A RT AUCTION41 ST

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S AT U R D AY A U G U S T 1 9FINE ARTS WORK CENTER in Provincetown

FEATURED ARTISTS

T A B I T H A V E V E R ST O N Y V E V E R S

E L S P E T H H A LV O R S E N

Tabitha Vevers, Stand-by 3:33, 7.75” x 9.75” image, 10” x 12” Ivorine, 2011, COURTESY OF ALBERT MEROLA GALLERYTony Vevers, Sunset Over Dunes, oil on canvas, 8” x 11.5” canvas, 9.5” x 12.75” frame, 1967 Elspeth Halvorsen, Voyage of Time, 18” x 24”, mixed media box construction, 1988, COURTESY OF BERTA WALKER GALLERY

AUCTION ARTISTSMARK ADAMSBAILEY BOB BAILEYSUSAN BAKERROSE BASILEDONALD BEALLINDA BONDMELANIE BRAVERMANNAYA BRICHERRACHEL BROWNPATRICIA CANELAKEKATHLINE CARRTERRY CATALANOTED CHAPINKAY KNIGHT CLARKEARTHUR COHENBARBARA COHENJAY CRITCHLEY ALISON DELLROMOLO DEL DEOSALVATORE DEL DEO

JOERG DRESSLERYVETTE DRURY DUBINSKYBREON DUNIGANROB & ALEXANDER DUTOITNATHALIE FERRIERMARY FRANKGIL FRANKLINGREGORY GILLESPIEJEROME GREENEHEIDI HAHNELSPETH HALVORSENROBERT HENRY NORMA HOLTDIANA HOROWITZSHARON HORVATHHOLLY HUGHES HUTCHINSROBERTO JUAREZWOLF KAHNJOSEPH KAPLAN

PAUL KELLYROBERT KIPNISSANTHONY KIRKKARL KNATHSLYNNE KORTENHAUSM.P. LANDISPEIK LARSENSTEVE LAUFERFRED LIANGSARAH LUTZPETER MADDENJENNIFER MARSHALLSAM MESSERANDREW MOCKLERPASQUALE NATALEROBERT NORTHROP NATHAN OLIVEIRAANNE PACKARDTOM PAPPASNICK PATTEN

JIM PETERSANNA POORSKY POWERSANDRA RAMOSDAN RANALLIJANICE REDMANAARON RICHMONDMARIAN ROTHEMILIO SÁNCHEZBECKY SELLINGERJUDITH SHAHNROB SWAINSTONVICKY TOMAYKOSELINA TRIEFFTABITHA VEVERSTONY VEVERSPAULA WILSONLEAH WONGBERT YARBOROUGHDAWN ZIMILES*at time of printing

Host Committee

David Altarac & Brian Koll Bailey Bob Bailey Jim Bennette & David Cowan Naya Bricher Cid Bolduc Betsi CoreaMarty DavisYvette DubinskyPaige GilliesRoni GrossGabby HannaBarbara KappLeslie ParsonsMichael ProdanouCary Raymond Janice RedmanBob RindlerBette WarnerBert YarboroughMartha Zinn

Fine Arts Work Center 41st Annual AuctionSaturday, August 19, 2017Cocktails and Hors d’OeuvresSilent Auction 4:30 pmLive Auction 6:30 pmJames Bakker, Auctioneer

The auction is dedicated to Hatty Walker Fitts, our dearlyloved Auction Chair, who passed away this summer.

Executive Director: Michael Roberts

Auction Producer / Associate Director: Bette Warner

Auction Impresario and Art Coordinator/ Building & Grounds Manager: Bailey Bob Bailey

Auction Associate / Administration & Development Coordinator: Naya Bricher

Artist Project Coordinator: Janice Redman

Monoprint Coordinator / Gallery Director: Bert Yarborough

WELCOME

BID, BUY & COLLECT!

Welcome to the 41st Annual Auction to benefit the Fine Arts Work Center. The following are Auction guidelines.

A SILENT AUCTION from 4:30-6:25 p.m. kicks off the event and offers collectibles and gift certificates to restaurants, galler-ies, shops, hotels and more.

The LIVE AUCTION begins at 6:30 p.m. and features 100 lots including selected works by Tabitha Vevers, Tony Vevers, and Eslpeth Halvorsen, various genres of original art, unique monoprints, artist projects and experiential and destination packages.

Bidders are welcome to the live event. Absentee bids are also welcome by phone, fax or email.

GENERAL AUCTION GUIDELINES

• Every bidder must register pre-Auction and obtain a registration number. By bid-ding, you are in agreement to purchase that item for your bid amount. • All registration information is kept confi-dential as per the Work Center’s Written Information Security Program.

• The Work Center has the right to with-draw any lot or to combine any two or more lots at its sole discretion.

• All Auction items and services are subject to the terms and conditions stated by the donor. Reservations for trips, stays in hotels, use of facilities, etc., must be mutually arranged by the winning bidder and the donor.

• All sales are final and sold “as is.”

• While we have attempted to be as accurate as possible, the Fine Arts Work Center does not assume risk for the authorship of any property and does not make express or implied warranties with respect to any property offered in this Auction Catalog.

SILENT AUCTION BIDDING GUIDELINES

• The Silent Auction begins at 4:30 p.m. and ends promptly at 6:25 p.m. The bid sheets have a place for your paddle number and bid amount. Every bidder must bid according to the posted minimum, and bidding incre-ments as stated on the bid sheet. When the Silent Auction closes, the highest bidder wins. Gift certificates are not displayed but will be provided at the time of payment. If you are outbid, you are under no obligation to buy the item.

LIVE AUCTION BIDDING GUIDELINES

• The Live Auction begins at 6:30 p.m., and guests will be encouraged to bid generously.

• Once the auctioneer declares that an item is sold, he/she cannot reopen the bidding. It is the bidder’s responsibility to get the auctioneer’s attention prior to the auctioneer saying “sold.”

• We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the Auction it will be offered again only at the auctioneer’s discretion.

PHONE BIDDING

• Reservations are required for phone bidding, and all reservations for phone bidding must be received by 5:00 p.m. ET Friday, August 18.

• All Auction guidelines apply to phone bids, including the requirement that every bidder must register pre-Auction and obtain a registration number.

• An Auction representative will call phone bidders to confirm their reservation. If your reservation is not confirmed by an Auction representative by noon on the day of the Auction, then your reservation may not have been received. Please call (508) 487-9960 and speak to an Auction representative to ensure your reservation.

• Buyers bidding by phone agree to be avail-able and on the phone line 2-3 lots/items before the item/lot they are bidding on is up for auction. While we will make every attempt to reach phone bidders, the Auction will not be delayed in the event we are un-able to reach phone bidders.

FAXED AND EMAILED BIDS

• Pre-event absentee bidders must regis-ter to bid. Absentee bids will be accepted up to 5:00 p.m. ET Friday, August 18.

• Absentee bids must be faxed to (508) 487-8873 by 5:00 p.m. ET on Friday, August 18.

• Bidders must provide information such as Lot Number, Description, Maximum Bid Price, and Payment terms.

• We can only offer absentee bidding as a privilege and convenience to the bid-der without guarantee, and we reserve the right to refuse any and all bids for any reason.

• In the case of identical absentee bids, the bid received first will prevail.

• If items are not paid for and picked up (or shipping arrangements made), you will lose the privilege of absentee phone and/or email bidding.

WINNING BIDDERS PICK-UP

• As the winning bidder, you will be asked to pay for and take the Auction item with you at the end of the evening. You may pick your items up beginning at 8:00 p.m.

• Successful bidders unable to stay until bids are posted should plan to pick up their item(s) on Sunday, August 20, from noon to 2:00 p.m.

• If the item is not picked up by 2:00 p.m. on Sunday, August 20, or if other arrange-ments have not been made, we will call the next highest bidder.

SHIPPING

• The Fine Arts Work Center is unable to ship items purchased at the Auction. If you need to have an item shipped, we recommend you contact the Mail Spot at 170 Commercial Street, Provincetown: (508)-487-6650, open 10:00 a.m. to 5:00 p.m. Monday through Saturday. Thank you for participating, and may the best bid win!

FEATURED ARTISTS: TABITHA VEVERS, TONY VEVERS, AND ELSPETH HALVORSEN

TABITHA VEVERSTabitha Vevers, daughter of painter Tony Vevers and sculptor Elspeth Halvorsen, was born in New York and currently lives in Cambridge and Wellfleet, MA. She received her B.A. from Yale University and studied at Skowhegan School of Painting & Sculpture.

Speaking of her work, Cate McQuaid of the Boston Globe said, “The first Tabitha Vevers painting I ever saw stopped me cold...It was gorgeously painted, violent, and almost too intimate to look at.” Vevers’s work is redolent with edgy narratives and rich physical detail, enfleshed and compelling. In addition to her figurative work, she is known for her extensive series of Lover’s Eyes, which reverse the gaze between artist and model in eyes appropriated from art history.

She is the recipient of numerous awards and honors including grants from the Pollock-Krasner Foundation, the George & Helen Segal Foundation, and the Massachusetts Artists Foundation, and painting fellowships to the Ballinglen Arts Foundation (Ireland), Oberpfälzer Künstlerhaus (Germany), Fine Arts Work Center, Virginia Center for the Creative Arts and The MacDowell Colony. Vevers was a co-founder of artSTRAND, Inc. and has served as a member of the exhibition committee of the Provincetown Art Association & Museum, the admissions panel of the Virginia Center for the Creative Arts, and the Artists’ Advisory Board of Castle Hill Center for the Arts.

She has exhibited nationally and internationally and has work in multiple public and private collections. She has had numerous one-person exhibitions, not limited to Lori Bookstein Fine Art, New York, NY; Clark Gallery, Lincoln, MA; DNA Gallery, Provincetown, MA; Kraushaar Galleries, New York, NY; and Albert Merola Gallery, Provincetown, MA. She is represented by the Albert Merola Gallery, Clark Gallery, and Bookstein Projects. tabithavevers.com

FEATURED ARTISTS: TABITHA VEVERS, TONY VEVERS, AND ELSPETH HALVORSEN

TONY VEVERSBorn in London in 1926, Tony Vevers (1926-2008) and his sister were evacuated to the U.S. in 1940 to escape the Blitz during World War II. Vevers was honorably discharged from the Army in the 1940s and was able to attend school at Yale University using the G.I. Bill, graduating with a degree in art.

