aiq_fall2009
DESCRIPTION
The Art Institute QuarterlyTRANSCRIPT
2 | The Art Institute Quarterly
4 editor’s letter
6 contributors
7 reader mail
8 president’s letter
9 trends
10 recycling at ai
features
11 soaring with angelsKyle morris gets up in the clouds
with the usaf blue angels in his
photographs from the 2009 air show.
fasHion
16 the great escapelocal designer, Julie Wheat, shares a
collection photographed by ai student
cyle suesz.
24 fashionsstories of fashion emergencies in
everyday lives of ai students.
around cHarleston
20 around townaiQ has found the perfect supply
store for all of your creative needs.
21 student newserin o’dea shares what career
services has in store for your future.
22 the foruma local artist tells how he got to
where he is and how you can too.
26 fall fiction28 travel30 remembering aiQ
coVer: blue angels flying high.
photography by Kyle morris
contents
1 6
2 1
1 1
phot
os le
ft a
nd r
ight
by
cyl
e s
uesz
pho
to b
y K
yle
mor
ris
aiQ
’s fi
rst
cove
r w
ith c
assi
e s
chm
itt, a
i stu
dent
pho
togr
aphe
d by
cod
y c
hand
ler,
ai s
tude
nt
Celebrating one year in print
4 | The Art Institute Quarterly
editor’s letter
Welcome to our fifth issue of The Art Institute Quarterly. We are
presently celebrating over one year in print. from our first issue in summer
2008 to the fall 2009 issue, we have had such a journey this year. as founder
and editor-in-chief, i can say i am very proud of the work and efforts made by
the art institute of charleston faculty, staff and students to make this project
continuous and meaningful to many artists in our school.
this issue is a very special issue, because it is our one year anniversary, but,
due to lack of content, we had to wait and combine the summer and fall issues.
our apologies to those who were looking forward to the summer issue. We
are still alive and working already on a fresh redesign of aiQ for 2010. in fact a
photo shoot has already taken place for the winter 2010 issue. unlike any other
club or organization at the art institute of charleston, The Art Institute Quarterly
has produced a consistent product every quarter since conception in 2008.
the only reason we can keep producing a file to send to print is because of our
contributors. We must have content to send out to the readers and without it
we have nothing to show. there are always opportunities to contribute through
writing and photography. please contact us for ways to join the family of artists.
as i was searching for content before the summer issue was due, i found
Kyle morris’ website and his collection of the usaf blue angels featured on
page 11 in Soaring with Angels. the centerfold of that feature is my favorite
and i am so grateful for his images to be part of our journey. a local fashion
designer, Julie Wheat, has teamed up with photography student, cyle suesz, to
showcase a summer collection of clothing on page 16 in The Great Escape.
please continue to read, critique (by no means are we perfect in our content
or design), but we will always remain true and professional, and will stick to our
vision of: for students by students. Write us and tell us your thoughts on this
issue, and, if you have ideas to share for the next 2010 year please do!
i always felt like the art institute of charleston was a place to call home from
the first time i walked through the sliding glass doors. We are a family here
at ai. a great southern family, and like a great southern cook from savannah,
ga says: from my home to yours, best wishes and best dishes! Have a great
holiday and see you in winter of 2010.
Russ BRatcheReditor-in-chief
The Art Institute Quarterly
phot
o by
cyl
e s
uesz
Hey y’all. I’m here with my best friend, my mac.
SUMMER/FALL 2009 | 5
VolUMe 2, issUe 3-4
editor-in-Chief, layoUt russ bratcHer
exeCUtiVe editor micK matricciano
fashion editor Krysten adams
photographers cyle suesz, Kyle morris
AdvIsor/Proof reAder terry fox
CoMMUnity
faCebook searCh: the art institute Quarterly
online searCh: www.cargocollective.com/aiquarterly
pUblished by the art institute of charleston24 n. market street, charleston, sc 29401
aboUt aiQ the art institute Quarterly is a quarterly publication covering all the majors offered at aicsc along with community stories for students by students at the art institute of charleston. We reach an audience of over 700 students, staff and faculty and to the surrounding charleston, sc community.
this unique publication is one of its kind in the ai community. the art institute Quarterly is printed in-house at the art institute of charleston’s own print studio. all models, designs, photographs, contributors, events and team management are produced by students at aicsc. this publication is for educational use only and is not intended for financial gain. ©2009 aiQ. true story.
reader serViCes
letters aiQ welcomes your letters! send letters to russ bratcher, editor at [email protected] or terry fox at [email protected].
Writing opportUnities We are always looking for fresh voices and stories for our aicsc family to enjoy each quarter though our publication. please send queries and/or suggestions to the editor or to, terry fox at [email protected].
6 | The Art Institute Quarterly
contributors
stephanie sChUltzWriter
stephanie schultz is a student in the Web design and interactive media program. When she isn’t struggling with her homework or writing, she is wrangling two busy grade school girls at her home in goose creek, south carolina. stephanie is a military transplant hailing from Kansas city, missouri, and has been living with her family in the lowcountry for four years.
Mikie Venittelli Writer
mikie Venittelli is a graphic design student at aicsc best described as an assiduous perfectionist. He has a strong passion for photography and spends much of his time outside of the classroom behind a camera. mikie has always been highly ambitious and determined to succeed at any task that lie before him.
kyle Morrisphotographer
Kyle morris is an aspiring commercial photographer currently living in charleston, sc. His first interest in photography began while experimenting with photoshop in his high school multimedia class. from there, he learned what makes a good composition and what colors work well together, which carried into his photography.
