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  • 7/30/2019 Advantage February 2013

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    antagevadTHINK BIG! MEDIA I MARKETING I ADVERTISING

    TM

    FEBRUARY 2013 R25.00 incl. VAT

    VOLUME 20

    2YEARSY O U N G

    SMS Fotoactiv to 44065 to download the app which will allow you to activate this months front cover image.

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    C O N T E N T S F E B R U A R Y 2 0 1 3

    va

    ntage

    a

    d

    ad antagev February 2013 3

    06

    57

    58

    REGULARS

    COVER

    This months cover was conceived by new creative agency,

    Conversation LAB and illustrated by Olivia Villet. We see Harold,

    a hapless businessman who cant see what Durban has to ofer.

    Right behind him Durban lies bursting at the seams with business

    opportunities. Hes blinded by his entrenched attitudes, which tell

    him Durban is a backwater, not t or serious business

    COMMENT

    Editor Danette Breitenbach comments on the contentious FNB saga

    TALENT

    Rising stars in the media and advertising industry

    THE LAST WORD

    Rob Van Royen recommends one should be wary o anyone that

    uses the word, content marketing

    08

    10

    IMBIZO

    THE BIG PICTURE

    Our world in pictures courtesy Gallo Images

    NEWS

    Oresti Patricios salutes SA advertising andAdVantage on its 20th birthday.

    Magdel Louwtakes a look at online website JustPlay. For every business

    there is an equally important brand related role, Dion Chang explains why

    social marketing is an essential cy ber tool. Daniel Scheferasks i your brand

    measures up. The territorial nature o trademark protection is discussed by

    Andrew Papadopoulos. Odette van den Haareels its time or business to be

    creative. Danette Breitenbach speaks to Thembi Msibi about the important

    role the ASA plays e nsuring advertising remains honest, truthul and legal

    FOTACTIV APP BRINGS OUR FRONT COVERS TO LIFE!

    This months ront cover heralds the start o an exciting new association between

    AdVantage and and its new Fotoactiv app. From now By placing your Apple or Android

    smartphone over our ront cover youll literally bring this ormally static image to lie,

    courtesy o TLC Unlimited (a division o Primedia Unlimited)

    The Fotoactiv app can be downloaded or ree rom the iTunes Store or Google Play.

    It bypasses the need or barcodes, tags or RFID and the Fotoactiv platorm is able

    to make its surrounding environment ully interactive, including content videos,

    animations, interactions and web pages.

    For more information, visit www.tlc-media.co.za, www.fotoactiv.co.za,

    https://www.facebook.com/TLC.SA or www.twitter.com/TLCinSA.

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    THINK BIG! MEDIA | MARKETING | ADVERTISING

    'YWXSQ

    Copyright AdVantage Magazine 2013

    EDITORDanette [email protected]

    PRODUCTION EDITORGill Abrahams

    SENIOR JOURNALISTMagdel Louw

    ART DI RECTORDavid Kyslinger

    CONTRIBUTORS

    Adele Paulsen, Andre Le Roux, Alastair Haarho, Daniel

    Scheler, Dion Chang, Dr Antony Michail, Jean-Louis

    Acarao, Kasia Kiell, Mary Papayya, Odette van den

    Haar, Pierre van der Hoven, Rob Van Royen, Andrew

    Papadopaulos, Craig Page-Lee, Aaron van Schalk

    FEATURE WRITERS

    Danette Breitenbach, Magdel Fourie

    ADVER TISI NG

    ADVERT ISIN G EXEC UTIVE

    Sherrie Weir

    Tel: 082 373 6149

    Email: [email protected]

    MEDIA24 MAGAZINES BUSINESS

    & CUSTOM

    GM MEDIA24 MAGAZINES

    BUSINESS & CUSTOM

    Dev Naidoo

    PRODUCTION MANGER

    Angel a Sil ver

    SUBSCRIPTIONS

    SUBSCRIPTIONS MANAGER

    Petro van As

    Tel: (011) 217 3222

    [email protected]

    FINANCIAL QUERIES

    FINANCIAL LIASONSamanthia Radcliff

    ACCOU NTS M ANAGE RMeda FisherTel: (011) 217 [email protected]