Vevers furthered his studies in Italy and New York. It was at an artist colony in New England in 1953 he met Elspeth Halvorsen at a dance in a schoolhouse, and the two married shortly after. By 1954 Vevers and Halvorsen had established themselves in Provincetown, enjoying dinners, wine, and creative collusion with the thriving artist colony. They began a family and worked for a living, balancing practical needs with their work. The sight of Tony and daughter Tabitha biking up and down Commercial St. was a common one. Vevers taught at Purdue University during much of this time.

His own work was fueled and in tandem with significant New York and Provincetown Modernists, friends and colleagues including Edwin Dickinson, Mark Rothko, Franz Kline, Jack Tworkov and Robert Motherwell. Tony Vevers exhibited his work in rope, sand, and paint in over one hundred solo and group shows in New York, Boston, Provincetown and throughout the U.S. In 1977 he became one of the founding members and president of Provincetown’s legendary Long Point Gallery. His work is in the permanent collections of the Hirshhorn Museum in Washington, the Walter Chrysler Museum, the DeCordova Museum, the University of Massachusetts and many others. He received awards from the National Council on the Arts and the Walter Gutman Foundation. He served as an advisor to the Fine Arts Work Center and as a trustee and curator of the Provincetown Art Association and Museum.

FEATURED ARTISTS: TABITHA VEVERS, TONY VEVERS, AND ELSPETH HALVORSEN

ELSPETH HALVORSEN

In her profile of Elspeth Halvorsen for Provincetown Arts, Susan Rand Brown describes Halvorsen as being “to visual art as Emily Dickinson is to poetry: the voice of heavenly silence and cathedral tunes.” Halvorsen’s box- constructions are three dimensional installations containing found, and/or constructed objects, that evoke a sense of narrative stillness, capturing memory in depth, distinct planes. Openings in the roofs of the boxes allow a centered light to illuminate the interior. A beam of light focused through a magnifying lens is sometimes installed in the roof to create a spotlight on the scene below. This work, inorganic and feminine, has captivated artists and collectors alike with its psychological depth and visual eloquence.

Elspeth Halvorsen was born in Purdys, New York. In 1953, she met Tony Vevers on Monhegan Island, Maine. They were married six weeks later. In 1955 they moved to Provincetown and after a few years bought their present home on Bradford Street, from Mark Rothko. They became friends of many prominent artists in Provincetown, where artists and fishermen then comprised most of the population, enjoying time with Myron Stout, Franz Kline, Jack and Wally Tworkov, Elise Asher and Stanley Kunitz, Jan Müller, Edwin and “Pat” Dickinson, and Hans Hofmann.

Along with her husband Tony Vevers, a painter, their two daughters Stephanie and Tabitha Vevers embarked on careers as filmmaker and artist respectively. Halvorsen has displayed her work alongside Tony and Tabitha Vevers extensively, including: “Family Values: Tony Vevers, Elspeth Halvorsen, & Tabitha Vevers” (curated by Daniel Ranalli, Suffolk University, 2002), “The Vevers Family” (Berta Walker Gallery, 2009), and “Four Generations” (Rising Tide Gallery, 1991), the latter of which featured not only Halvorsen and Tabitha Vevers, but also (artists), Halvorsen’s mother and maternal grandmother. She is represented by Berta Walker Gallery. bertawalkergallery.com

FEATURED ART

Tabitha VeversStand-by 3:33Oil on Ivorine7.75” x 9.75” image10” x 12” ivorine2011

Elspeth HalvorsenVoyage of Timemixed media box construction18” x 24”1988

Tony VeversSunset Over Dunesoil on canvas8” x 11.5” canvas9.5” x 12.75” frame1967

FEATURED ART

Family Photo:Pamela Vevers Sherin

Tabitha VeversLOVER’S EYE II: James Agee (after Walker Evans)Oil on Ivorine2.5” x 4.5” image, 12” x 12” panel2013

Tony VeversIndiana Blue32” x 25”sand & mixed media on canvas1983

ARTIST PROJECTEach year the Fine Arts Work Center invites artists to reinterpret an every day object for the Auction. This year’s project theme is “light”, the brainchild of Artist Project Coordinator Janice Redman. Many thanks to Bailey Bod Bailey for creating base lamps for artists to re-envision. Appreciation also to Janice for her continued support of this project and to the contributing artists for their inspired work.

MONOPRINT PROJECTFor many years, the Monoprint Project has been a centerpiece of the Auction. This popular project is coordinated by Trustee and Visual Arts Chair Bert Yarborough. For one week in the summer, artists are invited to the Work Center’s state-of-the-art printmaking studio to create a one-of-a-kind monoprint for the Auction. We are indebted to Bert Yarborough for coordinating this effort and to the participating artists sharing their innovative work.

2017 ARTIST PROJECTMark Adams Bailey Bob Bailey Melanie BravermanKathline Carr and Jim Peters Terry Catalano Ted Chapin Jay Critchley Breon Dunigan Rob and Alexander DuToitNathalie Ferrier Jerome GreeneSarah Lutz Peter Madden Pasquale Natale Janice Redman Vicky Tomayko Dawn Zimilies

2017 MONOPRINT PROJECTBailey Bob Bailey Donald Beal Linda Bond Naya Bricher Kay Knight Clarke Barbara Cohen Alison DellRomolo Del Deo Sal Del Deo Joerg Dressler Yvette Drury DubinskyBreon Dunigan Bob Henry Anthony KirkLynne Kortenhaus M. P. Landis Sarah Lutz Jennifer MarshallAndrew Mockler Jim Peters Anna Poor Sky Power Janice Redman Marian Roth Rob Swainston Vicky Tomayko Paula Wilson Leah WongBert Yarborough

Sharon HorvathFellow 1985-86Wheelhousepigment, ink, polymer, paper mounted oncanvas10” x 10”Represented by The Schoolhouse Galleryand Lori Bookstein Fine Art

1

Robert KipnissNine Trees, 2011mezzotint (printer’s proof)17.25” x 17.8”

2

Rose BasileFishermenoil on board12” x 12”Represented by ACME Fine Art

3

Paul KellyBoard of AdvisorsBuilding & Grounds CommitteeAbove It No. 46, 2016oil on canvas24” x 18”Represented by Alden Gallery

4

Bailey Bob BaileyFellow 1989-90, 1991-92Visual Arts CommitteeAuction Host CommitteeMonoprint Project 2017Run, 201731.25” x 28”Represented by Schoolhouse Gallery

5

Sarah LutzMonoprint Project 201720” x 16”View from MarsRepresented by Schoolhouse Gallery

6

Janice RedmanFellow 1992-93, 1993-94Auction Host CommitteeArtist Project Coordinator 2017Monoprint Project 201720” x 16”Represented by Clark Gallery

7

Mac’s Sushi PartyJoin Mac’s sushi chef in a private class for 6 atMac’s Fish House in Provincetown! After a briefhistory on the art of sushi making, you’ll learn toidentify prime cuts of fresh fish, cook upperfectly sticky sushi rice, pair complementaryingredients and roll up your own creation. Mac’sprovides food, materials and equipment. Twoweeks’ notice is required and classes can’t bebooked during peak season between MemorialDay and Labor Day.

8

Gregory Gillespie (1936-2000)print33.25” x 23.25”

9

HutchinsAt Seaoil on canvas30” x 20”

10

Norma Holtphotograph16.75” x 14.5”

11

Pasquale NataleVisual Arts CommitteeArtist Project 2017Lamp/Red Cross Tent17.25” x 4.25” x 4.25”Represented by Schoolhouse Gallery

12

Terry CatalanoArtist Project 201736.5” x 16” x 16”

13

Alison DellMonoprint Project 2017NYC Flood Hazard Map 2080 NewtownCreek16” x 20”

14

Salvatore Del DeoFine Arts Work Center Co-FounderCharcoal drawing15” x 12.75”Represented by Berta Walker Gallery

15

Patricia CanelakeOptimistic View, 2015oil on linen12” x 16”

16

Nathan Oliveira (1928-2010)New Provincetown Print Project, 1992Provincetown Wing II27” x 34”Represented by D. C. Moore Gallery

17

Anne PackardLavender Skyoil on canvas10” x 12”Represented by Packard Gallery

18

Dawn ZimilesFAWC StaffArtist Project 2017Bon Fire Lamp20.5” x 16” x 16”

19

One-Week stay in Culebra, PREnjoy a retreat at a beautiful private Culebrahome overlooking the Caribbean Sea. Twoqueen bedrooms, one sleep sofa, two baths,den, full indoor and outdoor kitchen, modernfurnishings, plunge pool, TV, A.C., wifi. Fiveminute ride to the beach. Up to 4 adults.Available at a mutually agreeable time withowner from Columbus Day throughThanksgiving 2017 and Easter throughThanksgiving 2018.

20

Vicky TomaykoFellow 1985-86Summer Program FacultyMonoprint Project 201716” x 20”Represented by Schoolhouse Gallery

21

Wolf KahnStream Through the Trees, 2013etching (printer’s proof)18.5” x 21.5”Represented by Ameringer | McEnery |Yohe

22

Peter MaddenSummer Program FacultyArtist Project 2017mixed media chandelier24” x 9” x 9”

23

Joseph Kaplan (1900-1980)Untitledprint21.4” x 17.25”Represented by Julie Heller Gallery

24

Robert D. Northrop (1943-2002)Black with Colors, 1970silkscreen24.5” x 22.25”

25

Donald BealSummer Program FacultyMonoprint Project 2017Untitled20” x 16”Represented by Berta Walker Gallery

26

Susan BakerFellow 1969-70shelf11” x 23”

27

Gilbert Franklin (1919-2004)Fine Arts Work Center Co-FounderLt. Island Bridgemonoprint18” x 21.25”

28

Sandra RamosUntitledprint14.75” x 17.5”

29

Tabitha VeversFeatured ArtistFellow 1995-96LOVER’S Eye II: James Agee(after Walker Evans), 2013oil on Ivorine12” x 12”Represented by Albert Merola Galleryand Lori Bookstein Fine Art

30

Ted ChapinTrustee, Board PresidentArtist Project 201720” x 9.5” x 7.25”

31

Intimate Cocktail Party in BostonA customized 3-hour event, hosted in your ownhome in Boston, catered by Max Ultimate Food.MAX will provide a stunning cocktail party for 20consisting of unusual and inspired passed andstationary hors d’oeuvres. The party includesfood and staff service; beverages and rentals areprovided by the host. The event must be booked4 weeks ahead and is available through August2018.

