altrim publishers catalog (indian ed) 2016-2017
DESCRIPTION
Find out what Altrim Publishers is working on. All our current and future projects in one place.TRANSCRIPT
catalogue 2016-2017
Connecting local culture and architecture in a unique
and surprising manner
Altrim PublishersConnecting local culture and architecture in a unique and surprising manner.
Our Collections:
Travel guides- Indian Architectural Travel guides
10x10 series- Masters of Indian Architecture series- The Masters after the 90’s- The Contemporaries
Architecture Monographs- MAT- CEPT University- The Architect’s home
forthcoming
forthcoming
new
We incorporate a channel of expression and commu-nication, with both an international and local focus, the journey being a motor of an architectural and cultural experience. We intend to spread architec-tural concepts and other art forms with a vision that ranges from the specific to the general. Connecting local culture and architecture in a unique and sur-prising manner.
We want to share our catalogue with clients, friends, authors and professionals by providing them with a way to communicate their design and publications in a traditional and digital format.
If you have a book idea or proposal that connects lo-cal culture and architecture, Altrim Publishers can help you publish it. Altrim Publishers is currently ac-cepting from initial ideas to finished designs. submit your proposal to [email protected]
Indian Architectural Travel guides
‘The trip is constant learning, it is discovery, it is culture. Since the trip can draw visions of the past and present, of life in other countries, in other towns and cities, in other areas; this is the reason why the journey is a constant analysis. You want that the conclusions are more exact to contrast them with other visits, with other experiences, and by doing this, generating this learning journey. Over the years I have discovered that India is one of the best places to do this.’
Miquel Alvarez Trincado
Indian Architectural Travel guides
delhi
jaiPur
Varanasi
kOlkata
POnducherry & aurOVille
ahmedabad
gOa
india
chandigarh
The Indian Architectural Travel Guides Col-lection introduces ancient, modern and con-temporary heritage and architects of India.
With these useful pocket guides, visitors will discover the cities and its architecture through practical itineraries, as well as sug-gestions for other places you can visit on the outskirts of the cities.
Each itinerary offers practical information to enjoy the architecture and visitors will be in-troduced to the culture and lifestyle of the cities along with the “Facts for the visitor” chapter.
All projects are presented with maps, pho-tographs, plans, practical information about how to get around the city, and an archi-tectonical explanation text. We’ve selected the best experts from every city, architects who have been working on these cities for a long time.
Indian Architectural Travel guides
chandigarh
Chandigarh is a unique city, besides being one of the newest cities of the twentieth century that is characterized by the seal of Le Corbusier. Visiting the city you will also find the work of a large team of modernist indian architects.
chd
Indian Architectural Travel guides
Vikramaditya Prakash
chandigarh
7372 ITINERARY IV GOVERNMENT HOUSING I (SECTOR 22)
This is a well preserved building with an elegant street façade that seems to be derived as much from the famous art-deco facades of the Bombay early C20 cinemas as it does from modernism - an arched frame, a protruding billboard panel and a curved ticket booth con-nected to a thin cantilevered entrance porch. Internally too, the plan displays art-deco sensibilities – while the main auditorium is designed with great care
to create a sense of theatre to it, all the other rooms seem to be pushed into the residual area with a several odd-shaped residual spaces and strangely shaped rooms (a for instance the projection room on the second floor). The interior is however beautifully finished in polished white terrazzo and teakwood panels that are gracefully illuminated with concealed built in lighting fixtures.
One of Drew’s first Chandigarh build-ings, this is a curiously defined structure. Although is essentially organized around a central courtyard, the plan, for such a small building, is very significantly nu-anced to adjust for programmatic particu-larities. Two additional small courts are introduced for daylighting, a tuberculosis wing generates a blocked off corner and a special protruding examination room, one set of Doctor’s offices have corridors
on both sides and one on only one side and the auditorium has its own semi-enclosed court. In a sense plan belongs more to the pre-modern sensibilities of spatial planning, than the modernist ones of underlying structural and aesthetic orders. The buildings street presence, an entrance porch in the form of a thin ex-tended cantilevered canopy, complete with a waiting bench, is a sculpture of dignity and precision.
