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Speaker . To whom. Paraphrase. Literary Devices. Context. 100. 100. 100. 100. 100. 200. 200. 200. 200. 200. 300. 300. 300. 300. 300. 400. 400. 400. 400. 400. 500. 500. 500. 500. 500. I am more an antique Roman than a Dane. Horatio. - PowerPoint PPT Presentation

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Speaker To whom Paraphrase LiteraryDevices Context

Page 2: 200

I am more an antique Roman than a Dane.

Page 3: 200

Horatio

Page 4: 200

Why, as a woodcock to mine own springe, Osric: I am justly kill’d

with mine own treachery.

Page 5: 200

Laertes

Page 6: 200

O, yet defend me, friends: I am but hurt.

Page 7: 200

Claudius

Page 8: 200

O, what a noble mind is here o’erthrown!

Page 9: 200

Ophelia

Page 10: 200

Lady, shall I lie in your lap?

Page 11: 200

Hamlet

Page 12: 200

Do not as some ungracious pastors do, / Show me the steep

and thorny way to heaven / Whiles like a puff’d and reckless libertine / Himself the primrose

path of dalliance tread.

Page 13: 200

Laertes

Page 14: 200

This above all: to thine own self be true.

Page 15: 200

Laertes

Page 16: 200

What art thou that usurp’st this time of night…?

Page 17: 200

Ghost

Page 18: 200

These words like daggers enter mine ears. / No more,….

Page 19: 200

Hamlet

Page 20: 200

A pestilence on him for a mad rogue! A poured a flagon of Rhenish on my head once.

Page 21: 200

Hamlet

Page 22: 200

Haste me to know’t, that I with wings as swift / As meditation or the thoughts of love / May sweep

to my revenge.

Page 23: 200

Let me know it quickly so that I, with wings as quick as thinking or thoughts of love, can quickly

take revenge.

Page 24: 200

What art thou that usurp’st this time of night, / Together with that fair and warlike form / In which the majesty of buried Denmark /

Did somethimes march?

Page 25: 200

What are you that come in the night dressed the way the dead King of Denmark was dressed

when marching in battle?

Page 26: 200

I will speak daggers to her, but use none; / My tongue and soul in this be hypocrites; / How in

my words soever she be shent, / To give them seals never, my

soul, consent.

Page 27: 200

I will speak cruelly to her, but I will not harm her physically. I

will not express all of the horrible bitterness of my soul.

However she may be shamed by my words, I will never act on my

words.

Page 28: 200

But I have that within which passeth show; / These but the trappings and the suits of woe.

Page 29: 200

The feelings I have inside me are beyond what you see on the

outside; “these” are merely my outer mourning clothes.

Page 30: 200

How absolute the knave is! We must speak by the card, or equivocation will undo us.

Page 31: 200

How exact with words the gravedigger is. We must speak

very precisely or ambiguity will get us nowhere.

Page 32: 200

Thus conscience does make cowards of us all; / And thus the

native hue of resolution / Is sicklied o’er with the pale cast of

thought, …

Page 33: 200

Metaphor and personification.

Page 34: 200

Forty thousand brothers / Could not, with all their quantity of

love, / Make up my sum.

Page 35: 200

Hyperbole and metaphor.

Page 36: 200

So excellent a king; that was, to this, / Hyperion to a satyr.

Page 37: 200

Allusion and metaphor

Page 38: 200

Think yourself a baby, / That you have ta’en these tenders for true

pay, / which are not sterling. Tender yourself more dearly.

Page 39: 200

Metaphor and pun

Page 40: 200

You would play me; you would seem to know my stops; you

would pluck out the heart of my mystery; you would sound me

from my lowest note to the top of my compass: and there is much music, excellent voice, in this

little organ; yet cannot you make it speak. ‘Sblood, do you think that I am easier to be played on

than a pipe?

Page 41: 200

Extended metaphor or analogy.

Page 42: 200

Rashly, / And praised be rashness for it, let us know, / Our

indiscretion sometimes serves us well, / When our dear plots do pall: and that should teach us /

There’s a divinity that shapes our ends, / Rough-hew them how we

will.

Page 43: 200

Hamlet is about to tell Horatio about how he changed the letter for the English King and feels he was guided by the hand of God.

Page 44: 200

What is the reason that you use me thus? / I loved you ever: but it

is no matter; / Let Hercules himself do what he may, / The cat will mew, and dog will have his

day.

Page 45: 200

Hamlet has just fought with Laertes in Ophelia’s grave and

Laertes tried to kill him. Hamlet is upset that he was treated so

badly.

Page 46: 200

O… that the Everlasting had not fixed / His cannon ‘gainst self-slaughter! O God! God! / How weary, stale, and unprofitable / Seem to me all the uses of this

world!”

Page 47: 200

Hamlet’s father is dead; Claudius has just been crowned king and

has just married Hamlet’s mother; Hamlet is so depressed that he wants to commit suicide.

Page 48: 200

Why, man, they did make love to this employment; / They are not

near my conscience.

Page 49: 200

Hamlet has just told Horatio about switching the letters and that R and G are going to be

killed in England.

Page 50: 200

I shall win at the odds. But thou wouldst not think how ill all’s

here about my heart: but it is no matter.

Page 51: 200

Hamlet is about to duel with Laertes, but he is admitting to

Horatio that he has a bad feeling about this duel.