32

Paula WilsonMonoprint Project 2017Mooning20” x 16”

33

Samuel MesserFellow 1981-82New Provincetown Print ProjectUntitledmonotype31” x 25.25”Represented by Shoshana Wayne Gallery

34

Mark AdamsSummer Program FacultyArtist Project 2017North Truro Quadrangle Map withSwimmers29.25” x 11.25” x 6”Represented by Schoolhouse Gallery

35

Judith Shahn (1929-2009)Untitled12.5” x 11.5”

36

Steve Laufermetal sculpture20” x 12” x 7”

37

Fred LiangSummer Program Facultymixed media16.25” x 13.75”Represented by Carroll and Sons Gallery

38

Andrew MocklerTrusteeVisual Arts Fellow 1990-91Summer Program FacultyVisual Arts CommitteeMonoprint Project 201720” x 16”

39

Tony Vevers (1926-2008)Featured ArtistIndiana Blue, 1983sand and mixed media on canvas32” x 25”

40

Robert and Alexander DuToitArtist Project 2017Around the Pond11” x 8” x 8”Represented by Berta Walker Gallery

41

See Hamilton in NYC! Includes two ticketsto the hit musical and a two-night stay in a one-bedroom suite (with separate living area andkitchenette) at the Roger Smith Hotel, circa 1929,plus two passes to MOMA, the New Museumand Brooklyn Museum. Hotel blackout dates areSeptember 19-22, December 31. Tickets must bereserved through the Work Center one month inadvance of desired itinerary, with 3 date options.Good through August 2018.

42

Rob SwainstonFellow 2011-12Summer Program FacultyMonoprint Project 201720” x 16”

43

Heidi HahnFellow 2014-15, 2015-16It Takes All Kinds of Feelings (I), 2014oil on panel10.5" x 10.5”Represented by Jack Hanley Gallery

44

Aaron RichmondFellow 2015-16, 2016-1729” x 34”

45

Becky SellingerFellow 2016-17Photo of “Who Tows the Wagon?”, 2017plaster, burlap, chicken wire, PVC pipe,plywood, moving blanket, straps,hardware14” x 17”

46

Yvette Drury DubinskyTrusteeAuction Host CommitteeMonoprint Project 201716” x 20”

47

Sarah LutzArtist Project 2017oil, spray paint, and graphite on woodenbase15.25” x 4.5” x 4.5”Represented by Schoolhouse Gallery

48

Diana HorowitzManhattan/Bronx #2, 2011iil on linen6.75” x 12.6”

49

Elspeth HalvorsenFeatured ArtistVoyage of Time, 1988mixed media box construction18” x 24” x 2.75”Represented by Berta Walker Gallery

50

Hatty Walker Fitts Scholarship Challenge

The Work Center offers 90 week-long workshops increative writing and visual arts. The scholarshipprogram was near and dear to Hatty. Annually, shesecured 10 scholarships through the Archie D. andBertha H. Walker Foundation for artists and writersof color. As a tribute, we invite you to join her ingiving the gift of a scholarship to students under 30with expressed financial need. One workshopscholarship is $650. Multiple scholarships can beraised tonight!

51

Breon DuniganMonoprint Project 2016Peach20” x 16”Represented by Schoolhouse Gallery

52

Unknown Cuban Artistoil on canvas17.5” x 13.6”

53

Selina Trieff (1934-2015)Untitled, 2000auction poster18” x 12”Represented by Berta Walker Gallery

54

Daniel RanalliChaos Theory, 2005ultrachrome print on ragpaper14.8” x 22.8”

55

Bailey Bob BaileyFellow 1989-90, 1991-92Visual Arts CommitteeAuction Host CommitteeArtist Project 2017Still Life with Fruit65.25” x 17.75” x 23.25”Represented by Schoolhouse Gallery

56

Lynne KortenhausTrusteeMonoprint Project 201720” x 16”

57

Arthur Cohen (1928-2012)Gantry, Hudson River MD 30 St, 197314.25” x 16.25”

58

Holly HughesSummer Program FacultySampleroil based monotype20.5” x 14.5”

59

Tabitha VeversFeatured ArtistFellow 1995-96Stand-by 3:33oil on Ivorine10” x 12”Represented by Albert Merola Galleryand Lori Bookstein Fine Art

60

Cultural getaway in Boston! This includes atwo-night stay in an Executive King room at thenew Godfrey Hotel in Boston (doubleoccupancy), dinner for two in RUKA (up to $200),and a $20 voucher for breakfast in GeorgeHowell Coffee. Cultural activities include: 2passes to the Institute of Contemporary Art(ICA), Isabella Stewart Gardner Museum and 2tickets to the Huntington Theater. Hotel bookinginstructions are supplied to winner. Someblackout dates may apply.

61

Peik LarsenRubri III, 1/10, 2007print28.75” x 34.25”Represented by DNA Gallery

62

Jerome GreeneFAWC StaffArtist Project 2017Muse Lamp20” x 12.25” x 12.25”Represented by Egeli Gallery

63

M.P. LandisMonoprint Project 201720” x 16”

64

Tony Vevers (1926-2008)Featured ArtistSunset Over Dunes, 1967oil on canvas9.5” x 12.75”

65

Joerg DresslerMonoprint Project 2017The Attention Hog (in the age of ADD)20” x 16”Represented by Alden Gallery

66

Nick PattenTogether Aloneoil on canvas29” x 23 ”Represented by Rice Polak Gallery

67

Naya BricherFAWC StaffMonoprint Project 2017The Last Ring-Around the Tuna20” x 16”Represented by Four Eleven Gallery

68

Janice RedmanFellow 1992-93, 1993-94Auction Host CommitteeArtist Project Coordinator 2017Artist Project 2017hydrocal, metal, cotton, sand, raw silk10” x 5.5” x 5.5”Represented by Clark Gallery

69

Cocktails and Cosmos! Experience customcocktails and hors d’oeuvres for 8 in your Cape home.FAWC’s own Gabby Hanna, an experienced bartender,and Greg Welch a FAWC friend and casual mixologist,will meet you to concoct two exotic cocktails. Cosmo’sCatering, a purveyor of regional delicacies, will pairthese with their menu. Gabby will bartend and 2Cosmos servers will pass hors d’oeuvres. Cocktails(standard top shelf) and food included. Bidder providesglassware and rentals. Book at least 4 weeks ahead.Good until December 2018.

70

Bert YarboroughTrustee, Visual Arts ChairFellow 1976-77, 1977-78Summer Program FacultyAuction Host CommitteeMonoprint Project Coordinator 2017Monoprint Project 201720” x 16”

71

Marian RothSummer Program FacultyMonoprint Project 201720” x 16”Represented by the AMP Gallery

72

Mary FrankDid You Ever?, 2010etching (printer’s proof 3/5)34.5” x 27.75”Represented by D. C. Moore Gallery

73

Linda BondFellow 1978-79Summer Program FacultyMonoprint Project 2017the 4th, 2017 Provincetown20” x 16”Represented by Schoolhouse Gallery

74

Romolo Del DeoMonoprint Project 201720” x 16”Represented by Berta Walker Gallery

75

Melanie BravermanArtist Project 2017Ray of Light Lamp23 ” x 11” x 11”

76

Karl Knaths (1891-1971)Figure Study/Arabesque, c. 1960sgraphite (double-sided)15.25” x 12.25”

77

Emilio Sánchez (1921-1999)Casita al Marlithograph29” x 36”

78

Sky PowerMonoprint Project 2017Satisfaction16” x 20”Represented by Berta Walker Gallery

79

Nathalie FerrierMFA Program GraduateArtist Project 2017Caledonian Bluesmixed media: chenille yarn, buoy, metaland half chrome top bulb20.5” x 7” x 7”Represented by Gaa Gallery

80

Two-night stay for two at WequassettResort & Golf Club on Pleasant Bay,Chatham. Includes deluxe accommodations,welcome amenity, one dinner and one lunch(alcoholic beverages and gratuities notincluded). Based on availability April 1-May 31and Oct. 1-Nov. 30, excluding holiday weekends.

81

Rachel BrownCamouflage (Longhorn Cow), Ireland, 1989silver gelatin print16.1 x 14.1”

82

Jay CritchleyArtist Project 2017Dark Mattersand on banner35.75” x 85”

83

Kay Knight ClarkeTrustee, Board TreasurerMFA Program GraduateMonoprint Project 2017Sun20” x 16”

84

Jim PetersFellow 1982-83, 1983-84Visual Arts CommitteeSummer Program FacultyMonoprint Project 2017Room at the end of the Passage20” x 16”

85

Roberto JuarezBearded LadyNew Provincetown Print Project, 199134.5” x 28.5“

86

Vicky TomaykoFellow 1985-86Summer Program FacultyArtist Project 2017Liberty, 201717.8” x 14”Represented by Schoolhouse Gallery

87

Salvatore Del DeoFine Arts Work Center Co-FounderMonoprint Project 2017Eclipse16” x 20”Represented by Berta Walker Gallery

88

Jennifer MarshallMonoprint Project 201720” x 16”

89

Breon DuniganArtist Project 2017plaster and metal17.25” x 5” x 4.25”Represented by Schoolhouse Gallery

90

Anna PoorMonoprint Project 2017Nov. 9, 2016 Even the devil felt sick to hisstomach20” x 16”Represented by Schoolhouse Gallery

91

Romantic Cape Cod Getaway Thisromance package includes two round-trip CapeAir tickets from Boston to Provincetown, a two-night stay at the exquisite Land’s End Inn sethigh atop Gull Hill in Provincetown’s charmingWest End and a dinner gift certificate to the cozyMews Restaurant and Café, with spectacularfood and stunning water views. Land’s End Innmust be reserved Nov. 1 to May 31 2018 exceptDecember 1, 2, 29, 30, 31, 2017 and January 1,May 25, 26, 27, 2018.

