300 years of irish timekeeping
DESCRIPTION
300 Years of Irish TimekeepingTRANSCRIPT
300 Years of Irish Timekeeping
Presented by Timepiece Antique Clocks57-58 Patrick St., Dublin 8 - 01 4540774
300 Years of Irish Timekeeping
ForewordWe are delighted to announce that this exhibition, showcasing 300 years of Irish timekeeping has come tofruition. After many evenings spent with our friends and colleagues of the Antiquarian Horological Society(Irish Section) lamenting the lack of published material on the subject of Irish Horology, we realised that fromour stock and that of our clients and friends, we have a comprehensive collection of Irish timepieces. Thetime was right.
In celebrating the wealthy history of clock and watch making in Ireland, against the political and social historyof the last three centuries, we have endeavoured to show how Irish clocks were indeed crafted in Ireland.Irish clock and watchmakers who served their apprenticeships both here and abroad, were known for theirfine skills and their work was appreciated by commissions coming from our near neighbours in Great Britain.
Collating the exhibits and their heritage has been a source of great satisfaction to us. We take pride in beinga part of this rich art, science and craft and continue to mark time.
Taking place during the Irish & International Antiques Fair, we hope you find the exhibition informative andenjoyable and that it might encourage an interest in this important area of Irish history and niche craft.
Kevin & Carol Chellar, Timepiece Antique Clocks, 2010
We would like to sincerely thank everyone who helped to make this exhibition a reality, it would not have happened without their help and encouragement.
David Boles, Colman Curran, Nicholas Davis, Donegan Family, Sophie Flynn-Rogers SFRPR, David Marshall, Gerard McBrierty, Albert McClure, Louis & Patrick O’Sullivan, Philip Stokes, Richard Symes,
Antiquarian Horological Society (Irish Section) all our sponsors and for the trust placed in us by our private clients.
Photography: Mike Bunn, Arrow Productions, Carrick-on-Shannon.Co.Leitrim Tel:071 9621088
Sources‘Watch & Clockmakers In Ireland’, Wm.G.Stuart; ‘A List Of Irish Watch & Clockmakers’, Geraldine Fennell; ‘Watchmakers & Clockmakers OfThe World. Vol 1’, G.H.Bailie; ‘Watch & Clockmakers Of The World. Vol.2, Brian Loomes. ‘Vulgar & Mechanick’, J.E. Burnett, A.D. Morrison-Low.
Copyright Timepiece Antique Clocks 2010
In this period of time, Irish clocks would tend to be walnut veneered on a deal carcass, using yew wood and
mulberry for decorative panels. Mouldings would be of cross-grained walnut. This surely applies to our earlier
clocks, sadly we do not have any complete examples available to us at the moment.
1
Irish Timekeepers 1710 - 1730
The Walnut PeriodQueen Anne / George I
300 Years of Irish Timekeeping
ForewordWe are delighted to announce that this exhibition, showcasing 300 years of Irish timekeeping has come tofruition. After many evenings spent with our friends and colleagues of the Antiquarian Horological Society(Irish Section) lamenting the lack of published material on the subject of Irish Horology, we realised that fromour stock and that of our clients and friends, we have a comprehensive collection of Irish timepieces. Thetime was right.
In celebrating the wealthy history of clock and watch making in Ireland, against the political and social historyof the last three centuries, we have endeavoured to show how Irish clocks were indeed crafted in Ireland.Irish clock and watchmakers who served their apprenticeships both here and abroad, were known for theirfine skills and their work was appreciated by commissions coming from our near neighbours in Great Britain.
Collating the exhibits and their heritage has been a source of great satisfaction to us. We take pride in beinga part of this rich art, science and craft and continue to mark time.
Taking place during the Irish & International Antiques Fair, we hope you find the exhibition informative andenjoyable and that it might encourage an interest in this important area of Irish history and niche craft.
Kevin & Carol Chellar, Timepiece Antique Clocks, 2010
We would like to sincerely thank everyone who helped to make this exhibition a reality, it would not have happened without their help and encouragement.
David Boles, Colman Curran, Nicholas Davis, Donegan Family, Sophie Flynn-Rogers SFRPR, David Marshall, Gerard McBrierty, Albert McClure, Louis & Patrick O’Sullivan, Philip Stokes, Richard Symes,
Antiquarian Horological Society (Irish Section) all our sponsors and for the trust placed in us by our private clients.
Photography: Mike Bunn, Arrow Productions, Carrick-on-Shannon.Co.Leitrim Tel:071 9621088
Sources‘Watch & Clockmakers In Ireland’, Wm.G.Stuart; ‘A List Of Irish Watch & Clockmakers’, Geraldine Fennell; ‘Watchmakers & Clockmakers OfThe World. Vol 1’, G.H.Bailie; ‘Watch & Clockmakers Of The World. Vol.2, Brian Loomes. ‘Vulgar & Mechanick’, J.E. Burnett, A.D. Morrison-Low.
Copyright Timepiece Antique Clocks 2010
In this period of time, Irish clocks would tend to be walnut veneered on a deal carcass, using yew wood and
mulberry for decorative panels. Mouldings would be of cross-grained walnut. This surely applies to our earlier
clocks, sadly we do not have any complete examples available to us at the moment.
1
Irish Timekeepers 1710 - 1730
The Walnut PeriodQueen Anne / George I
32
John Crampton, Dublin circa 1710 William Marshall, Dublin circa 1710
An ebonised bracket or table clock with twin fusee and verge escapement. The clock
also has a pull repeat facility on three bells to record time to the nearest quarter.
A very rare timepiece made from the finest materials and skilfully crafted.
Former Timepiece Stock - Exhibited by kind permission of collector
This wonderful and rare clock was created by Wm.
Marshall on his premises at the sign of the Black Bull
in Capel St., Dublin in the early years of the 18th
century.
The Walnut case is decorated with yew wood and
mulberry panels and enriched by gilded Corinthian
capitals and flambeau urns.
Time�Link�-�The�Battle�of�the�Boyne�was�but�twenty�
years�past�and�historical�buildings�such�as�The
Mansion�House�and�Tailors�Hall�were�being
constructed.
Former Timepiece Stock - Exhibited by kind permission of collector
32
John Crampton, Dublin circa 1710 William Marshall, Dublin circa 1710
An ebonised bracket or table clock with twin fusee and verge escapement. The clock
also has a pull repeat facility on three bells to record time to the nearest quarter.
A very rare timepiece made from the finest materials and skilfully crafted.
Former Timepiece Stock - Exhibited by kind permission of collector
This wonderful and rare clock was created by Wm.
Marshall on his premises at the sign of the Black Bull
in Capel St., Dublin in the early years of the 18th
century.
The Walnut case is decorated with yew wood and
mulberry panels and enriched by gilded Corinthian
capitals and flambeau urns.
Time�Link�-�The�Battle�of�the�Boyne�was�but�twenty�
years�past�and�historical�buildings�such�as�The
Mansion�House�and�Tailors�Hall�were�being
constructed.
Former Timepiece Stock - Exhibited by kind permission of collector
54
John Crampton, Dublin circa 1715 John Crampton, Dublin circa 1715
A walnut longcase clock decorated with
mulberry panels, herringbone and arabesque
inlays. The swinging pendulum revealed in front
door lenticle. The magnificently engraved dial
flanked by gilded Corinthian capitals, which are
carved in limewood, these supported by
ebonised columns.
A uniquely Irish design, illustrated by unusual
proportions, beginning with the 13” dial
(proportionately larger than British clocks of the
period) and following through to the long
slender trunk and rectangular box base.
Crampton,�John�-�working�in�Dame�St.�from�1704.�Still
working�1732�when�he�married�Mary�Booth,�20th�July
in�St.�Catherine’s�Church.�We� recently�discovered�a
dial,�signed�J.�Crampton,�Damas�St.