    FOR ALL EMAIL CONTRIBUTIONS

    [email protected]

    ADVE RTIS [email protected]

    POSTAL ADDRESSPO Box 784698, Sandton, 2146

    PHYSICAL ADDRESSMedia24 Magazines Business & Custom

    5 Protea Place, 3rd Floor, SandtonPhone: (011) 217 3210Fax: 086 271 4275

    MEDIA 24

    CEO MEDIA24 MAGAZINES John Relihan

    CFO MEDIA24 MAGAZINES Raj Lalbahadur

    FINANCIAL MANAGER Jameelah Conway

    The views expressed in this publicationarent necessarily those o the publisher orits agents. While every eort has beenmade to ensure the accuracy o its con-tents, neither the editor nor the publishercan be held responsible or any omissionsor errors. Reproduction in whole or part oany contents o AdVantagewithout priorpermission is strictly prohibited. AdVantage magazine. All rights reserved.Requests to lit material should be made tothe editor-in-chie.www.media24business.com

    www.advantagemagazine.co.za

    Printed and Bound by Paarlmedia

    4 ad antagev February 2013

    C O N T E N T S I I F E B R U A R Y 2 0 1 3

    KZN REPORT

    An extensive report on the advertising and media industry in KwaZulu-Natal

    Competition among the media o KZN is hectic.Magdel Louwnds out just

    how vibrant the market isZulu Cool has taken on a lie o its own in KNZ.Magdel Louwtells us all

    about it

    Danette Breitenbach nds out why KZN is the place to be

    AIRPORT MEDIA

    Craig Page-Lee gives his take on airport media. Dave McKenzie talks about

    the new innovations BOO! is planning, and Mze Deliwe is optimistic about

    airport.tv

    TELEVISION REVIEW

    Why has SAs digital TV switch-on been delayed yet again? Magdel Louw

    nds out why and takes an in-depth look at the industry as a whole

    SKILLS SURVEY

    Theres a shortage o young copywriters in SA. Danette Breitenbach

    looks into this concerning situation

    AGENCY AGENDADenord Magora and Graham Warsop chatted to Danette

    Breitenbach about the their partnership

    Alastair Haarhodiscusses the merits o working with a

    design specialist

    MARKETING MATTERS

    Magdel Louwexamines audiences and consumer behaviour and

    nds out rom Bryan Melmed why big data is so huge these days

    MEDIA DIRECTION

    Adding value to your

    companys bottom line

    is so important Adele

    Paulsen tells us why

    BRAND

    DIALOGUE

    Andre Le Rouxhelps

    brands to write better

    success stories

    DIGITAL

    DEBATE

    Aaron Van Schalk

    explains the world o

    remarketing

    32

    34

    37

    43

    46

    52

    20

    22

    24

    26

    27

    28

    30

    INDEPTH

    vanta

    ge

    ad

    INFOCUS

    CONTRIBUTORS

    Adele Paulsen is the

    executive director at the Public

    Relations Institute of Southern

    Africa. In 1997 Paulsen

    accepted a position at the

    PRISA Education and Training

    Centre. In 2006 Adele moved over to PRISA where she

    has risen through the ranks. Her driving force is her

    passion for the industry. Page 27

    Oresti Patricios is the CEO of

    OrnicoGroup, a supplier of advertising

    visual references in SA. He established

    Ornico in 1984 with Spero Patricios. He

    has an MBA from the Gordon Institute

    of Business Science (GIBS) and huge

    knowledge and experience, which he

    brings to the brand intelligence offered by the OrnicoGroup.

    Page 10

    Andre Le Rouxhas worked

    in the advertising and branding

    Industry for close to 10 years He is

    the founder of Mercury 1 Strategic

    Consultancy. His passion is brand

    intelligence as well as brand identity

    development and finding new ways

    of helping brands to more effectively engage

    with consumers. Page 28

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    COMMENT

    NOT EVEN two months into the year and the

    proverbial has already hit the fan. You probably

    know what I am going to talk about: the

    contentious FNB ads. Actually thats not quite

    correct, I thought there was nothing wrong with

    the FNB ads and that it addressed an issue in our

    society that is extremely pertinent. For me the ads

    were in line with the brand and what it stands for.

