1989 dance research

DANCE RESEARCHPUBLISHED OR PUBLICLY PRESENTED

BY MEMBERS OF THE

STUDY GROUP ON ETHNOCHOREOLOGY

edited by

ELSIE IVANCICH DUNIN

INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC STUDY GROUP ON ETHNOCHOREOLOGY

f o . K S , 4 £ b 5 dS u ........... • ......... ..*

LOS ANGELES 1989

Dance research published or publicly presented by members of the Study Group on Ethnochoreology

© 1989 by Elsie Ivancich Dunin

Department of Dance Dance Building 124 University of California Los Angeles, California 90024 U.S.A.

DANCE RESEARCH PUBLISHED OR PUBLICLY PRESENTED

BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY

TABLE OF CONTENTS

pageIntroduction .............................................................................................................................. 1A vant-P ropos............................................................................................................................ 3

Listings:Egil Bakka (Norway)............................................................................................... 5Pietro Bianchi (Switzerland) .................................................................................. 8Theresa Jill Buckland (United Kingdom)............................................................... 8Grazyna Dabrowska (Poland)................................................................................ 10Elsie Ivancich Dunin (United States) ...................................................................... 13Rosemarie Ehm-Shulz (German Democratic Republic)....................... ...................... 15Laszlo Felfoldi (Hungary)......................................................................................... 17Anca Giurchescu (Denmark)................................................................................... 19Jean-Michel Guilcher (France) ........................................................................... 24Helene Guilcher (France)........................................................................................ 26Ana Ilieva (Bulgaria).................................................................................................. 26Andrienne L. Kaeppler (United States)....................................................................... 31Joann Wheeler Kealiinohomoku (United States)...................................................... 34Roderyk Lange (United Kingdom)............................................................................ 39Irene Loutzaki (Greece).................................................................................... 45Mats Nilsson (Sweden)............................................................................................ 46Petr Novak (Federal Republic of Germany)............................................................... 46Erno Pesovar (Hungary).......................................................................................... 49Colin Quigley (United States).................................................................................. 55Pirkko-Liisa Rausmaa (Finland).......................................................................... 56William C. Reynolds (Denmark)......................................................................... 57Owe Ronstrom (Sweden).................................................................................... 58Anya Peterson Royce (United States)................................................................... 59Geza Sebok (Switzerland)....................................................................................... 60Jennifer Shennan (New Zealand)............................................................................. 61Anna Shturbanova (Bulgaria).......................................... ....................................... 62Allegra Fuller Snyder (United States)................................................................... 63Placida Staro (Italy)............................................................................................... 65Lisbet Torp (Denmark)............................................................................................ 67Henning Urup (Denmark)..................................... ........................................ ........ 68Jean-Philippe Van Aelbrouck (Belgium)............................................................... 70Judy Van Zile (United States)................................................................................. 71Vicky Risner Wulff (United States)......................................................................... 74Zhou Bing (China)................................................................................................... 74

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -iii- Table of Contents

INTRODUCTION

This compilation of bibliography was initiated as a project at a meeting of the Study Group on Ethnochoreology during the ICTM Conference in East Berlin, 1987. In the fifteen year history of the Study Group this meeting brought together the largest number of dance researchers from Europe, Canada and the United States. It became clear that many of us did not know about the kinds of research and resultant publications that fellow members have produced over the years. At this meeting a Newsletter was proposed to keep all of us informed of current activities, and it was further recommended that a bibliographic listing be included as a standard feature of the Study Group Newsletter. I volunteered ‘o organize the bibliographic listings.

After receiving the first lists of bibliographies from members of the Study Group, it became apparent that the Newsletter could not realistically handle the amount of material that was submitted. The Newsletter editor (William Reynolds) recommended that a separate publication be prepared. So after two years this volume is the result of submissions by thirty-four dance researchers from Europe, the Americas, and Asia. The significance of this volume is that it represents a major portion of internationally published research in the field of dance ethnology in the post-World War Two period. The earliest listing is dated 1947 (by Guilcher) and includes listings into 1989. The earliest publications were principally from Eastern European colleagues, while the western European and American research begins to appear in the late 1960s.

This international compilation is based on those who responded to requests by direct correspondence, by announcements at the Copenhagen meeting, or by announcements in the Newsletter. At the 1988 Study Group meeting in Copenhagen, there was discussion of including the works of deceased members, but this information (from several countries) could not be completed in time to be included here. In total, thirty-four respondents representing about two-thirds of the membership (active and inactive) contributed their bibliographies. By countries there are listings from Belgium (1), Bulgaria (2), China (1), Denmark (4), Finland (1), France (2), West and East Germany (2), Greece (1), Hungary (2), Italy (1), New Zealand (1), Norway (1), Poland (1), Sweden (2), Switzerland (2), United Kingdom (2), and the United States (8).

The major challenge in compiling these works was the question of format consistency. Researchers in each country have their own unique format conventions and abbreviations in producing their listings. I retyped the citations into the DdA1 reference style which requires fuller information than that used in many countries. The retyped lists were sent back to the authors for editing and for additional information.

The listings include only written and filmic materials that were published or publicly presented (but not yet published) at conferences and symposia. The three types of listings are:1) articles (in journals, magazines, proceedings, encyclopedias); 2) books (monographs, theses, dissertations, handbooks) and films; 3) publicly presented research papers. Each is easily identified by the punctuation.

1) Articles.Titles of articles are enclosed by quotation marks (" "). The title of the whole work is

always underlined (____). The location of the article in the whole work is shown by the pagenumbers which are placed after the colon (:) which follows the underlined title.

Example:Dabrowska, Graiyna1986 "Taiice kociewskie" [Dances in Kociewie]. Kociewie w muzyce: 17-24. Druga

Ogolnopolska Sesja Naukowa. Gdaiisk, Poland: Akademia Muzyczna, Wojewodzki OSrodek Kultury.

* Elsie Ivancich Dunin and Candi Harrington deAlaiza, DdA Reference Format for Dance (1988) Los Angeles.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -1- Introduction

2) Whole works.Titles of whole works are underlined (_____). The number of page numbers of the whole work isplaced at the end of the citation.

Example:Guilcher, Jean-Michel1969 La contredanse et les renouvellements de la danse francaise [The contra dance and

renewals of the French dance]. Paris: Mouton. (234 pages.)

3) Presented research papers.These tides have no punctuation, but the designation of its status as a research paper and information on where and for whom the paper was presented is in parentheses following the tide.

Example:Giurchescu, Anca1987 Continuity and discontinuity in the cultural tradition of the Yugoslav Vlaiii, living in

Denmark (research paper). (Presented at the 29th conference of the International Council for Traditional Music, held in East Berlin; July.)

•The listings are organized alphabetically by author, each author's works are placed in chronological order.♦Non-English tides are translated into English. Non-Roman alphabets (except for Chinese) are produced in the original, followed by a Romanized transliteration.•Abbreviations are not used.•Added information about the listing is placed at the end of the citation in parentheses-such as the page numbers, inclusion of notation, photos, and so on.•Place of publication states the city, followed by state and/or country if the city is not the capital of its country.

A special thank you is extended to all who contributed their bibliographies to this project and who so graciously took time to edit their listings. Personally I would not have volunteered for such an arduous compiling and typing task had it not been for the Apple Macintosh computer and its capabilities for various alphabetic fonts. Also a special thank you to the University of California at Los Angeles (UCLA) Department of Dance that supported some of the mailing costs in the continuous correspondence that was a necessary part of this project

Elsie Ivancich DuninLos Angeles, California, USA

15 June 1989

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -2- Intioduction

AVANT-PROPOS

Ce projet de repertoire bibliographique a ete lance lors d'une session du Groupe d'etude en ethnochoreologie qui s'inscrivait dans le cadre de la Conference de I'lCTM tenue a Berlin-Est en 1987. Au cours de ses quinze annees d’existence, le Groupe d'etude n'avait jamais reuni un si grand nombre de chercheurs d'origines europeenne, canadienne et americaine. Ayant constate que beaucoup d’entre nous ignorions le genre de recherches et de publications connexes auxquelles se livraient nos membres et collegues, il nous vint a l’idee de creer un Bulletin de nouvelles visant a nous tenir au courant des ouvrages en cours, et d’inclure a cette revue une rubrique bibliographique-tache pour laquelle je decidai de me porter garante.

Cependant, les envois de listes bibliographiques prirent une telle ampleur, que le Bulletin m’apparut insuffisant pour repondre aux besoins de la cause. C’est alors que William Reynolds, le redacteur du Bulletin, me suggera de creer une nouvelle publication a cette fin. Le present ouvrage, qui a mis deux ans a voir le jour, est done le produit de contributions provenant de trente- quatre chercheurs du domaine de la danse d'origines Americaine, Europeenne et Asiatique. Ce volume renferme la majorite des travaux de recherche en ethnologic de la danse publies depuis la Seconde Guerre mondiale. Le plus ancien titre (de Guilcher) est date de 1947, alors que les plus recents sont dates de 1989. A l'origine des premieres publications on retrouve surtout les auteurs de l'Est europeen, tandis que les recherches menees en Europe de 1'Ouest et en Amerique ne font leur apparition qua la fin des annees soixante.

Cette compilation d'envergure intemationale est le fruit de la reponse a nos requetes transmises par voie de correspondence, ou par le biais d'annonces faites lors de la rencontre de Copenhague et parues dans notre Bulletin de nouvelles. A la demiere rencontre du Groupe d'etude en 1988, il avait ete question d'inclure les ouvrages de membres decedes; ces donnees (issues de plusieurs pays) n'ont pu cependant etre rassemblees a temps pour figurer ici. Un nombre total de trente-quatre repondants, representant environ les deux tiers de nos membres actifs et inactifs ont contribue des listes bibliographiques. Pour chaque pays, vous trouverez le nombre de listes suivant: Belgique (1), Bulgarie (2), Chine (1), Danemark (4), Finlande (1), France (2), Allemagne de l'Est et de l'Quest (2), Grece (1), Hongrie (2), Italie (1), Novelle-Zelande (1), Norvege (1), Pologne (2), Suede (2), Suisse (2), Royaume-Uni (2), et Etats-Unis (8).

Le principal defi a relever dans la compilation d'un tel ouvrage etait l'unification des formats bibliographiques. Les chercheurs de chaque pays ayant leurs propres conventions et utilisant des abreviations differentes dans l'enonce de leurs Ustes, j'ai du retaper les titres selon lemanuel de style DdA 1 qui exige un plus grand nombre de details que la majorite des formats bibliographiques connus. Les listes retapees ont ensuite ete retoumees a leurs auteurs pour verification et renseignements complementaires.

Les listes ci-incluses ne renferment que les ouvrages ecrits et cinematographiques publies ou ayant fait l'objet d'une presentation dans le cadre d'une conference ou d'un symposium. Les trois types de listes sont les suivants: 1) articles (dans des revues scientifiques, magazines, comptes rendus de reunions savantes, encyclopedies); 2) livres (monographies, theses, dissertations, ouvrages didactiques); 3) exposes de recherches ayant fait l'objet d'une presentation. Chaque categorie est facilement identifiable a sa ponctuation.