Time�Link�-�The�Longitude�Board�was�established
by�Queen�Anne�in�1714,�awarding�a�substantial
monetary�prize�to�the�inventor�of�a�sea�clock�to
calculate�longitude.�This�illustrates�the�extreme
importance�of�timekeepers�of�the�day.�
Clock currently available from Timepiece
54
John Crampton, Dublin circa 1715 John Crampton, Dublin circa 1715
A walnut longcase clock decorated with
mulberry panels, herringbone and arabesque
inlays. The swinging pendulum revealed in front
door lenticle. The magnificently engraved dial
flanked by gilded Corinthian capitals, which are
carved in limewood, these supported by
ebonised columns.
A uniquely Irish design, illustrated by unusual
proportions, beginning with the 13” dial
(proportionately larger than British clocks of the
period) and following through to the long
slender trunk and rectangular box base.
Crampton,�John�-�working�in�Dame�St.�from�1704.�Still
working�1732�when�he�married�Mary�Booth,�20th�July
in�St.�Catherine’s�Church.�We� recently�discovered�a
dial,�signed�J.�Crampton,�Damas�St.
Time�Link�-�The�Longitude�Board�was�established
by�Queen�Anne�in�1714,�awarding�a�substantial
monetary�prize�to�the�inventor�of�a�sea�clock�to
calculate�longitude.�This�illustrates�the�extreme
importance�of�timekeepers�of�the�day.�
Clock currently available from Timepiece
6
Patrick Smith, Dublin circa 1710
Exhibited by kind permission of collector
Up to the early part of the 18th century walnut had been the wood of choice amongst Britain and Ireland’s
cabinet makers. But severe frosts in France during the winter of 1709 destroyed much of France’s walnut and
the French added insult to injury by banning the export of their walnut in 1720. This catastrophe coupled with
the Naval Stores Act of 1721 which reduced the taxes on the importation of exotic woods from the colonies,
spelled the beginning of the end for walnut. Black Walnut (Juglans nigra) until recent times mistakenly known
as Red Walnut and having a lot of the properties of mahogany and indeed often confused with it, was
imported from Virginia for a time and was used quite extensively by Irish cabinet makers in particular.
The complete overtaking of walnut by mahogany as the primary wood happened in 1733 when Sir Robert
Walpole abolished all taxation on imported timber, that, along the normalisation of British, Spanish relations
after the Spanish War of Succession and the realisation that mahogany was easier to carve, had an exquisite
patina that improved with age, and was resistant to wood worm and rot put the final nail in the mahogany
coffin of walnut! There were two types of mahogany imported. The first to appear, ‘Swietenia Mahogani’, was
from San Domingo, Cuba and Jamaica. San Domingo sometimes known as Spanish mahogany was a dense,
hard, plain, wood with a beautiful colour, that seems to have been more prized by the Irish cabinet makers
than their British counterparts, who preferred the Jamaican and Cuban woods which were easier to work
with and had better figuring for veneers. The second type of mahogany, ‘Swietenia Macrophylla’, came mainly
from Honduras, was lighter than the West Indian variety and was mainly used after 1750 for carcass
construction with Cuban mahogany veneers. Throughout the rest of the 18th century and well into the 19th
mahogany was the overwhelmingly favourite wood for furniture construction, a fact borne out by the amount
imported into Britain and Ireland in 1722 was £256 compared to £77,774 in 1800.
Contributed by Paul Johnston, Johnston Antiques, Francids St. D8
7
The Arrival of MahoganyGeorge II
Silver pair-case pocketwatch with verge
escapement. The interesting feature of
this watch is view of balance wheel
through an aperture in the back-cock,
which mimics a pendulum bob. Watch
no. 367 by P. Smith, Quarter Brother of
Dublin Goldsmiths Co. in 1698.
A silver pair-case pocketwatch with verge
escapement. Beautifully crafted movement
with backplate revealing Crampton
signature and number. Exquisitely executed
wrought steel hands. Crampton, Thomas,
brother of John. Made freeman by Dublin
Goldsmiths Company in 1718. We believe
working at Essex Gate. Died 1751.
Thomas Crampton, Dublin circa 1725
6
Patrick Smith, Dublin circa 1710
Exhibited by kind permission of collector
Up to the early part of the 18th century walnut had been the wood of choice amongst Britain and Ireland’s
cabinet makers. But severe frosts in France during the winter of 1709 destroyed much of France’s walnut and
the French added insult to injury by banning the export of their walnut in 1720. This catastrophe coupled with
the Naval Stores Act of 1721 which reduced the taxes on the importation of exotic woods from the colonies,
spelled the beginning of the end for walnut. Black Walnut (Juglans nigra) until recent times mistakenly known
as Red Walnut and having a lot of the properties of mahogany and indeed often confused with it, was
imported from Virginia for a time and was used quite extensively by Irish cabinet makers in particular.
The complete overtaking of walnut by mahogany as the primary wood happened in 1733 when Sir Robert
Walpole abolished all taxation on imported timber, that, along the normalisation of British, Spanish relations
after the Spanish War of Succession and the realisation that mahogany was easier to carve, had an exquisite
patina that improved with age, and was resistant to wood worm and rot put the final nail in the mahogany
coffin of walnut! There were two types of mahogany imported. The first to appear, ‘Swietenia Mahogani’, was
from San Domingo, Cuba and Jamaica. San Domingo sometimes known as Spanish mahogany was a dense,
hard, plain, wood with a beautiful colour, that seems to have been more prized by the Irish cabinet makers
than their British counterparts, who preferred the Jamaican and Cuban woods which were easier to work
with and had better figuring for veneers. The second type of mahogany, ‘Swietenia Macrophylla’, came mainly
from Honduras, was lighter than the West Indian variety and was mainly used after 1750 for carcass
construction with Cuban mahogany veneers. Throughout the rest of the 18th century and well into the 19th
mahogany was the overwhelmingly favourite wood for furniture construction, a fact borne out by the amount
imported into Britain and Ireland in 1722 was £256 compared to £77,774 in 1800.
Contributed by Paul Johnston, Johnston Antiques, Francids St. D8
7
The Arrival of MahoganyGeorge II
Silver pair-case pocketwatch with verge
escapement. The interesting feature of
this watch is view of balance wheel
through an aperture in the back-cock,
which mimics a pendulum bob. Watch
no. 367 by P. Smith, Quarter Brother of
Dublin Goldsmiths Co. in 1698.
A silver pair-case pocketwatch with verge
escapement. Beautifully crafted movement
with backplate revealing Crampton
signature and number. Exquisitely executed
wrought steel hands. Crampton, Thomas,
brother of John. Made freeman by Dublin
Goldsmiths Company in 1718. We believe
working at Essex Gate. Died 1751.
Thomas Crampton, Dublin circa 1725
9
William Marshall, Dublin circa 1730
Former Timepiece Stock - Exhibited by kind permission of collector
Marshall’s bracket clock is of the earliest mahogany, of complex design and
beautifully executed. Among it’s qualities one can find a verge escapement, pull
repeat of hours and quarters, calendar and phases of the moon.
JOHNSTON ANTIQUES 69/70 FRANCIS ST DUBLIN 8 Tel +353 - 1 - 473 2384 Fax +353 - 1 - 473 5020
A Pair of early 19th century Terrestrial and Celestial Globeson mahogany stands with turned legs. Circa 1820
Baring the trade label ‘Kirkwood sold by Rich Spear,College Green Dublin’.
9
William Marshall, Dublin circa 1730
Former Timepiece Stock - Exhibited by kind permission of collector
Marshall’s bracket clock is of the earliest mahogany, of complex design and
beautifully executed. Among it’s qualities one can find a verge escapement, pull
repeat of hours and quarters, calendar and phases of the moon.
