8000 regalpro 4(full permission)
DESCRIPTION
8000 RegalProTRANSCRIPT
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The
Reg
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rese
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PF R
egal
Pro
5 rela
ted su
perfa
milie
s
text, d
isplay
, fine
sse, s
tencil
, swa
sh
898 g
lyphs
/fon
t
supp
orts
Latin
, Cyri
llic, G
reek,
Easte
rn E
urop
ean,
Turk
ish, B
altic
21 O
penty
pe fe
atures
/fon
t
47 w
eight
s in t
otal
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Red dot Design Awards 2012Best of the best
Communication Arts Annual Competition 2012Winner
Creative Review Type Annual 2011
Winner
European Design Awards 2011Finalist
EBGE Awards 2011
Finalist
Granshan Awards 2010Winner
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The BriefThe objective of this project was to design a new typeface series for Grazia magazine. First
published in 2010, Regal was later revamped and redesigned for commercial use, evolving
into a type system with five related superfamilies. According to the brief, this typeface had to
be elegant, luxurious, sexy, vibrant, reflect the female sensitivity and take into consideration
a modern woman who is more proud, more connected, more spontaneous, open-minded and
eager to try a whole host of new products and services.
The SolutionTargeting this consumption-wise and well-educated woman, required a typeface that is not
strictly based on classic forms, but incorporates several distinct elements that express a modern womans personality and the products she consumes. In that respect, a whole series
of 5 related superfamilies was designed, which not only emphasize femininity but also reflect both the romantic as well as the dynamic side of the female personality. For that
matter, elegant curvy details were introduced in order to create a link to the female figure;
teardrop terminals which reflect a womans sensitivity; pronounced quirks on upper and lower
arms for her eyelashes; high-contrast, sharp corners at thinning terminals for her high heels;
alternate glyphs for the woman who prefers to express her individuality -rather than slavish-
ly follow trends- by using various accessories which can dramatically change her appearance;
elegant endings and long curves to reflect her predisposition to dream; bell-shaped serifs
with an inward rather than outward direction which recall streamlined seventies fashion.
TechnicalThis series of typefaces is diverse in its construction as it consists of five related superfamilies
i.e. text, display, finesse, swash and stencil. There is a variety of weights which range from regu-
lar to ultra black for each one of the five families. These families share common attributes
but they dier in content according to each ones usage. The whole superfamily type system
is comprised of 47 weights with an average of 898 glyphs per weight. It supports simultan-eously Latin, Cyrillic and Greek and comes with many alternate glyphs.
Concept & Design
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03.Concept & Design
05.Design details
06.Distinct characteristics
07.Letter showcase
13.Specimens (Finesse/Swash/Stencil)
30.Specimens (Text/Display)
42.Ornaments, brackets, separators
43.Supported languages and family weights
44.The full character sets
53.Supported OT layout features
71.Credits
Contents
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Distinct Characteristics
A 1 1. Bell-shaped serifs with an inward direction in 4dierent versions.STENCIL VERSION 1 FINESSE VERSIONSWASH VERSION1 1TEXT VERSION DISPLAY VERSION
10
4
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6. In order to give this series a distinct identity, additional characteristics were applied to several letters such as A, M, R, while preserving at the same time their natural features.
10. Several alternate glyphs, some of them with swash characteristics, were included. When used sparingly they add an extra distinct character with-out compromising its overall upscale attitude.
4. Swashed capitals that impart elegance and luxury (Latin, Greek and Cyrillic)
ags2. Elongated teardrop terminals.
2 3. Top and bottom arms for several characters, incor-porate pronounced quirks. An equal number of alter-nates drop these quirks (see OT features).
3
bn7. Italics with sharp corners at thinning terminals.8. Curved endings were also incorporated inseveral characters.
78
8
giitst5. Elegant ligatures some of them with thinning blackletter characteristics.
9. umerals for the text version are simpler and more robust than the other two versions, which makes it quite useful for heavy use in newspaper tables; in the same manner, several other characters such as j, w, or M are designed in a more traditional way which fits better to a text series.