1) Articles.Le titre de I'article est entre guillemets (" "). Le titre de 1'ouvrage complet est toujourssouligne (____). L'emplacement de I'article dans 1'ouvrage complet est indique par lesnumeros de pages qui suivent les deux-points ( : ) apres le titre souligne.

l Elsie Ivancich Dunin and Candi Harrington deAlaiza, DdA Reference Format for Dance (1988) Los Angeles.

ICTM STUDY GROUP ON ETHNCXTHOREOLOGY -3- Introduction

Exemple:Dabrowska, Grazyna1986 "Tailce kociewskie" [Dances in Kociewie]. Kociewie w muzyce: 17-24. Druga

Ogolnopolska Sesja Naukowa. Gdansk, Poland: Akademia Muzyczna, Wojewodzki OSrodek Kultury.

2) Ouvrages completsLe titre d'un ouvrage complet est souligne (_____). Le nombre de pages est indique enfin de citation

Exemple:Guilcher, Jean-Michel1969a La contredanse et les renouvellements de la danse franqaise [The contra dance and

renewals of the French dance]. Paris: Mouton. (234 pages.)

3) Exposes de recherchesCes titres ne retjoivent pas de ponctuation, mais sont identifies en tant. qu'exposes de recherches; le contexte de la presentation et le public auquel elle s'adressait sont indiques entre parentheses a la suite du titre.

Exemple:Giurchescu, Anca1987 Continuity and discontinuity in the cultural tradition of the Yugoslav Vlahi, living in

Denmark (research paper). (Presented at the 29th conference of the International Council for Traditional Music [ICTM], held in East Berlin; July.)

•Les listes sont dressees par auteur selon l'ordre alphabetique; chaque ouvrage d’un meme auteur est cite par ordre chronologique.•Tous les titres etrangers sont traduits vers 1'Anglais, inscrits dans l'alphabet de la langue, et suivis d'une transliteration en caracteres latins.•Nous n'utilisons aucune abreviation.•Toutes mentions additionnelles, telles que le nombre de pages, de representations graphiques, de photographies, et cetera, sont placees entre parentheses a la fin de la citation.•Le lieu de publication comprend le nom de la ville et, s'il ne s'agit pas d'une capitale nationale, le nom de l'etat et/ou du pays.

Je tiens principalement a remercier tous ceux et celles qui ont contribue leurs bibliographie a ce projet, et qui ont bien voulu prendre le temps de reviser leurs listes. Je n'aurais pu entreprendre un tel travail de compilation et de dactylographie sans I'ordinateur Apple Macintosh qui rend possible l'impression de differents caracteres typographiques. Mes remerciements vont aussi au Departement de Danse de l’Universite de Califomie a Los Angeles qui a absorbe une portion des frais postaux relies a l’achevement de ce projet.

Elsie Ivancich DuninLos Angeles, Califomie, Etats-Unis

Le 15 juin 1989

(Translation: Camille Brochu)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -4- Avant-propos

EGIL BAKKADragvoll, NORWAY

Bakka, Egil1969 "Norsk folkedans" [Norwegian folk dances]. Olivant 4:8-11. Oslo: Lagsbladfor

Leikaningen i Bondeungdomslaget i Oslo.

1970 Danse, danse lett utp& foten. Folkedansar og songdansar Pance, dance lighdy on your foot: Folk dances and song dances]. Oslo: Noregs Boklag. (206 pages; a collection oi dances.)

1972a "Ausdandsspringar, Vesdandsspringar, S0rlandsspringar" [The Springar of eastern, western, southern Norway]. Spelemannsbladet 6:16-17. Oslo: Landslaget for Spelemenn.

1972b "Norsk folkeleg dans og folkedans" [Norwegian traditional dances and folk dances]. Proceedings of the Nordic conference "The role of folk art in the rural community." Darbu. 1971. Oslo: Noregs Ungdomslag.

1975a "Ord og uttrykk til bruk ved d0ming av dans" [Words and expressions for use in judging dance competitions]. Spelemannsbladet 1:6-7. Oslo: Landslaget for Spelemenn.

1975b "Tradisjonelle trekk og utviklingstrekk i dansefomer og dansestil" [Traditional traits and traits of development in dance forms and dance style]. Spelemannsbladet 3:7-11. Oslo: Landslaget for Spelemenn.

1975c "Musikk som emne for etnologisk forskning" [Music as a topic for ethnologicalresearch], Musikk i daaens samfunn:7-ll. Trondheim, Norway: Musikkvitskapleg Institutt, Universitetet i Trondheim.

Bakka, Egil; Kjell Oversand1975 "Musikk og dans i et kystomrMe i Tr0 ndelag" [Music and dance in a coastal area of

Tr0ndelag]. Svensk tidskrift f0r musikforskning 57(2^: 15-39. Stockholm: Svenska Samfundet for Musikforskning.

Bakka, Egil1976 Folkedanstradisionane i Nord-Noreg [Folk dance traditions of northern Norway].

Trondheim, Norway: Rldet for folkemusikk og folkedans. (3 pages.)

Bakka, Egil; Rolf Diesen (filmmakers)1976 Musikk og dans i mivesamfunnet Lflkken [Music and dance in the miners community of

L0 kken] (fdm). Trondheim, Norway: Ridet for folkemusikk og folkedans; Musikkvitskapleg Institutt, Universitetet i Trondheim. (16mm; 20 minutes; film made as part of a research project "The music life of a rural community.")

Bakka, Egil; Olav Mogstad; and others (filmmakers)1976 Polsdans M Nordmore i Todalstradision [Pols dance of Todalen at Nordm0re] (film).

Trondheim, Norway: Nordmore Ungdomslag; R&det for folkemusikk og folkedans. (16mm; 20 minutes.)

Bakka, Egil; Geir Tore Vestad; and others (filmmakers)1976 Romsdalsspringar [Springdans tradition in Romsdal] (film). Trondheim, Norway: R&det

for folkemusikk og folkedans; Romsdal Ungdomslag. (16mm; 15 minutes.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -5- Bakka

Bakka, Egil; Bruce Taylor; Ingvar Elgesem; and others (filmmakers)1976 Nordleik 76 [Nordic folk dance festival 1976] (film). Trondheim, Norway: Nordleik 76;

Rldet for folkemusikk og folkedans. (16mm; 40 minutes.)

Bakka, Egil1977a "The Faroese Dance.” Faroe Isles review 2(2):24-29. Torshavn, Faroe Isles:

Bokagardur.

1977b "Fr& engelsk folkedans til norsk storgardstradisjon" [From English folk dance to a tradition of Norwegian manors]. Olivant 4:9-12. Oslo: Lagsblad for Leikaningen i Bondeungdomslaget i Oslo.

1977c Folkedanstradisionane p£ Agder [Folk dance traditions of Agder]. Trondheim, Norway: Ridet for folkemusikk og folkedans. (6 pages.)

1977d Folkedanstradisionane p£ Austlandet [Folk dance traditions of eastern Norway]. Trondheim, Norway: Ridet for folkemusikk og folkedans. (9 pages.)

1977e Folkedanstradisionane p£ Vesdandet [Folk dance traditions of western Norway]. Trondheim, Norway: R&det for folkemusikk og folkedans. (4 pages.)

1978a [About 40 articles on folk dance]. Cappelens Musikkleksikon ICappelens Dictionary of Music]. Oslo: Cappelens Forlag.

1978b Norske dansetradisionar [Norwegian dance traditions]. Oslo: Det Norske Samlaget.(175 pages; a volume in a series: Norsk Kulturarv [Heritage of Norway].)

1978c Springar. gangar. rull og pols: Hovudliner i eldre norsk folkedanstradision rspringar.Gangar, Rull and Pols: Main lines in older Norwegian folk dance tradition]. Trondheim, Norway: R&det for folkemusikk og folkedans. (235 pages.)

1979 "Norske ballkort" [Norwegian ball programmes]. Nff-brev 2: 18-21. Trondheim, Norway: Nordisk forening for folkedansforskning.

Bakka, Egil; Ola Kai Ledang; Berit Ostberg1979 Qg vil du vasre kiasresten min [And if you want to be my sweetheart] (booklet).

Trondheim, Norway: Musikkvitskapleg Institutt, Universitetet i Trondheim. (53 pages; accompanies phonodisc of same title; documentation of children's singing games in five Norwegian cities.)

Bakka, Egil1980a "Folkedansklassifisering" [Folk dance classification]. Nff-brev 3:19-23. Trondheim,

Norway: Nordisk forening for folkedansforskning.

1980b "Folkedans i skulen" [Folk dance in the school]. Musikk i skolen 6:4-11. Oslo: Landslaget Musikk i Skolen.

1980c "Bygdedansane - heilage kyr?" [The regional dances - sacred cows?] Norsk ~ Tngdom 3:16. Oslo: Noregs Undomslag.

1980d "Folkedansen i intemasjonalt samarbeid" [Folk dance in international cooperation]. Olivant 1:7-8. Oslo: Lagsblad for Leikarringen i Bondeungdomslaget i Oslo.

1980e "Om lokale dansetradisjonar og innsamlinmg" [On local dance traditions and collection]. Olivant 4:7-10. Oslo: Lagsblad for Leikarringen i Bondeungdomslaget i Oslo.


1980f

1981a

1981b

1982

Bakka,1982

Bakka,1983

Bakka,1983

Bakka,1983

Bakka,1985a

1985b

1985c

Bakka,1985

Bakka,1985

Bakka,1986

"Die altesten norwegischen Paartanze" [The oldest Norwegian couple dances]. Arkivet for folklig dans. Dansmuseet: Per altere paartanz in Europa: 15-20. Stockholm: DansmuseeL

"Nokre tankar omkring folkedansinnsamling" [Some thoughts about collection of folk dances]. Nff-brev 4:20-26. Trondheim, Norway: Nordisk forening for folkedansforskning.

"Folk dance Research in Norway." Dance studies 5:22-47. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

"Springdansen p i Hadeland" [The Springdans of Hadeland]. Furuleiken Spell- os Danselag 1972-1982:24-29. Harestua, Norway: Furuleiken Spell- og Danselag.

Egil; Bruce Taylor; Berit 0stberg (filmmakers)Pet kom en herre spaserende. En sangleik i Trondheim giennom 130 §r [A gentleman was walking: A singing game in Trondheim through 130 years] (film). Trondheim, Norway: R&det for folkemusikk og folkedans. (16mm; 10 minutes.)

Egil"Om utviklinga av rekkedansane" [On the development of the longways country dances]. Olivant 1:11-14. Oslo: Lagsblad for Leikarringen i Bondeungdomslaget i Oslo.

Egil (editor)Folkedanslitteratur i Norden. Ein bibliografi [Folk dance literature in the Nordic countries: A Bibliography]. Trondheim, Norway: Nordisk forening for folkedansforskning. (108 pages.)

Egil; and othersSpringdans fr£ Nordre Sunnmare [Springdans from Northern Sunnm0re]. Trondheim, Norway: R&det for folkemusikk og folkedans. (20 pages.)

