2019 catalogue catalogue 2019 lowr… · highlights from our ever-evolving portfolio of...

12019 CATALOGUE

PAST IS

WHERE

THE

VERY

PRESENT

PREFACE

Purity. Integrity. Tactility. These are just some of the values at the heart of Ercol, a global company with a legacy of design dating back to its inception in 1920. Founder Lucian Ercolani was a talented craftsman who was educated as a furniture designer.

His vision of well-designed furniture by artisans who took pride in their work burgeoned into a growing business fuelled by his passion. Craftsmanship is a cornerstone of the compa-ny, exemplified by Ercol’s perfection of the steam bending of timber, previously deemed impossible decades ago. This ena-bled Ercol to produce a modern version of the Windsor Chair so as to be more accessible to the masses. A pioneering con-cept at the time, Ercol’s bentwood furniture was subsequently featured 70 years later as a special exhibit at the Victoria and Albert Museum, London - attesting to its timeless appeal.

How do you convey the fresh spirit behind a company founded nearly 100 years ago? With impeccable crafted, timeless designs conducive to any contemporary setting. Where the soul of our founder is imbued in each piece. A man captivated by the authentic appeal of wood as a natural, noble material.

9

PREFACE Deep in our DNA is a profound appreciation for wood, with its intrinsic beauty, unique variations and imperfections just as nature intended. One look, one touch and it’s easy to find yourself utterly enthralled by the tactile sensation of wood. Soothing yet strong, sturdy yet accommodating, wood is ir-refutably warm and welcoming. As humans, we all have an in-tuitive connectivity to wood as opposed to other materials. A wooden floor makes us feel more grounded. A wooden ceiling tends to make us feel more protected. Wooden furniture? It’s a bit of both. Whether smooth or textured, raw or finished, each type of wood has a poetic presence, boasting a signature grain pattern that’s akin to a fingerprint. Nature’s unique code that holds the key to the wood’s own unspoken story.

But what makes a design so appealing that it becomes the other love of your life? It starts with the talented minds behind it keen on creating engaging furniture with a purpose. With the ultimate goal of enhancing your experience of a space - and your life. Furniture imbued with integrity, from the honest materials to the exceptional craftsmanship that transformed a drawing into a reality. While each collection of furniture is unique, they all echo an aesthetic that makes any of the de-signs by any of our global talents conducive to any upscale, modern milieu. Anywhere.

11

Dining

Living

Working

1.

2.

3.

Highlights from our ever-evolving portfolio of contemporary furniture and iconic originals reflecting our proud heritage of design, craftsmanship and meticulous attention to detail. Each piece is unique and easy to imagine in a variety of modern settings, echoing our affinity for an honest, authentic sense of aesthetics. From a family-owned company with a proud herit-age of creating enduring designs for a global audience.

CONTENTS

1313

MOMENT

SAVOURING

THE

DINING

They say that we create our environment and our environment, in turn, creates us. With that in mind, watch your ideas take flight whilst seated in stunning chairs reminiscent of butterfly wings. Enjoying a meal around a table that’s inspired by the wings of an aeroplane. The BUTTERFLY CHAIR by Lucian Ercolani. Shown in ash with a steam bent ash ply for the seat and back, all in our black finish. One of the most iconic, instantly recognisable, mid-century classics from Ercol boasting a classic Windsor wedge and tenon joint. The LARGE PENNON TABLE by Norm Architects shown in walnut. The leg supports reference aeroplane wings, whilst the spindles reference our Ercol DNA.

15

DINING Food. Fine wine. Friends. Family. Considered by some to be the essence of life, the cultural significance of sharing a meal dates back centuries. Dining together fosters a sense of belonging, feeling part of a family or a company credo. It can deepen a sense of intimacy. It can boost business relations and set the scene for you to seal the deal. It can also enable you to make amends. After all, it’s tough to remain enemies once you’ve broken bread together.

Whether in a private residence or a high-end restaurant or hotel, the furniture you choose for your dining area will add its own kind of flavour. When it’s Ercol furniture, it will add to the atmosphere with unassuming designs that exude authenticity by the mere fact that each piece has been meticulously craft-ed from wood, from our tables, chairs and stools to our cab-inets. Of course, style is nothing without substance. Here we draw on a century of expertise to produce intriguing pieces that are ergonomically sound, offering the utmost in comfort. Everything is conceived for you to feel comfortable enough to enjoy the meal, the moment – and each other.