JOHNSTON ANTIQUES 69/70 FRANCIS ST DUBLIN 8 Tel +353 - 1 - 473 2384 Fax +353 - 1 - 473 5020
A Pair of early 19th century Terrestrial and Celestial Globeson mahogany stands with turned legs. Circa 1820
Baring the trade label ‘Kirkwood sold by Rich Spear,College Green Dublin’.
1110
Philip Glasco, Dublin circa 1730 Philip Glasco, Dublin circa 1730
This elegant and interesting clock is very much a
transitional model, bridging the walnut and
mahogany eras. The cabinet-maker constructed
this piece using all of his prior knowledge of
working with walnut, yew wood and mulberry. It
is clear that he used the new exotic timber,
employing the same techniques. Within a few
years, new construction techniques altered
conventional thinking. These observations can
only highlight the importance of this rare clock.
Glasco,� Phil.� –�Quarter� Brother�of�Dublin�Goldsmiths
Company�1729-1766
Time�Link�-�Gullivers�Travels�written�by�Dean�Swift,
Dean�of�St.Patrick’s�Cathedral,�1726.
Clock currently available from Timepiece
1110
Philip Glasco, Dublin circa 1730 Philip Glasco, Dublin circa 1730
This elegant and interesting clock is very much a
transitional model, bridging the walnut and
mahogany eras. The cabinet-maker constructed
this piece using all of his prior knowledge of
working with walnut, yew wood and mulberry. It
is clear that he used the new exotic timber,
employing the same techniques. Within a few
years, new construction techniques altered
conventional thinking. These observations can
only highlight the importance of this rare clock.
Glasco,� Phil.� –�Quarter� Brother�of�Dublin�Goldsmiths
Company�1729-1766
Time�Link�-�Gullivers�Travels�written�by�Dean�Swift,
Dean�of�St.Patrick’s�Cathedral,�1726.
Clock currently available from Timepiece
12
James Whitthorne, Dublin circa 1745
Whitthorne’s pair-case watch, no.532 with tortoiseshell outer case. Whitthorne
operated his business as Watchmaker from Skinner Row, Dublin from 1725. He was
made Master of Dublin Goldsmith Company 1744-45.
Time�Link�-�1742�Handel’s�Messiah�premiered�in�Fishamble�St.,�Dublin.
Exhibited by kind permission of collector
13
Thomas Blundell, Dublin circa 1750
This mid-Georgian Dublin bracket/table clock in a mahogany case is a timepiece with
quarter pull repeat facility, on two bells. Timepieces such as these are sometimes referred
to as ‘bedroom’ clocks, as they only strike bells on demand.
Unusually, this clock has wonderful provenance, having being owned by the O’Brien Family
of Dromoland Castle and is featured in the book on the Family entitled ‘These Our Friends
& Forebears’ by Grania O’Brien-Weir.
Blundell,�Thomas�-�Working�at�3�Upr.�Ormond�Quay,�Dublin�in�1733.�Becoming�Master�of�Dublin
Goldsmiths�Company�in�1747-48.�Died�1774�at�Ormond�Quay�address.
Former Timepiece Stock - Exhibited by kind permission of collector
12
James Whitthorne, Dublin circa 1745
Whitthorne’s pair-case watch, no.532 with tortoiseshell outer case. Whitthorne
operated his business as Watchmaker from Skinner Row, Dublin from 1725. He was
made Master of Dublin Goldsmith Company 1744-45.
Time�Link�-�1742�Handel’s�Messiah�premiered�in�Fishamble�St.,�Dublin.
Exhibited by kind permission of collector
13
Thomas Blundell, Dublin circa 1750
This mid-Georgian Dublin bracket/table clock in a mahogany case is a timepiece with
quarter pull repeat facility, on two bells. Timepieces such as these are sometimes referred
to as ‘bedroom’ clocks, as they only strike bells on demand.
Unusually, this clock has wonderful provenance, having being owned by the O’Brien Family
of Dromoland Castle and is featured in the book on the Family entitled ‘These Our Friends
& Forebears’ by Grania O’Brien-Weir.
Blundell,�Thomas�-�Working�at�3�Upr.�Ormond�Quay,�Dublin�in�1733.�Becoming�Master�of�Dublin
Goldsmiths�Company�in�1747-48.�Died�1774�at�Ormond�Quay�address.
Former Timepiece Stock - Exhibited by kind permission of collector
15
1760 - 1810 Age of Industrial & Social Revolution
George III Period
15
1760 - 1810 Age of Industrial & Social Revolution
George III Period
17
Exhibited by kind permission of collector
Gold plate pocketwatch, verge escapement
Watch no.852, Beautifully chased and engraved.
Lacking it’s outer case.
Clarke,�Chris.�-�
working�at�Crane�Lane�1761�&�Fownes�St.
Gold cased, pair-case pocketwatch. No.316.
Backplate beautifully chased and engraved.
Case by Arthur O’Neill.
Houston,�Shean�-�Working�at�12�Fishamble�St.�
1775�&�198�Abbey�St.�1783-1803.
16
William Edwards, Dublin circa 1760
Clock currently available from Timepiece
This clock style, known as Irish Chippendale,
became popular from c.1735. It has become
known as ‘the Irish clock’, primarily due to the great
interest in Irish mahogany furniture, which featured
carved reliefs. This was our wealthiest period and the
great Georgian houses were decorated
throughout with this finely crafted furniture.
You should note how Wm. Edwards has employed
swan-necked pediment, terminating in carved
rosettes, carved cushion mould with lions masque,
all visually supported by fluted pilasters and carved
Corinthian capitals.
Christopher Clarke, Dublin circa 1770
Shean Houston, Dublin circa 1780
17
Exhibited by kind permission of collector
Gold plate pocketwatch, verge escapement
Watch no.852, Beautifully chased and engraved.
Lacking it’s outer case.
Clarke,�Chris.�-�
working�at�Crane�Lane�1761�&�Fownes�St.
Gold cased, pair-case pocketwatch. No.316.
Backplate beautifully chased and engraved.
Case by Arthur O’Neill.
Houston,�Shean�-�Working�at�12�Fishamble�St.�
1775�&�198�Abbey�St.�1783-1803.
16
William Edwards, Dublin circa 1760
Clock currently available from Timepiece
This clock style, known as Irish Chippendale,
became popular from c.1735. It has become
known as ‘the Irish clock’, primarily due to the great
interest in Irish mahogany furniture, which featured
carved reliefs. This was our wealthiest period and the
great Georgian houses were decorated
throughout with this finely crafted furniture.
You should note how Wm. Edwards has employed
swan-necked pediment, terminating in carved
rosettes, carved cushion mould with lions masque,
all visually supported by fluted pilasters and carved
Corinthian capitals.
Christopher Clarke, Dublin circa 1770
Shean Houston, Dublin circa 1780
1918
Charles Craig, Dublin circa 1770 Charles Craig, Dublin circa 1770
An extremely rare item in the Irish clock world.
One need only consider that of the several
bracket/table clocks on view during this
exhibition, this is the only one that is actually for
sale. It is a double fusee hour striking clock with
verge escapement. The arch dial has a raised
silvered chapter ring, applied gilded spandrels
and aperture for mock pendulum. The arch
contains a subsidiary raised dial, which offers a
regulation facility. This is flanked by two decorative
spandrels. The wonderful Spanish mahogany
case, standing on bracket feet.
Craig�Charles�-�working�1761-76�at�43�Fishambles�St.
Dublin.�At�84�College�Grn.�1778.�18�Anglesea�St.�1788.
Time�Link�-�Gullivers�Travels�written�by�Dean�Swift,�
Dean�of�St.�Patrick’s�Cathedral,�1726.�
Clock currently available from Timepiece
1918
Charles Craig, Dublin circa 1770 Charles Craig, Dublin circa 1770
An extremely rare item in the Irish clock world.