92

Barbara CohenMonoprint Project 2017Provincetown Summer Shoe16” x 20”

93

Leah WongOhio Arts Council Resident 2017Monoprint Project 201720” x 16”

94

Kathline Carr and Jim PetersArtist Project 201740” x 11” x 11”

95

Robert HenrySummer Program FacultyBoard of AdvisorsMonoprint Project 2017Second Thoughts20” x 16”Represented by Berta Walker Gallery

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Anthony KirkSummer Program FacultyMonoprint Project 2017Gull on Skellig Michael, Co. Kerry16” x 20”

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Tom PappasFellow 1990-91Untitled, 2017oil on linen13” x 12”

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Wine Cork Pull!99

Fine Arts Work Center Auction 2017Artist Biographies

Mark Adams is a painter, printmaker, and cartographer with the National Park Service based in Cape Cod and Martha’s Vineyard. He has taught at the Provincetown Art Association, Castle Hill Center for the Arts (Truro, MA), the Provincetown School Academy program, and as a guest in the MFA program of the Fine Arts Work Center/Massachusetts College of Art. He has studied ecology, landscape architecture, printmaking, and photography at University of California, Berkeley, California College of Arts and Crafts, and at the Fine Arts Work Center in Provincetown. He has also worked as a wildlife field biologist, scientific illustrator, forest firefighter, and gymnastics coach. His current interests include geologic time, taxonomies, coordinate systems, and the layering of information in mapmaking. Mark is represented by Schoolhouse Gallery. galleryschoolhouse.com 35 Bailey Bob Bailey has received awards from the Pollock-Krasner Foundation and the Skowhegan School of Painting and Sculpture. Twice a Fellow at the Fine Arts Work Center, he received his MFA from Virginia Commonwealth University. Bailey’s work has shown in New York, at the Cape Cod Commu-nity College Higgins Art Gallery, the Provincetown Art Association and Mu-seum, and artSTRAND, where Bailey was a founding member. He has also participated in group shows at Provincetown Art Association and Museum, Provincetown, MA; Silas-Kenyon Gallery, Provincetown, MA; Ethan Cohen Fine Arts, New York, NY; Truro Center for the Arts, Truro, MA; John Elder Gallery, New York, NY; Carrie Haddad Gallery, Hudson, NY; and Berta Walker Gallery, Provincetown, MA. 5 56

Susan Baker has been part of the Provincetown art community since the late 1960s. After graduating from Rhode Island School of Design, she became one of the first Fellows at the Fine Arts Work Center. Early on, Baker developed a following and reputation for her “Humorous Art” in papier mâché, and developed artist books including A History of Provincetown. Her evolutionary process brought her to Europe, where she began to paint cityscapes. This led to an affinity for architecture, which can be

seen in the elaborately constructed and painted frames integrated with her paintings. Her mission is to draw the viewer into the work so they may experience the intimate sensations of being in the environment of her painting. Her work is displayed in the humorously named Susan Baker Memorial Museum. susanbakerartist.com 27

Rose Basile is a painter from Newark, NJ, who pursued her artwork while attending Boston University, where she earned a Master’s in Education and Psychology. Upon graduating, Rose spent 20 years teaching, first at public schools in Rhode Island, and then at Rhode Island College in Providence. While pursuing her other interests, she has kept art as an im-portant part of her life. In 1999, Rose moved to Provincetown and began studying art, immersing herself in the local art world and taking oil paint-ing classes at the Provincetown Art Association & Museum, where her work has been shown. Her work has also been on display at Julie Heller Gallery, Provincetown, MA; and ACME Fine Art, Boston, MA, where she is represented. roseacreguests.com, acmefineart.com 3

Donald Beal digs deep into the canvas in his search for form and color. The strokes of paint are lush and heavy. A Provincetown year-rounder, Beal has been on the staff of the University of Massachusetts, North Dartmouth, since 1999. He was honored as the featured artist for the Boston Pops 2009 summer concert in Hyannis, and was commissioned to complete a painting for their poster. He was also selected to participate in a book featuring New England artists, published in 2011. He has stud-ied at the Swain School of Design, Yale Summer School, and at Parsons with Paul Resika and Leland Bell. He is represented by Berta Walker Gallery. bertawalkergallery.com 26

Linda Bond is a former Fellow of the Fine Arts Work Center and is the recipient of grants from the Artists Resource Trust, the Massachusetts Cultural Council, the Massachusetts Foundation for Humanities & Pub-lic Policy, and the Massachusetts Council on the Arts and Humanities. Her work has been exhibited throughout the Northeast, including recent shows at the MFA in Boston, Brattleboro Museum, the Art Complex Mu-seum, and the Fitchburg Art Museum. Her work has also been featured

in numerous collections including those of Boston University, IBM, Nokia, and Fidelity Investments. In Provincetown she is represented by the Schoolhouse Gallery. Linda taught at the Massachusetts College of Art in Boston for fifteen years and was a mentor for the low-residency MFA in Visual Arts program, Massachusetts College of Art and Design at the Fine Arts Work Center in Provincetown. www.lindabondart.com 74

Melanie Braverman is a writer and visual artist known for her novel East Justice and Red, a book of poetry published in 2002, the latter of which won the Perugia Press Prize and the Publishing Triangle Audre Lorde Poetry Prize, and was a finalist for the Lambda Literary Award. Braver-man is also a visual artist, represented by Schoolhouse Gallery, and the founder of the Alzheimer’s Family Support Center of Cape Cod. 76

Naya Bricher is an artist based in Provincetown, MA, but raised in South Kent, CT. She is an alumna of Miss Porter’s School and Smith College, graduating Phi Beta Kappa with highest honors in studio art. In 2013, she was a resident at the Vermont Studio Center. Her work has been exhib-ited locally and throughout the country in group exhibitions, including the 64th and 63rd Art of the Northeast at Silvermine Arts Center in which she received the Prutting and Co. Award for Mixed Media. Her paintings were recently shown at the Provincetown Art Association and Museum as part of an Emerging Artists exhibition. She is represented by the Four Eleven Gallery. nayabricher.com, gastationsushi.tumblr.com 68

Rachel Brown (formerly Rachel Giese) is a photographer, born in New York City. She has exhibited extensively in Ireland, the United States, Northern Ireland, France, and the Netherlands. Her most recent solo ex-hibitions include “Inné agus Inniú - Second Sight” in Co. Donegal, Ireland, “Flying Home” at the Wellfleet Public Library, and “Interludes: Clouds, Snow, Field Work” at the Provincetown Art Association and Museum. Her work has been published at length and she has also served as a sub-ject in academic literature. In 2006, she was the recipient of a 3000 grant from the French government, Direction Régionale des Affaires Culturelles, to continue work in France. rachelbrownphoto.com 82

Patricia Canelake lives and works in Knife River, Minnesota, a small fishing village on the north shore of Lake Superior. She spent her early painting days in the “coal bin” studios during the summer seasons at the Fine Arts Work Center in Provincetown, Massachusetts. Canelake has received two McKnight awards, three Minnesota State Arts Board Grants, Public Art Commissions, and Arrowhead Regional Arts awards. She has participated in over eight national and international artist residen-cies, including Yaddo and MacDowell Colonies. She taught media arts at Highland Park Senior High School in St. Paul, Minn., as well as visual art and art history courses at Lake Superior College, Fond du Lac Community College, and Itasca Community College. She has spent recent summers studying printmaking at FAWC. 16

Kathline Carr, writer and visual artist, is the author of Miraculum Mon-strum, forthcoming from Red Hen Press and winner of the 2015 Clarissa Dalloway Book Prize. Carr’s writing and art have appeared in Alexandria Quarterly, Calyx, Connecticut Review, Hawaii Review, Earth’s Daugh-ters and elsewhere. She has also exhibited in the Berkshires, New York City, Boston, Toronto, and at artSTRAND Gallery in Provincetown. Carr received her BFA in Creative Writing from Goddard College, VT and holds an MFA in Visual Arts from The Art Institute of Boston at Lesley Uni-versity. She lives in North Adams, Massachusetts with her husband and sometimes-collaborator, figurative painter Jim Peters, and her youngest daughter Mercedes. 95

Terry Catalano is an award winning poet, playwright and artist. He relo-cated to Provincetown from Los Angeles, his birthplace. Terry forms free-standing and wall-mounted abstract sculptures with old painted wood found on the local beaches and land fills. As simple as they might appear, some pieces take months to create. Quite incidentally, his art also has the advantage of benefiting the environment by removing this artistic litter from the beaches. 13

Ted Chapin is an assemblage sculptor based in New York City and Provincetown. His medium is industrial and plastic scrap, from old toys to discarded jewelry. He assembles these found objects using nuts, bolts,

and screws, to create three-dimensional constructions, to which he then splices in images from art history. His work functions as a visceral, me-chanical reaction to the rise of the information age and the gradual decline of the American Industrial Era. His most recent work is an exploration of the poet, painter, and printmaker William Blake. Ted has shown in several group shows in Provincetown, including ones at PAAM, the Schoolhouse Gallery, and Esmond-Wright Gallery. He is President of the Fine Arts Work Center Board of Trustees. gallery4pearl.com, tedchapin.com 31

Kay Knight Clarke received an MFA in visual art from the MassArt low-residency program at the Fine Arts Work Center. Her paintings explore the mystery and power of the landscapes around her. They speak to the profound, subjective human mind’s response to nature. She has had solo exhibits in Wellfleet, MA; Hartford, CT; and Nantucket, MA and group shows in Connecticut, New York, and Massachusetts. She has exhibited locally at Provincetown Art Association and Museum; Hudson D. Walker Gallery, Provincetown; DNA Gallery, Provincetown; Left Bank Gallery, Wellfleet; and Cape Cod Art Association, Barnstable. She currently serves as the Fine Arts Work Center’s Treasurer. kayknightclarke.com 84

Arthur Cohen (1928-2012) grew up in the Bronx, drawing prodigiously. After the war he took classes at Cooper Union and the Arts Students League. He spent his summers in Provincetown, painting in a style that paid no mind to the fashions of the art world at the time, a love of tradition shared by his friend and colleague Salvatore Del Deo. Of his work Mun-son Gallery states, “His modest interiors of his wife Elizabeth [Rodgers], an accomplished concert pianist, capture the elegance and intensity of intimate music-making silhouetted against a flood of reflected light. His iconic Provincetown landscapes are filaments of land wedged between expanses of sea and sky depicting a place outside time.” 58

Barbara Cohen studied art history at Oxford University in England, and received a BFA from Tufts University. She has received awards from Po-laroid Corporation and the Pollock-Krasner Foundation, the Artist Founda-tion in Boston, and the Virginia Center for the Arts Colony. She works in New York and Provincetown, and has had shows at the Cape Cod Mu-

seum of Art in Dennis, and in Provincetown at Gallery Ehva, PAAM, and Kolbalt Gallery. 93

Jay Critchley is a Provincetown-based artist whose visual, conceptual and performance work, and environmental activism have traversed the globe, showing and/or performing in Argentina, Japan, England, Holland, Germany, Columbia and the United States. His solo exhibition at Freight + Volume Gallery in Chelsea, New York City received exciting reviews from the New York Times, The New Yorker and the Village Voice. A longtime Provincetown, Cape Cod, MA resident, he utilizes the town, landscape, harbor, beaches and dunes as his medium. He founded the patriotic Old Glory Condom Corporation, which won a controversial three-year legal battle for its US Trademark. He has taught at the Museum School of the Boston Museum of Fine Arts, and has had residencies at Harvard Univer-sity; AS220 in Providence, Rhode Island; Williams College, MA; Real Art Ways in Hartford, CT; and Milepost 5 in Portland, OR. His work has been shown at Berta Walker Gallery, Provincetown, MA; Boston Center for the Arts, Boston, MA; and San Francisco Art Institute, San Francisco, CA; among others. jaycritchley.com 83