Cyle sUeszphotographer
i’m cyle, i like my pictures to have a high-end couture feel. i deal mostly in fashion and commercial, but i am known for my quirky series that base around taking old ideas and twisting them into something different. i use to read Elle and Vanity Fair when i was in middle school and, when i got into high school, i knew i wanted to be a fashion photographer.
on the webNow you can access your favorite articles at cargocollective.com/aiquarterly
The students who make The Art Institute Quarterly happen.
not pictured: Krysten adams, Writer and mick matricciano, Writer
WeB eXclUsIve icons in this issue are sure ways to know that your favorite stories and images are online to view.
onlIne the stories from aiQ’s one year journey are just beginning. log on to our webspace for all of the articles from the past; this present issue you’ve read, and for inspiration.
SUMMER/FALL 2009 | 7
dear aiQ, i am the faculty
chairperson in charge of the Quality
enhancement plan for the art
institute of atlanta, representing the
Washington, dc. campus.
ok, long title aside, what is it that i
do and why am i contacting you? you
may be aware that the art institute of
atlanta (from which charleston is a
branch campus) is going through their
reaccredition, which happens every 10
years. as part of this process, there
is a new initiative to create a plan of
action which improves a particular
quality of the school with the goals
of the students in mind. our topic is
“teamwork.” this means that we are
tasked with creating a plan to improve
student teamwork skills across the
curricula. as one of our initiatives,
we started to create an ai magazine
that might be contributed to by all
the ai atlanta schools. this seemed
a daunting task until i recently visited
the charleston campus and was
handed your publication, the art
institute Quarterly. i am impressed!
you and your team in charleston have
done an amazing job on this magazine
and i find it difficult to believe that
you were able to make it a quarterly;
however it seems you guys have your
act together.
Why am i telling you all this?
Well, i wanted to warn you that we
may be asking to pick you and your
team’s brain as to how to get this
initiative accomplished. as you have
an established process going, it may
be of benefit to simply expand the
operation to include other campuses.
i can still not put into words how
impressed i am with the publication
and everything that you guys are
doing there. i hope that we can
possibly work together in the future on
the possibility of expanding the operation.
—Josh YavelBeRgtHe art institute of WasHington
dear aiQ, i’m leevan roundtree.
i am a fashion major at the art
institute of atlanta and first off, i want
to congratulate you and your team on
a great publication. this email is to
inform you that the ai Quarterly has
inspired us here at aia to produce
a publication of our own and i was
wondering was there any advice
your could give us, seeing that you
and your team has already published
a couple of publications. our editor
in chief is Jackie Velasquez. she is
an outstanding student and she is
cc’d in this message as well as our
creative director, carlita scaboro, and
our director of student development.
i will be the fashion director for the
magazine. Just to be clear we are
in no way trying to replicate the ai
Quarterly magazine, we recognize the
magazine as a great publication and it
has already set itself apart.
our magazine here at aia will be
called the ai sparK which goes along
with the name of our mascot “spark
the phoenix”.
—leevan RoundtReetHe art institute of atlanta
dear aiQ, i just wanted to let
you know that, once again, the ai
Quarterly rocks! Just wanted to give
you both a little shout out because
clearly there is a lot of talented hard
work put into this. i even brought my
copy home for friends and family to
see and they were very impressed!
from an admissions perspective,
we love showing off what you are
good at to others…plus we just enjoy
the great articles and pictures for our
own viewing pleasure! Keep up the
great work!
ps. russ, please let all of the other
aiQ staff know they rock too!
–danielle angelichtHe art institute of cHarleston
AiQ maildid you see or read something you liked or did not like about our publication? please send us an email telling us your thoughts. russ bratcher, editor-in-chief, aiQ e:[email protected]
dear aiQ, Thank you so
much for copies of The Ai
Quarterly, The Art Institute of
Charleston student quarterlies.
I am very impressed and
look forward to having an
opportunity to read the
attractive and very professional
looking magazines.
It is difficult to believe
that the Institute is already
celebrating it’s first anniversary.
I am so proud of what you
are doing. I am sure The Art
Institute of Charleston has
a bright future and will be a
positive influence in the lives of
it’s students.
Sincerely yours,
–Joseph p. RileY, JR.mayor, city of cHarleston
phot
o by
Kyl
e m
orris
8 | The Art Institute Quarterly
GreetInGs, When you read this edition of ai Quarterly, our fall quarter
will be well underway. and it promises to be yet another exciting one. during
the summer quarter, we had a great schedule of on-campus speakers,
beginning with dick elliot, the president and owner of maverick southern
Kitchens, a collection of south carolina dining establishments that includes
slightly north of broad and High cotton restaurants in downtown charleston.
dick brought to our campus his unique perspective after close to 20 years in
the hospitality industry. following dick during the first week of our summer
speaking series was marjory Wentworth, the poet laureate of south carolina,
and sam griffin, the advertising design director for bon appétit magazine.
these presentations proved to be an informative start for a summer of
interesting lectures, and the whole college community participated throughout
the series. all told we heard from more than a dozen speakers, all distinguished
individuals in their respective fields, helping to make our summer quarter an
enriching experience.
We have also completed construction on our new classroom, lab and studio
facility in the imax theater building. We have taken over what was once the
food court area of the imax theater, and we have built a digital film studio and
control room, a digital editing suite, a digital darkroom, a photo studio, and
an equipment cage for our digital film and digital photography programs. in
addition, our film and photography faculty are now located in the new space, as
are a few members of our admissions staff. construction on this location began
in mid-august and we started moving equipment and furniture into the new
space within weeks of the fall quarter’s start.
i also want to announce an important development in our career services
efforts, and that is the hiring of our first director of career services, erin o’dea.