One need only consider that of the several
bracket/table clocks on view during this
exhibition, this is the only one that is actually for
sale. It is a double fusee hour striking clock with
verge escapement. The arch dial has a raised
silvered chapter ring, applied gilded spandrels
and aperture for mock pendulum. The arch
contains a subsidiary raised dial, which offers a
regulation facility. This is flanked by two decorative
spandrels. The wonderful Spanish mahogany
case, standing on bracket feet.
Craig�Charles�-�working�1761-76�at�43�Fishambles�St.
Dublin.�At�84�College�Grn.�1778.�18�Anglesea�St.�1788.
Time�Link�-�Gullivers�Travels�written�by�Dean�Swift,�
Dean�of�St.�Patrick’s�Cathedral,�1726.�
Clock currently available from Timepiece
20
William McCabe, Newry circa 1775
Exhibited by kind permission of collector
This red lacquered bracket/table clock is, to our mind wholly unique. Lacquering was
not a decorative style used on Irish clocks. This is the first intact and genuine item in
our experience.
21
William McCabe & The McCabe Family
William McCabe (1740-1785) of the famous McCabe family of Lurgan. Brotherto James, who founded the House of McCabe in London and Thomas who took a
strong stand against the interests of ‘The West Indian Trade’. At a public meeting, held
in Belfast in 1786, Waddell Cunningham promoted a prospectus for the ‘Slave Ship
Trading Company’. McCabe denounced the move, citing “may�God�wither�the�hand
and�consign�the�name�to�eternal�infamy�of�the�man�who�will�sign�that�document”.
Source:�David�Bell,�Antiquarian�Horology,�Vol�25
20
William McCabe, Newry circa 1775
Exhibited by kind permission of collector
This red lacquered bracket/table clock is, to our mind wholly unique. Lacquering was
not a decorative style used on Irish clocks. This is the first intact and genuine item in
our experience.
21
William McCabe & The McCabe Family
William McCabe (1740-1785) of the famous McCabe family of Lurgan. Brotherto James, who founded the House of McCabe in London and Thomas who took a
strong stand against the interests of ‘The West Indian Trade’. At a public meeting, held
in Belfast in 1786, Waddell Cunningham promoted a prospectus for the ‘Slave Ship
Trading Company’. McCabe denounced the move, citing “may�God�wither�the�hand
and�consign�the�name�to�eternal�infamy�of�the�man�who�will�sign�that�document”.
Source:�David�Bell,�Antiquarian�Horology,�Vol�25
2322
John Goodfellow, Dublin circa 1780 John Goodfellow, Dublin circa 1780
This Goodfellow longcase clock is unique and
important on two counts. The first being the
elaborate marquetry decorating the case, inlaid
into solid mahogany, this is quite a feat of
execution. We believe this to have been the work
of a north German or Dutch immigrant. The case
is unsigned, which is sadly the norm but relates
very clearly to work which is on display in the
Dansk Museuum. The second, and possibly the
more interesting historically is the arch dial which
displays a rocking ship feature. The artwork in this
automatum is extremely intact. The insignia to
the ships stern is French, this ‘subtle’ detail surely
enlightens us as to the poltics and loyalties of the
clockmaker.
Clock currently available from Timepiece
2322
John Goodfellow, Dublin circa 1780 John Goodfellow, Dublin circa 1780
This Goodfellow longcase clock is unique and
important on two counts. The first being the
elaborate marquetry decorating the case, inlaid
into solid mahogany, this is quite a feat of
execution. We believe this to have been the work
of a north German or Dutch immigrant. The case
is unsigned, which is sadly the norm but relates
very clearly to work which is on display in the
Dansk Museuum. The second, and possibly the
more interesting historically is the arch dial which
displays a rocking ship feature. The artwork in this
automatum is extremely intact. The insignia to
the ships stern is French, this ‘subtle’ detail surely
enlightens us as to the poltics and loyalties of the
clockmaker.
Clock currently available from Timepiece
24
Archibald Buchanan, Dublin circa 1790
Exhibited by kind permission of collector
The significant thing about this bracket clock from the aspect of this exhibition, is the
silvered dial. With the advent of the painted dial, the livelihood of engravers would
have come under threat and so for a period of twenty years from 1780-1800, the
engravers offered the alternative of a silvered dial to compete with the new painted
style. Their efforts were however short-lived, as the cost of producing their silvered and
engraved dials was still too high. Into the 19th century, only clocks of superior quality,
such as regulators, would employ the silvered dial.
The mahogany clock is a timepiece with verge escapement, pull repeat on three
bells and a regulation facility in dial arch.
Buchanan,�Archibald�-�Working�at�32�College�Green�1781-1815.�
Buchanan�regulator�in�Armagh�Cathedral.
25
19th Century - After the Act of Union
24
Archibald Buchanan, Dublin circa 1790
Exhibited by kind permission of collector
The significant thing about this bracket clock from the aspect of this exhibition, is the
silvered dial. With the advent of the painted dial, the livelihood of engravers would
have come under threat and so for a period of twenty years from 1780-1800, the
engravers offered the alternative of a silvered dial to compete with the new painted
style. Their efforts were however short-lived, as the cost of producing their silvered and
engraved dials was still too high. Into the 19th century, only clocks of superior quality,
such as regulators, would employ the silvered dial.
The mahogany clock is a timepiece with verge escapement, pull repeat on three
bells and a regulation facility in dial arch.
Buchanan,�Archibald�-�Working�at�32�College�Green�1781-1815.�
Buchanan�regulator�in�Armagh�Cathedral.
25
19th Century - After the Act of Union
2726
James Warren, Dublin circa 1800 James Warren, Dublin circa 1800
The design of this clock illustrates a significant
departure from earlier thinking. Both the dial and
case style have undergone a radical change. In
Ireland circa 1780, brass dials on clocks began
to give way to painted finishes. These dials were
brighter and more easily read and importantly,
less expensive to produce. One such dial has
been found to bear it’s cost painted on the rear,
£1.00 - Rowe, Maryborough.
The cases of this period were of lighter material,
more likely to be from British Honduras than the
Spanish Islands. They were lighter and brighter in
colour, very often bearing string and/or
Georgian shell inlay, as in this case. The
pediment of these clocks most often employed
the architectural feature known as ‘broken arch’.
Time�Link�-�Custom�House�built�by�Gandon,�1791.�
Clock currently available from Timepiece
2726
James Warren, Dublin circa 1800 James Warren, Dublin circa 1800
The design of this clock illustrates a significant
departure from earlier thinking. Both the dial and
case style have undergone a radical change. In
Ireland circa 1780, brass dials on clocks began
to give way to painted finishes. These dials were
brighter and more easily read and importantly,
less expensive to produce. One such dial has
been found to bear it’s cost painted on the rear,
£1.00 - Rowe, Maryborough.
The cases of this period were of lighter material,
more likely to be from British Honduras than the
Spanish Islands. They were lighter and brighter in
colour, very often bearing string and/or
Georgian shell inlay, as in this case. The
pediment of these clocks most often employed
the architectural feature known as ‘broken arch’.
Time�Link�-�Custom�House�built�by�Gandon,�1791.�
Clock currently available from Timepiece
2928
Clocks of Ulster Market Towns Campbell, Strabane circa 1820
In a recent talk given by Mr. Gerard McBrierty to
members of the A.H.S. Irish Section, he took the
opportunity to note the large number of
successful clock and watchmakers established
in the market towns of Ulster during the 18th and
19th centuries. This as he points out, was in
marked contrast to the rest of the island, where
Dublin accounted for the large majority of
makers with Cork, Waterford and Limerick offering
a few notables. The answer to this he says, lies in
economic and industrial history. Simply put, Ulster
was a hive of activity, not least of these, being the
linen industry. This required the growing of flax
and the specialist weaving of linen.
