accordeon vst kontakt

5
1.-Welco Welco Welco Welco Producer, Eduardo Tarilonte same award winning attentio “Accordions” claims to be the 2,7 Gb 24 bit 44.1 Khz mo This collection includes 7 acc combining all possible sound The gem of this library is the recorded to keep the authent World War and Astor Piazzoll bandoneon serial number wa close!! Designed to be played able to emulate the bellows a “Accordions” is powered b player included. ome to Accordions ome to Accordions ome to Accordions ome to Accordions is well known for his five-star Anthology serie on to detail has been applied to this latest rele e most realistic and extensive accordion collec ono samples. cordion instruments (plus a bonus one) and 8 d registers you can find in an accordion. e bandoneon. An A-A (Alfred Arnold) bandoneo tic tango spirit. This model was built before th la made it famous playing it during all his life. as about 19.000. The sampled one is 15.690, d on real time, just moving the mod wheel, yo and all the expressiveness an accordion can a by Kontakt. No sampler required! Kontakt 1 s! s! s! s! es. The ease. ction ever. multis on was he Second . Piazolla very ou will be achieve. t 3

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Page 1: accordeon vst kontakt

1111....----Welcome to Accordions!Welcome to Accordions!Welcome to Accordions!Welcome to Accordions!

Producer, Eduardo Tarilonte

same award winning attention to detail has been applied to this latest release.

“Accordions” claims to be the most realistic and extensive accordion collection ever.

2,7 Gb 24 bit 44.1 Khz mono

This collection includes 7 accordion

combining all possible sound registers

The gem of this library is the bandoneon. An

recorded to keep the authentic tango spirit. This model

World War and Astor Piazzolla made it famous

bandoneon serial number was about 19.000. The sampled one is 15.690, very

close!! Designed to be played on real time, just moving the mod wheel

able to emulate the bellows and all the expressiveness an accordion can achieve.

“Accordions” is powered by Kontakt

player included.

Welcome to Accordions!Welcome to Accordions!Welcome to Accordions!Welcome to Accordions!

is well known for his five-star Anthology series.

same award winning attention to detail has been applied to this latest release.

“Accordions” claims to be the most realistic and extensive accordion collection ever.

2,7 Gb 24 bit 44.1 Khz mono samples.

accordion instruments (plus a bonus one) and 8 multis

combining all possible sound registers you can find in an accordion.

is the bandoneon. An A-A (Alfred Arnold) bandoneon

recorded to keep the authentic tango spirit. This model was built before the Second

and Astor Piazzolla made it famous playing it during all his life.

bandoneon serial number was about 19.000. The sampled one is 15.690, very

gned to be played on real time, just moving the mod wheel, you will be

able to emulate the bellows and all the expressiveness an accordion can achieve.

powered by Kontakt. No sampler required! Kontakt 3

1

Welcome to Accordions!Welcome to Accordions!Welcome to Accordions!Welcome to Accordions!

star Anthology series. The

same award winning attention to detail has been applied to this latest release.

“Accordions” claims to be the most realistic and extensive accordion collection ever.

and 8 multis

bandoneon was

before the Second

it during all his life. Piazolla

bandoneon serial number was about 19.000. The sampled one is 15.690, very

you will be

able to emulate the bellows and all the expressiveness an accordion can achieve.

. No sampler required! Kontakt 3

Page 2: accordeon vst kontakt

2

2.2.2.2.----The The The The InstrumentsInstrumentsInstrumentsInstruments

“Accordions” consist of 7 instruments and a bonus. All seven patches where

chromatically sampled with 3 different velocities and 3 round robins each.

The bonus patch, a Steirische Accordion, has been chromatically sampled but it has

just one velocity and no round robin.

1.-Bandoneon 2.-Concertina 3.-Double Reed Musette 4.-Single Reed

Musette 5.-Single Reed Piccolo 6.-Single Reed Bassoon 7.-Basses (Left

Hand) 8.- Steirische Accordion (Bonus Patch)

Bandoneon

1.-Button Noise on: Switch this button to turn on/off the press button noises.

2.-Volume: Volume of the press button noises.

3.-Release Noise on: Switch this button to turn on/off the release button noises.

4.-Volume: Volume of the press button noises.

5.-Sforzato on: Press this button to switch on/off Sforzato articulation. This is a

very typical sound in bandoneon.

