aim mag issue 29 december 2010

Regular Features… 5 Editor’s Note: Read Bea Broadwood’s

introduction & welcome to this month’s fabulous

edition of the FREE AIM magazine!

33 10 Things You Never Knew About Me!: L e a r n

unusual facts about our talented members!

Featuring AIM moderator and editorial team

member; Janine Crocker.

34 In Season This Month: This month Vicky Guile

and her fellow AIM food artisans take a closer

look at mouth watering ‘Cheese’.

54 New On The Web: This month we take a look

at Robin Brady‐Boxwell’s new website.

56 AIM Gallery ‐ The Miniature World Of Books:

Compiled by Janine Crocker

88 Aunt Anastasia: If you have a miniature dilemma,

then why not write to our very own agony aunt

for her well considered advice?

98 Getting To Know You: Get to know more about

AIM member Julie Lawton.

104 Cross Over Crafts: Featuring AIM member Mo

Tipton.

110 Smaller Scales: This month

Jean Day takes a closer look at

smaller scale miniatures.

126 Blog Of The Month: Featuring AIM member Grace Griffin. 130 Clear As Crystal: Regular ‘fantasy feature’ compiled by Celia of Oberon’s Wood. 138 Show Report: AIM members

share their show reports from

around the world.

142 The Miniature Grapevine:

Catch up on all the latest news and

announcements from the

international world of miniatures.

Contents… December 2010: Issue No 29 Cover Image: Christine‐Lea Frisoni

56

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34

Artisans In Miniature 2

6 The AIM Association’s Official Christmas Card

8 Cover Story: AIM member, artisan and author Christine‐Lea

Frisoni tells us more about her stunning miniature creations.

14 Lobster Quadrille: Eileen Sedgwick shares her ‘miniature

interpretation’ of this unusual character.

18 A Christmas Carol In A Book: By AIM member Marianne

Colijn.

22 Annemarie Kwikkel: We take a closer look at the stunning

work of AIM member and noted doll artisan Annemarie

Kwikkel.

42 He’s Behind You!!: Sara Scales researches a brief history of

the traditional ‘Pantomine’.

46 Christmas At Woolembees: Julia Jeffreys shares a very special

seasonal shop from her own private collection.

68 The Night Before Christmas: AIM member Jean Day

celebrates this nostalgic poem.

80 Grimm By Name, Grim By Nature?: Sally Watson explores the

world of the brothers Grimm.

86 Rapunzel: Ana Maria Villalon Fuster explains how she built a

tower for this famous character.

90 Fairytale Vitrines: AIM member Emmaflam of Paris

Miniatures shares something new.

100 Christmas Food Disasters: By AIM member Marianne Colijn. 118 Jip & Janneke: Wilga van der Wijngaart has interpreted these much loved and traditional stories. 122 Inspired By Nursery Rhymes: By AIM member Maia Bisson. 128 Miniature Books In 1:12th Scale: AIM member Lee Ann Borgia shares her passion for miniature books.

Free Projects… 28 1:12th ‐ ‘Long Johns’: AIM member Pearl Hudson shares her stunningly

realistic tutorial for this nostalgic winter warmer!

52 1:24th ‐ Bookcase: Bea (Fiona) Broadwood brings us a realistic half

scale storage solution from her second project book.

66 1:12th ‐ Get Saucy This Christmas: We know you will just love Sarah

Maloney’s seasonal food project.

96 1:12th, 1:24th & 1:48th ‐ Choc Chip Cookies: Janet Smith teaches how

to create this seasonal treat in three scales!

116 1:12th ‐ Pedestal Cake Plate With Chocolate Covered Apricots: AIM

member Regina Passy‐Yip shares another of her fabulous tutorials.

Features…


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66

52

Artisans In Miniature ?


CLICK…on Artisans In Miniature

How did you find the Online Magazine??

Did you follow a link? Did a miniature friend tell you about it?

