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ÍP 1 B F A C JE

Quadrilles are of that Species of Dancing that at present claim a high precedence in Fashionable Circles ' and from their partaking greatly bf the style of Cotillions in their Composition may notwithstanding their more fashionable appellation and their more short and less complex Figures be properly considered as petit or short Cotillions.

The Figures in this set of Quadrilles will be found. to differ from those alreadypüblished and vhich have been copied (from their being ivell known and to save the conscquenttrouble of composing newones) into almost every collection of recent date. It being the Author's intention to accomodate those persons who wish to dance the se Quadrilles as -vrell as the othérs he has -adapted his Music to suit both; thereby affording the choice of two se ts of . Figtxres instead of one; added to a clear Elucidation of them by proper Diagrams on a p r in ­cipie in point of explanaron that he trusts urill be found very superior to any others-, as they not only describe the various positions of the dancers but also shewthe lines in'whichthey

are tomove from one si tuationto the other. The Music may be composed either in triple or common time (the former is preferable)

ánd the tunes adapted to this purpose should be either,of French Origin or composed in the same easy style. The only merit attached to the Music hitherto published as Quadrille Music.is to be fotindin those parts that are taken from other Composers,for instance apa r t of the Overture in The Ladyof the Manor is introduced uvLePDuc de "Wéllington; apar t of ádrinking- Song in The Siege of Belgrade 'in Le Cuirassier; the Minor Part of the same Opera in 'Lapoule Anglaise;' the first strain of an oíd quick March (which is also a par t of the Bal­let of 'Tamer lane and Bajazet' ') in one of the;'Trenise' 'of whichthere are several.

Another favorite QuádriHe may be found wholly taken from the Overture inLodoiska and one of the Finales has for i ts subject the oíd song of 'The Arethiisa' 1 Many others are composed in the style of Hornpípes and in other styles either so obsolete or with droning Minors as to be altogether incompatible with modern tas te .

In the Composition of Quadrilles the number of straiiis aré generally three, they may be made to consist of two three or four strains beyond which they seldom extend they are all however considered as Hondos and provided the Music be correct invariablyfinish •with the first straüi.

. It is cusiomary in performing them for the Dancers to vait until the first strain i sp lay-ed and if it be not marked with a repeat the dance commences mth the second strain. The Author of this set of Quadrilles has deviated from the plan of the Quadrille Instructors in general by marking all his first strains with a repeat so that the Dancers may be enabled to rest the first strain and repeat it or lose it until it comes round as Capó'. .

Quadrilles are usually composed in setts of four and a Finale they should not therfore con­sist of too many strains as the real design of the Quadrille is never to exceed the l imits of a short CotUlion

I t is the Authors intention to publish a series of Quadrilles and to add to the last num­ber a Glossary of all the technical terms connected ,withthem for their more clear Elucidation.

The number of Steps and those prqperly adapted t o the different

Movements and the manner of conneciing* them is shewn in the descrip.

t ion and explanation of the f igures.

The Time that each Step^requires in its performance tothe Music is asunder .

Bar .

1 Chassé^ : 1

1 Sissonne Balote * . . . . . 1

1 Pas de B a s q u e . . . . . . . . . . . . 1

1 Jet te et assemble . . 1

1 ' Balances .". '..>.-.. 1

1 Assemble. B

Bar.

1 Coúpe . . . . . . . . . . . . . . . . . . . . . • • \

6 Emboit tés •...-. 1

1 Changement des Jambes . , . . . g

1 Glissade J

1 J e t t é . . . . i . . . . " . . . . . . . . . , 1 . . . . . . g

1 Chasse*s en avant, en arrieré,et a l a Cote require the same leng-th of Times.

T h e Progressive Movements are always as shewn by the Diág-rams

made t o t h e rig-ht. •

The Figures 1 ,2 , &c: are placed to express the numérica! succession

of each Figinre and to shew how they correspond in French and English.

The Italic numeráis placed at the end of each Figure shew the ñ ú m -

ber of bars required in i ts performance and those placed opposite shew

the strains to which they bélong'.,

* T h e Steps may be acqtíired of MF W Í L S O N .

R B F B R B N C B S

Lady Gent: A B

TOP

É?ent;D Oí Lady

LadyC H Gent:

BOTTOM

F E

The above shéws the situations of the Dancers to commence.^

The line in which the Lady moves is represénted thus — ~p '

The Gentlemarís .—

Setting by the Lady . , i:

Set t ing by the Gent leman. II

This markO shéws the situations the Dancers leave in passing into another,

*F oú r per^ons as A.B.& E.F. are sufficient to Pancera

QuadrilleVif the Figures are adapted accordingly.