6.-Sforzato Volume: Volume of Sforzato articulation.

7.-Sforzato Threshold: Set the velocity threshold to activate Sforzato articulation.

Sforzato will sound if the velocity played is over the threshold.

8.-Volume Table: This table shows you the cross fade value between the 3 layers.

This is the bellows strength.

9.-CC Volume: Choose the midi CC you wish to control the volume cross fade. 10.-Group Start: Choose between random cycle and round robin.

11.-FX on: Switch reverb on/off.

12.-FX Send: Amount of reverb.

13.-FX Controller: Choose the midi CC you wish to control the amount of reverb.

14.-Help: Press this button to read what everything in the patch is for.

Page 3: accordeon vst kontakt

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Accordions

1.-Key Noise on: Switch this button to turn on/off the press button noises.

2.-Volume: Volume of the press key noises.

3.-Release Noise on: Switch this button to turn on/off the release key noises.

4.-Volume: Volume of the press button noises.

5.-Volume Table: This table shows you the cross fade value between the 3 layers.

This is the bellows strength.

6.-CC Volume: Choose the midi CC you wish to control the volume cross fade.

7.-Group Start: Choose between random cycle and round robin.

8.-FX on: Switch reverb on/off.

9.-FX Send: Amount of reverb.

10.-FX Controller: Choose the midi CC you wish to control the amount of reverb.

11.-Help: Press this button to read what everything in the patch is for.

Left Hand Bass Accordion The left hand of the accordion, the basses, is designed to play chords and rhythms.

IMPORTANT: If you use this instrument at the same time than any other

accordion preset (left and right hand), don’t forget that there is only one bellows,

so any midi CC volume info should be the same for both.

RANGE:

C1-B1 Bass Notes

C2-B2 Major Chords

C3-B3 Minor Chords

C4-B4 7th Chords

C5-B6 Diminished Chords

Page 4: accordeon vst kontakt

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Concertina

1.-Button Noise on: Switch this button to turn on/off the press/release button

noises. 2.-Volume: Volume of the press/release button noises.

3.-Bellows Noise on: Switch this button to turn on/off the bellow noises.

4.-Volume: Volume of the bellow noises.

5.-Frequency: Move this knob to adjust the frequency of the bellows noises.

6.-Handle Noise on: Switch this button to turn on/off the handle noises.

7.-Volume: Volume of the handle noises.

8.-Frequency: Move this knob to adjust the frequency of the handle noises.

9.-Volume Table: This table shows you the cross fade value between the 3 layers.

This is the bellows strength.

10.-CC Volume: Choose the midi CC you wish to control the volume cross fade.

11.-Group Start: Choose between random cycle and round robin.

12.-FX on: Switch reverb on/off.

13.-FX Send: Amount of reverb.

14.-FX Controller: Choose the midi CC you wish to control the amount of reverb.

15.-Help: Press this button to read what everything in the patch is for.

3333....----The The The The MultisMultisMultisMultis

“Accordions” includes 8 multis. Multis are a combination of single and double reeds

registers. With multis you can get all different sounds an accordion can play.

IMPORTANT NOTES ABOUT MULTIS:

• Only noises of the last instruments are activated.

• If you want to turn off the reverb do it in ALL instances.

• Tweak the volume of every instance in order to get the sound you want. In

this way, you can achieve any sound you wish.

Page 5: accordeon vst kontakt

Concept and

Nick Harvey, Pedro Macedo Camacho

Klaus Kandler and Robert Leuthner from Best Service, Rupert Gregson

Williams, Pedro Macedo Camacho,

www.eduardotarilonte.comwww.bestservice.de

4444....----CreditsCreditsCreditsCredits Concept and Production by

Eduardo Tarilonte

Script Programming by

Günter Hirscher

Art by

Nimgul

Beta Testing

Nick Harvey, Pedro Macedo Camacho and Max Toffone

Special Thanks to

Klaus Kandler and Robert Leuthner from Best Service, Rupert Gregson

lliams, Pedro Macedo Camacho, Nick Harvey and Max Toffone

© Best Service 2009

www.eduardotarilonte.com

www.bestservice.de

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Klaus Kandler and Robert Leuthner from Best Service, Rupert Gregson-

and Max Toffone.