...and do you already know about the Artisans In Miniature Website, and the talented members who have all helped create this Online magazine.?

If not, copy, paste and CLICK now – www.artisansinminiatures.com and come and meet us all. Founded in 2007 by Bea (Fiona) Broadwood of Petite Properties, the website has been created in order to showcase the fantastic work of the individual professional international artisan members who create beautiful and original scale miniatures for sale to the public. Together they form the Artisans In Miniature association. Since its launch the AIM association has rapidly grown and now boasts membership of around 300 professional artisans, including some of the most talented within the miniature world! On the website you will find further information about them and their work; however, please note new pages are constantly being added and there are many members who are not yet included on the site... If you are a professional artisan who is interested in joining the association, you will find all the information there..... We have lots of links…to Fairs and Events Organizers…Magazines…Online Miniature clubs….Historical reference sites…..Workshops…and more… it’s all there!

If you’d like to contact us, copy, paste and CLICK... we’d love to hear from you!

www.artisansinminiature.com

The AIM Magazine’s

Editorial Team:

Bea Broadwood (Editor) office@petite‐properties.com

Celia (of Oberons Wood) [email protected]

Janine Crocker [email protected]

Jean Day [email protected]

John Day [email protected]

Peiwen Petitgrand [email protected]

Sally Watson [email protected]

Vicky Guile (Assistant Editor) [email protected]

New Editorial Team Members: Barbara ‘Babs’ Davis

Janet Smith Kathi Mendenhall Kim Murdock

Lesley Shepherd Pamela J

Shelly Norris

Freelance Members: Agnes Turpin

Catherine Davies Eileen Sedgwick Jennifer Matuszek

Julia Jeffreys Julie Lawton Lidi Stroud

Marianne Colijn Mo Tipton Nancy Keech

Stephanie Kilgast

Please note

AIM is an active association to which all members

contribute …

Dear Reader Well, the end of the year is finally here and I am delighted to welcome

you all to the December edition of the AIM magazine.

Like many miniaturists, AIM members draw their inspiration from a

wide variety of places, and earlier this year we discovered that

literature is often a common spark; one which ignites our creative

flames. So as a result, cover to cover, this issue celebrates our love of

books and takes a closer look at how their pages often influence and inspire our miniature

world.

Of course as this is a ‘real time’ magazine we could not let the December issue pass without

also celebrating this very magical festive season. So for the last time this year, AIM members

have yet again excelled themselves; uniquely coming together to share their amazing

miniature creations, talents and adventures.

The result of their efforts? A ‘record breaking’ 148 pages of miniature heaven! However, before I go reaching for a large chilled glass of ‘virtual’ bubbly, I must first take a

moment to thank all the members of AIM who have come together and collectively worked

so hard on this bumper issue! As ever they have excelled themselves and I am constantly in

awe of just what their talents, creativity and dedication can achieve.

It also goes without saying that I could not let the year end without singing the praises of the

AIM magazine’s editorial team. Throughout 2010 they have been an utterly amazing team

who month on month work incredibly hard to produce a stunningly professional quality imag

for miniaturists everywhere to enjoy. 2011 will bring further expansion to the team that will

allow AIM to deliver even more fantastic content for our readers! But that is news for an‐

other time, for now I must also take time to thank Vicky (AIM’s assistant editor) for her con‐

stant support, unerring enthusiasm and energy. Quite simply, each and every month Vicky

makes this imag a reality. Thank you.

So finally, as we skid to a halt, draw breath, raise our virtual glasses and reflect on the last 12

months, I sincerely hope that you have enjoyed all that the AIM magazine has had to offer. I

have felt unbelievably privileged to have been part of it and for those who work behind the

scenes and myself, this imag is a true labour of love; one we hope that you will continue to

support and enjoy when we do it all over again in 2011!

