Adobe Premiereby jack and Sue Drafahl

Just as Adobe Photoshop isone of the most popularimage-editing softwarelucts, its brother, Adobe

Premiere is just as popular in thevideo editing world. But wait,this isn't a video magazine. What'sa video editing software reviewdoing in a still image magazine?Relax, it's because Premiere is thetype of program we use today tomake digital slide shows. Theslow demise of the slide projectorhas turned us towards hardwareand software technology thatallows us to project our stillimages in a new type of digital format.

Yes, Adobe Premiere is a videoediting program, but it's so muchmore. If it makes you feel and better,just forget the words video, and thinkof Premiere as a digital still productionprogram. It's designed to handle stillimages in the same manner that itincorporates video and provides a newand innovative way for us to createslide shows.

If you've used Premiere before, beprepared, as this most recent version ofPremiere Pro is quite different thanprevious versions. Many of the featuresthat have been upgraded from version toversion have been completely overhauledand replaced with totally new features.

One of the best aspects of PremierePro 1.5 is that it is suited to all levels ofdigital slide show creators. Adobe hasmade it simple enough for you to easilyproduce a show if you are a newproducer. Otherwise, just likePhotoshop, Premiere has hundreds ofadvanced features that can be accessed asyou become more proficient with theprogram. To really understand how easythis program is to use, we'll take you

22 www.photographic.com | JANUARY 2005

!

: J _ « j

through a simple presentation, and thenwork up to the more complicated issues.

For our first project, we willattempt to duplicate a project thatresembles a dissolving two-projectorshow. When you open Premiere, severalmenus will appear, along with afloating toolbox like the one inPhotoshop. Since you are starting anew project, the image bins in theproject menu will be empty. You canimport the images you want to put inyour show by right-clicking on theopen area. A small icon at the bottomof the image bins allow you to set yourviewing as thumbnails or filename. Werecommend thumbnail view so youactually see you image choice.

If you have a specific length of timethat you want most images to remainon the screen, you can set the defaultframe time in the preferences menu.Remember that 30 frames equal asecond, so the default of 150 frames is5 seconds per image. Not to worry,though as you can always change thetime later.

At the bottom of the screen you willfind a blank time line. Select your first

Left: The assets library is where youimport video, stills and audio files.These files can be previewed in filename or thumbnail format. Each imagecan be selected and dragged onto thetimeline. You can also jump toPhotoshop at any time from the image.Below: Premiere toolbox works muchlike elements and Photoshop, exceptthat it has fewer tools. Advanced imageediting can be accomplished by jumpingto Photoshop or Elements by right-clicking on an image.

Selection ToolTrack Select ToolRipple Edit ToolRolling Edit ToolRate Stretch ToolRazor ToolSlip ToolSlide ToolPen ToolHand ToolZoom Tool

image and drop it on the video 1 line.Then grab the second image and drop itto the right of the first. Now go to yourimage bin, and press the effects tab atthe top. Select the cross dissolve, whichclosely resembles a projector dissolve,and drop it at the point between thetwo images. You can then click on thesmall dissolve box to change the settingsand preview the effect.

From then on it's just a matter ofdropping one image after another, andadding dissolves in-between. You canadjust any of the image times by right-clicking on the image and inputting anew time. Otherwise you can use themouse to grab one end of your imageand stretch it or shorten it to the

Pro 1.5 Dynamite digital slideshows made easy

desired time length. At any time duringthis process, you can view your showby pressing the play button in themonitor window. If you want to workon one specific section of yourpresentation, you can set the play pointto start at any time in the show.

Just below the video 1 line, you willfind an audio track where you wouldlay down a music or narration track. At

any time you can add more audiotracks if needed. Premier makes it easyto adjust the audio track volume levels.At points where you want to changelevels, you add keyframe anchor pointsand the line between the two points isa rubberband. To change volume levels,grab the line between two keyframesand move it up or down. This is a greatfunction if you have a narrative voice

over the music and you don't want themusic too loud.

