ad schedule 2019 - dt7v1i9vyp3mf.cloudfront.net · music production techniques / independent...
TRANSCRIPT
DISPLAY ADSCopy/Artwork
Deadline
ON SALE DATE (DIGITAL)
ON SALE DATE (PRINT)
BONUSDISTRIBUTION
AT SHOWS
January issue FridayNovember 30 2018
ThursdayDecember 20 2018
FridayDecember 28 2018 NAMM
February issue FridayJanuary 4
ThursdayJanuary 24
FridayFebruary 1
March issue FridayFebruary 1
ThursdayFebruary 21
FridayMarch 1
IMSTA Festa MiamiSYNTHPLEX
April issue FridayMarch 1
ThursdayMarch 21
FridayMarch 29 ASCAP
May issue FridayMarch 29
ThursdayApril 18
FridayApril 26
MOOGFESTIMSTA Festa LA
June issue FridayMay 3
ThursdayMay 23
Friday May 31 GEARFEST
July issue FridayMay 31
ThursdayJune 20
FridayJune 28
SUMMER NAMMIMSTA Festa Chicago
August issue FridayJune 28
ThursdayJuly 18
FridayJuly 26
September issue FridayJuly 28
ThursdayAugust 22
FridayAugust 30
KNOBCONIMSTA Festa NY
October issue FridayAugust 30
ThursdaySeptember 19
FridaySeptember 27
AES NYIMSTA Festa Toronto
November issue FridaySeptember 27
ThursdayOctober 24
FridayNovember 1 SF MUSIC EXPO
December issue FridayOctober 25
ThursdayNovember 21
FridayNovember 29
Ad Schedule 2019
Please send all advertising materials to:[email protected]
Michael Groves, Production DepartmentTel: +44 (0)1954-789888 Email: [email protected]
File TypesPlease supply print advertisments as a print ready PDF, with embedded fonts.
We will also accept advertisements originated in the following applications:
• Adobe InDesign.• Adobe Photoshop.• Adobe Illustrator.
Should be saved as .eps files, with text saved as curves/outlines, and colours saved as Process (CMYK).
Submitting artwork
Please email all adverts to: [email protected]
Larger files may also but submitted via a cloud-based file transfer service (eg WeTransfer, Dropbox etc).
Colours All colours within any document must be saved in Process (CMYK) mode. If colours are saved in any other mode (ie. RGB, Index etc) they will appear different or MONOCHROME when printed.
Ink DensityThe total Ink density should not exceed 300% with a maximum of 310% for large areas of color.
For example, when using large areas of black, to give final print a rich black appearance the following CMYK color values can be used - 75c 63m 63y 100k. Pages with a higher total ink density can cause problem when printing including blistering of pages and sticking together of paper.
Pictures & Logos• All relevant EPS, TIFF, and any other
original picture files that are used must be supplied with the main advertisement file.
• Logos and line art illustrations used in the advertisement can be supplied in either EPS or TIFF formats as long as colours are CMYK (Process).
• Scanned images should be supplied in either TIFF or EPS format. TIFFs should not be compressed. EPS files must be single part files but must not be JPEG encoded.
• Cutout images should be saved as EPS files with clipping paths, or they will appear “jagged” when printed.
• Pictures should be saved at 300dpi, except for “screen grabs” which will usually be 72 dpi. These will obviously print at a lower resolution.
TypefacesIf fonts included in an advert are not available in our type library, they will be substituted for typefaces of similar appearance.
File CompressionMac: Files can be compressed using Stuffit. Self-extracting archives are also acceptable.
PC: Can only be accepted if compressed with ZipIt.
Display Advertising Specifications
PDF SpecificationsSOS PDF specifications can be obtained from: Michael Groves([email protected])
Artwork exported using other print ready settings can still be accepted. However, please ensure that any crop marks or color bars are offset by 0.125 inches so as not to appear within the bleed area.