Egil"Stegm0 nstra i springaren p& Sor-Vestlandet" [The step patterns of the Springar in southern parts of western Norway]. Arne Biorndals hundre&rsminne:77-9l, Bergen, Norway: Forlaget Folkekultur.

"Folk dancing on the stage in Norway." Etudes et recherches comparatives internationales: Conference international d'experts. Fribourg Suisse 21-25 octobre 1985 (Proceedings of the Conference): 1-15. Fribourg, Switzerland: Centre CIOFF Suisse.

"Dans og spel" [Dance and music]. Norske tonar. Heidersskrift til Sigbiflm Bemhoft Osa p& 75-&arsdagen:103-109. Oslo: Universitetsforlaget.

Egil; Klara Semb"Songdansen" [The song dance]. Norske folkedansar. Songdansar.20-27. Oslo:Noregs Boklag, Det Norske Samlaget.

Egil; Dag Vardal; Tormod LundeDansetradisjonar frfl Nordland og Troms [Dance traditions of Nordland and Troms]. Trondheim, Norway: R&det for folkemusikk og folkedans. (141 pages.)

Egil; Brit Seland; Dag V&rdalGrunnbok i folkedans [Textbook on folk dance]. Oslo: Noregs Boklag, Det Norske Samlaget. (106 pages.)


Bakka, Egil (editor); and others1988 Gammaldans i Norden. Rapport M forskningprosiektet: Komparativ analyse av ein

folkeleg dansegenre i utvalde nordiske lokalsamfunn [Old time dances in the Nordic countries. Report of the research project: comparative analysis of a traditional dance genre in selected local communities of the Nordic countries]. Trondheim, Norway: Nordisk forening for folkedansforskning. (302 pages.)

Bakka, Egil (editor)1989 "Report from the meeting of the ICTf' Study Group on Ethnochoreology." Lisbet Torp

(editor), The dance event: a complex cultural phenomenon:173-178. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

PIETRO BIANCHILugano, SWITZERLAND

Bianchi, Pietro1982 "II Suono" [Sound]. Almanacco 2:54-60. Bellinzona, Switzerland: Editrice

LAlmanacco.

THERESA JILL BUCKLANDCheshire, England, UNITED KINGDOM

Buckland, Theresa1980a "The reindeer antlers of the Abbots Bromley Horn Dance: a re-examination." John

Widdowson (editor), Lore and language 3(2): 1-3. Sheffield, England: University of Sheffield, Centre for English Cultural Tradition and Language.

1980b Carnival Morris in Cheshire: a synchronic study of two teams (research paper).(Presented at the Women in Tradition Conference, held at the University of Sheffield, Sheffield, England; May.)

Buckland, Theresa; Dan Howison1980 "Morris dancers in Crewe before the first World War." Dave Arthur (editor), English

dance and song 42(2):10-13. London: English Folk Dance and Song Society.

Buckland, Theresa1982a "English folk dance scholarship—a review." Theresa Buckland (editor), Traditional

dance 1:3-18. Cheshire, England: Crewe and Alsager College of Higher Education.

1982b "Wakes and Rushbearings C.1780-C.1830: a functional analysis." John Widdowson (editor), Lore and language 3(6):29-44. Sheffield, England: University of Sheffield, Centre for English Cultural Tradition and Language.

1982c Dance and social history: the case of coconut dancing in Rossendale (research paper). (Presented to the Department of Social History , held at the University of Lancaster, Lancaster, England; November.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -8- Bakka, Bianchi, Buckland

1983a "Hello! Here we are again! Godley Hill Morris Dancers: a study in longevity." Theresa Buckland (editor), Traditional dance 2:37-57. Cheshire, England: Crewe and Alsager College of Higher Education.

1983b "Folk dance definitions: some explorations." Ian Russell (editor), Folk music journal4(3):315-332. London: English Folk Dance and Song Society.

1983c "Traditional dance, English ceremonial and social forms." Janet Adshead; June Layson(editors). Dance history: a methodology for studv:162-175. London: Dance Books.

1983d Fieldwork in ceremonial dance: some problems and issues (research paper). (Presented to the Fieldwork Conference, organized by the English Folk Dance and Song Society and the Centre for English Cultural Tradition and Language; held at the University of Sheffield, Sheffield, England; November.)

1984a "Traditional dance scholarship in the United Kingdom." Janet Adshead (editor), Dance-a multicultural perspective:54-64. Guildford, Surrey, England: University of Surrey, National Resource Centre for Dance.

1984b Aesthetics and identity: the Britannia coco-nut dancers (research paper). (Presented toDance—a multicultural perspective Conference, held at the University of Surrey, Surrey, England; April.)

1985 Popular leisure at the Lancashire Wakes: "simple artless amusement" or "filthydisgusting proceedings" (research paper). (Presented at the Social Anthropology Seminar, held at the University of Durham, Durham, England; February.)

1986a "The Tunstead Mill Nutters of Rossendale, Lancashire." Ian Russell (editor), Folk musicjournal 5(2~):132-149. London: English Folk Dance and Song Society.

1986b The right sort of pedigree: English ceremonial dance traditions and their origins (researchpaper). (Presented to the Commonwealth Games Conference, held in Glasgow,Scotland; August.)

1987 Processional Morris in north-west England: Stability and change in dance content andform (research paper). (Presented to the Society for Dance Research, held in London; February.)

1989 "Family, gender and class in an English ceremonial dance event" Lisbet Torp (editor),The dance event: a complex cultural phenomenon:99-109. Copenhagen: ICIM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -9- Buckland

GRAZYNA DABROWSKAWarsaw, POLAND

Dabrowska, Graiyna1952 Krakowiak [Krakowiak]. Warsaw: Centralna Poradnia Amatorskiego Ruchu

Artystycznego. (33 pages.)

1961 "O notacji taiica" [About dance notation], Biuletvn Centralnei Poradni Amatorskiego Ruchu Artystycznego:34-45. Warsaw: Centralna Poradnia Amatorskiego Ruchu Artystycznego.

1965a Taniec w obrzedzie weselnvm Kurpiow Puszczy Zielnoei [Dance in the wedding customof the Kurpie Green Plain] (master's thesis). Wroclaw, Poland: Wroclaw University, Department of Ethnography. (120 pages.)

1965b "Maria Drabecka: Polskie tance ludowe w pracach O. Kolberga" [Maria Drabecka:Polish folkdances in the works of O. Kolberg] (review). Demos: ethnographische und folkloristischeinformationen 6(2):219,357. Berlin (East): German Academy of Sciences.

1965c "Adam Glapa und Alfons Kowalski: tarice i zabawy Wielko-Polskie" [Adam Glapa and Alfons Kowalski: dance and play from Great Poland] (review). Demos: ethnographische und folkloristische informationen 6(2):220,360. Berlin (East): German Academy of Sciences.

1965d "W sprawie badari tarica ludowego" [About folkdance research]. Muzyka 10(36):34-39. Warsaw: Polska Academia Nauk, Instytut Sztuki.

1967 Taiice Kurpiow Puszczy Zielonei TKurpien dances from the Green Plains]. Warsaw: Centralna Poradnia Amatorskiego Ruchu Artystycznego. (197 pages; Labanotation; musicnotation.)

1968a Obrzedy i zwyczaie doroczne iako widowisko [Customs and annual traditions asspectacles] 1,2. Warsaw: Centralna Poradnia Amatorskiego Ruchu Artystycznego. (Volume 1,140 pages; volume 2, 116 pages; second edition, 1971-1972.)

1968b "Grazyna Dabrowska: taiice Kurpiow Puszczy Zielonej" [Grazyna Dabrowska: dances from the Green Plains]. Demos: Internationale Ethnographische und Folkloristische Informationen 9(1):137,223. Berlin (East): Akademie Verlag.

1969a "JacekTomasik-MariaRomowicz: tarice mieszczan Zywieckich" [JacekTomasik-Maria Romowicz: Burgher dances from Zywiec]. Demos: intemationale ethnographische und folkloristischeinformationen 10(2):206,342. Berlin (East): Akademie Verlag.

1969b "Uwagi o metodach badari tarica ludowego" [Remarks about the methodology infolkdance research]. Etnografiapolska 14(l):ll-23. Warsaw: Polska AdademiaNauk, Instytut Historii Kultury Materialnej.

1970a "Janina Marcinkowa: folklor tarieczny Beskidu Slaskiego" [Jamna Marcinkowa:Folkdances from Beskid Slaski]. Demos: Intemationale Ethnographische und Folkloristischeinformationen 11(3):286-287,448. Berlin (East): Akademie Verlag.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -10- D^browska

1970b "Obrzedy, zwyczaje i tarice ludowe, jako tworzywo repertuaru zespolow artystycznych"[Customs, traditions and folkdances in the repertoire of artistic groups]. Folklor wzyciu wspokzesnym:66-78. Poznari, Poland: Wielkopolskie Towarzystwo Kulturalne.

1972 Tradycyjny folklor taneczny w zyciu wsi na Mazowszu [Traditional dance folklore in thevillage life of Masovia] (doctoral dissertation). Warsaw: Polska Akademia Nauk, Instytut Sztuki Library. (200 pages.)

1975a Folklor Mazowsza [Folk dance in Masovia] 1. Warsaw: Centralny OSrodek Kultury. (376 pages; Labanotation; music notation.)

1975b Les danses folkloriques de la Pologne centrale a la lumiere de la documentation recueille al'heure actuelle [Folkdances of central Poland in light of recent research] (research paper). (Presented at the 4th international Balkan folklore symposium, held at Ohrid, Yugoslavia, sponsored by the Macedonian Folklore Institute of Skopje, Yugoslavia; July.)

1977a Folklor na scenie [Folkdance on the stage]. Warsaw: Centralny OSrodek Metodyki Upowszechniania Kultury. (50 pages.)

1977b "Taiice sfowiariskie" [Slavic dances]. Sfownik starozytnofci sfowiariskich: 18-20. Wroclaw, Warsaw, Krakow, Gdarisk, Poland: Polska Akademia Nauk. Komitet Sfowianoznawstwa.

1977c "X. Miedzynarodowa Konferencja Robocza Etnochoreologow Europejskich" [Tenthinternational working conference of the European ethnochoreologists]. Muzvka 2:112115. Warsaw: Polska Akademia Nauk Instytut Sztuki. (Report of the Dance Terminology Group of the International Folk Music Council, held at Zaborow near Warsaw, 13-18 September 1976.)

1979 W kregu polskich taricow ludowych [Within the circle of Polish folkdances]. Warsaw: Ludowa Spotdzielnia Wydawnicza. (262 pages.)

1980a Taniec ludowy na Mazowszu [Folk dance in Masovia]. Krakow: Polskie Wydawnictwo Muzyczne. (262 pages; Labanotation; music notation.)

1980b "XI. Miedzynarodowa Konferencja Robocza Etnochoreologow Europejskich" [Eleventhinternational working conference of the ethnochoreology group of the International Folk Music Council]. Muzvka 4:111-112. Warsaw: Polska Akademia Nauk Instytut Sztuki. (Report of the Dance Terminology Group of the International Folk Music Council, held in Neustrelitz, DDR, 8-11 November 1979.)