But before the trees are decorated, candles lit and the carols sung, may I also take this op‐

portunity to personally wish readers, customers, colleagues, friends and family a very happy

Christmas and (most importantly) a safe, prosperous and healthy new year!

Bea

Editor (& General whip cracker) December 2010 www.petite‐properties.com

On behalf of AIM, its members and readers of this magazine, I would like to thank Mary Williams for all that she has done for the AIM magazine. Mary has worked tirelessly behind the scenes and we are all truly grateful for her help, energy and support. Although Mary is leaving the editorial team she will remain an AIM moderator & member. Thank you Mary for all that you have done, your contribution to the AIM magazine has been very much appreciated by everyone, including myself. We will miss you! x

Photograph © Jill B

A Merry Christmas& a very happy

new year!

May we wish all our readers & c

Bennett 2010

customers,

Many thanks to AIM member, Jill Bennett

for her kind permission to allow us to use her image on this card.

_ÉuáàxÜ dâtwÜ|ÄÄx An ‘interpretation in miniature’ by AIM member Eileen Sedgwick.

Lewis Carroll has long been an inspiration for miniaturists; many of us have tackled Alice, Rabbits various,

Heart Queens etc… not sure we have come across a quadrille dancing lobster before though!

Step forward Eileen Sedgwick who was inspired by the Mock Turtle’s song of the dancing lobsters

encountered by Alice in her adventures in Wonderland.

ÂlÉâ Åtç ÇÉà {täx Ä|äxw

Åâv{ âÇwxÜ à{x áxt‹

tÇw ÑxÜ{tÑá çÉâ ãxÜx ÇxäxÜ

|ÇàÜÉwâvxw àÉ t ÄÉuáàxÜ?

áÉ çÉâ vtÇ {täx ÇÉ |wxt

ã{tà t wxÄ|z{àyâÄ à{|Çz t

_ÉuáàxÜ dâtwÜ|ÄÄx |á‹Ê

Lewis Carroll 1865

Alice’s Adventures in Wonderland


x


Eileen describes her lady lobster as “a whimsical creation in twelfth

scale based on drawings of real lobsters, my life‐sized crayfish cast,

bits of claw‐shell etc. I have made a lot of work looking at sea

creatures over the years, and so she fits in nicely with that for me.

She has human legs and a selection of lobstery ones as well, a

crustacean’s ‘corset’ stomach, and a homarine hat with extra ‘eyes’

and antennae. Her limbs move so she can ‘dance’ …but in truth she’s

probably more Flamenco than she is stately Quadrille!

The ‘tail’ gives her a dress,

made of painted silk, which

is wired and stuffed and has

lots of beads, especially on

the back for a lovely

encrusted feel. “


fxx {Éã xtzxÜÄç à{x ÄÉuáàxÜá

TÇw à{x àâÜàÄxá tÄÄ twätÇvx4 g{xç tÜx ãt|à|Çz ÉÇ à{x á{|ÇzÄx

j|ÄÄ çÉâ vÉÅx tÇw

}É|Ç à{x wtÇvxR

j|ÄÄ çÉâ? jÉÇËà çÉâR

j|ÄÄ çÉâ? jÉÇËà çÉâR

jÉÇËà çÉâ vÉÅx tÇw }É|Ç à{x wtÇvxR

The expression on this lobster’s

face is a delight ‐ she is certainly no

amateur dancer!

See more of Eileen’s wonderful

work at her website

www.eileensedgwick.com

Edited & compiled by Sally Watson Formatted by Bea (Fiona) Broadwood

Text & Photographs (with the exception of the quotes) © Eileen Sedgwick 2010

T nnemarie Kwikkel

credits her husband with her

discovery of miniatures.

In 1992 he bought a

Dollhouse magazine for her,

knowing she would like it: he

was so right! She started

working on an eleven room

dolls house.

The doll making addiction

took only two years to

ensnare Annemarie. She saw

the dolls of Dana Burton and

was hooked! She saw the

poses, the draping and the

romanticism of those ladies.

