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Back MatterSource: October, Vol. 19, No. (Winter, 1981)Published by: The MIT PressStable URL: http://www.jstor.org/stable/778664

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ENCLITIC

enclitic

6

(Fall

1979)

Louis Marin

To

Destroy

Painting

*

Judith

Crews

Plain

Superficiality

*

Bruce

Bassoff Private Revolution:

Sontag's

The Benefactor * Kimball Lockhart The

Figure

of

the

Ground

*

KajaSilverman

Hamlet

and

the Common Theme

of

Fathers

*

Bernhard

Lindemann

Experimental

Film as

Meta-Film:

Frampton's

Zorns

Lemma

enclitic

7

(Spring

1980)

Sanford

Ames Cars

N'

Garbage

* Verena

Andermatt

Big

Mach

(On

The

Truck)

?

Evlyn

Gould

As

Such,

Merce

Cunningham

*

Claudia

Crawford-Tysdal

Ecco

Homo:

I

M

fil

M

X

*

Michel

Deguy

Appendix

to

the End

of

the World

*

Michael

Halley

Pas

A

Sa

Place

*

Francia

Friendlich

Painting

After

Word

Enclitic 8 (Fall 1980)

Alice

A.

Jardine

Theories

of

the

Feminine:

Kristeva

*

Sarah

Kofman

Ex: The

Woman's

Enigma

?

Diana

Hume

George

The

Myth

of

Mythlessness

and

the

New

Mythology

of

Love:

Feminist

Theory

on

Rape

and

Pornography

*

Helene

Cixous

Arrive

le

chapitre-qui

vient

*

Jane

Gallop

Sade, Mothers,

and

Other

Women

?

Frances

Bartkowski

Feminism

and

Deconstruction:

a

union

forever

deferred

e

Cathy

Schwichtenberg

NearThe

BigChakra:

Vulvar

Conspiracy

andProtean

Film

Text

*

JoAnn

Liebman

My

Hidden

Enemy :

Mothering

and

Narrative

in

Wuthering

Heights

forthcoming in 82

Special

Film

Issue

with

articles

by

David Bordwell

on

Materialism

and

Textual

Analysis

*

Marie-Claire

Ropars

on

writing

in

Breathless

*

Larry

Crawford

on

sub-

segments

in

Psycho

* Peter Wollen

on

North

by

Northwest

*

John

O'Kane

on

the

ideology

of

deep

focus

in Boudu

Sauve

des Eaux

*

Tom

Conley

on Paisan

*

Mary

Yost

on Paris

Qui

Dort

*

Dudley

Andrew

on

montage

in Meet

John

Doe

enclitic

is

available

at

the

following

bookstores:

Walker

Art Center,

Minneapolis

MN; Cody's, Berkeley CA; A Periodical Retreat, Ann Arbor MI;

Book Branch

East,

NYC;

Saint

Mark's

Bookshop,

NYC;

Books

8c

Company,

NYC;

Motion

Picture

Bookshop,

London;

La

Hune,

Paris

Enclitic

published

twice

a

year

in

Fall

and

Spring

200

Folwell

Hall

Institutions,

$12/Outside

USA

and

Canada:

$14

9

Pleasant

St.

S.E.

Individuals,

$6/Outside

USA and

Canada:

$7

Minneapolis,

MN

55455





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QUARTERLY

Film

Quarterly

articles turn

up frequently

in

anthologies; they're

argued

over

by

film

enthusiasts;

they're

often used

in

teaching.

The

reason?

Film

Quarterly

is

written

(and

read) by

people

who take

film

seriously-as

a

key

art of

our

century,

just

as

deserving

of

scholarly scrutiny

as

literature. The

journal

never

speculates

about

Oscars,

never wastes

space

on

flashily

illustrated

personality

pieces.

Since

1958,

its

objective

has

remained the

publication

of

readable but substantial and

lasting

film

writing:

retrospective

arti-

cles

on

major

directors-American and

foreign,

commercial and

underground;carefully prepared interviewswithcameramen, writ-

ers,

producers,

editors,

directors;

authoritative reviews

of

features

and

short

films;

articles on lost

films,

politics

and

cinema,

editing

techniques,

and

many

other

topics.

Film

Quarterly

s the

only

gen-

eral

film

magazine

devoting

consistent

attention

to

experimental

and

documentary

work;

it

also

scrutinizes

new

developments

in

film

theory.

And

once

a

year

it

provides

a

massive

survey

of

all

new

English-language

film

books-a

convenient

guide

for

those

per-

plexed by

the

recent flood of film

titles.