1980c "TraditionelleVolkstanze in Polen in Paaren ausgefuhrt": Der altere Paartanz in Europa[Traditional folkdances done in couples: the older couple dances in Europe]. Konferenzbericht:77-86. Stockholm: Dansmuseet, Arkivet for folklig dans.

1981a "XII. Miedzynarodowa Konferencja Robocza Etnochoreologow Europejskich(Ethnochoreology International Group of IFMC) w Sztokholmie 30 VIII-9IX 1980 r.) [Twelfth international working conference of the European Ethnochoreology Group of the IFMC in Stockholm 30 VIII- 9 IX 1980]. Muzvka 2:110-112. Warsaw: Polska Akademia Nauk Instytut Sztuki. (Report of the Dance Terminology Group of the IFMC (TTCM), held in Stockholm, Sweden; 30 July-9 August 1980.)

1981 b "Z poszukiwaxi zrodel do badari polskiego tarica ludowego" [About the investigations of the sources for Polish folkdance research]. Muzyka 1:70-75. Warsaw: Polska Akademia Nauk, Instytut Sztuki.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -11- D^browska

1981c "Taniec ludowy" [The folkdance]. M. Biemacka; M. Frankowska; W. Paprocka(editors), Etnografia Polski, Przemianv kultury ludowei 2:285-326. Wroclaw, Poland: Zaklad Narodowy im Ossolinskich.

1983 "Reigentanze in Polen" [Linear-serpentine dances in Poland]. Grazyna Dabrowska, Kurt Petermann (editors), Analyse und Klassifikation von Volkstanzen:81-146. Krakow, Poland: Polskie Wydawnictwo Muzyczne.

Dabrowska, Grazyna; Kurt Petermann (editors)1983 Analyse und Klassifikation von Volkstanzen [Analysis and classification of folkdances].

Warsaw: Polish Academy of Science, Art Institute of Warsaw. (Conference report of the 10th working meeting of the International Folk Music Council study group for folkdance terminology, held in Zaborow, near Warsaw, Poland.) (226 pages; Labanotation; music notation.)

Dabrowska, Grazyna1984 Tarice polskich gorali [Polish Goral dances] (research paper). (Presented to

Ogolnopolska scientific conference, "Tradycyjna i wspolczesna kultura wsi karpackiej," organized by Wojewodzki OSrodek Kultury, held at Nowy Sacz.)

1985a Wesele kurpiowskie [Wedding in Kurpie], Krakow: Polskie Wydawnictwo Muzyczne. (224 pages; music notation.)

1985b "Folklor taneczny, a jego adaptacje sceniczne" [Dance folklore and its adaptation for the stage]. ZiemiaGdariska, Biuletynmetodyczny 144-145:46-61. Gdarisk, Poland: Wojewodzki OSrodek Kultury.

1986a "Tarice kociewskie” [Dances in Kociewie]. Kociewie w muzyce: 17-24. DrugaOgolnopolska Sesja Naukowa. Gdarisk, Poland: Akademia Muzyczna, Wojewodzki OSrodek Kultury.

1986b Ethnochoreologische Dokumentationsprobleme in der Vergangenheit und Heute[Ethnochoreological problems of documentation in the past and present] (research paper). (Presented to the ICTM Study Group on Ethnochoreology, held at Neubrandenburg, East Germany.)

1987a "Research on popular dance in Poland." International monograph on folk dance (Poland, Portugal, Sweden) 2:37-55. Budapest: CIOFF and the Methodological Institute of the Hungarian National Centre for Culture. (Also in French, pages 5-23.)

1987b Autentyczny folklor taneczny a scena [Authentic dance folklore and the stage] (research paper). (Presented to Ogolnopolska scientific conference, "Folklor i folkloryzm," organized by Wojewodzki OSrodek Kultury, held at Nowy Sacz.)

1987c Volks tiimmliche Quellen derpolnischen Nationaltanze (Polonaise, Krakoviak, Masur, Oberek, Kuiaviak) [Folk question of Polish national dances (Polonaise, Krawkowiak, Mazur, Oberek, Kujawiak)] (research paper). (Presented to the 29th ICTM conference, held in East Berlin; July.)

1989 Taricujze dobrze. Tarice polskie [Dance well. Polish dances]. Warsaw: Wydawnictwa Szkolne i Padagogiczne. (600 pages; music notation.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -12- Dabrowska

1989 "DerTanzalsEinervonKomponentendertradmonellenKultur." LisbetTorp (editor), The dance event: a complex cultural phenomenon:44-53. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology; summary in English.)

ELSIE IVANCICH DUNINLos Angeles, California, UNITED STATES

Duinin, Elsie1966 Silent dances of the Dinaric Mountain area: analysis of purpose, form, and style of

selected dances (master's thesis). Los Angeles: University of California, Department of Dance. (146 pages; Labanotation.)

1971 "Gypsy wedding: dance and customs." Makedonski folklor 4(7-8):317-326. Skopje, Yugoslavia: Institut za Folklor.

1973 "CoCek as a ritual dance among Gypsy women." Makedonski folklor 6(12): 193-198. Skopje, Yugoslavia: Institut za Folklor.

Dunin, Elsie; Mihailo Dimoski; Stanimir ViSinski1973 Makedonski narodni plesovi [Macedonian folk dances]. Zagreb: Prosvjetni Sabor

Hrvatske. (153 pages; in Croatian, English; Labanotation.)

Dunin, Elsie Ivancich1975 "Winter dance events among South Slavic immigrants in California." Makedonski folklor

8(15-16): 165-175. Skopje, Yugoslavia: Institut za Folklor.

1979 South Slavic dance in California: a ■Compen.diumfpr the years 19_24J_£7_7_. Palo Alto,California: Ragusan Press. (204 pages.)

Dunin, Elsie Ivancich; Nancy Lee Chalfa Ruyter1981 Yugoslav dance: an introduction and list of sources available in United States libraries.

Palo Alto, California: Ragusan Press. (108 pages.)

Dunin, Elsie Ivancich1981-1982 "Change in South Slavic/American dance." Dianne Woodruff (editor), Dance research

journal 14(l-2):59-61. New York: Congress on Research in Dance.*" ’ OH'S. • -< o f'f mf Jet

1983 "Festival dress at a Gypsy svadba." Ornament 7(2):22-23. Los Angeles, California:Ornament.

1984a Dance occasions and festive dress in Yugoslavia. UCLA monograph series 23. LosAngeles, California: University of California, Museum of Cultural History. (72 pages; monograph and museum exhibit catalogue.)

1984b "Prikazi knjiga [Book review], South Slavic dances in California: a compendium for theyears 1924-1977." Narodno stvaralastvo 1-4:120-122. Beograd: Savez Udruzenja Folklorista Jugoslavije. (In Serbo-Croatian.)

1984c "Yugoslav and Bulgarian dances in the California folk dance movement." Folk dancescene 18(10):6-8. Los Angeles, California: Folk Dance Federation of California, South.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -13- DabrowskaX>unin

1984d Perception and responsibility of recording dance in social contexts (research paper). (Presented to the international congress on movement notation held at Tel Aviv University, Israel; August)

1984e Dance as cultural expression among California South Slav/Americans (research paper). (Presented at the 5th international congress on southeast European studies, held in Beograd, Yugoslavia; September.)

1985a "Dance change in context of the Gypsy St. George's Day, Skopje, Yugoslavia, 19671977." Joanne Grumet (editor), Papers from the fourth and fifth annual meetings of the Gvpsv Lore Society. North American Chapter 2:110-120. New York: Gypsy Lore Society, North American Chapter.

1985b ’"Kolo1 among Gypsies in North America and Yugoslavia." Joanne Grumet (editor),Papers from the fourth and fifth annual meetings of the G v p s v Lore Society. North American Chapter 2:164-171. New York: Gypsy Lore Society, North American Chapter.

1985c South Slavic/American youth performance ensembles-dance and music (research paper). (Presented at the International Council for Traditional Music [ICTM] conference, held in Stockholm and Helsinki; July.

1985d La Pandilla: uncovering a European dance structure in a Peruvian Andes social context (research paper). (Presented at the Congress of Research in Dance [CORD] conference, held at Ohio State University, Columbus, Ohio; October.

1986 Recording dance in fieldwork, then and now (research paper). (Presented at the Congress on Research in Dance [CORD] and Smithsonian Institution conference entitled "Researching dance through film and video," held at Museum of Natural History, Washington, D.C.; April.)

1987 "Lindo in the context of village life in the Dubrovnik area of Yugoslavia." Lynn Ager Wallen; Joan Acocella (editors), A spectrum of world dance. Dance research annual 16:1-4. New York: Congress on Research in Dance. (Selected papers from the 1982 and 1983 CORD conferences.)

1988a "Serbian Gitanos in Chile: immigration data." Cara DeSilva; Joanne Grumet; David J.Nemeth (editors) Papers from the eighth and ninth annual meetings: Gvpsv Lore Society. North American Chapter, publications 4:105-120. New York: Gypsy Lore Society, North American Chapter.

1988b "’Salonsko kolo’ as cultural identity in a Chilean Yugoslav community (1917-1986)."Narodna umietnost. special issue 2:109-122. Zagreb: Institute of Folklore Research.

1988c "Gypsy dance events in California." The international seminar on Gvpsv dance, June 810. 1987. Kuopio. Finland:43-51. Helsinki, Finland: The Dance Council of Finland.

1988d Guide to LCs LN: A guide on how to write Labanotation with the Apple Macintoshcomputer using LCs LN in accompaniment with FullPaint or MacPaint. Los Angeles: Kinko's Academic Courseware for the Regents of the University of California (Computer software and documentation; 34 pages.)

I988e Starobosansko kolo in Yugoslavia and in California (booklet). San Carlos, California:Ragusan Press. (34 pages; Labanotation.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -14- Dunin

1988f Traditional wedding in a contemporary context in the Dubrovnik area (research paper with slides, video). (Presented to the sixth Yugoslav studies seminar, "Dubrovnik, a living history," held at UCLA; February.)

1988g 'LCs LN: a program for writing Labanotation with the Apple Macintosh computer."International conference on Coordination Method Dance Notation and application: digest of papers:91-93. Nanjing, China: The Academy of Arts of China and Nanjing Institute of Technology. (In Chinese and English.)

1988h Migrations and cultural identity expressed through dance: a study of dance among South Slavs in California (research paper). (Presented at a conference on populations migrations in the Balkans from pre-History to recent Times, co-sponsored by the University of California at Santa Barbara [UCSB] Department of History and the Institute for Balkan Studies, Serbian Academy of Science Arts of Belgrade, Yugoslavia; held at the University of California at Santa Barbara; April.)

1988i Wedding dance custom: Je li santava?(Is the bride lame?) [research paper]. (Presented at the 2nd world conference on "Folk dance research" sponsored by the International Organization of Folk Art and International Dance Council of UNESCO, held in Larissa, Greece; July.)