    So what was disturbing about it then? Its just an ad

    campaign. The disturbing part was thereaction of our Government and their

    supporters, who branded the ads as a

    treacherous attack.

    The ANCs spokesman, Jackson Mthembu,

    said: The ANC is appalled by the FNB

    advertisements in which the ANC, its

    leadership and government (are) under

    attack on a commercial masqueraded

    as youth views.

    The ANC Youth League said it was an

    obviously lame attempt to recreate an Arab Spring

    while the ANC Womens League called them

    offensive and politically biased advertisements. The

    SACP said it was incensed by the advertisements.

    This has to worr y you if you are a c itizen of this

    country. Why did an ad on television garner more

    response than the riots and protests that were

    occurring at the same time in Zamdela,

    Sasolburg? If this is an indication of governments

    response to what it perceives ascriticism we are in for a long and

    bumpy ride this year.

    On a happier note its our 20th

    birthday. Thank you for the birthday

    wishes we have received so far

    heres a taste:

    Twitter: @danettefrog44

    An ad is just an ad.

    Or is it?

    6 ad antagev February 2013

    A VETERAN AD MAN warned us, You either stay in

    Durban and get out of advertising or you stay in advertising

    and get out of Durban. So we decided to start an agency

    approximately 4 000 miles wide, with a height just shy of

    6 000 miles, its just that our operations are centred in

    Umhlanga.

    Surely that veterans notions of centralisation are redundant with

    globalisation and modern communications? Centralisation is

    unnecessary and does nothing to improve anybodys quality

    of life, anywhere. Why should Durbanites swap their pleasantquality of life? Albeit one that has earned them a reputation of

    having an easy-going attitude that borders on laziness. With

    over 320 days of sunshine per year, warm seas and sandy

    beaches, KZN attracts 15 million holidaymakers every year.

    They seem to have acquired a taste for that easy-going way

    of life too.

    All this belies the fact that Durban is a commercial hub with an

    enterprising vibrancy that attracts, and is home to world-class

    business. Dont take our word for it, ask Mr Price, Unilever,

    SPAR, Dunlop, aQuell, Trellidor, GAME, Beier, Bata, Rainbow

    Chicken, Beaver Canoe, Marriott, Aspen Pharmaceuticals,

    Compendium Insurance or The Lion Match Company theyll

    all say the same.

    Oh, and lets not forget that Durban is home to Africas largest

    port, the 9th largest in the world.

    And yes, its a city of contrasts! Outside that awesomely

    large world-renowned icon, Moses Mabhida stadium,

    youll find small businesses and crafts people selling

    their wares at I Heart Market.

    So what have we got? A city thats a global player with an

    entrepreneurial culture. And a communications capability

    that transports our creative director from Brighton, UK

    to our office just right of the sugarcane fields. And an

    attitude that says theres nothing much to KZN apart from

    beaches, pleasant climate and slothful oblivion.In a nutshell, those were our insights to crack our concept

    forAdVantagesFebruary cover design.

    Our first idea was to have a sketch in which Durban wanted to

    keep all its best stuff secret, however Durban with its glorious

    beaches made those saucy postcards of Donald McGill an

    irresistible reference. We discussed the concept with Olivia

    Villet, an illustrator who has a world-wide reputation as a

    Childrens Book illustrator. We felt her use of flat colour and

    strong line would be perfect for a modern take on McGills

    work. She agreed.

    Finally, we took a little of the sauce out and settled on Harold,

    a hapless businessman, who stares at some minnows

    in a search for business opportunities in Durban. Behind

    him lies a city of opportunity, a thriving beach and a shark

    that menacingly approaches Harold. Maybe the shark is

    going to take a bite of Harolds rear, maybe he realises

    Harold isnt very good at business, on the other hand its

    possible that Harold supports the Lions. Whatever! Watch

    out Harold!

