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Acoustic Timbre Enhancement of Guitar Pickup Signals with Digital Filters Helsinki University of Technology Laboratory of Acoustics and Audio Signal Processing Espoo, Finland @ Henri Penttinen

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Page 1: Acoustic Timbre Enhancement of Guitar Pickup Signals …research.spa.aalto.fi/publications/theses/penttinen_mst/penttinen... · Acoustic Timbre Enhancement of Guitar Pickup Signals

Acoustic Timbre Enhancementof Guitar Pickup Signals

with Digital Filters

Helsinki University of TechnologyLaboratory of Acoustics and

Audio Signal ProcessingEspoo, Finland

@

Henri Penttinen

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Master's Thesis Presentation Henri Penttinen 2

CONTENT How to make a guitar pickup signal sound

natural ?

• WHY ??• REASON• SOLUTION

– Methods– Measurement setups

• Changing the perceived size of a guitar body• Discussion and future work• Conclusions

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Master's Thesis Presentation Henri Penttinen 3

WHAT’S THE PROBLEM ?

Quality reproduction of guitar pickupsignals can be problematic in concertsituations

• Internal microphone– Unnatural timbre+ Less acoustic feedback+ NO crosstalk+ Free to move

• External microphone+ Natural timbre– Acoustic feedback– Crosstalk– Cannot move freely

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Master's Thesis Presentation Henri Penttinen 4

REASON

A guitar pickup does not notice the guitar body

Amplified guitar pickup signal

GuitarBody

AcousticRadiation

VibratingStrings

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Master's Thesis Presentation Henri Penttinen 5

WHAT ARE WE MISSING ?EFFECT OF GUITAR BODY:• Amplifies and colors string vibrations• Typically two strong body resonances (80-200Hz)

– Size does matter ~ SIZE DEPENDENT

• At high frequencies more resonances

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Master's Thesis Presentation Henri Penttinen 6

SOLUTION

• A body model filter approximates theimportant characteristics:

• Discrete resonances (low frequency)

• Reverberation (high frequencies)

• Implemented with digital filters

Body ModelFilter

VibratingStrings

PickupSignal

) ))

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Master's Thesis Presentation Henri Penttinen 7

MEASUREMENT SETUP

Two signals are recorded simultaneously1. Microphone 1 m in front of soundhole

2. Bridge pickup

1m

Calculate transfer function between two signals

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Master's Thesis Presentation Henri Penttinen 8

RESPONSES PART IBody model filter forsteel stringed acousticguitar

Steel stringed

MicrophoneGuitar pickupFiltered

x x

a)

b)

c)

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Master's Thesis Presentation Henri Penttinen 9

SAME THING BUT WITHNYLON STRINGS

Body model filter forclassical acousticguitar

Classical guitar

MicrophoneGuitar pickupFiltered

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Master's Thesis Presentation Henri Penttinen 10

I) Same measurement setup as before

• DIFFERENCE: magnetic pickup

(works only for steel strings)OR

II) Modified Impulse Response (MIR)

• Boost high frequencies

(both steel and nylon strings)

• Magnetic pickup behaves as a lowpass filter (fc = 2-5kHz)

- Body models reverse this effect

TRANSFORM AN ELECTRICGUITAR TO AN ACOUSTIC ONE

1m

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Master's Thesis Presentation Henri Penttinen 11

Body model filter forelectric guitar d)

e)

f)

Steel stringed acoustic Electric guitarFiltered (II, steel stringed)Filtered (II, nylon stringed)Filtered (I)

Distorted & clean (no filtering)Distorted & clean (Stereo = I & II)

RESPONSES PART IITHE RETURN OF THE RESPONSES

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Master's Thesis Presentation Henri Penttinen 12

DIFFERENT FILTERSTRUCTURES

• Finite Impulse Response (FIR) filters– Orders 300 to 5000 (typical 1000)

• Infinite Impulse Response (IIR) filters– Design methods: Linear prediction andProny’s method (orders 300 to 1000)

• FIR is the best

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Master's Thesis Presentation Henri Penttinen 13

DIFFERENT FILTERSTRUCTURES II

• Frequency-warped filters (WFIR & WIIR orders 100-200)

– Unit delays replaced with allpass sections– Frequency resolution can be altered– Improves performance of IIR filters– Further improved by cascading two warped filters

WFIR

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Master's Thesis Presentation Henri Penttinen 14

DIFFERENT FILTERSTRUCTURES III

• Reverb algorithms can also be used– Short delay lines produce a colored response

– Computationally very efficient

– Accurate control not possible

Original Reverb I Reverb II

• Model separately the two low frequencymodes

– Improve control and efficiency

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Master's Thesis Presentation Henri Penttinen 15

• Low frequency resonances size-dependent• Alter frequency resolution with frequency-warped filters (WIIR)

CHANGING THEPERCEIVED SIZE

• Resonance frequenciesare changed with ONEparameter• Listening testsconfirm• Possible but notstraightforward

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Master's Thesis Presentation Henri Penttinen 16

CHANGING THEPERCEIVED SIZE II

• Musically two conceptsI) Stepwise: change after a measure of a riff Original → Smaller Original → Larger

II) Continuos: resembles the phaser-effectElectric guitar with a trulyflexible and time-variant body

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Master's Thesis Presentation Henri Penttinen 17

DISCUSSION &FUTUREWORK

• Anechoic vs. reverberant conditions

• Directional hearing

• Measurement setups and microphones

• Acoustic feedback during live performance

• Model for string finger/nail/plectruminteraction

• Only for guitars ?

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Master's Thesis Presentation Henri Penttinen 18

CONCLUSIONS

• The response of a guitar body can bemodeled and applied for pickup signals

– Improve the response of an acoustic guitar & make theelectric guitar sound more like an acoustic guitar

• Improve the sound quality in liveperformance situations

–No need to switch between guitars (electricguitar)

• The perceived size of a body can be altered• Sound effects that run in real-time