Economic strength of towns like Strabane,
Downpatrick, Saintfield, Ballinahinch and
Ballymoney ensured clients for makers such as
Wilson, Knox, McCabe, Spratt, Scott, Kennedy
and countless more. A weaver, he says, could
afford a mahogany cased clock, if shorter than
usual, due to the height of ceilings in his home.
He could also afford a clock which ran for the
week. Clocks that ran for thirty hours only, were
not a tradition in Ireland and this he feels was
due to a lack of customers in that economic
stratum. In this section we have taken the
opportunity to illustrate a bracket clock and
longcase clock from the early 19th century to
represent the work of so many fine Ulster
craftsmen.
Exhibited by kind permission of collector
This early 19th century bracket/table clock ishoused in an ebonised mahogany case ofbreakarch design. Standing on brass ogeebracket feet with a convex white dial, bearingCampbell’s signature and porcelain alarm disc.The movement is single fusee with alarm facilityhoused in shaped brass plates. Campbell hasalso engraved his signature on the rear plate.This clock is of superior quality and construction.
Time�Link�-�Strabane’s�earliest�industries�were�in
textiles�and�linen�manufacture�as�well�as�milling
and�printing.�The�opening�of�the�canal�in�1793
gave�Strabane�a�further�economic�boost,�the
canal�connecting�the�town�with�the�river�Foyle
and�helping�to�facilitate�trade.�Strabane�was
one�of�the�many�thriving�market�towns,�which�by
it’s�financial�success�was�in�a�position�to�support
a�superior�clockmaker.�
2928
Clocks of Ulster Market Towns Campbell, Strabane circa 1820
In a recent talk given by Mr. Gerard McBrierty to
members of the A.H.S. Irish Section, he took the
opportunity to note the large number of
successful clock and watchmakers established
in the market towns of Ulster during the 18th and
19th centuries. This as he points out, was in
marked contrast to the rest of the island, where
Dublin accounted for the large majority of
makers with Cork, Waterford and Limerick offering
a few notables. The answer to this he says, lies in
economic and industrial history. Simply put, Ulster
was a hive of activity, not least of these, being the
linen industry. This required the growing of flax
and the specialist weaving of linen.
Economic strength of towns like Strabane,
Downpatrick, Saintfield, Ballinahinch and
Ballymoney ensured clients for makers such as
Wilson, Knox, McCabe, Spratt, Scott, Kennedy
and countless more. A weaver, he says, could
afford a mahogany cased clock, if shorter than
usual, due to the height of ceilings in his home.
He could also afford a clock which ran for the
week. Clocks that ran for thirty hours only, were
not a tradition in Ireland and this he feels was
due to a lack of customers in that economic
stratum. In this section we have taken the
opportunity to illustrate a bracket clock and
longcase clock from the early 19th century to
represent the work of so many fine Ulster
craftsmen.
Exhibited by kind permission of collector
This early 19th century bracket/table clock ishoused in an ebonised mahogany case ofbreakarch design. Standing on brass ogeebracket feet with a convex white dial, bearingCampbell’s signature and porcelain alarm disc.The movement is single fusee with alarm facilityhoused in shaped brass plates. Campbell hasalso engraved his signature on the rear plate.This clock is of superior quality and construction.
Time�Link�-�Strabane’s�earliest�industries�were�in
textiles�and�linen�manufacture�as�well�as�milling
and�printing.�The�opening�of�the�canal�in�1793
gave�Strabane�a�further�economic�boost,�the
canal�connecting�the�town�with�the�river�Foyle
and�helping�to�facilitate�trade.�Strabane�was
one�of�the�many�thriving�market�towns,�which�by
it’s�financial�success�was�in�a�position�to�support
a�superior�clockmaker.�
30
Johnson, Down circa 1825
A painted dial with rolling moon in a mahogany case
of Belfast Chippendale influence. Overall style very
prevalent in Co.Down. High sweeping swan-necks,
carved rosettes, clock hood supported by four fluted
columns. Quarter reeded columns flanking trunk and
base.
Johnson�-�a�large�family�of�clockmakers,�Adam�and�Robert
being�just�two,�from�Downpatrick.
Clock currently available from Timepiece
31
McMaster, Dublin
This is a very rare Irish sedan chair clock. Sedan chairs were used by the well-to-do to
carry them from place to place to prevent their long gowns trailing in the mud of the
streets. The clock would have been hung inside the chair, hooked onto the wall,
acting as the original car clock. It is one of only two that we know of. Mahogany
cased, with large pocketwatch movement, specifically made for this clock. The
movement was made larger in order to carry the extra long hands.
McMasters�-�several�members�of�the�McMaster�family�of�clock�and�watch�makers,�
worked�continuously�at�97�Grafton�St.,�Dublin�from�1812-1880.
Clock currently available from Timepiece
30
Johnson, Down circa 1825
A painted dial with rolling moon in a mahogany case
of Belfast Chippendale influence. Overall style very
prevalent in Co.Down. High sweeping swan-necks,
carved rosettes, clock hood supported by four fluted
columns. Quarter reeded columns flanking trunk and
base.
Johnson�-�a�large�family�of�clockmakers,�Adam�and�Robert
being�just�two,�from�Downpatrick.
Clock currently available from Timepiece
31
McMaster, Dublin
This is a very rare Irish sedan chair clock. Sedan chairs were used by the well-to-do to
carry them from place to place to prevent their long gowns trailing in the mud of the
streets. The clock would have been hung inside the chair, hooked onto the wall,
acting as the original car clock. It is one of only two that we know of. Mahogany
cased, with large pocketwatch movement, specifically made for this clock. The
movement was made larger in order to carry the extra long hands.
McMasters�-�several�members�of�the�McMaster�family�of�clock�and�watch�makers,�
worked�continuously�at�97�Grafton�St.,�Dublin�from�1812-1880.
Clock currently available from Timepiece
32
McMaster, Dublin circa 1830
Exhibited by kind permission of collector
Mahogany cased wall clock with brass inlay. Single fusee movement with
flat painted dial and signature. Cast brass bezel.
These are extremely rare items, it is very difficult to source a genuine Irish
wall clock. Note the unusual proportions, the dial is quite small for the
length and depth of the trunk body.
33
Ralph Walsh, Dublin circa 1830
Clock currently available from Timepiece
A rare gilt and gesso framed Irish gallery clock with an 18” painted dial. The movement
is a large fusee with A-shaped plates. These clocks are rare because they would tend
to have been used in public places, such as courthouses and so naturally not many
were produced. Examples still exist in places such as the vestibule of the Royal Irish
Academy in Dawson St.
Ralph� Walsh� was� born� in� Tarbert,� Co.Kerry� and� moved� to� Dublin� in� 1831� following� his
apprenticeship.�He�opened�a�premises�at�No.7�Essex�Quay,�setting�himself�up�as�‘Watchmaker,
Clockmaker� and� Jeweller’.� Married� Mary� Pierce,� fathered� William� Walsh,� only� child,� later
Archbishop�of�Dublin.�He�died�April�1867�-�as�listed�in�‘Watch�&�Clockmakers�in�Ireland�by�William
Galland�Stuart.
32
McMaster, Dublin circa 1830
Exhibited by kind permission of collector
Mahogany cased wall clock with brass inlay. Single fusee movement with
flat painted dial and signature. Cast brass bezel.
These are extremely rare items, it is very difficult to source a genuine Irish
wall clock. Note the unusual proportions, the dial is quite small for the
length and depth of the trunk body.
33
Ralph Walsh, Dublin circa 1830
Clock currently available from Timepiece
A rare gilt and gesso framed Irish gallery clock with an 18” painted dial. The movement
is a large fusee with A-shaped plates. These clocks are rare because they would tend
to have been used in public places, such as courthouses and so naturally not many
were produced. Examples still exist in places such as the vestibule of the Royal Irish
Academy in Dawson St.