1988j Dance theme in the northern desert of Chile: los Gitanos (research paper). (Presented at the 46th international congress of Americanists, held at the Vrije University in Amsterdam; July.)

Dunin, Elsie Ivancich; Candi Harrington deAlaiza1988 DdA Reference Format for Dance. Los Angeles: Dunin and deAlaiza. (46 pages.)

Dunin, Elsie Ivancich1989 "Dance events as a means to social interchange." Lisbet Torp (editor). The dance event:

a complex cultural phenomenon:30-33. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

ROSEMARIE EHM-SCHULZNeustrelirz, GERMAN DEMOCRATIC REPUBLIC

Lettow (Ehm)-Schulz, Rosemarie; Aenne Goldschmidt; Albin Fritsch1952 Per Tanz in der Laienkunst [Dance in popular culture]. Halle (Saale): Mitteldeutscher

Verlag; Edition, Zentralhaus fur Laienkunst

Lettow (Ehm)-Schulz, Rosemarie1953a "So tanzt man irn Mansfelder Land: Ein Feldforschungsbericht iiber Tanze in der

Hettstedter Gegend" [One danced so in Mansfelder Land: a field research report on dance in the region of Hettstedt]. Volkskunst (Folk Art) 8:3-5. Leipzig: Zentralhaus fiir Kulturarbeit der DDR.

1953b "Zur tanzerischen Gestaltung der Deutschen, Landler und Kontertanze von Schubert und Beethoven" [On the dance structure of the Deutschen, Landler and Kontertanze of Schubert and Beethoven]. Volkskunst 11:3-4. Leipzig: Zentralhaus fur Kulturarbeit der DDR.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -15- Dunin,Ehm-Schulz

1957 "Mit dem Schlitten quer durch den Darss: Ein Feldforschungsbericht zum Tanz an derOstseekiiste" [With a sledge across the Darss: A field work report on dance on the Baltic coast]. Volkskunst 2:11-13. Leipzig: Zentralhaus fur Kulturarbeit der DDR.

Ehm-Schulz, Rosemarie1960 Volkstanzexercice JFolk dance exercises]. Leipzig: Friedrich Hofmeister; Edition,

Zentralhaus fur Volkskunst.

1964 "Gold des Meeres: Quellen und Studien zur Vorbereitung eines Folklore-Balletts" [Goldof the Sea: Sources and studies for the preparation of a folk ballet], Volkskunst 9:40-43, 10:40-43,11:40-42. Leipzig: Zentralhaus fur Kulturarbeit der DDR.

1974a "Alte Polka: Paartanzgestaltung" [Old polkas: Couple dance design]. Der Tanz.Leipzig: Zentralhaus fUr Kulturarbeit der DDR; Edition: Zentralhaus fur Kulturarbeit der DDR.

1974b "Alte Mecklenburger Tanze: Paartanz" [Old Mecklenburger couple dances]. Der Tanz. Leipzig: Zentralhaus fur Kulturarbeit der DDR; Edition Zentralhaus fur Kulturarbeit der DDR.

1975 "Der Tanz in den Forschungen Richard Wossidlos: Ein Beitrag zur Herausarbeitung und Bestimmung der Charakteristik und Stilistik des mecklenburgischen Volkstanzes"[Dance in the research of Richard Wossidlos: a contribution to the development and determination of the characteristics and style of Mecklenburg folk dances]. Kolloquium des Staatlichen Folkloreensembles der DDR 1974:20-62. Wissenschaftliche Beitrage 4. Leipzig: Zentralhaus fur Kulturarbeit der DDR.

1976 "Strukturen und Gestaltungsprinzipien der mecklenburgischen Paartanze" [Structure and design principles of Mecklenburg couple dances]. 2. Kolloquium des Staatlichen Folkloreensembles der DDR 1976:37-46. Neubrandenburg: Staatliches Folkloreensemble der DDR, Rat des Bezirkes Neubrandenburg, Zentralhaus fur Kulturarbeit der DDR.

Ehm-Schulz, Rosemarie; Kurt Petermann1976 "Grundlagen der Strukture-und Formanalyse des Volkstanzes" [Basis of analysis of

structure and form of folk dances]. Neubrandenburg: Bezirkskabinett fur Kulturarbeit.

Ehm-Schulz, Rosemarie1980a "Ein Beitrag zur Erfassung der friihen Paaretanzformen in Europa" [A contribution to the

comprehension of early couple dance forms in Europe]. Konferenz-bericht. Stockholm "Uber die alteren Paartanzformen in Europa: 180-198. Stockholm: Arkivet for folklig dans, Dansmuseet.

1980b "Volkstanz-Forschung-Buhnentanz: Versuch der Annaherung und Verstandigung"[Folk dance-research-stage dance: An attempt at approach and understanding].Kolloquim des Staatlichen Folkloreensembles der DDR 1978:133-149.Neubrandenburg: Staatliches Folkloreensemble der DDR, Mecklenburgisches Folklorezentrum Tanz.

1980c Choreographie: Versuch einer Darstellung der historischen Entwicklung derRaumgestaltung [Choreography: attempt at a representation of the historical development of spatial design in dance]. Leipzig: Zentralhaus fur Kulturarbeit der DDR.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -16- Ehm-Schulz

1982a "Der tanzerischen Formung neue Inhalte erschlieBen: Eine Betrachtung zur historichen Entwicklung des Kammertanzes" [The inclusion of new content in dance structure: an observation on the historical development of chamber dances]. Tanztradition. Theoretische Beitrage zur intemationalen Werkstatt ARTAMA Kammertanz in der DDR. Leipzig: Zentralhaus-Publikation.

1982b Probleme-Uberlegungen-Versuche: Ein Beitrag zur Erfasung der friihen Paartanzformen in Europa anhend der deutschen literarischen und ikonographischen Dokumente. [Problems--considerations-attempts: a contribution to comprehension of early couple dance forms in Europe in reference to German literary and iconographic sources]. Schriftenreihe des Mecklenburgischen Folklorzentrums Abteilung Tanz [Series of the Dance Department of the Mecklenburg Folklore Center]. Neubrandenburg: Mecklenburg Folklorezentrum Abteilung Tanz; Bezirkskabinett fur Kulturarbeit Neubrandenburg.

1982c "Mazurka-Varianten in Mecklenburg" [Mazurka variants in Mecklenburg]. 4. Kolloauimdes Staatlichen Folkloreensembles derDDR 1981:36-63. Schriftenreihe des Mecklenburgischen Folklorezentrums Abteilung Tanz [Series of the Dance Department of the Mecklenburg Folklore Center]. Neubrandenburg: Mecklenburgisches Folklorzentrum Abteilung Tanz.

1983 Mecklenburgische Partanze dargestellt anhend alterer Ouellen mit Musikbeispeilen und Tanzbeschreibun gen [Mecklenburg couple dances are represented in old sources with music examples and dance descriptions]. Schriftenreihe des Mecklenburgischen Folklorezentrums Abetilung Tanz. [Series of the Dance Department of the Mecklenburg Folklore Center]. Neubrandenburg: Mecklenburgisches Folklorzentrum Abteilung Tanz.

1984 "Tanz und tanzerische Bewegung wahrend der Emtezeit in Mecklenburg" [Dance and dance-like movements during harvest time in Mecklenburg]. Emtebrauchtum einst und jetzt:37-45. Rostok, GDR: Mecklenburgischen Folklorezentrum fur die drei Nordbezirke.

1989 "New dance and custom events in the GDR as a result of revival" (summary of paper).Lisbet Torp (editor), The dance event: a complex cultural phenomenon:72-73. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

LASZLO FELFOLDI*Budapest, HUNGARY

Felfoldi, Laszlo1974a "Csongrad megyei gyermekjatek kutatas" [Research on children's games in Csongrad

county]. Somogvi Konwtari Miihelv 3. Szeged, Hungary.

1974b "A Bekes es Csongrad megyei disznotori szokasok dramatikus mozzanatairol" [About dramatic moments in pig-filling customs in Bekes and Csongrad countie ]. Laszlo Foldes (editor), Ethnographia 85(2-3):469-478. Budapest: Akademiai Kiado.

1975 "Irasos dokumentumok egy mezovaros tanckulturajarol" [Written sources of the dance culture in a peasant-town]. A Mora ferenc Muzeum Evkonwe 1974-1975 1:65-75. Szeged, Hungary.

&Editor's note: Listings are not reviewed by the author; some entries may be incomplete.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -17- Ehm-Schulz, Felfoldi

1976a "Keresztelo, lakodalom, temetes Kisteleken" [Christening feast, funeral and a wedding in Kistelek village]. Antal Juhasz (editor), Tanulmanvok Kistelek tortenetebol es nepeletebol:423-446. Szeged, Hungary: Kistelek Nagykozseg Tanacsa.

1978 "Tancelet, neptanc" [Folk dance life and folk dances]. Sandorfalva tortente es nepelete:341-360. Sandorfalva, Hungary.

1980a "Tancelet" [Folk dance life], Balint Sandor: Szosedi nemzet 3:907-922. Szeged, Hungary.

1981a "Hcto^ hhkh H3yqeHna xopeorpa^H êcK oa KyjiBTyptl o6ckhx yrpoB" [Sources of folk dance research of Ob-Ugrien peoples]. Congressus Ouartus Intemationalis Fenno-Ugristarum Budapestini habitus 9-15 Septembris 1975 4:87-92. Budapest: Akademiai Kiado.

1981b "IIpo6jieMi>I H3yêHHa xopeorpa<$>Hêcicoro HacjienHa $HHHO-yropcKHX HapoaoB" [Problems of folk dance research among Finno-Ugric peoples]. Congressus Quintus Intemationalis Fenno-Ugristarum. Turku 20-27. VIII 1980 8:166-171. Turku, Finland: Suomen Kielen Seura.

1982a "A magyar halottas tancok funkcionalis vizsgalata" [Functional analysis of the Hungarian funeral dances]. Halottkultusz. Elomunkalatok a Magvarsag Nepraizahoz 10:212-224. Budapest.

1982b "Egy ifju halott lakodalma Apatfalvan 1924-ben." [Wedding of a deceased youth atApatfalva village in 1924]. Muzeumi Kutatasok Cson grad megveben:95-101. Szeged, Hungary.

1983a "Adatok. Hodmezovasarhely tanckulturajarol" [Data about the dance culture ofHodmezdvasarhely]. Kiss Laios Emlekkonw:379-401; 429-430. Hodmezovasarhely, Hungary.

1983b "Adatok a deszki szerbek esovarazslo szokasairol" [Data about rain charming customs of Serbs living in Deszk village]. Muzeumi Kutatasok Csongrad megveben:29-34. Szeged, Hungary.

1983c "A szovijet neptanckutatas eredmenyeirol" [Results of Soviet folk dance research].Tanctudomanvi Tanulmanvok 1982-1983:425-449. Budapest: Magyar Tancmuveszek Szovetsege.

1983d A Maros menti nepek tanchagvomanva. kiilonos tekintettel a szerbek tancaira Pance tradition of the peoples living along the Maros River, especially the folk dances of the Serbs] (doctoral dissertation). Szeged, Hungary: Jozsef Attila University. (416 pages.)