4

F I G U R E B E LA F S Y C H E

(Le Pantalón)

1 L e s quatre oppose' en avant et en A r r i e r e . The four opposite Ladíes and Gentlemen A, B, and E , F, advance and meet with

one chassez jet te ' et assemble ' - 2 bars and rettirn back with Chassez jet te et assemble, Sí b a r s , making- 4 ba r s . Vide Diagram 1.

2 Chassez a droite et a gauche Quatre . The Ladies and Gentlemen A B and É F at the same t ime make one Chassez

j e t t e et assemble to the right - 2 bars and back again to the left with Chassez j e t t e et assemble— 2 ba r s . Vide D i a g r a m l .

3 Chaine des D a m e s entiere . The Ladies A and E advance to the centre & swing with right hands. Vide Diag1: 2 .

The Lady A swing-s with her left hand the Gerttleman F while the Lady E swingswith her left hand the Gentleman B ; Meet ag-ain in the centré swing; with r ight-hands and swing* their own par tners with left into p laces . . Vide Diagram 3. This Figure reqnires 8 bars and is pe r fo rmed with 7 Chassez jet te ' ; et assemble' .

4 Chassez tous l e s huit bbl iquement . The four Gentlemen at B. D. F . H.change places in án oblique direction with the

four Ladies on the r ight .Vide Diagram 4 . the Ladies passing in front of the Gentlemen with one Chassez je t te et assemble et Baloté'—4 b a r s .

5 D e c h a s s e z tous les huit ob l iquement . They all Chassez back and set with the same steps as the abóve -the Gentlemen

in repassing pass- before the Ladies 4 bars .

6 La Grande Promenade . The. four Gentlemen and their par tners cross hands the Gentlemen with their r ight

and left hands take the r ight and left hands of their par tners and promenade round • to p laces . Vide Diagram 5 5 ¡Vi This Figure requires 8 bars and is performed with 7 Chassez j e t t e ' e t assemble ' .

Contre partie pour les quatre autres . T h a t is the opposite C D . a n d G . H . c o m m e n c e immediately and perform the

same in the same manner as the Ladies and Gentlemen A . B . a n d E . F . which c o m ­plete» Figure de la Psyche.

s

3FTOURM B E JLA IPSYCHE

Diagram. 1.

D i -i 6

w

3

H

Biág: 2 .

D

B

s \ . \

\ \ ' I

/ \ •!••

\ S -\

P

G

H

WlGVWm BE. ILÁ FOMONE

. , • (L Ete) '

i Traversez deux en donnant l a Main droite e t Sissonne Balote .

The opposite Lady and Gentleman at A F qross over giving their r ight hañds

and chance situations with Chassez je t té et ássemble ánd set with Balote or~3 j e t t e ' -

et ássemble - 4 ba r s . Vide Diagram 6.

£ Retraversez en donnant l a Main g'auche . ',/ Cross over back again giving-. the left hand and set in places using the same steps

as Figure 1 requires and taking 4 b a r s . Vide Diagram 6.

3 D e mié Promeñade . .. The Gentlemen. at B F cross hands with their partners and half promeñade that is

chang-e situations vide Diagram 7 with 3 Chassez jette%t ássemble _ 4 ba r s .

4 D e m i e Chaine Ang'laise. , The two couple cross oyer, the Ladies giving the r ight hand to the opposite Gen­

t l e m a n and the left to their pa r tne r s and returri to plapes with 3 Chassez j e t t e et

ássemble ' tak ing 4 bars¿ Vide Diagram 8. Figure 1 and 2 . •

6 En avant deux et en A r r i e r e . . T h e Lady at A and Gentleman at F advance to the centre with one Chassez j e t t e

et ássemble_ . 2 bars , retire with Chassez jet te et ássemble 2 ba r s .

6 Chassez a droite et a gauche-The opposite Lady A and Gent leman F perform 1 the same as F igu re 2 oí

L a Psyche. Vide Diagram 1. ' -

Contre partié pour les six Autres . k

The Gentleman B and Lady E comnWce immediately and peformthe same, a f t e r -

wards the LadyC and Gentleir\anH, and last ly the Gent leman D, and the Lady G,

which completes La Pomone". 1

M G C R B . H>M:1L?• ASSLOWL'' ' * . •' ; — -

' (LaPoule)

1 Les huit sefórment en deux Lig"nes t ransverses avec changement des j a m b e .

T h e eig-ht Ladies and Gentlemen chassez jet te et assemble and form two l ines

in the fórm of a cross and faced each way a l ternate ly vide ; Diagram 9 2 bars

Coupee chang/ement des j a mbe _ 2 b a r s .

