a kuwaiti poet of reason

2
 Ties Center would like to launch some new community service activities for you! Are you home in the mornings with a child age new born to 4 yrs? Join our Moms and Tots group! Do you have a favorite recipe you’d like to share? Join our Recipe Swap Club! Do you Drinking problem?: You are no longer alone! Confidential helpline 99641389. click Al-Wegayyan tackles fundamental issues with poems  A Ku wa it i poet of r ea son, se ren it y This is the second in a series of arti- cles on selected Kuwaiti poets and authors who have enriched the literary scene in the Arab world. — Editor By Rima A. Mneimneh Special to the Arab Times P oetry is the voice of the imagination captured by a talented writer trans- forming it into evoking, ordered and rhyming phrases beckoning a blend of the power and beauty of a language com- bined into untrodden, scintillating and towering horizons. Written tales might portray aspects of a nation, a community or a historical phase, but poetry seems to transcend these limitations to hover elu- sively into a world of wonder and charm. The imagery trapped in ordered word structures and musically rhythmic sen- tences simply awaken a world with dreamlike sensations and heartfelt ela- tion. It certainly takes an exceptionally tal- ented, sensitive and highly informed writer to unfold the secrets and wonders of his or her language in order to write unforgettable poetry. Much has been said about poetry and what are the effects it has on a person’s perception of the world around him and of himself. The renowned Johann Wolfgang von Goethe (1749-1832), the dramatist, novelist and poet wrote about the influence of poetry - among other factors - on man, he said “Man ought to hear a little music, read a little poetry and see a fine picture every day of his life, in order that worldly affairs may not obliterate the sense of the beautiful which God has implanted in the human soul.” However, the skill of writ- ing poetry is not left to hover astra y with- out certain sensed and felt orderly pattern that governs the flow of words. Defines Robert Graves (1895-1985), the British author and classical scholar defines a poet as he who “... should master the rules of grammar before he attempts to bend or break them.” On the other hand, the famous poet John Keats (1795-1821), who is considered one of the key roman- tic poets along with Lord Byron (1788- 1824), Percy Bysshe Shelley (1792- 1822) who is known for his elaborate word choice and imagery especially in a series of odes that remain popular poetic masterpieces and other poets have written about poetry and its significance. Keats, for example, identified poetry as such, “Poetry should please by a fine excess and not by singularity. It should strike the reader as a wording of his own highest thoughts, and appear almost as a remem- brance.” In the Arabian peninsula, where the particularities of its topography and its deep-rooted history have jointly helped to shape and mold its truly opulent and diverse literary legacy in both its flanks prose and verse. In Kuwait, a galaxy of poets have engraved impressive verses that reflect nature, life and the successive rapid and fluctuating waves that have occurred in distant and near past. A Kuwaiti poet and prose writer whose rea- son and serenity in addressing fundamen- tal issues influencing his fellow men and women in his homeland and mankind at large had recounted anecdotes from his own personal experience; an advocate of  justice, has an unwavering trust in his people and the need to overcome defeat and weakness and to be wary of obstacles impeding his country’s progress and prosperity. Rewarding It has been a real rewarding experience reading excerpts from Al-Wegayyan’s poetry and his rational analyses of histor- ical and poetic facts in his writings most of which are present at the Kuwaiti Writers’ League Lib rary in Udailyah area. Al-Wegayyan has been involved in a number of literary and cultural activi- ties throughout his life, locally and abroad, has been incessantly hailed by fellow scholars, writers and poets for his 1941. He graduated with a bachelor’s degree in Arabic language from Kuwait University. In 1974, he obtained his mas- ters degree which was the first to have been published at the expense of Kuwait University. His PhD was about a promi- nent