Romolo Del Deo is a native of Provincetown who spent numerous years in Italy and New York after his studies at Harvard. Del Deo uses the an-cient “lost wax” method of bronze casting. Of this method, he said, “I work with bronze because it thinks like I do and we agree. It is a beautiful material. One of the reasons I love bronze is its durability – it is something that is touched. Bronze only looks better with time.” He has received awards from the National Sculpture Society, Provincetown Art Associa-tion and Museum, and the International Sculpture Symposiums in Italy. Del Deo is represented by Berta Walker Gallery in Provincetown, and by Gremillon Fine Art in Houston, TX. bertawalkergallery.com, gremillion.com 75

Salvatore Del Deo was one of the Fine Arts Work Center’s founders. His paintings combine deep feeling and painterly technique. His inspira-tion flows from his love of landscape, nurtured through years spent in the dunes and at his secluded, hand-built home surrounded by trees. He

came to Provincetown to study with Edwin Dickinson, met his wife, writ-er and art historian Josephine Del Deo, and stayed. Over 50 years later, he still paints in his studio daily, tends to his chickens and vegetables, and, in the true tradition of his Italian homeland, stomps grapes in the fall. Del Deo’s paintings are displayed at Provincetown Art Association and Museum, Harvard University, Williams College Museum of Art, and the National Portrait Gallery of the Smithsonian Institution in Washington, D.C. bertawalkergallery.com 15 88

Alison Dell is an artist who combines research training in Cell and Mo-lecular Biology, Neuroscience, and Environmental Science and Policy with her visual arts practice, as a researcher, educator, and communicator of art and science. As an artist, she is interested in forms, patterns, and structures inherent in biological systems, as well making work that in-quires broadly about the sensory modalities she studies in the lab. A sec-ond generation printmaker, she makes books, prints, and works on paper. Exhibitions include: the Queens Museum of Art Bulova Gallery, NYC, NY; Socrates Sculpture Park, NYC, NY; Cuchifritos Gallery, NYC, NY; Rutgers University, Newark, NJ; and the University of Pennsylvania, Philadelphia, PA. alisondell.net 14

Joerg Dressler was born in Hanau, Germany. He received his MFA from the Hochschule für Gestaltung in Offenbach, Germany, in 1994. Addi-tionally, he studied at the École Nationale Supérieure des Arts Décoratifs in Paris, France. Joerg moved to the United States in 1996. Recurring themes in his work include the passage of time, impermanence, frailty, and perception. He paints solely from memory; as a result, disjointed ex-periences of the seen and learned are re-assembled, creating a reality of their own. Dressler is a recipient of the Romanos Rizk Scholarship, and his work is included in the permanent collections of the Provincetown Art Association and Museum and the Leslie-Lohman Museum of Gay and Lesbian Art in New York. He is represented by Gold Gallery, Boston; Al-den Gallery, Provincetown and Renjeau Galleries, Natick. 66

Yvette Drury Dubinsky received her MFA in printmaking from Wash-ington University of Art in Saint Louis. She has exhibited nationally and

internationally including at the Martin Schweig Gallery, Elliot Smith Con-temporary Art, and Bonack Gallery (all in St. Louis), the Cité Internationale des Arts, Paris and AIR Gallery, Brooklyn. A solo exhibition is scheduled at the Provincetown Art Association and Museum. Yvette has received many awards for her work, including a residency at Cité Internationale des Arts, and the St. Louis Honoree, “Artists Choose Artists” award. She is a member of the Fine Arts Work Center’s Board of Trustees and Auction Committee. yddstudio.com 47

Breon Dunigan exhibits her sculpture and prints widely throughout New England and New York. Her work can be found in several public and pri-vate collections. Her studio is in Truro, on Cape Cod and she has deep connections to the Art Colony in Provincetown, Massachusetts. Her new horned “Trophy Heads” are a suite of individual wall sculptures made from repurposed furniture and textiles. These sculptures are a marvel of ingenious fabrication, and a witty commentary on the psychology of what it means to collect objects. The work also describes the tension she enjoys between our preconceptions about beauty in fine art, functionality in the decorative arts, and ways that objects like trophies contain both possibilities. These artworks connect us with our hidden private desires, impulses and satisfactions about collecting, including a flirtation with humor and fetish. She is represented by Schoolhouse Gallery. 52 90

Robert DuToit is an artist hailing from Boston, MA who specializes in working with oil paint and pastels. He began painting with oils and draw-ing with ink at the age of 10 and was particularly interested in Chinese ink painting. He received a BFA from the University of New Hampshire in 1980, and an MFA from Parsons School of Design in NYC. His recent work consists of elemental landscapes of various motifs as well as small direct figure compositions and spontaneous sumi ink drawings. He has had numerous solo shows and venues, not limited to the Chandler Gal-lery, Wellfleet, MA; the Julie Heller Gallery, Provincetown, MA; Maurice Arlos Gallery, New York, NY; and the Berta Walker Gallery, Provincetown, MA. He is represented by Berta Walker Gallery. bertawalkergallery.com 41

Nathalie Ferrier lives and works on Cape Cod, MA. She received a MFA from MassArt. She is a faculty member at the Provincetown Art Asso-ciation and Museum. Ferrier was originally a fashion designer/modeliste based in Paris making clothes for Haute Couture and for luxury Ready to Wear. She also ran her own clothing line, which was sold at Bergdorf Goodman in New York City. Her artwork has been shown in galleries and art fairs in New York, Miami Art Basel, and Massachusetts. Her work has been included in several exhibitions at the Provincetown Art Association and Museum. She was an artist in residence at Cape Cod Community College in September 2011 and had a solo exhibition following her resi-dency there. At the end of October 2011, Ferrier’s work was displayed in a large installation at the Provincetown Art Association and Museum. Her work has also been shown at DNA Gallery, Provincetown, MA; Ethan Cohen Gallery, Truro, MA; and Koussevitzky Art Gallery, Berkshire Community College, MA. nathalieferrier.com 80

Mary Frank moved to the United States with her family in 1940. In the early 1950s she studied with Hans Hofmann and Max Beckmann. Frank works across disciplines as a sculptor, painter, photographer and gifted ceramic artist. She has been the subject of numerous museum exhibi-tions. In 2000, the Neuberger presented “Encounters”, a major travel-ing retrospective accompanied by a book by Linda Nochlin, and in 2003, “Experiences”, a solo exhibition of Mary Frank’s paintings was organized by the Marsh Art Gallery, University of Richmond. In 1990 a major sur-vey of Mary Frank’s work, written by Hayden Herrera, was published by Abrams, New York. Frank’s work is in the collection of numerous institu-tions including the Hirshhorn Museum and Sculpture Garden, Washing-ton, DC, the Jewish Museum, New York, the Metropolitan Museum of Art, New York, the Museum of Fine Arts, Boston, the Museum of Modern Art, New York, and the National Museum of American Art, Washington, DC. Frank lives and works in New York City and Woodstock, New York. She is represented by the D. C. Moore Gallery. dcmooregallery.com 73

Gilbert Franklin (1919-2004) was a sculptor whose public commissions included the U.S. Navy Memorial in Washington, D.C., and the Harry S. Truman Memorial in Independence, Missouri. He was born in England

and grew up in Attleboro and had maintained a home and studio on the Cape and in Wellfleet since 1960. He went to RISD and continued his studies at the Museo Nacional in Mexico City and the American Academy in Rome. Franklin came to Provincetown in 1938 to study with John Frazier at the Hawthorne School of Art. He received the Prix de Rome in Sculpture, was a Fellow at the American Academy in Rome, and was named an H.M. Danforth Distinguished Professor of Fine Arts at RISD. He served as a Trustee of the American Academy in Rome and the Uni-versity of Pennsylvania, was an Overseer at Boston University School of Fine Arts and taught at Harvard, Yale, and the University of Pennsylvania, among others. For the last 15 years of his life, Franklin served as a Trust-ee and in part, as co-chair with Michael Mazur, of the Board of Trustees at the Fine Arts Work Center. acmefineart.com 28

Gregory Gillespie (1936–2000) was one of America’s most important and interesting contemporary artists. Educated at The Cooper Union for Advancement of Science and Art in New York and the San Francisco Art Institute (MFA), he went on to receive fellowships to work at the Ameri-can Academy in Rome for six years. His paintings, ranging from geometri-cal studies to landscapes, are suffused with the fantastic and the surreal. Exhibitions at the Joseph H. Hirshhorn Museum and Sculpture Garden in Washington, DC brought Gillespie into national prominence, and since his work has entered the permanent collections of several prestigious muse-ums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, the Joseph H. Hirshhorn Museum and Sculpture Garden, the Museum of Fine Arts (Boston), the Georgia Museum of Art (Athens), the Virginia Museum of Fine Arts (Richmond), the San Diego Museum of Contemporary Art and the Wichita Art Museum. 9

Jerome Greene is a native of New Britain, CT, and has been a resident of Cape Cod for over 25 years. His focus for the past decade has been plein air painting. He travels extensively and has been featured in four recent shows at the Cape Cod Museum of Art. The second show was the result of a trip to the coast of Maine with a dozen artists that turned into an annual get-together of plein air artists from all over the United States, Mexico, and Ireland. Jerome spends a few weeks each year in

San Miguel, Mexico, and currently resides in Provincetown. He is repre-sented by Cortile Gallery in Provincetown. cortilegallery.com 63

Heidi Hahn brings a thoughtful and refreshing perspective to the medium of painting. Often engaging with the female body, the artist’s layered, parafin infused images utilize a consistent cast of characters. Hahn’s sumptuous application of paint and seductive layered surfaces draw the viewer into a psychologically intense narrative. The works engage the psychological realm of attachment to the female body and how it is understood through both traditional and contemporary paradigms, as the many reclining, sitting or lounging female figures relate distantly to any number of female portraits (often reclining female nudes) painted throughout history. Solo exhibitions include “Bent Idle” at Jack Hanley Gallery and “Shadows from Other Places” at Premier Regard in Paris. Hahn has participated in “Friend of the Devil” at Jack Hanley Gallery, “Immediate Female” at Judith Charles Gallery, “A Thing of Beauty” at Geoffrey Young Gallery in Great Barrington and “New Paintings By” at Jack Hanley Gallery. Hahn received her Bachelor’s degree in Fine Art from Cooper Union in 2006, and her Master’s degree from Yale University in 2014. Hahn has been awarded residencies at Skowhegan School of Painting and Sculpture, Fine Arts Work Center in Provincetown, and the Headlands Center for the Arts, among others. She is represented by Jack Hanley Gallery. jackhanley.com 44