Entertaining guests always involves scheduling and some savoir-faire. Deciding what to serve for dinner, the dishware, the cutlery and more. Not to mention which guests to invite. Why not set the table with the ultimate in simplicity when it comes to the table itself? With classic, versatile chairs that could easily fit in anywhere. The PLANK TABLE by Lucian Ercolani. Made from ash and shown in our darkened ash finish. Ideal for the dining room, kitchen and also a meeting room. The ALL-PURPOSE CHAIR by Lucian Ercolani. Made from solid ash and shown in black.

1918

Headquartered in Denmark’s capital, Norm Architects are a multi-disciplinary studio working with architecture, interi-ors, industrial design, branding and photography. They con-tinuously seek a new norm that’s simple, soulful and endur-ing. Their mantra revolves around minimalism, in their quest to capture the essence of an idea to reveal its intrinsic, una-dorned beauty where there’s nothing to add or subtract. Mini-malistic designs meticulously crafted, involving the sensorial, tactile experience of noble materials expressed in their dis-tinctive angle on Scandinavian simplicity.

In a modern society filled with distractions, fortunately you can choose furniture that facilitates your ability to focus and enjoy the company of others. With a dining table that’s eye-catching, yet it doesn’t upstage you or your dinner. The LARA CHAIR by Dylan Freeth, shown in solid ash with a black finish. The LARGE PENNON TABLE by Norm Architects. Shown in walnut, where aeroplane wings are echoed in the leg supports and spindles are signature elements in our Ercol designs. Previous page: the FLOW CHAIR by Tomoko Azumi shown in beech with a natural matt finish. The back echoes Japanese architecture with its steam bent V support.

NORM ARCHITECTS

20 2121

In a digital world where some components aren’t compatible with others, it’s refreshing to find different pieces of furniture that are easily compatible with each other. Where the various shapes, sizes, lines and curves come together in a harmonious aesthetic that’s calm and cohesive. From left, clockwise round the table: the LOVESEAT, the QUAKER CHAIR, the STACKING CHAIR and the SADDLE STOOL. All designed by Lucian Ercolani, shown in solid ash with a natural matt finish, including the COUNTER STOOL shown above.

DINING

If you’re looking for a simple chair that’s upright and unassuming, you’ve just found it. Slide it around any table and it will easily fit in, with an understated, urban style that won’t stand out. It’s the marriage of simple and stackable in a pretty chair that’s incredibly practical. THE LARA CHAIR by Dylan Freeth. Shown in solid ash with a dead matt finish. Designed with the hospitality market in mind, the comfortable seat and solid back allow for the stacking of up to six chairs. 22

DYLAN FREETH London-based furniture and product designer Dylan Freeth is fascinated by how components fit together. His vast array of designs is a testament to his overall intention to create engag-ing products that are as visually appealing as they are practi-cal and durable. He often builds a design around a construc-tion detail, experimenting with materials with a tactile factor that makes them all the more inviting. Seen in designs for daily life that stand the test of time.

12. DROP LEAF TABLE, Ash. Designed by Lucian Ercolani, 1956.

10. LOVESEAT, Ash. Designed by Lucian Ercolani, 1956.

11.LUCA TABLE, Ash. Designed by Dylan Freeth, 2016.

9. ALL PURPOSE CHAIR, Ash. Designed by Lucian Ercolani, 1956.

5. LARA CHAIR, Ash, Designed by Dylan Freeth, 2016.

4. FLOW CHAIR, Beech/Ash. Designed by Tomoko Azumi, 2014.

3. BUTTERFLY CHAIR, Ash. Designed by Lucian Ercolani, 1956.

2. PLANK TABLE, Ash. Designed by Lucian Ercolani, 1956.

1. PENNON TABLE, Ash/Walnut. Designed by Norm Architects, 2019.

2524

DINING

6. STACKING CHAIR, Ash. Designed by Lucian Ercolani, 1956.

7. WINDSOR CHAIR, Ash. Designed by Lucian Ercolani, 1945.

8. BAR STOOL, Ash. Designed by Lucian Ercolani, 1956.

27

LIVING

Graceful arms almost reach out to welcome you in this unquestionably comfortable sofa that instantly evokes a calm, soothing state of mind. Whether you’re entertaining guests or simply entertaining the idea of some alone-time, the scene is set for you to relax in style. The MARINO SOFA by Dylan Freeth. Shown in solid ash in the dead matt finish, with Kvadrat Hallingdal fabric.