Ralph� Walsh� was� born� in� Tarbert,� Co.Kerry� and� moved� to� Dublin� in� 1831� following� his
apprenticeship.�He�opened�a�premises�at�No.7�Essex�Quay,�setting�himself�up�as�‘Watchmaker,
Clockmaker� and� Jeweller’.� Married� Mary� Pierce,� fathered� William� Walsh,� only� child,� later
Archbishop�of�Dublin.�He�died�April�1867�-�as�listed�in�‘Watch�&�Clockmakers�in�Ireland�by�William
Galland�Stuart.
34
Donegan Family
Many consider John Donegan (1794-1862) to have been Ireland’s primary 19th
century manufacturer of Irish watches. He was born in Co.Fermanagh and educated
in hedge schools throughout the area. John Donegan first appeared in 1834 in
Thoms Directory as a dealer in watches and jewellery. It was not until 1840 that Patrick
Donegan, his brother, arrived on the Dublin scene at 9 Essex Quay where Patrick lived
for many years with his family. Both brothers conducted their own businesses until 1848
when Patrick, now 60 years old, joined forces with his younger brother John (1794).
John Donegan’s legacy in those short twenty-eight years in Dublin, before his death
on November 18th, 1862, was legendary. Time stood still for his funeral when over 4000
people followed his cortege to Glasnevin Cemetery, O’Connell Circle.
35
Exhibited by kind permission of collector
Silver cased pocketwatch of English lever
type. Signed, John Donegan, No.15253.
Dial signed, Donegan 32 Dame St. Case
stamped with Donegan’s seal using the
shamrock with J and D on left and right
petals. The winding keyhole decorated
with shamrocks and silver stamp bears
the Spirit of Ireland harp. Donegan uses
his beloved trefoil hands.
Donegan Wright
Donegan & Wright shared a brief
partnership in the 1840’s This gold watch
is signed D & W No.1368. The case bears
Spirit of Ireland harp and the same
number as on the watch movement.
Gold dial is inscribed with the pattern
of a cathedral.
John Donegan, Dublin circa 1840
34
Donegan Family
Many consider John Donegan (1794-1862) to have been Ireland’s primary 19th
century manufacturer of Irish watches. He was born in Co.Fermanagh and educated
in hedge schools throughout the area. John Donegan first appeared in 1834 in
Thoms Directory as a dealer in watches and jewellery. It was not until 1840 that Patrick
Donegan, his brother, arrived on the Dublin scene at 9 Essex Quay where Patrick lived
for many years with his family. Both brothers conducted their own businesses until 1848
when Patrick, now 60 years old, joined forces with his younger brother John (1794).
John Donegan’s legacy in those short twenty-eight years in Dublin, before his death
on November 18th, 1862, was legendary. Time stood still for his funeral when over 4000
people followed his cortege to Glasnevin Cemetery, O’Connell Circle.
35
Exhibited by kind permission of collector
Silver cased pocketwatch of English lever
type. Signed, John Donegan, No.15253.
Dial signed, Donegan 32 Dame St. Case
stamped with Donegan’s seal using the
shamrock with J and D on left and right
petals. The winding keyhole decorated
with shamrocks and silver stamp bears
the Spirit of Ireland harp. Donegan uses
his beloved trefoil hands.
Donegan Wright
Donegan & Wright shared a brief
partnership in the 1840’s This gold watch
is signed D & W No.1368. The case bears
Spirit of Ireland harp and the same
number as on the watch movement.
Gold dial is inscribed with the pattern
of a cathedral.
John Donegan, Dublin circa 1840
36
Francis M. Moore, Dublin & Belfast circa 1870
Clock currently available from Timepiece
A quintessential mahogany clock case design for
the mid-Victorian period, employing sharp, clean-
cut lines and a simple white dial with elegant
graphics. Striking hours on a sonorous gong.
Mahogany case.
Moore�F.M.�-�Watch,�Clockmaker�&�Chronometer�Maker�at
23�Eden�Quay,�Dublin�1868-1880.�This�profession�could�be
considered�a�rare�skill�in�Ireland�at�that�time.�This�probably
accounts�for�the�high�quality�of�the�movement�in�this�clock
which�employs�a�deadbeat�escapement,�maintaining
power�and�ebonised�timber�shaft�for�the�pendulum,�which
are� all� signs� of� superior� timekeeping.� His� son,� James
Moore,�Belfast�working�at�114�High�St.�1854-1898.
37
John Jameson, Dublin circa 1870
Clock currently available from Timepiece
This is an example of a domestic regulator clock, usually
housed in a superior quality case, with a glazed trunk
door to reveal polished brass cased weights, suspended
by beautiful spoked pulleys and brass pendulum.
Regulators are clock works constructed to very high
standards, invariably using dead-beat escapement
and maintaining power.
Jameson,�John�-�Working�1853-1880�at�87�Grafton�St.,�Dublin
36
Francis M. Moore, Dublin & Belfast circa 1870
Clock currently available from Timepiece
A quintessential mahogany clock case design for
the mid-Victorian period, employing sharp, clean-
cut lines and a simple white dial with elegant
graphics. Striking hours on a sonorous gong.
Mahogany case.
Moore�F.M.�-�Watch,�Clockmaker�&�Chronometer�Maker�at
23�Eden�Quay,�Dublin�1868-1880.�This�profession�could�be
considered�a�rare�skill�in�Ireland�at�that�time.�This�probably
accounts�for�the�high�quality�of�the�movement�in�this�clock
which�employs�a�deadbeat�escapement,�maintaining
power�and�ebonised�timber�shaft�for�the�pendulum,�which
are� all� signs� of� superior� timekeeping.� His� son,� James
Moore,�Belfast�working�at�114�High�St.�1854-1898.
37
John Jameson, Dublin circa 1870
Clock currently available from Timepiece
This is an example of a domestic regulator clock, usually
housed in a superior quality case, with a glazed trunk
door to reveal polished brass cased weights, suspended
by beautiful spoked pulleys and brass pendulum.
Regulators are clock works constructed to very high
standards, invariably using dead-beat escapement
and maintaining power.
Jameson,�John�-�Working�1853-1880�at�87�Grafton�St.,�Dublin
38
Racine, Dublin circa 1870
Clock currently available from Timepiece
This regulator by Racine is a design used in Irish
buildings such as the Chamber of Commerce,
the Royal Dublin Society and Heuston Station
where near perfect timekeeping was required.
These wall mounted regulators were the more
favoured although some floor standing
examples may be found. The case is simple but
robust and this particular clock is made of
ebonised mahogany. The movement is
constructed of thick plates and pillars, has a
jewelled dead-beat escapement with jewelled
end-stops for the wheels. It drives a mercury filled
pendulum, the glass jar containing the mercury
being octagonal in shape. The silvered dial is
engraved with name and numerals in the
astronomical regulator style. This is the first Irish
regulator to come to us at Timepiece in six years.
We found this clock in Houston, Texas.
Racine�-�Working�at�33�Nassau�St.,�Dublin�1858-1898
39
ClimateUnderPressure 19th Century - Irish Barometers & Barographs
38
Racine, Dublin circa 1870
Clock currently available from Timepiece
This regulator by Racine is a design used in Irish
buildings such as the Chamber of Commerce,
the Royal Dublin Society and Heuston Station
where near perfect timekeeping was required.
These wall mounted regulators were the more
favoured although some floor standing
examples may be found. The case is simple but
robust and this particular clock is made of
ebonised mahogany. The movement is
constructed of thick plates and pillars, has a
jewelled dead-beat escapement with jewelled
end-stops for the wheels. It drives a mercury filled
pendulum, the glass jar containing the mercury
being octagonal in shape. The silvered dial is
engraved with name and numerals in the
astronomical regulator style. This is the first Irish
regulator to come to us at Timepiece in six years.
We found this clock in Houston, Texas.