Continue using the play button,reviewing the show until you have it justthe way you want. You can then save thefinal file as an AVI video file, or create afinal DVD using the output function.

For those who previously used threeor more projectors with added specialeffects, simulated motion and text,Premiere has all the tools you'll need. Forexample, you may want to have a titlemove across the screen or zoom in. Ifyou mask your title in Photoshop andsave it as a masked channel, you can floatthe title over an image.You can then go tothe effects

Above: Transition effectssuch as dissolves canbe selected from thetransition library anddropped on the timelineabove and across twoimages that you want toblend. When you selectthe effect on the timeline,a menu at the top of theedit screen allows you totweak the transition effect.Left: This is the menudisplayed when you selecta transition effect fromthe timeline. Here, a crossdissolve is selected withthe effect displayed in themonitor and at the bottomof the menu.

(Continued on page 94)

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AdobePremierePro 1.5(Continued from page 23)

Above: Volume levels for narration andmusic can be adjusted by setting pointsand dragging the line up or down.Above right: Double-click an audio filefrom the timeline to get a closer look.Below right: The audio mixer gives youdial and slider controls like a real mixer.

menu and select one of several dozenvideo effects so your title will spin,zoom, pan, flow, or fly into the image.Best of all, your images stay in registerno matter how complex the effect, notlike the old slide projector shows.

At this point we have not evenscratched the surface of Premiere'spotential. If you are competent withlayers using Photoshop, you can createcomplex images with multiple layersthat can be imported into Premiere asPSD files. When you bring thesequences files, each layer becomes aseparate line that can be manipulatedwith any effect. For example, if youwant a complex image to appear topiece together from differentdirections, you can key all the layers tothat final point. Then select each layerand send it in a different direction atan earlier point on the timeline. Dothis to each layer, and run the effectforwards to see all the layers pan,zoom, and fly into the scene to createthe final image.

Each single image loaded onto thetimeline has a motion and opacityeffect automatically attached to theimage. The default is set so thatnothing happens to the image when

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you drop it on the timeline, but bothare easily activated. By turning on thekeyframe button, you can change themotion and opacity values in the effect.

The motion is very flexible if youactive-touch the motion word itself. Thisturns on a mouse control that allows youto drag the image from the originalpoint to any other point on the viewingscreen. Even more control can beattained with the Bezier control handlesthat appear at the ends of the motionmovement. As you bend these handles,the motion path becomes a curved path.This enables you to have an image fly inat angles on a curved path.

Once you start to really understandthe power of Premiere, you might wantto turn on the image opacity handleswith a small button to the left of thetimeline. When you do, a small lineappears in your image and you canthen start adding keyframe anchorpoints on the line. Be aware that youwill need at least three keyframes toachieve any type of effect. Once youset three points, you can manuallymove one down, and the opacity of theimage forces the image to become lessvisible. This is a handy manual methodof controlling dissolving effects.

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28-200/3 5-S.6 EDIF AF 0 269.95

3S-70/2.8D .......................... 549.95

70 200/2 8 AF SG ............... 1419.95

70-300/4/5.6 AF-0 ................. 279.95

70-300/46 6 -G- ..................... 99.9580- 200/2 8 wS I .TnpodBrkt 799.95

80-400/4.5-5 6 AF-DVR ............. Call

TC14 E II ............................... 349.95

NewTC17 E II ............................ Call

TC20EII ...... 349.95

Lite Touch Zoom 130 ED (38-130) .

Lite Touch Zoom ISO ED (38 ISO)

ACCESSORIES

-1279.95-439.95-249.95-439.95

Call-1229.95

89.95-99.95

-244.95299.95

-479.95-1449.95

-249.95129.95

-699.95-1329.95

399.95Call

429.95

NIKON AI-S LENSES ('Includes Caw)20/2.8

24/2

24/2.828/3 5PC'

3V1.445/2 8P50/1.2 429.95

5(9.95359.95

Can579.95

55/28 Mac

8S/2.8 PC USA..