Film

Quarterly

is on

newsstands and

in

public

libraries

through-

out the

country.

It's

also found

in

universities,

colleges,

and

high

schools-wherever

films and

film-making

are

taught.

Sample copies

are

available

gratis. Subscriptions

are

$10.00

for

one

year.

Periodicals

Department

University

of

California Press

Berkeley

94720





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APPARATUS

s

a

collection of

Autonomous Works

by

writers,

filmmakers

and

theorists

on the

subject

the

apparatus

of

cinema.

Included are: Roland

Barthes,

Dziga

Vertov,

Jean-Louis

Baudry, Maya

Deren,

Gregory

Woods,

Daniele

Huillet,

Jean-

Marie

Straub,

Thierry

Kuntzel,

Bertrand

Augst,

Theresa Hak

Kyung

Cha,

Marc Vernet

and Christian Metz.

5-1/2

x

8-1/2,

448

pages.

Sewn

paperback

11.95,

hardcover 23.95.

EATINGTHROUGHLIVING

y Jenny

Holzer and Peter

Nadin.

A

collaborative work of

short

aphoristic

statements,

drawings

and

text

offering

commonsensical

and

exotic

representations

of

the

personal

and the social. It is the

complete

collection

of

material that Holzer and Nadin have

publicly

presented

as

signs,

posters

and

paintings.

5 x

8,

176

pages.

Sewn

paperback

5.95,

hardcover

12.95

FASSBI N DER

A

Monograph

on the filmmaker Werner Rainer Fassbinder

with

essays by

Peter

Iden,

Ruth

McCormick,

Yaak

Karsunke,

Wolfram

Schutte,

Wilfried

Wiegand

and Wilhelm

Roth,

an interview with Fassbinder and an extensive

filmography

with

synopses

and

production

information on

all films.

5-1/2

x

8-1/2,

93

photos,

256

pages.

Sewn

paperback

7.95,

hardcover

15.95.

OF

WALKING

IN

ICE

is

Werner

Herzog's

journal

of

his

walk from

Munich to

Paris

in

the winter

of

1974.

...Herzog

had received

word

that Lotte

Eisner

was

seriously

ill in

Paris and on the

verge

of

dying.

Determined not

'to

permit

her

death,'

he decided to

walk from Munich to

Paris,

believing

that

she would

stay

alive

if

he

came on

foot....

Herzog

appears

as

a

kind of Beckettian anti-hero

who,

walking

through

mud,

hail,

and snowstorm

('the

Lower

Orders'),

'stumbles

forward

in

the dark-

ness'

('the

Great

Calamity');

he becomes human loneliness

in

a universe

filled with

'Nothing...the

Yawning

Black

Void,'

with

the

'Grotesque...crowding

everywhere

on

this

earth. '

5 x

8,

96

pages. Paperback

4.95

hardcover

9.95.

DEBRIEFING

ySusan Sontag. A sound

recording of the author reading

her

story

from

I,

etcetera.

This

city

is neither

a

jungle

nor

the moon nor the

Grand

Hotel.

In

long

shot: a cosmic

smudge,

a

conglomerate

of

bleeding

energies.

Close

up,

it is

a

fairly

legible

printed

circuit,

a

transistorized

labyrinth

of

beastly

tracks,

a

data

bank for asthmatic voice

prints...

Stereo

record,

7.98.

DICTEE

y

Theresa

Hak

Kyung

Cha

is a cumulation of

narratives in nine

parts.

A

non-linear

recording;

tracings

of

names,

events and

biographies

of

nine female

per-

sons. The

personages

and their

accounts are derived from non-fictional

and

mytholog-

ical sources. Established

as

a

constant

throughout

the

book

is the

self-reference

to

the act of

writing,

the act

of

making

speech;

inherent

in

its

function that

which simul-

taneously

subverts,

silences

the

very

act.

5 x

8,

96

pages.

Sewn

paperback

4.95,

hardcover 9.95.

FIGURE-EIGHT

y

Reese Williams.

A fable about

the

generating

and

receiving

of

images;

set at

street level

in a

hypertrophied

dollar

culture,

it unfolds

as

a

series of

seeming

disparate

scenes. Short

texts,

images

and

quotations

are resonated

into

four

sections,

Sight

Wounded,

Rites

d'Entree,

Ocean,

and

Breaking

Apart.

...the

life

one has

images

of,

but never oees.

5 x

8,

128

pages.

Sewn

paperback

5.95,

hardcover

12.95.