Abbasid poet Al-Buhturi: it was enti- tled “An Artistic Assessment of the Poetry of Al-Buhturi.” Selected publica- tions written by Al-Wegayyan are “Al- Mubh irou n maa’ al-Re yah” meanin g “Seafarers with the Wind” published twice, once in 1974 and another in 1980, “Tahawulat Al-Azmina” meaning “The Fluctuations of Epochs,” “Shei’r Al- Buhturi” or “The Poetry of al-Buhturi,” the anthologies “Al-Khurouj min Al- Daei’ra” or “Exodus from the Circle,” “Hasad Al-Reeh” or “The Harvest of the Wind.” Many critics have praised the poet’s vision and rationality in recounting his perception of the various facets of life and events - in verse and prose - happen- ing in the Arab world. An excerpt from his poem entitled “The Bride and the Pirates,” evoking the horror of invasion of his country Kuwait, a translated excerpt from Arabic reads “Whenever the surface of lucidity and purity is touched/ waves awaken/ That which is not familiar with villainy/ Never known succumb- ness/ The beaches roar.” In a ballad for children Al-Wegayyan writes “We, chil- dren of Kuwait/ We are the flowers of the garden/ We are beacons of truth/ We are foes of rifles/ We refuse to see in our meadow the face of fires.” In Al-Khalifa’s book entitled “Al- Qadieh al-Arabieh fi al-Shei’r Al- Kuwaiti” meaning the “The Arabian Affair in the Kuwaiti Poetry,” the poet expounds many key topics in which he highlights the role of poetry, he states that “The role of poetry is not limited to just transposing events and recording it most candidly, or projecting it photographical- ly with accuracy. This role is usually denoted to journal- ists, whereas the artistic experience ought to be an experience for the mind provid- ed that he [the poet] does not allow it to flee the poetry’s own world that of visions, dreams and images and that is why, probably, imagination constitutes a quintessential element in the poetic expe- rience.” P.S. I would like to thank the poet Dr Khalifa al-Wegayyan for conversing with me about his life and his poetic experi- ence, and also Leila M. Saleh for her valuable 330-paged reference book of comprehensive biographies about 57 dis- tinguished Kuwaiti authors who are members of the Kuwaiti League, who have truly enriched the contemporary Arabic literature with captivating and unforgettable literary works. My thanks go to the League also for providing me with an assisted access to their resource- 28 ARAB TIMES, SUNDAY, JANUARY10, 2010 Co-author says recession a catalyst for frank talk Book urges couples to ‘get financially naked’ NEWYORK, Jan 9, (RTRS): If you’re will- ing to undress in front of someone in a rela- tionship, you should be able to undress finan- cially as well, say the authors of a new book. Money can be one of the most difficult subjects for couples to talk about, and “Get Financially Naked” aims to help them share not only details of their finances but also their thoughts, attitudes and fears about money. “People feel this intense feeling of shame around money,” said co-author Manisha Thakor, stemming from people feeling  judged by how much they earn, how much they know about finances and how they han- dle their money. The steep recession and dire job market has been a blessing in disguise that has pushed couples and families to talk about money , she told Reuters in an interview. “Losing a job or getting furloughed or having your hours cut forces you to have this conversation,” she said. “Unless there is a catalyst, people will avoid this conversation like the plague.” “Get Financially Naked” encourages cou- ples to consider their financial compatibility — looking at each person’s interest in deal- ing with money, knowledge of money and behavior toward money, she said. “You meet someone special, and society encourages you to analyze whether or not you are physically compatible, spiritually compatible, emotionally compatible and intellectual compatible,” she said. “But this dimension of financial compara- bility is not something that is ever talked about.” Couples can identify gaps and conflicts in their financial compatibility and address them, she said. “You have to work out a compromise the same way you would in any other area of your married life,” Thakor said. For example, if one person is a spender and the other is a saver, they could set a dol- lar amount, above which the spender agrees to