2009 elements of design for plant display

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Set up, maintain, and dismantle plant displays Hortykim Hortykim, Otago Polytechnic 2009

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This presentation will guide students through design elements that could be used for a plant display.Examples of design elements are from photos taken at the 2003 and 2009 Ellerslie Flower Show attended by hortykim as part of my professional development opportunities at Otago Polytechnic,Dunedin NZ.

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Page 1: 2009 Elements Of Design For Plant Display

Set up, maintain, and dismantle plant displaysHortykim

Hortykim, Otago Polytechnic 2009

Page 2: 2009 Elements Of Design For Plant Display

Design elements

Design is how you purposefully combine the following elements in order to create or

convey a concept or feel. This may be in the creation of a piece of furniture, an

interior or exterior design for your home or, for the purpose of this unit, an indoor

plant display!

Design elements may include: line, form, shape, size, texture, colour, and light. These

elements do not stand alone in a display, but it is helpful to understand their

individual characteristics before considering how these elements can interact.

The elements form the 'vocabulary' of the design, while the principles constitute the broader structural aspects of its composition.

The elements form the 'vocabulary' of the design, while the principles constitute the broader structural aspects of its composition.The elements form the 'vocabulary' of the design, while the principles constitute the broader structural aspects of its composition.The elements form the 'vocabulary' of the design, while the principles constitute the broader structural aspects of its composition.

Hortykim, Otago Polytechnic 2009

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Line

Line is related to the way your eye moves over a plant display and is created by the way plants, and display items fit or “flow” together.

Hortykim, Otago Polytechnic 2009

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Line

Line is also created vertically by changes in the height of your chosen plant specimens.

Hortykim, Otago Polytechnic 2009

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Line

Straight lines are aggressive and structural and will direct an observer’s eye to a focal point faster than curved lines.

Hortykim, Otago Polytechnic 2009

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Line

Curved or more free flowing lines are smooth, graceful, relaxing and can evoke a sense of movement and a more naturalistic feel for the observer.

Hortykim, Otago Polytechnic 2009

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Form

Form and line go hand in hand.Line is usually related to an outline or edge of an

object but form is more encompassing in that you are looking at the entire shape of

an object.

Form is the 3D of an object opposed to shape which is 2D. You are able to hold a form, walk around it or even inside it.

Four basic forms include the: cube, cone, cylinder and sphere.

Hortykim, Otago Polytechnic 2009

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Form

Form can also be

looked at in

terms of

individual plant

growth habit.

For example,

upright and spreading as seen in the photo.

Hortykim, Otago Polytechnic 2009

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Form

Form may also be viewed as the entire planting arrangement in a landscape or plant display.

Form can also be

related to the size of an object or a specific area and can be viewed from many different angles.

Hortykim, Otago Polytechnic 2009

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SIZE

Size is the different

proportions of objects,

lines and shapes in a

display. It is very

important when you

move into design

principles such as scale

to choose items which

are the right size in

relation to a display is

important.

Hortykim, Otago Polytechnic 2009

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Texture

Texture describes the surface of an object that can be seen or felt.

It is the level of smoothness or roughness of an object.

Surfaces of some objects may include buildings, walkways, patios, groundcovers and plants.

Hortykim, Otago Polytechnic 2009

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Texture

As light falls across a surface, every hollow or protrusion casts a shadow. The rougher a surface, the bigger the shadows. The greater the contrast between light and dark, the coarser the texture of the object will appear.

Hortykim, Otago Polytechnic 2009

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Texture

Extremes of texture, may they be course or fine, are visually powerful. Course textures and fine textures work very nicely in a design, especially if you include a medium

texture as a reference.

Hortykim, Otago Polytechnic 2009

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Texture

Coarse textures will advance towards the observer in a plant display or landscape.

Hortykim, Otago Polytechnic 2009

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Texture

Fine textures will recede from the observer. Perspective can then be manipulated by using different textures. This effect is further enhanced by the use of colour.

Hortykim, Otago Polytechnic 2009

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Colour

Colours are categorized by colour schemes. These include complementary, monochromatic, and analogous.

Colour is an excellent mode for expressing a mood for a design and can be used to create interesting effects.

Colours are often referred to as being warm (red, yellow and orange) or cool (blue, green and violet).

First we will look at the concept of complementary colours. And while we are at it - let’s grab a colour wheel which will help demonstrate the following information.

Hortykim, Otago Polytechnic 2009

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Colour

Complementary colours appear directly across from one another on the colour wheel. Complementary colours create quite a striking contrast when used together.

What is the complementary colour for

red?