    Strategy:Tamerin Borland, head of Strategy and

    Analytics, Conversation LAB

    Copy and art Direction: Christian Anstice, creative

    director, Conversation LAB

    Illustration: Olivia Villet, illustrator, Conversation LAB

    For more information, visit www.tlc-media.co.za, www.fotoactiv.

    co.za, https://www.facebook.com/TLC.SA or www.twitter.com/

    TLCinSA.

    COVER DESIGN

    THIS MONTHS COVER WAS CONCEPTUALISED AND

    DESIGNED BY CONVERSATION LAB

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    Mabel Mamabolo 011 280 5997

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    OURWO

    RLDINPICTURES

    THEBIGPI

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    SAOPAULO

    ,BRAZIL-DECEMBER31:GeneralviewduringtheNewYearspartyon

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    ges)

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    ad antagev February 2013 9

    PeoplegatherastheycelebratetheNewYearonthe

    TrocaderosquarebesidetheEiffelTowerinParis.

    AFPPHOTO/FREDDUFOUR

    SOUTHQUEENSFERRY,SCOTLAND-JANUARY01:Girlsholdin

    gsaltireflagsjoinaroundathousandNewYearswimmers,manyin

    costume,whobravedfreezingconditionsintheRiverForthin

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    PRAGUE,CZECHREPUBLIC-Localresidentsandtouristswrite2013with

    sparklersa

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    GettyImages)

    Fiftythousa

    ndbiodegradableballoonsarereleasedbySaoPaulos

    Commercia

    lAssociation(ACSP).Anofficeboyfirstreleased100balloonsin

    1992andth

    eeventthenturnedintotraditionforcelebratingNewYearwhen

    ACSPtookover.AFPPHOTO/YASUYOSHICHIBA

    AbandofC

    apeMinstrelsperform

    intheannualMalayChoirandMinstrelsCa

    rnival,January2,2013,

    inthecitycentreofCapeTown.

    AFPPHOTO

    /RODGERBOSCH

    NEWYORK,NY-DECEMBER31:TimesSquare,December31,2012

    NewYorkCity.(PhotobyMikeCoppola/GettyImages)

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    IMBIZO

    01993 WAS A YEAR of high tension and dramafor SA. It was two years after FW de Klerkcommitted to ending apartheid and creating anew multi-racial constitution. It was the year afterde Klerk and Mandela were jointly awarded theFelix Houphouet-Boigny Peace Prize at the Unescoheadquarters in Paris. During a time of hope andanticipation, the unspeakable happened ChrisHani, general secretary of the South AfricanCommunist Party, was assassinated taking SA to thebrink of violent insurrection.The country would be pulled back from a potential

    abyss by Mandela, who wisely reacted to the crisis

    by saying: Tonight I am reaching out to every

    single South African, black and white, from the ver y

    depths of my being. A white man, full of prejudice

    and hate, came to our country and committed a

    deed so foul that our whole nation now teeters on

    the brink of disaster. A white woman, of Afrikaner

    origin, risked her life so that we may know, and

    bring to justice, this

    assassin. The

    cold-blooded

    murder of Chris Hani

    has sent shock waves

    throughout the

    country and the

    world. Now is the

    time for all South

    Africans to stand

    together against

    those who, from any

    quarter, wish to

    destroy what Chris

    Hani gave his life for

    the freedom of all of us.

    A NEW ERA

    AdVantage Magazine was born into that era which

    was marked by Mandelas generosity and his desire

    to unite and grow the country. Trade sanctions that

    had been imposed during apartheid were lifted,

    and this saw a decline in inflation. The advertising

    business-to-business magazines first years were at

    the dawn of democracy when the Mandela

    government restrained from resorting to economic

    populism, and foreign capital was flowing into this

    country.