Sector 22 C, V4 Street
1. Health Centre Jane B. Drew - 1956
sectionground floor plan
Sector 22 C, V4 Street
2. Kiran Cinema Maxwell Fry - 1956
ground floor plan section
16 17
11 Itineraries / points of interest buildings & places to visit
VII PGIMER & University of Tecnology
X Leisure Valley
XI North to SouthIII Museum Complex
II City Center
I Capitol Complex & Sukhna Lake
IV Government Housing I
V Government Housing II
VI Panjab University
VIII V4 Geri Route
IX East to West
The Union Territory of Chandigarh:
State Capital of Punjab & Haryana Area: 114 km² (44 sq km)55 SectorsDensity (2011): 9,252 persons per sq kmPopulation (2011)*: 1,054,686(* from Draft Chandigarh Master Plan - 2031, Chandigarh Administration)
Chandigarh city map
8 km to Sector 17
12 km to Sector 17
UDYOG PATH
V4 STREET
JAN
MA
RG
HIM
ALA
YA M
ARG
DAKSHIN MARG
68 69
ITINERARY IV GOVERNMENT HOUSING I (SECTOR 22)
Starting Point Hotel Aroma. Sector 22C 1. Health Centre Sector 22C Jane. B. Drew 2. Kiran Cinema Sector 22D E. Maxwell Fry 3. Shops Cum Flats 1 & 2 Sector 22D E. Maxwell Fry, Jane B. Drew 4. House Type 11-F Sector 22D E. Maxwell Fry 5. House Type 13-D Sector 22D Jane B. Drew 6. House Type 13-J Sector 22D Pierre Jeanneret 7. House Type 11-JB Sector 22D Pierre Jeanneret 8. Nursery School 2 Sector 22D Pierre Jeanneret 9. House Type 10-JB Sector 22D Pierre Jeanneret 10. House Type 9-F Sector 22A E. Maxwell Fry 11. House Type 12-JB Sector 22A Pierre Jeanneret 12. Secondary School Sector 22A Pierre Jeanneret 13. House Type 10-JD Sector 22A Pierre Jeanneret 14. House Type 13-D Sector 22A Jane B. Drew 15. House Type 10-F Sector 22A E. Maxwell Fry 16. House Type 9-FB Sector 22A E. Maxwell Fry 17. House Type 9-FC Sector 22A E. Maxwell Fry
Shopping Croma - electronics megastoreSCO 1094-1095 Ground & 1st Floor, Sector 22BKhadi India - emporium(www.kvic.org.in) SCO 3003-04, Sector 22D
Shastri MarketSector 22D
SECTOR 17
SECTOR 35
SECTOR 21SECT
OR 2
3
STARTINGPOINT
HOTELAROMA
SHASTRIMARKET
22 A
22 D 22 C
22 B
1314
15 16
12
11
10
17
34
56
7
89
3
12
3
N
242 pages with 228 colour photographs, 22 maps and 131 plans5 x 7.25” (126 x 184 mm)ISBN: 9789384052300 (India)9788494234200 (World)Price: 40€ 45$ 599Rs
11 itineraries, 185 buildings and places to visitArchitects index, Buildings index listChandigarh’s bibliographyFacts for the visitors chapter
Indian Architectural Travel guides
ahmedabad
amd
Indian Architectural Travel guides
ahmedabad
riyaz tayyibji
The architecture of Ahmedabad ranges from the ancient to the very mod-ern, from the Mughals to the last works of the contemporary Indian archi-tects, including Le Corbusier and L. Kahn buildings.
new
jai
Indian Architectural Travel guides
sanjeeV Vidyarthi
jaiPur
Indian Architectural Travel guides
jaiPur
Jaipur is a melting pot of Rajput, Mughal and several other cultures and is also the seat of a generous amount of vernacular tradition. The visitor will also find a contemporary architecture infusing new forms with the legacy of the past and the spirit of place.