REVIEWS: STEINBERG / OPPO / SCHERTLER / MEMOTRON / BEYER / IGS / ROSWELL / HEAVYOCITY / ALESIS / ZYNAPTIQ / SONIBLE / DANGEROUS
Faking a string section on a budget
April 2016 £5.99
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TECHNIQUE: PRO TOOLS / REAPER / REASON / LOGIC / SONAR / LIVE / STUDIO ONE
WIN SONNOX PLUG-INS WORTH £2000
22 MTK : C L A S S I C A N A L O G U E W I T H D AW R E C O R D I N G
Mixing Muse LiveRoger Linn’s LinnStrumentThe MIDI controller non-pianists can play
SOUNDCRAFT
W I T H D AW R E C O R D I N G22 MTK : C L A S S I C A N A L O G U E
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THE WORLD’S BEST RECORDING TECHNOLOGY MAGAZINE
SOUND ON SOUND THE WORLD’S BEST RECORDING TECHNOLOGY MAGAZINE
APRIL 2016 VOLUM
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MUSIC PRODUCTION TECHNIQUES / INDEPENDENT IN-DEPTH PRODUCT TES TS / ENGINEER & PRODUCER INTERVIEWS / LIVE SOUND
APS MONITORS WORTH £2100
W I N
1985 — 2016
REVIEWS: CHANDLER / BITWIG / IK / ACOUSTICA / DBX / LD SYSTEMS / PHAEDRUS / MESA / PRESONUS / NI / PITTSBURGH MODULAR
Recording & mixing Coldplay“I try to get the band to play as a unit”
Masterclass: Deep house vocal production
Work fasterin the studio
Get your sessions into gear!
SOS AWARDS WINNERS!Who got your vote?
March 2016 £5.99
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!?
1985 — 2016
TECHNIQUE: PRO TOOLS / REAPER / REASON / LOGIC / SONAR / CUBASE / LIVE / STUDIO ONE
THE £435 ANALOGUEPOLYSYNTHK O R G M I N I L O G U E
WIN ASTON MICROPHONES WORTH £2300
E X C L U S I V E F I R S T R E V I E W
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THE WORLD’S BEST RECORDING TECHNH OLOGY MAGAZINE
SOUND ON SOUND THE WORLD’S BEST RECORDING TECHNOLOGY MAGAZINE
MAR
CH 2016
VOLUM
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MUSIC PRODUCTION TECHNIQUES / INDEPENDENT IN-DEPTH PRODUCT TES TS / ENGINEER & PRODUCER INTERVIEWS / LIVE SOUND
VINTAGE ROLAND SPACE ECHO & FX UNITS
WORTH £2200
W I N
AUDIX PIANO MIC SET WORTH £1315
February 2016 £5.99
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1985 — 2016
TECHNIQUE: PRO TOOLS / REASON / LOGIC / SONAR / CUBASE / LIVE / STUDIO ONE
HAS MELODYNE 4 ACHIEVEDTHE IMPOSSIBLE... AGAIN?
Iconic Roland synths reborn!Mini Jupiter, JX & Juno
ROLI Seaboard RiseAffordable ‘keywave’ controller
Classic Tracks: The Zombies“We had to fork out another £200 to mix in stereo”
The 10 Biggest Recording Mistakes...and how to avoid them!
E X C L U S I V E F I R S T R E V I E W
REVIEWS: BAE / GEITHAIN / EV / LOOPTROTTER / MESANOVIC / MIKTEK / MOTU / MODOR / IZOTOPE / SKNOTE / SOUNDTOYS
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THE WORLD’S BEST RECCORDING TECHNOLOGY MAAAGAZINE
SOUND ON SOUND THE WORLD’S BEST RECORDING TECHNOLOGY MAGAZINE
FEBRUARY 2016
VOLUME 31 • ISSUE 4
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MUSIC PRODUCTION TECHNIQUES / INDEPENDENT IN-DEPTH PRODUCT TES TS / ENGINEER & PRODUCER INTERVIEWS / LIVE SOUND
W I N
REVIEWS: YAMAHA / SONOKINETIC / NOVATION / EVENTIDE / NI / RADIAL / DPA / TEGELER / AKG / FOSTEX / ASTON
Roland System 1mPatchable Eurorack synth module
Working with an arrangerWhat to do when your scores need the professional touch
Mixing Pentatonix“Pentatonix is a pop group, and you want it perfectly in tune”
Pro Tools 12Is Avid’s subscription pricing a good deal?