Starting in 2003 Annemarie

had great fun making dolls

from kits; in pursuit of realism

she began implementing her

own design on dolls. There

was no way back, thankfully!

Later she started to sculpt

dolls from Polymer clay and

now makes her own doll

molds. As Annemarie has a

day job she works on her

dolls at the weekend and free

moments, knowing that it is a

wonderful hobby.

By 2005, in only two years,

she had been recognised as

an IGMA artisan and that first

dolls house is now used as a

setting to photograph her

dolls.


It is always difficult for an

artist to explain the why and

how of her work. Annemarie

mostly creates dolls house

dolls and says Â\à |á áÉ ãÉÇwxÜyâÄ àÉ vÜxtàx t à|Çç ÑxÜáÉÇ yÜÉÅ ÑÉÜvxÄt|Ç ÉÜ vÄtçA j{xÇ \ áàtÜà ÉÇ t wÉÄÄ \ vtÇËà áàÉÑ âÇà|Ä |àËá y|Ç|á{xw4 \ vtÇ Ñâà Åç {xtÜà tÇw áÉâÄ |ÇàÉ à{x ÑxÜáÉÇ tÇw ÑxÉÑÄx átç à{tà |à á{Éãá4Ê

When she begins a new doll,

Annemarie has a general idea

of the doll and, while working

on it, it starts to come alive.

She loves to let a doll look like

a real person, using a realistic

pose or adding the proper

accessory.

To accomplish this she had to

learn all kinds of techniques

like pouring porcelain,

sculpting and painting. Since

Annemarie loves painting one

of her favourite parts of

making the doll is trying to

give the doll a realistic face.

ÂcÜtvà|vx?Ê she says, Â|á à{x

uxáà ãtç àÉ ÄxtÜÇ à{|á tÇw Éy

vÉâÜáx? {tä|Çz yâÇ ã{xÇ

wÉ|Çz |à4Ê When a doll is finished

Annemarie likes to photo‐

graph him or her in their

“natural habitat”: yes – that

dolls house again!

So how does she find her inspira‐

tion for these wonderful little

people? Annemarie claims it is

“miniaturists’ radar”! What a

wonderful concept and so true.

She will find inspiration in a piece

of fabric, a picture of a fashion

plate or a movie scene.

As an established artisan,

Annemarie now accepts special

commissions and enjoys the

challenge of creating a doll to

someone’s personal wishes.

However, like all miniaturists, she

has some very special tools and

these are delightfully simple:

Â\ vÉâÄw ÇÉà wÉ ã|à{Éâà Åç

àã x x é x Ü á tÇw z Ä t á á x á 4

\ tÅ àÉàtÄÄç {xÄÑÄxáá ã|à{Éâà

à{xÅA TÄáÉ? á|ÅÑÄx àÉÉÄá Ä|~x

àÉÉà{Ñ|v~á ÉÜ t vÉààÉÇ áãtu vtÇ

ux äxÜç âáxyâÄAÊ Having made a Rococo room box

this year, Annemarie would like

to make more rooms and scenes

as well as creating more dolls and

improving her already impressive

skills.

To see more of Annemarie’s stunningly beautiful dolls why not visit her website:

www.byannemariedolls.com Text & Photographs ©

Annemarie Kwikkel 2010

Edited by Sally Watson

Formatted by

Bea (Fiona) Broadwood

AIM membership is only available for professional miniature artisans, selling quality handmade miniatures to the public.

Membership is reserved for artisans who wish to showcase & promote their work,

through active participation within the AIM Association. Please note; A waiting list has now been introduced regarding

new membership applications.

AIM is completely FREE to join and completely FREE to be part of.