ELEGANT

UNADORNED

INVITING

28

LIVINGA space is empty until you fill it with emotion. Even a sofa with a presence that’s barely there could be an open invita-tion for people to connect and converse. To share a coffee, a deep, dark secret or the story of their life. Or simply to relax and enjoy each other’s company. Especially when it’s furniture that doesn’t impose its personality, yet it has a personality. Fortunately, our collections exude an understated elegance that would add to an array of environments, from an exclusive lounge, airport lobby, cultural centre or corporate setting to a private living room.

Each collection boasts a design idiom all its own and yet all the pieces in our portfolio are visually compatible with each other. Consequently, you have loads of freedom to mix or match. Go informal with our benches. Up the ante of for-mality seen in our sofas. Create a more romantic mood with our choice of loveseats as a centrepiece. Or design your own intimate enclave with our various chairs. Any piece can be a standalone or configured together. Add the instinctive at-traction to our extensive range of wood types, colours and finishes, and you have everything you need to make guests feel like lingering longer – and to make a house feel like a home. It’s all about inviting designs that punctuate any space with panache.

It’s the perfect time of day to lean back, put your feet up and unplug. Let yourself get lost in a good book or a magazine. Catch up with your loved ones or steal some alone time to enjoy the view outside your window. The MARINO CHAIR and FOOTSTOOL by Dylan Freeth. Shown in solid ash with a dead matt finish, crafted with Sorensen Leather VICTORY Cognac. Lush pillows and the slightly reclined angle make for comfortable seating for hours on end.

33

What does it take for two people to truly connect? Some would argue sharing the same perspective on life. Or simply sharing a glass of wine. We would argue that whatever you do or don’t do, you’ll probably need a comfy place to sit together. The VON CHAIRS by Hly-nur Atlason with arms as a two-person sofa. Shown in solid ash with a natural matt finish, crafted in Kvadrat Hallingdal fabric.

Born in Iceland and based in New York, Hlynur Atlason leads a team of strategists and designers in a comprehensive approach to innovative, consumer-driven products across a broad spec-trum of design categories and contexts, where intensive re-search and state-of-the-art technology ensure that everything imagined can be made. It all reflects his strong sense of em-pathy. His pure aesthetic. And his preference for items you can discover over time that continue to bring you pleasure.

HLYNUR ATLASON

35

Think of all your everyday items like magazines, mail, paperwork and the like. Then think of a place to put them without creating clutter or a sense of chaos. At last, a place for everything and everything in its place. Well, nearly. The MODULO LARGE CABINET by Dylan Freeth. Version made from solid ash in dead matt. The textured surface of the doors and drawers add a tactile dimension coupled with the modern dovetail joints on the cabinet corners.

LIVING

36

Fancy an afternoon nap? A last-minute guest for the night? Or simply a cosy place to curl up with a good book? Your options are open with this casual sofa shown right that doubles as a daybed shown right. Just remove the back cushions and panel, lie back and relax. The STUDIO COUCH by Lucian Ercolani crafted from beech with ash on the back. The rows of tapered spindles along the curved armrests send a classic signal that’s contemporary in a versatile sofa you’ll be glad you had. Alternatively, enjoy the LOVESEAT by Lucian Ercolani above in solid ash in a natural matt finish. Conceived and constructed using traditional wedge and tenon joinery.

LUCIAN ERCOLANI The son of an Italian picture frame maker at the world-re-nowned Uffizi Gallery in Florence, Lucian Ercolani moved with his family from Tuscany to London in the 1890s. After earn-ing his credentials as a furniture designer, Lucian went on to launch his own company in 1920, which later became known as Ercol. He went on to design classics celebrated for their soft, sculptural curves and ground-breaking use of bentwood. In 1964, Lucian was awarded an OBE (Officer of the Most Ex-cellent Order of the British Empire) for his notable contribu-tions to British design and manufacturing.

12. MODULO LARGE SIDEBOARD, Oak. Designed by Dylan Freeth, 2017.

10. LOVESEAT, Ash. Designed by Lucian Ercolani, 1956.

11.NEST OF TABLES, Ash. Designed by Lucian Ercolani, 1956.