We were able to recruit erin away from the college of charleston, where she
oversaw that college’s intern programs. erin is responsible for developing a
formal career services program here at the art institute of charleston. in that
capacity she will work to develop a program that will assist our graduating
students in finding jobs in their respective fields of study, as well as helping our
students in securing part-time jobs while in school. erin will be a great addition
to aicsc, and we are happy that she has decided to join us. please stop by
and see her and welcome her to aicsc. erin’s office is located on the second
floor in room 238. erin’s appointment will also free up terry fox, our director of
student services, to focus on the areas where he is our greatest asset, such as
student life, housing, and disability services. all of these changes have made us
a better institution.
so, welcome to this edition of the ai Quarterly. and welcome to the fall
quarter at the art institute of charleston.
RichaRd JeRuepresident
the art institute of charleston
in his office, president, rick Jerue takes time to let ai
student, obed danjoint, capture his portrait for his letter.
president’s letter
SUMMER/FALL 2009 | 9
Kent BeArdenfashion and retail management
shirt- urban outfitters
Jeans- banana republic
sunglasses- urban outfitters
shoes- clarks
AnGelA BAldWInfashion and retail management
tights, shirt- new york and company
shoes- rue 21
bag- dolce and gabanna
accessories- misc
fashion trends can be captured and sent to the editor-in-
chief, russ bratcher, at
trendsOn the move at The Art Institute of Charleston.
Fashions
design tip just for you Nine Sites, Books & Apps
What color do you have your desktop background? Pink??if you do and you’re seeing any part of
that color while you look at a project on
your screen the color is going to play with
your eye and change the way you see your
work. now, get into those desktop settings
and leave your desktop to a neutral hue like
#333333 or #666666.
color theory is something to live by in
the professional world. from designers
(not decorators) to culinary arts we all are
effected by those hues that could mean
the difference between a good design and
an award wining design.
—Russ Bratcher
Grey is Go!
site 1: tYPecHArt.com Web fonts displayed with css code to match.
site 2: motIonoGrAPHer.com motion graphics site.
site 3: GotPrInt.net EDITOR’S PICK for online print solutions.
booK 1: BAKed, New Frontiers in Baking. lewis & poliafito $30
booK 2: fAsHIon sKetcHBooK. abling $90
booK 3: d.I.Y.: design It Yourself. lupton $20
apps 1: myPAntonetm $10 the best color assistant for any designer.
apps 2: twitterrific free #1 recommended app for tweet, tweets!
apps 3: Whatthefont free find fonts fast from images on your phone.
photos by renee Jones
10 | The Art Institute Quarterly
recycle waste
all food containers
must be rinsed clean
of leftover waste.
Yescomputer printouts (“green bar”)
White, colored, window envelopes
tin - #10 food cans, steel – soup cans
newspapers & magazines
(separate bin upon request)
glass – green, brown, clear, blue,
plastic or paper trash bags
large plans or plots
plastic – only #1 & #2
plastic cups or plates
White office paper
“office fiber:”
carbonless forms
shredded paper
mini bottles
paper towels
colored paper
post it notes
manila folders
cardboard
aluminum
memos
Notissues
styrofoam
carbon paper
plates or cups
paper towels
paper ream Wraps
Hanging folders (metal)
Kraft (brown) envelopes
Wrappers (food, candy, etc.)
metal/plastic file fasteners & binders
Remember
WHAT YOU ARE TO RECYCLE AROUND CAMPUS
inside green cans are
emptied into outside
wheeled carts for
collection. these are
the only containers
that can be collected.
representatives from
fisher recycling are
available to conduct
campus-wide
recycling education.
composite by Katie Barbera
Soaring with AngelsOnce in a lifetime view of the Blue Angels.
photos by Kyle morris
text by stephanie schultz
14 | The Art Institute Quarterly
he roar of seven
approaching f/a 18 Hornets
have made an iraqi soldier
soil his pants, but on may
16th and 17th in beaufort, south
carolina that sound generated
cheers from a crowd of thousands
of onlookers at the blue angels air
show. the fans were not disappointed
as the pilots performed formations,
barrel rolls, corkscrews, fly-bys and
more during the demonstration.
photography student Kyle morris was
in that crowd, capturing some of the
brilliant shots seen here with his canon.
the navy’s blue angels is the flight
exhibition team that has been touring
the united states since 1946 showing
off their mad flying skills to promote
naval aviation. seven demonstration
pilots are chosen from among the
navy’s finest flight officers for this
grueling but coveted two-year tour
of duty. the pilots and their support
crew are commissioned or enlisted
men and women serving on active
duty. they are chosen not only for their
outstanding technical skills but also for
their exemplary military conduct. since
their inception, the blue angels have
performed for over 400 million spectators
in locations all over the u.s.
it is comforting to know that the
blue angels are some of the same
fighter pilots that defend our freedom
by catapulting from the decks of
aircraft carriers across enemy lines.
many of their tricks are based on
evasive maneuvers learned for air
combat situations. these pilots
must complete a minimum of 1250
hours of real mission flight time to
even apply to be on the team. the
number one pilot, called “boss,” who
is hand picked by the chief of naval
air training, has to have over 3000
tactical flight hours and must have
commanded a tactical jet squadron
before. they are no strangers to combat,
and after their two years based in
beautiful pensacola, florida serving as
the official faces of naval aviation, they
return to being defenders of freedom.