2 Tourne de l a main gauche a vos places . T h e Gent lemen swing their p a r t n e r s with l e f t hands round to places wi th three

Chassez j e t t é ' e t a s s e m b l e — 4 b a r s . Vide Diagram ÍO.

3 B a l a n c e a a. vos D a m e s . The Lady and Gentleman A. B. turn to each other and set with Baláncez Sissonne

Balote this done tv ice 'which requires 4 b a r s . , Vide Diagram 11.

4 Tour de Mains. The Lady and Gentleman at A. B.join both hands and turn quite round on the left

to places with 3 Chassez j e t t é ' et assemble — 4 bars . Vide Diagram 11.

5. En:avant Quatre et Ba lo te . The opposite Couples A B and E F advance with one Chassez jette" et a s semble '

set with two Balote _ 4 bars . _ _

T h e Gentleman F with his rig'ht hand takes the left of the Lady A and the Gentleman

B with his rig-ht hand takes the left of the Lady E and lead th ró to places 4 ba r s

performed by 3 Chassez je t té 'e t assemble . Vide Diagram 12 . v

6 Chaiñe des DameS Ent ieré . Vide Diagram 3 . L a Psyche.

t Contre partie pour l e s s ix Autres . The Lady at E^and Gentleman at B,commence and perform the same immediately; the

Lady C,and Gentleman H,andthen the Lady G,and Gentleman D,which finishes L.Amour.

\ 9

mmmmmmmBSBSBmSSai^m^m

V

JDiag: 9. 7^' Biag: 10.

F I G U R E B E JLA FJLORE

(La Trenis)

1 Les Quatre Dames avancent fontune Jétté 3f ássemble"áf

passant a gauche leurs Cavalliers a leurs places .

The four Ladies at A. C. E. G. advance with oné Chassez j e t t e ' e t ássemble' set

with t h r e e je t te ' et ássemble — 4 b a r s . Pass round their part jMrs on thé left to

places with 3 Óhassefc jette*et ássemble, 4 ba r s_ toge the r 8 bars.fs$fue Diagram 13.

2 E n avant Quatre et en Árriere .

The Lady and Gentleman at A. B.join hands the Lady and Gentleman E . F . do

the same advance to the centre with one Chassez jette* and assémblé ' 2 ba r s .

Retire with the same to places _._ 2 ba r s . Vide Diagram 1 4 . v~

3 Chassez a droite et ,a g a u c h e .

Vide F i g u r e 2 L a Psyche 4 b a r s .

4 Promeñade de Quatre . The opposite couples a t A B- and E F cross hands and promeñade round (within

the side couples) to places with 7 Chassez jette"et ássemble"'—8 bars . Vide Diagram 15.

5 Chassez croissez tout l e s huit and des chassez . The whóle 8 change p laces with their par tners the Ladies passing in frórit of the

Gentlemen with Chassez je t te 'e t ássemble*and Ba lo te^ bars _báck again with Chassez

je t te et ássemble toplaces the Gentlemenpasjsiñg'infrojit&Balpte,4bars. Vidé Diag:16.

•' • - - ; • • ' y • • • • '

Contre partí e póur l e s s ix Autres .

T h e Lady at E,and Gentleman atBjCommenceimmediately and perform the same figure

then the Lady C,and Ge ntleman H,then the Lady G,& Gentleman D,which completes La Flora.

. FIGURE B É IDA FWAJL'E

1 E n avant Quatre

The two opposite couples A. B . and E..F. join hands with their partners Chassez jette

et a s s e m b l e m e e t i n t h e centre and Balote — 4 b a r s . Vide Diagram 17. ^

£ Les Quatres tqurneiit a gauche - Hands four round to places turniñg to the left with three Chassez jette et assemble.

4 bars . Vide Diagram IT.

3 E n avant et en Arriere. v

Opposite Lady a t A and Gentleman F advánce with one Chassez jette e t assémble_

retire with the same L- 4 ba r s . Vide Diagram 1 .