9. COFFEE TABLE, Ash. Designed by Lucian Ercolani, 1956.

8. NEST SOFA, Beech. Designed by Paola Navone, 2015.

7. MARINO SOFA, Ash. Designed by Dylan Freeth, 2015.

5. STUDIO COUCH, Ash/Beech. Designed by Lucian Ercolani, 1956.

6. MARINO CHAIR, Ash. Designed by Dylan Freeth, 2015.

4. CHAIRMAKERS CHAIR, Ash. Designed by Lucian Ercolani, 1956.

3. VON BENCH, Ash/Walnut. Designed by Hlynur Atlason, 2018.

2. VON ARMCHAIR, Ash/Walnut. Designed by Hlynur Atlason, 2018.

1. VON CHAIR, Ash/Walnut. Designed by Hlynur Atlason, 2018.

3938

LIVING

41

While some might argue that office is anywhere, there’s something to be said for having a proper desk. Something stylish yet timeless. A look that harks back to the days of paper and pen, but modern enough to be relevant right now. Partnered with the perfect chair to inspire free thinking and a discrete place to store other items that revolve around work. The BUTTERFLY CHAIR by Lucian Ercolani shown in solid ash with a natural matt finish. The TREVISO CHAIR by Matthew Hilton shown in solid walnut. Ideal for a home office with a drawer under-neath for a laptop and a hole hidden in the back for cable management. The MODULO LARGE CABINET by Dylan Freeth. Version made from solid oak with a dead matt finish. Don’t miss the finely grooved front panelling and dovetail joinery as well-crafted accents.

FEEL LIKE

WORK

WON’T

WORKING

WORK

42

WORKING

Imagine if you had one chair for everything. To accommodate your needs for work, either at the office or at home. To comfortably sit around any table. To welcome any guest in any home. Or to occupy a cosy corner in need of an accent. If you only had one chair, it would be this chair. The ALL-PURPOSE CHAIR by Lucian Ercolani. Made from solid ash and shown in black. A mid-century classic that embodies the essence of our Windsor heritage, characterised by simple back spokes that culminate in the quintessence of timeless style.

The essence of work involves thinking, collaborating and creating. But you don’t need a meeting room to have a meet-ing. So where is the physical place where this all should actu-ally take place? Our rapidly increasing digital connectivity has radically re-defined work as we know it. While companies are re-thinking their office environments, individuals are consider-ing more flexible options inside office walls, elsewhere outside and at home. We’ve been on the cusp of this departure from traditional work concepts with designs that make it comforta-ble for people to think, whether at the office or not.

Our furniture reflects this major paradigm shift, featuring designs that allow for informal meeting spaces at a moment’s notice. The opportunity to create micro-environments within open work spaces. Designs that can create a singular sense of privacy or allow for a collaborative group think when clustered together. All our furniture has an aesthetic that’s pleasing to the eye and easily adaptive to a modern-day office concept. What’s more, there’s more to choose from to accommodate your needs for work. Be it the copious storage of our cabinets, shelving units, bookcases and display cabinets, the comfort of our stu-dio couch and of our chairs, or the utility of our coffee tables, lamp tables, desk and media units. Practical, tactile, comfort-able furniture and other components essential to organising your thoughts and your work space. Essential designs that add an extra dimension, so that work feels less like work.

45

Enjoy the freedom to work wherever and whenever it suits you. Especially with a lovely desk as your work space, a stylish chair to sit in or a bench to collect your thoughts. The TREVISO DESK by Matthew Hilton shown in walnut. Featuring a special place for your laptop and a hidden place to conceal cables. The BUTTERFLY CHAIR by Lucian Ercolani in ash with a black finish signalling sculptured simplicity. The VON BENCH by Hlynur Atlason shown in walnut with a black leather cushion for casual seating. Next page: a casual work setting featuring VON WORK CHAIRS, CHAIRS, MAGAZINE TABLE and BENCH.

WORKING

12. VON MAGAZINE TABLE, Ash/Walnut. Designed by Hlynur Atlason, 2018.

10. PLANK TABLE, Ash. Designed by Lucian Ercolani, 1956.

11.COUNTER STOOL, Ash. Designed by Lucian Ercolani, 1956.

9. SVELTO ROUND STACKING STOOL, Oak. Designed by Lisa Sandall, 2013.

8. PERO TALL SHELVING UNIT, Oak. Designed by Matthew Hilton, 2016.

7. PERO DESK, Oak. Designed by Matthew Hilton, 2016.

5. BUTTERFLY CHAIR, Ash. Designed by Lucian Ercolani, 1956.

6. STACKING CHAIR, Ash. Designed by Lucian Ercolani, 1956.

4.MODULO LARGE SIDEBOARD, Oak. Designed by Dylan Freeth, 2017.