Kyle morris has seen the blue
angels about a half a dozen times in
the last few years and plans to see
them a lot more in the future. the first
time that he saw them was from above
the bridge on the us coast guard
cutter cypress. thanks to morris’
father, who served as a chief on the
cypress, he got a bird’s eye view
of the show from the highest point
on the ship—about 150 feet above
the water—as the jets circled around
him. the pilots need a visual and
navigational reference point during
their exhibitions, and morris was right
on top of it. from this vantage, he
caught some images with his canon
so close and sharp you can see the
pilots’ faces. although people often
think they were taken from a plane,
he assured me that they weren’t.
morris hasn’t got to meet any of the
pilots yet, but he hopes to someday.
ideally, he would like to be able to
take aerial shots of the blue angels,
maybe even from fat albert airlines,
the c 130-t Hercules that serves as
the blue angels’ transport vehicle.
maybe if the right people see these
photos, Kyle will get that opportunity.
WeB eXclUsIve Want to see more of the “Flight” series, visit Kyle’s website at kylemorrisphotography.com
18 | The Art Institute Quarterly
cavortressSpinspin Sugar: hand stenciled spray painted pink silk bustier dress, custom order onlyPeppadew Skirt: red pencil skirt with studs at waistband, custom order only Barbie Tube: electric bubble gum tube top, $60Slink: (sequin skirt): Sequin obsidian tube Skirt, $80Francine: (zebra skirt): Regal zebra print skirt (vintage), $125; also available in cotton candy marbleized print (dead stock) and paintball (vintage)Jadis: (silver tank top): dry ice knit tank top, $80Hecuba: (black camisole): Oil silk camisole tank top with studs, $80; available in cotton candy marbleized print (deadstock) and paintball (vintage)Sizzle Britches: (silver shorts): in Airstream, $80; available in one other vintage printInnocent Vamp: (grey dress with low back): dove dress with electric bubble gum piping, $250;available in dove with cobalt pipingAntoinette Sweatshirt: (white top with black bows): $150; Antoinette Tee: shown in regal, $80, available in onyx, cobalt, electric bubble gum, atomic tangerine, kryptonite, and cotton candy marbleized print (deadstock) and paintball (vintage)
C
SUMMER/FALL 2009 | 19
Julie Wheat has made her mark already in charleston by
creating hand bags out of vintage material. so recently she’s decided to
branch out and create a line that is both eco-friendly and rare. the pieces
she creates are all limited edition but available in a variety of colors and
fabrics. the release of her much anticipated 2010 spring collection has
been a breath of fresh air to charleston fashion. the clothing is available
at www.cavortress.com and for price and fabric inquiries Julie can be
reached at [email protected]
thank You. Julie Wheat’s colorful displays of fashion were photographed by the art institute of charleston’s
very own photographic imaging student, cyle suesz. amy chadwell, also a former ai student, on the first page of this
feature models for ms. Wheat. The Art Institute Quarterly would like to thank ms. Wheat for use of these images and
for supporting students in our lowcountry. the art institute of charleston and The Art Institute Quarterly wish ms.
Wheat wish the best in 2010.
20 | The Art Institute Quarterly
ur store has been serving local artists and
students for the past 11 years. up until
2008 we were located on upper King st.,
beside Joe pasta, in what is now the Hall’s
chophouse. We do miss our old spot but
times change and upper King is a lot nicer (and
pricier) than it was when we first moved in. We were
really lucky to find our new underground location in the
basement of the Knights of columbus building. We might
not have windows, but we’re much closer to the college
of charleston and the art institute, not to mention that
we stay nice and cool during these unbearable summer
months. our new address is 143 calhoun, but the best
way to find us is by following the delicious aroma wafting
out of mama Kim’s next door or follow the gaze of
calhoun’s statue across the street in marion square. We
are also lucky to have free parking available to customers
in the alley right outside our door.
We pride ourselves in having the best selection of fine
art and drafting supplies in the area as well as frames,
furniture, fun toys, and great gifts. We also offer very
competitive prices compared to the big guys and have a
huge 20-70% off sale on certain items every single month.
We do offer i.d. wielding students an additional 10% off
of their purchases, excluding clearance items of course.
for certain classes there is the option to buy a premade
supply kit at 20% off normal price. this service has to be
set up ahead of time by the instructor and students will be
informed during class if this option is available to them.
–hiRona Matsudastore manager, artist & craftsman supply
a r o u n d t o w n
Artist & craftsmanStudent discounts at a new location.
Photo caption: Hirona, marie, abdul will greet you with a smile as always.; artist & craftsman store front; inside the store. Please view our website at www.artistcrafts-man.com, or stop in and see us at 143 calhoun. store hours are mon-sat, 9am-7pm and sun, 10am-5pm.
cyle s
uesz
SUMMER/FALL 2009 | 21
With the addition of erin
o’dea as the new director
of career services, ai-
charleston is pleased to provide full-
scale career services programming
to encourage student success! from
helping students obtain part-time
work and internships while attending
school, to actively supporting soon-to-
be graduates’ job searches, the office
of career services is committed to
ensuring that each and every student
receives the support he or she needs.
discovering how and where you
will leave your creative mark on this
world is an important process and
the office of career services is here
to support you in that journey. upon
admission to the college, students are
encouraged to become familiar with
the career development resources
offered through the office of career
services, and to begin building a
partnership with the staff early in
their college careers. bulletin board
postings, as well as email blasts, are
key tools in advertising the array of
career building opportunities available
to students. Keep an eye out for
workshops offered in resume writing
and interview skills, as well as part-
time job fairs and other special events.
the art institute system of
colleges places major emphasis on
its high standard of excellence in the
field of career education in the applied
arts and on the ultimate employability
of its graduates, thus each student
will be required to formally meet
with the career services staff in the
quarters leading up to graduation.
