a photographer’s guide to backup and archiving using cru ... · e.g., if you change your exposure...
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A Photographer’s Guide to Backup and Archiving Using CRU® RTX® RAID Storage DevicesThis guide provides a front-to-back workflow guide for two- and four-bay CRU
RTX RAID storage users, with the four-bay unit used as a working volume and the
two-bay unit used for archiving images. This guide describes how to use a com-
bination of Adobe Lightroom 5 and Chronosync software (Chronosync is available
from www.econtechnologies.com) to protect against hard drive failure and create
an organized, easily accessible archive.
Protecting Your Digital AssetsTM
LIGHTROOM4-BAY RTX RAID
“WORKING”
CHRONOSYNC
DATA
ARCHIVE 1
2-BAY RTX RAID“ARCHIVE”
COMPACTFLASH
8 GB
A Photographer’s Guide to Backup and Archiving Using RAID Storage Devices2
Protecting Your Digital AssetsTM
Before you begin, there are a few overall settings to configure within Lightroom that will help you back up your files.
Start by clicking Lightroom>Catalog Settings>Metadata (Figure 1) and make sure the box next to
“Automatically write changes into XMP”is checked. This means that any adjustments made in Lightroom will
be reflected in the raw file on your drives. E.g., if you change your exposure on a raw file in Lightroom and open
that same raw file in Photoshop your changes will be reflected. If you are using DNG files, all of the changes that
you make will be saved INSIDE of the DNG; you will not get a .xmp sidecar file like you will with other raw files.
Next go to Lightroom>Catalog Settings>General. Set “Backup/Back up catalog” to “Every time Lightroom
exits.” You do not have to back up your catalog every time, but selecting this option lets you pick when you
would like to. For more on catalog backup see this article from Adobe http://tinyurl.com/9ugfd3j.
The next time you quit Lightroom, you will be able to set your Backup Destination. Point this to a folder on your
Archive drive (the CRU RTX two-bay unit). As you expand the number of drives in your archive, create a new
folder on each new hard drive set. This will give you a chronological backup of your catalog over time.
Once you have made the above changes to your Lightroom settings, proceed with the workflow below for all
future file/image ingest and file management operations.
2
Figure 1. Catalog Settings
A Photographer’s Guide to Backup and Archiving Using RAID Storage Devices 3
Protecting Your Digital AssetsTM
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1. Ingest your images into Lightroom with the 4-bay RTX RAID unit as your file destination. In our example we are using a RAID
named “Data” with a “WORKING” folder. Within “WORKING,” each job or shoot will get a different folder. We are
going to import to Data>WORKING>131030- Job 1.
Make sure “Build Smart Previews” is checked (Figure 2). This option will allow you to still edit images that are offline
while only taking up 5% of the space the original file would need. For more information on Smart Previews,
visit http://tinyurl.com/ld8vt7n.
2. After selecting your import destination and entering any desired metadata, click “Import.” Repeat this process for any additional
memory cards or assets for that job or shoot.
NOTE: By default, Lightroom will show you only the folder that has your images. If you would like to see more of your folder
hierarchy (e.g. “Working” as well as “131030- Job 1”) hold ctrl+click on your folder and select “Show Parent Folder”(Figure 3).
To reverse this you can ctrl+click on a folder and select “Hide this parent.”
NOTE: If you are starting a new folder hierarchy, making the folders through Lightroom will automatically add them to your catalog.
Figure 2. Build Smart Previews
Figure 3. Show Parent Folder
A Photographer’s Guide to Backup and Archiving Using RAID Storage Devices4
Protecting Your Digital AssetsTM
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3. Once you have finished ingesting images, quit Lightroom and open up Chronosync. Create a new
Synchronizer and designate “131030- Job 1” in your Working folder as your Left Target. Create a new
folder in your Archive folder with the same name as your initial folder on your Working drive.
Figure 4. Create a new folder
A Photographer’s Guide to Backup and Archiving Using RAID Storage Devices 5
Protecting Your Digital AssetsTM
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Set “131030- Job 1” (Figure 5) in your Archive as your Right Target. Set Chronosync to either Backup Left-to-Right or
Blind Backup Left-to-Right.
Select “Options” from the left hand side and under “Special File/Folder Handling” select “Basic w/ Verification”
(Figure 6) from the dropdown menu.
Figure 5. Set right target
Figure 6. Basic w/Verification
A Photographer’s Guide to Backup and Archiving Using RAID Storage Devices6
Protecting Your Digital AssetsTM
4. Once you have set up the Synchronizer, save the file to
“131030- Job 1” on your CRU RTX Data drive. Use the
Chronosync scheduler to determine how often you would
like the sync to run (Figure 7).
IMPORTANT: DO NOT SYNCHRONIZE DELETIONS
5. After you are finished with a job and are ready to move it out
of your Working space, it is time to delete it. Before deleting
a folder from your Working space verify that Chronosync has
been working properly. This can be done by opening the
Synchronizer file and running a Sync that results in 0 skipped
and 0 Errors. You should get a message similar to the
screenshot (Figure 8).
6. Delete the file from your Working space. When you open
Lightroom again, your images from that folder will appear
with a “?” in the top right corner. Click the question mark
and select Locate from the popup (Figure 9).
Figure 7. Basic w/Verification
Figure 8. Synchronization
Figure 9. Locate the file
A Photographer’s Guide to Backup and Archiving Using RAID Storage Devices 7
Protecting Your Digital AssetsTM
Navigate to your Archive drive and select the image that corresponds to the image with
the “?” that you clicked on. Make sure “Find Nearby Missing Photos” is checked
(Figure 10). Click OK and Lightroom will recognize your files on the Archive drive.
Once you have archived a RAID set from the RTX two-bay unit, you (ideally) will split
the two drives up and put them in separate locations, e.g., one at home and one at your
studio/workspace/deposit box to protect against disasters. As you continue to work
with your archive, you may occasionally pull an archived drive and do some work on a
file. When you do this, you will need to update your offsite backup of the archived drive.
Update your offsite drives as often as you feel is necessary.
In addition to regularly updating your offsite backups of your archive, you should con-
nect any drives you haven’t updated recently to make sure they are still working. Drives
should be “spun up” at least twice a year to verify that they are in working condition.
A single bay hard drive enclosure can help expedite this process, as well as make your
archive easier to access.
Figure 10. Find missing photos
Protecting Your Digital AssetsTMFor more information,
visit the CRU web site.
www.cru-inc.com/photovideo [email protected]
©2014 by CRU Acquisition Group, LLC. All Rights Reserved. CRU and RTX are registered trademarks of CRU Acquisition Group.
The information in this guide was provided by
Foto Care, 41-43 West 22nd Street, New York, NY 10010,
212.741.2990, [email protected]