So… if you are a professional miniature artisan and you would like to find out more about joining the

AIM Association, please email AIM’s Membership Secretary: Tony for more information:

[email protected]

Or alternatively visit our website… www..artisansinminiature.com

Artisans In Miniature“An association of professional artisans, dedicated to promoting a high standard

of excellence in original handcrafted scale miniatures…”

www.artisansinminiature.com artisansinminiature.blogspot.com

The way in which AIM Association membership

is offered has changed!

Due to an overwhelming uptake of membership over recent months, as

from July 31st the AIM Association now has limited memberships available…

The AIM Association was set up in 2007 in order to provide a global platform for professional

miniature artisans who wish to actively promote their work and actively take part and support the opportunities and promotional facilities which AIM

uniquely offers for free: notably including... The AIM online forum

Monthly FREE AIM magazine AIM Member's online directory

AIM website Aim’s facebook & social networking pages

The AIM blog.

Things...

Just for fun!!!

1

2

8

9

10

3

4

I once fainted at the top of the Empire State Building...

I have a turtle called ‘Jumpy Bubbles’...

Calculators were invented for me…I still can’t get my head around long division and fractions...

I hide chocolate...

I was one of the first ground crew to be employed by British Airways in Lanzarote...

I wear white cotton gloves when working and cleaning…my kids think I’m nuts!

David Cassidy was my first love...

I’m about to get married….

Many years ago I had a job as a show presenter and bingo caller...

5

6

7

Janine Crocker

Just for fun we thought we would challenge our members to tell us some unknown facts about themselves…

This month we are delighted to feature, AIM moderator and editorial team member; Janine Crocker who has very bravely agreed to take the plunge and share…

‘10 ThINGS YOU never knew ABOUT ME...’

NEW

Formatted By Bea Broadwood

Janine Crocker of Miss Amelia’s Miniatures, specialises mainly in OOAK pieces of miniature millinery and dresses, many of which are reproductions of original fashion garments from all periods. Dressed beds and chaises can be made to order in a wide range of designs and fabrics.

To find out more about Janine’s beautiful creations, why not visit her website;

www.missameliasminiatures.com

Text & Photograph © Janine Crocker 2010

you never knew

about me!

To water my plants I have to climb out of a window to reach my garden…and I live in a first floor apartment!

Step 1... Onto mount board, draw out

the shapes shown in fig.1.

Label each piece in pencil with

their corresponding letter

again as shown in fig.1, to

avoid mistakes during

construction.

Cut out each shape using a

craft knife and metal ruler.

Step 2… Using a scribe tool or the blunt

edge of a small pair of scissors,

score part A, as shown in

fig.1.

Step 3… Glue sides; x2 part B onto the

scored side of the back; part A,

see fig.2. and picture 3.

Step 4… Using fine sand paper, gently

round the front 2 corners of

the top and base; part C and

part D. See picture 4.

a bookcase in 1:24th... Materials… Mount card

Beige & medium brown acrylic paint x4 2mm beads

(for the bookcase’s feet) Tacky glue

Top tip… To make a taller bookcase simply equally extend the length of part A and parts B to the height required. Additional shelves can then be cut and added as appropriate...

Fig.1.

Score

BASE C

⅝ in

1 ⅝ in

½ in ½ in

SIDE

SID

E

BACK B B A

1 ½ in

2 in

2 in

2 in

E

SHELF E

E ⅜in

⅜in

SHELF

1 ⅜ in

SHELF ⅜in

TOP D

1 ⅝ in

⅝ in

Project...Project...Project...Project...Project...Project...Project...Project...Project...Project...Project...Project...Project...Project...Project...Project...


By AIM member, Bea (Fiona) Broadwood

Cross section diagram

B B

A

GLUE

Fig. 2. Step 5… Next glue the shelves; x3 parts E into place.

See picture 5. Remember to clean away any

excess glue using a cotton bud.

Step 6… Apply tacky glue along the top and bottom

edges of the shelf unit and glue both the base

and top; parts C and D into place. See picture 5.

Again clean away any excess glue and leave to

dry.

