - $600

261 Gary Kapp (American, b. 1942) Gouache on Paper Untitled signed Gary Kapp lower right housed in a wood frame with a band of geometric inlay 13.75 in. x 19.5 in. (sight)$400 - $600

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262 John Brent Jarvis (American, b. 1946) Gouache on Paper Capitol Reef signed John Jarvis / © 1980 lower right title inscribed on verso housed in a wood frame 9 in. x 11.5 in. (sight)$1,000 - $1,500

263 Marco Murolo (Italian, 20th century) Oil on Canvas Too Many Questions signed lower right 29.5 x 23.5 in. (sight)$800 - $1,200

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264 Attributed to Adolphe De Villers (French, 1872-1930) Oil on Canvas Untitled signed De Villers lower right and inscribed By De Villers? on verso housed in a wood frame with a gilt liner 15.5 in. x 23.5 in. (sight)$1,000 - $1,500


266 Charley Paris (American, 1911-1994) Two Hand-Colored Lithographs Riding High Untitled each signed in pencil beneath the image one with printed title on verso, other untitled each 17.5 x 13.75 in. (sight)$300 - $500

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265 After Louis Choris (Ukrainian, 1795-1828) Three Hand-Colored Lithographs Costumes des habitants des Iles Aléoutiennes Intérieur d’une maison dans l’Ile St Laurent Chapeau des habitans des iles Aléoutiennes signed beneath each image dess. et Lith. par Choris. / Lith. de Langlumé. each titled lower center largest 8.5 x 12.75 in. (sight)$500 - $700


267 McKenney and Hall Pair of Hand Colored Lithographs Pair of 19th century color lithographs 14.25 x 10 in. (sight) 15.25 x 9.75 in. (sight)$400 - $600

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268 McKenney and Hall Pair of Hand Colored Lithographs Pair of 19th century color lithographs Each 18 x 12 in. (sight)$400 - $600

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269 George Catlin (American, 1796-1872) Lithograph The Scalp Dance inscribed Catlin del McGahey, lith. / Day & Haghe Lithrs. to the Queen housed in a painted wood frame 13.75 in. x 18.75 in. (sight)$1,500 - $2,500

270 George Catlin (American, 1796-1872) Lithograph No. 25 / Wi-Jun-Jon. / An Assiniboine Chief inscribed Catlin, del. on Stone by McGahey / Day & Haghe Lithrs. to the Queen captioned Going to Washington. / Returning to his home. housed in a painted wood frame 20 in. x 13.75 in (sight)$1,000 - $1,500

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271 James Otto Lewis (American, 1799-1858) Lithograph Portraits Waa-Pa-Laa Com-No-Sa-Qua Cha-Co-To A Celebrated Ottawa Chief published by Lehman & Duval, 1825 and 1827 titles inscribed lower center housed in wood frames each 21 in. x 17.5 in. (framed)$600 - $800

272 James Otto Lewis (American, 1799-1858) Lithograph Portraits The Little Crow Mauck-Coo-Maun Waa-Kaun-See-Kaa Pe-A-Jick published by Lehman & Duval, 1825 titles inscribed lower center housed in wood frames each 21 in. x 17.5 in. (framed)$600 - $800

273 Apache Beaded Hide Sunrise Dress thread-sewn softly tanned hide is coated in yellow and orange pigment and beaded using colors of red, green, white, cobalt and light blue; doubled rows of tin cones hang from shirt; long fringe flows from the hems of both shirt and skirt, overall shirt length 28 in. x chest 28 in.; skirt length 38 in. ca 1930s$4,000 - $6,000


274 Western Apache Pictorial Beaded Hide Hightop Moccasins sinew-sewn hide with rose, white, translucent green, amber, red white-heart, and light blue glass beads; upper portion of moccasins heavily decorated with beaded lanes of chevrons, five-pointed stars, and green human figures detailed with hints of red outlining; a thin band of scalloped beadwork outlines sole of moccasin and is finished with a four-pointed star on vamp, height 24 in. x length 10.75 in. fourth quarter 19th century$6,000 - $8,000



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275 Apache Beaded Hide Bag overall length 12 in. late 19th century$200 - $400

276 Apache Beaded Hide Pouch length 10.5 in. x width 4.75 in. late 19th centuryFrom the Estate of Jane Murphy, Shandon, Ohio$400 - $600

277 Southern Plains and Apache Beaded Hide Awl Cases lot of 2, overall length 9.25 in.; AND Apache awl case with bone awl inside, length 8 in. late 19th century$1,000 - $1,500

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278 Navajo Strike-a-Lite length of pouch 3.25 in. 19th century $400 - $600

279 Southern Plains Painted Hide Drum height 10.5 in. x diameter 19.5 in. ca 1900$800 - $1,000


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280 Cheyenne Beaded Hide Hightop Moccasins height 17 in. x length 9.25 in. ca 1900$2,000 - $3,000

281 Southern Cheyenne Beaded Hide Moccasins length 10.25 in. late 19th century$1,500 - $2,500

282 Sioux Beaded Hide Moccasins length 10.25 in. fourth quarter 19th century$1,000 - $1,500

283 Sioux Beaded Hide Moccasins length 9 in. fourth quarter 19th centuryCollected by Isabella Jean MacRoy (1860-1947)$500 - $700

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284 Santee Sioux Beaded Hide Moccasins length 9.25 in. ca 1900$500 - $700

285 Santee Sioux Beaded Hide Moccasins length 10.5 in. late 19th century$600 - $800

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286 Cheyenne Beaded Hide Moccasins accession number 158 inked on side of cuff, length 10 in. early 20th centuryEx Woodard-Packard Collection$500 - $600

287 Sioux Beaded Hide Moccasins length 11.5 in. ca 1900$800 - $1,200


288 Plains Jukes Coulson Bone Handled Dag Knife tapering dagger-shaped blade marked Jukes Coulson/ Sheffield is attached to the softly sculpted bone handle using ten copper rivets, total length 13.25 in., blade length 7in. 19th centuryFrom the Collection of Marvin L. Lince, Oregon$20,000 - $30,000


Marvin L. Lince Collection


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289 Plains I & H Sorby Bone Handled Dag Knife bone handle with light linear decorations is affixed to tang with nine small steel rivets; filed blade marked I & H Sorby, overall length 12.75 in., length of blade 7.25 in. 19th centuryFrom the Collection of Marvin L. Lince, Oregon$10,000 - $20,000


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290 Plains Jukes Colson Bone Handled Dag Knife From the Collection of Marvin L. Lince, Oregon well-worn bone handle affixed to tang with five brass rivets; handle decorated with dots, some filled with red pigment, and crossed lines; heavily filed blade stamped Jukes Coulson, total length 11 in., length of blade 5.5 in. 19th centuryFrom the Collection of Marvin L. Lince, Oregon$10,000 - $20,000

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291 Blackfoot Pony Beaded Knife Sheath with Dag Knife thread and sinew-sewn on thick hide; beadwork executed in pony bead black and white and smaller glass beads of amber, pony trader blue, and opalescent create hourglass designs; tip of sheath rawhide lined; twisted hide thong loops through back of sheath and is decorated with a carved wooden spool, length 21.25 in; knife with an unmarked blade and wooden handle; handle secured to tang with brass and copper rivets, length 15 in. mid-19th century From the Collection of Marvin L. Lince, Oregon$30,000 - $40,000



292 Western Plains Pipe Tomahawk with Engraved Blade upper portion of handle decorated with 30 brass tacks arranged into rows; remnants of tacks along grip, handle pierced for attachment; head with oval eye and elongated bowl; rocker-engraved spider web is illustrated on one side of the forged blade; light linear engravings are on reverse, length 21 in., length of blade 5.5 in. x width of blade 3.5 in.Spiders and spider web iconography is found throughout the Plains. Spiders are believed to protect, and have great wisdom and power (Maurer 1993: 58; Hail 1983: 87). The Blackfoot tell the story of Poia (Star Boy) where Feather Woman, wife of Morning Star and mother of Poia, disobeyed the instruction of the Moon. Spider made a web and lowered her and Poia to earth (Gray 1916: 93-96). The decoration on the blade of this tomahawk could reference the story of Poia, depicting the spider web as half sky and half earth. The spider illustrated in the lower right corner, a feather, symbolic of Feather Woman is located at the the lower left corner, and the moon possibly in the upper left.Other examples of spider web imagery are found on a Lakota quilled cradle cover (Cat. No. 9048) curated at the National Museum of the American Indian and illustrated in (Maurer 1993: 58) and an engraved tomahawk blade published in an article by John Painter (2005: 191, Fig. 13).Gray, Louis Herbert, George Foot Moore, John Arnott MacCulloch. 1919. The Mythology of All Races: North America. Vol X. Marshal Jones Company: London.Hail, Barbara A. 1980. Hau, Kola! University of Washington Press: Seattle.Maurer, Evan M. 1993. “Visions of the People”. In American Indian Art 18(2):56-63.Painter, John. 2005. “Moths and the Plains Indians: Their Fascinating Connection”. In The People of the Buffalo - The Silent Memorials: Artifacts as Cultural and Historical Documents. Vol. 2 (185-192).From the Collection of Marvin L. Lince, Oregon$8,000 - $10,000


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293 Western Plains Pipe Tomahawk file-branded haft studded with tack decorations and pierced though for suspension; forged iron blade with heart-shaped piercing and surrounded by engraved dots, length 22 in.; head length 10 in. x blade width 5 in. 19th centuryFrom the Collection of Marvin L. Lince, Oregon$10,000 - $15,000




294 Western Plains Pipe Tomahawk with Brass Wire Wrapping haft tightly wrapped with a thick gauge brass wire and pierced with twisted hide wrist strap; triangular head detailed with grooves along one side of blade and around opening of barrel-shaped bowl; length 16.25 in.; length of head in. x width of blade 3 in. 19th centuryA similar example is curated at the National Museum of the American Indian, as noted by Hartzler and Knowles in Indian Tomahawks & Frontiersmen Belt Axes (1995: 211), and in the American Museum of Natural History (Cat No. 50.2/4496 AB).From the Collection of Marvin L. Lince, Oregon$10,000 - $15,000


295 Northern Plains Tacked Hide Amulet Necklace thick buffalo hide disk ornamented in 63 brass tacks and coated with red pigment is attached to a hide thong strung with brass beads and .55 caliber lead shot; six strands of hair with sinew wrapping hands from lower portion of disk; TR 55 inked on reverse, diameter of disk 4 in.; overall length 25 in. 19th centuryA quilled example of a neck amulet is housed in the collections of the American Museum of Natural History, catalogue no. 50.2/4640. From the Collection of Marvin L. Lince, Oregon; Ex George M. Tredway Collection, Tulsa$4,000 - $6,000



296 Great Lakes Ball Club gracefully tapering handle shaped with scallop midway and further detailed with file-branding along portion of underside; face of ball deeply carved with cross, suggestive of the four directions; remnants of yellow and orange pigment on surface, length 25.5 in. early 19th centuryFrom the Collection of Marvin L. Lince, Oregon$15,000 - $20,000



297 Iroquois Figural Ball Club formed with a flattened handle gently tapering to a slightly rounded grip and washed with a reddish stain; ball of club contains an iron spike with four wire nails and deep carving reminiscent of a feline face, possibly the underwater panther. The shaft is heavily decorated with engraved beings including thunderbirds, underwater panther, horned serpent,, owl, deer, bobcat, beavers, arrows, and other whimsical designs; handle pierced through for attachments, length 20 in. early 19th centuryA similar carved club is held in the collections of the Royal Ontario Museums (accession number HD 5820).Both the form of the club and the detailed iconography carved onto it speaks to the duality and spiritual balance of the universe. In viewing the form of the club, the ball portion which has been carved with a gently sloping nose, downward-turned mouth, and wire nails detailing whiskers is suggestive of the face of the Underwater Panther. The Underwater Panther, found throughout Algonquian-speaking groups, is considered the powerful and feared of underwater creatures (Skinner 1924: 47-48, 398). Those in the grace of the Underwater Panther can rely on success (Fox 2004: 288). The Underwater Panther imagery continues in the decoration of the club. Carved underneath the Panther is the Great Horned Serpent. This figure is also a talisman for hunting luck and warfare. In addition, this figure provides medicine, healing sicknesses of whatever kind (Fox 2004: 291). These aquatic spirits are offset on this club by both terrestrial and aerial ones. A Thunderbird graces both sides of this club — bringing the power of the sky: among the Iroquois, thunderbirds ‘were dreaded particularly by the evil serpents that recognized in the Thunderers their sworn, implacable enemies’ (Wolf 1919: 31). Owls, also depicted on the club, are mysterious creatures and the “embodiment of suspicious power” (Wolf 1919: 33). Earthly imagery of a deer hunted by a wild cat is depicted along one side of the club. These animals are surrounded by curvilinear lines, possibly doubling as scales for the overall imagery of the panther.Fox, William A. 2004. “Horned Panthers and Erie Associates” In A Passion for the Past: Papers in Honour of James F. Pendergast, edited by James V. Wright and Jean-Luc Pilon. pp. 283-304. Canadian Museum of Civilization, Mercury Series, Archaeology Paper 164.Skinner, Alanson. 1924. “The Mascoutens or Prairie Potawatomi Indians. Part I, Social Life and Ceremonies”. Bulletin of the Public Museum of the City of Milwaukee 6(1).Wolf, Morris. 1919. “Iroquois Religion and Its Relation to Their Morals”. Ph.D. dissertation, Faculty of Political Science, Columbia University, New York.From the Collection of Marvin L. Lince, Oregon; Ex James Dresslar (1933-2011) Collection, Indiana; Ex Elmer H. Grimm (1922-1999) Collection, Ohio; Ex Rolf Amundsen (1900-1957), Ohio$40,000 - $50,000

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298 Plateau Beaded Hide Blanket Strip possibly Nez Perce, sinew-sewn on softly tanned hide using a beautiful pallet of glass beads: light blue, pink, dark blue with some areas outlined in pea green, greasy yellow, and red white-heart glass beads, length 61 in. x width 4 in. fourth quarter 19th centuryFrom the Collection of Marvin L. Lince, Oregon$15,000 - $20,000




299 Prairie Inlaid Wooden Quirt hewn of oak with a warm patina; angular lead inlay decorates both sides of quirt; a tightly braided lash is affixed to quirt using a wooden peg; thick hide wrist strap, total length 35 in. 19th centuryFrom the Collection of Marvin L. Lince, Oregon$3,000 - $4,000


300 Western Plains Pipe Tomahawk forged head detailed with triangular notches along the edge of the wide blade; blade pierced with a single circle; tulip bowl with pie crust edge; file branded haft studded with brass tacks; a tightly twisted hide thong wrist strap, length 21.25 in.; length of head 10.75 in. fourth quarter 19th centuryFrom the Collection of Marvin L. Lince, Oregon$15,000 - $20,000




301 Western Plains Pipe Tomahawk file-branded haft decorated with 69 brass tacks; grip pierced and strung through with a twisted hide wrist strap; forged head detailed with circular piercing through blade; blade and diamond-shaped eye have serrated edges while the bowl finishes with a pie-crust rim, overall length 21.5 in.; length of head 10.75 in. x width of blade 4 in. 19th century From the Collection of Marvin L. Lince, Oregon$10,000 - $15,000

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302 Great Lakes Pipe Tomahawk with Decorated Inlay formed with a gently tapering haft; image of a hunter with a drawn bow and his dog decorates central pewter disk; opposite side is an engraving of a drawn bow; the pewter mouthpiece is also decorated in detail depicting the head of a fish; the initials WJS are inscribed on both sides of the blade; bowl with hinged cap, length 17.25 in. early 19th centuryFrom the Collection of Marvin L. Lince, Oregon$20,000 - $30,000

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303 Great Lakes Ball Club gracefully formed club with a rich patina; grip of the beveled handle is tightly wrapped with hide strips; the strips are painted with geometric patterns in blue, red, and yellow; grip is also pierced through for an attachment, length 18.25 in. mid-19th centuryFrom the Collection of Marvin L. Lince, Oregon$25,000 - $35,000



304 Eastern Plains Tacked Ball Club studded with 109 brass tacks decorating one side of the tapering handle; a long iron nail is inserted into the ball head and affixed with lead; the opposite side is carved with a single groove at grip, overall length 21.5 in., length of nail 3.25 in. 19th century From the Collection of Marvin L. Lince, Oregon$30,000 - $40,000



305 Plains Spontoon Pipe Tomahawk upper portion of the wooden haft is wrapped with heavy gauge copper wire; situated at the grip is a thick, softly tanned hide sleeve which is sinew-sewn and decorated using bead colors of cobalt, white, pony trader blue, and rose and pigments of red and blue; 22 brass tacks attach sleeve to haft; forged iron, spontoon-shaped pipe head with heart pierced through blade, total length 23.5 in., length of head 9.25 in. x width 2 in. third quarter 19th century From the Collection of Marvin L. Lince, Oregon$18,000 - $25,000


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306 Western Great Lakes Rocker-Engraved Pipe Tomahawk forged head is hallmarked with a reversed R; rocker engraving outlines blade along one side and a series of dots on both sides of head, decorates eye and saddle of bowl; haft is embellished with pyro-decoration; grip is wrapped with hide thongs and beaded in rose, light blue, and red glass beads; thin fringe finishes upper and lower edge of grip, length 24.25 in. third quarter 19th century From the Collection of Marvin L. Lince, Oregon$15,000 - $20,000

307 Eastern Sioux Otter Skin Quilled Bag sinew-sewn with paws and tail decorated with geometric quillwork in colors of red, blue, cream, and orange; tin cones filled with red yarn decorate ends of paws while quilled fringe, terminating with brass bells, hangs at the end of the tail, overall total length 49 in. 19th centuryThe Peabody Museum of Archaeology and Ethnology, Harvard University has within their collections an otter bag acquired on the Lewis and Clark expedition. In their catalogue description they discuss this style of bag: Although otter pouches such as this are often associated with the Midewiwin or Medicine Society of the Great Lakes region, they were also widely used on the Plains as tobacco and pipe containers (Cat. No. PM#99-12-10/53052). From the Collection of Marvin L. Lince, Oregon$15,000 - $20,000

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308 Lakota Painted Muslin Panel muslin panel painted in colors of black, green, blue, yellow, pink, and orange; seven warriors on horseback and four men on foot are depicted in battle, length 77 in. x 32 in. late 19th centuryPanel is accompanied with a copy of a letter of provenance dated 1981, (portion): ... First of all, my Aunt Jean MacRoy -the oldest sister of your great-great grandfather- taught in the Indian school territory of -I believe- the Dakotas and Oklahoma, where she gathered (or was given) these items:...1) The scenes painted on unbleached muslin, and which were done by an old squaw, reportedly over 100 years old, of the war between the Blackfoot and Sioux tribes — (here again, it’s hearsay and could be incorrect). However, the paintings are authentic so far as Indian ancient craft is concerned — coloring came from roots, etc...Lakota paintings on panels of muslin or canvas cloth developed in the 1880s, when Indian families were moved from their traditional tipis into log cabins. The mud and moss chinking between the logs quickly dried out, when chunks might fall out of position, creating drafts. To combat this problem, panels of cloth were often tacked up around the interior. As these were similar in both purpose and appearance to the earlier, leather linings used in tipis, the cloth cabin liners were often painted in similar fashion, with depictions of the owner’s battle exploits.These attractive cabin liners quickly found an economic market as “Indian curios.” When that happened, by the early-1890s, various Indian artists began to paint panels of cloth specifically for sale to tourists, or government officials. This painting is an example of that progression. If it had been created for home use as a cabin liner, there would be tack or nail holes around the perimeter. Lacking these, we recognize an early example of Lakota, male “commercial ingenuity.” Prevented from supporting his family by hunting, this husband and father had turned his hand to another means of earning a small income.