4 Chassez a droite et a gauche Vide Figure 2 _ L a Psyche _— 4 b a r s . l¿

5 L e s Quatre opposés avant et -Balote . The Lady, and Gentleman a t A. B. and E. F. ad vanee with Chassez je t te et assemble'

set with 3 je t te et assemble 4 ba r s . Vide Diagram 18.

6 D e m i e Poussette -T h e Lady and Gentleman A. F. and E . B . join hands and draw round into the

centre _4 4 ba r s . Vide Diagram 1 8 . •

7 - • Les ]Vtene35 l;«P-aiSift |i;«i^^t&^&% Cotes a sa place . .* Vide Figure 1_ La F lo re 4 ba r s .

8 En avant Quatre et en Arriere Vide Figure 2_ La F lo ré — 4 ba r s .

Les Con!re parttes pour l e s s ix Autres The Lady at E,an<l Gentleman B, commence immediately and perform the same figure,

then the Lady at C, a» id Gentleman H,thenthe Lady G, and Gentleman,D which finishesLa Finale.

W : V! t r .sil íbe rouples have performedthe Figure the first part of the Tune is played uw.r ¡a: ün ;«>ul the Dancers Chassez across all éight and back again.

14 ]L A P S Y C H E (Le Pantalón)

Fine

D . C . f

The l s.t strain played once before the Dance commences,every time the Dancéis performed.

F IGURE*.The 1*»?strain repeated 2<\ and 3<? played straight thro ' and Da Capo.

1 Les quatre opposé*en avantet en arriere.

2 Chassez a droite et a gauche.

3 Chain des dames .

4 Chassez huit obl iquement .

5 Grande Promenade.

Contre partie pour les 4 au t res .

Bars. Stroíns.

1 The four opposite advance ánd retire . 4 - 1

2 Chassez to the right and l e f t . . . . . . . . . . . . 4 _ 1

3 Ladies Chain .8 _ 2 4 Chassez all eight oblique 8 _ 3

5 Promenade all eight . 8 - 1 •*.

The other 4 Dancers do the same

* T h e Figure to Le Pantalón may be danced to this Tune and substituted for the above as the Music is of the same length and expressly composed for that parpóse it is ' l ikewise the same with the other Tunes,as La Pomone is adapted to the Figure of L 'E te &c:

"I" V¡B All -the Capos in this vrork te t e S erizaReplica.

15 1LA (VE'te)

ffir; ttcfiéT J f t i i i i i i j i iq^iít i i i í i i i i

D . C

The first strain played once before the Dance commencés.

FIGUR E — T h e is t strain repeated,2dplayed straight thro*

and Da Capo,every t ime the Dance is repeated.

1 Traversez en donnant la maih droite a la

dame vis-a-vis et'Sissóiine balote.

2 Retraverséz en donnant la main gauche.

3 Demie queue du chat.

4 D;emie chaine anglaise.

5 En avant et en arr iere .

6 Chassez a droite et a gauche .

. Cohtre-parties pour les 6 aut res .

Bars.Strafns

1 Cross over giving the r ight hand to

the opposite Lady and set 4_ 1

2 Back again with left hands. 4¿ 1

3 Half Promeñade 4_ 2

4 Half r ight and left to places. . * 4_ 2

5 Opposite L ady & Gent advance & r e t i r e . . . 4 - 1

6 Chassez to the r ight and left .4_1

The 6 others do the same.

16 L,*AMOUR, (La Poule.J

The first strain played straight íb-rc?. before the Dance commences.

F I G U R E The ist strain r epea ted ,2 d and 34 played straight thro? and Da Capo.

1 Les huit se forment en deux ligues t ransverses.

2 Tourne l amain gauche a vos places.

3 Balancez a vos dames. 4 Tour de ma ins . 5 En avant quatre et ba lote .

6 Chaine des dames entiere. Contre-parties pour les 6 atrtres.

Bars. Strains,

1 The 8Ladies&Gentiformthemselves into 2 straight lines in the form of a c r o s s . . . . . .4_ 1 .

2, The Gentlemen swing round their partners with left hands to p l aces . . . ;4_ 1

3 S e t to your par tners .4_ 2 4 Turn with both h a n d s . . . . . . . . . . . . . . . . . ,4_ 2 5 The 4 opposite advance and set and ;

lead thro' the sides to places .8_ 3 í> Ladíes c h a i n . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 _ 1

The é other Dancers do the same.