jj Mw559
FIN
ESS
E
TE
XT
DIS
PL
AY
TE
XT
9 9
55
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a
gi
ffiy
m
M
Si
h
Aa
tR
Swash & Finesse
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Finesse
a
A
A
m
sp
in f g
rE
M
Rin
j
R
by
y
gi
a
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Swash
a
A
m
sp
in
rE
S
f
Vin
j
R
g
by
n
gi
a
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Stencil
a
A
A
m
sp
in
rE
Mf
Rin
j
R
g
by
y
gi
a
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Display
a
A
A
m
sp
in
rE
M
f
Rin
j
R
g
by
z
gi
a
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Text
a
A
A
m
sp
in
rE
M
f
Rin
j
R
g
by
z
gi
a
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Finesse, Swash, Stencil
MEGATRENDS
WONDERBR
Imagine
SkateboardEnergyRealiz
HighlandAgora36
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WILD & EROTIC
superfeminineGLAMOUR
Agora36
WINE BARfilmography
immigrantamplifier
Finesse Regular
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WILD & EROTICfilmography
GLAMOUR
Agora36
WINE BARimmigrantamplifier
supermodel
Finesse Medium
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WILD & EROTICfilmography
GLAMOUR
Agora36
WINE BARimmigrantamplifier
supermodel
Finesse Bold
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WILD & EROTICfilmography
GLAMOUR
Agora36
WINE BARimmigrantamplifier
supermodel
Finesse Black
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WILD & EROTIC
TRENDSsuperfeminine
filmographyGLAMOUR
Agora36
WINE BARSignificantamplifier
Finesse Ultra Black
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ElegantRealizHighlandAltogether
oeyHarlequin
Swash Regular
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ElegantRealizHighland
Altogether
oeyHarlequin
Swash Medium
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EnergyRocksYachtsman
attentionSinfulOal
Swash Bold
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Woman
Auent
Energy
Significant
Singer
ROSE
Swash Ultra Black
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a
a
n
Swash Black (Greek)
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m
m
AltogetherHighland
oey
Swash Medium (Cyrillic+Latin)
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Finesse, Swash, Stencil (Cyrillic)
Iacyrillic
m
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Finesse, Swash, Stencil (Greek)
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immigrant
WILD & EROTIC
TRENDS
filmographyGLAMOUR
WINE BAR
Agora36supermodel
Stencil Regular
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immigrant
WILD & EROTIC
TRENDS
filmographyGLAMOUR
WINE BAR
Agora36supermodel
Stencil Bold
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immigrant
WILD & EROTIC
TRENDS
filmographyGLAMOUR
WINE BAR
Agora36supermodel
Stencil Black
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adjustableOriginal Manuscripts
Global finance
Narrative Business Communication Projects
get ready to have your deepest desires granted
two provocative magazine covers for the fall fashion issue
The latest in editorials, ad campaigns, covers and more
discover gentler ways to shampoo, straighten your hair and ski in the sun
discover decadence, find the new frontiers of luxury, purvey perfection
fashion from the european runways
REWARDING
imagination
music performancean elegant exercise in sculptural massing
collaborating with some of the sharpest creative minds
Regal Text Pro
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The objective of this project was to design a typeface series for an international fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with ijijijijijijijijijijijijijijijijijijijijijijiji
ijijijijijijijijijijijijijijijijijijijijijijiji
The objective of this project was to design a typeface series for an inter-national fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related super-families. According to the brief, this
The objective of this project was to design a typeface series for an international fashion maga-zine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related
The objective of this project was to de-sign a typeface series for an interna-tional fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies. According to the brief, this typeface had
The objective of this project was to design a typeface series for an international fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies.
The objective of this project was to design a typeface series for an international fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies.
The objective of this project was to design a typeface series for an international fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies. According
The objective of this project was to design a typeface series for an in-ternational fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies. According
The objective of this project was to design a typeface series for an international fashion mag-azine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related
TEXT REGULAR B 9pt
TEXT REGULAR B 10pt
TEXT REGULAR A 14pt
TEXT BOLD 14pt
TEXT REGULAR B ITALIC 10pt
TEXT MEDIUM ITALIC 9pt
TEXT BLACK 9pt
TEXT REGULAR B ITALIC 9pt
TEXT BOLD 9pt
TEXT BLACK ITALIC 9pt
TEXT MEDIUM 9pt
TEXT BOLD ITALIC 9pt
TEXT ULTRA BLACK ITALIC 9pt
The objective of this project was to de-sign a typeface series for an interna-tional fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related super-families. According to the brief, this
The objective of this project was to design a type-face series for an international fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies. According to the brief, this typeface had to be elegant, luxurious,
According to the brief, this typeface had to be elegant, luxuri-
ous, sexy, vibrant, reflect the female sensitivity and take into
consideration a modern woman who is more proud, more con-
nected, more spontane-
ous, open-minded and eager to try a
whole host of new products and serv-
ices. Targeting this consumption-wise
and well-educated woman, required
a typeface that is not strictly based on classic forms, but incorporates sev-