This artist was either an Oglala from Pine Ridge Reservation, South Dakota, or a Sicangu (Brule), from Rosebud Reservation. In the quarter century, 1850-1875, during which the events depicted had occurred, one of the primary enemy tribes opposed to Oglala & Sicangu expansion was the Pawnee, located south of Lakota territory in present Nebraska . All four of the pedestrian enemies depicted are Pawnee, recognizable from their plucked hairstyle, with only one or two, narrow scalplocks; and especially, black-dyed moccasins with high ankle flaps. These are worn by the two enemy figures at top, right and center. Both Pawnee also appear to be naked, a common battle choice (see, for example, Dodge, 1882: 457). The other, two Pawnee are shown as bare-footed, wearing only cloth shirts. A fascinating feature of this painting is the clear intention to depict sound: the lines emanating from the mouths of two of the Pawnee are meant to show that they were either singing protective war songs, or more probably hurling insults at the Lakota, as they were ridden down.During a stand-off encounter with Lakota in 1867, Col. Richard I. Dodge was supported by a Pawnee hunting companion. The colonel and his partner had superior firearms and a strong position, so after four hours of stratagems and aborted attacks, a Lakota war party of fifty men gave up and left them unmolested.During all the charges the Pawnee had evinced the greatest eagerness for fight...Answering yell for yell, he heaped upon them all the opprobrious epithets he could think of in English, Spanish, Sioux and Pawnee, When they wheeled and went off the last time, he turned to me with the most intense disgust and contempt, and said emphatically, “Dam coward Sioux!” (Dodge, 1882:458).This Lakota artist has documented, in graphic form, Pawnee battle insults similar to those described by Col. Dodge.Three types of distinctively-decorated battle lances, indicative of membership in various warrior societies, are illustrated on this panel. The best, visual reference that assists in distinguishing these is Bad


Heart Bull, 1967: 104-116. Crooked lances, with the upper end bent like a shepherd’s crook, the shaft wrapped with strips of dark otterskin and hung at intervals with golden eagle feathers, were used as insignia by three of the Lakota warrior societies: the Wiciska (Horned White Headdresses); the Ihoka (or Iroka, meaning Badger); and the Sotka Yuha. The latter name “is said to imply a smooth, unadorned stick; hence, they have empty [bare] lances, referring to the custom of investing certain members with plain lances to which they may tie feathers if coups are counted” (Wissler, 1912: 33).Three of these “straight lances” are depicted on the panel, showing a progression of accomplishment. A “bare lance,” definitive for the Sotka Yuha, is carried by the rider at lower right. The rider in the top row, second from left, on a blue roan painted with a red muzzle and red circles on the shoulders and hips, carries a similar lance now wrapped with otterskin and hung with single eagle feathers symbolizing war deeds. The same man on a later occasion, on the same horse and displaying the same headdress and shield, is shown in the top row, far right. His lance is now hung with additional eagle feathers to document further accomplishments. This man was probably the artist, and he was a lance bearer of the Sotka Yuha Warrior Society. The crooked lances depicted were probably also Sotka Yuha regalia, carried by war partners of the same organization (compare Bad Heart Bull, 1967: 108). It is likely these men were brothers or cousins of the artist.Remarkably, two horse masks, rare examples of Plains Indian battle accoutrement, are also depicted on this muslin panel. At bottom left, a brindle buckskin gelding is protected with an intimidating mask that represents an Underworld Bull, a nightmare creature like a huge buffalo described in ancient myths, which brought earthquake and crushing death (see Cowdrey, Martin & Martin, 2006: 12-16, and especially, Fig. 2.14a). Note the brown over-painting of the buckskin coat which nicely represents the rare, brindle markings. In the earthquake context of the mask, the unusual coat markings of the horse, which the artist has taken such trouble to convey, might well be intended to invoke a blinding duststorm.

A second, smaller mask distinguishes the black gelding following the buckskin. The wrapped forelock of the rider indicates he is a man who had received a protective vision from the God of Thunder, Lakota avatar of War. The wrapped forelock of the horse makes this connection explicit. The dark steed is painted with red lightning strikes down the legs, and a white rump speckled with black dots that represent a storm of hail. As the horse charges, it symbolizes an engulfing thunderstorm, the hooves striking as bolts of electricity and trampling the enemy like a deluge of hail stones. A third style of lance, with a checkered banner attached along the shaft, consisting of black and white feathers, belongs to the rider of the black horse. This is an insignia of the Cante T’inza (Strong Heart) Warrior Society (Bad Heart Bull, 1967: 104).The two, horse heads at lower right are “shorthand” symbols for Pawnee animals captured during the action depicted.Mike Cowdrey San Luis Obispo, California 12 January 2014BibliographyBad Heart Bull, Amos (Helen H. Blish, ed.) 1967 A Pictographic History of the Oglala Sioux. Lincoln: University of Nebraska Press. Cowdrey, Mike, and Ned Martin & Jody Martin 2006 American Indian Horse Masks. Nicasio, CA: Hawk Hill Press. Dodge, Col. Richard Irving 1882 Our Wild Indians: Thirty-three Years’ Personal Experience Among the Red Men of the Great West. Hartford, CN: A.D. Worthington & Co. Wissler, Clark 1912 “Societies and Ceremonial Associations in the Oglala Division of the Teton Dakota.” Anthropological Papers of the American Museum of Natural History, Vol. 11.Collected by Isabella Jean MacRoy (1860-1947)

$6,000 - $8,000


309 Lakota Sioux Figural Buffalo Hide Rattle red cotton wrapped wooden handle encased with sinew-sewn buffalo hide; hide is pierced around the incised decorations and filled with pieces of quartz; one side is detailed with buffalo tracks in the four quadrants, the tracks surround an hourglass device; the opposite side has the figure of a man standing on the sun and with a crescent moon above his head; the figure holds a pipe embellished with feathers in one hand and a lance pointed downward in the other, length 6.5 in. mid-19th centuryPurchased by Consignor from the Black Elk Family$1,000 - $2,000

310 Northern Plains Painted Hide Drum length 9 in. x width 9 in. late 19th century$400 - $500

311 Plains Spontoon Pipe Tomahawk Blade forged iron blade with circular piercings forming the image of a buffalo head; tear-drop shaped eye and elongated bowl, overall length 9 in. third quarter 19th centuryEx Chandler-Pohrt Collection$2,000 - $3,000

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312 Catlinite Pipe Bowl with Inscriptions dated Nov. 12, 1869; inscribed Cheef[sic] Light Foot Choto(?) Nation/ Prs to RAJ/ by Dater /MeMe(?), length 8.5 in. mid-19th century$500 - $700

313 Sioux Catlinite Pipe and Stem total length 25.25 in. late 19th century$800 - $1,000

314 Eastern Plains Carved Pipe Stem length 24.5 in. fourth quarter 19th century$500 - $700

315 Sioux Quilled Pipe Stem with Catlinite Bowl total length 24.25 in., length of pipe 7 in. ca 1900$1,000 - $2,000

314

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316 Sioux Beaded Hide Tobacco Bag length 22 in. fourth quarter 19th century $1,500 - $2,000

317 Plateau Beaded Hide Tobacco Bag total length 23.5 in. fourth quarter 19th century Ex Drew Bax Collection, Denver, Colorado$1,500 - $2,000

318 Sioux Beaded Hide Tobacco Bag length 19 in. fourth quarter 19th century$1,500 - $2,000

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319 Sioux Beaded Hide Tobacco Bag total length 32 in. ca 1900$1,000 - $1,500

320 Sioux Beaded Hide Tobacco Bag overall length 38 in. late 19th century$1,500 - $2,000


321 Sioux Beaded Hide and Parfleche Pouch sides composed of buffalo hide, back panel constructed from a painted parfleche, front of bag formed from calf’s head, length 10 in. x width 9 in. fourth quarter 19th century$600 - $800

322 Mandan Cow Horn Spoon with penciled inscription, Mandan, North Dakota, July 20 1897, length 10 in. fourth quarter 19th century$300 - $500

323 Northern Plains Beaded Hide Ration Pouch length 4.25 in. x width 3 in. fourth quarter 19th century$500 - $700

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323 322


325

324 Sioux Beaded Hide Strike-a-Lite overall length 6.75 in. x width 3.25 in. late 19th century$800 - $1,000

325 Southern Plains Beaded Hide Strike-a-Light length 6 in. fourth quarter 19th century$600 - $800

326 Sioux Beaded Hide Awl Cases lot of 2, total length 12 in.; AND 14 in. fourth quarter 19th centuryCollected by Isabella Jean MacRoy (1860-1947)$500 - $700

327 Northern Plains Beaded Hide Awl Cases lot of 2, Plateau awl case with Victorian bone handled awl; overall length 14 in.; AND a Crow awl case, length 9 in. late 19th century$1,000 - $1,500

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328 Northern Plains Beaded Hide Knife Sheath with Knife of diminutive size, length 5.5 in. AND a antler-handled knife with file blade, length 4.75 in. late 19th century$400 - $500

329 Gros Ventre Beaded Parfleche Knife Sheath with Knife thread-sewn and beaded using colors of white, medium blue, rose, pumpkin, pea green, and pink; green wool borders beadwork and is affixed to to sheath with hide lashings, length 15.25 in.; AND a wooden handled Thomas Wilson Shear Steel Sheffield Knife, length 12.5 in. ca 1900 Purchased from Gallery West, Tuscon, Arizona$4,000 - $5,000

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330 Plains Painted Stone Club length 24.5 in. late 19th century$600 - $800

331 Crow Beaded Hide Rifle Scabbard thread and sinew-sewn, with recycled beaded strips executed in colors of dark blue, pea green, and white; strip of red wool edges lower seam, length 43.5 in.; length of longest fringe 25 in. late 19th century $2,000 - $3,000

332 Northern Plains Hide Bow Case and Quiver utilitarian quiver and bow case assembled with softly tanned hide laced together with hide thongs; fringe hangs from lower seams and opening of bowcase, length 35 in.; AND a bow with slight recurve and sinew-wrapped grip, length 44.5 in. fourth quarter 19th century $2,500 - $3,500

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333 Northern Plains Tacked Leather Belt with Knife Sheath and Whetstone Case studded with approximately 448 brass tacks; two brass rivets attach buckle loop to belt; harness leather knife sheath also studded with 40 brass tacks loops around belt and houses a bone handled butcher’s knife with lead detailing at the bolster; matching whetstone case is decorated with a German silver button, 17 brass tacks, and fringe with a single tin cone; case ties to belt with hide, length of belt 34 in. x width 3 in.; length of sheath 8.75 in., length of knife 11 in., length of whetstone case 5.75 in. fourth quarter 19th century$2,500 - $3,500

334 Decorated Military Jacket wool military jacket with two brass buttons marked S. Appel & Co., (NY, 1864-1935) buttons; unidentified badge on jacket is composed of a V topped with a crown; front of jacket covered with herbivore teeth and carved bone imitation teeth; all sewn with black thread, length 25.5 in. x chest 32 in. 19th centuryWe do not guarantee this to be a Native American decorated jacket.$3,000 - $5,000

335 Sioux Beaded Hide Legging Strips length 29.5 in. x width 2.5 in. late 19th century$600 - $800

336 Crow Beaded Hide Gauntlets length 13 in. late 19th century$600 - $800

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337 Plains Woman’s Beaded Hide Dress thread-sewn moose hide fully beaded in an assortment of bright reflective colors; yoke fully beaded in wide bands and finished with looped cane beads; lower portion of skirt embellished with a floral pattern and fringe, length 48 in. x chest 42 in. first half 20th centuryAccompanied by a copy of a photograph of Ruthe Larsen wearing the dress and a note of provenance written by Larsen: Nov 9 - 1992/ Authentic moose hide with old seed beads made around 1890./ Ruthe Larsen was Miss Indian America in 1957 and wore this dress at that time. Ruthe is a full blood Gros Ventre from Ft. Belknap. Ruthe’s mother, Angela Ragged Robe purchased the dress from Mary Jackson, a Crow Indian (married a Blackfoot)./ The design was an inter-change between Nez Perce and Crow, typical for the era./ Cordially, Ruthe Larsen Purchased by Angela Ragged Robe for her daughter Ruthe Larson (Gros Ventre) from Mary Jackson, (Crow)$2,500 - $3,500

338 Cree Beaded Moose Hide Jacket thread-sewn on thick smoke-tanned hide; floral patches decorate sleeves and chest; fringe details shoulder seams, length 29.5 x chest 40 in. late 19th century$2,500 - $3,500


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339 Crow Parfleche Envelope length 26 in. x width 11.25 in. ca 1900Ex T.N. Luther Collection, Taos, New Mexico$600 - $800

340 Northern Plains Courting Flute length 23 in. first quarter 20th century$800 - $1,000

341 Crow Woman’s Beaded Saddle height 16 in. x length 19 in. x width 10.5 in. late 19th century$1,000 - $1,500

342 Cheyenne Beaded Buffalo and Elk Hide Possible Bag thread and sinew-sewn softly tanned hide, with buffalo hide front panel beaded in greasy yellow, cobalt, dark blue, red white-heart, pea green, and white; closing flap constructed using elk hide and embellished with beadwork and tin cones; reverse of bag constructed of heavy canvas, length 14 in. x width 22.5 in. fourth quarter 19th century$2,000 - $3,000

343 Plateau Ermine Bonnet thread-sewn headdress with ermine tails attached to hide base; two goat horns detailed with blue wool and yellow faceted beads are affixed to bonnet; blue felt cap, overall length 24 in. third quarter 20th century$2,500 - $3,500


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344 Blackfoot Braided Hairdrop braided hair and fastened using a thick piece of buffalo hide, length 31 in. fourth quarter 19th centuryFrom the Collection of Richard A. Pohrt, Sr.$1,000 - $1,500

345 Crow Bone Loop Necklace ten hide thongs strung with bone disks and brass beds; hide strands lace through harness leather strips and finish as fringe, overall length 13 in. x width 8 in.; mounted 16.25 x 11 in. fourth quarter 19th century $2,000 - $3,000


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346 Plains Beaded Hide Balls lot of 2, diameter; 2.25 in.; AND 2.5 in. early 20th century$800 - $1,000

347 Sioux Beaded Hide Umbilical Turtle Fetish and Beaded Drop lot of 2, including a sinew-sewn umbilical turtle fetish with a unique form of four smaller turtles attached, overall length 5.25 in.; AND a drop composed of six hide thongs strung with pearlescent beads and liberty head dimes, length 7 in. ca 1900Collected by Isabella Jean MacRoy (1860-1947)$800 - $1,000

348 Sioux Beaded Hide Umbilical Fetish length 6.75 in. fourth quarter 19th century$800 - $1,000

349 Sioux Beaded Hide Umbilical Fetish length 7.25 in. ca 1900$800 - $1,000

350 Sioux Beaded Hide Umbilical Fetishes lot of 2, length 6 in.; AND 6.25 in. ca 1900$1,000 - $1,500


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351 Umatilla Doll Beaded Cradle doll with cotton head and painted features, length 14 in. early 20th century4 Lazy F Ranch, Moose, Wyoming$1,000 - $2,000

352 Western Plains/ Plateau Beaded Buffalo Hide Doll Cradle small composition doll with glass eyes is nestled inside, length 6 in. x width 2.75 in. fourth quarter 19th century$500 - $700

353 Northern Plains Beaded Hide Doll thread-sewn doll with cloth body stuffed with fur, height 11.5 in. late 19th century$1,000 - $1,500


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354 Northern Plains Beaded Hide Doll height 12.5 in. late 19th century$800 - $1,200

355 Mary Standstall (Sioux, 20th century) Beaded Hide Doll height 16 in. 20th century$1,000 - $1,500

356 Cheyenne Miniature Beaded Hide Possible Bags height 2.25 in. x length 3.25 in.Collected by Isabella Jean MacRoy (1860-1947)$800 - $1,000


357 Sioux Beaded Hide Doll thread and sinew-sewn and beaded using colors of red white-heart, greasy yellow, dark blue, pea green, pony trader blue, cobalt, and amber; doll’s face is painted with red pigment and detailed with bird quill earrings and choker; leather belt with awl case and sewing kit at sides; leggings and moccasins fully detailed, height 11.25 in. fourth quarter 19th centuryCollected by Isabella Jean MacRoy (1860-1947)$2,000 - $3,000

358 Arapaho Beaded Hide Warrior Doll thread and sinew-sewn attenuated hide doll dressed in traditional moccasins, leggings are detailed with four light blue crosses, and his a long tunic shirt is decorated with a thunderbird and cross on back. A red white-heart beaded breastplate with Maltese Cross, representative of the protection of the Morning Star, is situated on his chest, height 17 in. fourth quarter 19th centuryThis doll is similar to one illustrated in Forrest Fenn’s Historic American Indian Dolls (2007: plate 14).Kroeber, Alfred Louis. “The Arapaho”. Bulletin of the Museum of Natural History. Vol. XVIII. 1902. (p. 429).$4,000 - $6,000

detail



359 Sioux Child’s Beaded and Quilled Moccasins lot of 2, lengths 8 in. and 8.25 in. ca 1900$500 - $700

360 Sioux Child’s Fully Beaded Hide Moccasins length 5 in. ca 1900$500 - $700

361 Cheyenne/ Arapaho Child’s Beaded Hide Leggings length 12 in. fourth quarter 19th century$1,000 - $1,500

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362 Iroquois False Face Mask length 10.25 in. x width 6.25 in. mid-20th century$600 - $800

363 Iroquois False Face Mask length 10.5 in. x width 7.25 in. 20th century$600 - $800

364 Iroquois False Face Mask length 17 in. x width 6.25 in. 20th century$600 - $800

365 Iroquois Corn Husk Doll Family the female doll caries a cradleboard on her back, heights 10.25 in. and 10 in. ca 1900$500 - $700