85/2 8 PC Cray...

105/2.5

PN-11 Tub*

135/2.8

70-210/4.5

299.95•1019.95

1199.95339.95

9695319.95

124.95

TC201 249.95

TC14A 249.95

TC 148 419.95

F100 ACCESSORIES

MB 15 164.95 MN IS ...109.95MH 15.249.95 MF29 139.95Screens 26.95

CLOSE UP ACCESSORIES

PB6 224.95 PB6E154.95PB*D 53.95 BR2A.3 23.95BR-5 .23.95 BR6 54.95ESI 39.95 PS-6 129.95PB<M44.95 PK 13 62.95PK 12. 59.95 PG1 149.95PK-11A 59.95 PN-11 9695

NIKON STRAPS

NS-1 12.95NS3So(t 12JSAMI W.93

AN4 16.95AN6YorW J3.95

KENKOAF EXT. TUBES

AF Ext. Tube 12mm 59.00AF Ext. Tube 25mm 79.00

AF Auto Ext Tube Set 159.00

F3 VIEW FINDERS

DW4 209.95

DG2 49.95

F3 Focusing Screens 28.95

F4 ACCESSORIES

MB-20 49.95

F-4 ScreenE 39.95

NIKON MISC. ACCESSORIES

DK-t Angle Finder.... 139.95

AR3 14.95

FE2 Focusing. Screens 23.50

Correction Eyepieces 16.95

NIKON LENS CASES

CL155 33.95

CLJOS. 31S, 34A 26.95

CL32S. 33S. 32.95

NIKON HOODSHN-1. 2. 3.9.25 14.95HN 22.23 21.95 HS7.9 23.95HR I 12.95 HK-2. II 21.95HR2 12.95 HK-14 31.95H8-1.3.4. 5 . 6 16.95•IB : 29.95

NIKON FLASHES & ACCESSORIES

NIKON DX SERIES LENSES For Digital SLR's

Quy USA12-24/4 AF-S - Call17-55/2.8 AF-S - CaN

18-70 / 3.5-4.5 Edit AF-S - ~ CaN

10.5/2 8 Edit AF-S -.. C.ill

NIKON FILTERS

NIKON VIDEOTAPESAvailable for:FS. NBO. FIDO.

& Master Series

•a. 24.95 Quantum !urt» SCa*

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L37C(UV) 122mm 139 95 67mm Circ Pour 11995

NIKON GEAR DRIVEN39 and 52mm Drop-in Polarizer Filters39mm 209.95S2mm. 239.95

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S8I68 214.15S8-29S Micro 33495 35995SB-30AF - 1495SWOOW — Can

M.95241.95249529.9539.B

1199519.B399531955495

Some prices based on ParallelImport Products

58-800SO-S-AAS-I

AS-6

AS-15.SC-14SC-18SC-24SC-27SC-29

Cat SK-6

11I.B UR-3

27.H AS-I. 54495 AS-1011II.H AS-17

FILTER ACCESSORIES

CA 1 S2mm Filter Pouch 19.95

AM 3«3 Gel Holder S9.95

5695 SC-152995 SC-19SMS SC-26S9.95 SC-287495

MOTORS ft ACCESSORIES

MD 12 319.95 AH 3 29.95MC10 ..... 3995 MC12 49.95MC20 94.95 MC21 63.95MC22 49.95 MC25 59.95MC 30 Demote Release 54.95MRS 39.95

SU-4TTLWIRELESSREMOTECONTROLLER

74.95SB 800AFSPEED-LIGHT•Compatible|with bothdigital andfilm SU1 cam-eras.• Intelligent i-TTL system sup-ports Advanced Wireless Lightingincluding 3 remote TTL speedlightgroups controlled through theMaster SB 800• Auto FP High Speed Sync Modedelivers needed fill flash in brightlight