Racine�-�Working�at�33�Nassau�St.,�Dublin�1858-1898
39
ClimateUnderPressure 19th Century - Irish Barometers & Barographs
40
Yeates & Son, Dublin circa 1900
Samuel Yeates, 1790 as optician at Upr. Ormond Quay was the first of the Yeates
dynasty. Several members of the family traded in their own right at several locations
in Dublin, but primary family business was located at No.2 Grafton St., where Yeates
& Son describe themselves as ‘Optician & Mathematical Makers to the University &
Port & Docks Board’.
They made and sold a great range of scientific instrumentation. Their goods included
apparatus for telegraphy, surveying instruments such as theodolites, instruments for
meterology and even medical diagnostic instruments.
Other notable family businesses in the 18th and 19th century were Masons, Spears
and Lynch.
41
Yeates & Son, Dublin circa 1900
Barographs currently available from Timepiece
A barograph is an instrument which gives a graph
printout of atmospheric changes over the course of
a week. The chart papers envelope a drum which
in turn houses a carriage-clock mechanism, which
revolves on a carousel. Ink is applied to the chart by
means of a nib, whose arm is connected to an
aneroid barometer and so the nib rises and falls
with atmospheric changes. Very popular in
gentlemens’ clubs, sailing clubs and among the
general public who had an interest in weather
prediction.
The Leinster Regiment
Regiment raised in 1857 by Officers of the Canadian
Volunteers to serve in India. In 1881 was retitled 1st
Battalion the Prince of Wales’s Leinster Regiment
(Royal Canadians). The Regiment left India in 1895
when it returned to Ireland. In 1898 was despatched
to Halifax, Nova Scotia and from there to South
Africa in 1900. This barograph possibly presented to
retiring officer.
40
Yeates & Son, Dublin circa 1900
Samuel Yeates, 1790 as optician at Upr. Ormond Quay was the first of the Yeates
dynasty. Several members of the family traded in their own right at several locations
in Dublin, but primary family business was located at No.2 Grafton St., where Yeates
& Son describe themselves as ‘Optician & Mathematical Makers to the University &
Port & Docks Board’.
They made and sold a great range of scientific instrumentation. Their goods included
apparatus for telegraphy, surveying instruments such as theodolites, instruments for
meterology and even medical diagnostic instruments.
Other notable family businesses in the 18th and 19th century were Masons, Spears
and Lynch.
41
Yeates & Son, Dublin circa 1900
Barographs currently available from Timepiece
A barograph is an instrument which gives a graph
printout of atmospheric changes over the course of
a week. The chart papers envelope a drum which
in turn houses a carriage-clock mechanism, which
revolves on a carousel. Ink is applied to the chart by
means of a nib, whose arm is connected to an
aneroid barometer and so the nib rises and falls
with atmospheric changes. Very popular in
gentlemens’ clubs, sailing clubs and among the
general public who had an interest in weather
prediction.
The Leinster Regiment
Regiment raised in 1857 by Officers of the Canadian
Volunteers to serve in India. In 1881 was retitled 1st
Battalion the Prince of Wales’s Leinster Regiment
(Royal Canadians). The Regiment left India in 1895
when it returned to Ireland. In 1898 was despatched
to Halifax, Nova Scotia and from there to South
Africa in 1900. This barograph possibly presented to
retiring officer.
42
Yeates Family Grafton St. & Capel St.
Single Vernier, open fronted stick
barometer on oak back.
circa 1875
Sundial by Wm.Yeates,
18 Capel St. circa 1830
Popular pocket aneroid barometer.
Very accurate and skilfully
crafted.circa 1890
Double geared vernier
in oak case. circa 1875
43
Barometers
V.Bianchi, Belfast
Late Georgian wheel barometer
of Sheraton style, having inlaid
shell work and satinwood
edging. Broken arch pediment
and full length boxed
thermometer.circa 1825
Lowry, Belfast
Oak cased stick barometer with
single vernier scale. circa 1875.
Working at 66, High St. Belfast
between 1850-1890.
Robert Spears, Dublin
A mahogany wheel of superior
quality having a swan-necked
pediment, full length boxed
thermometer with subsidiary dials for
hygrometer and spirit level.
Barometer dial is nicely etched with
world atlas. circa 1835.
Barometers currently available from Timepiece
42
Yeates Family Grafton St. & Capel St.
Single Vernier, open fronted stick
barometer on oak back.
circa 1875
Sundial by Wm.Yeates,
18 Capel St. circa 1830
Popular pocket aneroid barometer.
Very accurate and skilfully
crafted.circa 1890
Double geared vernier
in oak case. circa 1875
43
Barometers
V.Bianchi, Belfast
Late Georgian wheel barometer
of Sheraton style, having inlaid
shell work and satinwood
edging. Broken arch pediment
and full length boxed
thermometer.circa 1825
Lowry, Belfast
Oak cased stick barometer with
single vernier scale. circa 1875.
Working at 66, High St. Belfast
between 1850-1890.
Robert Spears, Dublin
A mahogany wheel of superior
quality having a swan-necked
pediment, full length boxed
thermometer with subsidiary dials for
hygrometer and spirit level.
Barometer dial is nicely etched with
world atlas. circa 1835.
Barometers currently available from Timepiece
Mealy’s, an IAVI member firm based in Castlecomer,
Co. Kilkenny, are renowned both nationally and
internationally for the valuation and sale of Fine &
Decorative Art and Antiques. Mealy's are the Irish
experts in Country House Contents Auctions, having
conducted more sales on the premises of country
house estates than any other Irish firm. Our quarterly
Fine & Decorative Art Sales, held at spacious auction
gallery in Castlecomer, comprise all manner of
personal property from Period Furniture and Paintings
to silver, porcelain and timepieces, while specialised
sales of Rare Books, Irish history Memorabilia and
Collectibles are held annually in Dublin. We also host
regular sales of 19th & 20th century interiors.
Further Information can be found at www.mealys.com
Mealy's Ltd., Castlecomer, Co. Kilkenny, Ireland.
Tel: +353 (0)56 4441229. Fax: +353 (0)564441627. Email: [email protected] 45
Conservation & Restoration A view by David Marshall. Conservator.
Having specialised in 18th and 19th century Irish furniture for 25 years, I have
developed a particular fondness for the longcase and bracket clocks of Ireland. Since
meeting Kevin more than 20 years ago and having put so many of his clocks through
my hands, I have developed a system and thinking which I call my ‘holistic’
methodology.
When approaching a conservation project, I must always have sympathy towards
the construction methods and materials used by the original maker, indefinite
repairability being central to this. So many wonderful pieces have suffered grievously
from ham-fisted repairs down through the years and the level of sensitivity brought to
the work has been sadly wanting. This is true, not only of cabinet work, but also true
of the finish and I always heave a sigh of relief when I complete work on a project.
To French polish or not? Well, this depends on the period of the item and the quality
of the timbers used. Where an 18th century piece has been refinished with French
polish during its life, I will remove this polish and recreate an original type finish, using
raw pigments, oils and waxes. This gives the timber a depth as opposed to a glaze,
which inevitably deteriorates.
Some modern products and equipment facilitate me in my work but machines are
only good for roughing out. Everything has to be shaped, fitted and finished by hand,
in the time honoured tradition. It is that quality which separates period cabinet work
from almost everything else available today and I like to think that the fruits of my work
will continue to enrich peoples’ lives for generations to come.
Mealy’s, an IAVI member firm based in Castlecomer,
Co. Kilkenny, are renowned both nationally and
internationally for the valuation and sale of Fine &
Decorative Art and Antiques. Mealy's are the Irish
experts in Country House Contents Auctions, having
conducted more sales on the premises of country
house estates than any other Irish firm. Our quarterly
Fine & Decorative Art Sales, held at spacious auction
gallery in Castlecomer, comprise all manner of
personal property from Period Furniture and Paintings
to silver, porcelain and timepieces, while specialised
sales of Rare Books, Irish history Memorabilia and
Collectibles are held annually in Dublin. We also host
regular sales of 19th & 20th century interiors.