the purpose of these meetings
will be for the staff to assess long-
term career goals for each student
and to assist in the achievement
of those goals. all upcoming
graduates will provide permanent
addresses, telephone numbers, and
other critical information to ensure
ongoing communication between
the department and the student. an
up-to-date resume will also be placed
into the permanent file of the student
and will serve to facilitate ongoing
ease of communication in regard to
employment and career concerns.
in addition, each graduate is
registered for access to the alumni
connections website, which is the
comprehensive link for graduates on
all the ai campuses to employment
and networking opportunities
throughout the country. simply put,
as a registered graduate of the art
institute of charleston, you will be
able to access and apply for job
possibilities nation-wide!
since the office of career
services should be considered to be
virtually a life-long resource for the
students/graduates of the college,
don’t wait to discover how you can
partner with the staff in ensuring your
personal career success.
tHe PUrPose of cAreer servIcesto support in-school students
in securing part-time or
temporary employment, as
well as internship opportunities
to provide guidance in the
development and refining of
student resumes, sharpening
interviewing skills, and
enhancing the understanding
of professional ettiquette
to support the college’s
graduates in securing full-time
field-related employment
to cultivate relationships
with alumni and to build
partnerships with the range of
potential employers
s t u d e n t n e w s
leaving soon?Success before and after college services offered.
contAct erIn At: [email protected] by erin o’dea
photography by cyle suesz
ER I N O ’DEA
22 | The Art Institute Quarterly
tell us a little about yourself.i am from marion, ny (upstate
ny) – graduated with a “strong” 76
classmates (note sarcasm). i went
to cazenovia college – small private
school outside of syracuse, ny, and i
am thirty-eight years old.
tell us about your job.i have been in the field of design
for nine years and started as an
advertising director, and am now
creative director. my job is multi-
faceted. i developed Wild Wing
cafe & red’s ice House’s branding
and graphics, but i also protect our
image, logo usage, etc. it is part
developing the graphics to support
promotions and also part building our
brand throughout the southeast and
beyond. daily tasks include graphic
design, but also a lot of fielding offers,
negotiating rates, managing assistant
graphic designers, working with
operations, ownership, franchisees, etc.
What about your job do you feel especially proud of?first, my work ethic. secondly, i’m
very proud of where i’ve been able
to take the look of Wild Wing cafe
over my nine years. When i started
with Wild Wing we had 4 locations,
and now i manage the design and ad
placement for 34 and counting.
What do you like most about being a graphic designer for Wings over America? i enjoy developing one brand and
seeing where it can go and how it
evolves. i worked for an agency in
the late ‘90’s, and while i enjoyed the
work, i rarely had very much feedback
once i moved on to my next job/
client. What’s nice about working for
one brand is i am able to modify and
correct things that maybe didn’t take
off the way i had planned. i enjoy
taking ownership in my part of the team!
describe your work environment. What is to be expected on a day to day basis?mildly controlled insanity. i can have
my day completely planned out and
get absolutely nothing accomplished
because of last minute “fires” and
surprises. the one thing about being
a graphic designer is that many times
you are waiting on certain aspects
of a promotion or job to be finalized
interview by mikie Venetelli
photo by chad Klimaszewski
chad Klimaszewski styling as advertising director for Wild
Wing cafe.
t h e f o r u m
You want my job?What it takes to get into the graphic design field.
SURVIVAL SKILLS
EDUCATION TALENT GUTS… & FUN
HUMAN
Compa n y to work f orYoU Are Here
He Is tHere
SUMMER/FALL 2009 | 23
and when it finally gets to you, you
may only have a small period of time
to then work your magic. for some
reason “stressful” doesn’t seem
to do these moments justice…
but you gather your thoughts and
hope the final project meets your
expectations…at least partially.
describe your creative process.graphically…i’m not a sketcher.
i never have been. i just visualize
something and go for it. i let it evolve
in front of me. it may start one way
and end a completely different way.
images, fonts, feedback, etc. may
change the direction from what i
started. promotionally…i always try to
ask the questions a customer is going
to ask and then work to fill in the
blanks. i like to start with too much
information and then weed through
what is essential to “sell” the promo.
Why did you want to be a designer? i was very artistic in high school.
i always knew i was going to go
into some sort of visual arts. i liked
illustration, architectural design and
graphics. i chose graphic design
because i felt there were more
opportunities.
If a student wants to become a graphic designer, how should he best prepare?i’m all for expressing your personality,
but a job interview is not where i
want to see that you like wearing
light blue retro blazers and white
shoes. i recently hired a new
assistant designer and the interview
process was at times pitiful. no
professionalism, sloppy portfolios
and amateur over-confident attitudes
about one’s skills abounded. i was in
complete disbelief. you need to be
good to get the job, but don’t give the
interviewer easy excuses to not want you.
How competitive is it to land a job?if you’re looking to leave school and
land a cushy ad director position, it’ll
probably be very hard. if you’re not
scared to take an entry level position
and develop your skills, put in extra
hours and build up real work in your
portfolio, then it can be easy. i can
work with a weaker portfolio and a
strong work ethic much more than
someone with a strong portfolio and a
major ‘tude. nothing is owed to you…
it needs to be earned.
What sets a candidate apart from others when seeking a graphic design job?obviously a good skill set and graphic
design knowledge is a must. a good
portfolio grabs my attention. but i’m a
big fan of good, clean presentation, an
applicant who’s not scared to get off
their computer and a strong work ethic.
What is the worst part of the job?Waking up at 3am and thinking about
work until 7am is pretty high on my
list. i also despise immature critiques
from people outside of the graphics
world. “that sucks” or “that’s ugly”
or comments similar don’t help me
move forward with a design. i have no
problem with constructive criticism,
but rude comments just for the sake
of hearing one’s own voice wears me out.
