alice aycock
TRANSCRIPT
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Alice Aycock
b. 1946 Harrisburg PA
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Brief Accomplishments• BA 1968 Douglass College (Rutgers Univ)• MA 1971 Hunter College• Learned under Robert Morris – minimalist• 1977 solo exhibition at the MoMA in NY• 1983 exhibited at The Museum of
Contemporary Art in Chicago• Taught all over US including Yale U. 88-92• Four National Endowment for the Arts
Fellowships• On Art Commission of the City of New York
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1960's
• Three major styles affected my work– Platonic system – eyesight only– Minimalism – art at its base, bringing art closer
to the audience– Conceptual – art goes beyond language
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1970's• Many more women became artists• Linda Nochlin – article in '71 - “Why Have There
Been No Great Women Artists?”• Political activity became prominent in art
– Leob student protest @ NYU 5-18-70, 1500– New York art strike @ MoMA, 500 sit-in– Groups such as Women Artists in Revolution
(WAR) & Art Workers Coalition (AWC)– Exclusions from shows led to the first National
Conference on Women in the Visual Arts in '72• Women only exhibitions – Women's Caucus for Art
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Feminist Art in the '70's
• Conservative – perpetuate differences between sexes
• Radical – declared patriarchy the enemy• Social – establish group solidarity with
other oppressed groups• Liberal – sexes essentially alike mentally so
need a legislative solution
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Personal Views
• I was fortunate to enter the world at the time I did
• Artists should be “ambidextrous, androgynous and ambivalent”
• I am glad I don't look the way I think and think the way I look
• I don't consider myself a feminist, I consider myself an artist
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Maze - 1972
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Low Building with Dirt Roof - 1973
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Simple Network of Underground Wells & Tunnels - 1975
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Simple Network of Underground Wells & Tunnels - 1975
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Five Walls...the Beginnings of a Complex - 1977
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Happy Birthday Day Coronation Piece - 1978
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How to Catch and Manufacture Ghosts - 1979
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Machine that Makes the World - 1979
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The Miraculating Machine in the Garden
- Tower of the Winds - 1980
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Collected Ghost Stories from the Workhouse - 1980
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Savage Sparkler - 1981
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The Hundred Small
Rooms - 1984
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A Representation of the Second World - 1984
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The Island of the Rose Apple Tree Surrounded by The Oceans of the World
for You O' my Darling - 1987
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Project for the 107th Police Precinct - 1992
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East River Roundabout - 1995
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Sculpture Installation, Sacramento Convention Center - 1996
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Sculpture Installation, Sacramento Convention Center - 1996
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Cyclone Fragment - 1996
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Functional and Fantasy Stair - 1996
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Project for a Fountain - 1998
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The Star Sifter - 1998
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Maze 2000 - 2002
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Strange Attractor for Kansas City - 2007
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Ghost Ballet for the East Bank Machineworks - 2007
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Ghost Ballet for the East Bank Machineworks - 2007
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The Uncertainty of Ground State Fluctuations - 2007
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Alice Aycock: Sculpture and Projects – Robert Hobbs 2005
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REFERENCES• Davies, Hugh. Sitings. La Jolla: La Jolla Museum of
Contemporary Art, 1986.• Fry, Edward F. Alice Aycock Projects 1979-1981.
Tampa: University of South Florida, 1981.• Heller, Nancy. Women Artists :An Illustrated History.
4th ed. New York: Abbeville Press, 2003.• Hobbs, Robert. Alice Aycock: Sculpture and Projects.
Cambridge, Mass.: MIT Press, 2005.• Kardon, Janet, ed. Machineworks: Vito Acconci, Alice
Aycock, Dennis Oppenheim. Philadelphia: Institute of Contemporary Art, 1981.
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REFERENCES (cont)
• National Gallery of Art. "Alice Aycock." Alice Aycock - Biography. 2008. National Gallery of Art. 22 March 2008 <http://www.nga.gov/cgi-bin/pbio?242760>.
• Rosen, Randy. Making Their Mark : Women Artists Move into the Mainstream, 1970-85. New York: Abbeville Press, 1989.
• Schulte, Allan, et al. Sculpture of the 1980's. Sarasota: Award Video and Film Distributors, 1991.
• Vogel, Carol. “Beyond Museum Precincts, The City as Gallery.” New York Times, 22 January 1996, p. C11.