January 2016 £5.99
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1985 — 2016
E X C L U S I V E F I R S T R E V I E W
The Moog Modular You Can Afford
TECHNIQUE: PRO TOOLS / REASON / LOGIC / SONAR / CUBASE / LIVE / STUDIO ONE
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THE WORLD’S BEST RECORDING TECHNOLOGY MAGAZINE
SOUND ON SOUND THE WORLD’S BEST RECORDING TECHNOLOGY MAGAZINE
JANUARY 2016
VOLUM
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MUSIC PRODUCTION TECHNIQUES / INDEPENDENT IN-DEPTH PRODUCT TES TS / ENGINEER & PRODUCER INTERVIEWS / LIVE SOUND
CYMATIC AUDIO RECORDERS WORTH £2700
W I N
Double Page Spread (Trim/Printable Area) 16.75 inches wide x 10.875 inches high
Double Page Spread (Including Bleed)17 inches wide x 11.125 inches high
1/2 Double Page Spread (Trim/Printable Area)16.75 inches wide x 5.5 inches high
1/2 Double Page Spread (Including Bleed) 17 inches wide x 5.625 inches high
1/4 Page Horizontal (Bleed) 8.625 inches wide x 2.875 inches high
1/3 Page Horizontal (Bleed)8.625 inches wide x 3.875 inches high
1/2 Page Vertical (Standard)3.5 inches wide x 9.75 inches high
1/2 Page Vertical (Bleed)4.125 inches wide x 11.125 inches high
1/3Square Third Page Square
4.5 inches wide x 4.5 inches high
Full Page(Trim/ Printable Area) 8.375 inches wide x 10.875 inches high
Full Page (Including Bleed)8.625 inches wide x 11.125 inches high
1/2 Page Horizontal (Trim/ Printable Area)8.375 inches wide x 5.5 inches high
1/2 Page Horz (Bleed)8.625 inches wide x 5.625 inches high
1/2 Horizontal (Standard)7.25 inches wide x 4.75 inches high
Island Half (Junior Page) 4.5 inches wide x 6.25 inches high
1/4Page Standard
1/4 Page Horizontal7.25 inches x 2 inches
1/3 Page Horizontal7.25 inches x 3 inches
1/4 Page Standard3.5 inches wide x 4.75 inches high
1/2Page Vertical
1/4 Page Vertical (Standard)1.75 inches x 9.75 inches
1/4 Page Vertical (Bleed) 2.375 inches x 11.125 inches
1/3 Page Vertical (Standard)2.25 inches wide x 9.75 inches high
1/3 Page Vertical (Bleed)2.875 inches wide x 11.125 inches high
1/3Page Vert
1/4Page Vert
Please send all advertising materials to:[email protected]
It is adviseable to leave at least a 0.125” safety margin for any live matter i.e text. bleed area: 0.125 inches
REVIEWS: UNITY / CLAVIA / KRK / STEINBERG / PRESONUS / MILLENNIA / MAGIX / ARTURIA / FADERFOX / IZOTOPE / KUSH
TECHNIQUE: SONAR / CUBASE / REASON / PRO TOOLS / LIVE / LOGIC / STUDIO ONEREVIEWS: EIOSIS / DRAWMER / DBX / CLOUD / IK / MACKIE / PRESONUS / WAVES-DIGICO / RADIAL / SPITFIRETECHNIQUE: SONAR / CUBASE / REASON / PRO TOOLS / LIVE / DP / LOGIC / STUDIO ONE
WIN
ROLAND JDXIROLAND REVISIT ANALOGUE AT LAST
SONTRONICS
ARIAVALVE MICWORTH $1199
FAITH NO MORE: RECORDING SOL INVICTUS“I JUST THOUGHT WE WERE MIKING THINGS UP TO HELP WITH IDEAS...”
SPEED TEST
RECORDING & MIXING ALABAMA SHAKES
ON TEST: ACOUSTIC MATERIALS
“WHAT I DID WAS TO TRY TO REPLICATE MY ENTIREIN-THE-BOX MIXES ON THE CONSOLE”
CHOOSING THE RIGHT ABSORBERS FOR YOUR ROOM
WHAT’S THE BEST CPU FOR TODAY’S AUDIO PRODUCTION SOFTWARE?