366

366 Chippewa Beaded Bandolier Bag length 45 in. x width 13.25 in. late 19th century$1,000 - $1,500

367 Chippewa Beaded Hide Bag length 9.25 in. x overall width 7.5 in. fourth quarter 19th century$1,000 - $1,500

367


368 Great Lakes Figural Ball Club From the Dresslar Collection wide-handled club with scalloped edges and ball made of burl; tip of club carved into the face of a man; file-branded details, length 18.5 in. third quarter 19th centuryThis club is said to have been owned by Kewadin, North Wind, a medicine man of the Chippewa. Federal census records state that Kewadin was born in 1780, and in 1870 at the age of 90, listed as a farmer and hunter. He died in February of 1884; 104 years old.Accompanying documentation from the original owner, Stuart Miller reads:Your letter at hand with photo of Chief Kewadin war club - Regret can’t come up with more like them - My father - Dr. Geo. E Miller respectfully received the war chief with final settlement from - as I remember - the eldest daughter -Glad it helps some and happy someone keeps track of it.Cordially Stuart Miller$2,500 - $3,500

369 Northeastern Diminutive Ball Club length 16 in. ca 1900$800 - $1,000

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370 Omaha Burl Bowl with Ladle carved of walnut and detailed with eight remaining brass tacks, tallest height 4 in. x diameter 12 in. AND a ladle with a hooked, avian formed handle, length 9.25 in. x width of scoop 5.5 in.Illustrated: John Painter. 2003 A Window on the Past: Volume II. Berman Printing Co.: Cincinnati (p. 100, fig. 210).From the Collection of John W. Painter, Cincinnati, Ohio$2,500 - $3,500

371 Great Lakes Carved Elm Bowl thin-walled bowl with softly undulating sides and rectangular handles, height 5.75 in. x length 16 in. 19th century$2,500 - $3,500

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372 Prairie Imitation Bear Claw Necklacecomposed of 23 horse hooves carved into “bear claws” and attached to hide strap, average length of “claw” 3.25 in. fourth quarter 19th century$800 - $1,000

373 Chippewa Imitation Bear Claw Necklace composed of 40 curved and carved antlers pierced through top and strung onto hide thong; each antler “claw” detailed with a brass tack and red pigment, total length 18 in., length of a claw 5 in. ca 1900 Deaccessioned from the Eiteljorg Museum Collection. Proceeds from the sale will benefit the Eiteljorg Museum’s Art Acquisition Fund.$800 - $1,000

372


374 Great Lakes Pipe Tomahawk haft detailed with a ridge of 49 brass tacks; grip pierced through twice for attachments; the haft is further embellished with pewter inlay on either side of the forged head; blade with oval eye and tulip-shaped bowl, overall length 22 in.; length of head 7 in. x width of blade 2.5 in. third quarter 19th century$6,000 - $8,000


375 Robert Cruickshank (Montreal, active 1774-1809) Cross of Lorraine Trade Silver double bar cross with rocker-engraved detailing on both sides; touchmark on center of cross, length 6 in. x width 2.75 in. 18th centuryFrom the Estate of Kenneth Erwin, Portland, Michigan$1,000 - $2,000

376 Trade Silver Cuffs and Pendants lot of 4, includes an armband with impressed bands along edges and with the touchmark of possibly Christian Grothe (Montreal, 1801-1820), length 3 in. x width 2.75 in.; PLUS a wristband detailed with impressed bands, with touchmark stamped twice, NR, possibly for Narcisse Roy (Montreal, act. 1765-1814), length 2.5 in. x width .5 in; AND two smaller cross pendants, with one marked NR, lengths 1 in. and .75 in. early 19th century $400-600

377 Cherokee Double-Wall Lidded Basket height 7 in. x width 6.5 in. mid-20th century$800 - $1,000

378 Wrought Iron Trade Axe Head Attributed to Between-the-Legs, Tearroneauou,Wynandot forged iron head with square eye; manuscript label reads: Tomahawk made by Abe Troque(?) and presented to “Between the Legs”. Found 35 years after [the treaty?] of the Wyandot?, length 5 in. x width of blade 3.5 in.The treaty, signed on July 22, 1814, established peace among the Ohio tribes: Wyandot, Delaware, Shawnee, and Seneca and Miami. In addition, these groups agreed to ally with the United States and not British during the time of western expansion. Tearroneauou, or Between-the-Legs, was a Wyandot signer of the treaty.$500 - $700

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379 Cherokee Bandolier Bag thread-sewn blue wool decorated with extremely small faceted beads in an array of dusty colors, including pink, purple, pea green, greasy yellow, periwinkle, red white-heart, and gold; flowers and leaves are expertly beaded and finished with a single lane outline; bag is lined and backed with dark khaki wool, length 29 in. x overall width 13 in; also included is a 1.25 x 1.75 in. plate daguerreotype of Michael Francis, the original owner of the bag; the portrait is housed in a 14 karat Haywood, North Carolina gold pendant case. ca 1840This bag has descended through the family of North Carolina statesman and lawyer Michael Francis (1801-1860). Notably, Michael Frances signed a letter to Congress petitioning the removal of a North Carolina band of eastern Cherokee, a rebute to the 1835 Treaty of New Echota.Collected by Michael Francis, Esq. (1801-1860) and descended through the family$40,000 - $60,000


The Richard Pohrt Jr. Reference Library — Part ILots 380-494

380 [Arctic] Arctic Life and Art lot of 4, includes: -Burtland, Cottie. Eskimo Art. Hamlyn Publishing Group: New York. 1973. (hardcover) -Damas, David (ed.). Handbook of North American Indians: Volume 5 - Arctic. Smithsonian Institution: Washington, D.C. 1984. (hardcover) -Issenman, Betty. Sinews of Survival: The Living Legacy of Inuit Clothing. UBC Press: Vancouver. 1997. (hardcover) -Oakes, Jill and Rick Riewe. Our Boots: An Inuit Women’s Art. Douglas and McIntyre: Vancouver/ Toronto. 1995. (hardcover)$50 - $75

382 [Arctic] Eskimo Art lot of 3, includes: -Ray, Dorothy Jean. Eskimo Masks: Art and Ceremony. University of Washington Press: Seattle. 1967. (hardcover) -Ray, Dorothy Jean. Eskimo Art: Tradition and Innovation in North Alaska. University of Washington Press: Seattle. 1977. (hardcover) -Ray, Dorothy Jean. Aleut and Eskimo Art: Tradition and Innovation in South Alaska. University of Washington Press: Seattle. 1981.$50 - $75

383 [Arctic] Hawkes’ The “Inviting-In” Feast of the Alaskan Eskimo -Hawkes, Ernest. The “Inviting-In” Feast of the Alaskan Eskimo. Canada Department of Mines. Geological Survey: Memoir 45 (No.3) Anthropological Series. Ottawa. 1913.$50 - $75t384 [Arctic] Rousselot’s Masques Eskimo D’Alaska -Rousselot, Jean-Loup, Bernard Abel, Jose Pierre, and Catherine Bihl. Masques Eskimo d’Alaska. Esitions Amez: France. 1991. (hardcover) $100 - $150

385 [Northwest Coast] Books Northwest Coast Carvings lot of 4, includes: -Barbeau, Marius. Haida Carvers in Argillite. National Museum of Canada: Ottawa. 1974. -Black, Martha. Out of the Mist: Treasures of the Nuu-chah-nulth Chiefs. Royal British Columbia Museum: Victoria. 1999. -Macnair, Peter, Alan Hoover, and Kevin Neary. The Legacy: Tradition and Innovation in Northwest Coast Indian Art. Douglas and McIntyre: Vancouver. 1984. -Ritzenthaler, Robert and Lee Parsons. Masks of the Northwest Coast: The Samuel A. Barrett Collection. Milwaukee Public Museum. 1966. $50 - $100

386 [Northwest Coast] Ethnographic Reports on the Peoples of the Northwest Coast lot of 3, includes: -Bureau of American Ethnology, Twenty-Sixth Annual Report. Washington, D.C. 1908. (hardcover) -Bureau of American Ethnology, Forty-Fifth Annual Report. Washington, D.C. 1930. Goddard, Pliny Earl. Indians of the Northwest Coast. American Museum of Natural History: New York. 1945. (hardcover)$100 - $150

387 [Northwest Coast] Boaz’s The Social Organization and the Secret Societies of the Kwakiutl Indians -Boaz, Franz. The Social Organization and the Secret Societies of the Kwakiutl Indians. Smithsonian Institution: Washington, D.C. 1987. (hardcover) $150 - $200

388 [Exhibition] The Spirit Sings: Artistic Traditions of Canada’s First Peoples, with Exhibition Catalogue lot of 2, includes: -Harrison, Julia, Ruth Holmes Whitehead, and Ruth Phillips, et al. The Spirit Sings: Artistic Traditions of Canada’s First Peoples. McClelland and

Stuart and Glenbow Museum: Toronto. 1987 (hardcover) -Harrison, Julia. The Spirit Sings: Artistic Traditions of Canada’s First Peoples, A Catalogue of the Exhibition. McClelland and Stuart and Glenbow Museum: Toronto. 1987 (hardcover)$400 - $600

389 [Northwest Coast] Books Northwest Coast Art and Culture lot of 10, includes: -Andrews, Ralph. Indian Primitive: Northwest Coast Indians of the Former Days. Bonanza Books: New York. 1960 (hardcover) -Averkieva, Julia and Mark Sherman. Kwakiutl String Figures. University of Washington Press: Seattle. 1992 (hardcover) -Bancroft-Hunt, Norman. People of the Totem. Doubleday Canada, Ltd.: Toronto. 1979 (hardcover) -Davis, Robert Tyler. Native Arts of the Pacific Northwest. Stanford University Press: Stanford. 1954 (hardcover) -Drucker, Philip. Cultures of the North Pacific Coast. Chandler Publishing Company: Scranton. 1965 -Furst, Peter, Ted Brasser, and Peter Macnair, et.al. Stones, Bones and Skin: Ritual and Shamanic Art. ArtsCanada: Toronto. 1973 -Gunther, Erna. Art in the Life of the Northwest Coast Indians. Superior Publishing Co.: Seattle. 1966 (hardcover) -Padron, Francisco. To the Totem Shore: The Spanish Presence on the Northwest Coast. Comisario General de Espana: Vancouver. 1986 -Paul, Frances. Spruce Root Basketry of the Alaskan Tlingit. United States Indian Service, Haskell Institute. Lawrence, Kansas. 1944 -Wright, Robin K. A Time of Gathering: Native Heritage in Washington State. University of Washington Press: Seattle. 1991 $150 - $200

390 [California] Native California Culture and History lot of 8, includes: -Arnold, Mary and Mabel Reed. In the Land of the Grasshopper Song: Two Women in the Klamath River Indian Country in 1908-09. University of Nebraska Press: Lincoln. 1980. -Heizer, Robert F. (ed). The Destruction of California Indians. Peregrine Smith, Inc. Santa Barbara: 1974. (hardcover) -Krober, A.L. Handbook of the Indians of California. Dover Publications: New York. 1976. -Laird, Carobeth. The Chemehuevis. Malki Museum Press: Banning, California. 1976. (hardcover) -Murray, Keith. The Modocs and Their War. University of Oklahoma Press: Norman. 1976. -Powers, Stephen. Tribes of California. University of California Press: Berkeley. 1976. -Rawls, James. Indians of California: The Changing Image. University of Oklahoma Press: Norman. 1984. -Thompson, Lucy. To the American Indian: Reminiscence of a Yurok Woman. Heyday Books: Berkeley. 1991.$75 - $100

391[California] California Basketry and Carving lot of 7, includes: -Cohodas, Marvin. Degikup: Washoe Fancy Basketry 1895-1935. Fine Arts Gallery of the University of British Columbia: Vancouver. 1979. -Johnson, Ron and Coleen Kelly Marks. From Women’s Hands: Lena Reed McCorvey (1898-1895) and Ethel Jones Williams (1900-1979). Reese Bullen Gallery, Humboldt State University: Arcata, California. 1992. -Kelly, Isabel. The Carver’s Art of the Indians of Northwestern California. Acoma Books: Ramona, California. 1971. -Lopez, Raul, and Christopher Moser (eds.). Rods, Bundles and Stitches: A Century of Southern California Indian Baskets. Riverside Museum Press: Riverside. 1981. -Reese Bullen Gallery. Elizabeth Conrad Hickox, Baskets from the Center of the World. Reese Bullen Gallery, Humboldt State University: Arcata, California. 1991. -Roseberry, Viola. Illustrated History of Indian Baskets and Plates Made by California Indians and Many Other Tribes. Leo K. Brown: Orange Cove,


California. 1967. -Sarris, Greg. Mabel McKay: Weaving the Dream. University of California Press: Berkeley. 1994. (hardcover)$150 - $200

392 [General] American Indian Basketry Magazine, Complete Set -Gogol, John M. (ed). American Indian Basketry Magazine. Vol. 1-20. Portland. 1979-1985.$400 - $600

393 [General] Basketry lot of 9, includes: -Breazeale, J.F. The Pima and His Basket. Fur Press: Chadron, Nebraska. Reprint of 1923 edition. -DeWald, Terry. The Papago Indians and Their Basketry. Terry DeWald: Tucson. 1979 (signed by author) -James, George Wharton. Indian Basketry. Dover Publications, Inc.: New York. 1972. -Miles, Charles and Pierre Bovis. American Indian and Eskimo Basketry: A Key to Identification. Pierre Bovis: San Francisco. 1969. (no. 508/1000, signed by authors, hardcover) -Mason, Oris Tufton. Aboriginal American Indian Basketry. The Rio Grande Press: Glorieta. 1984. (hardcover) -Porter, Frank W. (ed.) The Art of Native American Basketry. Greenwood Press. Westport. 1990. (hardcover) -Roberts, Helen. Basketry of the San Carlos Apache Indians. The Rio Grande Press. Glorieta, New Mexico. 1985. (reprint of 1929 edition) -Tanner, Clara Lee. Apache Indian Baskets. University of Arizona Press: Tucson. 1982. (hardcover) -Whiteford, Andrews Hunter. Southwestern Indian Baskets: Their History and Their Makers. School of American Research Press: Santa Fe. 1988. (signed by author) $150 - $200

394 [Southwest] James’ Indian Blankets and Their Makers -James, George Wharton. Indian Blankets and Their Makers. A.C. McClurg and Co.: Chicago: 1920. (hardcover) $50 - $75

395 [Southwest] Haile’s Origin Legend of the Navaho Flintway -Haile, Father Berard. Origin Legend of the Navaho Flintway. The University of Chicago Press: Chicago. 1943. $100 - $150

396 [Southwest] Southwest Textiles lot of 9, includes: -Couler, Lane (ed.). Navajo Saddle Blankets. Museum of New Mexico Press: Santa Fe. 2002. -Fox, Nancy. Pueblo Weaving and Textile Arts. Museum of New Mexico Press: Santa Fe. 1978. -Irving, David. Common Threads: Textiles of the Americas. Ethnographica: Denver. 1993. -Jeter, James and Paula Juelke. The Saltillo Sarape. New World Arts: Santa Barbara. 1978. -Kapoun, Robert and Charles Lohrmann. Language of the Robe: American Indian Trade Blankets. Peregrine Smith Books: Salt Lake. 1992. -McIntyre, Kellen. Rio Grande Blankets: Late Nineteenth Century Textiles in Transition. Adobe Gallery: Albuquerque. 1992. -Mera, H.P. Spanish-American Blanketry. School of American Research Press: Santa Fe. 1987. -Mera, H.P. Pueblo Indian Embroidery. Dover Publications, Inc.: New York. 1995. -Schaaf, Gregory. Honoring the Weavers. Kiva Publishing Inc.: Santa Fe. 1996. $100 - $150

397 [Southwest] Navajo Weaving and Culture lot of 4, includes: -Bennett, Noel. The Weaver’s Pathway. Northland Press. Flagstaff. 1974. (hardcover) -Bryan, Nonabah, and Stella Young. Navajo Native Dyes: Their Preparation and Use. United States Department of the Interior: US Office of Indian Affairs. 1940. -Hegemann, Elizabeth. Navaho Trading Days. University of New Mexico

Press: Albuquerque. 1963. (hardcover) -O’Bryan, Aileen. The Dine: Origin Myths of the Navaho Indians. Smithsonian Institution Bureau of American Ethnology: Bulletin 163. 1956. (hardcover)$50 - $75

398 [Southwest] Navajo Textiles lot of 4, includes: -Dockstader, Frederick. The Song of the Loom: New Traditions in Navajo Weaving. Hudson Hills Press: New York. 1987. -Maxwell, Gilbert. Navajo Rugs - Past, Present and Future. Best-West Publications: Palm Desert. 1970. -Rodee, Marian. One Hundred Years of Navajo Rugs. University of New Mexico Press: Albuquerque. 1995. -Sublette, Mark. Weaving for the Children. Medicine Man Gallery: Tucson. 1988.$50 - $75

399 [Exhibition] Navajo Textiles lot of 5, includes: -Garrigan, John. Southwestern Weaving from the Collection of the Stark Museum. Nelda C. and H.J. Luther Stark Foundation: Orange, Texas. 1981. -Hedlund, Ann Lane. Navajo Weavings from the Andy Williams Collection. The St. Louis Art Museum. 1997. -Kahlenberg, Mary Hunt and Anthony Berlant. The Navajo Blanket. Praeger Publishers, Inc. and Los Angeles County Museum of Art. 1973. -Wheat, Joe Ben. The Gift of Spiderwoman. The University Museum, University of Pennsylvania: Philadelphia. 1984. -Wheat, Joe Ben. Navajo Blankets from the Collection of Anthony Berlant. The University of Arizona Museum of Art. 1974.$75 - $100

400 [Southwest] Pueblo Pottery lot of 6, includes: -Hodge, Fredrick W. and Jesse Walter Fewkes. Decoration Designs - Turquoise and Pottery. Calvin Horn Publisher, Inc.: Albuquerque. 1974. (hardcover) -Peterson, Susan. The Living Tradition of Maria Martinez. Kodansha International: Tokyo. 1977. (hardcover) -Silverman, Jack and Francis Harlow. Pueblo Treasure. Silverman Museum: Santa Fe. 2005. -Spivey, Richard. Maria. Northland Publishing: Flagstaff. 1979. (signed by author, hardcover) -White, Leslie. Zia: The Sun Symbol Pueblo. Calvin Horn Publisher, Inc.: Albuquerque. 1974. (hardcover) -White, Leslie. The Acoma Indians: People of the Sky City - A Paper from the Bureau of American Ethnology Annual Report 47, 1929-1930. The Rio Grande Press: Glorieta. 1974. (hardcover)$100 - $150

401 [Southwest] Pueblo Pottery lot of 8, includes: -Dillingham, Rick. Acoma and Laguna Pottery. School of American Research Press: Santa Fe. 1992. -Dittert, Alfred and Fred Plog. Generations In Clay. Northland Publishing: Flagstaff. 1994. -Hardin, Margaret. Gifts of Mother Earth: Ceramics in the Zuni Tradition. The Heard Museum: Phoenix. 1983. -Hayes, Allan and John Blom. Southwestern Pottery: Anasazi to Zuni. Northland Publishing: Flagstaff. 1996. -Hedges, Ken. Heritage In Clay: The 1912 Pueblo Pottery Collection of Wesley Bradfield and Thomas S. Dozier. San Diego Museum of Man: San Diego. 1984. -Maxwell Museum of Anthropology. Seven Families in Pueblo Pottery. University of New Mexico Press: Albuquerque. 1978. -Peckham, Steward. From this Earth: The Ancient Art of Pueblo Pottery. Museum of New Mexico Press: Santa Fe. 1990. (hardcover) -Peterson, Susan. Pottery by American Indian Women: The Legacy of Generations. Abbeville Press: New York. 1997. (hardcover)$75 - $100

402 [Southwest] Historic Pueblo Pottery lot of 8, includes: -Bunzel, Ruth. The Pueblo Potter. Dover Publications, Inc.: New York. 1972.