Further Information can be found at www.mealys.com
Mealy's Ltd., Castlecomer, Co. Kilkenny, Ireland.
Tel: +353 (0)56 4441229. Fax: +353 (0)564441627. Email: [email protected] 45
Conservation & Restoration A view by David Marshall. Conservator.
Having specialised in 18th and 19th century Irish furniture for 25 years, I have
developed a particular fondness for the longcase and bracket clocks of Ireland. Since
meeting Kevin more than 20 years ago and having put so many of his clocks through
my hands, I have developed a system and thinking which I call my ‘holistic’
methodology.
When approaching a conservation project, I must always have sympathy towards
the construction methods and materials used by the original maker, indefinite
repairability being central to this. So many wonderful pieces have suffered grievously
from ham-fisted repairs down through the years and the level of sensitivity brought to
the work has been sadly wanting. This is true, not only of cabinet work, but also true
of the finish and I always heave a sigh of relief when I complete work on a project.
To French polish or not? Well, this depends on the period of the item and the quality
of the timbers used. Where an 18th century piece has been refinished with French
polish during its life, I will remove this polish and recreate an original type finish, using
raw pigments, oils and waxes. This gives the timber a depth as opposed to a glaze,
which inevitably deteriorates.
Some modern products and equipment facilitate me in my work but machines are
only good for roughing out. Everything has to be shaped, fitted and finished by hand,
in the time honoured tradition. It is that quality which separates period cabinet work
from almost everything else available today and I like to think that the fruits of my work
will continue to enrich peoples’ lives for generations to come.
Noonan AntiquesDealers in Antique & Later Jewellery, Diamond Engagement, Dress Rings,
Collectibles including Antique Pocket Watches.
16 Ellen Street, Limerick 061 413861
We have pleasure in Supporting this Horological Exhibition
46
The Irish Swiss Institute of Horology has produced a number
of fine horological engineers since the three year course was
established some fifty years ago. Kevin Chellar of Timpiece
graduated in 1981 and some years later, two brothers, John
and Stephen McGonigle also qualified.
In 2006, having established workshops in both Ireland and
Switzerland, the brothers created their own brand,
McGonigle Watches.
The watch is a manual wind Tourbillon wristwatch available
in Platinum or Gold. Each watch can be personalised to such
a degree that every one is virtually a unique piece. There are
no serial numbers, instead, each timepiece is dated and
signed by it’s maker, either John or Stephen.
We are delighted to report that horology, as an art, is alive
and well in Ireland in 2010.
All enquiries directed through Timepiece Antique Clocks.
Making Time in 2010
Noonan AntiquesDealers in Antique & Later Jewellery, Diamond Engagement, Dress Rings,
Collectibles including Antique Pocket Watches.
16 Ellen Street, Limerick 061 413861
We have pleasure in Supporting this Horological Exhibition
46
The Irish Swiss Institute of Horology has produced a number
of fine horological engineers since the three year course was
established some fifty years ago. Kevin Chellar of Timpiece
graduated in 1981 and some years later, two brothers, John
and Stephen McGonigle also qualified.
In 2006, having established workshops in both Ireland and
Switzerland, the brothers created their own brand,
McGonigle Watches.
The watch is a manual wind Tourbillon wristwatch available
in Platinum or Gold. Each watch can be personalised to such
a degree that every one is virtually a unique piece. There are
no serial numbers, instead, each timepiece is dated and
signed by it’s maker, either John or Stephen.
We are delighted to report that horology, as an art, is alive
and well in Ireland in 2010.
All enquiries directed through Timepiece Antique Clocks.
Making Time in 2010
GlossaryAutomatum A moving mechanical device - in this case a ship moved by pendulum swing.
Barograph A barometer that records atmosphere changes on a moving chart.
Barometer An instrument measuring atmospheric pressure, weather forecasting.
Bracket Clock Clock designed to stand on a bracket, shelf or table.
Broken-Arch Architectural design to clock hood top - Arch with broken centre.
Chapter Ring Part of clock dial on which the hours are marked.
Corinthian Capital An architectural feature terminating a column.
Ebonised The black polishing of timbers.
Escapement The organ of the clock which allows for the regulated release of power. This createsthe ticking sound.
Freeman An apprentice who had obtained his freedom after serving his apprenticeship ofapprox. 7 years.
Fusee A mechanical system incorporated into the spring winding which allows for evendistrubution of spring power over the week.
Horology The study and measurement of time/art of making of clocks and watches.
Longcase A full sized clock - sometimes called tall case or grandfather clock.
Master Referred to a title of office held in the Goldsmiths Co., also maker who took anapprentice.
Maintaining Power A device which ensures wheel rotation for a period after the mechanism has run outof its natural power, be that by spring or weight.
Movement Commonly called the ‘works’.
Pair-Case Glass-less outer case designed to contain a pocketwatch.
Pull Repeat A facility on a clock to strike last hour and quarter by means of a pull cord or button.
Quarter Brother Immigrant goldsmiths/time-expired apprentices paying quarterly payments toGoldsmith Co.
Regulator A pendulum clock designed for very accurate timekeeping.
Spandrel An applied casting to the four corners of a brass dial or artistic decoration on apainted dial.
Sedan Clock A clock in the form of a watch within a wooden frame, carried in sedan chairs.
Timepiece Any clock which does not strike or chime.
48
Timepiece Antique ClocksSpecialist in FineClocks since 1983
57-58 Patrick St., Dublin 8 Tel: 01.4540774 Mobile: 087 2260212
www.timepiece.ieKevin Chellar F.I.S.I.H. Carol Chellar
GlossaryAutomatum A moving mechanical device - in this case a ship moved by pendulum swing.
Barograph A barometer that records atmosphere changes on a moving chart.
Barometer An instrument measuring atmospheric pressure, weather forecasting.
Bracket Clock Clock designed to stand on a bracket, shelf or table.
Broken-Arch Architectural design to clock hood top - Arch with broken centre.
Chapter Ring Part of clock dial on which the hours are marked.
Corinthian Capital An architectural feature terminating a column.
Ebonised The black polishing of timbers.
Escapement The organ of the clock which allows for the regulated release of power. This createsthe ticking sound.
Freeman An apprentice who had obtained his freedom after serving his apprenticeship ofapprox. 7 years.
Fusee A mechanical system incorporated into the spring winding which allows for evendistrubution of spring power over the week.
Horology The study and measurement of time/art of making of clocks and watches.
Longcase A full sized clock - sometimes called tall case or grandfather clock.
Master Referred to a title of office held in the Goldsmiths Co., also maker who took anapprentice.
Maintaining Power A device which ensures wheel rotation for a period after the mechanism has run outof its natural power, be that by spring or weight.
Movement Commonly called the ‘works’.
Pair-Case Glass-less outer case designed to contain a pocketwatch.
Pull Repeat A facility on a clock to strike last hour and quarter by means of a pull cord or button.
Quarter Brother Immigrant goldsmiths/time-expired apprentices paying quarterly payments toGoldsmith Co.
Regulator A pendulum clock designed for very accurate timekeeping.
Spandrel An applied casting to the four corners of a brass dial or artistic decoration on apainted dial.
Sedan Clock A clock in the form of a watch within a wooden frame, carried in sedan chairs.
Timepiece Any clock which does not strike or chime.
48
Timepiece Antique ClocksSpecialist in FineClocks since 1983
57-58 Patrick St., Dublin 8 Tel: 01.4540774 Mobile: 087 2260212
www.timepiece.ieKevin Chellar F.I.S.I.H. Carol Chellar
Presented by Timepiece Antique Clocks57-58 Patrick St., Dublin 8 - 01 4540774