Forth-coming
Old gOagOigOi
Indian Architectural Travel guides
Old gOa
maanasi hattangadi
Indian Architectural Travel guides
gOa
Goa was colonised by the Portuguese till as late as 1961 and thus, this era characterises much of its contemporary patterns. The settlement fabric of Goa at the best spans out as a rurban network of villages with only a hand-ful of urban centres.
Forth-coming
Indian Architectural Travel guides
kOlkata
Formerly Calcutta, capital of British India. Fashioned by the colonial British government in the manner of a grand European capital, the city has grown as-similating the strong Western influences and overcoming the limitations of its colonial legacy in order to find its own unique identity.
Forth-coming
ccu
Indian Architectural Travel guides
kOlkata
s. sen & s. ghOshs. sen & s. ghOsh
Indian Architectural Travel guides
aurOVille & Puducherry
The creation of the first Auroville community was based on a particular spirit, following the Sri Aurobindo’s integral yoga, life style and appropriate architectural design.Punducherry is a small seaside town where the French touch can still be seen be it in the architecture, street names or languages spoken by the lo-cals. But you could also find the Tamil architecture style in the town.
Pny
Indian Architectural Travel guides
aurOVille & Puducherry
anuPama kundOO
PnyanuPama kundOO
phot
o N
ibed
it. W
ikim
edia
Com
mon
s
Forth-coming
The first titles are:
Chandigarh - CHD Old Goa - GOI Varanasi - VNS Ahmedabad - AMD Kolkata - CCU Delhi - DELJaipur - JAI Puducherry - PNY Lucknow - LKO
chd
Indian Architectural Travel guides
Vikramaditya Prakash
chandigarhjai
Indian Architectural Travel guides
sanjeeV Vidyarthi
jaiPuramd
Indian Architectural Travel guides
ahmedabad
riyaz tayyibji
stuti sareen
del
Indian Architectural Travel guides
stuti sareen
delhidelhidelVns
Indian Architectural Travel guides
teresa garreta
Varanasi
Old gOagOigOi
Indian Architectural Travel guides
Old gOa
maanasi hattangadi
Pny
Indian Architectural Travel guides
aurOVille & Puducherry
anuPama kundOO
PnyanuPama kundOO
ccu
Indian Architectural Travel guides
kOlkata
s. sen & s. ghOshs. sen & s. ghOsh
lkO
Indian Architectural Travel guides
lucknOW
teresa garretateresa garreta
MASTerS Of The IndIAn ArchITecTure
We present a new series of books that will rediscover the fathers of Indian contemporary Architecture with monographs of each architect.
Aditya PrakashAnant rajeraj rewalV.d. doshicharles correaAchyut KanvindeJoseph Allen SteinLaurie Baker hasmukh c. Patel
10 X 10 Masters of Indian Architecture series
aditya Prakash
Aditya Prakash, was an architect, painter, academic and published author. He belonged to the first generation of Indian Modernists closely associated with Chandigarh and the developmentalist practices of postcolonial India under Jawaharlal Nehru.
ADIT
YA PR
AKAS
H VIKRAMĀDITYA PRAKĀSH
Paperback 80 pages With colour photographs and plans.8.27 x 5.83” (210 x 148 mm)
In each of the books you will get to know in a better and more insightful way the 10 best works of architecture of each architects, these buildings or designs have revolutionized their country’s architecture or have even transcended internationally, becoming worldwide icons. Each design is covered in depth presented with graphic and photographic material as well as an analytical text the revises and updated to today’s context the works of architecture.
1919
Initially intended to be a simple variation of Le Corbusier’s School
of Art, this building ultimately was subtly reinterpreted by Ad-
itya Prakash to accommodate its smaller budget per square foot as
compared to that of its model. Rather than eliminate the program,
Prakash choose to economise by using the Modulor to scale the
building down. In the process, he also revised the Modulor dimen-
sions to fit the Indian brick size. While the basic section and the
rhythm of the piers of the two buildings are the same, the plan and
overall character of the College of Architecture feels quite different
because of its rescaling. The final curve of the studio beams is also
quite different. The entrance corridor, the big courtyard, the mas-
sive beams, and the detailing of the front brise-soleil façade are all
worth paying close attention to. The library addition in the back by
S.S. Bhatti is also quite remarkable.