MAIL

ORDER:

Prices include

postage

and

shipping.

Send

your payment

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of check or

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order.

Allow 2-3

weeks

for

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NY

residents

add

8-1/4%

sales

tax.

Orders

from

outside the

USA should

add

$1.50

for the

first book and

$.50

for

others to

cover

postage.

TANAMPRESS 40

WHITE

STREET,

NEWYORK,

NY10013





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Available

n

paperback

PASSAGES

I N

r

MO ERN

S ULPTURE

by

Rosalind

E.

Krauss

Krauss's ook s undoubtedlyhe best treatment f itssubjectyetwritten.As a textbook,tought

to raise

he level

of

discourse

n

art

history

lasses,

for it

is

the

meaning,

ot the

chronology,

f

sculpture

ince

Rodin

hat

s

the

book's

central

oncern.

Krauss voids

he

conventional

lodding

survey

and divides

he book

nto

a

sequence

of 'case studies' hat

permit

ustained ttention

o

specific

worksand

artists.

nso

doing,

he

attempts

o

trace a 'tradition'

o

standbehind

hat

por-

tion

of American

culpture

f

the

past

15

years

which he

espouses

critically. -Art

n

America

This ook

s

well

llustrated

n

blackand

white

and

is,

for an

art

book,

of

a convenient nd

manageable

ize.

The text

is

rigorously

ormalistic

nd

analytical

nd

organized

round

pecific

sculptural

onsiderations

uch as

the treatment

f

narrative

ime,

he

handling

f

space,

and

the

game

strategies

f

surrealist

culpture.

t

s

an

approach

hat

pays

off

particularly

ell

in

the

author's iscussions

f

Rodin

nd

David

Smith. -Saturday

eview

308pp.

illus.

$8.95

CENTERBEAM

edited

by

Otto

Piene

and

Elizabeth

oldring

Introduction

y

Lawrence

Alloway

These

illustrations,

ssays,

and

biographical

profiles

f

the

contributorsocument

he

history

of

Centerbeam,

kinetic

erforming

roup

work

by

artists

at

MIT's enter

orAdvancedVisual

Studies xhibited

t documenta

in

Kassel,

Germany

nd

in

Washington

.C.

131

pp.

illus

withcolor

$15.00

paper

The

MIT

Press

PHILIP OHNSON: ROCESSES

The

Glass

House,

1949

and

the AT&T

Corporate

Headquarters

by Craig

Owens,

Giorgio

Ciucci,

nd

Kenneth

rampton

ALDO

ROSSI

N

AMERICA:

1976-1979

by

PeterEisenman

nd AldoRossi

JOHNHEJDUK:

7

Houses

by

PeterEisenman

SCOLARI:

Beyond

Memory

nd

Hope

edited

by

Kenneth

rampton

AUSTRIAN

EW

WAVE

edited

bv

Kenneth

rampton

28

Carletontreet

Cambridge,

A02142

W IIIII IIIIII II II IIII III

...

I

I





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---I

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M

IT Press Journals

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OCTOBERBack

s s u e s

OCTOBER

1

Foucault

on

Magritte, Lebensztejn

on

Stella,

and

texts

by

Richard

Foreman,

Hollis

Frampton,

Richard

Howard,

others

OCTOBER

2

Eisenstein's notes

for a film of

Capital,

Krauss on

Johns,

and texts

by

Yvonne

Rainer,

Hans

Magnus

Enzensberger,

Carl

Andre,

others

OCTOBER 3

Ricardoutrn

Robbe-Grillet,

film

theory

by

Jean

Epstein,

and texts

by

Peter

Handke,

Robert

Morris,

Annette

Michelson,

others

OCTOBER

4

Michael Snow's notes

for Rameau's

Nephew,

Richard Sennett

on narcis-

sism,

Craig

Owens

on

Robert

Wil-

son,

and

texts

by

Dolf

Sternberger,

Robert

Whitman,

others

OCTOBER 5

Photography:

A

Special

Issue

Nadar's

memoirs,

Hollis

Frampton

on

Weston,

Jean Clair on

Duchamp,

and texts

by

Hubert

Damisch,

Rosalind

Krauss,

Thierry

de

Duve,

others

OCTOBER 6

Beckett's...

but

the

clouds...