Elspeth Halvorsen is one of this year’s featured artists at the Fine Arts Work Center’s Annual Art Auction. Her biograpy is located in the front of the catalog. She is represented by Berta Walker Gallery. bertawalkergallery.com 50

Robert Henry appears “uncategorizable to me,” wrote art historian Ei-leen Kennedy. “He is an artist statesman of our age, much as Picasso was, or Goya, but he does not confront epic conflict. He presents the human impulse to harm and heal in the emotional atmosphere, thepsychic space that human turbulence creates.” Henry has had numerous one-person exhibitions at venues including the Cortland Jessup Gallery and Barbara Inger Gallery in New York, the Janus Avivson Gallery in Lon-don, and Berta Walker Gallery in Provincetown. His work hangs in the

permanent collections of Brooklyn College, the Cape Cod Museum of Art, Columbia University, Pace University, and many others. He is Professor Emeritus at Brooklyn College. He lives in Wellfleet, MA. and is repre-sented by Berta Walker Gallery. bertawalkergallery.com, roberthenryart.com 96

Norma Holt (1918-2013), a photographer marked for her work highlight-ing working people, women, and people of color internationally, began tak-ing her own photographs in the early to mid-1950s, first by photographing children, often spending entire days with them. She has published two collections of photographs: Face of the Artist and Africa Unadorned. She is also the author of “On Equal Ground - Photographs from an Artists’ Community at the Tip of Cape Cod” published in 2001 by Provincetown Art Association and Museum, with introduction by Sue Harrison, preface by Eleanor Munro, essay by Ann Wilson Lloyd, and artists’ biographies by Pamela Mandell. 11

Diana Horowitz, a native of New York City, paints scenic cityscapes and landscapes from her studio in Brooklyn. A graduate of SUNY Purchase and the MFA program at Brooklyn College, Horowitz has since taught at the School of the Art Institute of Chicago and Tyler School of Art / Temple Abroad Rome, among other places. She currently teaches at Brooklyn College. Horowitz’s work is included in the collections of the Brooklyn Museum; the Museum of the City of New York, the New-York Historical Society; Hunter Museum, Chattanooga TN; and the Mississippi Museum of Art in Jackson, among others. In 2005, she was elected a member of the National Academy and she has received awards from the American Academy of Arts & Letters and grants from the Ingram Merrill Founda-tion and the Pollock-Krasner Foundation. Horowitz has held residencies at Yaddo, MacDowell Colony, the Lower Manhattan Cultural Council’s World Views program; and Ballinglen in Ireland. She lives and works in Brooklyn, NY, and is represented by Hirschl & Adler Modern. 49

Sharon Horvath is an Associate Professor at Purchase College, SUNY. She has received numerous grants, awards, and fellowships, including a Fulbright-Nehru Fulbright Research Fellowship to India, Alumni Certificate

of Honor from Tyler School of Art Alumni Association, the Anonymous Was a Woman Grant for painting, and the Edwin Palmer Memorial Prize for painting from the National Academy Museum in New York City. In 1992, Horvath won a John Simon Guggenheim Memorial Fellowship for painting. During 1986 and 1987 she was a fellow at the Fine Arts Work Center in Provincetown. Since 1987, Horvath has shown her paintings and drawings in solo exhibitions in New York, Philadelphia, and Boston as well as internationally. Horvath is represented in numerous public and private collections. These exhibits have included Lori Bookstein Fine Art, “Cosmicomics”, New York, NY; Victoria Munroe Fine Art, Boston, MA; Tibor de Nagy Gallery, New York, NY; Cava Gallery, Philadelphia, PA; and others. Horvath is represented by Lori Bookstein Fine Art in New York; the Drawing Room Gallery in East Hampton, New York and Schoolhouse Gallery in Provincetown, MA. loribooksteinfineart.com, galleryschool-house.com, sharonhorvath.com 1

Holly Hughes was born in San Antonio, Texas. Hughes works in studios both on NYC’s Lower East Side and in an old barn in Ghent in Columbia County, NY. She is a Full Professor at Rhode Island School of Design - currently on sabbatical after two years as Department Head of Painting. Hughes teaches graduate and undergraduate students and is a sought after critic and lecturer, having visited many national and international schools and institutions. 59

Roberto Juarez’s life is so much a part of his paintings that each new body of work introduces subjects, styles and motifs that seem to dif-fer radically from previous work. Consequently, his succession of solo gallery exhibitions, which have typically occurred in two-year intervals since 1980, operate like time-lapse photographs. Between exhibitions, however, Juarez lives a life filled with travel, new relationships, literature, music, film, and art, all of which provide stimuli for his paintings. Juarez often combines many different types of images, using both casual, small sketches he makes almost daily, as well as found botanical and other prints as sources. The dynamic between intended shapes and those that happen in the rush of emotional brushwork convey a physical sense of the artist’s pictorial dance. These non-hierarchical images allude to the

way artists through the centuries have fixed the fleeting aspects of nature by using natural shapes and colors of flowers into permanent motifs, into symbols. Viewers confront his personal experiences and perceptions, mixed with history and myth, transformed into a space that conflates western perspective with eastern illusionism. Juarez is an artist not afraid to travel among artistic disciplines and to draw from myriad sources for his work. 86

Wolf Kahn immigrated to the United States in 1940. In 1945, he graduat-ed from the High School of Music & Art in New York, after which he spent time in the Navy. Under the GI Bill, he studied with renowned teacher and Abstract Expressionist painter Hans Hofmann, later becoming Hofmann’s studio assistant. In 1950, he enrolled in the University of Chicago. He graduated one year later with a Bachelor of Arts degree. Kahn and other former Hofmann students established the Hansa Gallery, a cooperative gallery where Kahn had his first solo exhibition. In 1956, he joined the Grace Borgenicht Gallery, where he exhibited regularly until 1995. Kahn has received a Fulbright Scholarship, a John Simon Guggenheim Fellow-ship, and an Award in Art from the Academy of Arts and Letters. Traveling extensively, he has painted landscapes in Egypt, Greece, Hawaii, Italy, Kenya, Maine, Mexico, and New Mexico. He spends his summers and autumns in Vermont on a hillside farm, which he and his wife, the painter Emily Mason, have owned since 1968. He is represented by Ameringer | McEnery | Yohe. amy-nyc.com 22

Joseph Kaplan (1900-1980) was a New York and Provincetown painter and printmaker whose primary subjects were landscapes and figures. Born in Minsk, Russia, he studied in New York at the Educational Alli-ance Art School, and the National Academy of Design. His work is in-cluded in many important public and private collections and exhibited widely, including at the Corcoran Gallery, Audubon Artists, the Penn-sylvania Academy of Fine Art, and the Provincetown Art Association and Museum. In 1955, he became honorary vice-president and trustee of the Provincetown Art Association and Museum. He is represented by Julie Heller Gallery. juliehellergallery.com 24

Paul Kelly is a practicing full-time artist living in Provincetown with deep ties to the Provincetown Art Association and Museum and the Fine Arts Work Center. He painted landscapes in watercolor often in his prior career as an architect trained at the Rhode Island School of Design. It was mov-ing to Provincetown and becoming part of the arts colony shifted Kelly’s medium from water-based paint to oil. His practice begins in sketchbooks – loose, animated pencil and ink drawings used as reference and inspira-tion for formal paintings with oil on canvas. Kelly did a series of works on the old Herring Cove Bath House before the structure was demolished in 2012. That work led to the “Above It” series in 2014 and 2015. Now, with the “Town Pier Series,” the boundaries and forms of Kelly’s town-scapes are pushed and pulled with flat and textured planes of color, build-ings tumbling down on each other in our dense, compacted coastal town at Land’s End. Paul Kelly is represented by Alden Gallery. 4

Robert Kipniss was born to two artists in New York City in 1931. During his college years, Kipniss wavered between focusing his attention on an education in literature and one in fine art. He earned a Bachelor’s degree in English Literature from the University of Iowa in 1952 and earned a Master of Fine Arts in Painting and Art History from the same school in 1954. A prolific artist, Kipness has worked in lithograph, mezzotint, po-etry, drypoint, and other mediums, always seeking control over fine lines of color and evoking emotion. Of his own work, Kipniss said, “If someone looks at my paintings and sees only trees and houses then they don’t see what I’m doing. I may be painting trees and houses but when I look at them – that’s not what I see. I see an atmosphere, a moment, a quickly passing experience that I’m trying to capture. My art is of intensity, of delving, of exploring the soul.” His work is in many permanent and private collections, including the Metropolitan Museum of Art in New York, The Art Institute of Chicago, and The British Museum in London. 2

Anthony Kirk has had a long career in printmaking as an artist, teacher, curator, lecturer and writer and has involved himself widely in his chosen field. However, he is most known for his role as a master printer collabo-rating with major American artists, as well as emerging artists. From 1988 to 2000 he worked with Helen Frankenthaler, Joan Mitchell and Frank

Stella at the etching department at Tyler Graphics. His recent print was included in the 5th Biennial International Footprint Exhibition. 97

Karl Knaths (1891-1971) began his art career after being freed from a baking apprenticeship with his uncle, studying at the School of the Art Institute of Chicago. Later, work as a guard at the 1913 Armory Show would expose him to Cubism, the movement that would come to de-fine his career. Knaths is best known for his abstract paintings centered around an object rendered more realistically in the center. He painted murals for the WPA, and his work is represented in several permanent collections, including the Philips Collection, Washington, D.C.; The Cape Cod Museum of Art; the Museum of Modern Art, New York City; and the Museum of Fine Arts, Boston. 77

Lynne Kortenhaus has exhibited her work as part of the Monoprint Proj-ect at the FIne Arts Work Center, in the Hynes Convention Center, and the Schoolhouse Gallery. She is a participating artist in ARTcetera, an art-ist member of PAAM, was co-chair of the Fine Arts Work Center’s Board of Trustees, and is a member of the Public Art Commission for the City of Boston. She attended the Rhode Island School of Design, where she re-ceived both a BFA and MFA in printmaking. lynnekortenhausart.com 57