eral distinct elements that express a modern womans personality and the
Its well-defined teardrop terminals are balanced
out by bracketed bell shaped serifs
The objective of this project was to design a type-face series for an international fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies. According to the brief, this typeface had to be elegant, luxurious, sexy, vibrant,
Regal Text Pro
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amplifier
imagination
Wohlstand
instrumentalism
COCKTAIL RECIPES
music performance
a unique symphony for piano and orchestra
Hollywood is banking that they will be next years new dynamic duo
the best of the european runways
provocative magazine covers
an elegant exercise in sculptural massing
collaborating with some of the sharpest creative minds
monumental marble staircase, a glossy paean to the hard-edged cool
this house is a happy blend of high tech and traditional elements
Regal Display Pro
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Releasing a new custom type system which was developed for the redesign of an interna-tional womens fashion magazine. According to the brief, this typeface had to be elegant, luxurious, sexy, vibrant, reflect the female sensitivity and take
into consideration a modern woman who is more proud, more
connected, more spontaneous, open-minded and eager to try a
whole host of new products and services. Targeting this con-
sumption-wise and well-educated woman, required a typeface
that is not strictly based on classic forms, but incorporates sev-
eral distinct elements that express a modern womans person-
ality and the products she consumes. Thus, we designed a whole
series of 6 related superfamilies which not only emphasize fem-
ininity but also reflect both the romantic as well as the dynamic
side of the female personality. In that respect, elegant curvy details
were introduced in order to create a link to the female figure; teardrop
terminals which reflect a womans sensitivity or the attachment
to her parfume; pronounced quirks on upper and lower arms
for her eyelashes; high-contrast, sharp corners at thinning ter-
minals for her high heels; alternate glyphs for those who prefer
to express their individuality rather than slavishly follow trends
and just like accessories dramatically change their appearance;
(the Display version is recommended for sizes bigger than 12 points)
Regal Display Pro
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,
,
Regal Text Pro (Cyrillic)
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, Emanuel Ungaro, - , -
ijijijijijijijijijijijijijijijijijijijijijijiji
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TEXT REGULAR B 9pt
TEXT REGULAR B 10pt
TEXT REGULAR 14pt
TEXT BOLD 14pt
TEXT REGULAR B ITALIC 10pt
TEXT MEDIUM ITALIC 9pt
TEXT BLACK 9pt
TEXT REGULAR B ITALIC 9pt
TEXT BOLD 9pt
TEXT BLACK ITALIC 9pt
TEXT MEDIUM 9pt
TEXT BOLD ITALIC 9pt
TEXT ULTRA BLACK ITALIC 9pt
, - Emanuel Ungaro, - - , - , .
, -
Emanuel Ungaro,
, -
, . -
,
Emanuel Ungaro,
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, -
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.
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Pascal Mouawad. -
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, -
Emanuel Ungaro,
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Regal Text Pro (Cyrillic)
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Regal Display Pro (Cyrillic)
y
y yy
,
,
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, -
Emanuel Ungaro,
-
,
, . -
. -
Pascal Mouawad.
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Emanuel Ungaro,
-
, , -
. -
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Emanuel Ungaro,
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.
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Pascal Mouawad.
Regal Display Pro (Cyrillic)(the Display version is recommended for sizes bigger than 12 points)
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Regal Text Pro (Greek)
K
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- . ijijijijijijijijijijijijijijijijijijijijijijiji
ijijijijijijijijijijijijijijijijijijijijijijiji
- . layers, - ,
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TEXT REGULAR B 9pt
TEXT REGULAR B 10pt
TEXT REGULAR 14pt
TEXT BOLD 14pt
TEXT REGULAR B ITALIC 10pt
TEXT MEDIUM ITALIC 9pt
TEXT BLACK 9pt
TEXT REGULAR B ITALIC 9pt
TEXT BOLD 9pt
TEXT BLACK ITALIC 9pt
TEXT MEDIUM 9pt
TEXT BOLD ITALIC 9pt
TEXT ULTRA BLACK ITALIC 9pt
- . - layers, , -
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Regal Text Pro (Greek)
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Regal Display Pro (Greek)
,
:
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. layers, ,
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Regal Display Pro (Greek)(the Display version is recommended for sizes bigger than 12 points)
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A B C D E F G H I K L M N O P Q R S T U V W X Y Z a b c d e f g h m t n o p s u | } ~ v wi j k [ \ ]
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Ornaments, Brackets, Separators
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Supported ScriptsLatin, Cyrillic, Greek, Eastern European, Turkish, Baltic
Supported LanguagesAfrikaans, Alsatian, Basque, Bislama, Breton, Catalan, Chamorro, Danish, Dutch, English, Faroese,
Finnish, Flemish, Franco-Provencal, French, Frisian, Friulian, Galician, German, Greenlandic, Icelandic,
Indonesian, Irish, Italian, Ladin, Latin, Luxembourgish, Malay, Manx Gaelic, Norwegian (Bokml),
Norwegian (Nynorsk), Occitan, Portuguese, Rhaeto-Romance, Romansh, Sami (Inari), Sami (Lule), Sami
(Northern), Sami (Skolt), Sami (Southern), Scottish Gaelic, Spanish, Swahili, Swedish, Tagalog, Walloon,
Welsh, Albanian, Bosnian (Latin), Croatian, Czech, Hungarian, Polish, Romanian, Slovak, Slovenian,
Sorbian, Greek, Azeri (Cyrillic), Belarusian, Bosnian (Cyrillic), Bulgarian, Macedonian (fyrom), Kazakh,
Kyrgyz, Moldovian, Mongolian, Russian, Serbian, Tatar, Ukrainian, Uzbek (Cyrillic), Azeri (Latin),
Kurdish (Latin), Turkish, Uzbek (Latin), Estonian, Latvian, Lithuanian.
