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    Alvar Aalto

    1898 - 1976

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    18981976

    Finish Architect

    Early 1920s began with Neoclassical traditionalist modernism

    style Late 1920s High modernism with Gropius and Le Corbusier

    Latertransformed into his own distinctive mode of counter

    modernism

    Symbolism and functionalism

    Buildingssimple to look at, difficult to understandworld wide

    respect

    Buildingsinteresting compositions but lack gripping visual impact

    of other modernist works

    Buildingsloose informal sprawlsno sign of compelling form ofmodernist ideal, no photogenic , graphic images

    Aalto created architecture that not merely quench thirst of high art

    and pure structure but also in response to the more direct needs of

    man as an active sensate beingfunctionalist in the real sense

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    His clientssocialist oriented inhabitants of thinly populated arctic

    land

    Hostile environmentarctic cold, large dark winters - Aalto avoided

    assertive formalism and obsession with warming comfort Aaltos ideas man made environment should provide nourishing

    surroundings denied by nature

    After Viipuri libraryundulating curves crop up constantly,

    combining utility and strong sense of visual effects

    Major workslibraries, civic centers, churches, housing

    Functionalismyet non reductionist, avoided romantic excess and

    neoclassical monotony

    Borrowed from international styleused texture, color and structure

    in new creative ways

    Refined generic modern architecture that existed in most of Europe

    and recreated them into a new Finnish architecture

    Designresponse to site, material and form

    Detailing

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    Worksrepresented a unique interpretation of modernist orthodoxy

    Reluctant to engage in theoretical debates, he was an architect who

    didnt answer in writing but buildings

    Major themes of his works are inseparable from finish culture His fathersurveyor

    EducationBeaux Arts influence

    WifeAino Marsiohighly practical designer - gifted draftsman

    and good at interior designsome outstanding glassware designed

    by her

    Functionalism

    Inspired by Finnish landscapes, contour plans he drew with his

    father

    Inspired by Bauhaus ideas - analysis of problems should replaceoutmoded style based design; architecture should be linked to

    general economy and embrace machine production; and that

    biological and psychological constants offer a universal basis for the

    rational design of modern buildings, furniture and equipement

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    Commitment to the principles of functionalist designs

    Consideration of bio dynamic functions of eating, sleep, work and

    play provided the basis for minimum dwelling which could be

    psychologically enlarged to arrive at a universal dwelling designedafter careful research based on human similarities

    International stylenot a stylistic formula but way of thinking and

    working to be adapted to specific cultures and landscapes

    Exterior corresponds with interiortransparent expression of inner

    organization Eg: Window arrangement differs based on interior space unlike Le

    Corbusiers indiscriminate ribbon windows

    Functional zoning provided rationale for design but the building was

    also a composition of visual and spatial sophistication

    Functional designembraces subtle psychological and social

    factors

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    DESIGN

    Father of modernism in Norway, Sweden and Denmark

    Blending modern architecture with national and regional

    Scandinavian tradition Worksarchitecture , furniture, glassware, textiles

    Architecture without style - Buildings determined only by

    the needs of people using them

    Conditions of site, materials available Financial condition

    Organic connection between buildings and nature including man.

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    Paimio

    Sanatorium

    http://www.greatbuildings.com/models/Paimio_Sanatorium_mod.html
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    Pamio Sanatorium, Pamio Shape of plan

    Similar rooms and spaces are grouped together to form a wing

    Wings linked by central partcommon functions like stairs,

    elevators etc

    Each wing given special position in landscape according to

    demands of rooms

    Plan meant to be functionally zoned and bio dynamically aligned tothe compass so that the direction of each wing was defined

    according to its requirements of sunshine and view.

    Collective sun terraceswhich allowed the patients to take the air in

    groups of their own choice

    Flat roof top terrace designed for healthier patients protected with aRCC canopy to reduce solar gains

    Patients winglooked out over uninhabited forest orientedSouth,

    South east to capture morning sun and reduce solar gain in the

    afternoon

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    Patients roomfor a horizontal human beings unlike a ordinary

    room for a vertical person (ceiling painted darker)

    Wash basin design, door handle design, light fixtures

    Attention to detailsthe dedication to serving their needsmanifested in every detail, uplifting quality of light filled spaces

    contributed to the prospects of recoverynew architecture in the

    service of people

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    http://upload.wikimedia.org/wikipedia/commons/e/e3/Paimio_Sanatorium1.jpghttp://upload.wikimedia.org/wikipedia/commons/4/4a/Paimio_Sanatorium2.jpg
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    Viipuri library

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    Sitepark

    Classical modernist

    Public library and lecture room

    2 distinct volumes

    One endmain entrance in projecting vestibule Smaller projection for entrance to children's library Staircase near

    main entry

    Multiple levels

    Offices & lecture

    rooms

    Library

    Functions

    Stairs

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    Inside libraryshadow less light filtered down from a grid of conical

    lens roof lights which are 1.8 m in diameter , the RCC beams span

    17.6 and the depth of the roof structure ensures that no direct sun is

    allowed to disturb the readers concentration Walls have no windows

    Lecture theater lit by continuous full height glazing overlooking park

    Undulating timber ceiling designed to overcome acoustical problems

    caused by beams

    Problem with length of roomfurthest audience far away

    Roof Details

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    Finnish Pavilion, New York

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    World fair New York1939

    1937competition project

    520 4 levels 3 floors had photographs of country, people, work,

    Ground floorexhibition of products

    Wood and steel

    Roof ventilation

    Shell of pavilionfinish vernacular buildings

    Undulating wall suspended diagonally across length

    of wall

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    http://en.wikipedia.org/wiki/Image:Aalto_Teewagen.jpg
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    Aalto Stud io Munkk in iem i, Helsin ki , Finland

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    http://www.greatbuildings.com/models/Aalto_Studio_mod.html
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    Aalto Summer House

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    Academ ic Boo kshop

    Helsink i, Finland

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    Academic Bookshop - Helsinki, Finland

    architect - Alvar Aalto

    dates - 1962 to 1969style - Modern

    notes - subtle facade modulation, sculptural roof lights.

    "Externally the building is a relatively straightforward copper-clad

    curtain wall. The brighter character of the Pohjois-Esplanadi is

    recognised by lining the window frames with strips of white marble.

    The two entrances off either street converge under an array of light

    fittings, from which leads the three-storey space of the bookshop

    tucked in behind other buildings. Three crystalline rooflights bring light

    into this volume, and indeed appear to have embedded themselves in

    the roof. The vertically striped balustrades of white marble seem to

    attenuate the height of the space and dominate the colourful display of

    books."