-Chapman, Kenneth M. Pueblo Pottery Designs. Dover Publications, Inc.: New York. 1995. -Frank, Larry and Francis Harlow. Historic Pottery of the Pueblo Indians: 1600-1880. Schiffer Publishing: West Chester, Pennsylvania. 1990. (hardcover) -Harlow, Francis. Modern Pueblo Pottery: 1880-1960. Northland Press: Flagstaff. 1977. (hardcover) -Harlow, Francis. Matte-Paint Pottery of the Tewa, Keres and Zuni Pueblos. Museum of New Mexico Press: Santa Fe. 1973. -Harlow, Francis. Two Hundred Years of Historic Pueblo Pottery: The Gallegos Collection. Morning Star Gallery: Santa Fe. 1990. (hardcover). -Mera, H.P. Pueblo Designs. Dover Publications, Inc.: New York. 1970. -Mera. H.P. Style Trends of Pueblo Pottery: 1500-1840. Avanyu Publishing, Inc.: Albuquerque. 1991.$150 - $250

403 [Collections] Southwest Jewelry lot of 3, includes: -Davies, Cynthia (ed.). White Metal Universe: Navajo Silver from the Fred Harvey Collection. The Heard Museum: Phoenix. 1981. -Lincoln, Louise (ed.). Southwest Indian Silver from the Doneghy Collection. The Minneapolis Institute of Arts and University of Texas Press: Austin. 1982. (hardcover) -Tisdale, Shelby. Fine Indian Jewelry of the Southwest: The Millecent Rogers Museum Collection. Museum of New Mexico Press: Santa Fe. 2006. (hardcover) $50 - $75

404 [Southwest] Southwest Jewelry lot of 6, includes: -Branson, Oscar. Indian Jewelry Making. Treasure Chest Publications: Tucson. 1977. -Frank, Larry. Indian Silver Jewelry of the Southwest: 1868-1930. New York Graphic Society: Boston. 1978. (hardcover) -Mera, Harry. Indian Silverwork of the Southwest, Illustrated - Volume One. Dle Stuart King: Tucson. 1974. -Northrop, Stuart, David Neumann, and David Snow. Turquoise. Museum of New Mexico: Santa Fe. 1973. -Pogue, Joseph E. Turquoise. Rio Grande Press: Glorieta. 1973. (hardcover) -Wright, Margaret. Hopi Silver: The History and Hallmarks of Hopi Silversmithing. Northland Press: Flagstaff. 1982. $50 - $75

405 [Southwest] Gregory Schaaf’s Artist References, Pottery and Baskets lot of 4, includes: -Hopi-Tewa Pottery: 500 Artist Biographies. CIAC Press: Santa Fe. 1998. (hardcover) -Pueblo Indian Pottery: 750 Artist Biographies. CIAC Press: Santa Fe. 2000. (hardcover) -Southwestern Pueblo Pottery: 2000 Artist Biographies. CIAC Press: Santa Fe. 2002. (hardcover) -American Indian Baskets I: 1500 Artist Biographies. CIA Press: Santa Fe. 2006. (hardcover)$100 - $200

406 [Southwest] Hopi Culture and History lot of 5, includes: -Courlander, Harold. The Fourth World of the Hopis: The Epic Story of the Hopi Indians as Preserved in their Legends and Traditions. University of New Mexico Press: Albuquerque. 1971. -Fewkes, Jesse Walter. Prehistoric Hopi Pottery Designs. Dover Publications, Inc.: New York. 1973. -Kramer, Barbara. Nampeyo and Her Pottery. University of New Mexico Press: Albuquerque. 1996. (hardcover) -Patterson, Alex. Hopi Pottery Symbols. Johnson Printing Co.: Boulder. 1994. -Titiev, Mischa. The Hopi Indians of Old Oraibi. University of Michigan Press: Ann Arbor. 1972. (hardcover, signed by author)$50 - $75

407 [Southwest] Hopi Katsinas lot of 4, includes: -Fewkes, Jesse Walter. Hopi Katcinas. Dover Publications, Inc.: New York. 1985. -Hood, Gary. The Art of America’s Southwest Indians. Bison Books Ltd.: London. 1995. (hardcover) -Roediger, Virginia. Ceremonial Costumes of the Pueblo Indians. University of California Press: Berkeley. 1991. -Wright, Barton. Kachina: Poupees Rituelles des Indiens Hopi et Zuni. Musees de Marseille: France. 1994. $100 - $150

408 [Southwest] Archaeological Monographs of the Southwest lot of 5, includes: -Amsden, Charles Avery. Prehistoric Southwesterns From Basketmaker to Pueblo. Southwest Museum: Los Angeles. 1949. -Goddard, Pliney Earle. Indians of the Southwest. American Museum of Natural Histiry: New York. 1913. -Judd, Neil. The Material Culture of Pueblo Bonito. Smithsonian Institution: Washington DC. 1954. -McGregor, John. Southwestern Archeology. University of Illinois Press: Urbana. 1965. (hardcover) -Wormington, H.M. Prehistoric Indians of the Southwest. The Denver Museum of Natural History. 1978. $100 - $150

409 [Southwest] Anthropologists and Prehistory of the Southwest lot of 9, includes: -Babcock, Barbara and Nancy Parezo. Daughters of the Desert: Women Anthropologists and the Native Southwest, 1880-1980. University of New Mexico Press: Albuquerque. 1988. -Bandolier, Adolf. The Delight Makers: A Novel of Prehistoric Pueblo Indians. Harcourt Brace Jovanovich, Inc.: New York. 1971. -Crane, Leo. Desert Drums: The Pueblo Indians of New Mexico 1540-1928. The Rio Grande Press: Glorieta. 1972. (hardcover) -Fewkes, Jesse Walter. Archaeological Expedition to Arizona in 1895. The Rio Grande Press: Glorieta. 1971. (hardcover) -Gumerman, George. A View From Black Mesa: The Changing Face of Archaeology. University of Arizona Press: Tucson. 1992. -Lange, Charles and Carroll Riley. Bandolier: The Life and Adventure of Adolf Bandolier. University of Utah Press: Salt Lake City. 1996. (hardcover) -LaFarge, Oliver. Introduction to American Indian Art. The Rio Grande Press: Glorieta. 1973. (hardcover) -Martin, Paul and Fred Plog. The Archaeology of Arizona. Doubleday: Garden City. 1973. (hardcover) -Ortiz, Alfonso. Handbook of North American Indians, Volume 9 - Southwest. Smithsonian Institution: Washington, D.C. 1979. (hardcover)$150 - $250

410 [Southwest] Bureau of American Ethnology, Eleventh Annual Report -Bureau of Ethnology, Eleventh Annual Report. Smithsonian Institution: Washington, D.C. 1894 (hardcover)$50 - $75

411 [Southwest] Prehistoric Pottery and Culture lot of 11, includes: -Alberle, S.D. The Pueblo Indians of New Mexico: Their Land, Economy and Civil Organization. American Anthropological Associations: Menasha, Wisconsin. 1948. -Cunkle, James. Treasures of Time: A Guide to Prehistoric Ceramics of the Southwest. Golden West Publishers: Phoenix. 1994. -Kankainen, Kathy (ed). Treading in the Past: Sandals of the Anasazi. Utah Museum of Natural History and University of Utah Press: Salt Lake. 1995. -Lister, Robert and Florence, Lister. Anasazi Pottery. Maxwell Museum of Anthropology and University of New Mexico Press: Albuquerque. 1978. -Morris, Earl. The Beginnings of Pottery Making in the San Juan Area; Unfired Prototypes and the Wares of the Earliest Ceramic Period. American Museum of Natural History: New York. 1927. -Moulard, Barbara. Within the Underworld Sky, Mimbres Ceramic Art in Context. Twelvetrees Press: Pasadena. 1984. (hardcover) -Oppelt, Norman. Earth, Water and Fire: The Prehistoric Pottery of Mesa


Verde. Johnson Brooks: Boulder. 1991. -Schaaf, Gregory. Ancient Ancestors of the Southwest. Graphic Arts Center Publishing. 1996. (signed by author) -Smith, Watson. Prehistoric Ceramics of the Mesa Verde Region. Interpark: Cortez, Colorado. 1974. -Snodgrass, O.T. Realistic Art and Times of Mimbres Indians. O.T. Snodgrass: El Paso. 1977. -Wormington, H.M. The Story of Pueblo Pottery. Denver Museum of Natural History: Denver. 1951. $100 - $150

412 [Southwest Art] Petroglyphs lot of 5, includes: -Brody, J.J. Anasazi and Pueblo Painting. University of New Mexico Press: Albuquerque. 1991. (hardcover) -Schaafsma, Polly. Indian Rock Art of the Southwest. School of American Research: Santa Fe. 1980. -Schaafsma, Polly. Rock Art in New Mexico. Museum of New Mexico Press. Santa Fe. 1992. -Reid, J. Jefferson and David Doyal (eds.). Emil W. Haury’s Prehistory of the American Southwest. University of Arizona Press: Tucson. 1986. -Young, M. Jane. Signs From the Ancestors: Zuni Cultural Symbolism and Perceptions of Rock Art. University of New Mexico Press: Albuquerque. 1988. (hardcover)$50 - $75

413 [Southwest] Southwest Explorations From the Library of Richard Pohrt Jr. lot of 6, includes: -Bayer, Laura. Santa Ana: The People, The Pueblo, and the History of Tamaya. University of New Mexico Press: Albuquerque. 1994. -Bolton, Herbert. The Spanish Borderlands: A Chronicle of Old Florida and the Southwest. Yale University Press: New Haven. 1921. (hardcover) -Cleland, Robert Glass. The Reckless Breed of Men: The Trappers and Fur Traders of the Southwest. Alfred A. Knopf: New York. 1963. -Espinosa, J. Manuel. Crusaders of the Rio Grande. Institute of Jesuit History Publications: Chicago. 1942. (hardcover) -Parsons, Elsie Clews. Taos Pueblo. George Banta Publishing Co.” Menasha, Wisconsin. 1936. -Riley, Carroll. Rio Del Norte: People of the Upper Rio Grande from the Earliest Times to the Pueblo Revolt. University of Utah Press: Salt Lake City. 1995. $100 - $150

414 [Southwest] Biographies and Autobiographies lot of 5, includes: -Davis, Carlyle and William Alderson. The True Story of Ramona. Dodge Publishing Co.: New York. 1914 -Jackson, Helen Hunt. Ramona. Little Brown and Co.: Boston. 1932. (hardcover) -Reichard, Gladys. Dezba, Woman of the Desert. J.J. Augustin Publisher: New York. 1939. (hardcover) -Simmons, Leo. Sun Chief: The Autobiography of a Hopi Indian. Yale University Press: New Haven. 1976. (hardcover) -Underhill, Ruth. The Autobiography of a Papago Woman. American Anthropological Association: Menasha. 1936. $100 - $150

415 [General] Southwest lot of 7, includes: -Cornett, James. Indians and Desert Animals. Nature Trails Press: Palm Springs, California. 2000. -Dutton, Bertha. Let’s Explore Indian Villages Past and Present. Museum of New Mexico Press: Santa Fe. 1970. -Tamarin, Alfred and Shirley Glubok. Ancient Indians of the Southwest. Doubleday and Co.: New York. 1975. (hardcover) -Tyler, Hamilton. Pueblo Birds and Myths. Northland Publishing: Flagstaff. 1991. -Underhill, Ruth. Workday Life of the Pueblos. Department of the Interior, United States Indian Service: Phoenix. 1946. -Underhill, Ruth. Pueblo Crafts. Department of the Interior, United States Indian Service: Lawrence. Kansas. 1946. -Whiteford, Andrew, Steward Peckham, and Rick Dillingham. I am Here:

Two Thousand Years of Southwest Indian Arts and Culture. Museum of New Mexico Press: Santa Fe. 1989.$50 - $75

416 [Plains] Bead and Quillwork lot of 7, includes: -Francis, Peter. Beads of the World: A Collector’s Guide with Price Reference. Schiffer Publishing: Atglen, Pennsylvania. 1994. -Hail, Barbara. Hau, Kola! The Plains Indian Collection of the Haffenreffer Museum of Anthropology. Haffenreffer Museum of Anthropology: Brown University. 1980. -Heinbuch, Jean. A Quillwork Companion: An Illustrated Guide to Techniques of Porcupine Quill Embroidery. Eagle’s View Publishing, Co. Liberty, Utah. 1990. -Monture, Joel. The Complete Guide to Traditional Native American Beadwork. Collier Books, MacMillan Publishing Company: New York. 1993. -Orchard, William. The Technique of Porcupine Quill Decoration Among the Indians of North America. Museum of the American Indian Heye Foundation. 1971. -Orchard, William. Beads and Beadwork of the American Indians. Museum of the American Indian Heye Foundation. 1975. -Smith, Monte. The Technique of North American Indian Beadwork. Eagle’s View Publishing Co.: Liberty, Utah. 1983.$50 - $75

417 [Plains] Parfleche lot of 2, includes: -Marriott, Alice. Indian Rawhide: An American Folk Art. University of Oklahoma Press. Norman. 1975. (hardcover) -Torrence, Gaylord. The American Indian Parfleche: A Tradition of Abstract Painting. University of Washington Press: Seattle. 1994. (hardcover)$50 - $75

418 [Plains] Children and Their Accessories lot of 5, includes: -Eastman, Charles. Indian Boyhood. Dover Publications, Inc.: New York. 1971. -Fenn, Forrest. Historic American Indian Dolls. One Horse Land and Cattle Company: Santa Fe. 2007. (author signed, hardcover) -Hail, Barbara (ed.). Gifts of Pride and Love: Kiowa and Comanche Cradles. Haffenreffer Museum of Anthropology, Brown University. 2000. -Hilger, Sister M. Inez. Arapaho Child Life and Its Cultural Background. Smithsonian Institution, Bureau of American Ethnology, Bulletin 148: Washington DC. 1952. -Janulewicz, Richard. Brave Hearts and Their Cradles: A Pictorial Presentation of Native American Cradleboards. Lifevest Publishing: Centennial, Colorado. 2006. (author signed)$75 - $150

419 [Plateau] History and Culture of the Great Basin, Plateau, and Northwest lot of 6, includes: -Horse Capture, George and Richard Pohrt. Salish Indian Art from the J.R. Simplot Collection. Buffalo Bill Historical Center: Cody. 1986. -Horse Capture, George. The Plateau. Buffalo Bill Historical Center: Cody. 1989. -Howard, Joseph Kinsey. Strange Empire. William Morrow and Co.: New York. 1952. -Lacy, Steve and Pearl Baker. Posey: The Last Indian War. Gibbs Smith Publisher: Salt Lake City. 2007. -Linn, Natalie. The Plateau Bag: A Tradition in Native American Weaving. Johnson County Community College, Gallery of Art. nd. (signed by author) -Smith, G.Hubert. Like-A-Fishook Village and Fort Berthold, Garrison Reservoir, North Dakota. National Part Service, U.S. Department of the Interior: Washington, D.C. 1972. (hardcover) $50 - $75

420 [Plains] Arts of the Great Plains lot of 5, includes: -Bancroft-Hunt, Norman. The Indians of the Great Plains. University of Oklahoma Press: Norman. 1992. -Horse Capture, Joseph D. and George P. Horse Capture. Beauty, Honor,


and Tradition: The Legacy of Plains Indian Shirts. National Museum of the American Indian, Smithsonian Institution: Washington, D.C. 2001. (author signed) -Maurer, Evan. Visions of the People: A Pictorial History of Plains Indian Life. The Minneapolis Institute of Arts. 1992. -Meade. Dorothy Cook. Heart Bags and Hand Shakes: The Story of the Cook Collection. National Woodlands Publishing Co.: Lake Ann, Michigan. 1994. -Taylor, Colin. Saam: The Symbolic Content of Early Northern Plains Ceremonial Regalia. Verlog fur Amerikanistik: Germany. 1993. (hardcover)$100 - $200

421 [Plains] Art of the Great Plains lot of 8, includes: -Herbst, Toby and Joel Kopp. The Flag in American Indian Art. University of Washington Press: Seattle. 1993. (hardcover) -Laubin, Reginald and Gladys. The Indian Tipi, Its History, Construction, and Use. University of Oklahoma Press: Norman. 1957. (hardcover) -Libhart Myles and Rosemary Ellison. Painted Tipis by Contemporary Plains Indian Artists. Indian Arts and Crafts Board of the United States, Department of the Interior: Anadarko. 1973. -Logan, Michael and Douglas Schmittou. With Pride They Made These: Tribal Styles in Plains Indian Art. Frank H. McClung Museum, The University of Tennessee: Knoxville. 1995. -Paterek, Josephine. Encyclopedia of American Indian Costume. W.W. Norton and Co.: New York. 1994. -Pohrt, Richard. The American Indian - The American Flag. Flint Institute of Arts: Flint. 1976. (hardcover) -Taylor, Colin. Buckskin and Buffalo: The Artistry of the Plains Indians. Rizzoli International Publications: New York. 1998. -Walters, Anna Lee. The Spirit of Native America. Chronicle Books: San Francisco. 1989.$75 - $150

422 [Plains] Cheyenne, Comanche, and Arapaho lot of 8, includes: -Berthrong, Donald. The Cheyenne and Arapaho Ordeal. University of Oklahoma Press: Norman. 1976. -Hoig, Stan. The Cheyenne. Chelsea House Publications: New York. 1989. -Grinnell, George Bird. The Cheyenne Indians: Their History and Ways of Life, Volume 1. University of Nebraska Press: Lincoln. 1972. -Grinnell, George Bird. The Cheyenne Indians: Their History and Ways of Life, Volume 2. University of Nebraska Press: Lincoln. 1972. -Marquis, Thomas B. The Cheyennes of Montana. Reference Publications, Inc.: Algonac, Michigan. 1978. (hardcover) -Marriott, Alice and Carol Rachlin. Dance Around the Sun: The Life of Mary Little Bear Inkanish. Thomas Y. Crowell: New York. 1977. (hardcover) -Powers, William K. Indians of the Southern Plains. Capricorn Books: New York. 1972. -Wallace, Ernest and E. Adamson Hoebel. The Comanches: Lords of the South Plains. University of Oklahoma Press: Norman. 1976. (hardcover) -Wissler, Clark. Indians of the Plains. American Museum of Natural History: New York. 1941. (hardcover) $100 - $150