    In terms of advertising, it was a period where brands

    were investing strongly in advertising and in some

    cases taking risks to build their brands. Who can

    forget the Classic

    Continental Rooftop

    Ad that had us all at

    the edge of our seats

    in cinemas? The ad

    was shot on the

    roof of a building in

    downtown

    Johannesburg,

    Oresti Patricios takes a look back at the dawnof SAs democracy and the commercials andadvertising people who were a part of our lives

    10 ad antagev February 2013

    - a saluteBy Oresti Patricios YEARS2

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    IMBIZO

    and had the city (and

    country abuzz). The

    ad opens on a shot of

    a wheel with a

    Continental tyre,

    which hurtles into

    action as a white

    Opel ramps over a

    hump, and veers

    dangerously close to

    the edge of the high

    rise. Then skids.

    Brakes squeal. But the

    vehicle is safe, albeit

    millimetres from the

    edge, thanks to (you

    guessed it) the

    Continental tyres.

    In 1993 Hunt Lascaris

    [now TBWA\Hunt\Lascaris] had been going for 10

    years. They were founded under the mantra of

    lifes too short to be mediocre by John Hunt and

    Reg Lascaris who did their first client presentation

    out of the boot of a Toyota. Their second client was

    Nashua that realised the birth of that legendary

    Orson Welles payoff line: Saving you time, saving

    you money, putting you first. But the voice over

    was no Welles, but a local imitator the duo used.

    In 1993 a former UK barris ter was into his fourth year

    as the creative head of a new ad agency called The

    Jupiter Drawing Room. That was none other than

    Graham Warsop who would go on to become the

    most awarded creative director in the history of

    local advertising as measured by the number of

    Creative Circle creativity points awarded to him.

    Warsop went into business with Renee Silverstonein 1987, and the two subsequently became

    advertising legends.

    This means that Warsop

    celebrates a quarter of

    a century in the

    industry this year, the

    same year that

    AdVantage turns 20.

    A CAN OF THE BEST

    At the time that AdVantage was created, the company

    that became known as Ornico was

    close on 10 years old. From a

    humble start-up situated in

    Sandtons twin towers, Ornico has

    grown its product offering to

    become one a leading

    advertising and reputation

    research companies in Africa.

    Today, Ornico employs close on

    a hundred people and has

    offices in Johannesburg,

    Durban, Cape Town and Lagos,

    and enjoys representation in a

    number of other African

    countries. We started our

    business a couple of years

    before the inimitable Castrol ads staring Boet (Ian

    Roberts) and Swaer (Norman Anstey) were created,

    and which so many locals fell in love with because

    of the humour the ads contained.

    I cannot express in words

    what a privilege it

    has been for Ornico

    to grow up

    alongside the local

    advertising industry,

    from the unbanning

    of the ANC and

    release of Mandela, to

    the first democratic

    elections; through the

    creation of a vibrant

    economy; to witness

    the birth of the digital

    era; and to see local

    start-ups and agency

    founders become

    international giants.

    A TOAST

    The great tragedy, of

    course, is that the opinionated

    octogenarian John Farquhar is no longer

    with us to raise a glass to toastAdVantage.

    Farquhar adored advertising, lived for it,fought for it, screamed for it, while he

    courted and cajoled agencies to do better

    work. And Farquhar did so much to make

    AdVantage the magazine it is today.

    So as we toastAdVantage for its premium

    content, exclusive analysis and thought

    leadership, lets remember Farquhar and all

    he did to bring insight, innovation and

    excellence to the industry.

    SaluteAdVantage! Heres toanother 20 years.

    ad antagev February 2013 11

    ADVANTAGEMAGAZINE WAS BORN INTOTHAT ERA WHICH WAS MARKED BY

    MANDELAS GENEROSITY AND HIS DESIRE TOUNITE AND GROW THE COUNTRY

    o South African advertising

    n Hunt receiving the lifetime achiever award at the 2012 Loerie Awards

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    ITS THE culture of South African consumers, they

    love competitions. Theyre just generally very sensitive to

    good deals and prizes.

    Which is why JustPlay, who now gives away a prize a week, is

    such an effective platform for attracting potential customers

    to engage with brands, reckons Gidon Alter, CEO.

    The way it works is members of JustPlay visit the site to choose

    from a variety of possible prizes theyd like to win (anything

    from a Luis Vuitton handbag to a trip around the world) by

    filling out a questionnaire related to a particular brand. The

    users are then entered into the

    competition, irrespective of the

    answers they supply. The product or

    service that the questionnaire is based

    on is also unrelated to the prize onoffer. This then ensures an indepen-

    dent objective response enabling

    JustPlay to present said brands with a

    database of potential and qualified

    clients that showed definite interest in

    their product, he explains.