Step 7… Using tacky glue, glue on the x4 small beads to the

underside of the base of the bookcase to form feet.

Leave to dry.

Step 8… Paint the bookcase with two coats of beige acrylic paint.

Leave to dry thoroughly.

Using the dry brush technique; distress the bookcase

with a little medium brown acrylic paint.

If you would like to make more furniture in

this adorable smaller scale; why not check

out Bea’s project books… www.petite‐properties.com

.5.

.3.

.4.

A

B

B



Text & Photographs ©Petite Properties Ltd / LUMO publishing 2010

Formatted by Bea (Fiona) Broadwood

Photos throughout ©2010 by their respective artisans. All photographic representation and imagery in this article (and magazine) depicting literary characters, or work inspired by, are the sole responsibility of the respective artisan(s) named. The AIM association and its management can not be held (or deemed) responsible for any infringement of copyright. Copyright in respect of all photographs in the AIM magazine is held by the respective artisan producing the item depicted.

Fo

By AIM member, Mo Tipton

Since childhood, I have been fascinated with all

things small, and as life would have it, after

attending pastry school and working in a

restaurant for a number of years, I found

myself with another obsession to add to the

list: food. Happily, the two have combined

rather nicely in my miniature food business,

the Mouse Market, but it wasn't until a little

over a year ago, when I came across a few

artists selling miniature food jewelry on Etsy,

that it occurred to me that these teeny treats

had other uses as well.

Initially, I knew nothing about jewelry making

beyond a few clumsy attempts at beading and

friendship bracelet weaving as a child, but I

began experimenting with different ways to

string my miniature foods on earring wires,

bracelets, etc. One detail I discovered the hard

way, after numerous pieces failed to stand up

to heavy use, is that polymer clay does not

meld sufficiently to metal after baking. For

example, if one were to insert an eye pin (a

straight pin with a metal loop on one end) into

the top of a miniature cupcake and bake the

pin into the piece, with a little prying, that pin

will come out. Instead, a headpin (it resembles

a tiny nail) must be inserted through the

bottom of the piece and out the top, so that

the head of the pin prevents it from detaching

from the finished clay piece.

One aspect that I love most about having the

ability to create both dollhouse miniatures and

jewelry pieces is the freedom to switch from

one to the other when I need a change of pace.

I seem to go through phases with my work: for

days I will want nothing more than to make

dollhouse desserts, and then, suddenly I'm

bored and I can mix things up by creating tiny

hot dog hairpins and ice cream cone earrings.

VÜtyàáAAA Cross Over

ood Jewelry Making...


Plus, working in both crafts has served to

expand my market, and I'm certain that I would

not have the wonderful opportunity to work as

an artist full‐time were it not for that fact.

Many of the techniques for creating my jewelry

pieces are identical to those used in making my

dollhouse pieces, but again, the challenge lies

in the different materials to which I must bond

the clay. With my dollhouse foods, I'm gener‐

ally gluing clay to a ceramic dish or wood, but

the metal jewelry findings pose a unique chal‐

lenge.

As much as possible, I try to find a way to cre‐

ate a physical bond between the two by baking

a jewelry component into the clay, rather than

relying on adhesives, a method that is useful

when making dangly earrings, charms, and

necklaces; however, with post earrings and

pins, I have to be able to count on the strength

of my adhesive, which is sometimes tricky. So

far, I've found that E6000 and Super Glue

perform best, but I'm always on the lookout for

better glues‐‐particularly more non‐toxic

alternatives!

One of my favorite parts of my job, both with

my dollhouse and jewelry pieces, is the idea

stage. I could spend hours poring over

cookbooks and photos online, searching for

luscious desserts and savories that I‘d like to

miniaturize, and I love that the types of foods

that might be more difficult to market as

dollhouse miniatures (perhaps a cupcake with

lots of sparkles and glitter) can generally be

made to work as jewelry pieces.