1984a "Hagyomanyos gyermekjatekok es tancok Deszken" [Traditional children games and dances in Deszk village]. Deszk tortenete es nepraiza:851~Q07. Szeged-Deszk,Hungary. -

1984b "A Maros menti szerbek tancairol" [Dances of Serbs living along the Maros River], A Mora Ferenc Muzeum Evkonwe 1980-1981 1:163-189. Szeged, Hungary.

1984c "Adatok egy banati telepes kozseg neprajzahoz" [Data about folklife of a village in Banat]. Muzeumi Kutatasok Csongrad megveben:51-66. Szeged, Hungary.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -18- Felffildi

1985 "BeHrepcKHe noxopoHHfcleiaHm>I" [Hungarian funeral dances]. Congressus Sextus Intemationalis Fenno-Ugristarum Syktyvkar 1985:295-300. Budapest: Akademiai Kiado.

1986 "On the folk dance tradition of the South Slavs in Hungary." Edit Kaposi (editor), Hungarian Dance News 1:21-24. Budapest: Magyar Tancmiiveszek Szovetsege.

1987 "A finnugor nepek neptanckutatasarol" [About folk dance research of the Finno-Ugric peoples]. Tanctudomanvi Tanulmanvok 1986-1987:291-311. Budapest: Magyar Tancmiiveszek Szovetsege.

1988a "Folk dance in the Academy of Sciences." Kaposi Edit (editor), Hungarian Dance News 1:25-28. Budapest: Magyar Tancmiiveszek Szovetsege.

1988b "A magyarorszagi ciganysag tanckulturajanak kutatasarol" [About research of the dance culture of Gypsies in Hungary], Miihelvtanulmanvok a nvelveszet es tarstudomanvai korebol 4:71-77. Budapest: MTA Nyelvtudomanyi IntezeL

ANCA GIURCHESCUCopenhagen, DENMARK

Giurchescu, Anca1957 "Jocurui din Vrancea" [Folk dances from Vrancea], Revista de folclor 2(4):55-76.

Bucuresti: Editura Academiei Republicii Socialiste Romania.

1959 "Despre ciclurile de joc din Ardeal" [On the dance cycles from Transylvania], Re vista defolclor 4(l-2):261-278. Bucuresti: Editura Academiei Republicii Socialiste Romania.

Giurchescu, Anca; and others1959 "Suita de dansuri bulg&resti" [Bulgarian dance suite] and "Suita de dansuri tataresti"

[Tartar dance suite], Dansuri populare ale nationaiMtilor conlocuitoare din Romania. Bucuresti: Editura pedagogics.

Giurchescu, Anca1960 "CIteva probleme legate de aspectual contemporan al jocului popular romanesc" [Some

problems regarding the contemporary aspect of Romanian folk dance]. Revista de folclor 5(3-4):65-72. Bucuresti: Editura Academiei Republicii Socialiste Romania.

Proca Ciortea, Vera; Emanuela Balaci; Andrei Buc$an; Constantin Costea; Anca Giurchescu; Paraschita Stef&nescu1961 40 dansuri populare: antologie alcatuita de sectia coregrafica a Institutului de Folclor [40

folk dances: anthology by the department of choreography of the Folklore Institute], Bucuresti: Institutul de Folclor.

Giurchescu, Anca1962 "Opportunities for folk dancing in the upper Muresh Valley." Information bulletin 5:6-9.

Bucharest: National Committee of the International Folk Music Council. (Prepared on occasion of the folklore festival of the Balkan and Adriatic countries; July/August.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -19- Felfoldi, Giurchescu

Giurchescu, Anca; Constantin Costea1962a "Aspecte noi si traditionale din raionul Toplita" [New and traditional aspects of Toplita

county]. Revista de folclor 7f3-4):97-10L Bucuresti: Editura Academiei Republicii Socialiste Romania.

1962b "HaidSul" [The HaidSul dance]. Revista de folclor 7(3-4):94-117. Bucuresti: Editura Academiei Republicii Socialiste Romania.

Giurchescu, Anca1963a "Discutii asupra terminologiei in jocul popular" [Discussion about folk dance

terminology]. Revista de folclor 8fl-2):163-164. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1963b "Adoptarea sistemului de notatie Laban-Knust" [Adoption of Laban-Knust notationsystem]. Revista de folclor 8(1-2): 165-166. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1963c "Jocurile ciob&nesti din satul Dumbrava" [Pastoral dances of the village Dumbrava]. Revista de folclor 8(3-4):60-73. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1964a "Analiza structurii dansului popular romanesc" [Structural analysis of Romanian folk dance]. Revista de etnografie si folclor 9(2):191-199. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1964b "Was erwarten wir von einer zeitgenossischen folkloristischen choreographie?" [What do we expect from contemporary dance folklore research], Der tanz 12:19-21. Leipzig: Zentralhaus fur Kulturarbeit.

1965a "Probleme des rumanischen Volkstanzes" [Problems of Rumanian folk dances]. Per tanz: Fachausgabe der volkskunst 1:18-21. Leipzig: Zentralhaus fur Kulturarbeit.

1965b "Observatii asupra structurii arhitectonice a dansurilor cu forma fix3" [Observations onthe architectonic structure of fixed form dances]. Revista de etnografie si folclor 10(4):389-397. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1966 "Filmul ca instrument al cercetarii folclorice" [Film as a tool for folklore research]. Revista de etnografie si folclor 11(3):251-258. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1967 "Purtale de fete de pe valea Timavelor" [Girl’s Purtate from Tirnava Valley]. Revista de etnografie si folclor 12(4):283-297. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1968 "Aspecte ale fenomenului de improvizatie in dansul popular romanesc" [Aspects of the phenomenon of improvisation in Romanian folk dance]. Revista de etnografie si folclor 12(3):229-234. Bucuresti: Editura Academiei Republicii Socialiste Romania.

Proca Ciortea, Vera; Anca Giurchescu1968 "Quelques aspects theoriques de l'analyse de la danse populaire" [Some theoretical

aspects of folk dance analysis]. Langages 10:87-93. Paris: Didier/Larousse.

Giurchescu, Anca1970a "Dansul in obiceiul cSlusarilor" [Dance in the Caiusari custom], Stidii. referate si

comunicari. Festivalul Caiusului (1969) [Studies, papers and communications, C31us Festival (1969)]:29-41. Slatina, Romania: Comitetul de cultura si arta a judetului Olt.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -20- Giuxchescu

1970b "Cercetarea contextual^ a dansului popular" [Contextual research in folk dance]. Revista de etnoerafie si folclor 15(l):21-28. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1971 "Raportul intre modelul folcloric si produsele spectaculare de dans popular" [Relationshipbetween the folklor model and staged folk dance products]. Revista de etnografie si folclor 16(5):369-374. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1971 "Raportul intre modelul folcloric si produsele spectaculare de dans popular" [Relationshipbetween the folklor model and staged folk dance products]. Revista de etnografie si folclor 16(5):369-374. Bucuresti: Editura Academiei Republicii Socialiste Romania.

Giurchescu, Anca; Radu Niculescu1971 Theses sur la structure de la danse folklorique [Theses on the structure of the folk dance]

(research paper). (Presented at the symposium on audio-visual semiotics, held in Urbino, Italy; July.

Giurchescu, Anca1972a "Functionalitatea dansurilor funebre in conceptia popular^" [Function of the funeral

dances according to people's traditional outlook]. Folclor literar 3:121-128. Timisoara, Romania: Universitatea din Timisoara, Facultatea de Filologie.

1972b "Repertory of folk dances." The "Iron Gate" complex atlas:260-262. Bucharest: The Publishing House of the Academy of the Socialist Republic of Romania.

Simon, Franz (producer); Anca Giurchescu (film consultant, author)1972a Beklagen derToten zu Pfingsten in Priseaca. 1969 [Lamenting the deceased at Pentacost

in Priseaca, 1969] (motion picture film; booklet). Encyclopaedia Cinematographica: Region Sudost-Europa, Rumanien. Gottingen, Germany: Institut fur den Wissenschaftlichen Film. (16mm; 5 minutes; E1587)

1972b Pfingstbrauch der Kaluscharen, Aufrichten der Fahne und Tanz auf einem Hof inPriseaca. 1969 [Custom of the C2lu$ari at Pentacost. Raising of the flag and dancing in a courtyard in Priseaca, 1969] (motion picture film). Encyclopaedia Cinematographica: Region Sudost-Europa, Rumanien. Gottingen, Germany: Institut fur den Wissenschaftlichen Film. (16mm; 23 minutes; E1653.)

1972c Pfingstbrauch der Kaluscharen. Aufrichten Totenspiel in Priseaca. 1969 [Custom of the C&lusari at Pentacost Executing the death-play in Priseaca, 1969] (motion picture film). Encyclopaedia Cinematographica: Region Sudost-Europa, Rumanien. Gottingen, Germany: Institut fur den Wissenschaftlichen Film. (16mm; 26 minutes; E l654.)

1972d Pfingstbrauch der Kaluscharen. Tanzwettstreit zweier Gruppen in Priseaca. 1969 [Custom of the C&lusari at Pentacost Dance competition between two groups in Priseaca, 1969] (motion picture film). Encyclopaedia Cinematographica: Region Siidost- Europa, Rumanien. Gottingen, Germany: Institut fur den Wissenschaftlichen Film. (16mm; 23 minutes; E1655.)

1972e Pfingstbrauch der Kaluscharen. "Begraben" der Fahne in Priseaca. 1969 [Custom of the CSlusari at Pentacost. "Burial" of the flag in Priseaca, 1969] (motion picture film). Encyclopaedia Cinematographica: Region Sudost-Europa, Rumanien. Gottingen, Germany: Institut fur den Wissenschaftlichen Film. (16mm; 10 minutes; E1656.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -21- Giurchescu

Giurchescu, Anca1973a "La danse comme objet semiotique" [The dance as a semiotic object]. Yearbook of the

IFMC 5:175-178. Kingston, Ontario, Canada: International Folk Music Council.

1973b "Unele aspecte ale interferentei dintre sfera culturii populare si cea a culturii de masi" [Some aspects of the interference between the spheres of the folk culture and the mass culture]. Revista de etnografie si folclor 18(3):181-190. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1974 "The Caius." Martin Koenig (editor), Balkan-irts traditions:25-29. New York: Balkan Arts Traditions Spring Festival.

Giurchescu, Anca; Constantin Eretescu1974 Folclor coregrafic din Tara Vrancei [Choreographic folklore of the Land of Vrancea].

Focsani, Romania: Central de indramare a creatiei populare.

Giurchescu, Anca; and others (all as members of the IFMC Study Group for Folkdance Terminology)1974 "Foundation for the analysis of the structure and form of folk dance: A syllabus." 1972

Yearbook of the IFMC 6:115-135. Kingston, Ontario, Canada: International Folk Music Council.