Dust am, sequis maionseque lab ilita asi reped maiorepudi om-
niendae volupta tempore porerior sum inus duciende rem voluptat.
Riaestibea dustiae coribustrum latature non consenisque verferore
que volores enesed earuptat quas dic to beate nobis deseratur,
volum ini ut rectur, officid que vellacea expel iditaqui omnihil ium
et oditionsero odionse ratibeaqui bea quatur? Idit faccus, tem. Sam
qui ne praero officiatia cusanimaxim est que .
2 Chandigarh College of Architecture
19 19
Itatur, consent ute odis debit omniet oditeni strunt, officias de labore ventum commodi dicabo. Et repe net fugit ut aut am faccati quunt aut alicturis milit quod ersped utatioriam reperunto officium id quatem quunt aut alicturis milit quod ersped utatioriam repe-runto officium id quatem. Itatur, consent ute odis debit omniet oditeni strunt, officias de labore ventum commodi dicabo.
Itatur, consent ute odis debit omniet oditeni strunt, officias de labore ventum com-modi dicabo. Et repe net fugit ut aut am faccati quunt aut alicturis milit quod ersped utatioriam reperunto officium id quatem quunt aut alicturis milit quod ersped utatioriam reperunto officium id quatem
Project year xxxx | Area xxxxCollaborators Itatur, consent ute odis debit omniet oditeni strunt, officias de labore ventum commodi dicabo.Address consent ute odis debit omniet oditeni strunt
1919
B. V.
DOSH
IHe worked with modernist and contemporary giants, Le Corbusier and Louis Kahn. Doshi retains that modernist edge but with a distinct Indian spirit. Sangath, his office, is a modernist yet earthy idyll, with soothing white vaults and free-standing pots set against lush green lawns.
10 X 10 Masters of Indian Architecture series
b. V. dOshi
CHAR
LES C
ORRE
A At the frontier of contemporary Indian architecture, he is very adept at sen-sitively meeting needs and preserving history. In his projects we find Indian values, for connecting pathways and history, abide deeply in his work, even without apparent reference.
10 X 10 Masters of Indian Architecture series
charles cOrrea
Was an a relevant figure in the establishment of a modern architecture in the San Francisco Bay area in the 1940s during the early days of the envi-ronmental design movement in USA. In 1952 he moved to India where he designed several important buildings, most notably in Delhi.
10 X 10 Masters of Indian Architecture series
jOsePh allen stein
J. ALL
EN ST
EIN
The fi rst titles are:
Aditya Prakash | Anant Raje | Raj Rewal | B. V. Doshi | Charles Correa Achyut Kanvinde | Joseph Allen Stein | Laurie Baker | Hasmukh C. Patel
ADIT
YA PR
AKAS
H VIKRAMĀDITYA PRAKĀSH
ANAN
T RAJ
E
RAJ R
EWAL
B. V.
DOSH
I
CHAR
LES C
ORRE
A
ACHY
UT KA
NVIN
DE
J. ALL
EN ST
EIN
LAUR
IE BA
KER
HASM
UKH C
. PAT
EL
The MASTerS AfTer The 90’S
We present a new serie of books focused on the work of the fathers of Indian contemporary Architecture after the economic liberalization in 1991.
charles correachris. chs BenningerV.d. doshiAchyut Kanvindeh.c. Patelraj rewal
Is an American-Indian architect and planner. He innovated the concept of Site and Services, an approach to housing providing access to shelter. His best known works are a cluster of academic and educational campuses inthe region between Mumbai and Pune.