3. TREVISO DESK, Oak/Walnut. Designed by Matthew Hilton, 2009.

2. VON WORKCHAIR, Ash/Walnut. Designed by Hlynur Atlason, 2018.

4948

WORKING

1. VON CHAIR, Ash/Walnut. Designed by Hlynur Atlason, 2018.

5150

PENNON FLOW

VON VON

VON

PENNON TABLE - LARGE PENNON TABLE - SMALL

DESIGNERTIMBER - CODESIZE, CMSIZE, INCHESFINISHES


Norm Architects, 2019Ash - 1810, Walnut - 1815W: 249 / D: 128 / H: 75 cm.W: 98 / D: 50.4 / H 29.5”Stains

Norm Architects, 2019Ash - 1811, Walnut - 1816W: 198 / D: 121 / H: 75 cm.W: 78 / D: 47.6 / H: 29.5”Stains

VON CHAIR VON CHAIR WITH RIGHT ARM VON CHAIR WITH LEFT ARM




Hlynur Atlason, 2018Ash - 427, Walnut - 1247W: 64 / D: 74 / H: 82 / SH: 49cm.W: 25.2 / D: 29.1 / H: 32.3 / SH: 19.3”Stains, Colours

Hlynur Atlason, 2018Ash - 427AR, Walnut - 1427ARW: 73 / D: 74 / H: 82 / SH: 49cm.W: 28.7 / D: 29.1 / H: 32.3 / SH: 19.3”Stains, Colours

Hlynur Atlason, 2018Ash - 427AL, Walnut - 1427ALW: 73 / D: 74 / H: 82 / SH: 49cm.W: 28.7 / D: 29.1 / H: 32.3 / SH: 19.3”Stains, Colours

VON ARMCHAIR VON WORKCHAIR WITH RIGHT HAND TABLE VON WORKCHAIR WITH LEFT HAND TABLE




Hlynur Atlason, 2018Ash - 427A, Walnut - 1427AW: 81 / D: 74 / H: 82 / SH: 49cm.W: 32 / D: 29.1 / H: 32.3 / SH: 19.3”Stains, Colours

Hlynur Atlason, 2018Ash - 427TR, Walnut - 1427TRW: 84 / D: 74 / H: 82 / SH: 49cm.W: 33.1 / D: 29.1 / H: 32.3 / SH: 19.3”Stains, Colours

Hlynur Atlason, 2018Ash - 427TL, Walnut - 1427LW: 84 / D: 74 / H: 82 / SH: 49cm.W: 33.1 / D: 29.1 / H: 32.3 / SH: 19.3”Stains, Colours

VON MAGAZINE TABLE VON BENCH



Hlynur Atlason, 2018Ash - 420, Walnut - 1420W: 71 / D: 71 / H: 48 / SH: 49cm.W: 28 / D: 28 / H: 18.9 / SH: 19.3”Stains, Colours

Hlynur Atlason, 2018Ash - 428, Walnut - 1428W: 150 / D: 55 / H: 48 / SH: 48cm.W: 59.1 / D: 21.7 / H: 18.9 / SH: 18.9”Stains, Colours

FLOW CHAIR


Tomoko Azumi, 2015Ash/Beech - 800, Ash & Walnut - 801W: 49 / D: 53 / H: 76 / SH: 46 cm.W: 19.25 / D: 20.75 / H: 30 / SH: 18”Stains/Colours/Half Colours

52 53

ORIGINALS

ORIGINALS ORIGINALS

ORIGINALS







Lucian Ercolani, 1956Ash - 392W: 45 / D: 49 / H: 80 / SH: 47 cm.W: 17.75 / D: 19.25 / H: 31.5 / SH: 18.5”Stains/Colours/Half Colours

Lucian Ercolani, 1945Ash - 1875W: 49 / D: 60 / H: 103 / SH: 45 cm.W: 19.25 / D: 23.5 / H: 40.5 / SH: 17.75”Stains/Colours


Lucian Ercolani, 1956Ash Veneer - 402W: 51 / D: 46 / H: 82 / SH: 47 cm.W: 20 / D: 18 / H: 32.5 / SH: 18.5”Stains/Colours/Half Colours