Weights/Styles
Regal Text ProRegular A
Regular A Italic
Regular B
Regular B Italic
Medium
Medium Italic
Bold
Bold Italic
Black
Black Italic
Ultra Black
Ultra Black Italic
Regal Display ProRegular
Italic
Medium
Medium Italic
Bold
Bold Italic
Black
Black Italic
Ultra Black
Ultra Black Italic
Regal Finesse ProRegular
Italic
Medium
Medium Italic
Bold
Bold Italic
Black
Black Italic
Ultra Black
Ultra Black Italic
Regal Stencil ProRegular
Italic
Medium
Medium Italic
Bold
Bold Italic
Black
Black Italic
Ultra Black
Ultra Black Italic
Regal Swash ProRegular
Medium
Bold
Black
Ultra Black
Scripts, Languages, Weights
Note:Regular A has a lighter texture which is suitable for magazines.
Regular B has a heavier texture than Regular A which makes it more suitable for newspapers.
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m
n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $
IJ
a b c d e f g h i j k l m n o p q r s t u v w x y z
ij
! " ' ( ) * + , - . / 0 2 4 6 7
8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W
fi fl t fft ft fy ffy ky ty tw t b h i k l i l s
ct ch ck gi gy ip it in st sp sh sk
A A A Iacyrillic
i
^ + < = > ~
%
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 # $ %
a b d e i l m o r s t
1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0
- T - V
! ? . , : ; * ( / ) [ \ ] { | } . , -
f ' " # _
Latin
Accented Latin glyphs
Greek
Cyrillic
Latin Small Caps
Greek Small Caps
Cyrillic Small Caps
ligatures
discretionary ligatures
stylistic alternates
localized forms
math symbols
fractions
proportional oldstyle
lining proportional
oldstyle tabular
superior
numerator & denominator
superscript & scientific inferior
punctuation
miscellaneous
Character Set
Regal Text Pro Roman
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o p q
r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $
IJ
a b c d e f g h i j k l m n o p q r s t u v w x y z
ij
! " # ( ) * + , - . / 0 1 3 5 7 8
9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X
fi fl t fft ft fy y ky ty tw t b h i k l i l s
ct ch ck gi gy ip it in st sp sh sk
y y g A A A Iacyrillic
i
^ + < = > ~
%
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 # $ %
a b d e i l m o r s t
1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0
- T - V
! ? . , : ; * ( / ) [ \ ] { | } . , -
f ' " # m _
Latin
Accented Latin glyphs
Greek
Cyrillic
Latin Small Caps
Greek Small Caps
Cyrillic Small Caps
ligatures
discretionary ligatures
stylistic alternates
localized forms
math symbols
fractions
proportional oldstyle
lining proportional
oldstyle tabular
superior
numerator & denominator
superscript & scientific inferior
punctuation
miscellaneous
Character Set
Regal Text Pro Italic
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l
m n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $
IJ
fi fl t fft ft fy ffy ky ty tw t b h i k l i l s
ct ch ck ci gi gy gt ip it in ri st sp sh sk si
A A A Iacyrillic
i
^ + < = > ~
: ; ? @ A B %
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0
- -
! ? . , : ; * ( / ) [ \ ] { | } . , -
' " # }u _
Latin
Accented Latin glyphs
Greek
Cyrillic
Stylistic Set 04 - alternates with
subtle tops and bottoms)
ligatures
discretionary ligatures
stylistic alternates
localized forms
math symbols
fractions
proportional oldstyle
lining proportional
oldstyle tabular
numerator & denominator
superscript & scientific inferior
punctuation
miscellaneous
Character Set
Regal Display Pro Roman
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o p
q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $
IJ
fi fl t fft ft fy y ky ty tw t b h i k l i l s
ct ch ck gi gy ip it in st sp sh sk
A A A Iacyrillic
i
^ + < = > ~
5 6 7 8 9 : %
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0
- -
! ? . , : ; * ( / ) [ \ ] { | } . , -
' " # m _
Latin
Accented Latin glyphs
Greek
Cyrillic
Stylistic Set 04 - alternates with
subtle tops and bottoms)
ligatures
discretionary ligatures
stylistic alternates
localized forms
math symbols
fractions
proportional oldstyle
lining proportional
oldstyle tabular
numerator & denominator
superscript & scientific inferior
punctuation
miscellaneous
Character Set
Regal Display Pro Italic
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $ IJ S fi fl t ! " # $ % & ' ( fft ft fy ffy ky ty tw t b h i k l i l sHi ct ch ck ci gi gy gt gg ip it in im ir ry ri rr st sp sh sk si tt lambdalambda ? A A A Iacyrillic EmCyrillicf g i i r r rr s y y ss a a a a d d d h h h h i l l l m m m m n n n n t t t t u u u fj in in im im ff ffi ffi ffl ffl i ^ + < = > ~ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 - Q - S ! ? . , : ; * ( / ) [ \ ] { | } . , - f ' " # }u