10 X 10 The Masters after the 90’s
christOPher charles benninger
CH. C
H. BE
NNIN
GER
The fi rst titles are:
Charles Correa | Chris. Chs Benninger | V.D. Doshi | Achyut Kanvinde | Hasmukh C. Patel | Raj Rewal
HASM
UKH C
. PAT
EL
CH. C
H. BE
NNIN
GER
CHAR
LES C
ORRE
A
RAJ R
EWAL
B. V.
DOSH
I
ACHY
UT KA
NVIN
DE
The cOnTeMPOrArIeS
We present a new serie of books focused on the work of the young generations of Indian contemporary Architecture with monographs of each architect.
Anupama KundooAraya ArchitectsBimal PatelMatharoo AssociatesMorphogenesis rahul MehotraStudio MumbaiVasu Shilpa foundation
Architect, urban planner, academician, Dr. Patel’s leads HCP Design Plan-ning and Management. His practice has focused on transforming urban design and planning practice to make them more effective in improving Indian cities.
10 X 10 The Contemporaries
bimal Patel
BIMA
L PAT
EL
The first titles are:
Anupama Kundoo | Araya Architects | Bimal Patel | Matharoo AssociatesMorphogenesis | Rahul Mehotra | Studio Mumbai | Vasu Shilpa Foundation
MORP
HOGE
NESI
S
RAHU
L MEH
OTRA
STUD
IO M
UMBA
I
ANUP
AMA K
UNDO
O
ARAY
A ARC
HITE
CTS
MATH
AROO
AS
SOCI
ATES
“This is a particularly vital moment for architecture, a time of diversity and possibility and optimism, despite great obstacles...It is the business of architectural publishers to keep pushing that culture forward, and the monograph remains a viable way to do just that.”
Mark Lamster
Architecture Monographs
Passió per l’arquitectura
Pasión por la arquitectura
MAT
For the first time ever, a complete compilation of MAT’s works is published in one book. A great Catalan architect who left most of his legacy in Bar-celona city. He was involved in the generation of the School of Barcelona architecture revolution despite that he, later in life, would decide to pursue his own aesthetic preferences aside of current trends. Passionate architect, his profession became his life without sacrificing what he loved: culture, engines and traveling.
Architecture Monographs
miquel alvarez trincadomat
new
Hardcover 423 pages With colour photographs and plans.227 x 275 mmBilingual Spanish - CatalanISBN: 978-84-942342-1-7Price: 40€ 45$ 30£
80s-2000s0.3. CAPÍTOL CAPÍTULO
Miquel Alvarez Trincado al despatx del passeig Manuel Girona amb un client, M. Martínez Calderón; amb T. Garreta Mill i els seus fi lls, Miquelàngel i Ariadna (superior d’esquerra a dreta). Amb els directors de projectes d’Altrim, els arquitectes I. Riera, J.A. Boguñá i T. Garreta Mill (inferior esquerra).
Miquel Alvarez Trincado en el despacho del paseo Manuel Girona con un cliente, M. Martínez Calderón; con T. Garreta Mill y sus hijos, Miquelàngel y Ariadna (superior de izquierda a derecha). Con los directores de proyectos de Altrim, los arquitectos I. Riera, J.A. Boguñá y T. Garreta Mill (inferior izquierda).
70s0.2. CAPÍTOL CAPÍTULO
Miquel Alvarez Trincado al despatx del carrer Capità Arenas (Barcelona).
Miquel Alvarez Trincado en el despacho de la calle Capitán Arenas (Barcelona).
Miquel Alvarez Trincado al despatx del carrer Doctor Ferran (Barcelona).
Miquel Alvarez Trincado en el despacho de la calle Doctor Ferran (Barcelona).
60s0.1. CAPÍTOL CAPÍTULO
180 181
05
07
0601
03
02
04
05 Planta 1 a 3.06 Planta 4 (planta baixa).07 Planta 5 a 8.
05 Planta tipo 1 a 3.06 Planta 4ª (planta baja).07 Planta tipo 5 a 8.
01-02-03-04 Alçats nord, sud, est i oest.
01-02-03-04 Alzados norte, sur, este y oeste.