L A F L O R A (Le Trenis)

. F ine : _

The first s t ra in played once be for e the Dance commences.

F I G U R E The l s í strain repeated,2 d played straight thró 'and Da Capo, every time the Dance is performed.

Bara.Stralni.

l . E n quatre des dames. 1 The 4 Ladiesmeet&set&passround their

" _ - . - " respective partners to places on the l e f t . . . . i

2 .En avant quatre et en arriere. 2 The opposite couples advance and r e t i r e . . 2:

3 Chassez a droite et a gauche •

4 Promenade quatre . 4 Opposite couples promenade to p l a c e s . . . • • «8— 1.

5 .Chassez croiséz huit et dechassez. 3

6 Chain des dames -entiere. 1.

. Contre^partie pour les 6 a u t r e s . The 6 other Dancers do the s a m e .

18 F I N A L E

_ _ Fine U , l [ [ [ f ¿

3 1 V —

The first strain playe doñee beforc the Dance comméncés.

F I G U R E _ T h e iststrail» repeated,2<l &-3 d played straight thro' and Da Capo,eve-ry time the Figure is perfprmed.

1 En avant quatre . 2 Les quatre tournent a gauche. 3 En avant et en arrierre. 4 Chassez a, droite et agauche . 5 Les quatre opposes avance. 6 Demie poussette. 7 Menez la dame oppose p a r l e s cotes

. a sa place. 8 En avant et retiré quat re .

Bars.Strains,

1 The opposite couples advance & s e t . . . . . . .4_1 2 Hands four round. .4-1 3 Opposite Lady«& Gent: advance & retire. . .4_2 4 Chassez to the right and l e f t . . . . . . . . . . . 4 _ 2 5 The four opposite advance .4^3 6 Half poussette 4 _3 7 Lead the opposit» pa r tne r s thro the

sides to p l a c e s . . . . . .V. . . .4^1 . 8 The fpur opposite advance and r e t i r e . . . .4_1

Balancez 4s en Ligne

D

G H

Éour set in Line holding Hands the Ladies facirig ohe way, the Gentlemen the other.

W Chaine Anglaise or right and left.

G

H

Th% partners givé their right Hands to each other and the left to the hext person • •

Dos a Dos, orBaclc to BadJp.

D

1

Figure de lu Trénüe,

Fig:l. |

D 4

aV ....

TKe opposites move in the Lines a, round each other back to back .

*9f '

G

Á : F -E The CoirpleÁ;Bjoin hands advance & retiré twice, the Sj4time the Gent.leaves his Lady on the left of the opposite Gentleman F .

Figure de laTrénise. Figure de laTrénise., B

•Ftg?2/ i

D

C

Fig:$.

D*

H

G

H

E The2LadiesA&E cross oyer,while the GentrBpasses between/ the Ladies change sides while the Gentísets;the Ladies again cross over while the Gent npasses between and returns tohis place.

o F E . Thé LadyÁ crosses toher partner

they Balancez or setjoinhandsc&turn round to the left and into places.

20

N ? l .

IsJQVADRILLE.

m 1LA JtnLIETTE' Figure du Pantalón.

i w0 u*1" - -#

1 Chame anglaise

2 .Bá lance z; a vos dames

3 Tonr de mains

4 Chaine des dames

5 Queue du chat.

Bars. Strafns,

1 Right and left ..." 8 - 2

2 Set to your partner¿,.... . . . , 4_ 1

3 Twrn your par tner . . . . ' . : . 4 _ 1

4 Ladies chain . . . . 8 - 3

5 Promenade to places . . . . . . . . . . . . . . . . . 8 1

Note. The figures in this collectión will be foundclearly explained by Diagrams in'Wilson's Quadrille Instructor " a l so the ñames of the various steps required in that department of Dancing with the time they take in the performance,togetherwith general Instructions for Dancing Quadrilles.

• • • P f . T » | f f i f f ^ p ] V | - f — H — -

^ ) L . " -

1 1 f f f

— I I — -Da Capo.

l(» 1 . E / t i ' !

> — - ^ 3 * — í 1 4 J - l'EJ EJ 1 Le cávalier & sa dame avancent & re -

t i rent deux fois a l a seconde fois, la damese place agauche du cávalier opposee.

2 Ce cávalier donne ses maihs aux deux dames :

& tous trois avancent & r etirent deux fo is. 3 Le premier cávalier avance & retire deux •

fois avec pas de basque & emboittes. 4 Demie tour de quatre. 5 Demie chaine anglaise. 6 Le premier cávalier & sa dame avancent "

&retirent encoré deux fois,alasecóndefois le cávalier se place agauche'dé láclame opposee.