Latin
Accented Latin glyphs
Greek
Cyrillic
Stylistic Set 05 - alternates with
subtle tops and bottoms)
ligatures
discretionary ligatures
stylistic alternates
localized forms
math symbols
fractions
proportional oldstyle
lining proportional
oldstyle tabular
numerator & denominator
superscript & scientific inferior
punctuation
miscellaneous
Character Set
Regal Finesse Pro Roman
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o
p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $
IJ
S
fi fl t fft ft fy y ky ty tw t b h i k l i l s
ct ch ck gi gy gg ip it in im ir ry rr st sp sh sk tt lambdalambda
A A A Iacyrillic EmCyrillic f s y y
i
^ + < = > ~
O P Q R S T %
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 # $ %
1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0
- -
! ? . , : ; * ( / ) [ \ ] { | } . , -
' " # o
Latin
Accented Latin glyphs
Greek
Cyrillic
Stylistic Set 05 - alternates with
subtle tops and bottoms)
ligatures
discretionary ligatures
stylistic alternates
localized forms
math symbols
fractions
proportional oldstyle
lining proportional
oldstyle tabular
numerator & denominator
superscript & scientific inferior
punctuation
miscellaneous
Character Set
Regal Finesse Pro Italic
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $ IJ S fi fl t fft ft fy ffy ky ty tw t b h i k l i l sHi ct ch ck ci gi gy gt gg ip it in im ir ry ri rr st sp sh sk si tt lambdalambda A A A Iacyrillic EmCyrillicf i i r r r r s y y ss a a a a d d d h h h h i l l l m m m m n n n n t t t t u u u in in im im ff ffi ffi ffl ffl i ^ + < = > ~ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 - B - D ! ? . , : ; * ( / ) [ \ ] { | } . , - T ' " # }u
Latin
Accented Latin glyphs
Greek
Cyrillic
Stylistic Set 05 - alternates with
subtle tops and bottoms)
ligatures
discretionary ligatures
stylistic alternates
localized forms
math symbols
fractions
proportional oldstyle
lining proportional
oldstyle tabular
numerator & denominator
superscript & scientific inferior
punctuation
miscellaneous
Character Set
Regal Stencil Pro Roman
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $ IJ S fi fl t fft ft fy y ky ty tw t b h i k l i l sct ch ck ci gi gy gt gg ip it in im ir ry ri rr st sp sh sk si tt lambdalambda A A A Iacyrillic EmCyrillic f s y y i ^ + < = > ~ L M N O P Q % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 - - ! ? . , : ; * ( / ) [ \ ] { | } . , - ' " # o
Latin
Accented Latin glyphs
Greek
Cyrillic
Stylistic Set 05 - alternates with
subtle tops and bottoms)
ligatures
discretionary ligatures
stylistic alternates
localized forms
math symbols
fractions
proportional oldstyle
lining proportional
oldstyle tabular
numerator & denominator
superscript & scientific inferior
punctuation
miscellaneous
Character Set
Regal Stencil Pro Italic
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $ IJ fi fl ft fft t b h i k l i l sHi Reg Th ch ck ct gi gy gg ip it in im ir ry rgy rr st sp sh sk lambdalambda S V W a b d e f g p q r r r x x y y y lambdalambda fi fi ssa a a d d d h h h h h i l l l m m m m m n n n n n t t t t u u u i ^ + < = > ~ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 - - ! ? . , : ; * ( / ) [ \ ] { | } . , - ' " # o
Latin
Accented Latin glyphs
Greek
Cyrillic
ligatures
discretionary ligatures
stylistic alternates
localized forms
math symbols
fractions
proportional oldstyle
lining proportional
oldstyle tabular
numerator & denominator
superscript & scientific inferior
punctuation
miscellaneous
Character Set
Regal Swash Pro
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Main OT Features
Regal Text Pro Roman
Supported OT featuresOldstyle figures, lining figures, proportional figures, tabular figures, ligatures, discretionary ligatures, su-
periors, scientific inferiors, numerators, denominators, fractions, ordinals, stylistic alternates, small caps,
small caps from caps, localized forms, stylistic set 1, historical forms, capital spacing, access all alternates
typography
JKGF:H8L@8
typography
JKGF:H8L@8
typography
TYPOGRAPHY
Small Caps (Latin, Greek, Cyrillic)
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Discretionary Ligatures (Latin, Greek)
in inblink blinkAvailable variants: ct ch ck gi gy ip it in st sp sh sk
ffi affiliate aliateAvailable variants: fi fl t fft ft fy ffy ky ty tw t b h i k l i l s
Ligatures
Stylistic Alternates (Latin, Greek, Cyrillic) Localized Forms (Serbian, Romanian, Turk-ish, Moldavian, Azeri, Crimean Tatar)
A AAtmospheric CpjaAtmospheric Cpja