Are there any misconceptions that people have about the job?i would say most people don’t
understand the time it takes to
develop something visually. many
times an idea is developed quickly, but
it’s much harder to develop that idea
into something visual.
What is the work/family balance like?my work/family balance used to be
off the charts on the work-side of
things. but understanding that time
away from work helps the creative
process flow, (as well as developing
a long-term relationship) i’ve been
able to even things out a lot. i still
have nights where i don’t want to
stop working on something, but those
nights are much less prevalent these days.
Any advice or tips, you’d like to share?advertising has an amazing history
and is a medium that will be around
forever. once you realize you’re part
of something a whole lot bigger than
you…you’ll be better off.
c o N N e c T w I T H A i Q
o n
search:
The Art Institute Quarterly
m e
m e
m e
m em e
y o u
y o u y o u
y o uy o u
24 | The Art Institute Quarterly
With any role in life, there is
always pressure to look
the part and for those
interested in entering the world of
fashion, i find this to be true even
more so. However, knowing style and
understanding fashion does not make
us immune to the inevitable wardrobe
malfunction from time to time.
We can all be honest here,
anonymous, but honest. after all this
magazine is all about true stories.
We have all gone shopping, not
necessarily looking for anything
specific, but nonetheless we have
grabbed a few items and headed to
the dressing room. this is where your
day turns around. that pair of jeans
you grabbed, knowing they wouldn’t
fit, fit! they are a size smaller than
you normally wear, look like a million
bucks, and have a price tag to match.
you head straight to the register
because we all know you aren’t
just buying a pair of jeans, you are
purchasing tangible self confidence!
so, the next day you show up to
school, in your new pants, on cloud
9. you look so amazing you know all
eyes are on you when you walk into
the room. nothing about the day
could go wrong for someone looking
as dynamite as you do.
text by Krysten adams
photo illustration by russ bratcher
f a s h i o n s
major malfunctionEmbarrassing fashion moments.
SUMMER/FALL 2009 | 25
now you feel a tap on your
shoulder, probably just another
compliment on how amazing you look
right? Wrong. your stomach sinks
as you realize what the girl next to
you just whispered in your ear. you
force your hand down to your side
and rip off the size tag you had still
stuck running down the thigh of your
new sexy pants. the worst dose of
reality comes when you are so far in
the clouds you can’t see straight long
enough to remove all tags from your
new clothing. after all, you may be
proud of the size you fit into, but is it
ever something you want to broadcast
to the world? i do not think so.
now, another story. you wake up
ready and raring to go this morning
after having planned out your new
outfit late last night. an outfit you are
so obsessed with, you’re tempted
to wear it again the next week.
new jeans, a hot top, and the most
to-die-for heels. the day is going
great, you’re owning the sidewalks,
hallways, everywhere you go, you
radiate with the utmost confidence.
you decide to stop by starbucks for a
little extra energy and sweet treat and
head upstairs to lounge in the comfy
chairs and take in your morning.
after a few minutes, it starts to get
crowded and you have reached your
caffeine limit, so you responsibly
clean up your mess and head to the
stairs. When i say it had started to
get busy, i mean a line halfway to the
door of eager coffee addicts waiting
to be served. but before you can even
think of pushing open the door, your
sexy new heel slips, and before
you can say oH no, you are on your
behind soaring down the stairwell and
picking up speed as we speak. not
only are you mortified for falling down
the stairs, but after opening your eyes
you realize you managed to take out
a poor unsuspecting customer’s latte
in the process. needless to say, that
confidence, outfit, and coffee break
were totally overrated. but with every
down side comes an upside. so lets
all just realize how blessed you are for
not having worn a dress that day.
now i have saved the most
traumatic experience for last. this
is where camaraderie between
girls really needs to play more of a
part in our lives. so picture yourself
starting off the day getting dressed
for classes, excited about the outfit
you’ve chosen. a cute layered mini
skirt and shirt, a typical charleston
summer outfit. you get through the
first half of the day with a quick trip
to the bathroom to touch up the hair
and lip gloss. you all know the drill.
Well, what you don’t know is that
while you are walking around the
hallways your cute little miniskirt
just became more mini! it takes
two turns in the hallway, six people
passing, and four precious minutes
for someone to finally come up to
you and inform you that your skirt
has folded up on itself and you have
been unabashedly showing everyone
your derrière! first things first, you
rapidly think back to everyone you just
passed in the hallway praying your
crush wasn’t one of them! second
you make a note to self– never again
to wear this skirt. and lastly you
realize there is no possible way to rise
above the humiliation and that you are
forced to catalog this as tHe most
embarrassing moment of your life and
pray that one day you will be able to
look back and laugh… instead of cry,
which is exactly what any one of us
would have done later that afternoon.
all of these stories come from
faithful fashion students who
understand the balance between
smart style choices and karma. after
all, what else would make a girl
deserving of such fashion disasters?