Lucian Ercolani, 1956Ash - 425W: 36 / D: 27 / H: / SH: 42 cm.W: 14.25 / D: 10.75 / H: 16.5 / SH: 16.5”Stains/Colours


STACKING CHAIR

QUAKER CHAIR

BUTTERFLY CHAIR SADDLE STOOL

BAR STOOL WINDSOR CHAIR


Lucian Ercolani, 1956Ash - 3355W: 46 / D: 47 / H: 83 / SH: 47 cm. W: 18 / D: 18.5 / H: 32.75 / SH: 18.5”Stains/Colours

ALL-PURPOSE CHAIR







COUNTER STOOL

BAR STOOL WITH BACK

COUNTER STOOL WITH BACK


Lucian Ercolani, 1956Ash - 450, Ash with Walnut Seat - 1450W: 117 / D: 53 / H: 82 / SH: 47 cm.W: 46 / D: 20.75 / H: 32.25 / SH: 18.5”Stains/Colours/Half Colours

LOVESEAT


Lucian Ercolani, 1945Ash - 1877AW: 64 / D: 55 / H: 92 / SH: 45 cm.W: 25.25 / D: 21.75 / H: 36.25 / SH: 17.75”Stains/Colours

WINDSOR ARMCHAIR

54 55

ORIGINALS

ORIGINALS

ORIGINALS







Lucian Ercolani, 1956Ash - 459, Ash with Walnut Tops - 460W: 105 / D: 50 / H: 37 cm.W: 41.25 / D: 19.75 / H: 14.5”Stains/Colours

Lucian Ercolani, 1956Ash - 3384W: 62-120 / D: 110 / H: 73 cm.W: 24.5-47.25 / D: 43.5 / H: 28.75”Stains/Colours/Half Colours

Lucian Ercolani, 1956Beech/Elm - 363W: 88 / D: 41 / H: 183 cm.W: 34.75 / D: 16.25 / H: 72”Stains/Colours

Lucian Ercolani, 1956Ash - 354, Ash with Walnut Tops - 3543W: 67 / D: 51 / H: 40 cm.W: 26.25 / D: 20 / H: 15.75”Stains/Colours/Half Colours

Lucian Ercolani, 1956Beech/Ash - 355W: 206 / D: 88 / H: 85 / 46 cm.W: 81 / D: 34.75 / H: 33.5 / SH: 18”Stains/Colours

Lucian Ercolani, 1956Ash - 382W: 152 / D: 76 / H: 73 cm.W: 59.75 / D: 30 / H: 28.75”Stains/Colours/Half Colours

COFFEE TABLE DROP LEAF TABLE

NEST OF TABLESSTUDIO COUCH

ROOM DIVIDER

PLANK TABLE

ROMANA

ROMANA LARGE EXTENDING TABLE ROMANA MEDIUM EXTENDING TABLE ROMANA SMALL EXTENDING TABLE




Dylan Freeth, 2014Oak - 2642W: 210 / D: 100 / H: 75 / EXT: 275 cm.W: 82.75 / D: 39.25 / H: 29.5 / EXT: 108”Stains

Dylan Freeth, 2014Oak - 2641W: 155 / D: 90 / H: 75 / EXT: 200 cm.W: 61 / D: 35.5 / H: 29.5 / EXT: 78.75”Stains

Dylan Freeth, 2014Oak - 2640W: 110 / D: 90 / H: 75 / EXT: 155 cm.W: 43.25 / D: 35.5 / H: 29.5 / EXT: 61”Stains


Lucian Ercolani, 1945Ash - 1875AW: 65 / D: 60 / H: 103 / SH: 45 cm.W: 25.25 / D: 23.5 / H: 40.5 / SH: 17.75”Stains/Colours

QUAKER ARMCHAIR



CHAIRMAKERS CHAIR


Lucian Ercolani, 1956Ash - 912W: 60 / D: 76 / H: 107 / SH: 40 cm.W: 23.5 / D: 30 / H: 42.25 / SH: 15.75”Stains/Colours

CHAIRMAKERS ROCKER

56 57

NEST

SVELTO

NEST LARGE SOFA

SVELTO OPEN SHELVES

NEST SMALL SOFA




Paola Navone, 2015Beech - 1780/3W: 205 / D: 93 / H: 94 / SH: 48 cm.W: 80.75 / D: 36.5 / H: 37 / SH: 19”Stains/Colours

