ahtr playing "indian": manifest destiny, whiteness, and depiction of native americans

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Playing “Indian”: Manifest Destiny, Whiteness, and the Depiction of Native Americans

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A slideshow connected to a lecture on Native American identity and American art available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Ellen Caldwell.

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Page 1: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Playing “Indian”: Manifest Destiny, Whiteness, and the Depiction of Native

Americans

Page 2: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Julie Schimmel’s Inventing “the Indian”

Page 3: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

George Catlin, Self-Portrait Among the Mandans, c. 1861–9

Page 4: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Currier and Ives, Across the Continent: Westward the Course of Empire Takes Its Way, 1868.

Page 5: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

John Gast, American Progress, c. 1873.

Page 6: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

George Catlin, Bird’s-Eye View Over Mandan Village, 1837-9.

Page 7: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Charles Bird King, Young Omahaw, War Eagle, Little Missouri, and Pawnees, 1821.

Page 8: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

c

An example of alternative history on a museum website, featuring Young Omahaw, War Eagle, Little Missouri, and Pawnees.

Page 9: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

John Mix Stanley, Barter for a Bride, c. 1850.

Page 10: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

An example of alternative history on a museum website, featuring Barter for a Bride.

Page 11: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Thomas Hill, Attack on an EmigrantTrain, c. 1850. (above, left)

Arthur F. Tait, The PrairieHunter, c. 1850. (above, right)

Carl Wimar, selections (below, left)

Page 12: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

John Mix Stanley, Osage Scalp Dance, 1845.

Page 13: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Thomas Cole, Indians at Sunset, 1845.

Page 14: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Thomas Cole, The Oxbow, 1836.

Page 15: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Currier and Ives, Across the Continent. Westward the Course of Empire Takes Its Way, 1868.

Thomas Cole, The Oxbow, 1836.

Page 16: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Valentine Walter Bromley, Crow Indian Burial, 1876.

Page 17: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

James Earle Fraser, End of the Trail, 1890s, displayed in Panama-Pacific Exposition of 1915.

Page 18: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

A Google Image search shows a number of the ways in which Fraser’s work has been

used.

Page 19: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Ernest L. Blumenschein, Wards of the Nation—Their First Vacation from School, in Harper’s Weekly, 1899.

Page 20: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans
Page 21: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Edward Curtis, Untitled orotone, c. 1905.

Page 22: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Edward Curtis, Untitled orotones of North American Indians, c. 1910.

Page 23: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Karl Bodmer, Hidatsa WarriorPehriska-Ruhpa (Two Ravens), 1833.

Alexander Pope, Weapons of War, 1900.

Page 24: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Contemporary Native American Artists

Page 25: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Edward Curtis, Grinding Meal, 1907.

Marcus Amerman, A Day at the Beach, 2002.

Page 26: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Marcus Amerman, A Moment in Time, 2002.

Edward Curtis, In Piegan Lodge, 1910.

Page 27: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Tom Jones, Choka Watching Oprah, 1998.

Page 28: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

James Luna, Artifact Piece, 1985–7.

Page 29: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

“The installation took objects that were representational of a modern Indian, which happened to be me, collecting my memorabilia such as my degree, my divorce papers, photos, record albums, cassettes, college mementos. It told a story about a man who was in college in the 60s, but this man happened to be native, and that was the twist on it.”

—James Luna

Page 30: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

James Luna, AA Meeting/Art History, 1991.

James Luna, End ofthe Frail, 1991.

Page 31: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Erica Lord, Artifact Piece, Revisited,

2008.

Page 32: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Erica Lord, Artifact Piece, Revisited, 2008.

Page 33: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Erica Lord, Artifact Piece, Revisited,

2008.

James Luna, Artifact Piece, 1985-7.

Page 34: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Erica Lord, The Tanning Project, 2005–7.

Page 35: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Erica Lord, The Tanning Project, 2005–7.

Page 36: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Homework Exercise/In-Class Discussion:Depp, Dunham, Deloria,

and the Disney’s Lone Ranger

Page 37: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Kirby Sattler, I am Crow, 1991-

2013.

Page 38: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans
Page 39: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

"Tonto was everything that the white man had always wanted the Indian to be. He was slower, a little dumber, had much less vocabulary, and rode a darker horse…Tonto was a cultureless Indian for Indians and an uncultured Indian for whites. Tonto cemented in the minds of the American public the cherished falsehood that all Indians were basically the same—friendly and stupid. Indeed, the legend grew, not only were the tribes the same, but all Indians could be brought to a state of grace—a reasonable facsimile of the white—by a little understanding.”

—Vine Deloria, Jr., "Custer Died for Your Sins: An Indian Manifesto.”

Page 40: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

SAMPLE TWEETS:

Andrew Jackson - @therealandrewjackson TO @lenadunham- Offended? Poppycock! I see nothing wrong with his delightful and accurate portrayal. #keepinitreal #fightpc #powerofthepeople *George Armstrong Custer likes this

@lenadunham We need to be offended by Tonto, period. Depp's portrayal, regardless of its intentions, plays into damaging Native American stereotypes. #Tonto #Kemosabe #StereotypesArentCool

@lenadunham Tonto’s “white-face” is comparable to African-American “black-face”–offensive and ignorant #sidekickgetssidekicked

@lenadunham I suppose it depends on what kind of dinner party you are attending.

@lenadunham Offended: Maybe. Worried about sounding as dumb as Depp at dinner parties: Definitely. Ignorance isn’t attractive #DoYourResearch

@lenadunham  Yes. This is almost as offensive as Johnny Depp playing a white man.

@lenadunham Tonto is like a work of art on a wall. 100 people can say 100 different things about it and still be right.

Page 41: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Optional — “At the End of Class”Current Events/Practices to Discuss

Page 42: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Mascots

Page 43: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Change the Mascot.org (Hyperlink to YouTube)

Page 44: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Playing “Indian” at the YMCA

Page 45: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans
Page 46: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

Clockwise, right to left:• Victoria’s Secret, 2012. • Elle UK, 2014.• Chanel, 2013.

Page 47: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans
Page 48: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans
Page 49: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans
Page 50: AHTR Playing "Indian": Manifest Destiny, Whiteness, and Depiction of Native Americans

The legacy of Edward Curtis and the 1491s.

Smiling Indians on YouTube