Available variants: A A A Iacyrillic
Available variants: i
Main OT Features
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Supported OT featuresOldstyle figures, lining figures, proportional figures, tabular figures, ligatures, discretionary ligatures, su-
periors, scientific inferiors, numerators, denominators, fractions, ordinals, stylistic alternates, small caps,
small caps from caps, localized forms, stylistic set 1, historical forms, capital spacing, access all alternates
typography
KLHG;I9MA9
typography
KLHG;I9MA9
typography
TYPOGRAPHY
Small Caps (Latin, Greek, Cyrillic)
Main OT Features
Regal Text Pro Italic
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in inblink blinkAvailable variants: ct ch ck gi gy ip it in st sp sh sk
ffi affiliate aliateAvailable variants: fi fl t fft ft fy y ky ty tw t b h i k l i l s
Ligatures
A AAtmospheric Atmospheric
Available variants: A A A Iacyrillic
Available variants: i
Main OT Features
Cpja Cpja
Discretionary Ligatures (Latin, Greek)
Stylistic Alternates (Latin, Greek, Cyrillic) Localized Forms (Serbian, Romanian, Turk-ish, Moldavian, Azeri, Crimean Tatar)
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Regal Display Pro Roman
Supported OT featuresOldstyle figures, lining figures, proportional figures, tabular figures, ligatures, discretionary ligatures, su-
periors, scientific inferiors, numerators, denominators, fractions, ordinals, stylistic alternates, small caps,
small caps from caps, localized forms, stylistic set 1, stylistic set 2, stylistic set 3, stylistic set 4, historical
forms, capital spacing, access all alternates
Available variants:
EStylistic Set 04
(replaces several letterforms which incorporate pronounced quirks at bottom and upper arms, with
other alternate glyphs which are more clean. These are particularly useful for magazines editorials)
Main OT Features
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Discretionary Ligatures
sh shfresh freshAvailable variants: ct ch ck ci gi gy gt ip it in ri st sp sh sk si
ffl affliction aiction
Available variants: fi fl t fft ft fy ffy ky ty tw t b h i k l i l s
Ligatures
A AAtmospheric Atmospheric
Available variants: A A A Iacyrillic
Available variants: i
Main OT Features
Cpja Cpja
Stylistic Alternates (Latin, Greek, Cyrillic) Localized Forms (Serbian, Romanian, Turk-ish, Moldavian, Azeri, Crimean Tatar)
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Regal Display Pro Italic
Supported OT featuresOldstyle figures, lining figures, proportional figures, tabular figures, ligatures, discretionary ligatures, su-
periors, scientific inferiors, numerators, denominators, fractions, ordinals, stylistic alternates, small caps,
small caps from caps, localized forms, stylistic set 1, stylistic set 2, stylistic set 3, stylistic set 4, historical
forms, capital spacing, access all alternates
Available variants:
E
Main OT Features
Stylistic Set 04(replaces several letterforms which incorporate pronounced quirks at bottom and upper arms, with
other alternate glyphs which are more clean. These are particularly useful for magazines editorials)
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Discretionary Ligatures
sh shfresh fresh
Available variants: ct ch ck gi gy ip it in st sp sh sk
ffl affliction aiction
Available variants: fi fl t fft ft fy y ky ty tw t b h i k l i l s
Ligatures
A AAtmospheric Atmospheric
Available variants: A A A Iacyrillic
Available variants: i
Main OT Features
Cpja Cpja
Stylistic Alternates (Latin, Greek, Cyrillic) Localized Forms (Serbian, Romanian, Turk-ish, Moldavian, Azeri, Crimean Tatar)
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Regal Finesse Pro Roman
Available variants: S
E
Main OT Features
Stylistic Set 05(replaces several letterforms which incorporate pronounced quirks at bottom and upper arms, with
other alternate glyphs which are more clean. These are particularly useful for magazines editorials)
Supported OT featuresOldstyle figures, lining figures, proportional figures, tabular figures, ligatures, discretionary ligatures,
superiors, scientific inferiors, numerators, denominators, fractions, ordinals, stylistic alternates, small caps,
small caps from caps, localized forms, stylistic set 1, stylistic set 2, stylistic set 3, stylistic set 4, stylistic set 5,
historical forms, capital spacing, access all alternates
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sh shfresh freshAvailable variants: ct ch ck ci gi gy gt ip it in ri st sp sh sk si
ffl affliction aictionAvailable variants: fi fl t ! " # $ % & ' ( fft ft fy ffy ky ty tw t b h i k l i l s