423 [Plains] Crow Culture lot of 6, includes: -Hoxie, Frederick. The Crow. Chelsea House Publishers: New York. 1989. -Lowie, Robert. The Crow Indians. Farrar and Rinehart, Inc.: New York. 1935. (hardcover) -Medicine Crow, Joe. From the Heart of Crow Country. Orion Books: New York. 1992. (hardcover) -Powell, Father Peter J. To Honor the Crow People. Foundation for the Preservation of American Indian Art and Culture: Chicago. 1988. -Wagner, Glendolin and William Allen. Blankets and Moccasins: Plenty Coups and His People, the Crow. University of Nebraska Press: Lincoln. 1987. -Wildschut, William. Crow Indian Medicine Bundles. Museum of the American Indian, Heye Foundation: New York. 1960.$100 - $200

424 [Plains] Book on Sioux History, Culture and Arts lot of 5, includes: -Blish, Helen. A Pictographic History of the Oglala Sioux. University of Nebraska Press: Lincoln. 1967. (hardcover) -Hanson, James. Metal Weapons, Tools, and Ornaments of the Teton Dakota Indians. University of Nebraska Press: Lincoln. 1975. (hardcover) -Hoover, Herbert. The Yankton Sioux. Chelsea House Publishers: New York. 1988. -Lyford, Carrie. Quill and Beadwork of the Western Sioux. United States Department of the Interior, Bureau of Indian Affairs. 1940. -Walker, Hames. Lakota Society. University of Nebraska Press: Lincoln. 1982. (hardcover)$75 - $100

425 [Plains] Blackfeet Culture lot of 8, includes: -Ewers, John. Blackfeet Crafts. United States Department of the Interior, Haskell Institute: Lawrence, Kansas. -Ewers, John. The Horse in Blackfoot Indian Culture. Smithsonian Institution, Bureau of American Ethnology, Bulletin 159. 1955. (hardcover) -Hungry Wolf, Adolf. The Blood People: A Division of the Blackfoot Confederacy. Harper and Row: New York. 1977. (hardcover) -Hungry Wolf, Adolf and Beverly. Blackfoot Craftworker’s Handbook. Good Medicine Books:Invermere, British Columbia. 1977. -Linderman, Frank. Blackfeet Indians: Pictures by Winold Reiss. Published May 11, 1935. The Twenty-Fifth Anniversary of the Establishment of Glacier National Park by Congress of the United States. (hardcover) -Schultz, James. Blackfeet and Buffalo: Memories of Life Among the Indians. University of Oklahoma Press: Norman. 1962. (hardcover) -Scriver, Bob. The Blackfeet: Artists of the Northern Plains. The Lowell Press: Kansas City. 1990. -Turney-High, Harry. The Flathead Indians of Montana. American Anthropological Association: Menasha, Wisconsin. 1937. (hardcover)$200 - $300

426 [Plains] Book on Plains History and Culture lot of 5, includes: -Algier, Keith. The Crow and the Eagle. The Caxton Printers, Ltd.: Caldwell, Idaho. 1993. -Ewers, John. Plains Indian History and Culture. University of Oklahoma Press: Norman. 1997. (hardcover) -Hyde, George. Indians of the High Plains. University of Oklahoma Press: Norman. 1959. (hardcover) -Hyde, George E. Red Cloud’s Folk. University of Oklahoma Press: Norman. 1967. (hardcover) -Mandelbaum, David. The Plains Cree: An Ethnographic, Historic, and Comparative Study. Canadian Plains Research Center, University of Regina: Regina, Saskatchewan. 2001. $50 - $75

427 [Plains] Native Groups of the Southern Plains lot of 4, includes: -Bailey, Garrick and Daniel Swan. Art of the Osage. University of Washington Press: Seattle. 2004. -Berlandier, Jean Louis. The Indians of Texas in 1830. Smithsonian Institution Press: Washington, D.C. 1969. (hardcover) -Bureau of American Ethnology, Twenty Second Annual Report. Washington D.C. 1904. (hardcover) -Ritzenthaler, Robert and Frederick, Peterson. The Mexican Kickapoo Indians. Milwaukee Public Museum: Milwaukee. 1956. $75 - $100

428 [Plains] Warrior Culture lot of 9, includes: -Andrist, Ralph. The Long Death: The Last Days of the Plains Indians. The Macmillan Company: New York. 1964. (hardcover) -Denig, Edwin Thompson. Five Indian Tribes of the Upper Missouri. University of Oklahoma Press: Norman. 1977. -Eastman, Charles. Indian Heroes and Great Chieftains. Kessinger Publishing. n.d. -Faulk, Odie. The Geronimo Campaign. Oxford University Press: New York. 1969. (hardcover) -Mishkin, Bernard. Rank and Warfare Among the Plains Indians. University


of Washington Press: Seattle. 1940. (hardcover) -Nabakov, Peter. Two Leggings: The Making of a Crow Warrior. Thomas Y. Crowell Company: New York. 1967. (hardcover) -Nye, Wilbur. Plains Indian Raiders. University of Oklahoma Press: Norman. 1968. (hardcover) -Secoy, Frank. Changing Military Patterns of the Great Plains Indians. University of Nebraska Press: Lincoln. 1992. -Taylor, Colin. The Warriors of the Plains. Arco Publishing Company: New York. 1975. (hardcover) $100 - $150

429 [Plains] Grinnell’s The Fighting Cheyennes -Grinnell, George Bird. The Fighting Cheyennes. Charles Scribner’s Sons: New York. 1915. (hardcover) $100 - $150

430 [Plains] Mooney’s The Ghost Dance Religion and the Sioux Outbreak of 1880 -Bureau of American Ethnology, Fourteenth Annual Report. Washington, D.C. 1896. (hardcover)$100 - $150

431 [Plains] Religious Events lot of 4, includes: -Erdoes, Richard. The Sun Dance People. Alfred A. Knopf: New York. 1972. (hardcover) -Lowie, Robert. Indians of the Plains. McGraw-Hill Book Co.: New York. 1954. -Mooney, James. The Ghost Dance Religion and the Sioux Outbreak of 1890. University of Chicago Press: Chicago. 1965. -Spier, Leslie. The Prophet Dance of the Northwest and its Derivatives: The Source of the Ghost Dance. George Banta Publishing Co.: Menosha, Wisconsin. 1953. $75 - $100

432 [Plains] Ledger Art lot of 5, includes: -Barbeau, Marius. Indian Days on the Western Prairies. National Museum of Canada, Bulletin No 163: Ottawa. 1965. -Berlo, Janet Catherine (ed.). Plains Indian Drawings 1865-1935. Harry N. Abrams: New York. 1996. -Ewers, John. Plains Indian Painting. Stanford University Press: Stanford, California. 1939. (hardcover) -Glubok, Shirley. The Art of the Plains Indians. Macmillan Publishing Inc.: New York. 1975. (hardcover) -Petersen, Karen Daniels. American Pictographic Images: Historical Works on Paper by the Plains Indians (The Frank Henderson Ledger Book). Alexander Gallery and Morning Star Gallery: New York and Santa Fe. 1988. (hardcover)$150 - $250

433 [Plains] Ledger Art lot of 10, includes: -Berlo, Janet Catherine. Spirit Beings and Sun Dancers: Black Hawk’s Vision of the Lakota World. George -Braziller Publishers: New York. 2000. (hardcover) -Cohoe, Hoebel, E. Adamson, and Karen Daniels Petersen. A Cheyenne Sketchbook. University of Oklahoma Press: Norman. 1964. (hardcover) -Cowdrey, Mike. Arrow’s Elk Society Ledger. Morning Star Gallery: Santa Fe. 1999. -Ewers, John. Murals in the Round: Painted Tipis of the Kiowa and Kiowa-Apache Indians. Smithsonian Institution Press: Washington, D.C. 1978. -McCoy, Ronald. Kiowa Memories: Images from Indian Territory, 1880. Morning Star Gallery: Santa Fe. 1987. (hardcover) -Peterson, Karen Daniels. Plains Indian Art from Fort Marion. University of Oklahoma Press, Norman. 1971. (hardcover) -Praus, Alexis. The Sioux, 1798-1992: A Dakota Winter Count. Cranbrook Institute of Science, Bulletin No. 44: Bloomfield Hills, Michigan. 1962. -Raczka, Paul. Winter Count: A History of the Blackfoot People. Oldman River Culture Center: Brocket, Alberta. 1979. -Supree, Burton. Bear’s Heart: Scenes from the Life of a Cheyenne Artist of One Hundred Years Ago with Pictures by Himself. J.B. Lippincott Company: Philadelphia. 1977. (hardcover) -Viola, Herman. Warrior Artists: Historic Cheyenne and Kiowa Indian Ledger

Art Drawn by Making Medicine and Zotom. National Geographic Society: Washington, D.C. 1998. (hardcover)$200 - $300

434 [History] Historical Accounts, Biographies, and Ethnographies of the Northern Plains and Canadian Prairie lot of 9, includes: -Dempsey, Hugh. Charcoal’s World. University of Nebraska Press: Lincoln. 1978. -Gilman, Carolyn and Mary Jane Schneider. The Way to Independence: Memories of a Hidatsa Indian Family 1840-1920. Minnesota Historical Society Press: St. Paul. 1987. (hardcover) -Horse Capture, George (ed.) The Seven Visions of Bull Lodge. Bear Claw Press: Ann Arbor. 1980. -Kennedy, Don. Recollections of an Assiniboine Chief. McClelland and Stewart Ltd.: Toronto. 1972. (hardcover) -Kennedy, Michael (ed.) The Assiniboines. University of Oklahoma Press: Norman: 1961. (hardcover) -Madsen, Brigham. The Northern Shoshoni. The Caxton Printers, Ltd.: Caldwell, Idaho. (hardcover) -Nicol, Eric (ed.) Dickens of the Mounted: The Astonishing Long Lost Letters of Inspector F. Dickens NWMP 1874-1886. McClelland and Stewart: Toronto. 1989. (hardcover) -Turney-High, Harry. Ethnography of the Kutenai. American Anthropological Association: Menasha, Wisconsin. 1941. -Whyte, Jon. Indians in the Rockies. Altitude Publishing, Ltd.: Banff. 1985 (hardcover)$150 - $200

435 [Northeast] Tomahawks, Peace Medals, and Early History lot of10, includes: -Beaulieu, Alain and Roland Viau. The Great Peace. Editions Libre Expression: Montreal. 2001. -Brown, Charles (ed.) The Aboriginal Pipes of Wisconsin. American Indian Books: St. Louis, Missouri. 1992. -Dewdney, Selwyn and Kenneth Kidd. Indian Rock Paintings of the Great Lakes. University of Toronto Press: Toronto. 1967. (hardcover) -Gilman, Carolyn. Where Two Worlds Meet: The Great Lakes Fur Trade. Minnesota Historical Society: St. Paul. 1982. -Hyde, George E. Indians of the Woodlands: From Prehistoric Times to 1725. University of Oklahoma Press: Norman. 1962. (hardcover) -Prucha, Francis Paul. Peace and Friendship, Indian Peace Medals in the United States. National Portrait Gallery, Smithsonian Institution: Washington, D.C. 1985. -Prucha, Francis Paul. Peace and Friendship: Indian Peace Medals from the Schermer Collection. National Portrait Gallery, Smithsonian Institution: Washington, D.C. 2001. -Quimby, George. Indian Life in the Upper Great Lakes. University of Chicago Press: Chicago. 1960. -Ray, Arthur. Indians in the Fur Trade. University of Toronto Press: Toronto. 1974. (hardcover) -Vietzen, Raymond. Their Fires Are Cold. White House Publishers. 1984. (hardcover) $100 - $150

436 [Northeast] Tomahawks, Peace Medals, and Early Knives and Rifles lot of 10, includes: -Belden, Bauman. Indian Peace Medals Issued in the United States. Lenard Babin: Rochester, New York. 1958. -Dresslar, Jim. The Engraved Powder Horn. Dresslar Publishing: Bargersville, Indiana. 1996. (hardcover) -Grant, Madison. The Knife in Homespun America. Mason Grant Maple Press Company: York, Pennsylvania. 1984. (hardcover and case) -Hanson, Charles E. The Northwest Coast Gun. Nebraska State Historical Society: Lincoln. 1992. -Jamieson, Melvill. Medals Awarded to North American Indian Chiefs, 1714-1922. Spinks and Sons Ltd.: London. 1961. -Kauffman, Henry. The Pennsylvania-Kentucky Rifle. Bonanza Books: New York. 1960. (hardcover) -Kauffman, Henry. American Axes. The Stephen Greene Press: Brattleboro, Vermont. 1972. (hardcover) -Kuck, Robert. Tomahawks Illustrated. Aldine Printing Co.: Xenia. 1977. -Thorp, Raymond. Bowie Knife. University of New Mexico Press:


Albuquerque. 1948. (hardcover) -Peterson, Harold. American Indian Tomahawks. Museum of the American Indian: Heye Foundation. 1965. (hardcover)$300 - $400

437 [Northeast] Art of the Northeast and Great Lakes lot of 11, includes: -Adney, Edwin and Howard Chapelle. The Bark Canoes and Skin Boats of North America. Smithsonian Institution: Washington: D.C. 1964. (hardcover) -Brasser, Ted. “Bo’jou, Neejee!” Profiles of Canadian Indian Art. National Museum of Man: Ottawa. 1976. -Brasser, Ted. Turkey River: Native American Art of the Ohio Country. Canton Museum of Art: Canton, Ohio. 2003. -Cleland, Charles, Milford Chandler, Robert Ritzenthaler, et.al. The Art of the Great Lakes Indians. Flint Institute of Arts: Flint. 1973. -Feest, Christian. Premieres Nations, Collections Royales. Musee du Quai Branly: Paris. 2007. -Harrison, Julia. Metis: People Between Two Worlds. The Glenbow-Alberta Institute, Douglas and McIntyre: Toronto. 1985. -King, J.C.H. Thunderbird and Lightning: Indian Life in Northeastern North America 1600 - 1900. British Museum Publications Ltd.: London. 1982. -Phillips, Ruth. Patters of Power: The Jasper Grant Collection and Great Lakes Indian Art of the Early Nineteenth Century. The McMichael Canadian Collection: Kleinburg, Ontario. 1984. -Pohrt, Rochard (ed.) Bags of Friendship. Morning Star Gallery: Santa Fe. 1996. -Torrence, Gaylord and Robert Hobbs. Art of the Red Earth People: The Mesquakie of Iowa. University of Iowa Museum of Art. 1989. -Ritzenthaler, Robert and Pat Ritzenthaler. The Woodland Indians of the Western Great Lakes. Milwaukee Public Museum. 1983. $300 - $400

438 [Northeast ] Art, History, and Culture of the Northeast lot of 4, includes: -Cave, Alfred. The Pequot War. University of Massachusetts Press: Amherst. 1996. -Hauptman, Lawrence and James Wherry (eds.) The Pequots in Southern New England. University of Oklahoma Press: Norman. 1990. -Vidler, Virginia. American Indian Antiques: Art and Artifacts of the Northeast. A.S. Barnes and Co.: Cranbury, New Jersey. 1976. (hardcover) -Zielinski, John. Mesquakie and Proud of It. Photo-Art Gallery Productions: Kalona, Iowa. 1976. (hardcover) $50 - $75

439 [Northeast] Hoffman’s The Midewiwin or Grand Medicine Society of the Ojibwa -Bureau of American Ethnology, Seventh Annual Report. Washington, D.C. 1885. (hardcover)$100 - $150

440 [General] West’s Tobacco, Pipes and Smoking Customs of the American Indians -West, George A. Tobacco, Pipes and Smoking Customs of the American Indians. Vols. I and II. Public Museum of the City of Milwaukee. 1934. (hardcover). $400 - $600

441 [Northeast] Ethnographic Reports on the Iroquois lot of 9, includes: -Fenton, William N. (ed.) Symposium on Local Diversity in Iroquois Culture. Bureau of American Ethnology, Bulletin 149. Smithsonian Institution: Washington, D.C. 1951. -Fenton, W.N. Masked Medicine Societies of the Iroquois. Reprint by Iroqrafts, Ltd.: Ohsweken, Ontario. 1983. -Fenton, W.N. The Roll Call of the Iroquois Chiefs: A Study of a Mnemonic Cane from the Six Nations Reserve. Reprint by Iroqrafts, Ltd.: Ohsweken, Ontario. 1984. -Kurath, Gertrude. Iroquois Music and Dance: Ceremonial Arts of Two Seneca Longhouses. Bureau of American Ethnology, Bulletin 187. Smithsonian Institution: Washington, D.C. 1964. (hardcover) -Pilling, James. Bibliography of the Iroquoian Languages. Bureau of Ethnology, Bulletin 6. Smithsonian Institution: Washington, D.C. 1888. -Prish, Betty Coit. Aspects of Change in Seneca Iroquois Ladles A.D. 1600-

1900. Rochester Museum and Science Center: Rochester, New York. 1982. -Speck, Frank. Art Processes in Birchbark of the River Desert Algonquin, A Circumboreal Trait. Bureau of American Ethnology, Anthropological Papers No. 17. Smithsonian Insitution: Washington, D.C. 1941. -Speck, Frank. The Tutelo Spirit Adoption Ceremony. Pennsylvania Historical Commission: Harrisburg. 1942. (hardcover) -Speck, Frank. The Iroquois. Cranbrook Institute of Science: Bloomfield, Michigan. 1982. $100 - $150

442 [Northeast] Early Accounts of Exploration and Native Encounters lot of 5, includes: -Drimmer, Frederick (ed.) Captured by the Indians, 15 Firsthand Accounts, 1750-1870. Dover Publications: New York. 1961. -Leach, Douglas. Flintlock and Tomahawk: New England in King Philips War. The Macmillan Company: New York. 1958. (hardcover) -Lottinville, Savoie (ed.) Paul Wilhelm, Duke of Wurttemberg: Travels in North America 1822-1824. University of Oklahoma Press: Norman. 1973. (hardcover) -Smith, DeCost. Martyrs of the Oblong and Little Nine. The Caxton Printers: Caldwell, Idaho. 1948. (hardcover) -Thornborough, Gayle (ed.) Letter Book of the Indian Agency at Fort Wayne 1809-1815. Indiana Historical Society: Indianapolis. 1961.$50 - $75