7 Cette.dame donne ses mains aux deuxcava-liers&tourlrois avancent&retirentdeuxfois.

8 Lapremiere dame avance & retire deux foi& avec pas de basque <& emboittes. ;

9 Demie tour de quatre. , 10 Demie chaine anglaise.

Contre partie pom* les (5 atrtres.

BanStratns1

1 The Gent &Lady advance & retire twice at the secónd time the Gent leaves the Lady on the _ left of the opposite Gentleman .8_2

2 This Gent then joins hands with the two Ladies • & all three advance and retire twice 8_1 3 The first Gent then advances & retires twice ^ with pas de basque & emboitt'es 8_3 4 Hands four half round .4_ 1 5 Half right and left .4_ 1 6 The first L ady& Gent again advance & retire

twice the Gent being lefjt at the second time on the left of the opposite Lady 8_2

7 This Lady then joiñs hands with the 2 Gent & all three advance and retire t w i c e . . . . . . . . . . 8 - 1

8 The fir st L ady then advances & retires twice with pas de basque & emboittes 8_3

9 Hands four half round . . 4_1 |10Half right and left. , .4_1

The 6 others do the same.

22 l i Á S E N S I B L E

ira Figure de la Poule.

i ir

N 9 5 :

" * - • t—d :—d— • - d i • m— m

Bars.Straim.

1 Traversez deux en donnant la mam droite

a l a dame de vis á vis & sissonne balotez

2 Retraversez en donnant la main gauche

3 Les.dames donnent la main droite a leurs ,

cavaliers

4 Balancez quatre sans quitter les maíns .

5 Demie queue du chat

6 En avant deux 0

7 Dos a dos '

8 En avant quatre

í» Demie chame an#laise. Contre pai-tie pour les 6 autres.

1 Cross over giving the r ight hand to the

opposite Lady and se t . . , . . . 4

2 Back again with the l e f t . . . . . . . . . . . . . . « . . .4.

3 The Ladies give the right hand to the .

Gentlemen . . . . . . . . . . . . . . . . 2

4 Set 4 holding hands. . . . .4

5 Half promenade 2.

6 Opposite Lady and Gentleman advance. . . . 4

7 Back to b a c k . . . . . . . . . . . . . — .4.

8 The two opposite advance. . . . •. •

9 Half right & left to place 4 The other 6 do the same.

_ 1

_ 1

1

3

3

]

1

8 v a

m r > f J PBt f l

t i tj i t j t j \tj Ij \tf £ j - i

• ^ . t j - t j i t j t j * • l l l É m É

1 En ayant deux et en arriere

2 Chassez a droite &. a g-auche

3 Traversez

4 Chassez & dechassez -

5 Retournez a vos places

6 Balancez a vos dames

7 Tour de deux mains.

Contre partie pour les 6 autres,

Bars. Slraim.

1 Opposite Lady & Gent advance & retire 4_ 2

2 Chassez to r igh t and left ........ 4_ 2

3 Cross over.... . . . ....i... . . . . . . . . 2 - 2

4 Chassez and back again , . . . . . . . . . . . . ' . . . . .4b. -2

5 Return toyour p laces . . . . . . . . . 2 - 2

6 Set to your par tners . . / . . . . , . . . . . . . . 4_ 1.

7 Turn your partnerwith. both h a n d s . . . . . . . . . . . 4 _ 1

T h e other 6 do the same..

24 JLA< B E Ü Y A N T E . Xa Promenade,

[3 pi'dj-jii j a j - j i ^ l i f i l l i ni

1 Chaine des dames. 2 Balance/, a vos dames. 3 Tour des mains. . 4 Un caval ier et sa dame en avant& et arriere. 5 ídem en avant, conduisant sadame a la gauche

ducavalierde vis avis,&sissonne balotez. 6 Lesdeuxdamestraversentalaplaceopposeé

perdánt que le cávalier traverse au milieu. 7 Les deux dames font chassecroise tandis que

le cávalier figure devantelles &ensuite retour nent a leurs places en faisantencore chasse croisé.

8 La premiere dame qui oceupe la gauche dit cavár| lier fait un balance & tour des mains. Chassez croisez tous les huit pourle Finale. Contre partie pour les 6 au t res .

Bars. Strains.