A AAtmospheric Atmospheric
Available variants: A A A Iacyrillic
Available variants: i
Main OT Features
Cpja Cpja
Discretionary LigaturesLigatures
Stylistic Alternates (Latin, Greek, Cyrillic) Localized Forms (Serbian, Romanian, Turk-ish, Moldavian, Azeri, Crimean Tatar)
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Available variants: S
E
Main OT Features
Regal Finesse Pro Italic
Stylistic Set 05(replaces several letterforms which incorporate pronounced quirks at bottom and upper arms, with
other alternate glyphs which are more clean. These are particularly useful for magazines editorials)
Supported OT featuresOldstyle figures, lining figures, proportional figures, tabular figures, ligatures, discretionary ligatures,
superiors, scientific inferiors, numerators, denominators, fractions, ordinals, stylistic alternates, small caps,
small caps from caps, localized forms, stylistic set 1, stylistic set 2, stylistic set 3, stylistic set 4, stylistic set 5,
historical forms, capital spacing, access all alternates
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sh shfresh fresh
Available variants: ct ch ck gi gy ip it in st sp sh sk
ffl affliction aictionAvailable variants: fi fl t fft ft fy y ky ty tw t b h i k l i l s
A AAtmospheric Atmospheric
Available variants: A A A Iacyrillic
Available variants: i
Main OT Features
Cpja Cpja
Discretionary LigaturesLigatures
Stylistic Alternates (Latin, Greek, Cyrillic) Localized Forms (Serbian, Romanian, Turk-ish, Moldavian, Azeri, Crimean Tatar)
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Regal Stencil Pro Roman
Available variants: S
E
Main OT Features
Stylistic Set 05(replaces several letterforms which incorporate pronounced quirks at bottom and upper arms, with
other alternate glyphs which are more clean. These are particularly useful for magazines editorials)
Supported OT featuresOldstyle figures, lining figures, proportional figures, tabular figures, ligatures, discretionary ligatures,
superiors, scientific inferiors, numerators, denominators, fractions, ordinals, stylistic alternates, small caps,
small caps from caps, localized forms, stylistic set 1, stylistic set 2, stylistic set 3, stylistic set 4, stylistic set 5,
historical forms, capital spacing, access all alternates
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sh shfresh freshAvailable variants: ct ch ck ci gi gy gt ip it in ri st sp sh sk si
ffl affliction aictionAvailable variants: fi fl t fft ft fy ffy ky ty tw t b h i k l i l s
A AAtmospheric AtmosphericAvailable variants: A A A Iacyrillic
Available variants: i
Main OT Features
Cpja Cpja
Discretionary LigaturesLigatures
Stylistic Alternates (Latin, Greek, Cyrillic) Localized Forms (Serbian, Romanian, Turk-ish, Moldavian, Azeri, Crimean Tatar)
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Regal Stencil Pro Italic
Available variants: S
E
Main OT Features
Stylistic Set 05(replaces several letterforms which incorporate pronounced quirks at bottom and upper arms, with
other alternate glyphs which are more clean. These are particularly useful for magazines editorials)
Supported OT featuresOldstyle figures, lining figures, proportional figures, tabular figures, ligatures, discretionary ligatures,
superiors, scientific inferiors, numerators, denominators, fractions, ordinals, stylistic alternates, small caps,
small caps from caps, localized forms, stylistic set 1, stylistic set 2, stylistic set 3, stylistic set 4, stylistic set 5,
historical forms, capital spacing, access all alternates
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sh shfresh freshAvailable variants: ct ch ck ci gi gy gt ip it in ri st sp sh sk si
ffl affliction aictionAvailable variants: fi fl t fft ft fy y ky ty tw t b h i k l i l s
A AAtmospheric AtmosphericAvailable variants: A A A Iacyrillic
Available variants: i
Main OT Features
Cpja Cpja
Discretionary LigaturesLigatures
Stylistic Alternates (Latin, Greek, Cyrillic) Localized Forms (Serbian, Romanian, Turk-ish, Moldavian, Azeri, Crimean Tatar)
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h hStylistic Alternates (Latin, Greek, Cyrillic)
High HighAvailable variants: S V W a b d e f g p q r r r x x y y y lambdalambda fi fi ss a a a d d d h h h h h i l l l m m m m m n n n n n t t t t u u u
Regal Swash Pro
Supported OT featuresOldstyle figures, lining figures, proportional figures, tabular figures, ligatures, discretionary ligatures,
superiors, scientific inferiors, numerators, denominators, fractions, ordinals, stylistic alternates, small caps,