consult the saver before spending, she said. Maybe they set an amount that each one can spend per month, no questions asked, or maybe they meet regularly with a financial planner, she said. “You should be willing to get financially Rarest, oldest manuscripts tracked in 472 pages Syrian researcher publishes book on rise of Arab manuscripts DAMASCUS, Jan 9, (KUNA): The Syrian Public Publishing Authority recently pub- lished a book by a local heritage researcher, Khaled Tabah, that tracks the Arab manuscript from its early rise, until its spread in Levant countries. The author, in the introduction to his book entitled “The Damascene Manuscripts: Arab Manuscript, its Rise and Spread”, says that Damascus keeps today the rarest collection of manuscripts in the world, formerly held in the vaults of Omariah and Dhiya’iyah libraries of which only a few remained today. Further, there are about 158 manu- scripts that go back to more than 1,000 years, besides the oldest manuscript – a copy of Imam Ahmad Ibn Hanbal Al- Shaibani’s “Book of Questions.” Damascus is also home to a copy of Al- Farzdaq’s collection of poetry, one of the oldest manuscripts in the world with foot- notes, copied before the year 331 H. Booksellers thrived in Damascus at a time when it was fraught with scholars who came from every corner of the globe, the author said. The area which was called the Maksiah market held book and manu- script auctions, attracting people to buy rare books. Damascus has kept precious manu- scripts in the vaults of the Zahriah Library, then in Al-Assad National Library, and some manuscripts were added from the other governorates in keeping of the time-honored tradition of preserving man- uscripts, restoring and binding them. The book, set in 472 pages and divid- ed into eight chapters, defines the kinds of the manuscripts and divides them into hand-written and hand-coped ones. As for date that allows a book to be called a manuscript, the author noted that any book copied before 1900 AD (1317 H) could be called a manuscript, while anything following this date was called new or modern manuscript. The author also touched upon the flourishing of manuscripts in Damascus and other Arab and Muslim countries, pointing to the setting up of the first Arab bookstore by Caliph Muawiya Ibn Abi Sufiyan, then the rise of the Abbasids, the era of Caliph Mansour whose helped spread of book markets and paper facto- ries. Thus, he concluded that Arabic books thrived with the flourish of knowl- edge, the scholars’ forums and the sup- port of Caliphs. naked,” said Thakor. “At the point that you feel that you’ve found the person you want to be with for the long term, that is the point at which you should start having that con- versation.” Thakor and co-author Sharon Kedar wrote an earlier book, “On My Own Two Feet: A Modern Girl’s Guide to Personal Finance.” “Get Financially Naked” is published by Adams Business, an imprint of Adams Media, a division of F +W Media Inc. Books Book carries lesson in moral courage Journalists unbowed in Cold War Hungary By JohnDaniszewski ‘E nemies of the People: My Family’s Journey to America’ (Simon & Schuster, 257 pages, $26), by Kati Marton: Coinciding with the 20th anniversary of the fall of the Iron Curtain, a remarkable book – part memoir, part family quest, part history has emerged to tell a new generation of the corrupt sys- tem that was Marxism-Leninism- Stalinism. Kati Marton’s revisiting of her parents’ ordeal as correspondents in their native Hungary in the 1950s speaks in micro- cosm to the nature of socialism and the cruelty, deprivation and fear it visited upon her family, among the hundreds of millions of people in the Soviet Union and east-central Europe at the height of the Cold War. Urbane, free-spirited and evidently fearless people, Marton’s parents are caught up in the Communist state’s machinery of power and dogma, and the story recounts how repression shaped their lives and ultimately the lives of the author and her siblings. Recollections Marton, a well-known journalist and author, records events that took place more than a half-century ago, based on her childhood recollections, interviews, archival research and the dossier on her family meticulously kept by the Hungarian secret police and now avail- able to her. (The files are so detailed that Marton found a drawing