NIKON DIGITAL CAMERA ACCESSORIES

Adoranvj Adjustable 52mmAdapter f/Coolpn 5700t Cooto S400

Battery Pack f/Coolpn5000S5700

FC-18 Frsheve Converter lensFC-E9 Frsheye Converter lensfor Coolpa S400 * 5700 239.95wa-63 Wide Angle Converter Lens 129.95WCE-68 19mm Wide Angle Convener Lens .CalWO 75 Wide Angle Lens. CanWM 80 Wide Angle Lens CallWCE 80 28mm Wide Angle Converter Lensfor Coolpix 5700/S400 Cai

CONVERTER LENSES

198.95 Ta-ISED 1.SX Tetephoto Converterfor Coolpn 5700/5400TCE-2 2X Tekphoto ConverterTa-E17ED17X ConvenorTCE-3 3X Telephoto Converter...

Cal129.9S

Call209.95

MCEU1 Remote Control Cord..Sl-1 Macro Cool light

SKE-900 Flash Bracket

CrystaFvue Sharpshooter 8X Tele Lens Convenorfor Nikon Coolpix Cameras & other 28mmor 37mm Digital and Video Cameras

MISCELLANEOUS ACCESSORIES19.95 ASE-900 Multi Flash Adapter _

_.._J4-9S SK 9 Flash Bracket lor CookM 21001310068.95 Cootwalker Digital Storage/Photo Viewer

149.95

39.9539.95

Cal

POWER ACCESSORIESEl- Ili-ton Rechargeable BatterySunpak EL-1 Li-Ion Rechargeable BatteryEN EL2 Battery 29.95 EN-ELS BatteryEN-EL7 BatteryMB E5000 Battery Pack Koolpu 5000MB E5700 Battery Pack f/Coolpi> 5700MB CP10 Bat Pack 169.95 MB CP11 Bat Pack

NIKON LENS ACCESSORIESAdorama 52mm Converter Adapterfor Nikon COOICMX 5700HRE 5700 Lens Hood for Coolpix 5700ES E28 Slide Copier Adapter28mm Filter Set: (UVCircular Polaruer. NeutralDensity 4 A Neutral Density 8 in a hand wallet).46mm Filter Set: (as above}..

34.9524.9526.9546.95

109.95119.95169.95

49.9524.9564.95

49.9554.95

(ftIII

OS

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EN EL3 BatteryCALL

MBD100Multi Function Back

229.00

EN EL3 Battery CallMH 19 Multi Charger CallMB-D100 Multi Function Back 229.00EH-5 AC Adapter CaNSemi Soft Case 49.95

HI

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EN-EL4

Lithium Battery

Call

EN-EL4 Lithium Battery 109.95

EH< AC Adapter 74.95

WT-1A Wireless Transmitter Set 419.95

MUJ

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EfMNicad Battery

c>"Version 4 0 99.95

EN4 Nicad Battery .................................. CallEH-4 AC Adapter ................................. 94.95MH 16 charger f/tN 4 (SfftJ ............. 209.95SC 01 IEEE 1394 Connecting Cables 44.95Capture Software Version 4.0 99.95

Circle *329 on Reader Service Card

AdobePremierePro 1.5

Top: The layer function is fully interactivewith Photoshop. At any time you can clickon a layered PSD file and fine-tune youredit in Photoshop.Bottom: Still images can be set to motionpaths on straight lines or Bezier curves. Youcan zoom, pan and change speeds via menu.

There are a lot more complex effectspossible with Adobe Premiere Pro 1.5,and we couldn't even begin to coverthem all. Although we don't normallywatch the videos included withsoftware, the Video Workshop thatcomes with all Adobe imaging productsis great. Adobe Premiere Pro 1.5 isdesigned for Microsoft Windows XPsystems and is available at the Adobestore for $699. Upgrades are availablefor various prices, depending on whichproduct you are upgrading. For moreinformation of Adobe imagingproducts, you can log onto the web atwww.adobe.com. •

To read past reviews of othersoftware, visit the archive

section of our website atwww.photographic.com