1 L adíes chain 8-2 2 Set to your p a r t n e r . . . . . . . . . . . . . . . . . . . . . . . . . .4-1 3 Turn your pa r tne r ^ - l 4 The Gent with his parmer advance & retire 4_3 5 Again advance leading the Lady to the left

of the opposite Gentleman & s e t . . . . . . . . . . 4 _ 3 6 The 2Ladiescross overto the oppositplace

while the Gentlemanpasses between 2_3 7 The 2 L adíes change sides while the Gent

figures before them they re turnto their places changing sides again .6-3

8 The first Lady who oceupies the left of the Gentleman sets to her partner & finishes by a turn of the hands — . 8.J.

Chassez croisez all 8 for the Finale. The other 6 do the same.

JÉ

1 Chaine anglaise. 2 Demie queue du chai. 3 Dos a dos. . 4 Demie chaine anglaise. 5 Chassez a droite & a gauche. 6 En avant & en arriere deux fois avec

le pas de basque & emboittéV. Contre partié pour les 6 autres .

Bars.Strain»,

1 Right and l e f t " I . . . 8 _ 2 2 Half promeñade. . . . . . . . . . . 4 - 1 3 Back to b a c k . . . . . . . . . . . .4_1 4 Half r ight and left . . . . 4 _ 3 5 Chassez to the right and l e f t . . . . . . i 4_3. 6 /Advance and retire twice with the pas

de basque ánd emboittes . . . 8 - 1 , The other 6 do the same.

26

TLA c h i n o i s b

——— . M .— • •

u r u r 11 f . j i

Da Capo

Bars. Strains. 1 .Queue du chat. 2 Dos a dos. . «r ¿ 3 Chassez adroite & & gauche. 4 Bal anee z a vos .dames.

. h Tour des mains. 6 Chaine des dames.

Contre partie pour les 6 autres.

1 Pro ménade 2 B a c k t o b a c k . . 3 Chassez to right and left.. 4 Set to your par tners . . •5. Turn your pa r tne r s . . . . . . . 6 Ladies chain '.. ¿ . . . . . . .

The other 6 do the same.

. 8 - 2

. 4 - 1

.4_1 •4_3 . 4 - 3 . 8 -1

2 ?

1 / INCOUNTUTE

Ü É Ü ü p

Da Capo

1 Traversez deux én donnant la main

droite & balancez.

2 Chassez a droite & a gauche.

3 Retournez a vos places en donnant la

main gauche & balancez.

4 Chassez a droite <& a gauche; :

5 Chaine anglaise.

. Contre partie pour les 6 autres.

Bars.Strains,

1 The opposite Lady & Gentleman cross

over giving the right hand and set . . . . : , .4^ 1

2 Chassez to the r igh t and left .4u 1

3 Return to your places giving the left

hand and set . 4 - 2

4 Chassez to the right and left«... . . . . 4 ^ 2

5 Right a n d l e f t . . . . . . . . . . . . . , 8_1

The other 6 do the same.

28 ]LA BÜNNE VIEIlLJLEo

N 9 4 : •1 : i 6 • •»

r — 1

•1 1*1 P ' 1 • "1

\ ftl : • T 1 1 : 1 •—'

1 L a Grande promenade. 2 Chassez croisez tous les huit & balancez. 3 Dechassez tous les huit & balancez. 4 .Chainedes dames. ^CJ^sizjTdroitej& a gauche. 6 Les quatre opposes en avant & balancez. 7 En arriere & balancez.

„ Contre partie pour les 4 autres .

Bars.Strains.

1 Promenade all e i g h t . . . . . . . . . . . .8 _2 2 Chassez croisez all eight and s e t . . . . . — 4 _ 2 3 Return to your places and set . . . — 4 _ 2 4 Ladies chain... ' . .8—3 5 Chassez to the right and l e f t . . . . . . . . . . . . 4 _ 3 6 The fout opposite advance and set . . 4 _ 1 7 Retire to their places and set....... 4>_ 1

The other 4 do the same.

I í A B I C H E

Mr nmj • j

1= t 1 E l

t 1 1

1: 1 r .

i i 4 - — 4 * -

— p p '1 f 11

. l ; i r • - |j

m w —*—U

Chaine des dames. En avant deux & ba lancez . En arrieré'& balancez. Les dames avancent fontim jette & assemble' balancez&passent agauch de leurs cavaliers a l eu r s places. Chaine anglaise. Le, Grand rond. Contre partie pour les 4 au t res .