she made as a preschooler, faithfully squirreled away by the state.) Marton’s father, Endre, and mother, Ilona, became correspondents for The Associated Press and United Press respec- tively at the end of the 1940s. Holocaust survivors (their Jewish background unknown to Kati Marton until adulthood), the Martons had met during World War II and spent the last years of the war together dodging Nazis and th e Germa ns’ fascist al lies in Hungary. Sociable, bridge-playing and eager to mingle with diplomats and other Westerners in Budapest in the early post- war years before Communism tightened its grip, they happened onto careers as  journal ists in part because of their lan- guage skills. Their jobs allowed them to live stylish- ly above the means of ordinary Hungarians and to serve as unofficial hosts for visiting correspondents who fre- quented their apartment and drank and smoked late into the night, sharing gossip and tips about the goings-on of the regime. The story contains contemporary echoes because many of the choices and dilemmas that confronted the Martons have little changed. Independent journal- ists in many countries today are subjected to much the same pressures. They are spied upon, made to feel disloyal, subject- ed to regular “interviews” and work under a cloud of suspicion, intimidation, or worse. To a large or small degree, they suffer at the hands of secret services, just as the Martons became playthings of their country’s feared yet often stumbling Stalinist police apparatus, the AVO. Challenges Similarly, organizations that hire local  journal ists today face ethical challeng es in offering support and encouragement for their work, while assuming moral responsibility for their well-being as the  journal ists carry out dif ficult and dan ger- ous duties. In the case of Endre Marton, his man- agers at New York headquarters come across in letters in the book as rigid, dis- tant and insensitive. Frank J. Starzel, then general manager of The Associated Press, refuses in 1952 to authorize $3,000 for an attempt by the Martons to be smuggled out of the country because he thought it risky and unlikely to succeed. Later, he balked at Marton’s desire to work in the United States after the family had suc- ceeded in escaping Hungary, although event ually AP did place Ma rton in Washington. (Starzel, AP’s chief execu- tive from 1948-62, died in 1994.) Endre Marton wound up imprisoned from February 1955 until August 1956, accused of handing out state secrets. Ilona was arrested four months later, with cold- hearted apparatchiks leaving Kati and her older sister, Julia, abandoned and weeping on the sidewalk in one of the memoir’s most poignant scenes. Apolitical thaw resulted in the parents’ release, reunion and permission to work again in time to cover Hungary’s ill-fated October 1956 anti-communist revolution. After the inevitable clampdown, the Martons’ high profile made it expedient for the regime to let them go. They reached New York in 1957, where they collected the prestigious George Polk Award for coverage of the uprising. Discovering Hailed as heroes, the Martons embraced America. Endre Marton worked for two decades in Washington as a respected diplomatic correspondent for the AP while his wife too k up a career teaching. He died in 2005 at age 95, one year after her death. Through her research, Marton comes to know her father and mother anew, discov- ering more than she may have wished about old foibles and indiscretions, weak- nesses and moments of doubt. At the same time, she gains a new appreciation of the durability of their marriage, their love for their children and their funda- mental honor. She opens a window on her own feelings about her parents, strong individuals not always easy for a daughter to live with or understand. “They are vastly more interesting, shrewder, and more complicated that I ever realized,” she concludes. “And much more human.” How they suffered and prevailed, set forth in this affectionate and telling book, is more than a history. “Enemies of the People: My Family’s Journey to America” carries a lesson in moral courage in jour- nalism and in life for a new epoch. In this book cover image released by Simon & Schuster, ‘Enemies of the People: My Family’s Journey to America’ by Kati Marto n, is shown. (AP) The Kuwaiti poet Dr Khalifa Al-Wegayyan.