Lisa Sandall, 2013Oak - 125W: 44 / D: 47 / H: 144 cm.W: 17.25 / D: 18.5 / H: 56.75”Stains /Colours

Paola Navone, 2015Beech - 1780/2W: 136 / D: 93 / H: 94 / SH: 48 cm.W: 53.5 / D: 36.5 / H: 37 / SH: 19”Stains/Colours

SVELTO LAMP TABLE SVELTO COFFEE TABLE

SVELTO ROUND STACKING STOOL







SVELTO TREVISO

TREVISO DESK TREVISO DESK



Matthew Hilton, 2009Oak - 2334W: 122 / D: 59 / H: 86 cm.W: 48 / D: 23.25 / H: 33.75”Stains

Matthew Hilton, 2009Walnut - 2335W: 122 / D: 59 / H: 86 cm.W: 48 / D: 23.25 / H: 33.75”Stains

MARINO

MARINO MEDIUM SOFA MARINO CHAIR



Dylan Freeth, 2015Ash - 700/2W: 152 / D: 85 / H: 86 / SH: 46 cm.W: 60 / D: 33.5 / H: 34 / SH: 18”Stains/Colours

Dylan Freeth, 2015Ash - 700W: 75 / D: 85 / H: 86 / SH: 46 cm.W: 29.5 / D: 33.5 / H: 34 / SH: 18”Stains/Colours

MARINO FOOTSTOOL


Dylan Freeth, 2015Ash - 701W: 59 / D: 45 / H: 39 cm.W: 23.25 / D: 17.75 / H: 15.5”Stains/Colours

MARINO

MARINO LARGE SOFA


Dylan Freeth, 2015Ash - 700/3W: 215 / D: 85 / H: 86 / SH: 46 cm.W: 84.75 / D: 33.5 / H: 34 / SH: 18”Stains/Colours

58 59

PERO TALL SHELVING UNIT PERO LOW SHELVING UNIT



Matthew Hilton, 2016Oak - 2361W: 90 / D: 35 / H: 210 cm.W: 35.5 / D: 14 / H: 82.75”Stains/Colours

Matthew Hilton, 2016Oak - 2366W: 90 / D: 35 / H: 75 cm.W: 35.5 / D: 14 / H: 29.5”Stains/Colours

PERO DESK


Matthew Hilton, 2016Oak - 2360W: 100 / D: 60 / H: 75 cm.W: 39.5 / D: 23.5 / H: 29.5”Stains/Colours

LARA & LUCA

LARA CHAIR LUCA TABLE LUCA ROUND TABLE




Dylan Freeth, 2016Ash - 1790W: 49 / D: 46 / H: 78 / SH: 47 cm.W: 19.25 / D: 18.25 / H: 30.75 / SH: 18.5”Ash or Black only



MODULO EVERGREENPERO

MODULO LARGE CABINET EVERGREEN CHAIRMODULO SMALL CABINET




Dylan Freeth, 2017Oak - 908W: 182 / D: 45 / H: 69 cm.W: 71.75 / D: 17.75 / H: 27.25”Stains/Colours

Lucian Ercolani, 1958Beech - 1913W: 77 / D: 89 / H: 108 / SH: 48 cm,W: 30.25 / D: 35 / H: 42.5 / SH: 19”Stains/Colours

Dylan Freeth, 2017Oak - 900W: 130 / D: 45 / H: 69 cm.W: 51.25 / D: 17.75 / H: 27.25”Stains/Colours

60

Black (BK)

Forest Green (GN)

Black (BG)

Rose (PN)

Rose (PG)

Indigo (IN)

Indigo (IG)

White (WT)

White (WH)

Burgundy (BY)

Burgundy (BX)

Oceanic (OC)

Oceanic (OH) Forest Green (GH)

FINISHES

AshOak

Whitened (NM)

BeechWalnut

Natural (DM)

WOOD

STAINS

COLOURS

HALF COLOURS

THANKS TO

MenuAmalie BjarnhofHenriette MørkAnne BrandhøjKusinerHelle MardahlAstepKristina DamFlosKinetic MobilesStudio ArhøjYonobiSara MartinsenNodariAtelier CphTom RossauFramaJosephine WindingNormann Cph

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Summerleys RoadPrinces RisbroughBuckinghamshireHP27 9PX UK SHOWROOM AND FACTORYSummerleys RoadPrinces RisbroughBuckinghamshireHP27 9PX

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