    And its working. After only four years in

    the business, JustPlay now has over

    450 000 registered users, is among

    the top 50 biggest websites in SA and

    the 2nd biggest entertainment

    website in the country. And by the

    end of this year they want to reach

    the one and a half million mark.Theres no other website exactly like

    ours in the world. The whole process is innova-

    tive. But whats especially unique is t hat visitors

    can opt out at any time if they dont want to

    continue engaging with the brand, but are still

    eligible for the prize. In fact, we actually go a step

    further by really trying to push a person off a

    questionnaire in order to double qualify

    customers and so ensure that the visitor is really

    interested in the product.

    NO LOSERS

    According to Al ter at any given time, 30 to 40 brands a re

    active on JustPlay. We welcome any brand with mass

    appeal, with banks and insurance brokers usually being

    the biggest.

    Yet interes tingly enough as a per formance based online

    marketing platform, JustPlay only charges advertisers

    based on objectives achieved. Therefore only once a

    user opts in, the brand gets charged by JustPlay, he

    points out.

    Questionnaires are not issued randomly either, but are

    prioritised based on a balance of how much mass appeal a

    product has and how much the brand is willing to pay for

    the spot. Over 20 000 questionnaires

    are answered daily (half a million per

    month) resulting in around 1 500

    leads generally being generated per

    day (over 30 000 a month). And,depending on the size of a brands

    budget, between 10% to 25% of

    leads are converted into customers,

    depending on the industry.

    JustPlay further generates about

    900 new signups (over 20 000 a

    month) and around 5 000 unique

    visitors per day and seeing as

    each member must be registered to

    play, the data compiled is consid-

    ered good data, he remarks.

    However, JustPlay is not just applied

    for customer acquisition, but

    research, creating awareness andengagement as well. He stresses the

    conversational approach of the questionnaires is designed

    to ensure its not just blatant advertising. To set up the

    right questionnaire, we work with the brand on what they

    want to achieve. For only research purposes for example,

    we also throw in questions that dont necessarily qualify

    the customer.

    On the other hand, Alter says, from JustPlays side they

    spend a fortune on search marketing and generating

    newsletters to keep people engaged. Theyre also active

    on their mobisite, Facebook and MXit, to offer different

    touchpoints where users can play.

    Plus all the prizes you see are our overheads, which is our

    marketing expense.

    They also regularly give back by running questionnaires for

    charities such as Johannesburg Child Welfare for

    whom they had generated R5 000 through donations in

    just one week. So yes, the package is working. Our

    sales team is following up with advertisers and the

    appeal from advertisers is fantastic.

    A WIN-WINSITUATION

    THE JUSTPLAYAUDIENCE

    By Magdel Louw

    FEMALE

    MALE

    between the ages of 18 and 35

    between LSM 6 8

    between LSM 9 10

    64%

    36%

    60%

    51%

    45%

    Online lead generation website JustPlay has found a way of marketinga brand and leaving consumers smiling at the same time

    IMBIZO

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    IMBIZO

    ad antagev February 2013 13

    For more ino contact Michael Codd | 011 280 3000 | [email protected]

    Gallo Music Publishers is proud tocelebrate the success o Cape Townshottest new composer, Bruce R etie.

    Fresh rom Hollywood, Bruce hasrecently been recognized as one

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    Locally produced, Adventures InZambezia is South Aricas mostsuccessul ilm to date. Although still anew release, it has secured distributionin over 60 territories worldwide and hadits score recorded by the HollywoodSymphony Orchestra in LA.

    Use music in new ways

    Gallo Music Publishers: Representing some o the biggest International Publishers in Arica,including Warner/Chappell, Walt Disney, Pig Factory, Spirit Music, Shapiro Bernstein, Bicycle Musicand Sugar Music, as well as well known composers such as Joseph Shabalala, Dorothy Masuku,

    Caiphus Semenya, Sipho Mabuse, Don Laka, R ingo Madlingozi, Lucky Dube and many more.