443 [Northeast] Stories and Biographies of Early Leaders lot of 7, includes: -Helbig, Alethea (ed.) Nanabozhoo, Giver of Life. Green Oak Press: Brighton, Michigan. 1987. (hardcover) -Perry, Lynette and Manny Skolnick. Keeper of the Delaware Dolls. University of Nebraska Press: Lincoln. 1999. -Pound, Arthur. Johnson of the Mohawks. The Macmillan Company: New York. 1930. (hardcover) -Schorer, C.E. (ed.) Indian Tales of C.C. Trowbridge. Green Oak Press: Brighton, Michigan. 1986. (hardcover) -Sipe, C. Hale. The Indian Chiefs of Pennsylvania. Wennawoods Publishing: Lewisburg, Pennsylvania. 1995. (hardcover) -Tucker, Glenn. Tecumseh, Vision of Glory. The Bobbs-Merrill Company: Indianapolis. 1956. (hardcover) -Young, Calvin. Little Turtle: The Great Chief of the Miami Indian Nation. Windmill Publications: Mt. Vernon, Indiana. 1995. (hardcover) $75 - $100

444 [Northeast] Biographies of Tecumseh, Joseph Brant, and Frances Slocum lot of 6, includes: -Chalmers, Harvey and Ethel Brant Monture. Joseph Brant: Mohawk. Michigan State University Press: East Lansing. 1955. (hardcover) -Edmunds, R. David. The Shawnee Prophet. University of Nebraska Press: Lincoln. 1983. -Edmunds, R. David. Tecumseh and the Quest for Indian Leadership. Little Brown and Co.: Boston. 1984. (hardcover) -Oskison, John. Tecumseh and His Times. G.P. Putnam’s Sons: New York. 1938. (hard cover) -Rafert, Stewart. The Miami Indians of Indiana: A Persistent People 1654-1994. Indiana Historical Society. 1996. (hardcover) -Winger, Otho. The Lost Sister Among the Miamis. The Elgin Press: Elgin. 1936. (hardcover) $75 - $150

445 [Archaeology] Southeastern Prehistory lot of 8, includes: -Bonds, Jack (ed.) Art of the Ancient Caddo. Grove Hill Publishing: Leonard, Texas. 2006. (hardcover) -Brose, David, James Brown and David Penny. Ancient Art of the American Woodland Indians. Harry N. Abrams, Inc.: New York. 1985. (hardcover) -Bureau of Ethnology, Twelfth Annual Report. Washington, D.C. 1894. (hardcover) -Chapman, Carl. and Eleanor Chapman. Indians and Archaeology of Missouri. University of Missouri Press: Columbia. 1964. -Chapman, Carl. The Archaeology of Missouri, II. University of Missouri


Press: Columbia. 1980. -Parsons, Elsie Clews. Notes on the Caddo. American Anthropological Association: Menasha, Wisconsin. 1941. -Thomas, David. Exploring Ancient Native America: An Archaeological Guide. Macmillan: New York. 1994. (hardcover) -Westbrook, Kent. Legacy in Clay: Prehistoric Ceramic Art of Arkansas. Rose Publishing Co.: Little Rock. 1982. $200 - $250

446 [Southeast] Seminole History and Art lot of 4, includes: -Blackard, David. Patchwork and Palmettos: Seminole-Miccasukee Folk Art Since 1820. Fort Lauderdale Historical Society: 1990. -Laumer, Frank. Massacre: An Account of the Massacre of Major Francis L. Dade and his Men by the Seminole Indians. University of Florida Press: Gainesville. 1968. -Mahon, John. History of the Second Seminole War 1835-1842. University of Florida Press: Gainesville. 1985. -Wickman, Patricia. Osceola’s Legacy. University of Alabama Press: Tuscaloosa. 1991. $50 - $75

447 [Exploration] Early Westward Travel lot of 5, includes: -Chapman, William. Remember the Wind: A Prairie Memoir. J.B. Lippincott Company: Philadelphia. 1965. (hardcover) -Evans, Howard. The Natural History of the Long Expedition to the Rocky Mountains 1819-1820. Oxford University Press: New York. 1997. -Hanson, Joseph. The Conquest of the Missouri. Murry Hill Books, Inc. New York. 1946. (hardcover) -Jackson, Donald. Voyages of the Steamboat Yellowstone. Ticknor and Fields: New York. 1985. (hardcover) -Sandoz, Mari. The Beaver Men: Spearheads of Empire. University of Nebraska Press: Lincoln. 1978. $50 - $75

448 [History] Exploration and History lot of 9, includes: -Ambrose, Stephen, E. Undaunted Courage, Meriwether Lewis, Thomas Jefferson, and the Opening of the American West. Simon and Schuster: 1996. -Athearn, Robert. Forts of the Upper Missouri. Prentice-Hall, Inc. Englewood Cliffs, New Jersey. 1967. (hardcover) -Chardon, F.A. Chardon’s Journal at Fort Clark, 1834-1839. University of Nebraska Press: Lincoln. -DeVoto, Bernard. Across the Wide Missouri. Houghton Mifflin Company: Boston. 1975. -Ferris, Robert (ed.) Soldier and Brave: Historic Places Associated with Indian Affairs and the Indian Wars in the Trans-Mississippi West. United States Department of the Interior, National Park Service: Washington, D.C. 1971. (hardcover) -Humfreville, J. Lee. Twenty Years Among Our Hostile Indians. Hunter and Co., Publishers: New York. 1903. (hardcover) -Morris, Edmund. The Diaries of Edmund Montague Morris: Western Journeys 1907-1910. Royal Ontario Museum: Toronto. 1985. -Swan, Oliver (ed.) Frontier Days. Grosset and Dunlap: New York. 1928. (hardcover) -Wissler, Clark. Indians of the United States. Doubleday, Doran and Company: Garden City, New York. 1941. (hardcover) $150 - $250

449 [History] Nineteenth Century Accounts of the Frontier lot of 5, includes: -Danker, Donald (ed.) Man of the Plains: Recollections of Luther North, 1856-1882. University of Nebraska Press: Lincoln. 1961. -Heilbron, Bertha (ed.) With Pen and Pencil on the Frontier in 1851: The Diary and Sketches of Frank Blackwater Mayer. Minnesota Historical Society Press: St. Paul. 1986. -Horgan, Paul. Josiah Gregg and His Vision of the Early West. Farrar Straus Giroux: New York. 1972. (hardcover) -Horn, Tom. The Life of Tom Horn, Government Scout and Interpreter: Written by Himself. Triton Press: Provo, Utah. 1988. (Reprint of 1904 edition)

-Porter, Joseph. Paper Medicine Man: John Gregory Bourke and His American West. University of Oklahoma Press: Norman. 1986. $75 - $100

450 [Art] History and Art of the Wild West lot of 6, includes: -Ahlborn, Richard. Man Made Mobile, Early Saddles of Western North America. Smithsonian Institution Press: Washington, D.C. 1980. -Hogarth, Paul. Artists on Horseback: The Old West in Illustrated Journalism, 1857-1900. Watson-Guptill Publications: New York. 1972. (hardcover) -McCracken, Harold. The West of Buffalo Bill. Happy N. Abrams: New York. nd. (hardcover) -Moses, L.G. Wild West Shows and the Images of American Indians, 1883-1933. University of New Mexico Press: Albuquerque. 1996. (hardcover) -Shirley, Glenn. Pawnee Bill: A Biography of Major Gordon W. Lillie. University of Nebraska Press: Lincoln. 1958. -Vestal, Stanley. Kit Carson. Houghton Mifflin, Co.: Boston. 1928. (hardcover) $75 - $100

451 [History] Canadian West lot of 4, includes: -Giraud, Marcel. The Metis in the Canadian West (Volumes 1 and 2). University of Nebraska Press: Lincoln. 1986. (both hardcover) -Turner, John Porter. The North-West Mounted Police (Volumes 1 and 2). Edmond Cloutier: Ottawa. 1950. $200 - $300

452 [History] Autobiographies of Sitting Bull, Little Crow, and Crazy Horse lot of 6, includes: -Anderson, Gary. Little Crow: Spokesman for the Sioux. Minnesota Historical Society Press: St. Paul. 1986. -Bray, Kingsley. Crazy Horse: A Lakota Life. University of Oklahoma Press: Norman. 2006. (hardcover) -Cooke, David. Fighting Indians of the West. Dodd, Mead and Company: New York. 1954. (hardcover) -Jones, Douglas. Arrest Sitting Bull. Charles Scribner’s Sons: New York. 1977. (hardcover) -Pollack, Eileen. Woman Walking Ahead: In Search of Catherine Weldon and Sitting Bull. University of New Mexico Press: Albuquerque. 2002. (hardcover) -Vestal, Stanley. Sitting Bull: Champion of the Sioux. University of Oklahoma Press: Norman. 1969. (hardcover) $50 - $75

453 [History] Indian Wars lot of 8, includes: -Allen, Charles W. and Richard Jensen (eds.) From Fort Laramie to Wounded Knee. University of Nebraska Press: Lincoln. 1997. (hardcover) -Connell, Evan. Son of the Morning Star. North Point Press: San Francisco. 1984. (hardcover) -Dixon, Joseph K. The Vanishing Race: The Last Great Indian Council, Gen. Custer’s Indian Scouts’ Account of the Battle of the Little Big Horn. The Rio Grande Press: Glorieta. 1973. (hardcover) -Frink, Maurice. Photographer on an Army Mule. University of Oklahoma Press: Norman. 1989. -Graham, Colonel W.A. The Story of the Little Big Horn. Military Service Publishing Co.: Harrisburg. 1952. -Graham, Colonel W.A. The Custer Myth. Bonanza Books: New York. 1953. -Tolman, Newton. The Search for General Miles. G.P. Putnam’s Sons: New York. 1968. (hardcover) -Upton, Richard (ed.) The Indian As a Soldier at Fort Custer, Montana. Upton and Sons: El Segundo, California. 1983. (hardcover) $100 - $150

454 [History] Navajo History lot of 4, includes: -Aasend, Nathan. Navajo Code Talkers. Walker and Company: New York. 1992. (hardcover) -Bailey, Lynn. If You Take My Sheep. Westernlore Publications: Pasadena. 1980. (hardcover) -Luckert, Karl W. The Navajo Hunter Tradition. University of Arizona Press:


Tucson. 1981. -Underhill, Ruth. Here Come the Navaho. United States Department of the Interior, Bureau of Indian Affairs. 1953. $40 - $60

455 [Southwest Art] Pueblo Painters lot of 6, includes: -Broder, Patricia Janis. Hopi Painting: The World of the Hopis. The Brandywine Press: New York. 1979. (hardcover) -Brody, J.J. Pueblo Indian Painting Tradition and Modernism in New Mexico: 1900-1930. School of American Research Press: Santa Fe. 1997. -Denver Art Museum. Picturesque Images from Taos and Santa Fe. Denver Art Museum: Denver. 1974. -Fawcett, David and Lee Callander. Native American Painting: Selections from the Museum of the American Indian. Museum of the American Indian: New York. 1982. -Seymore, Tryntje Van Ness. When the Rainbow Touches Down: The Artists and Stories Behind the Apache, Navajo, Rio Grande Pueblo, and Hopi Paintings in the William and Leslie Van Ness Denman Collection. The Heard Museum: Phoenix. 1988. -Snodgrass, Jeanne. American Indian Painters: A Biographical Directory. Museum of the American Indian, Heye Foundation: New York.$75 - $100

456 [Southwest Art] Native Artists lot of 3, includes: -Bernstein, Bruce and W. Jackson Rushing. Modern By Tradition: American Indian Painting in the Studio Style. Museum of New Mexico Press: Santa Fe. 1995. (hardcover) -Hibben, Frank. Kiva Art of the Anasazi at Pottery Mound. KC Publications: Las Vegas. 1975. (hardcover) -Oklahoma Museum of Art. 100 Years of Native American Painting. Oklahoma Museum of Art: Oklahoma City. 1978.$50 - $75

457 [Literature] Scott Momaday and Ray Young Bear From the Library of Richard Pohrt Jr. lot of 4, includes: -Momaday, N. Scott. The Names. Harper and Row: New York. 1976. -Momaday, N. Scott. The Man Made of Worlds. St. Martin’s Press: New York. 1997. (hardcover) -Woodland, Charles. Ancestral Voice: Conversations with N. Scott Momaday. University of Nebraska Press: Lincoln. 1989. (hardcover) -Young Bear, Ray. Remnants of the First Earth. Grove Press: New York. 1996. (hardcover) $50 - $75

458 [Art] Artists of Taos and Santa Fe lot of 5, includes: -D’Emilio, Sandrea and Suzan Campbell. Visions and Visionaries: The Art and Artists of the Santa Fe Railway. Peregrine Smith Books: Salt Lake City. 1991. (hardcover) -Eldredge, Charles, Julie Schimmel and William Truettner. Art in New Mexico, 1900-1945: Paths to Taos and Santa Fe. Abberville Press Publishers: New York. 1986. (hardcover) -Karolevitz, Robert. Where Your Heart Is: The Story of Harvey Dunn, Artist. North Plains Press: Aberdeen. 1970. (hardcover) -Schimmel, Julie and Robert White. Bert Geer Phillips and the Taos Art Colony. University of New Mexico Press: Albuquerque. 1994. -Woloshuk, Nicholas. E. Irving Couse 1866-1936. Santa Fe Village Art Museum: Santa Fe. 1976. (signed by author, limited hardcover edition 583/3000

$75 - $150

459 [Art] Cowboy Artists lot of 5, includes: -Broder, Patricia Janis. Great Paintings of the Old American West. Abberville Press: New York. 1979. (hardcover) -McCracken, Harold. Frederic Remington: Artist of the Old West. J.B. Lippincott Company: Philadelphia. 1947. (hardcover) -Reed, Walt. Harold Von Schmidt Draws and Paints the Old West. Northland Press: Flagstaff. 1972. (hardcover) -Rossi, Paul and David Hunt. The Art of the Old West: From the Collection of the Gilcrease Institute. Alfred A. Knopf, Inc. New York: 1971. (hardcover)

-Peterson, Larry Len. The Call of the Mountains: The Artists of Glacier National Park. Settlers West Gallery: Tucson. 2002. (hardcover)$150 - $200

460 [Art] Charles M. Russell lot of 7, includes: -Charles M. Russell Collection of Karl Yost. R.M. Weatherford Inc.: Southworth, Washington. 1988. -Dippie, Brian. “Paper Talk”: Charlie Russell’s American West. Alfred A. Knopf: New York. 1979. (hardcover) -McCracken, Harold. The Charles M. Russell Book. Doubleday and Company: Garden City, New York. 1957. (hardcover) -Renner, Frederic. Charles M. Russell: Paintings, Drawings, and Sculpture in the Amon G. Carter Collection. University of Texas Press: Auston. 1966. (hardcover) -Russell, Austin. C.M.R. Charles M. Russell: Cowboy Artist. Twayne Publishers: New York. 1957. (hardcover) -Russell, Charles. Good Medicine: Memoirs of the Real West. Garden City Publishing Co.: Garden City, New York. 1930. (hardcover) -Russell, Charles M. Trails Plowed Under. Doubleday, Doran and Company: New York. 1938. (hardcover)$75 - $100

461 [Art] George Catlin lot of 4, includes: -Hassrick, Royal. The George Catlin Book of American Indians. Promontory Press: New York. 1981. (hardcover) -McCracken, Harold. George Catlin and the Old Frontier. The Dial Press: New York. 1959. (hardcover) -Mooney, Michael M. (ed.) George Catlin: Letters and Notes on the North American Indians. Clarkson N. Potter, Inc.: New York. 1975. (hardcover) -Truettner, William. The Natural Man Observed: A Study of Catlin’s Indian Gallery. Smithsonian Institution Press: Washington, D.C. 1979. (hardcover) $100 - $150

462 [Art] Early Illustrators of Native America lot of 7, includes: -Collier, John. Patterns and Ceremonials of the Indians of the Southwest. E.P. Dutton and Co. 1949. (hardcover, signed by author, edition 128/1475). -Ewers, John C. Views of a Vanishing Frontier. Center for Western Studies, Joslyn Art Museum: Omaha. 1984. (hardcover) -Goetzmann, William, David Hunt, Marsha Gallagher, and William Orr. Karl Bodmer’s America. Joslyn Art Museum and University of Nebraska Press: Lincoln. 1984. (hardcover) -Horan, James. The McKenney-Hall Portrait Gallery of American Indians. Crown Publishers: New York. 1972. (hardcover) -Josephy, Alvin. The Artist Was a Young Man: The Life Story of Peter Rindisbacher. Amon Carter Museum: Fort Worth. 1970. (hardcover) -Thomas, Davis and Karin Ronnefeldt. People of the First Man: Life Among the Plains Indians in Their Final Days of Glory. E.P. Dutton Co.: New York. 1976. (hardcover) -Viola, Herman. The Indian Legacy of Charles Bird King. Smithsonian Institution Press and Doubleday and Company. 1976. (hardcover) $200 - $250

463 [Art] Early Portrayals and Accounts of the American Indian lot of 4, includes: -Boehme, Sarah, Christian Feest, and Patricia Johnston. Seth Eastman: A Portfolio of North American Indians. Afton Historical Society Press: Afton, Minnesota. 1995. (hardcover) -Donnelly, Joseph. Wilderness Kingdom, Indian Life in the Rocky Mountains: 1840-1847. The Journals and Paintings of Nicolas Point, S.J. Holt Rinehart and Winston: New York. 1967. (hardcover) -Harper, J. Russell. Paul Kane’s Frontier. University of Texas Press: Austin. 1971. (hardcover) -White, Leslie A. (ed.) Lewis Henry Morgan: The Indian Journals. 1859-62. University of Michigan Press: Ann Arbor. 1959. (hardcover) $200 - $250

464 [Art] Photography lot of 3, includes: -Horan, James. Timothy O’Sullivan: America’s Forgotten Photographer. Bonanza Books: New York. 1966.