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An interview with a famous Kuwaiti poet.

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  • Ties Center would like to launch some newcommunity service activities for you! Are youhome in the mornings with a child age newborn to 4 yrs? Join our Moms and Tots group!

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    Al-Wegayyan tackles fundamental issues with poems

    A Kuwaiti poet of reason, serenityThis is the second in a series of arti-cles on selected Kuwaiti poets andauthors who have enriched the literaryscene in the Arab world. Editor

    By Rima A. Mneimneh

    Special to the Arab Times

    Poetry is the voice of the imaginationcaptured by a talented writer trans-forming it into evoking, ordered andrhyming phrases beckoning a blend of thepower and beauty of a language com-bined into untrodden, scintillating andtowering horizons. Written tales mightportray aspects of a nation, a communityor a historical phase, but poetry seems totranscend these limitations to hover elu-sively into a world of wonder and charm.The imagery trapped in ordered wordstructures and musically rhythmic sen-tences simply awaken a world withdreamlike sensations and heartfelt ela-tion.

    It certainly takes an exceptionally tal-ented, sensitive and highly informedwriter to unfold the secrets and wondersof his or her language in order to writeunforgettable poetry. Much has been saidabout poetry and what are the effects ithas on a persons perception of the worldaround him and of himself. Therenowned Johann Wolfgang von Goethe(1749-1832), the dramatist, novelist andpoet wrote about the influence of poetry -among other factors - on man, he saidMan ought to hear a little music, read alittle poetry and see a fine picture everyday of his life, in order that worldlyaffairs may not obliterate the sense of thebeautiful which God has implanted in thehuman soul. However, the skill of writ-ing poetry is not left to hover astray with-out certain sensed and felt orderly patternthat governs the flow of words.

    DefinesRobert Graves (1895-1985), the British

    author and classical scholar defines apoet as he who ... should master therules of grammar before he attempts tobend or break them. On the other hand,the famous poet John Keats (1795-1821),who is considered one of the key roman-tic poets along with Lord Byron (1788-1824), Percy Bysshe Shelley (1792-1822) who is known for his elaborateword choice and imagery especially in aseries of odes that remain popular poeticmasterpieces and other poets have writtenabout poetry and its significance. Keats,for example, identified poetry as such,Poetry should please by a fine excessand not by singularity. It should strike thereader as a wording of his own highestthoughts, and appear almost as a remem-brance.

    In the Arabian peninsula, where theparticularities of its topography and itsdeep-rooted history have jointly helpedto shape and mold its truly opulent anddiverse literary legacy in both its flanksprose and verse. In Kuwait, a galaxy ofpoets have engraved impressive versesthat reflect nature, life and the successiverapid and fluctuating waves that haveoccurred in distant and near past. AKuwaiti poet and prose writer whose rea-son and serenity in addressing fundamen-tal issues influencing his fellow men andwomen in his homeland and mankind atlarge had recounted anecdotes from hisown personal experience; an advocate ofjustice, has an unwavering trust in hispeople and the need to overcome defeatand weakness and to be wary of obstaclesimpeding his countrys progress andprosperity.

    RewardingIt has been a real rewarding experience

    reading excerpts from Al-Wegayyanspoetry and his rational analyses of histor-ical and poetic facts in his writings mostof which are present at the KuwaitiWriters League Library in Udailyaharea. Al-Wegayyan has been involved ina number of literary and cultural activi-ties throughout his life, locally andabroad, has been incessantly hailed byfellow scholars, writers and poets for hisserene, subtle and rational analyses offacts and events and has been awardedmany prestigious accolades.

    Dr Khalifa al-Wegayyan was born in

    1941. He graduated with a bachelorsdegree in Arabic language from KuwaitUniversity. In 1974, he obtained his mas-ters degree which was the first to havebeen published at the expense of KuwaitUniversity. His PhD was about a promi-nent Abbasid poet Al-Buhturi: it was enti-tled An Artistic Assessment of thePoetry of Al-Buhturi. Selected publica-tions written by Al-Wegayyan are Al-Mubhiroun maa al-Reyah meaningSeafarers with the Wind publishedtwice, once in 1974 and another in 1980,Tahawulat Al-Azmina meaning TheFluctuations of Epochs, Sheir Al-Buhturi or The Poetry of al-Buhturi,the anthologies Al-Khurouj min Al-Daeira or Exodus from the Circle,Hasad Al-Reeh or The Harvest of theWind.