    Bruce Retie is proud to have been parto this project. Previously a schoolteacher, this classical and orchestralmusician ound his passion late inlie and has subsequently becomeo the most sought-ater eature ilm

    score composers in the country. He iscurrently working on his second eatureilm Khumba.

    Bruce has been nominated or BestScore in an Animated Feature at themost prestigious award ceremony in theanimation sphere The Annie Awards.He is up against big-gun productionssuch as Brave, Rise O The Guardians,Ice Age 4, The Lorax and others - a hugeaccolade or this homegrown talent.

    OUT OF HOME

    THE NEW PLANS for 2013 will bring the association closer to

    becoming strongly recognised in the minds of the OOH

    advertising industry, as well as other types.

    To show its salt, OHMSA puts forward two primary goals as part of its

    re-engineering and development programme:

    t Assist with the growth of market share for the OOH sector from

    4.59% to 6.0% in 24 months

    t Grow membership to levels that will see the association represent at

    least 75% of the OOH spend

    Essentially this means that OHMSA will become a marketing

    organisation for the OOH sector. A set of OHMSA sub-brands will be

    rolled out during 2013, providing much improved benefits for

    members and are designed to create new revenue and income

    opportunities for the association. Some of these brands already exist

    such as:

    t OH! Connect networking dayst OH! Awards

    t OH! News Daily (launched 1 November 2012)

    OHMSA has launched OH! Classifieds, an exciting brand ex tension,

    where OOH media players have the opportunity to advertise their

    businesses for only R100 a month on i ts website. The following

    categories of advertising are available: Printing and production,

    flighting, manufacturing, media sales and media ownership

    We receive many enquiries each month from media owners looking for

    information on various subjects. So we are encouraging suppliers to

    list their companies under our categories. Also, media owners and

    media agents can list their companies and have the opportunity to

    connect with each other.

    Some of the other sub-brands to be rolled out are:

    t OH! Awards Monthly

    t OH! Conference

    t OH! Online

    t OH! Digital

    t OH! Members Dedicated Portal

    t OH! Resources (Research and data)

    t OH! Recruitment/Jobs

    Emphasis will be placed on providing services and information digitally

    to members and the industry moving the association from being

    irrelevant to being e-relevant.

    2013 LOOKS BRIGHT

    For too long, Out of Home Media of South Africa(OHMSA) has been scorned by other media owner

    associations as irrelevant and not truly representative

    of the Out of Home (OOH) advertising sector.

    Hopefully, this perception will be replaced by

    something more positive and reflective as OHMSA

    executes its growth plans for 2013 says Sarel du

    Plessis, executive director, OHMSA

    ACCORDING TO the Sunday Times(January 27) a furious ANC delegation accusedMichael Jordaan, CEO First National Bank, of insulting the government and feeding into the

    opposition narrative by portraying the party and government in a bad light.

    The Sunday Timesstory went on to say, The ANC team reminded the banks bosses that FNB

    held the lions share of government accounts.

    The ad features a young high school student giving a speech at the historical Naledi High School

    in Soweto. She shares the thoughts of young South Africans and talks about their prospects

    for the future, their concerns for the present and the challenges they will face.

    ADVANTAGESCANNED THE SOCIAL MEDIA AND NEWS

    FEED REACTIONS:

    I HAVE to say that I really liked the First National Bank (FNB) campaign that the ANC hated so

    much. I liked it because it is always refreshing to see a commercial corporation having the

    balls to stand up and speak out against what it sees as social injustice. Chris Moerdyk

    There is little that amazes and even less that shocks me in politics. But I have to say that the

    ANCs disquieting and dishonest accusat ions against a top South African bank this week

    reaches that threshold. Mzwandile Jacks

    Absolutely ridiculous. Saw the AD on youtube. Very inspiring and not sure why the ANC wanted

    it pulled. Its a cry for us all to work together. AdVantage Facebook post.Renier Lombard

    At the end of January FNB executives were draggedover the coals in a meeting with the ANC