As a child M.P. Landis traveled throughout the world with his Mennonite missionary parents. After studying political science, philosophy and litera-ture for a few years, he dropped out of Millersville University of Pennsyl-vania to help open a bookstore in downtown Lancaster. In 1989 he moved to Provincetown, MA, to concentrate on making visual art, his intention since early childhood. He quickly began exhibiting there and was awarded a solo exhibition at the Provincetown Art Association and Museum in 1995. In 1996 he moved to Brooklyn, NY, where he lived and worked until the spring of 2015 when he and his family moved to Portland, Maine. Since 1990 he has been in over 30 solo exhibitions, many 2-person and group exhibits and is included in many public and private collections. 64

Peik Larsen studied art at Middlebury College and the San Francisco Art Institute, and received an MFA from the School of the Museum of

Fine Arts/Tufts College graduate program. He has worked as a profes-sional printer at Fox Graphics in Boston and Via Santa Reparata in Italy. He shows his paintings, prints, and books at Victoria Munroe Fine Art in Boston, DNA in Provincetown, and Freight+Volume in New York City, and is in many collections in this country and in Europe. For many years he taught printmaking at Harvard and the Fine Arts Work Center, and he has been a visiting artist and critic at New England art schools. 62

Fred H. C. Liang is a professor of Fine Arts 2D at MA College of Art and Design. He received a BFA from University of Manitoba and an MFA from Yale University. He has exhibited at the Inside Out Museum and Kupper Gallery in Beijing, Miami Project Fair ’12, Edition Book Fair, New York ’11; The Institute of Contemporary Art, Boston, Sunshine Museum of Contemporary Art, Songzhuang, Beijing, China, Art Complex Museum, Duxbury, Massachusetts; Carroll and Sons Gallery, and Bernard Toale Gallery, Boston; Gallerie HMH Kunstereighisse, Linz, Urfhr, Austria; A&A Atelier, Milan, Italy; and International Print Center, New York. He has re-ceived grants from the Massachusetts Cultural Council, Berkshire Taconic Community Foundation Artist Resource Trust Fund, the Manitoba Arts Council, and the Canada Arts Council. He has received residency grants in Austria, China, Denmark, Mexico and Morocco. He is currently the Chair of Fine Art 2D at MassArt and is represented by Carroll and Sons Gallery, in Boston. carrollandsons.net 38

Sarah Lutz was born in Madison, Wisconsin in 1967, but lived most of her childhood in Vermont and Guatemala. She holds a B.S. in Studio Art from Skidmore College and an M.F.A. from The American University. Lutz was a Junior Teaching Fellow in Residence at Dartmouth College in 1994, and was awarded a 1-month residency at The Vermont Studio Center in 1996. Lutz has had solo exhibitions at the Richmond Art Center in Windsor, CT, at Brick Walk Books and Fine Art in West Hartford, CT, and at The Painting Center and Lohin Geduld Gallery in New York City. Lutz has exhibited annually in Provincetown, MA for more than a decade and is represented by Schoolhouse Gallery. galleryschoolhouse.com 6 48

Peter Madden has taught book arts and alternative photography meth-ods for over 20 years at Boston’s School of the Museum of Fine Arts and Massachusetts College of Art and Design. His work has been exhibited and collected by Boston’s Institute of Contemporary Art and Museum of Fine Arts, the Addison Gallery of American Art, Harvard’s Houghton Library, and Bowdoin College among others. Most recently his work was featured in Lark Books’ Masters: Book Arts, and he was the Mudge Fel-low Artist in Residence at The Groton School. petermadden.com 23

Jennifer Marshall explores the way light moves across surfaces- water, architecture, rocks- creating a color world. In her photolithographs, the landscape is abstracted into linear symmetries. Education: M.F.A., Yale School of Art. Selected shows include: Art Bank Program, U.S. State De-partment, “Geometric Art in The Art Bank Collection”, U.S. State Depart-ment, Washington D.C. New Prints, International Print Center of New York; ART NOW Fair, Miami, Florida; EAB Fair, New York, NY; New York Studio School, curated by Bill Jensen, Margrit Lewczuk, Christina Yang and Andrew Mockler, New York, NY; The Baltimore Fair for Contemporary Prints and Editions; Spring Awakening, Joie de Livres, Salisbury, CT; One of a Kind, The Spencertown Academy Arts Center, Spencertown, NY; Hot Off the Press, curated by Janice Oresman, Grolier Club, New York, NY; Traces of Provence, The French Institute Alliance Francaise, New York, NY; Black and White, Mare Libertum Gallery, New York, NY; Carta Graph-ia, Bard College, Annandale on Hudson, NY Awards include an Artist Res-idency Grant, Fundacion Valparaiso, Almeria,Spain; Ralph Meyer Prize, Yale School of Art; Elizabeth Stoekle Fellowship, Yale School of Art 89

Samuel Messer received a B.F.A. from Cooper Union in 1976 and an M.F.A. from Yale University in 1982. He is represented by Nielsen Gal-lery, Boston, and Shoshana Wayne Gallery, Los Angeles. His work may be found in public collections including the Metropolitan Museum of Art, Whitney Museum of American Art, Museum of Fine Arts, Boston, Mu-seum of Fine Arts, Houston, Art Institute of Chicago, and Yale University Art Gallery. Messer has received awards including a Louis Comfort Tiffany Foundation grant in 1984, the Engelhard Award in 1985, a Pollock-Krasner Foundation grant in 1993, and a Guggenheim Fellowship in 1996. He has

recently collaborated with Paul Auster on The Story of My Typewriter, and with Denis Johnson on Cloud of Chalk. He was appointed senior critic at Yale in 1994 and in 2005 was appointed associate dean and professor (adjunct). He also serves as director of the art division of the Yale Summer School of Music and Art in Norfolk. 34

Andrew Mockler is a painter and master printer living in Brooklyn, New York. At his printmaking workshop, Jungle Press Editions, Andrew col-laborates with artists in lithography, etching, woodcut, and monoprint. He has taught at Yale School of Art, RISD, Columbia University, and cur-rently teaches at Hunter College. He has lectured at Cornell University, The Metropolitan Museum of Art, Christie’s New York, and The Baltimore Museum of Art. His works in painting and printmaking have been exhib-ited in galleries and museums, including The Addison Gallery of American Art, The Herbert F. Johnson Museum of Art, George Billis Gallery (New York and Los Angeles) and Metaphor Gallery (Brooklyn). He was a Visual Arts Fellow at the Fine Arts Work Center 1990-91 and has taught in the summer program. 39

Pasquale Natale lives and works in Provincetown. He is a frequent contributor to numerous local arts groups, including the Provincetown Art Association and Museum, the Fine Arts Work Center, Castle Hill Center for the Arts, and many others. He is a sculptor, painter, print-maker and curator. He is a member of the Fine Arts Work Center’s Visual Arts Committee. galleryschoolhouse.com 12

Robert D. Northrop (1943-2002) was a graphic artist whose work fo-cused on textbook and book cover design. His work is featured in Hough-ton Mifflin and corporate annual reports, among other publications. In addition, he created several abstract design works on commission. He was educated at the Museum of Fine Arts School in Boston and the Art Institute of Boston. 25

Nathan Oliveira (1928-2010) was born in Oakland, California, to a family of Portuguese immigrants. He studied painting and printmaking at the California College of Arts and Crafts and, in the summer of 1950, with

Max Beckmann at Mills College in Oakland. He began teaching painting in 1955 at CCAC and drawing and printmaking at the California School of Fine Arts (now the San Francisco Art Institute). He held a tenured teach-ing position at Stanford University from 1964 until he retired in 1995. In 1959 Oliviera was the youngest painter included in the important exhibi-tion New Images of Man at the Museum of Modern Art in New York. A survey of five years of his paintings and works on paper was shown at the Art Gallery of the University of California, Los Angeles, in 1963, and a fifteen-year survey of his paintings was organized by the Oakland Mu-seum of California in 1973. He had a print retrospective in 1980 at Califor-nia State University, Long Beach, and the California Palace of the Legion of Honor in San Francisco organized a survey of his work in monotype in 1997. Oliviera was elected to the American Academy of Arts and Letters in 1994 and received many other awards, including a Guggenheim Fel-lowship and two honorary doctorates. His work is in the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Metropolitan Museum of Art in New York, and the Museum of Modern Art in New York. He is represented by D. C. Moore Gallery. dcmooregallery.com 17

Anne Packard, a Hyde Park native, spent her summers as a child in Prov-incetown. Packard studied at Bard College and later studied with the late Phil Malicoat. She moved to Provincetown year round in 1977 after rais-ing her five children. Packard shares a kindred relation to the sea with her grandfather Max Bohm. Bohm was a highly acclaimed Romantic Impres-sionist and a founding members of the artist colony in Provincetown. As a self-taught artist, Packard initially painted on wood panels and weathered shingles. For over forty years, Packard’s inimitable paintings of Province-town, the Outer Cape, Ireland, Italy, Greece and Mexico have been col-lected by art collectors from around the globe. packardgallery.com 18

Tom Pappas (b. 1959 State College, PA) grew up in Miami, FL, currently lives and works in Queens, NY. In 1985/86, he travelled throughout Africa, the Middle East and Asia on bicycle and then earned a MFA in Paint-ing from Mass College of Art in 1989. He was awarded a fellowship at the Fine Arts Work Center in 1990-91, as well as residencies at Yaddo, Dorland and Bemis Foundation. From 1995-99, Pappas was Tenzo (head

chef) at the Zen Mountain Center, San Jacinto, CA and authored The Three Bowl Cookbook; Secrets of Enlightened Cooking / Carroll & Brown Publisher. He was awarded an Elizabeth Foundation grant in 1999. From 2011-13, he lived and worked at Meadow Road, Provincetown as part the Work Center’s long-term residency program. Pappas was represented by the Genovese Sullivan Gallery in Boston. His work is in the collection of the Museum of Fine Arts, The Rose Museum, The Boston Public Library and the Massachusetts Institute of Technology. 98

Nick Patten is often described as an American Vermeer bringing beauty and mystique to everyday scenes. His subjects are simple and his vision profound. Patten invites us to fall in love with light again. His paintings glow with angled, reflected, curtain-diffused light. In his current exhibition Patten is featuring all new interiors many of which have a twist. These recent paintings have a piece of art on the wall – an iconic Provincetown scene. Patten studied at the Art Students League in NYC and the National Academy of Design. He then moved to Cape Cod where he developed a significant following of collectors through numerous exhibitions in the region. Recently, he returned to the Hudson Valley. His works can be found in private collections throughout the United States, Canada, and Europe, including the Cape Cod Museum of Art, the Mississippi Museum of Art, the New York Public Library, the Boston Public Library, the Print Club of Albany Permanent Collection, and many other corporate and mu-seum collections. Patten’s hauntingly still, calm and serene paintings of-ten leave viewers with a sense of wistful nostalgia. He is represented by Rice Polak Gallery. ricepolakgallery.com, nickpatten.com 67