    Many critics have praised the poetsvision and rationality in recounting hisperception of the various facets of lifeand events - in verse and prose - happen-ing in the Arab world. An excerpt fromhis poem entitled The Bride and thePirates, evoking the horror of invasionof his country Kuwait, a translatedexcerpt from Arabic reads Whenever thesurface of lucidity and purity is touched/The pirates fingers/ Claws that capture inthe shade of darkness the harbingers ofdawn/ The warmth of the sun, the vigourof spring/ The shades of civilization, the

    waves awaken/ That which is not familiarwith villainy/ Never known succumb-ness/ The beaches roar. In a ballad forchildren Al-Wegayyan writes We, chil-dren of Kuwait/ We are the flowers of thegarden/ We are beacons of truth/ We arefoes of rifles/ We refuse to see in ourmeadow the face of fires.

    In Al-Khalifas book entitled Al-Qadieh al-Arabieh fi al-Sheir Al-

    Kuwaiti meaning the The ArabianAffair in the Kuwaiti Poetry, the poetexpounds many key topics in which hehighlights the role of poetry, he states thatThe role of poetry is not limited to justtransposing events and recording it mostcandidly, or projecting it photographical-ly with accuracy.

    This role is usually denoted to journal-ists, whereas the artistic experience oughtto be an experience for the mind provid-ed that he [the poet] does not allow it toflee the poetrys own world that ofvisions, dreams and images and that iswhy, probably, imagination constitutes aquintessential element in the poetic expe-rience.

    P.S. I would like to thank the poet DrKhalifa al-Wegayyan for conversing withme about his life and his poetic experi-ence, and also Leila M. Saleh for hervaluable 330-paged reference book ofcomprehensive biographies about 57 dis-tinguished Kuwaiti authors who aremembers of the Kuwaiti League, whohave truly enriched the contemporaryArabic literature with captivating andunforgettable literary works. My thanksgo to the League also for providing mewith an assisted access to their resource-ful and diverse Arabic book collectionavailable at the Kuwaiti Writers LiteraryLeagues Library in Udailiyah area inKuwait.

    28

    ARAB TIMES, SUNDAY, JANUARY 10, 2010

    Book jacket of Selected Poems byKhalifa Al-Wegayyan Continued on Page 29

    Co-author says recession a catalyst for frank talk

    Book urges couples to get financially nakedNEW YORK, Jan 9, (RTRS): If youre will-ing to undress in front of someone in a rela-tionship, you should be able to undress finan-cially as well, say the authors of a new book.

    Money can be one of the most difficultsubjects for couples to talk about, and GetFinancially Naked aims to help them sharenot only details of their finances but alsotheir thoughts, attitudes and fears aboutmoney.

    People feel this intense feeling of shamearound money, said co-author ManishaThakor, stemming from people feelingjudged by how much they earn, how muchthey know about finances and how they han-dle their money.

    The steep recession and dire job markethas been a blessing in disguise that haspushed couples and families to talk aboutmoney, she told Reuters in an interview.

    Losing a job or getting furloughed orhaving your hours cut forces you to have thisconversation, she said. Unless there is acatalyst, people will avoid this conversationlike the plague.

    Get Financially Naked encourages cou-ples to consider their financial compatibility

    looking at each persons interest in deal-ing with money, knowledge of money andbehavior toward money, she said.

    You meet someone special, and societyencourages you to analyze whether or notyou are physically compatible, spirituallycompatible, emotionally compatible andintellectual compatible, she said.

    But this dimension of financial compara-bility is not something that is ever talkedabout.

    Couples can identify gaps and conflicts intheir financial compatibility and addressthem, she said.

    You have to work out a compromise thesame way you would in any other area ofyour married life, Thakor said.

    For example, if one person is a spenderand the other is a saver, they could set a dol-lar amount, above which the spender agreesto consult the saver before spending, shesaid.