small caps from caps, localized forms, stylistic set 1, stylistic set 2, stylistic set 3, stylistic set 4, stylistic set 5,
historical forms, capital spacing, access all alternates
Main OT Features
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Discretionary Ligatures (Latin, Greek)
Hi HiHigh High
Available variants: Hi Reg Th ch ck ct gi gy gg ip it in im ir ry rgy rr st sp sh sk lambdalambda
ffk offkey oey
Available variants: fi fl ft fft
t b h i k l i l s
Ligatures
Localized Forms(Serbian, Romanian, Turkish, Moldavian, Azeri, Crimean Tatar)
Available variants: i
Main OT Features
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Panos Vassiliou is a Kappa Sigma graduate of the Uni-
versity of Toronto with a major in Applied Science and
Engineering. In his transition years from engineering to
typography, he left his high-profile job, got involved with a
theatre company, founded a design studio and pursued a
teaching career at George Brown College. A few years later
he started a publishing company. He designs typefaces since
1993, including commercial fonts as well as commissions
from national and international companies such as Ikea,
Kraft Foods, Financial Times, National Geographic. He
is regularly invited as a guest speaker to conferences and
seminars, to speak on typography and related topics. After
moving to Greece, he started Parachute in 2001 setting
the base for a typeface library that reflected the works of
some of the best contemporary Greek designers, as well as
creatives around the world obsessed with type.He received
a merit award for his typeface Archive at the national Ebge
Awards 2004. As early as spring 2004 he released Archive
Pro, his first opentype font with special typographic features
and multilingual support for all European languages includ-
ing Greek and Cyrillic. In 2008, he received a Gold Award
from the European Design Awards, for the typeface families
Centro Pro. The following year, he received three Awards
for Excellence in Type Design from the International Type
Design Competition Modern Cyrillic 2009 which was held
in Moscow. In 2010 he received a Silver Award from the
European Design Awards, for the typeface family Encore
Sans Pro. The same year he received three awards from
Granshan 2010 the 3rd International Eastern Type Design
Competition. In 2011, his new series of typefaces Regal Pro
was selected for the Creative Review Type Annual 2011.
Subsequently Regal Pro won an award from the Communi-
cation Arts Annual Competiotion 2012, while Encore Sans
Pro was nominated for the German Design Awards 2012.
Parachute is an independent award-winning type foun-
dry. It landed in 1999, but it wasnt till 2001 that it started
operating as a full-scale company. Since then, 13 designers
have joined in to form a select group of open minded, free
spirited individuals, all coming from diverse design fields.
Over the years, Parachute has built a strong network of valu-
able relationships with customers in Europe, United States,
Canada, Asia and Australia. Its clientele includes multina-
tional companies such as Disney, Time Warner, McGraw-
Hill, Ikea, Vodafone, Nestle and Unilever, advertising and
branding agencies such as BBDO, McCann Erickson,
TBWA, MetaDesign, JWT, Interbrand, Wieden+Kennedy,
publications such as Financial Times, National Geographic,
Playboy, Elle, FHM, Harpers Bazaar, Max, Grazia, Marie
Claire, PC Magazine, PC World, as well as many others.
The year 2003 marked the beginning of a new era for Para-
chute with the release of an award-winning catalog (Print
European Design Annual 2004). Since then an emphasis
was placed on multilingual support and opentype technol-
ogy.
Over the last 5 years Parachute has won several major
international typeface design awards, while its work has
been featured and extensively presented in design-oriented
magazines.
Most Parachute fonts have been designed to oer multilin-
gual support for major scripts such as Latin, Greek, Cyrillic.
Latest entries support Arabic as well.
The Foundry The Designer
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You may reproduce this manual and distribute it freely, provided you do not edit the document and/or remove the copyright information. Parachute assumes no responsibility or liability for any errors or inaccuracies that may appear in this document.
Content is subject to change without a notice.
Parachute Worldwide 24 Acharnon Street, Kifissia 14561 gr | t. +30 210 8018100 f. +30 210 8016066
[email protected] | www.parachute.gr