Simon, Franz (producer); Anca Giurchescu (film consultant, author)1974 Pfingstbrauch der Kaluscharen in Priseaca. 1969 [Custom of the Caiusari at Pentacost in

Priseaca, 1969] (motion picture film). Encyclopaedia Cinematographica: Region Siidost- Europa, Rumanien. Gottingen, Germany: Institut fur den Wissenschaftlichen Film. (16mm; 37 minutes; summary film with commentary of earlier 1972 films on the 1969 Caiusari ritual at Priseaca; E2020.)

Giurchescu, Anca1975 "Idoszerii kerdesek a roman neptanckutatasban" [Present-day inquiries in Romanian folk

dance research]. Tanctudomanvi tanulmanvok: 191-204. Budapest: Magyar Tancmiiveszek Szovetsege.

1976 Obiceiul caiusului - permanent^ a culturii romanesti [The Calush custom - permanency of the Romanian culture] (research paper). (Presented at the scientific session of the Institute of Ethnological and Dialectological Research, held in Bucharest, Romania; September.)

1977 "Valorificarea folclorului in cadral festivalului national 'Cintarea Romanei'" [The use of folklore in the context of the national festival "Song to Romania"]. Revista de etnografie si folclor 22(2):227-231. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1979 "Tr&s&turi specifice ale dansului popular romanesc in context european" [Characteristictraits of the Romanian folk dance in the European context]. Anuarul institutului de cercetari etnologice si dialectologice A 1:243-250. Bucuresti: Editura Consiliului Culturii si Educatii Socialiste.

1983a "The process of improvisation in folk dance." Roderyk Lange (editor), Dance studies7:21-56. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

1983b "Entwurf einer Klassifizierung der rumanischen Kettentanze" [Project for theclassification of the Romanian chain dances]. Dabrowska, Grazyna, Kurt Petermann (editors), Analyse und Klassifikation von Volkstanzen. Klassifikation der europaischen Volkstanze mit besonderer Beriicksichtigung der Reigen und Solotanze:160-190. Krakow, Poland: Polske Wydawnuctwo Muzyczne.


1983c De la ritual la teatru. Procesul de transfarmare a C&lusului [From ritual to theatricalperformance. The process of tranformation of C&lus] (research paper). (Presented at the EQ-eme congres international d'etudes roumaines, held in Avignon, France; September.)

1984a "European perspectives in structural analysis of dance." Janet Adshead (editor), Dance--a multicultural perspective. Report of the third Study of Dance Conference:33-48. Guildford, England: University of Surrey.

1984b "Danse et transe: les Gilusari. Interpretation d'un rituel Valaque" [Dance and trance: the C&lusari. Interpretation of a Wallachian ritual]. Jacques Bouet (editor), Dialogue 1213:81-117. Montpellier, France: Groupe d'etudes Roumaines, Universite Paul Valery.

1984c Folklore and folklorism in the cultural communication between Romania and the Western World (research paper). (Presented at the 8th convention of the American Romanian Academy of Arts and Sciences, held at University of California, Davis, April.)

1984d Romanian Folklore and State Cultural Management (research paper). (Presented at a stateand folklore conference, sponsored by the American Council of Learned Societies, Joint Committee on Eastern Europe, the Rockefeller Foundation, and the International Research and Exchanges Board, held in Bellagio, Italy; August/September.)

1985a "El folklore y el folklorismo de estado en Rumania" [Folklore and state folklorism in Romania]. Encuentros intemacionales cultura tradicional. Portugalete. 1984:83-93. Vitoria-Gasteiz, Spain: Servicio Central de publicaciones del gobiemo Vasco.

1985b "Dansen som kulturel udtryksform" [Dance as a cultural expression]. Humaniora 198384 6:191-197. K0benhavn: Danish Research Council for the Humanities.

1986a "Power and charm. Interaction of adolescent men and women in traditional settings."Yearbook for traditional music 18:37-46. New York: International Council for Traditional Music.

1986b Dance text and contextual research (research paper). (Presented at the ICTMEthnochoreology Study Group meeting, held in Neubrandemburg, East Germany; March.)

1986c Analiza unei ocazii de dans. Hora satului in Maramures [A dance-event analysis. Thevillage Hora of Maramures] (research paper). (Presented at the IV-eme congres international d'etudes roumaines, held in Paris, France; July.)

1987a "The national festival 'Song to Romania': Manipulation of symbols in the politicaldiscourse." Claes Arvidsson, Lars Erik Blomqvist (editors), Symbols of power. The aesthetics of political legitimation in the Soviet Union and Eastern Europe: 163-171. Stockholm: University of Uppsala, Nordic Committee for Soviet and East European Studies.

1987b Le symbolism de la danse dans le ceremoniel funeraire chez les Roumains (researchpaper). (Presented at seminaire Europeen d'ethnomusicologie, held in Paris; October.)

1987c Continuity and discontinuity in the cultural tradition of the Yugoslav Vlahi, living inDenmark (research paper). (Presented at the 29th conference of the International Council for Traditional Music [ICTM], held in East Berlin; July.)


1987d Le pouvoir symbolique de la femme dans la societe traditionnelle roumaine [The woman's symbolic power in the Romanian traditional society] (research paper). (Presented at the encuentros intemationales cultura tradicional, held in Portugalete, Spain; March.

1988a "Continuitate si discontinuitate in traditia cultural^ a Romanilor din sudul DunSrii stabiliti in Danemarca" [Continuity and discontinuity in the cultural tradition of the Romanians from the southern side of the Danube settled in Denmark]. Ion Manea (editor), Journal of the American Romanian Academy of Arts and Sciences 11:231-243. Davis, California: American Romanian Academy of Arts and Sciences.

1988b "The dance discourse. Dance suites and dance cycles of Romania and some other European dance cultures." Roderyk Lange (editor), Dance studies 11:9-71. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

1989a "A question of method: Contextual analysis of dancing at the Vlachs" 'Hora' inDenmark." Lisbet Torp ('editor'). The dance event: a complex cultural phenomenon:34- 43. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

1989b Sexual undercurrents in traditional dancing (research paper). (Presented to the 10th UCLA dance ethnology forum of the UCLA Graduate Dance Ethnology Association, held in Los Angeles; February.)

JEAN-MICHEL GUILCHERParis, FRANCE

Guilcher, Jean-Michel1947 Dix danses simples des pavs de France [Ten easy dances from France], Paris:

Flammarion. (38 pages; publication directed toward educators, with descriptions, music and illustrations.)

1951, 1956 Rondes et ieux danses rCircles and dance games!. Paris: Flammarion. (95 pages; publication directed toward educators.)

Guilcher, Jean-Michel; Helene Guilcher1952 "La danse ronde en Leon" [The circle dance in Leon]. Annales de Bretagne 59:1-19.

Rennes, France: Universities of Rennes et Nantes, Faculte des Lettres et Lciences Humaines.

1954 "Derobees et Monferines en Basse-Bretagne" [Derobees and Monferines (dance names) in Lower Brittany], Annales de Bretagne 61:111-124. Rennes, France: Universities of Rennes et Nantes, Faculte des Lettres et Lciences Humaines.

1955 "La danse du loup" [The dance of the wolf], Ar Falz. June-July:l-4. Brest, France: Centre culturel et pedagogique Ar Falz.

Guilcher, Jean-Michel1956 "Deux danses du Lavedan" [Two dances from Lavedan], Arts et traditions populates,

January-March:l-29. Paris: Musee National des Arts et Traditions Populaires.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -24- GiurchescujGuilcher

1958 "La tradition ancienne de danse en Tregor" [The old dance tradition in Tregor]. Annales de Bretagne 65:489-507. Rennes, France: Universities of Rennes et Nantes, Faculte des Lettres et Lciences Humaines.

1960 "L'aire neuve en Basse-Bretagne" [The new threshing floor in Lower Brittany]. Arts ettraditions populaires. January-December:158-164. Paris: Musee National des Arts et Traditions Populaires.

1963 La tradition populaire de danse en Basse-Bretagne [The popular dance tradition in LowerBrittany], Ecole pratique des hautes etudes. Paris: Mouton. (615 pages; second edition published by Mouton in 1976.)

1965 "Les formes anciennes de la danse en Berry" [The old dance forms in Berry]. Arts ettraditions populaires. January-March:l-34. Paris: Musee National des Arts et Traditions Populaires.

1967 "Conservation et renouvellement dans la culture paysanne ancienne de Basse-Bretagne"[Conservation and renewal in the village culture of Lower Brittany]. Arts et traditions populaires. January-March:l-18. Paris: Musee National des Arts et Traditions Populaires. .

1968 "Les demiers branles de Beam et Bigorre" [The last branles from Beam and Bigorre], Arts et traditions populaires. July-December:259-292. Paris: Musee National des Arts et Traditions Populaires.

1969a La contredanse et les renouvellements de la danse francaise [The contra dance andrenewals of the French dance]. Paris: Mouton. (234 pages.)

1969b "Les formes basques de la danse en chaine" [Basque forms of the linked circle dance].Arts et traditions populaires. January-June:l-54. Paris: Musee National des Arts et Traditions Populaires.

1969c "Danses et corteges traditionnels du camaval en pays de Labourd" [Dances and traditionalcarnival parades in the area of Labourd]. Bulletin de Musee Basque 46(4): 157-189. Bayonne, France: Musee Basque.

1969d "Andre Lorin et l'invention de l'ecriture choregraphique' [Andrew Lorin and the creationof dance notation]. Revue d'histoire de theatre 3:256-264. Paris: Societe d'histoire du theatre.

I969e "L'air de Godalet-dantza" [The melody of the glass-dance]. Gure Herria 2:71-78.Ustaritz, France: LAssociation "Gure Herria."

Guilcher, Jean-Michel; Helene Guilcher1970 "L'enseignement militaire de la danse et les traditions populaires" [Military teaching of the

dance and popular traditions]. Arts et traditions populaires. January-September:l-56. Paris: Musee National des Arts et Traditions Populaires. (Reprinted in Paris by G.-P. Maisonneuve et Larose in the Approches de nos traditions 0^65 :273-328.')

Guilcher, Jean-Michel1971 "Aspects et problemes de la danse populaire traditionnelle" [Aspects and problems of

traditional popular dance]. Ethnologie frangaise:7-48. Paris: Musee National des Arts et Traditions Populaires.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -25- Guilcher

1975a "Les conditions de la culture traditionnelle en Aubrac" [The conditions of the traditional culture in Aubrac]. L'Aubrac 5:19-30. Paris: Centre National de la Recherche Scientifique.

1975b "Les danses de 1'Aubrac" [Dances of Aubrac]. L'Aubrac 5:293-346. Paris: Centre National de la Recherche Scientifique.

1976 "La danse en Occident" (The dance in the West). Science de la musiaue, dictionnaire dela musique:282-287. Paris: Bordas. (Part of an article, entitled "Danse.")

1975-1979 "Les mutil dantza du Haut-Baztan" [Several dances of Upper Baztan]. Bulletin du Musee Basque 67, 73, 74, 79, 86. Bayonne, France: Musee Basque.

1978 "La danse traditionnelle en Basse-Bretagne" [The traditional dance in Lower Brittany],Bretagne:318-326. Paris: Christine Bonneton.

