alvar altoo
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Alvar Aalto
1898 - 1976
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18981976
Finish Architect
Early 1920s began with Neoclassical traditionalist modernism
style Late 1920s High modernism with Gropius and Le Corbusier
Latertransformed into his own distinctive mode of counter
modernism
Symbolism and functionalism
Buildingssimple to look at, difficult to understandworld wide
respect
Buildingsinteresting compositions but lack gripping visual impact
of other modernist works
Buildingsloose informal sprawlsno sign of compelling form ofmodernist ideal, no photogenic , graphic images
Aalto created architecture that not merely quench thirst of high art
and pure structure but also in response to the more direct needs of
man as an active sensate beingfunctionalist in the real sense
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His clientssocialist oriented inhabitants of thinly populated arctic
land
Hostile environmentarctic cold, large dark winters - Aalto avoided
assertive formalism and obsession with warming comfort Aaltos ideas man made environment should provide nourishing
surroundings denied by nature
After Viipuri libraryundulating curves crop up constantly,
combining utility and strong sense of visual effects
Major workslibraries, civic centers, churches, housing
Functionalismyet non reductionist, avoided romantic excess and
neoclassical monotony
Borrowed from international styleused texture, color and structure
in new creative ways
Refined generic modern architecture that existed in most of Europe
and recreated them into a new Finnish architecture
Designresponse to site, material and form
Detailing
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Worksrepresented a unique interpretation of modernist orthodoxy
Reluctant to engage in theoretical debates, he was an architect who
didnt answer in writing but buildings
Major themes of his works are inseparable from finish culture His fathersurveyor
EducationBeaux Arts influence
WifeAino Marsiohighly practical designer - gifted draftsman
and good at interior designsome outstanding glassware designed
by her
Functionalism
Inspired by Finnish landscapes, contour plans he drew with his
father
Inspired by Bauhaus ideas - analysis of problems should replaceoutmoded style based design; architecture should be linked to
general economy and embrace machine production; and that
biological and psychological constants offer a universal basis for the
rational design of modern buildings, furniture and equipement
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Commitment to the principles of functionalist designs
Consideration of bio dynamic functions of eating, sleep, work and
play provided the basis for minimum dwelling which could be
psychologically enlarged to arrive at a universal dwelling designedafter careful research based on human similarities
International stylenot a stylistic formula but way of thinking and
working to be adapted to specific cultures and landscapes
Exterior corresponds with interiortransparent expression of inner
organization Eg: Window arrangement differs based on interior space unlike Le
Corbusiers indiscriminate ribbon windows
Functional zoning provided rationale for design but the building was
also a composition of visual and spatial sophistication
Functional designembraces subtle psychological and social
factors
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DESIGN
Father of modernism in Norway, Sweden and Denmark
Blending modern architecture with national and regional
Scandinavian tradition Worksarchitecture , furniture, glassware, textiles
Architecture without style - Buildings determined only by
the needs of people using them
Conditions of site, materials available Financial condition
Organic connection between buildings and nature including man.
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Paimio
Sanatorium
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Pamio Sanatorium, Pamio Shape of plan
Similar rooms and spaces are grouped together to form a wing
Wings linked by central partcommon functions like stairs,
elevators etc
Each wing given special position in landscape according to
demands of rooms
Plan meant to be functionally zoned and bio dynamically aligned tothe compass so that the direction of each wing was defined
according to its requirements of sunshine and view.
Collective sun terraceswhich allowed the patients to take the air in
groups of their own choice
Flat roof top terrace designed for healthier patients protected with aRCC canopy to reduce solar gains
Patients winglooked out over uninhabited forest orientedSouth,
South east to capture morning sun and reduce solar gain in the
afternoon
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Patients roomfor a horizontal human beings unlike a ordinary
room for a vertical person (ceiling painted darker)
Wash basin design, door handle design, light fixtures
Attention to detailsthe dedication to serving their needsmanifested in every detail, uplifting quality of light filled spaces
contributed to the prospects of recoverynew architecture in the
service of people
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http://upload.wikimedia.org/wikipedia/commons/e/e3/Paimio_Sanatorium1.jpghttp://upload.wikimedia.org/wikipedia/commons/4/4a/Paimio_Sanatorium2.jpg -
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Viipuri library
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Sitepark
Classical modernist
Public library and lecture room
2 distinct volumes
One endmain entrance in projecting vestibule Smaller projection for entrance to children's library Staircase near
main entry
Multiple levels
Offices & lecture
rooms
Library
Functions
Stairs
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Inside libraryshadow less light filtered down from a grid of conical
lens roof lights which are 1.8 m in diameter , the RCC beams span
17.6 and the depth of the roof structure ensures that no direct sun is
allowed to disturb the readers concentration Walls have no windows
Lecture theater lit by continuous full height glazing overlooking park
Undulating timber ceiling designed to overcome acoustical problems
caused by beams
Problem with length of roomfurthest audience far away
Roof Details
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Finnish Pavilion, New York
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World fair New York1939
1937competition project
520 4 levels 3 floors had photographs of country, people, work,
Ground floorexhibition of products
Wood and steel
Roof ventilation
Shell of pavilionfinish vernacular buildings
Undulating wall suspended diagonally across length
of wall
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http://en.wikipedia.org/wiki/Image:Aalto_Teewagen.jpg -
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Aalto Stud io Munkk in iem i, Helsin ki , Finland
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Aalto Summer House
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Academ ic Boo kshop
Helsink i, Finland
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Academic Bookshop - Helsinki, Finland
architect - Alvar Aalto
dates - 1962 to 1969style - Modern
notes - subtle facade modulation, sculptural roof lights.
"Externally the building is a relatively straightforward copper-clad
curtain wall. The brighter character of the Pohjois-Esplanadi is
recognised by lining the window frames with strips of white marble.
The two entrances off either street converge under an array of light
fittings, from which leads the three-storey space of the bookshop
tucked in behind other buildings. Three crystalline rooflights bring light
into this volume, and indeed appear to have embedded themselves in
the roof. The vertically striped balustrades of white marble seem to
attenuate the height of the space and dominate the colourful display of
books."