Jim Peters was born in Syracuse, NY, in 1945. He graduated from the United States Naval Academy, Annapolis, MD, and Massachusetts Insti-tute of Technology, Cambridge, MA. He began painting while serving on the aircraft carrier USS John F. Kennedy and, using the G. I. Bill, earned an MFA in Painting from Maryland Institute, College of Art, Baltimore, MD in 1977. A painter and constructionist, he has exhibited regularly in NYC at CDS Gallery (since 1986) and ACA Galleries (at present), in Cambridge, MA, at Pierre Menard Gallery, and in Provincetown, MA at artSTRAND Gallery. Awards include Fellowships at Fine Arts Work Center in Provinc-

etown (1982-83 and 1983-84), Massachusetts Artists Grants (1985,1988), Adolph and Esther Gottlieb Foundation Fellowship (1999), and Massa-chusetts Cultural Council Artist Fellowship (2002, 2008). He has work in many collections worldwide, including William Benton Museum, Univer-sity of Connecticut, Flint Institute of Art, and Solomon R. Guggenheim Museum, NYC. Jim Peters lives and works in North Adams, MA, with his wife, the artist and writer Kathline Carr. 85

Anna Poor holds a BFA degree from Massachusetts College of Art and Design and an MFA from the University of Massachusetts at Amherst. Her sculpture is widely exhibited, including in Cape Cod, Boston, and New York City. In New York, she has exhibited at the New Museum, the Sculpture Center, AIR Gallery, Atlantic Gallery, and the Caelum Gallery. A long-time executive board member at Castle Hill Center for the Arts in Truro, she has also taught at numerous colleges in the Boston area. annapoor.com 91

Sky Power, born Lubbock, Texas, is an abstract and figurative painter, printmaker, piano tuner, and woodworker. She has lived and worked in Provincetown, MA since 1976. While attending the Cornish School of Allied Arts in Seattle, WA, Power mentored with Dale Owen, who was then Dean. During 2010 through 2013, the artist studied with painters Paul Resika, Selina Trieff, and Robert Henry, all of whom were Hans Hof-mann students in the 1940’s and 1950’s. Since 2004, Power has been an exhibiting artist at Berta Walker Gallery in Provincetown, MA, and for the past four decades has exhibited at various galleries and museums includ-ing George Billis Gallery in New York, NY, the U.S. Embassy in Muscat, Oman, New Britain Museum of American Art, and Provincetown Art As-sociation and Museum. The artist’s work is included in the permanent collections of the U.S. Embassy, Valletta, Malta, and Provincetown Art Association and Museum. She is represented by Berta Walker Gallery.bertawalkergallery.com 79

Sandra Ramos is a renowned artist, born and still active in Havana, Cuba. Best known as a master of engraving, she also works in painting, etch-ing, collage, installation, and digital animation. Ramos remained in Cuba

during the economically challenged Special Period, and her art, political and personal, details and interrelates her personal struggles with those of her country and people. Cuban art critic and curator Gerardo Mosquera said of Ramos, “She’s an artist who surrenders her biography, her most intimate feelings and her own body to discuss social, political and cultural problems.” 29

Daniel Ranalli has been working as a visual artist for over 35 years. His work is in the permanent collections of over thirty museums here and abroad, including the Museum of Modern Art (NY), Museum of Fine Arts Boston, San Francisco Museum of Modern Art, Nelson-Atkins Museum and National Gallery of American Art (Smithsonian). He has been included in over 150 solo and group shows in the U.S. and abroad. Ranalli has also been the recipient of two fellowships from the National Endowment for the Arts and multiple fellowships from the Massachusetts Cultural Council. Although largely situated within the medium of photography, Ra-nalli’s work can be characterized as conceptual and/or environmental. The work is frequently rooted in the balance between control and chance – such as the unforeseen results in the photogram, the found scrawls on a classroom chalkboard or the path of a snail in wet sand. In 1993, Ranalli founded the Graduate Program in Arts Administration at Boston Univer-sity where he taught until 2015. He also wrote extensively on artist issues for several publications in the 1980s and 1990s. Daniel Ranalli lives in Cambridge and Wellfleet, MA with his wife the artist, Tabitha Vevers. 55

Janice Redman was born in Huddersfield, England, and received an MFA from the University of Ulster, Northern Ireland. Redman carefully wraps, stuffs, and sews vintage, well-used household items and mummifies them in muslin and plaster, thus lifting them from past lives and altering their physical memory. She has had solo exhibitions at Cherrystone Gallery in Wellfleet, MA; Second Street Gallery in Charlottesville, VA; The Atrium, University Art Gallery, at the University of Massachusetts in North Dartmouth, MA; and the Hudson D. Walker Gallery in Provincetown, MA. She has also participated in group shows locally and nationally. She currently lives and works in Truro. She is represented by Clark Gallery. clarkgallery.com 7 69

Aaron Richmond is a painter with an MFA from the Hoffberger School of Painting in Baltimore, MD. He has received numerous awards and residencies including Fellowships (2015-16 and 2016-17) from the Fine Arts Work Center, a full fellowship from the Vermont Studio Center, and the Morris Louis Prize from the Maryland Institute of Art. His solo and group shows include ‘Field Depth’ at the Galerie d’art d’Outremont, Montreal, QC; ‘Recent Works on Paper,’ Studio 21, Halifax, NS; ‘Everyday Painting, Fantastic Worlds,’ Sideshow Gallery, Brooklyn, NY; and ‘Transformation II,’ Joyce Yahouda Gallery, Montreal, QC. aaron-richmond.squarespace.com 45

Marian Roth is a well-known pinhole photographer and painter. She has had numerous shows in Provincetown, Boston and beyond. Her works have been exhibited in the Provincetown Town Collection, Provincetown Art Association and Museum, June Bateman Gallery, Bernard Toale Gal-lery, DeCordova Museum, the Schoolhouse Gallery, and Kobalt Gallery. She received a Guggenheim Fellowship in 2000. kolbaltgallery.com 72

Becky Sellinger is a multidisciplinary artist living and working in New York. Becky received her BFA in sculpture from SUNY Purchase in 2011, and MFA from VCU Sculpture in 2015. She has been awarded residencies at Skowhegan School of Painting and Sculpture (2012), Artpark (2015), and a fellowship at Fine Arts Work Center (2016-17). Becky’s work em-ploys her admiration for physical comedy to highlight the performance of femininity and our society’s brand of social conditioning. 46

Judith Shahn (1929-2009) was born in Paris, France. Her formative years were spent in New York where she attended the High School of Music & Art. For several decades The New Yorker magazine published more than 1,000 small pen-and-ink drawings that Judith drew, depicting familiar Cape-related images such as a chair, window, basket or utensil. Accord-ing to Trustee Margaret Murphy, she “was devoted to the Work Center since the very earliest days, starting in 1969, just one year into the adven-ture. … Millions of readers of The New Yorker and generations of FAWC fellows, trustees and visual arts committees will remember her contribu-tions with affection and gratitude.” 36

Rob Swainston is currently Artist in Residence at Bard College. Born and raised in rural Pennsylvania, Rob studied art and political science at Hampshire College and subsequently lived and worked in Central Europe, pursuing postgraduate studies in political science at Budapest’s Central European University. He received his MFA in visual arts from Columbia University in 2006, attended the Skowhegan School of Painting and Sculpture in 2007, the Marie Walsh Sharpe Studio Program in 2009-10, and is alumnus of the Philadelphia art collective Vox Populi. Rob is a cofounder and master printer of Prints of Darkness, a collaborative printmaking studio in Brooklyn, NY. He recently finished a fellowship with the Fine Arts Work Center (winter 2011-12) and a fellowship at the Robert Blackburn Printshop (summer 2012), and will be participating in the Bronx Museum AIM program in 2015. robswainston.com 43

Vicky Tomayko is an artist and printmaker who creates mono-types that combine a variety of printmaking techniques. Her re-cent work explores the mutability of memory. She was awarded a fellowship at the Fine Arts Work Center in 1985 and has been the recipient of two Ford Foundation Grants. Her work is exhib-ited locally at Schoolhouse Gallery in Provincetown and has been included in exhibitions in New York, Boston, Miami, Los Angeles, Venice, Istanbul, and Melbourne. galleryschoolhouse.comvtomayko.home.comcast.net 21 87

Selina Trieff (1934-2015), studied with Hans Hofmann in New York and Provincetown, Mark Rothko and Ad Reinhardt at Brooklyn College, and Morris Kantor at The Art Students League. Of her early experience at Brooklyn College, Trieff has said: “From Reinhardt and Rothko I learned that art is a philosophical exploration and that art making involves a mys-terious process of self-discovery.” Trieff’s work has been exhibited across the United States and in Europe and is included in such public collections as the Brooklyn Museum, Kalamazoo Art Institute, Bayonne Jewish Cen-ter, Snite Center at Notre Dame, Citibank, New York Public Library, Best Products, and Provincetown Art Association and Museum. bertawalker-gallery.com 54

Tabitha Vevers, daughter of painter Tony Vevers and sculptor Elspeth Halvorsen, is one of this year’s featured artists at the Fine Arts Work Center’s Annual Art Auction. Her biograpy is located in the front of the catalog. She is represented by Albert Merola Gallery and Lori Bookstein Fine Art. tabithavevers.com 30 60

Tony Vevers (1926-2008) is one of this year’s featured artists at the Fine Arts Work Center’s Annual Art Auction. His biograpy is located in the front of the catalog. 40 65

Paula Wilson received her MFA from Columbia University in 2005 and has since been featured in group and solo exhibitions in the US and Eu-rope, including the Studio Museum in Harlem, Sikkema Jenkins & Co., Bellwether Gallery, The Bemis Center, The Fabric Workshop and Muse-um, Center for Contemporary Art Santa Fe, Johan Berggren Gallery in Sweden, and Zacheta National Gallery of Art, Warsaw. Wilson is a recipi-ent of numerous grants and awards including a Joan Mitchell Artist Grant, Art Production Fund’s P3Studio Artist-in-Residency at the Cosmopolitan in Las Vegas, and the Bob and Happy Doran Fellowship at Yale University. She lives and