    A STORM IN A TEA CUP

  • 7/30/2019 Advantage February 2013

    14/6014 ad antagev February 2013

    IMBIZO

    FROM BROAD managers, to fancy

    strategists, to PR bewitches, to engirdled

    ambassadors, to everyone-is-doing-it-

    so-I-can-too designers. Their roles, albeit

    technically different, has a similar tenor to

    save the face of the brand, to duck from

    flying debris and if it hits to wipe the egg

    off its glower. All of these brand roles

    invaluable to the business that forge

    them, priceless to the clients they so

    humbly serve and dedicate their awards

    to and of course this all offers a revived

    spectrum of bumptiousness. But in this

    jot of quality, who is truly the janitor of it?

    MY NAME IS BILLY

    Quality control, the process of reviewing all

    factors involved in a process, is about

    inspection: a scrutiny of value, and

    delivery of promises. Different from

    quality assurance that makes sure the

    right things are done in the right ways

    and attempts to approve the processes

    to avoid any problems along the line. The

    control places its emphasis on

    uncovering defects and reporting to a

    higher power if something is not up to,

    lets call it, scratch. So looking at both

    control and assurance who quantifies

    and qualifies this exact science within a

    business? The brand name of course.

    Buyers pay premium for products or

    services that bear a brand name,

    sometimes even for an indistinguishably

    different product or service that

    carries the right epithet. Benjamin

    Klein (a professor emeritus of

    economics at UCLA) relates how in

    the Communist revolution of 1917

    all brand names on goods in the

    Soviet Union were banished as the

    numero unosbelieved that the

    extra cost for a product

    that was merely

    promoted was

    imprudent. But the demise was swift,

    consumers had no idea how to

    differentiate between products using

    past experience: so bad products could

    not be condemned and good experiences

    could not be vaunted.

    FLYING IS FLYING?

    The incentive for a brand (with a brand

    name) is greater as the surety of quality

    is implied, and a premium is paid for this

    added assurance. So even when it

    comes to something as congested as the

    airline industry where so many brands

    exist and compete the quality controls

    (whether to do with experience or

    security) takes precedence over price

    now that low cost airlines have

    disappointed around the world with theirlack of quality and snarky tune ups.

    Flying is flying, but what quality gets

    associated with the brand is what directs

    consumers from one airline to another,

    again and again. Take the aspirin

    example (highlighted by Prof. Klein): a

    standardised product where the basic

    ingredient is acetylsalicylic acid but the

    consumer is willing to pay more for the

    brand name

    Disprin as he

    knows what

    hes getting.So simply the

    brand directly

    reflects the

    quality.

    Virgin Atlantic,

    the pioneers

    that they are,

    took quality

    into a new

    realm and

    handed over

    the reigns to Billy Yeomans, age 10, from

    Chichester in the UK. Little Billy was

    appointed to test and approve the

    airlines newly refurbished 747 fleet as

    the Junior Approvals Manager. This

    Virgin Atlantic refitting of the entire

    leisure fleet of 747s cost the business

    well over 50 million and so finding

    quality measures was high on the list of

    priorities.

    So Billy, although it was one small part of

    the brands once-over, could report

    back on everything he experienced from

    food, to entertainment, to service etc. He

    will also be consulted for future on-board

    improvements and specifically for

    child-focused developments undertaken

    by the airline. So plug the proverbial

    Billy into every department, area,division and see whats truly happening

    under the hood. Sir Richard Branson, the

    father of the maverick brand Virgin, has

    outdone himself this time: finding new

    ways to see where the brand can

    improve on their quality and adding in an

    element of fun.

    LEG ROOM

    The potential lesson here, to brands and

    agencies, is that quality is not only seen

    or experienced by the obvious roles

    designated to finding gaps and coupsand the usual customer services with

    report backs. But more importantly by

    giving the right person just enough

    access, and leg room, to thoroughly

    consider and evaluate the brand within

    parameters that can be controlled and

    reported on, might just be the way to

    ensure quality and distinction tomorrow,

    and the next day.

    Lets see whos next to upheave in the

    revolution of quality.