182 183
Ceremònia d’entrega de les claus dels habitat-ges als seus propietaris per part de les autoritats públiques.
Ceremonia de entrega de las lllaves de las viviendas a sus propietarios por parte de las autoridades públicas.
“Vaig construir uns quants edificis per a les cooperatives al barri de Sant Genís. Tenien varis paràmetres en comú: una topografia del terreny molt similar, tots els projectes estaven destinats a habitatges socials, amb escassos mitjans econòmics per a la seva realització, etc.Tot i aquests condicionants, a l’Estudi ens vam esforçar per treure de cadascun d’ells el màxim partit possible: solucions en planta amb distri-bucions molt estudiades per disminuir els costos, solucions constructives simples però dignes, etc.En els casos en què el solar ho permetia vam privilegiar plantes amb eixos de simetria molt clars i ordenacions molt repetitives; i al contrari, en el cas de solars més irregulars vam intentar jugar emfatitzant les inevitables reculades de les façanes”. (M. Alvarez Trincado, Converses, 2002)
“Construí unos cuantos edificios para las cooperativas en el barrio de Sant Genís. Tenían varios parámetros en común: una topografía del terreno muy similar, todos los proyectos estaban destinados a viviendas sociales, con escasos medios económicos para su realización, etc.A pesar de estos condicionantes, en el estudio nos esforzamos para sacar de cada uno de ellos el máximo partido posible: soluciones en planta con distribuciones muy estudiadas para disminuir los costes, soluciones constructivas simples pero dignas, etc.En los casos donde el solar lo permitía privilegiamos plantas con ejes de simetría muy claros y ordenaciones muy repetitivas; y al contrario, en el caso de solares más irregulares intentamos jugar enfatizando los inevitables retranqueos de las fachadas”. (M. Alvarez Trincado, Conversaciones, 2002)
“Vaig encarregar un estudi cromàtic al tàndem de pintors Arranz Bravo i Bartolozzi, que eren un equip molt actiu en aquells anys. Els vaig donar uns plànols amb els alçats en blanc i negre i ells me’ls van retornar amb la seva proposta”. (M. Alvarez Trincado, Converses, 2002)
“Encargué un estudio cromático al tándem de pintores Arranz-Bravo y Bartolozzi, que eran un equipo muy activo en aquellos años. Les di unos planos con los alzados en blanco y negro y ellos me los devolvieron con su propuesta”. (M. Alvarez Trincado, Conversaciones, 2002)
179178
“El projecte comportava tres edificis que, tenint en compte l’accidentat solar (un terreny difícil i amb pendents acusats i irregulars), vaig disposar de forma aparentment desordenada entre si, però que si t’hi fixes estan en la posició òptima respec-te a la topografia; les escales les vaig separar dels cossos principals, i funcionen com a elements fixadors entre ells, prolongant-se en passadissos exteriors fins als accessos.Són habitatges de protecció oficial pura i dura, amb totes les seves conseqüències: impossible utilitzar obra vista, les superfícies són les mínimes admeses per la normativa, cobertes d’uralita pintada, etc.”. (M. Alvarez Trincado, Converses, 2002)
“El proyecto comportaba tres edificios que, teniendo en cuenta el accidentado solar (un terreno difícil y con pendientes acusadas e irregulares), dispuse de forma aparentemente desordenada entre sí, pero que si uno se fija están en la posición óptima respecto a la topo-grafía; hice separar las escaleras de los cuerpos principales, y funcionan como elementos fija-dores entre ellos, prolongándose en pasadizos exteriores hasta los accesos.Son viviendas de protección oficial pura y dura, con todas sus consecuencias: imposible utilizar obra vista, las superficies son las mínimas admitidas por la normativa, cubiertas de uralita pintada, etc.”.(M. Alvarez Trincado, Conversaciones, 2002)
CEPT UnivErsiTyTeresa Garreta
The Center for Environmental Planning and Technology (CEPT) University it’s located at the Kasturbhai Lalbhai Campus, Navrangpura, Ahmedabad. The University comprises five faculties: Architecture (est 1962), Planning (1972), Technology (1982), Design (1992) and the newly Faculty of Management.The CEPT campus is a vitally important site in Ahmedabad’s cultural history.The buildings, designed by B.V. Doshi, are relevant examples of post-inde-pendence architecture in India.
