aleth lorne -the polychromy of the renaissance reliefs from the saint-martin church in doorn

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Aleth Lorne, Sculpture conservator, The Netherlands. The polychromy of the Renaissance stone reliefs from the St Martin Church in Doorn Ards Symposium 2016 – Suermondt-Ludwig-Museum. Aachen.

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Page 1: Aleth Lorne -The polychromy of the Renaissance reliefs from the Saint-Martin Church in Doorn

Aleth Lorne, Sculpture conservator, The Netherlands.

The polychromy of the Renaissance stone reliefs from the St Martin Church in Doorn

Ards Symposium 2016 – Suermondt-Ludwig-Museum. Aachen.

Page 2: Aleth Lorne -The polychromy of the Renaissance reliefs from the Saint-Martin Church in Doorn

Multidisciplinary research, Doorn. 2012-2014Agency for the Dutch Cultural Heritage (RCE)

• History of architecture: G. van Wezel and A. Reinstra (RCE)• Historical context: J. van Doesburg • Material stone: J.H. Tolboom et al (RCE)• Stone conservation: M. Stappers et al (RCE)• Analysis painting materials: M. de Keijzer (RCE) • Iconography: J. Stumpel, University of Utrecht• Photography: J. van Galen (RCE), SRAL• 3D drawings: G. Van Wezel (RCE), D. Claessen

Publication RCE, red. G. van Wezel, W Books, 2015

Page 3: Aleth Lorne -The polychromy of the Renaissance reliefs from the Saint-Martin Church in Doorn

Kiss of Judas

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Christ making a blessing gesture

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Veronica

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Pontius Pilate or Herod?

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Man with a blue-green hood

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An unidentified woman. A Sybille?

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Unidentified figureMan with an orange dress

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St. Martin Church in Doorn Dimensions of the monument: 340 x 270 x 15 cm.

Page 11: Aleth Lorne -The polychromy of the Renaissance reliefs from the Saint-Martin Church in Doorn

Gregorius Mass. C. 1505-1514. Meester van de Levensbron. Museum Cathrijjneconvent Utrecht.

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Architecture trompe l’oeil - Construction of the shadows

Page 15: Aleth Lorne -The polychromy of the Renaissance reliefs from the Saint-Martin Church in Doorn

Dino-Lite photograph and paint cross-section.1. Azurite, 2. Paratacamite, 3. Red ochre and chalk (ground)

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Veronica- Red ground layer

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Pieta, Utrecht. c. 1450–1470.Rijksmuseum Amsterdam.

Page 27: Aleth Lorne -The polychromy of the Renaissance reliefs from the Saint-Martin Church in Doorn

St Agnes, Utrecht. c. 1450 or 1460–1480? . Centraal Museum Utrecht.

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Apostle, Utrecht, c. 1500. St. Peter Church, Woerden.

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Console, Utrecht. c. 1500-1520. St. Peter Church, Woerden.

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Epitaph, Utrecht, c. 1460–1480.Centraal Museum Utrecht.

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Barbara, detail of an epitaph, Utrecht, c.1510-1520. Master of the Stone Head of Utrecht. Centraal Museum Utrecht.

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St Andreas, Utrecht. 1538. The Vredenburg.

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.Acknowledgments

For the possibilities of research they offered me, and for their trust: - Gerard van Wezel, RCE- Micha Leeflang, Museum Catharijneconvent Utrecht- Frits Scholten, Rijksmuseum Amsterdam

For their feedback and their encouragements all along this project:- Michael Rief, Suermondt-Ludwig-Museum, Aachen.- Annabel Dijkema, Museum Catharijneconvent Utrecht- Benoit van den Bossche, ULG Luik- Emmanuelle Mercier, KIK-IRPA Brussel- Camille De Clercq, KIK-IRPA Brussel- Elena Guardiola, School of Conservation, Aragon- My husband Andre van de Wijdeven