We have all had them, laugh at them,
and pray we aren’t their next victims!
thank you to those who shared their
stories with me.
halloween
PumPkin CarvingWinners 1st – Heather altine
2nd – farrah osment
3rd – tim o’brien
most UnIQUe marcello garofalo
HonorABle mentIonanna picone
CostumeWinners1st - christian zehntner
2nd - elizabeth nguyen
3rd - tasia thomas
26 | The Art Institute Quarterly
you walk briskly up church
street headed to your car after
dinner with your friends at
Wild Wings. Walking alone after dark
always makes you jumpy because
most of the friendly-faced tourists
have turned in for the night. the only
people left wandering the streets
downtown are drunks and weirdos,
each a little intimidating in their
own right. you grip your keys tightly,
holding them between your fingers
like spikes. “if anyone messes with
me tonight, these keys across their
face should be enough to run them
off,” you convince yourself. as you
near the st. phillips cemetery you
subconsciously walk a little faster.
you don’t believe in ghosts, but
a friend told you a story at dinner
tonight about the ghost of susan
Howard Hardy who haunts the
cemetery singing to her stillborn baby
who is buried there. your friend swore
that she had heard the mother’s
sorrowful singing with her own ears
during a full moon once. thankfully
tonight isn’t a full moon. anyway,
you don’t believe any of those ghost
stories that are so popular here in
charleston. but when you hear a twig
snap in the cemetery you nearly jump
out of your skin and rush ahead, trying
not to see the long shadows cast by
the tombstones that could be hiding
all sorts of wayward spirits. you know
better than to believe that sort of
nonsense, but you don’t want to stick
around any longer than necessary just
prove it.
“Why did i park so far away?” you
wonder, once you are safely past the
graveyard. your mind wanders back to
the conversation you and your friends
just had at the dinner about ghosts.
people get all worked up about this
stuff around Halloween. one guy said
that he went on the provost dungeon
tour, and it scared him half to death.
according to him, the tour guide even
shuddered when they first walked
into the dungeon. Historians say
that during the revolutionary War
there were over a hundred people
crammed into the tiny dungeon at any
given time. people died of starvation,
disease, murder, and god only knows
what else while being confined
there. those who survived piled the
rotting corpses and prayed for their
own death to release them from the
text by stephanie schultz
photography by russ bratcher
f a l l f i c t i o n
chills down church st. When too many scary stories go bad.
SUMMER/FALL 2009 | 27
windows are pitch black and church
street was as quiet as a tomb. surely
the party could not have ended so
quickly and all of the guests gone
home in the few seconds it took to
regain your composure! maybe you have
been listening to too many ghost stories
tonight and it was all in your imagination.
after all, you don’t believe in ghosts!
now you are nearly running up the
street, ready to get to the safety of
your car parked just past the next
intersection. as you get into the car
you quickly turn the key and jerk the
car from the curb. as you speed away,
you check the rearview mirror. no
cars, but there is a man and a woman
walking up the middle of the street.
you turn around to get a better look,
but they are gone! as you round
the corner onto broad street and
head home, you become more and
more certain that it was all in your
imagination. you vow two things on
that night: 1. never to repeat this story
to another living soul, and 2. never to
park on church street after dark again!
This story is a dramatization of
well-known ghostly legends of
Charleston. To learn more about
the ghosts of Charleston, we
recommend the following:
BUlldoG toUrsbulldog tours has exclusive
access to the city Jail, the
provost dungeon, and the
city’s oldest graveyard at night.
Visit them at
www.bulldogtours.com
GHost WAlKghost Walk claims to
experience the supernatural on
their evening tours regularly.
Visit them at
www.ghostwalk.net
unbearable conditions. if there were
disgruntled ghosts anywhere around
charleston, the dungeon would be the
first place you would expect to find them.
music wafting toward you from
up ahead brings your attention back
to the living just in time to fend off a
serious case of the heebie jeebies.
you see that every light is on at the
dock street theatre. as you approach
the music grows louder and more
festive. curiosity gets the best of you
as you cross to that side of the street
to get a better look at the roaring
celebration. the renovations that
closed the place temporarily must be
done now, and the city of charleston
seems to be hosting a costume party
there tonight. you hear the tinkling of
wine glasses, loud conversation and
laughter over the bawdy piano music
coming from within. a lady in a red
period costume from the 1800’s, who
is standing alone on the second floor
balcony having a cigarette, waves
casually to you as you pass by. Just
as you raise your hand to return her
greeting, a strong wind gusts down
church street and catches your ball cap,
sending it tumbling across the sidewalk.
you lunge out to catch the cap and
lose your balance, nearly falling face
first into the concrete sidewalk, but
you catch yourself on your feet, and
chase the hat down, stomping on it
before picking it up in an attempt to
not look like a drunken idiot stumbling
after it. the whole hat debacle lasted
only a few seconds, but it seemed
much longer knowing that the lady
in red was probably laughing at your
clumsiness from the balcony behind
you. as you place the cap neatly back
upon your head, you practice your
most sheepish smile to give to the
beautiful woman who is undoubtedly
in hysterics at this point. you turn
around to offer a shrug and a smile
in her direction, but she has gone
back in to the party—but where was
the party? suddenly the theatre’s
the message is the Art Institute of charleston’s
weekly Bible study.
about the message:
We are a non-denominational christian study group, and we encourage all students to attend.
meeting days and times change quarterly.
be sure to check your student email at the beginning of each quarter for details.
the message is also involved with community service projects. if you are interested in helping out, please let us know.
email chad treado at the following: [email protected] for more information.
28 | The Art Institute Quarterly
FROm ChaRlESTOn TO yOuR DESTInaTIOn
colUmBIA If you want to avoid
the annoying tourists on family vacations,
then Columbia is where you need to be.
This is a great place to have fun and relax,
especially if you work in hospitality. Less
than two hours up highway 26, Columbia
is a perfect candidate for day trips. During
the day, enjoy museums such as the South
Carolina State Museum, the nationally
ranked Riverside Zoo, or EdVenture
Children’s Museum (if you have kids). In
the evening, head to the Vista District,
which has more of an eclectic, artsy vibe.
Here you will find
over 45 restaurants
and bars to choose
from including the
popular Art Bar and
the restaurant-bar-
arcade-nightclub
Jillian’s.
mYrtle BeAcH is just two
hours up 17 north of Charleston, and is
the undisputed kitsch capital of the world.
