a look at how artists and art students create dialogue chad allman are 6450
DESCRIPTION
A Look at How Artists and Art Students Create Dialogue Chad Allman ARE 6450. Purpose. “incongruity through use of images, materials, design elements, and/or text in a variety of combinations” (Klein 2008). Critical analysis and understanding Provides motivation - PowerPoint PPT PresentationTRANSCRIPT
A Look at How Artists and Art Students Create Dialogue
Chad AllmanARE 6450
Purpose
• “incongruity through use of images, materials, design elements, and/or text in a variety of combinations” (Klein 2008).
• Critical analysis and understanding• Provides motivation• Conceptual, visual and textual growth in
art• Cognitive, social and developmental
growth in life
Concepts
• Incongruity• Transformation• Juxtaposition• Dark Humor• Parody• Appropriation• Satire• Autobiography• Pun
(Klein 2008)
Tarleton Blackwell“Uncle Possum”1996
Parody –variations of
cultural Icons and images
Appropriation – taking a
form or icon and giving
it new meaning
Tarleton Blackwell“Clear and Present Danger”2006
Diego Velazquez“Pope Innocent X”1650
Tarleton Blackwell“Pope Innocent X, No. 3”
1995
Diego Velazquez“Las Meninas”
1656
Tarleton Blackwell
“Las Meninas”
1996
Tarleton Blackwell
“Ultimate Pig-Out”
2003
Tarleton Blackwell“Miss Liberty II”
2003
Incongruity- lack of harmony
Transformation- Creating a hybrid form out of two or more elements
Cynthia Consentino“She Irons III”
2000
Cynthia Consentino“Children Should Be Seen and Not Heard”2005
Cynthia Consentino“Words Will Never Hurt Me”
1998
Cynthia Consentino“Untitled (Girls with Guns)”1998
Cynthia Consentino
“Girl Mold II”
1998-1999
Charles Krafft“Hitler Teapot”
Juxtaposition- placing different
words or images
side-by-side
Dark Humor- confronts
death, violence,
disasters, and
personal crisis
Charles Krafft“Fragmentation Hand Grenade”
Charles Krafft“Balkan Bunny w/ fragmentation Bud Vase”
Charles Krafft“Biological Warfare
Cannister Grenades”
Charles Krafft“Artist Rifles Intratec”
Satire- gently or aggressively mock or sting. -relative
to the artist’s feelings toward subject
Autobiography- creating dialoguefrom personal experiences
Susan Taylor Glasgow“One Thing Leads to Another”
2008
Susan Taylor Glasgow
“One Thing Leads to Another”
2008
Susan Taylor Glasgow
“It’s Easy to Love Roses”
2008
Susan Taylor Glasgow
“Raspberry Tart”
2007
Pun- juxtapositionand transformation
in wordplay and text
Micheal Ray Charles“(Forever Free) Tommy Hilnigguh”1999
Micheal Ray Charles“(Forever Free) Hello I’m Your Neighbor”1997
Micheal Ray Charles“(Forever Free) Art In American”
2000
Micheal Ray Charles“(Liberty Brothers Permanent Daily Circus”1995
Micheal Ray Charles“(Forever Free)
Buy Black!”1996
Micheal Ray Charles
“(Forever Free)
‘Servin with a smile”
1994
Adhemas
Batista
Adhemas Batista
Adhemas Batista
Adhemas Batista
Adhemas Batista
Adhemas Batista
ReferencesAdhemas Batista. (2009). Artist Website. Retrieved March 10, 2009, from
http://www.adhemas.com/American Studies Today: Online. (1998). The image of the pig in southern
culture.Retrieved March 5, 2009, from http://www.americansc.org.uk/Online/hogseries.htmAntiques A to Z. (2005). Charles Krafft. Retrieved March 5, 2009, fromhttp://www.antiquesatoz.com/artatoz/krafft/delft.htmArt:21. (2007). Micheal Ray Charles. Retrieved March 2, 2009, from
http://www.pbs.org/art21/artists/charles/#Behance Networks: Creative Portfolios, Projects and Collaborations. (2009).
Adhemas Batista. Retrieved March 10, 2009, from http://www.behance.net/AdhemasCity Art Gallery. (2004) Tarleton Blackwell. Retrieved March 5, 2009, fromhttp://www.cityartonline.com/ARTISTS/BLACKWELL.htmConfrontational Ceramics. (2009). Cindy Consentino Biography. Retrieved
March 17,2009, from http://www.confrontationalceramics.com/artists.htmlCynthia Consentino. (2006). Artist Website. Retrieved March 17, 2009, fromhttp://www.confrontationalceramics.com/artists.htmlDirt Gallery. (2009). Charles Krafft. Retrieved March 5, 2009, from
http://www.dirtgalleryla.com/dirt_charleskrafft.htmlDuncum, P. (2008) Popular culture in the art k-12 classroom: contributions and
challenges. Translations, Vol. 17 No. 1.
International Expositions of Sculpture Objects and Functional Art. (2009). Susan Taylor Glasgow Interview. Retrieved March 2, 2009, from
http://www.sofaexpo.com/chicago/2006/live/mpg/glasgow.htmKlein, S. R. (2008) Comic liberation: the feminist face of humor in contemporary
art. Art Education, 61(2), 47-52.Lehigh University Art Galleries. (2009). Mix, Merge, Mimic: Connecting Fiber
with Glass. Retrieved March 2, 2009, from http://www.luag.org/pages/viewfull.cfm?ElementID=505Salon.com. (2009). Been there smashed that. Retrieved March 5, 2009, fromhttp://dir.salon.com/story/people/feature/2002/05/30/krafft_profile/index.htmlSlideshare: Present Yourself. (2009). Adhemas Batista. Retrieved March 10,
2009, from http://www.slideshare.net/carlosweb/adhemas-batista-artSusan Taylor Glasgow. (2009). Artist Website. Retrieved March 2, 2009, from
http://www.taylorglasgow.com/index.htmTarleton Blackwell. (2009). Artist Website. Retrieved March 5, 2009, from
http://www.tarletonblackwell.com/iWeb/tarletonblackwell.com/Welcome.htmlWheaton Arts. (2006). Susan Taylor Glasgow. Retrieved April 7, 2009, from http://www.wheatonarts.org/creativeglasscenteramerica/fellowshipprogram/pastfellows/taylorglasgowsusan