Architecture Monographs
cePt uniVersity ahmedabad
Forth-coming
Hardcover 200 pages colour and B&W photographsand plans.220 x 220 mm (8.66 x 8.66’’)English
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excepere volut alitem quis nimil isit, netur saperumque cus, voloreria voleseque dolendae. Bus ea este ratem. nequi coratur?sunt mos et rere et ullut untureicidus eum dolo blabore doluptatem doluptas re eos evenimuscia volut pra saestrundus, sae expel illiquis venia autemquas dolorectibus alia dolupidebis quis doluptatquid quo quo comnimporpos es remped qui aut quam rem voluptaest, audit vel maximus dolorem dernatus, quaecae nonse sus coria pore pe cum et quam esecepel inctis et volorer spiciis natur molo od modia-tenis et fuga. Ferferf erioren ienimus magnatur? Ugias veriasp ercium sitibus aut persperibus, est
plan section
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cus, voloreria voleseque dolendae. Bus ea este ratem. nequi coratur?sunt mos et rere et ullut untureicidus eum dolo blabore doluptatem doluptas re eos evenimuscia volut pra saestrundus, sae expel illiquis venia autemquas dolorectibus alia dolupidebis quis doluptatquid quo quo comnimporpos es remped qui aut quam rem voluptaest, audit vel maximus dolorem dernatus, quaecae nonse sus coria pore pe cum et quam esecepel inctis et volorer spiciis natur molo od modia-tenis et fuga. Ferferf erioren ienimus magnatur? Ugias veriasp ercium sitibus aut persperibus, est.sunt mos et rere et ullut untureicidus eum dolo blabore doluptatem doluptas re eos evenimuscia volut pra saestrundus, sae expel illiquis venia autemquas dolorectibus alia dolupidebis quis
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If the home design is the essence of architectonical design, architects own homes are like architectural philosophies. And not only the architects have design the layout, even they had work on each detail creating a total home. Lighting, artwork, furnishings, every detail adds one more item to the architect creativity, reflecting their personality.The works sellection shows different generation of Indian architects, where each of these dwellings speaks more about its designer than any other of his building possibly could do.
Architecture Monographs
the architect’s hOme
Hasmukhbhai and Bhaktiben’s House
How should one live in order to live a genuinely good life? What values should one espouse? Philosophers write books to pro-pound their views on these questions. Architects design houses to do the same. The architecture of Hasmukhbhai’s house speaks of his views on these very important questions. I grew up in Hasmukbhai and Bhaktiben’s house. I continue to go there almost every day for lunch. Of course, the lunch that my mother makes for my father and me is delightful and nourishing. But so is the architecture of the house. It continues to educate and nourish me on those most important questions and I want to share some of what I have learnt.
My first hazy memories are of the house being constructed on a distant and barren plot surrounded by open fields. I was eight years old. As the house neared completion, Sundays became site visit days. I remember sitting and watching the carpenters at work on the dark and hard rosewood, waiting for my father to finish giving instruction to all the different people at work. The rosewood was a subject of much discussion. The carpenters, while admiring its dark beauty, kept complaining about how hard and difficult it was to work on. It was also an unusually rich and luxurious material – in a fairly modest house. It was possible to use rosewood only because my maternal grandfather was a wealthy wood merchant. Apart from providing the lovely rosewood, he had also helped pay for the land, and though, as a whole, the house venture relied primarily on my father’s courage and earnings, with characteristic generosity he wanted the house to be legally my mother’s property.
98
THE ArCHiTECT’s HOMEAriadna Alvarez
Forth-coming
Hardcover 200 pages colour and B&W photographsand plans.220 x 220 mm (8.66 x 8.66’’)English
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plan section
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