The Grand Strand, the 60-mile stretch of
gorgeous beaches that
Myrtle Beach sits on,
is home to at least 50
fabulous miniature
golf courses, and
innumerable well-
manicured links. Try
the Hawaiian Rumble
or TPC Myrtle Beach for the
quintessential mini-golf or golf experience.
While in town you can also enjoy enough
outlet shopping to make your head spin
and dinner theatres such as Medieval
Times and Dolly Parton’s Dixie Stampede.
Whether you take a day trip, camp at the
state park, or enjoy a luxurious beach-side
condo, you will find plenty to do there.
sAvAnnAH, Charleston’s sister
city, has much in common with us, but
has its own unique charm. Just two and
a half hours south on highway 17, it is a
rare historic gem as it may be the only
Southern city that has never been burned
to the ground. Find a parking spot in the
historic district and take off on foot with
camera in hand to tour its shaded squares
lined with incredible mansions, including
the Mercer House Museum. Take note: if
you want to try the famed Lady and Son’s
restaurant, the flagship of the Paula Deen
empire, arrive at the door
at 9:30 am to reserve
preferred seating for lunch
or dinner. After a full day
of sightseeing, those over
21 can head over to Club
One for the best drag show
and dancing in town.
for students short on both time and money it can be tough to
get away. fortunately, charleston gives us access to lots of
great locales that are close enough for a day trip or weekend
retreat; yet far enough to really get away. With a full tank of
gas you can make it to myrtle beach, columbia, or savannah and get
home without draining your tank or your wallet. Whether you are just
looking to escape, or want experience all that the south has to offer,
charleston is the perfect starting point for any adventure. so next
time you have a couple of days off, gas up the tank, grab a couple of
friends, and hit the road.—stephanie schultz
DayCation To Do
take day off
fill gas tank
pick up friends
hit the road!!!
t r a v e l
daycationFind a new place to visit with-in two hours of Charleston.
SUMMER/FALL 2009 | 29 8am-6pm
Hi, my name is Magenta. Why yes, I am the official Print Inc. mascot. Thanks for noticing. I’m here to inform you of how things will be run concerning your print requests. Follow these steps and the posted guidelines found to the left of the Print Studio window to ensure that your print request is completed in the most efficient manner possible.
README
Carefully read all posted print studio rules and guidelines. are double-sided.
Following payment, submit print form and preferred storage device containing your print request. Allow up to 24for completion.
Recieve completed Print request.
Dance.
Please visit Print Inc. to learn about pricing and paper options.
*
30 | The Art Institute Quarterly
truestory.tHe Art InstItUte QUArterlY began its journey in the summer of 2008. With our first meeting of 30 students
from each major, we quickly joined together at school on saturdays to start giving life to our project. being such a new
publication we really had no idea what we were getting ourselves or school into! We covered as many school events as
possible to fill our pages with memorable content for years to come. finding new talents and voices for our audience was
quite challenging, but as each issue was printed, and more people gave their time to aiQ.
We always wanted a slogan or catch phrase to build upon for aiQ. the logo we started off with was the original ai from
the school logo, but in issue number three we had to break away and have our own voice in the ai family. so, a slogan
“for students by students” was developed and the new lowercase typeface was added to the cover. along the way
we developed another phrase coined by our first lady of the art institute Quarterly, des’ola gunter, “true story.” the
meaning behind these words really summed up the whole endeavor to me.
We don’t think a lot of people know or will ever know exactly the details of our love affair with aiQ, but it will tell the
tale of many great minds and hearts that gave their time and talents to a school full of opportunity and faith in pages for
years to come. if anyone lives long enough to tell our tale after we are gone, if they ever should need an ending to it they
should always end by saying, yes they did all this and more. true story. Happy one year anniversary aiQ!
–the students of the aRt institute of chaRleston
FASHION ROCKSSTUDENT T-SHIRTDESIGN CONTESTDEADLINE: Friday, Feb. 19, 2010 by 4:00PM
WHAT? Submit your best tee design for a chance to see your tee printed by The Art Institute of Charleston + 2 tickets to Charleston Fashion Week 2010!
HOW? Use the men and women’s t-shirt templates provided in the submission kit online to prepare your design files at www.cargocollective.com/aiquarterly
PRIZES!1st 2 Tickets to Charleston magazine’s 2010 Charleston Fashion Week 2nd Full Quarter Parking Pass or money equivalent to the Ai Student Store, Value of $150.00 3rd Mid Quarter Parking Pass or money equivalent to the Ai Student Store, Value of $75
SPONSORED BY
For more information contact Terry Fox at: [email protected]
All rules and guidelines posted at: www.cargocollective.com/aiquarterly
SUMMER/FALL 2009 | 31
FASHION ROCKSSTUDENT T-SHIRTDESIGN CONTESTDEADLINE: Friday, Feb. 19, 2010 by 4:00PM
WHAT? Submit your best tee design for a chance to see your tee printed by The Art Institute of Charleston + 2 tickets to Charleston Fashion Week 2010!
HOW? Use the men and women’s t-shirt templates provided in the submission kit online to prepare your design files at www.cargocollective.com/aiquarterly
PRIZES!1st 2 Tickets to Charleston magazine’s 2010 Charleston Fashion Week 2nd Full Quarter Parking Pass or money equivalent to the Ai Student Store, Value of $150.00 3rd Mid Quarter Parking Pass or money equivalent to the Ai Student Store, Value of $75
SPONSORED BY
For more information contact Terry Fox at: [email protected]
All rules and guidelines posted at: www.cargocollective.com/aiquarterly