-Kilgo, Dolores. Likeness and Landscape: Thomas M. Easterly and the Art of the Daguerreotype. Missouri Historical Society Press: St. Louis. 1994. -Stephen, Trimble. The People: Indians of the American Southwest. SAR Press: Santa Fe. 1993. $50 - $75

465 [Photography] Photographers of the West lot of 7, includes: -Andrews, Ralph. Indians as the Westerners Saw Them. Bonanza Books: New York. 1963. (hardcover) -Bierhorst, John (ed.). The Girl Who Married a Ghost: And Other Tales from the North American Indian. Four Winds Press: New York. 1978. (hardcover) -Gidley, Mick. The Vanishing Race: Selections from Edward S. Curtis’ “The North American Indian”. Taplinger Publishing Co.: New York. 1977. (hardcover) -Jackson, Clarence. Picture Maker of the Old West: William H. Jackson. Scharles Scribnew›s Sons: New York. 1947. (hardcover) -Long, Paul. Big Eyes: The Southwestern Photographs of Simeon Schwemberger, 1902-1908. University of New Mexico Press: Albuquerque. 1992. (hardcover) -Mahood, Ruth (ed.). Photographer of the Southwest: Adam Clark Vroman, 1856-1916. The Ward Ritchie Press: 1961. -Northern, Tamara. To Image and To See: Crow Photographs by Edward S. Curtis and Richard Throssel, 1905-1910. Hood Museum, Dartmouth College: Hanover. 1993.$100 - $150

466 [Photography] Photography of Native Americans lot of 7, includes: -Doll, Don and John Alinder. Crying for a Vision: A Rosebud Sioux Trilogy, 1886-1976. Morgan and Morgan” Dobbs Ferry, New York. 1976. -Goetzmann, William. The First Americans: Photographs from the Library of Congress. Starwood Publishing, Inc. Washington, D.C. 1991. (hardcover) -Miller, David and Joe Hays. In Citizen’s Garb: The Lenny and Sawyers Images of Native Americans on the Southern Plains, 1889-1891. Museum of the Great Plains: Lawton. nd. -Oregon Historical Society. Union Guide to Photograph Collections in the Pacific Northwest. Oregon Historical Society: Portland. 1978. -Penny, David, Lisa Roberts, and Nancy Barr. Images of Identity: American Indians in Photographs. The Detroit Institute of Arts: Detroit. 1994. -Silversides, Brock. The Face Pullers: Photographic Native Canadians 1871-1939. Fifth House Publishers, Saskatoon, Saskatchewan. 1994. (hardcover) -Shields, Kenneth. Images of America: Fort Peck Indian Reservation, Montana. Arcadia Publishing: Charleston. 1998.$100 - $150

467 [Photography] Photographers of the West lot of 6, includes: -Brown, Mark H. and W.R. Felton. The Frontier Years. Henry Holt and Co.: New York. 1955. (hardcover) -Brown, Mark H. and W.R. Felton. Before Barbed Wire. Henry Holt and Co.: New York. 1956. (hardcover) -Horan, James D. Mathew Brady: Historian with a Camera. Bonanza Books: New York. 1955. (hardcover) -Phillips, David (ed.). The Taming of West: A Photographic Perspective. Henry Regnery Co.: Chicago. 1973. (hardcover) -Phillips, David (ed.). The West: An American Experience. Henry Regnery Co. 1973. (hardcover) -Tilden, Freeman. Following the Frontier with F. Jay Haynes. Alfred A. Knopf: New York. 1964. (hardcover)$200 - $300

468 [Photography] Photography of Native Americans lot of 4, includes: -Robotham, Tom. Native Americans in Early Photographs. Thunder Bay Press: San Diego. 1994. (hardcover) -Smithsonian Institution. Native American Voices: Photographs from the Permanent Collection of the National Museum of the American Indian Smithsonian Institution. Smithsonian Institution: Washington, D.C. 1998. (Limited edition number 314 of 800, hardcover) -Smithsonian Institution. Native American Lives: Photographs from the

Permanent Collection of the National Museum of the American Indian Smithsonian Institution. Smithsonian Institution: Washington, D.C. 1994. (Limited edition number 1380 of 1500, hardcover) -Smithsonian Institution. Native American Images: Photographs from the Permanent Collection of the National Museum of the American Indian Smithsonian Institution. Smithsonian Institution: Washington, D.C. 1992.$75 - $100

469 [General] Museum Exhibitions lot of 7, includes: -Coe, Ralph T. Sacred Circles: Two Thousand Years of North American Indian Art. Nelson Gallery of Art - Atkins Museum of Fine Arts: Kansas City. 1976. -Conn, Richard. Robes of White Shell and Sunrise. Denver Art Museum. 1974. -Conn, Richard. Circles of the World: Traditional Art of the Plains Indians. Denver Art Museum. 1982. -Conn, Richard. A Persistent Vision. Denver Art Museum. 1986 -Ewers, John. Plains Indian Sculpture. Smithsonian Institution Press.: Washington: D.C. 1986. -Koeninger, Kay and Joanne Mack. Native American Art from the Permanent Collection. Trustees of Pomona College: Claremont, California. 1979. -Walker Art Center and Minneapolis Institute of Arts. American Indian Art: Form and Tradition. 1972. $100 - $150

470 [General] Museum Exhibitions and Collections lot of 9, includes: -Batkin, Jonathan (ed.) Splendid Heritage: Masterpieces of Native American Art from the Masco Collection. Wheelwright Museum of American Indian Art: Santa Fe. 1995. -Green, Richard. A Warrior I have Been: Plains Indian Culture in Transition. Richard Green and Written Heritage: Folsom, Louisiana. 2004. -Hail, Barbara. Patterns of Lift, Patterns of Art: The Rahr Collection of Native American Art. University Press of New England: Hanover, New Hampshire. 1987. -Howell, Darrel. Reflections: The Darrel S. Howell Collection. Bradley Printing: Stockton, California. 1995. -Markoe, Glenn E. Vestiges of a Proud Nation. University of Vermont. 1986. -Painter, John. A Window on the Past, Volume I. Cincinnati Art Museum. 2002. -Painter, John. A Window on the Past, Volume Two. Berman Printing Co. Cincinnati. 2003. (hardcover) -Wardwell, Allen (ed.) Native Paths: American Indian Art from the Collection of Charles and Valerie Diker. The Metropolitan Museum of Art: New York. 1998. -Weaver, Bobby. First Artistic Traditions: The Native American Collection of the South Museum of Art. Nelda C. and H.J. Lutcher Stark Foundation: Orange, Texas. 1990. $150 - $200

471 [General] Museum Exhibitions and Collections lot of 7, includes: -Acevedo, Alexander. Akicita: Early Plains and Woodlands Indian Art from the Collection of Alexander Acevedo. The Southwest Museum: Los Angeles. 1983. -Casagrande, Louis and Melissa Ringheim. Straight Tongue: Minnesota Indian Art from the Bishop Whipple Collection. The Science Museum of Minnesota. 1980. -Mercer, Bill. Lena Taku Waste: These Good Things: Selections from the Elizabeth Cole Butler Collection of Native American Art. Portland Art Museum: Portland. 1997. -Peterson, Harold (ed.) I Wear the Morning Star. Minneapolis Institute of Arts. 1976. -Porsche, Audrey. Yuto ‘keca: Transitions - The Burdick Collection. State Historical Society of North Dakota: Bismark. 1987. -Wardwell, Allen. Of Pride and Spirit: North American Indian Art from a Private Collection in Hawaii. Honolulu Academy of Arts. 1981. -Walton, Ann, John Ewers, and Royal Hassrick. After the Buffalo Were Gone: The Louis Warren Hill, Sr. Collection of Indian Art. Northwest Area Foundation: ST. Paul. 1985. $75 - $150


472 [General] Museum Exhibitions and Collections lot of 6, includes: -Coe, Ralph T. The Responsive Eye: Ralph T. Coe and the Collecting of American Indian Art. Yale University Press: New Haven. 2003. (hardcover) -Fane, Diana, Ira Jacknis and Lise Breen. Objects of Myth and Memory American Indian Art at the Brooklyn Museum. University of Washington Press: Seattle. 1991. (hardcover) -Grimes, John, Christian Feest, Mary Lou Curran. Uncommon Legacies: Native American Art from the Peabody Essex Museum. University of Washington Press: Seattle. 2002. (hardcover) -Struckland, Rennard. Native American Art at Philbrook. Philbrook Art Center, Tulsa. 1980. -Vincent, Gilbert. Masterpieces of American Indian Art: From the Eugene and Clare Thaw Collection. Harry N. Abrams, Inc. New York. 1995. -Wade, Edwin (ed.) The Arts of the North American Indian: Native Traditions in Evolution. Hudson Hills Press: New York. 1986.$150 - $200

473 [General] Museum Exhibitions and Collections lot of 6, includes: -Baer, Joshua. Twelve Classics. Joshua Baer and Company: Santa Fe. 1989. (hardcover) -Handon, James Spirits in the Art: From the Plains and Southwest Indian Cultures. The Lowell Press: Kansas City. 1994. (hardcover, signed by author) -Wade, Edwin. America’s Great Lost Expedition: The Thomas Keam Collection of Hopi Pottery from the Second Hemenway Expedition, 1890-1894. The Heard Museum. Phoenix. 1980. -Washburn, Dorothy K. The Elkus Collection. California Academy of Sciences and University of Washington Press: Seattle. 1984. -Wheat, Joe Ben. The North American Indian Collection of the Lowe Art Museum. Lowe Art Museum, University of Miami: Coral Gables. 1988. -Wright, Barton. Pueblo Shields. Northland Press: Flagstaff. 1976. $75 - $100

474 [General] American Indian Art and Culture lot of 4, includes: -Penney, David and George Longfish. Native American Art. Hugh Lauter Levin Associates, Inc. 1994. (hardcover) -Penney, David. L’Art des Indiens d’Amerique du Nord. Hugh Lauter Levin Associates, Inc. 1994. (hardcover) -Penney, David. Native Arts of North America. Pierre Terrail Editions: Paris. 1998. -Penny, David W. Native Arts of North America. Pierre Terrail Editions: Paris. 2003. $75 - $100

475 [Foreign] German and Dutch Native North America lot of 8, includes: -de Bruyn, Wolfgang and Helmut Peterson. Indianische Zeltbemalung. Prisma-Verlog: Leipzig 1990. -Hartmann, Horst. Die Plains und Prarieindianer Nordamerikas. Museum fur Volkerkunde: Berlin. 1973. -Indianen. Rijksmuseum voor Volkenkunde. Leiden: Holland. 1998. -Indianer Nordamerikas. Katalog de Deutsches Ledermuseum:1974. -Indianer und Europaer. Bernisches Historisches Museum: Bern, Switzerland. 2004. -Petri, Dr. Hans-Hermann. Der Schild der Indianer. Hamburg: 1938. -Speyer, Arthur. Indianer Nordamerikas 1760-1860. 1968. (hardcover) -Waldland-Indianer und Bisonjager Nord-Amerikas. Berlin:1976.$200 - $300

476 [Collections] Art of the American Indian Frontier: The Chandler-Pohrt Collection -Penney, David. Art of the American Indian Frontier: The Chandler-Pohrt Collection. University of Washington Press: Seattle. 1992. (hardcover) $10 - $20

477 [General] American Indian Art and Culture lot of 12, includes: -Ashton, Robert. Jozefa Stuart. Images of American Indian Art. Walker and Company: New York. 1977. -Boehme, Sarah, Gerald Conaty, et al. Powerful Images: Portrayals of Native America. University of Washington Press: Seattle. 1998.

-Coe, Ralph T. Lost and Found Traditions: Native American Art 1965-1985. University of Washington Press: Seattle. 1986. -Feest, Christian. Studies in American Indian Art: A Memorial Tribute to Norman Feder. University of Washington Press: Seattle. 2001. -Johnson, Harmer. Guide to the Arts of the Americas. Rizzoli International Publications: New York. 1992. (hardcover) -Maurer, Evan. The Native American Heritage. The Art Institute of Chicago. 1977. (hardcover) -Miles. Charles. Indian and Eskimo Artifacts of North America. Bonanza Books: New York. 1963. -Norman, Feder. Two Hundred Years of North American Indian Art. Braeger Publishers: New York. 1971. -Penney, David. Native American Art Masterpieces. Hugh Lauter Levin Associates, Inc. 1996. (hardcover) -Roosevelt, Anna and James Smith (eds.) The Ancestors: Native Artisans of the Americas. Museum of the American Indian: New York. 1979. -Wade, Edwin L., Carol Haralson, and Rennard Strickland. As In a Vision: Masterworks of American Indian Art. University of Oklahoma Press: Norman. 1983. -Walker Bryce (ed.) Through Indian Eyes. The Reader’s Digest Association. Pleasantville. 1995. (hardcover)$200 - $250

478 [General] Feder’s American Indian Art -Feder, Norman. American Indian Art. Harry N. Abrams, Inc.: New York. 1965. (hardcover). $50 - $75

479 [General] Myths and Lore lot of 5, includes: -Kittredge, William and Annick Smith (eds). The Last Best Place: A Montana Anthology. Montana Historical Society Press: 1988. (hardcover) -Linderman, Frank. Old Man Coyote. The Junior Literary Guild: New York. 1932. (hardcover) -Opler, Morris Edward. Myths and Tales of the Jicarilla Apache Indians. University of Nebraska Press: Lincoln. 1994. (Reprint of the 1938 edition published by the American Folk-Lore Society) -Radin, Paul. The Trickster: A Study in American Indian Mythology. Philosophical Library: New York. 1956. (hardcover). -Wherry, Joseph. Indian Masks and Myths of the West. Bonanza Books: New York. 1969. (hardcover) $50 - $75

480 [Music] Frances Densmore Monographs lot of 7, includes: -Chippewa Music, Vol. I. Smithsonian Institution: Bureau of American Ethnology, Bulletin 45. Washington DC. 1910. -Chippewa Music, Vol. II. Smithsonian Institution: Bureau of American Ethnology, Bulletin 53. Washington DC. 1913. -Mandan and Hidatsa Music. Smithsonian Institution: Bureau of American Ethnology, Bulletin 80. Washington DC. 1923. -Music of Santo Domingo Pueblo, New Mexico. Southwest Museum: Los Angeles. 1938. -Seminole Music. Smithsonian Institution: Bureau of American Ethnology, Bulletin 161. Washington DC. 1956. -Music of Acoma, Isleta, Cochiti and Zuni Pueblos. Smithsonian Institution: Bureau of American Ethnology, Bulletin 165. Washington DC. 1957. -Cheyenne and Arapaho Music. Southwest Museum: Los Angeles. 1964. $50 - $75

481 [General] Native American Culture lot of 3, includes: -Davis, Christopher. North American Indian. Hamlyn Publishing Group: New York. 1969. (Intro by Marlin Brando, hardcover) -Scherer. Joanna. Indians: The Great Photographs that Reveal North American Indian Life, 1847-1929, from the Unique Collection of the Smithsonian Institution. Crown Publishers, Inc.: New York. 1973. (hardcover) -Sommer, Robin. North American Indian Women. J.G. Press: North Dalton, Mass. 1998. (hardcover)$50 - $75

482 [General] American Indian Art and Culture lot of 6, includes: -Bancroft-Hunt, Norman. North American Indians. Courage Books:


Philedelphia. 1992. (hardcover) -Brown, Steven. Sun Dogs and Eagle Down. University of Washington Press: Seattle. 2000. (hardcover) -Johnston, Ruth. The Buffalo Cookbook. Hancock House Publishers: Blaine, Washington. n.d. (hardcover) -Taylor, Colin. The Native Americans: The Indigenous People of North America. Smithmark Publishers: New York. 1991. (hardcover) -Taylor, Colin. North American Indians: A Pictorial History of the Indian Tribes of North America. Parragon: Bristol, Great Britain. 1997. (hardcover) -Taylor, Colin. The Native Americans. Salamander Books: London. 2003. (hardcover) $50 - $75

483 [General] American Indian Art and Culture lot of 6, includes: -Douglas, Frederic and Rene D’Harnoncourt. Indian Art of the United States. The Museum of Modern Art: New York. 1941. (hardcover) -Maxwell, James. America’s Fascinating Indian Heritage. The Reader’s Digest Association: Pleasantville, New York. 1978. (hardcover), -Parsons, Elsie Clews. American Indian Life. Bison Books, University of Nebraska Press: Lincoln. 1970. -Penny, David. North American Indian Art. Thames and Hudson: New York. 2004. (signed by author) -Phillips, Ruth. Trading Identities: The Souvenir in Native North American Art from the Northeast, 1700-1900. University of Washington Press, Seattle. 1998. -Whiteford, Andrew. North American Indian Arts. Golden Press: New York. 1970. (hardcover) $50 - $75

484 [General] Who’s Who in Indian Relics, Volumes 1-10 -Who’s Who in Indian Relics, Volumes 1-10. Privately Printed. (all hardcover) $300 - $400

485 [General] American Indian Art Magazine, Volumes 21-29 lot of 9, bound volumes of American Indian Art Magazine, 1995-2004, Volumes 21-29.$100 - $150

486 [General] American Indian Art Magazine, 36 Issues lot of 36 issues of American Indian Art Magazine spanning from from 1978-2005. $100 - $150

487 [Genera] Collection of Early Hobbyist Magazines lot of 81, includes: -11 issues of The American Indian Hobbyist. 1958-1961. - 3 issues of American Indian Tradition. 1961-1962. -20 issues of American Indian Arts and Crafts. 1971-1974. -47 issues of Moccasin Tracks. 1980-1987.$400 - $600

488 [General] Early Southwest Tourist Publications lot of 5, includes: -Crest and Chasm of the Continent. n.d. -The Grand Canyon of Arizona. Kolb Brothers: Grand Canyon, Arizona. n.d. -Heart of the Rockies in Colorado. The Williamson-Hoffner Company: Denver. n.d. -The Great Southwest Along the Santa Fe. Fred Harvey: Kansas City, Missouri. 1914. -Huckel, J.F. (ed.) American Indians: First Families of the Southwest. Fred Harvey: Kansas City, Missouri. 1920. $150 - $250

489 [Ethnology] The Indian Tribes of North America -Swanton, John R. The Indian Tribes of North America. Bureau of American Ethnology, Bulletin 145. Smithsonian Institution: Washington D.C. 1952. (hardcover) $75 - $100

490 [Ethnology] Handbook of American Indians North of Mexico, Parts 1 and 2 -Hodge, Frederick Webb. Handbook of American Indians North of Mexico,

Parts 1 and 2. Bureau of American Ethnology Bulletin 30. Smithsonian Institution: Washington, D.C. 1907. (both hardcover) $100 - $150

491 [Ethnology] Indian Notes and Monographs, 1924-1930 lot of 11, Indian Notes. Museum of the American Indian, Heye Foundation: New York. Volume 1, Number 3 (July 1924); Volume 4, Number 1 (January 1927); Volume 4, Number 2 (April 1927); Volume 5, Number 1 (January 1928); Volume 5, Number 3 (July 1928); Volume 5, Number 4 (October 1928); Volume 6, Number 1 (January 1929); Volume 6, Number 2 (April 1929); Volume 6, Number 3 (July 1929); Volume 6, Number 4 (October 1929); Volume 7, Number 3 (July 1930)$150 - $250

492 [Ethnology] Accounts of the Cheyenne by Father Peter J. Powell both in hardcover and slipcases: -Powell, Father Peter John. Sweet Medicine: The Continuing Role of the Sacred Arrows, the Sun Dance, and the Scared Buffalo Hat in Northern Cheyenne History. Vols. I and II. University of Oklahoma Press: Norman. 1979. -Powell, Father Peter John. People of the Sacred Mountain. Vols I and II. Harper & Row: New York. 1981.$200 - $300