Le grande

Bars.. Strains. Ladies chain 8 - 2 The opposite Lady & Gent advance & se t . . . .4 - 3, . Retire to their places and set. . .4_ 3 The Ladies meet set & pass their par t ­ners on the left to their p l a c e s . . . . . . . . . 8_ 3

Right and left 8_. The Grand round.'. 8_ 1

The other 4 do the same.

promenade for Finale.

30

3^e QUADRILLE. L E L Y S 41

ití\fl!Z'J\tm b^í!ti!\

J ; L . , L ' | > F | P G T F R I ^ M I P . R T J I ^

C J J " I RJIRP Y ^ I ¡ j i R t i i j - 1 TCJ- I C J - 1

1 En avant & en arriere deux fois avec pas de basque & emboittés.

2 Chassez a droite & a gauche, 3 Tour des main'. 4 Dejnie queue du chat . "5 Dos a dos. <} Tour de mains.

Contre partíe pour les 6 autres.

Bars.Strains,

1 Advance and retire twice with pas de basque & e m b o i t t é s . . . . . . . . . . . . . . . . . . 8 - 2 ;

2 Chassez to r ight and left 4_1 3 Tur n your partner .4 _1 4 Half p r o m e ñ a d e . . . . . . . . . . . ¿ 8-3 5 Back to back , 4_1 6 Ttirn your partner .-. .4_1

The other 6 do the same.

_ 1 , . Chaine anglaise. 2 , En avant deux & en arriere. 3 . Chassez a droite & a gauche. 4 . Demie queue du chat. 5 .Demie chaine anglaise. 6 . Dos a dos. 7 .Tour des mains.

. Contrepartie pour les 6 autres.

Bars.Sirains.

1 Right andlef t . . . . 8 -2 2 TheOppositeLa%&Geritadvance&retire. .4_ 1 3 Chassez to right & left . . ; 4_1 4 THalf promeñade. . . 4_3 5 Half r ight and left . 4 -3 6 Back to back 4_1 7 Tum your partner « . . i 4 - 1

The other 6 do the same.

1J3S " P A N T O U F X B T T B S

lento fr » f [» f *

8 v a -

1 Les huit seforment en deux liguestrans-verses avec changement desjambez «fe balance

2 Tournez de lamain droite a vos places.. 3 Dos a dos. 4 Chaine.anglaise. 5 Chassez a droite et ba lancez . 6 Chassez agauche & balancez.

Contre partie pour les 6 autres.

Bars. Strains,

1 The eight Ladies and Gentlemen form two transverse lines and s e t . . . . . . . . . . . . . . . . 4 - 2

2 The Gent swing their partners to their places. . 4 -2 3 Back to back . . . . 4 - 3 4 Right and left .4_3 ..V Chassez to the r ight and s e t . . . . . . . . . . 4 _ 1 6 Chassez to the left and set . . . 4_.l .

The other 6 do the same

3:i

L A B R I U . i A N T E

N 9 4 :

1 Les quatre opposes avancent & balance. 2 Demie poussette. /"~~~ 3 Menez la dame opposee par les cotes

a sa p lace . (

4 Chassez a droite & a gauche. 5 Chaine des dames. 6 Queue du cha t .

Contre partie pour les 4 aut res .

' -.Bars-Straln»

1 The 4opposite advance and set . . . . 4 _ 2 2 Half poussette 4_2 3 Lead the opposite partner thro the sidés

to her place. 4 _ 2 4 Chassez to r igh t and left 4_2 5 Ladies chain 8„3 6 Promenade to places 8_ 1

The other 4 do the same.

34 1 1 / ELEGANTE

Bars Stráins

1 Chaine anglaise. 2 Queue'du chat . , .3 Traversez deux & balancez. 4 Chassez a droite & a gauche. 5 Retraversez & b alancez. >-6 Chassez a droite & a gauche. 7 Chaine des dames. 8 Chassez croisez tous les huit & balancez.

Le grand rond pour le Finale. Contre partie pour les 4 autres.

'Vfc

1 Right and left 2 Promenade 3 The opposite Cu cross over and set 4 Chassez to r ight and left 5 Return to your places 6 Chassez to r ight and left 7 Ladies Chain 8 Chassez croisez all eight and set . . .

The grand round for the Finale The other 4 do the same

.8-1 , 8 -2 .4_1 . 4 -1 , 4 - 3 .4_3 . 8 -3 . 8 -1