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a practical music theory for guitar players

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 ractical Music Theory ractical Music Theory for Guitar Players for Guitar Players Version 1.67, by Dale Cotton, © 2010 (from http://daystari sions.!om/"#si!/inde$.ht ml% Intro Intro &his t#tor ial tea!hes the bare minimum amo#nt of ('estern% m#si! theory needed by an amate#r #itar player to 'or) 'ith ro#ps of m#si!ians (*+, eeryone - this son is in the )ey of flat, and here are the !hords%, arrane sons, and transpose sons from one )ey to another. "ost m#si! theory !o#rses are eared to'ard the #se of *standard m#si!al notatio n ( !lef, notes li)e this ♫ on a staff, et!.% and ass#me that the st#dent plays and has a!!ess to a piano. &he emphasis 'ill be on #st the pra! ti!al aspe!ts of m#si ! theo ry, not the nea rinf init e !omple$ ities bel oed of ior yto' er theorists. 3f yo# as) a professional m#si!ian 'hethe r he or she )no's m#si! theory, the ans'er yo#4ll almost inariably et is *not eno#h to h#rt my playin. &hat minimal amo#nt of theory is 'hat 'e4ll !oe r here. 5e4ll !on!en trate on the theory behind pop #lar m#si! forms, 'hi le pro idin f#rt her readin referen!es for the more te!hni!al aspe!ts that are releant to a and e$perimental m#si!. &his t#torial ass#mes yo# )no' ho' to play (at least at the beinner leel% and hae a!!ess to a #itar. 3t doesn't  ass#me that yo# read standard notation. nd it ass#mes yo# )no' ho' to read #itar tablat#re or tab, 'hi!h is abo#t as diffi!#lt to learn as ippin #p a ipper. (#t if yo# don4t already read tab, see ppendi$ 3 at the end of this do!#ment.% 8o# !annot learn theory #st by readin 'ords on a pae9 yo# really hae to follo' alon on the #itar. 5hat yo#r ear learns is eery bit as important as 'hat yo#r brain learns. lay ea!h e$ample, then follo' #p by e$perimentin on the #itar 'ith ea!h ne' idea. &he material is bro)en #p into #nits that !oer a set of related topi!s li)e rhythm or s!ales9 and ea!h #nit is bro)en #p into lessons, 2; in all. <or best res#lts ta!)le no more than one ne' lesson per day, then *diest the material in that lesson by playin 'ith the ne' ideas it !ontains. Note: 3n this t#to rial 'e4r e oin to di into why thi ns 'or) as 'ell as how thins 'or). 5hen yo# #nderstand the 'hy4s of m#si! theory (and they4re by no means ro!)et s!ien!e% the fa!t that a diatoni! s!ale has seen notes or the fa!t that an inerted !hord starts on the note = moe o#t of the realm of rote memoriation and into the realm of thins yo#4ll remember for de!ades, be!a#se eerythin fits toether li)e the pie!es of a isa' p#le.

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http://en.wikipedia.org/wiki/Triad_(music)
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http://en.wikipedia.org/wiki/Chord_(music)
http://en.wikipedia.org/wiki/Chord_names_and_symbols_(jazz_and_pop_music)#Extended_tertian_chords
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http://www.myspace.com/lectrikdog
http://www.classtab.org/tabbing.htm
http://www.amazon.com/Sensations-Tone-Hermann-Helmholtz/dp/0486607534/ref=sr_1_1?s=books&ie=UTF8&qid=1289311332&sr=1-1
http://books.google.com/books?id=GwE6AAAAIAAJ&pg=PA44&dq=resonators+#v=onepage&q&f=false
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http://www.amazon.com/Tonal-Harmony-Introduction-Twentieth-Century-Music/dp/0072415703
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http://entertainment.howstuffworks.com/guitar3.htm
http://entertainment.howstuffworks.com/guitar3.htm
http://entertainment.howstuffworks.com/guitar3.htm

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