493 [Ethnology] Changing Native Culture (19th-20th century lot of 8, includes: -Bordewich, Fergus. Killing the White Man’s Indian. Doubleday: New York. 1996. (hardcover) -Holder, Preston. The Hoe and the Horse on the Plains. University of Nebraska Press: Lincoln. 1970. (hardcover) -James, George Wharton. The Indian’s Secrets of Health. The Radiant Life Press: Pasadena. 1917. -Kneale, A.H. Indian Agent. The Caxton Printers, Ltd.: Caldwell, Idaho. 1950. -Martien, Jerry. Shell Game: A True Account of Beads and Money in North America. Mercury House: San Francisco. 1996. -Short, John. The North Americans of Antiquity. Harper Brothers Publishers: New York. 1880. (hardcover) -Treuer, David. Rez Life: An Indian’s Journey Through Reservation Life. Grove Press: New York. 2012. -Viola, Herman. Diplomats in Buckskins: A History of Indian Delegations in Washington City. Rivilo Books: Bluffton. 1995. $100 - $150

494 [Philosophy] Collecting and Ethics lot of 7, includes: -DeVallance, Brian (ed.). Arizona State Law Journal: The Native American Graves Protection and Repatriation Act of 1990 and State Repatriation-Related Legislation. Vol. 24. (No. 1). Arizona Law Journal: Tempe. 1992. -Greenfield, Jeanette. The Return of Cultural Treasures. Cambridge University Press: Cambridge. 1989. (hardcover) -Horse Capture, George and Suzanne Tyler (eds.). Artifacts/Artifakes: The Proceedings of the 1984 Plains Indian Seminar. The Buffalo Bill Historical Center: Cody. 1992. -Karp, Ivan and Steven Lavine (eds.). Exhibiting Cultures: The Poetics and Politics of Museum Display. Smithsonian Institution Press: Washington, D.C. 1991. -Krech, Shepard and Barbara Hail. Collecting Native America: 1870-1960. Smithsonian Institution Press: Washington, D.C. 1999. (hardcover) -Messenger. Phyllis M. (ed.). The Ethics of Collecting Cultural Property. University of New Mexico Press: Albuquerque. 1989. (hardcover) -Reno, Dawn. Native American Collectibles. Avon Books: New York. 1994.$100 - $150

Historic Firearms and Early MilitariaLive Salesroom Auction April 30 - May 1, 2014 10:00 am EST

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First Model Henry RifleTo be offered April 2014

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By registering and bidding in an auction conducted by Cowan’s Auctions, Inc. (“Cowan’s”), bidders (whether present in person, by telephone, by agent, by written or telephone absentee bid instruction, or through a live internet connection) agree to be bound by these terms. These are the complete and only terms and conditions on which all property is offered for sale. Cowan’s retains the right to bar any bidder from participating in any auction and to exclude or reject any bid.1) REGISTRATION. All bidders must register their name, permanent street address (no P.O. Boxes), and telephone number prior to the auction. Unless known to Cowan’s, all registrants are required to present two forms of identification, at least one of which must include a current photograph. Bidders may be required to present a valid Visa or MasterCard. By registering with Cowan’s or submitting an absentee bid form, an individual registrant authorizes Cowan’s to obtain a copy of his or her consumer credit report and authorizes Cowan’s, at its sole discretion, to use the information contained therein to make business decisions regarding the registrant’s participation in the bidding process.2) ACCEPTANCE OF TERMS. Bidding on any item, whether in person, by phone, by absentee bid or via a live internet auction indicates the bidder’s agreement to be bound by these Terms and Conditions for Bidders. Any right of bidder under this agreement shall not be assignable and shall only be enforceable by the original buyer. The rights and obligations of the parties shall be governed by the laws of the state of Ohio. All bidders submit to the personal jurisdiction of the state and federal courts in Ohio.3) TERMS OF SALE. Announcements made the day of auction take precedence over any previous communication. The auctioneer reserves the right to withdraw any lot at any time before its final sale and to reject any bid for any reason. The highest bidder for each lot acknowledged by the auctioneer shall be the “buyer”. If any dispute arises as to any bidding, or between two or more bidders, at the sole discretion of the auctioneer, the successful bidder will be determined or the disputed lot shall be put up again at the last undisputed bid and resold.4) BUYER’S PREMIUM. (a) Buyer’s Premium for “Antique and Modern Firearms” auctions; the Auctioneer will collect and retain from the Buyer, as additional commission, a premium equal to 15% the Sale Price of each Lot up to and including $200,000, plus 10% of the amount by which the Sale Price exceeds $200,000. (b) Buyer’s Premium for “American History” and “World at War” auctions; the Auctioneer will collect and retain from the Buyer, as additional commission, a premium equal to 17 ½% of the Sale Price of each Lot up to and including $200,000, plus 12 ½% of the amount by which the Sale Price exceeds $200,000. (c) Buyer’s Premium for “Fine and Decorative Art”, “Modern Ceramics”, “American Indian and Western Art” , “Fine Jewelry and Timepieces” and any other specialized auctions; the Auctioneer will collect and retain from the Buyer, as additional commission, a premium equal to 20% the Sale Price of each Lot up to and including $200,000, plus 15% of the amount by which the Sale Price exceeds $200,000. (d) Buyer’s Premium for online, timed and other third-party bidding platforms may vary. 5) ESTIMATES AND RESERVES. Presale estimates are intended to be guides and may or may not reflect the ultimate hammer price of a lot. Cowan’s retains the right to change estimates on any lot up to time of sale. A reserve is a confidential minimum price agreed upon by the seller of the lot and Cowan’s. In the case of reserved lots, the seller has authorized Cowan’s to bid on seller’s behalf until the reserve price is reached. In no case will the reserve be higher than the low presale estimate. Cowan’s standard house reserve on all property at auction is one-half of the low estimate.6) WARRANTIES AND DISCLAIMERS. Cowan’s makes a limited warranty only to the original buyer of record concerning the authenticity of each lot for a period of 14 days after bidder’s receipt of the purchased lot. If a buyer is not satisfied that the lot purchased is genuine, the buyer may, at his or her own expense, obtain the opinion of two mutually agreed upon recognized experts in the field of the disputed lot. If these experts determine that the item is not genuine, the buyer’s sole and exclusive remedy shall be the rescission of the sale and refund of the amount paid for the item. It is specifically understood and agreed that the rescission of the sale and refund is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law or in equity, and such remedy is conditioned upon the buyer returning the property in the same condition as at the time of sale. Cowan’s shall not be liable for any incidental or consequential damages. All sales are final, with no returns or refunds except as provided in this limited warranty.Except as provided in the immediately proceeding paragraph, EVERY LOT IS SOLD “AS IS”, without any representations or warranties by Cowan’s or the seller as to merchantability, fitness for a particular purpose, condition or value of the property, or the correctness or completeness of the catalogue or other description of the property, and no statement, whether written or oral, shall be deemed such a representation, warranty or assumption of liability. Cowan’s makes no representation or warranty that the buyer of manuscript material, photographs, prints or works of art will acquire any copyright or reproduction rights. Cowan’s does not guarantee the working order of any clock, watch, electronic or mechanical device. Dimensions given in the catalogue descriptions may be approximate.7) DEFINITIONS OF AUTHORSHIP.“By” or “Maker/Artist” — in our opinion, the work is by the artist or maker stated “Attributed to” — in our opinion, the work is probably, but not definitely, by the artist or maker stated “Signed” or “Marked” — in our opinion, the signature or mark is that of the stated artist or maker “Bearing the signature (or mark) of” — in our opinion, the signature or mark is probably, but not definitely, that of the artist or maker stated “Circle of” — in our opinion, the work is of the period and by an artist or maker closely associated with the stated artist or maker “School of” — in our opinion, the work is by a pupil or follower of the stated artist or maker “Manner of” — in our opinion, the work is of the period and done in the style of the stated artist or maker “After” — in our opinion, the work is a copy of a work by the stated artist or maker8) INSPECTION. Except for On-Line Only Auctions, all lots are available for inspection prior to the auction. Condition reports for most items can be found online at Cowan’s website, www.cowans.com, and prospective bidders are encouraged to contact Cowan’s directly for additional information regarding the condition of any lot. Cowan’s does not warrant the condition of any item. Buyers interested in the condition of an item are encouraged to contact Cowan’s and, to the best of our ability, we will document for the prospective bidder the condition status on any lot. Condition is always a subjective evaluation and final responsibility rests with the buyer to assess the condition of any item sold by Cowan’s.ABSENTEE, TELEPHONE AND INTERNET BIDDINGAbsentee and telephone bidding is offered as a free service to our customers and prospective bidders. Cowan’s shall not be responsible for any errors or failures in executing bids, either absentee, telephone or via the internet.9) ABSENTEE BIDDING. Absentee bids are accepted via mail, fax, email and on Cowan’s website. Such bids will be posted with the time and date of arrival, with ties being awarded to the earliest bidder. Absentee bids that are faxed or emailed to Cowan’s need to be in the office at least 2 hours before the sale begins.An absentee bidder unknown to Cowan’s may be required to submit a bank letter of credit prior to the auction, or, using a credit card, deposit with Cowan’s a fee equaling 30% of the absentee bid.All absentee bids are executed competitively by a member of the auction staff. The auction staff will try to purchase the lot for the lowest price possible and will bid up to the amount designated by the absentee bidder only if necessary. Cowan’s does not accept “buy bids,” or absentee bids which have no limit. In the event of a tie bid between a floor and an absentee bidder, the floor bid will be honored.


10) TELEPHONE BIDDING. Bidding live via the telephone is available on a first come, first served basis for those lots with a low estimate of $500 or greater. In order for Cowan’s to efficiently serve the needs of those who wish to bid by phone, please note the following:• To participate in the auction by telephone, potential bidders must complete and sign the absentee bid form and check “I WISH TO BID BY TELEPHONE” for the designated lots. Potential bidders may also reserve a phone line on Cowan’s website. If faxing or emailing requests for phone bidding, they need to be in Cowan’s office 2 hours before the sale begins. Once the auction begins, requests left on Cowan’s website may not be retrieved by the staff.

• Telephone bidders are advised to indicate an “insurance bid”, which amount will become an absentee bid, pursuant to the absentee bidding process set forth above, if Cowan’s can not reach the bidder by telephone for a particular indicated lot.

• Telephone bidders must disable any caller ID or other call blocking mechanism.• Cowan’s sells about 100 lots per hour, so telephone bidders should plan accordingly. Cowan’s will attempt to reach each telephone bidder, but

Cowan’s is in no way responsible for missed calls.11) INTERNET BIDDING. Internet bidding is available through our website; additionally, Cowan’s may post certain auctions on Live Auctioneers (liveauctioneers.com) or Proxibid (proxibid.com). There may be terms which apply solely to internet bids that should be reviewed online at the time of sale. Cowan’s is not responsible for any failure to execute a bid and shall have no liability to any bidder for any technical or other failure associated with an internet auction.12) BIDDING INCREMENTS. The following increments are used at the auction. Absentee bids must fall within these increments. Cowan’s will automatically reduce any absentee bid to the closest increment if the bid falls outside the published range of increments.For Bids Falling Between Bidding Increment $0-500 $25 $501-1,000 $50 $1,001-3,000 $100 $3,001-5,000 $250 $5,001 and up $500 or at the discretion of the auctioneerCowan’s reserves the right to modify increments at any time during the auction.AFTER THE AUCTION13) BUYER’S RESPONSIBILITY. Upon the fall of the hammer, title to the offered lot shall pass to the buyer and the buyer immediately (a) assumes full risk and responsibility for the lot, including liability for loss or damage and (b) is liable for payment of the Purchase Price (as defined below) to Cowan’s. It is the buyer’s responsibility to ask specific questions on condition related concerns prior to the auction. Cowan’s will not rescind sales with buyers that have disputes regarding firearm’s bore condition.14) PURCHASE PRICE AND PAYMENT. The discounted “Purchase Price” for each lot shall equal the hammer price, buyer’s premium, sales tax and, if applicable, all packing, handling, insurance and shipping costs. Payment may be made with cash, personal or traveler’s check or credit card. Cowan’s reserves the right to hold a purchased lot until a check has cleared.A convenience fee of $15.00 will be assessed to all transactions made in the alternate payment channels: Phone payments are made available as a convenience outside Cowan’s Auctions customary payment channels, therefore these payments are qualified as payments made in the alternative payment channel. All forms of payment made using this method will be assessed the convenience fee. Please call Cowan’s Auctions if you have any questions regarding this policy.PLEASE NOTE: A surcharge of 2% will be assessed to all credit card transactions. This surcharge is not greater than our cost of acceptance.Buyers who are present at the auction must pay the full Purchase Price at the time of the sale. Buyers who bid by telephone or who are absentee bidders will be invoiced within 5 days after the close of the auction and must pay the full Purchase Price for each purchased lot within 14 days after the date of the auction. By signing the absentee bid form or placing a bid by telephone, an absentee bidder authorizes Cowan’s to charge the Purchase Price for each lot for which such bidder is the successful bidder to the credit card number provided by telephone or on the absentee bid form, unless payment in full or alternative payment instruction is received within 14 days after the date of the auction. No property will be released by Cowan’s unless the Purchase Price has been paid in full.Institutional billing may be available, and should be arranged prior to the auction.Cowan’s may impose late charges of 1.5% per month (or the highest interest rate allowed) on any amount owed to Cowan’s that remains unpaid after 30 days. Buyer shall be liable for any collection costs or attorney’s fees incurred by Cowan’s to collect payment, to the extent permitted by law.15) SALES TAX. Buyers are required to pay any applicable state and local sales tax.16) SHIPPING. At the request of the buyer, Cowan’s will authorize the shipment of purchased items usually within two weeks after payment has been received. Shipment is generally made via UPS or Fed-Ex Ground. Unless buyer gives special instructions, the shipping method shall be at the sole discretion Cowan’s Auctions. Cowan’s is in no way responsible for the acts or omissions of independent handlers, packers or shippers of purchased items or for any loss, damage or delay from the packing or shipping of any property.ADVICE TO INTERNATIONAL BUYERS. Cowan’s will not ship any package containing a firearm to any location other than within the United States. Buyers outside the United States must make their own shipping arrangements taking full risk for the transportation of any firearm.Property made of or containing certain plant or animal materials, such as coral, crocodile, ivory, whalebone, baleen, tortoiseshell, etc., may require a license or certificate before exportation from the United States and importation to another country. If you are purchasing items that contain these materials, you need to check the government wildlife import requirements in the countries from which and to which the item is being shipped prior to bidding. Since the export and import licenses are independently issued by the countries of origin and destination, obtaining one does not guarantee that you can obtain the other. Purchasers are responsible for making timely payments on items won at auction, even if a license is delayed or denied.17) SHIPPING CHARGES. Buyers are required to pay for all packing, shipping and insurance charges. Overseas duty charges are the responsibility of the successful bidder. Be aware that for larger and/or valuable items, shipping charges can be substantial.18) REMOVAL AND STORAGE OF PROPERTY. If purchased property has not been removed, or Cowan’s has not received shipping instructions within 21 days after the auction date, a $10 per item per day storage fee may be charged to the buyer.19) CANCELLATION OF SALE. If purchased property remains in the custody of Cowan’s for a period of 60 days following the auction, Cowan’s may, at its option, cancel the sale, retaining as liquidated damages any payments made by the buyer, or resell the property at auction or by any other commercially reasonable means, for the account and at the risk of the buyer, and in such event, buyer shall be liable for the payment of all deficiencies plus all of Cowan’s costs, including but not limited to storage and costs of both sales. This right of cancellation is in addition to any and all other remedies available to Cowan’s.Copyright © 2014 Cowan’s Auctions


I request that Cowan’s Auctions, Inc. (“Cowan’s”) (i) enter bids on the following lots up to the maximum price I have indicated for each lot in the “Absentee Bid” column; or (ii) reserve a telephone line for telephone bidding for the lots indicated. I request that if Cowan’s is unable to reach me for telephone bidding for a lot, that Cowan’s enter bids on such lot up to the maximum price indicated in the “Insurance Bid” column. I understand that Cowan’s will execute the absentee bids competitively on my behalf. I fur-ther understand that Cowan’s executes absentee bids and allows telephone bids as a convenience for customers and that Cowan’s is not responsible for failure to execute bids or for errors relating to the execution of my bids. I agree to be bound by the Terms and Conditions for Bidders printed in the auction catalog and listed on Cowan’s web site www.cowanauctions.com and I understand that I am responsible for determining the condition and authenticity of any lot, and that all items are sold AS IS with no returns or refunds. By submitting this Absentee Bid Form, I authorize Cowan’s to obtain a copy of my individual consumer credit report and authorize Cowan’s, at its sole discretion, to use the information contained therein to make business decisions regarding my participation in the bidding process.

ABSENTEE BID FORM

If my bid is successful, I understand that the purchase price for each lot will be the sum of the hammer price, the buyer’s premium, sales tax and all packing, handling, insur-ance and shipping costs (the “purchase price”). I understand that I will be invoiced within 5 days after the auction and that I will be responsible for paying Cowan’s the full purchase price immediately upon receipt of the invoice. Cowan’s may impose late charges of 1.5% per month (or the highest interest rate allowed) on any amount owed to Cowan’s that remains unpaid after 30 days. By signing this absentee bid form I authorize Cowan’s to charge the credit card listed below for the full purchase price of each lot for which my bid is successful, unless payment in full or alternative payment instructions are received by Cowan’s within 14 days after the date of the auction.

6270 Este AvenueCincinnati, Ohio 45232513.871.1670Fax: [email protected]

REGISTRATION NO. ___________________________________________________

DATE/TIME RECEIVED _________________________________________________

PH/FAX_________________ MAIL___________ E-MAIL______________________

SALE NO. ___________________________________________________________(FOR OFFICE USE ONLY)

Name (please print)____________________________________________________________________________________________________________________

Address______________________________________________________________________________________________________________________________

City__________________________________________________________ State_________________________________________ Zip______________________

Phone________________________________________Fax____________________________________________ Email____________________________________

Visa/Mastercard Number_______________________________________ Exp. Date_________________ Security Code (3 or 4 digit number on credit card)________

Print Name (as it appears on credit card)_________________________________________Signature (must be signed)______________________________________

Lot No. Description Absentee Bid I Wish to Bid by Phone Insurance Bid

(phone bidders only)

How did you find out about the auction?(Please check as many as appropriate)

q Received printed flier

q Received printed catalogue

q Received email blast

q Saw it on our website

q Saw an advertisementWhich publication: __________________________________________________________

q Referred by a friend

q Other: ____________________________________________________________________

Cowan’s 6270 Este Avenue Cincinnati, Ohio 45232 513.871.1670 fax 513.871.8670 [email protected] cowans.com

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