    Maybe they set an amount that each onecan spend per month, no questions asked, ormaybe they meet regularly with a financialplanner, she said.

    You should be willing to get financially

    Rarest, oldest manuscripts tracked in 472 pages

    Syrian researcher publishes book on rise of Arab manuscriptsDAMASCUS, Jan 9, (KUNA): The SyrianPublic Publishing Authority recently pub-lished a book by a local heritageresearcher, Khaled Tabah, that tracks theArab manuscript from its early rise, untilits spread in Levant countries.

    The author, in the introduction to hisbook entitled The DamasceneManuscripts: Arab Manuscript, its Riseand Spread, says that Damascus keepstoday the rarest collection of manuscriptsin the world, formerly held in the vaults ofOmariah and Dhiyaiyah libraries ofwhich only a few remained today.

    Further, there are about 158 manu-

    scripts that go back to more than 1,000years, besides the oldest manuscript acopy of Imam Ahmad Ibn Hanbal Al-Shaibanis Book of Questions.Damascus is also home to a copy of Al-Farzdaqs collection of poetry, one of theoldest manuscripts in the world with foot-notes, copied before the year 331 H.

    Booksellers thrived in Damascus at atime when it was fraught with scholarswho came from every corner of the globe,the author said.

    The area which was called theMaksiah market held book and manu-script auctions, attracting people to buy

    rare books.Damascus has kept precious manu-

    scripts in the vaults of the Zahriah Library,then in Al-Assad National Library, andsome manuscripts were added from theother governorates in keeping of thetime-honored tradition of preserving man-uscripts, restoring and binding them.

    The book, set in 472 pages and divid-ed into eight chapters, defines the kindsof the manuscripts and divides them intohand-written and hand-coped ones.

    As for date that allows a book to becalled a manuscript, the author noted thatany book copied before 1900 AD (1317

    H) could be called a manuscript, whileanything following this date was callednew or modern manuscript.

    The author also touched upon theflourishing of manuscripts in Damascusand other Arab and Muslim countries,pointing to the setting up of the first Arabbookstore by Caliph Muawiya Ibn AbiSufiyan, then the rise of the Abbasids, theera of Caliph Mansour whose helpedspread of book markets and paper facto-ries. Thus, he concluded that Arabicbooks thrived with the flourish of knowl-edge, the scholars forums and the sup-port of Caliphs.

    naked, said Thakor. At the point that youfeel that youve found the person you wantto be with for the long term, that is the point

    at which you should start having that con-versation.

    Thakor and co-author Sharon Kedar

    wrote an earlier book, On My Own TwoFeet: A Modern Girls Guide to PersonalFinance.

    Get Financially Naked is published byAdams Business, an imprint of AdamsMedia, a division of F+W Media Inc.

    Books

    Book carries lesson in moral courage

    Journalists unbowedin Cold War Hungary

    By JohnDaniszewski

    Enemies of the People: My FamilysJourney to America (Simon &Schuster, 257 pages, $26), by KatiMarton: Coinciding with the 20thanniversary of the fall of the Iron Curtain,a remarkable book part memoir, partfamily quest, part history has emergedto tell a new generation of the corrupt sys-tem that was Marxism-Leninism-Stalinism.

    Kati Martons revisiting of her parentsordeal as correspondents in their nativeHungary in the 1950s speaks in micro-cosm to the nature of socialism and thecruelty, deprivation and fear it visitedupon her family, among the hundreds ofmillions of people in the Soviet Unionand east-central Europe at the height ofthe Cold War.

    Urbane, free-spirited and evidentlyfearless people, Martons parents arecaught up in the Communist statesmachinery of power and dogma, and thestory recounts how repression shapedtheir lives and ultimately the lives of theauthor and her siblings.

    RecollectionsMarton, a well-known journalist and

    author, records events that took placemore than a half-century ago, based onher childhood recollections, interviews,archival research and the dossier on herfamily meticulously kept by theHungarian secret police and now avail-able to her. (The files are so detailed thatMarton found a drawing she made as apreschooler, faithfully squirreled away bythe state.)