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USA EditionThe World’s Best Recording Technology Magazine
MUSIC PRODUCTION TECHNIQUES / ENGINEER & PRODUCER INTERVIEWS / LIVE SOUND / INDEPENDENT IN-DEPTH PRODUCT TESTS
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USA $9.99 / Canada C$9.99
REVIEWS: UNITY / CLAVIA / KRK / STEINBERG / PRESONUS / MILLENNIA / MAGIX / ARTURIA / FADERFOX / IZOTOPE / KUSH
TECHNIQUE: SONAR / CUBASE / REASON / PRO TOOLS / LIVE / LOGIC / STUDIO ONE
DYNAUDIO& TC BUNDLESWORTH $3695
INSIDE
WINRODE’S RIBBON MIC: A FUTURE CLASSIC? BUYERS GUIDE: ORCHESTRAL STRINGS LIBRARIES
SPITFIRE AUDIO
CELEBRITY DRUMMERS, ANALOGUE TAPE, ANDTHE ICONIC HEADLEY GRANGE STAIRWELL.
IS THIS THE ULTIMATE DRUM LIBRARY?
CELEBRITY DRUMMERS, ANALOGUE TAPE, AND, ,THE ICONIC HEADLEY GRANGE STAIRWELL.
IS THIS THE ULTIMATE DRUM LIBRARY?
The Grange
HOT CHIP
MIXING KENDRICK LAMAR
“IT’S TAKEN US A LONG TIME TO FEEL LIKE WE KNOW OUR WAY AROUND A STUDIO!”
THE YOUNG ENGINEER BEHIND THE YEAR’S BEST HIP-HOP ALBUM
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MUSIC PRODUCTION TECHNIQUES / ENGINEER & PRODUCER INTERVIEWS / LIVE SOUND / INDEPENDENT IN-DEPTH PRODUCT TESTS
w w w. s o u n d o n s o u n d . c o m
USA $9.99 / Canada C$9.99
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SSL QUALITY MEETS 500-SERIES FLEXIBILITY
2020
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CLASSIC TRACKS: THE FALL“WE WEREN’T EVEN SURE WHERE THE MIC WAS!”
MIXING HOZIER’S ‘TAKE ME TO CHURCH’ “WE NEEDED TO MAKE THE SONG SOUND BIGGER
AND WIDER AND FATTER AND DEEPER”
THE WHO ON STAGEFIFTY YEARS MIXING THE SAME BAND
REVIEWS: AKAI / CYMATIC / APS / FISHMAN / AMGARD / GEFELL / IZOTOPE / MERGING / MOOG / AKG / NEVE / QSC
TECHNIQUE: SONAR / LOGIC / PRO TOOLS / LIVE / REASON / STUDIO ONE
WIN! CLOUD44-A RIBBON MICWORTH $2099
CUBASE PRO 8STEINBERG MAKE PRODUCTION MORE PRODUCTIVE
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USA EditionThe World’s Best Recording Technology Magazine
MUSIC PRODUCTION TECHNIQUES / ENGINEER & PRODUCER INTERVIEWS / LIVE SOUND / INDEPENDENT IN-DEPTH PRODUCT TESTS
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USA $9.99 / Canada C$9.99
TECHNIQUE: CUBASE / SONAR / LOGIC / PRO TOOLS / LIVE / DP / REASON / STUDIO ONEREVIEWS: FOSTEX / ZYNAPTIQ / BOSS / U-HE / EASTWEST / DYNAUDIO / TC / YAMAHA / EAR TRUMPET / TOONTRACK / BRAINWORX / TASCAM
CHARLIE WATKINS THE MAN WHO INVENTED THE MODERN PA SYSTEM
MEGHAN TRAINOR: ‘ALL ABOUT THAT BASS’HOW 2014’S BIGGEST HIT WAS MADE
KORG VOLCA SAMPLE“I’VE OWNED FAR MORE EXPENSIVE SAMPLE PLAYERS
THAT NEVER GAVE ME THIS MANY SMILES!”
BIG DRUM SOUNDS FROM SMALL ROOMS
PLANNING THE PERFECT SPACECONTROL ROOM DESIGNS THAT REALLY WORK!
WIN ANTELOPE AUDIO SATORI WORTH$1475
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USA EditionThe World’s Best Recording Technology Magazine
MUSIC PRODUCTION TECHNIQUES / ENGINEER & PRODUCER INTERVIEWS / LIVE SOUND / INDEPENDENT IN-DEPTH PRODUCT TESTS
w w w. s o u n d o n s o u n d . c o m
USA $9.99 / Canada C$9.99