My jewelry allows me to create more stylized,

fanciful pieces, whereas with the dollhouse

miniatures, I tend to strive for more realism,

One aspect of creating miniature food jewelry that I had not anticipated is

my customers' responses at craft shows. In addition to a few dollhouse

events, I participate in a number of general craft shows in which I

emphasize my jewelry pieces. What I love most are the conversations I

have with people who are initially intrigued by my jewelry, but who

suddenly tap into happy memories of hours spent playing with their

childhood dollhouse and remembe

grandmother) enjoyed miniatures.

hobby is still very much alive and e

thrilled to have an excuse to pull

been gathering dust in the attic, an

to bring another person back into th


If you would like to see more of Mo’s beautiful work, why not visit her website...

www.themousemarket.com

Photographs & Text ©2010 Mo Tipton

Formatted by Bea (Fiona) Broadwood

ring how much they (or their mother or

Many people are unaware that such a

enjoyed by a great many adults. They're

out their cherished dollhouse that has

d I'm equally pleased at the opportunity

he miniature fold!

Artisans In Miniature ??

Formatted by Jennifer Matuszek

Artisans In Miniature ??

Don’t miss out! If you love miniature projects, then you are

certainly going to love finding out what is behind each of our advent doors.

Each day in December, one of the virtual 'miniature' doors will open to reveal a unique

FREE ‘Christmas Project’ written by one of our 'artisan' members of AIM…

There’s no sneak peeking through the keyholes or letterboxes! And no clues as to what you

might find behind the locked doors!

There is, however, a whole 24 days worth of Advent project surprises with miniaturists in

mind!

Intrigued?

To find out more simply visit...

www.artisansinminiature.com Artisans In Miniature 141

See you next year..!

Alison Brand Amanda Speakman

Ana Maria Villalon Fuster Annemarie Kwikkel

Barbara Brear Barbara Davies

Bea (Fiona) Broadwood Beatrice Thierus

Carol Smith Catherine Davies Christa Chayata

Christine-Lea Frisoni Daisy Carpi

Eileen Sedgwick Emmaflam & Miniman

Francesca Vernuccio Grace Griffin Helen Woods Jane Laverick

Janet Harmsworth Janet Smith

Janine Crocker Jean & John Day

Jean Boyd Jeanette Fishwick

Jennifer Matuszek Jill Bennett Julia Jeffreys Julie Campbell Julie Dewar Julie Lawton

Kathi Mendenhall Kay Brooke

Kim Murdock Kristy Taylor

Lee Ann Borgia Lesley Shepherd Linda Master

Louise Goldsborough Maia Bisson

Margot Ensink Marianne Colijn Marsha Mees Mary Williams

Melanie Navarro Mo Tipton

Nancy Keech Naomi Machida Oberon's Wood

Olga Asensio de Haro

Pamela J Pat Carlson

Pearl Hudson Peiwen Petitgrand Regina Passy-Yip

Robin & Shawn Betterley Robin Brady-Boxwell

Sally Watson Sara Scales

Sarah Maloney Shelly Norris

Stephanie Kilgast Terry & Anne Neville

Vicky Guile Wendie Hurrell

Wilga van den Wijngaart

This issue would not have been possible without the generous contributions from the following AIM members…

Many thanks therefore go to...

Please Note:

The projects included in this publication are not suitable for children under the age of 14. The miniatures featured in this magazine are collectors items and therefore unsuitable for children under 14.

All projects are undertaken at your own risk. AIM does not accept responsibility for any injury incurred. All articles and photographs used in this magazine are copyright of their authors.

The AIM magazine’s content is for private use only and it must not be reproduced in part or in full for commercial gain in any form.

Each artisan contributor is responsible for their own work / contribution to the AIM magazine and retain full responsibility for their published work.

The authors/self publishers cannot be held legally responsible for any consequences arising from following instructions, advice or information in this magazine.




http://artisansinminiature.blogspot.com/

aim mag issue 29 december 2010

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