Kristeva,

Pleynet,

and Sollers

on

the

USA,

and texts

by

Michael

Brown,

Tom

Bishop,

Octavio

Armand,

others

OCTOBER

7

Soviet Revolutionary

Culture:

A

Special

Issue

Alfred Barr's Russian

Diary,

1927-

28,

documents

by

Lunacharsky,

Dziga

Vertov,

Pasternak,

and texts

by Margit

Rowell,

Paul

Schmidt,

Annette

Michelson,

others

OCTOBER 8

Barthes's

inaugural

ecture,

Laurie

Anderson's Americans

on

the

Move, Douglas Crimpon Pictures,

and texts

by

Leo

Bersani,

Berenice

Reynaud,

others

OCTOBER

9

Derrida

on

aesthetics,

Louis Marin

on

Stendahl,

Enzensberger

on

Ger-

man civil

liberties,

and

texts

by

Yvonne

Rainer,

Craig

Owens,

and

Rosalind Krauss

OCTOBER

10

Hubert Damisch

on

Duchamp,

Lyotardon Daniel Buren, inter-

views

with

Trisha Brown and

Rich-

ard

Serra,

texts on

Dan

Graham,

and Robert Smithson

OCTOBER

11

Essays

in honor

of

Jay Leyda

Alan

Trachtenberg

on Walker

Evans,

Annette

Michelson

on Ren6

Clair,

Yve-Alain

Bois

on El Lis-

sitzky,

and texts

by

Noel

Burch,

P. Adams

Sitney,

Mikhail

Kauf-

man,

others

OCTOBER

12

Benjamin

Buchloh,

Rosalind

Krauss,

and Annette

Michelson

on

Beuys,

Joel Fineman

and

Craig

Owens

on

allegory,

and texts

by

James

Benning,

Robert

Morris,

others

OCTOBER

13

Macciocchi,

Bersani,

and Dutoit on

Pasolini,

Douglas

Crimp

and

Craig

Owens

on

postmodernism,

Michael

Nyman

on

new

music,

and

texts

by

Leo

Steinberg,

James

Kavanagh,

others

OCTOBER

14

Maya

Deren's 1947

notebook,

Eisenstein's letters from

Mexico,

interview with Pierre

Boulez,

Jean-JacquesNattiez andAnnette

Michelson on the centennial

Ring

at

Bayreuth

OCTOBER

15

Film reviews

by

Borges,

film

script

by Joseph

Cornell,

Hubert Damisch

on

Delacroix's

Journal,

Crimp

and

Krauss on

photography,

and texts

by Serge

Guilbaut,

Joel

Fineman,

others

OCTOBER

16

Art WorldFollies, 1981:

A

Special

Issue

Benjamin

Buchloh on

regressive

painting,

Rosalind Krauss

on

Picasso

studies,

Clara

Weyergraf

on

populism

and

feminism,

and

texts

by

Ben

Lifson,

John

Beardsley,

others

OCTOBER

17

The New Talkies:

A

Special

Issue

Jameson

on

Syberberg,

Copjec

on

Duras,

Frampton,

Wollen,

Rosler

on

filmmaking,

and texts

by Philip

Rosen

and

Mary

Ann Doane

Back issues

are

$8.00

each.

Order

directly

from

The

MIT

Press,

Journals

Department,

28 Carleton St., Cambridge, Mass. 02142 USA





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Trustees

of

the Institute

for

Architecture

and

Urban

Studies

Armand

Bartos,

Chairman

Charles Gwathmey, President

Douglas

H.

Banker

Richard

F.

Barter

A.

Bruce

Brackenridge

Colin

G.

Campbell

Walter

Chatham

Peter

D. Eisenman

Ulrich Franzen

Frank

0.

Gehry

Gerald

D.

Hines

Eli Jacobs

Philip Johnson

Edward

J.

Logue

Gerald

M. McCue

Robert

M.

Meltzer

Paul

Rudolph

Carl

E. Schorske

Frederieke

S.

Taylor

Marietta

Tree

Massimo

Vignelli

John F. White

Peter

Wolf





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OCTOBER

20

&

21

Jean

Baudrillard

Bernhard

Leitner

Frank

Gehry

and

Richard

Serra

Eugenio

Donato

Hollis

Frampton

Noel

Carroll

Rainer

Werner

Fassbinder

J.

Hoberman

Scott MacDonald

The

Beauboug

Effect

Albert

Speer:

The

Architect

Collaboration on

a

Connecting Bridge

between the

Chrysler

Building

and the

World Trade Center

The

Priority of Theory

Atget

at MOMA

Hollywood

in the

Seventies

(and

Beyond)

In

a Year

of

Thirteen

Moons

Super-8

Cinema

Interview

with

Vivienne

Dick

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