    Martons father, Endre, and mother,Ilona, became correspondents for TheAssociated Press and United Press respec-tively at the end of the 1940s.

    Holocaust survivors (their Jewishbackground unknown to Kati Martonuntil adulthood), the Martons had metduring World War II and spent the lastyears of the war together dodging Nazisand the Germans fascist allies inHungary.

    Sociable, bridge-playing and eager tomingle with diplomats and otherWesterners in Budapest in the early post-war years before Communism tightenedits grip, they happened onto careers asjournalists in part because of their lan-guage skills.

    Their jobs allowed them to live stylish-ly above the means of ordinaryHungarians and to serve as unofficialhosts for visiting correspondents who fre-quented their apartment and drank andsmoked late into the night, sharing gossipand tips about the goings-on of the regime.

    The story contains contemporaryechoes because many of the choices anddilemmas that confronted the Martonshave little changed. Independent journal-ists in many countries today are subjectedto much the same pressures. They arespied upon, made to feel disloyal, subject-ed to regular interviews and work undera cloud of suspicion, intimidation, orworse. To a large or small degree, theysuffer at the hands of secret services, justas the Martons became playthings of theircountrys feared yet often stumblingStalinist police apparatus, the AVO.

    ChallengesSimilarly, organizations that hire local

    journalists today face ethical challengesin offering support and encouragementfor their work, while assuming moralresponsibility for their well-being as thejournalists carry out difficult and danger-ous duties.

    In the case of Endre Marton, his man-agers at New York headquarters come

    across in letters in the book as rigid, dis-tant and insensitive. Frank J. Starzel, thengeneral manager of The Associated Press,refuses in 1952 to authorize $3,000 for anattempt by the Martons to be smuggledout of the country because he thought itrisky and unlikely to succeed. Later, hebalked at Martons desire to work in theUnited States after the family had suc-ceeded in escaping Hungary, althougheventually AP did place Marton inWashington. (Starzel, APs chief execu-tive from 1948-62, died in 1994.)

    Endre Marton wound up imprisonedfrom February 1955 until August 1956,accused of handing out state secrets. Ilonawas arrested four months later, with cold-hearted apparatchiks leaving Kati and herolder sister, Julia, abandoned and weepingon the sidewalk in one of the memoirsmost poignant scenes.

    A political thaw resulted in the parentsrelease, reunion and permission to workagain in time to cover Hungarys ill-fatedOctober 1956 anti-communist revolution.After the inevitable clampdown, theMartons high profile made it expedientfor the regime to let them go. Theyreached New York in 1957, where theycollected the prestigious George PolkAward for coverage of the uprising.

    DiscoveringHailed as heroes, the Martons

    embraced America. Endre Martonworked for two decades in Washington asa respected diplomatic correspondent forthe AP while his wife took up a careerteaching. He died in 2005 at age 95, oneyear after her death.

    Through her research, Marton comes toknow her father and mother anew, discov-ering more than she may have wishedabout old foibles and indiscretions, weak-nesses and moments of doubt. At thesame time, she gains a new appreciationof the durability of their marriage, theirlove for their children and their funda-mental honor. She opens a window on herown feelings about her parents, strongindividuals not always easy for a daughterto live with or understand.

    They are vastly more interesting,shrewder, and more complicated that Iever realized, she concludes. And muchmore human.

    How they suffered and prevailed, setforth in this affectionate and telling book,is more than a history. Enemies of thePeople: My Familys Journey to Americacarries a lesson in moral courage in jour-nalism and in life for a new epoch.

    In this book cover image released bySimon & Schuster, Enemies of thePeople: My Familys Journey toAmerica by Kati Marton, is shown.

    (AP)

    The Kuwaiti poet Dr Khalifa Al-Wegayyan.