Hortykim, Otago Polytechnic 2009

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Colour

The following complementary colours:

green and red;orange and blue;yellow and purple;

look fantastic together, especially if mixed in large numbers and used boldly.

Hortykim, Otago Polytechnic 2009

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Colour

Analogous colour schemes combine colours which are side by side on the colour wheel. For example: green; blue-green; green-blue.

These combinations really groove together and can create a soothing effect.

Hortykim, Otago Polytechnic 2009

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Colour

Monochromatic colour schemes are made up of different tints or shades of one colour.

Different intensities of one colour can be quite effective in that they are uncomplicated, but then again, using one colour can be dramatic. It all depends on what colour you use.

Hortykim, Otago Polytechnic 2009

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Colour

One of the most important aspects for us to consider when planning a plant display is not only flower colour but the colour of foliage and stems.

Hortykim, Otago Polytechnic 2009

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Colour

Foliage and stem colour are ever present, unlike flowers which may impress for one day or several months.

It is very important to choose your foliage and stem colours with care.

Hortykim, Otago Polytechnic 2009

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Colour

Space can be manipulated by using colour.

For example, yellows and reds are warm colours which advance towards the viewer and may make a space seem smaller and even “feel” warmer.

Hortykim, Otago Polytechnic 2009

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Colour

Blues and some greens are cold colours and tend to recede from the observer and give a sense of a more open space and a “cool” feeling.

Hortykim, Otago Polytechnic 2009

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Colour

Here are some more examples of colour theory that you may want to explore for your plant display.

Tint: colour + white

Shade: colour + black.

Tone: colour + gray.

Hortykim, Otago Polytechnic 2009

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Colour

Value: the amount of lightness or darkness in colour.

Achromatic: a theme with no colour where you use blacks, whites and grays.

Tetrad: a contrast of four or more colours.

Primary colours: red ,yellow and blue.

Secondary colours: two primary colours mixed together.

Hortykim, Otago Polytechnic 2009

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Light

Light is another important aspect to add to our collection of design tools.

Light may well be the piece de la resistance as we combine the elements we have learned about so far to create a mood for the people observing a plant display.

Hortykim, Otago Polytechnic 2009

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2009 Ellerslie Flower Show

Before we move onto design principles, let’s have a look at some of the displays at the flower show in Christchurch, New Zealand and critique them together.

You may even get a bit of inspiration to help you with designing your plant

display!

Hortykim, Otago Polytechnic 2009

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Oderings Wedding Garden SilverAward

Hortykim, Otago Polytechnic 2009

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Simonetta Ferrari Landscapes Bronze Award

Hortykim, Otago Polytechnic 2009

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Ryman Healthcare/ SuzanneSullivanBronze Award

Hortykim, Otago Polytechnic 2009

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Trott OhinetahiGold Award

Hortykim, Otago Polytechnic 2009

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Texture Plants &OuterspaceLandscapesBronze

Hortykim, Otago Polytechnic 2009

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Canterbury Hort SocietyGold

Hortykim, Otago Polytechnic 2009

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Andy Ellis & Danny KamoSilver

Hortykim, Otago Polytechnic 2009

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Ellerslie Flower Show 2009

The following photos have been down loaded from flickr, an online photo management service which is free for your first 200 photos!Check it out at http://www.flickr.com/

And you can see more of the following photos athttp://www.ellerslieflowershow.co.nz/award-winners-2009.html

Hortykim, Otago Polytechnic 2009

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On The Dark Side of the Moon-Gold,Supreme Construction

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IInner Sanctuary - Suzie LeCren - SilverII

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Take Five-Gold-Cark Pickens Design-One Earth Matters

Hortykim, Otago Polytechnic 2009

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Hortykim, Otago Polytechnic 2009

BBush Telly - Gold -Supreme Award in Design

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“Microcosms”Solid Energy-Gold- Lighting Award

Hortykim, Otago Polytechnic 2009

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Silotary Confinement-Bach of the Future-Tim Scott

Hortykim, Otago Polytechnic 2009

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Dig This-Bronze-Liz Briggs Akaroa & Briggs-Gold-Bedding

Hortykim, Otago Polytechnic 2009

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Let’s Go Play-Merit-Let’s Go Native

Hortykim, Otago Polytechnic 2009

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References and Resources

Hortykim, Otago Polytechnic 2009

http://www.ellerslieflowershow.co.nz/award-winners-2009.html

http://www.johnlovett.com/test.htm

http://en.wikipedia.org/wiki/Design_elements_and_principles

http://edis.ifas.ufl.edu/MG086

Photos for slides (1-35) by hortykim