1981 "Regions et pays de danse en Basse-Bretagne" [Regions and areas of dances in LowerBrittany]. Le Monde Alpin et Rhodanienl:33-47. Grenoble, France: Musee Dauphinois.

1983 "La danse traditionnelle dans les provinces basques de France" [The traditional dance inthe Basque provinces of France]. Etre Basaue:403-425. Toulouse, France: Privat.

1984a La tradition de danse en Beam et Pavs Basque francais [The dance tradition in Beam andthe French Basque country], Paris: Maison des Sciences de l'homme. (727 pages.)

1984b "Le domaine du rigodon. Une province originale de la danse" [The area of rigodon. Anoriginal province of the dance]. Le Monde Alpin et Rhodanien 1 (2):7-71. Grenoble, France: Musee Dauphinois.

1987 "Danse. Le folklore des pays de France" [Dance. The folklore of the regions of France].Universalia:427-429, Paris: Encyclopedia Universalis,

HELENE GUILCHERParis, FRANCE

Guilcher, Helene1964 "La danse traditionnelle a Saint-Nicolas-de-Veroce (Haute-Savoie)" [The traditional dance

in Saint-Nicolas-de-Veroce (Upper Savoy)]. Arts et traditions populaires, January- March:3-29. Paris: Musee National des Arts et Traditions Populaires.

ANA ILIEVA (AHa HJIHeBa)Sofia, BULGARIA

Ilieva, Ana (HJineBa, AHa)1964 "My3 HKajiHO-«$>ojiKj:opHH npoy^asaHa b CBoreHCKo" (Muzikalno-folklomi

prouCavania v Svogensko) [Musical folklore research in the Svogen area H3BecT] (Izvestiia) 10:165-216. Sofia: Bulgarska Akademiia na Naukite, Institut za Muzika. (Summary in French.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -26- Guilcher, Guilcher, Ilieva

1969 "BtnpocH Ha neceHHHs ctnpoBozi b Bi >JirapcKHS TaHijoB <$>o jik jio p"(Vuprosi na pesenniia suprovod v Bulgarskiia tancov folklor) [Matters of Bulgarian folk dance song accompaniment]. B JirapcK amvshks [Bulgarska muzika] 4:20-24. Sofia: Union of Bulgarian Composers.

1971a B-LJirapcKHTe HapoaHH TaHijH h TsiXHaTa My3 HKa (Bulgarskite narodni tanci i tiahnata muzika) [Bulgarian folk dances and their music]. E-kJiraDrirn

(Bulgarsko muzikoznanie) 1:91-125. Sofia: Nauka i izkustvo.

1971b "K Bonpocy o KJiacH4>HKauHH Bo.nrapcKHX HaponHHX TaHijeB" (K voprr m o klasifikacii Bolgarskih narodnih tancev) [Questions about the classification of Bulgarian folk dances]. MaKeflOHCKHôjikjtod (Makedonski Folklor) 4(7-8):283- 288. Skopje: Institut za Folklor. (Summary in Macedonian.)

1972a "no B-Liipoca 3 a Knacn4>HKamiSTa Ha BtJirapcKHa TaHijOB <$»ojikjiop" (Po Vuprosa zaklasifikaciiata na Bulgarskiia tancov folklor) [On the matters of classification of Bulgarian folk dances], npo6 jieMH Ha 5T>jirapcKHg d.0 jricj!0 P (Problemi na Bulgarskiiafolklor):247-255. Sofia: BulgarskaAkademiianaNaukite.

Ilieva, Ana; B. Tumangelov (HjineBa, AHa; B. TyMaHrejiOB)1972 "06peztHHTe n rpn h xopa b BtJirapcKHTe HapojiHH npa3 HHijH h o 6 Hân"

(Obrednite igri i hora v Bulgarskite narodni praznici i obiCai). [Ritual games and dances in Bulgarian holidays and customs], TaHiioBohskvctbo (Tancovo izkustvo) 9-10: 1131. Sofia: Nauka i iskustvo.

Ilieva, Ana (HnneBa, Ana)1974a "BtJirapcKH HapoziHH TaHijH h xyaoxecTBeHa caMOflefiHOCT" (Bulgarski

narodni tanci i hudozestvena samoaeinost). [Bulgarian folk dances and amateur arts], Hsgecilia (Izvestiia) 17:113-118. Sofia: Bulgarska Akademiia na Naukite, Institut za Muzika.

1974b laanOB frQJlEJiOP n..C3iBB.eMeHii..<£>oPMH Ha HapogHHTe Tarnra (Tancovfolklor i suvremeni formi na narodnite tanci) [Dance folklore and modem patterns of folk dances], Burgas, Bulgaria: Komitet za izkustvo i kultura. (34 pages.)

1974c HPo6 jieM.ii 3a TaHiiosaTa caMQiieftHO.CT (Problemi za tancovata samodeinost) Pance amateur arts problems], Tumovo, Bulgaria: Komitet za izkustvo i kultura.

1976a "Bulgarian dance folklore." Walter W. Kolar (editor'). The folk arts of Bulgaria:213-225. Pittsburgh, Pennsylvania: Duquesne University Tamburitzans Institute of Folk Arts.

1976b "XaHp h $opMa Ha 2o6pyaiKaHCKHSi TaHijOB 4>ojiicjiop" (2anr i forma na Dobrudzanskiia tancov folklor) [Genre and form of Dobruzhan folk dances],

.m a P O flBHTe TPaa amtH b CT>BPeMeHHaia HaimoHajiHa KYJIIYPa (Folklorut i narodnite tradicii v suvremennata nacionalna kultura): 146-150. Sofia: Bulgarska Akademiia na Naukite.

1977a "ôpMoo6pa3yBamaTa pojia Ha cottaajiHO-dHTOBHTe <$>aKTopH bp a 3 B H T H e T 0 H n p e O C M H C H JIH e TO H a 4 > O H K JIO P H H Te T a H I IH " (Formoobrazuvashtata rolia na socialno-bitovite faktori v razvitieto i preosmislianeto na folklomite tanci) [The role of social and life factors in the development and reassessment of folk dance structures], <E0 JiKJi0 PH0 6 mecTB0 (Folklor i obSestvo):96-100. Sofia: Bulgarska Akademia na Naukite.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -27- Ilieva

1977b Bulgarian dance folklore. Thomas Roncevic (translator). Pittsburgh, Pennsylvania: Dutifa-Tamburitza Press. (22 pages.)

1978 HapojHH TaHim ot CpenHoropneTO (Narodni tanci ot Srednogorieto) [Folkdances of the Sredna Gora area]. Sofia: Bulgarska Akademiia na Naukite. (523 pages.)

1979a "HapoztHHTe TaHijH npe3 Bt3paa:ziaHeTo" (Narodnite tanci prez VuzraManeto)[Folk dances during the Bulgarian renaissance]. H3 HCTOPnaTa Ha B-bJirapcKaTa My3HKaitHa KYJiTVPa 19 g HatjajiCTo Ha 20 Beic Qz istoriiata na Bulgarskata muzikalna kultura 19 i naCaloto na 20 vek):49-51. Sofia: Nauka i Iskust o.

1979b "CipyKTyphoto H3rpaxaaHe Ha EtJirapcKHTe HapoaHH TaHijH KaTOKpHTepHH Ha HCTopntiecKa CTpaTH<f>HKaqHa" (Struktumoto izgrazdane na Bulgarskite narodni tanci kato kriterii na istorifieska stratifikaciia) [Bulgarian folk dance structure building as a criteria of the historical stratification]. E^jrrar»ci;o Mv3KKQ3HaHne (Bulgarsko Muzikoznanie) 3:29-40. Sofia: Bulgarska Akademiia na Naukite.

1981a n po6jieMH Ha e>QT>M0 0 6 t>a3 YBaHeT0 b E-BJirapcKHTe Har>ojHH TaHiiH (Problemi na formoobrazuvaneto v Bulgarskite narodni tanci) [Problems of the Bulgarian folk dance structure formation] (doctoral dissertation). Sofia: Bulgarska Akademia na Naukite. (202 pages.)

1981b "MCTOpHêCKH IUiaCTOBS B TaHHOBHS cfjOJIKJIOP Ha CJIHB6HCKH o K p tr"(Istoriceski plastove v tancoviia folklor na Slivenski okrug) [Historical layers in the folk dances of the Sliven district]. 5 -BirraDCKH jtkjtod (Bui gar ski Folklor) 7(3):57-64. Sofia: Bulgarska Akademiia na Naukite, Institut za Folklor.

1981c "XHBa b p Ts3Ka c KoneKTHBHTe 3a aBTeHTHêH 4>ojikj: op h c tf ld a ia Ha <$>oitKjntopHaTaKyjiTypa" (2iva vruzka s kolektivite za avtentiCen folklor i sudbata na folklomata kultura) [Living ties with amateur folk dance groups and the destiny of folkloric culture]. XvaoêcTBeHa caMOfleHHOCT (Hudozestvena samodeinost) 1:10-14. Sofia: Komitet za Kultura.

198Id "npa3HH^HH c|)Ojikjiophh xopa ot CpeaHoropneTO" (PrazniCni folklomi hora ot Srednogorieto) [Festival folk dances from the Srednogora region]. TaHHOBO h3k? ctbo!2:1-63. Sofia: Centar za Hudozestvena samodeinost.

Ilieva, Ana; Iskra Raceva (MjineBa, AHa; PlCKpa PaêBa)1982a "HcTopHtiecKH a c n e m i Ha npo6neMa 3a pHTMoo6pa3yBaHeTO b

B'BxirapcKHsiTaHiôBcôjiKJiop" (IstoriCeski aspekti na problema za ritmoobrazuvaneto v Bulgarskiia tancov folklor) [Historical aspects of the problem of rhythm formation in the Bulgarian folk dances]. ESJira pcKXLgQJimQP. (Bulgarski Folklor) 8(3):28-38. Sofia: Bulgarska Akademiia na Naukite, Institut za Folklor. (Summary in English.)

1982b "npoSjieM tT 3a HCTopH^^cKaia m n o n o ra x Ha My3HKanH0T0 hTaHHOBOTO Hatiaâ b EtJirapcKua <$>ojikjiop" (Problemut za istoriCeskata tipologiia na muzikalnoto i tancovoto naCala v Bulgarskiia folklor) [The problem of historial typology of the Bulgarian music and dance folklore origins], ^ ojikjioph HCTOPHg (Folklor i istoriia):95-103. Sofia: Bulgarska Akademiia na Naukite.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -28- Ilieva

Ilieva, Ana (HjiueBa, AHa)1982 "CBaTSapcKHXopaHnrpH" (Svatbarski hora i igri) [Wedding dances and games].

TaHiioBQH3kvctbo (Tancovo Izkustvo) 7-8:1-103. Sofia: Centur za hudozestvena samodeinost..

1983a "On change of style in the Bulgarian dance folklore." Roderyk Lange (editor), DanceStudies 7:57-71. Les Bois, St. Peter, Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (Includes photographs.)

1983b "Formes et structures des rondes populaires Bulgares" [Form and structure of Bulgarian folkdances]. G r^yna Dabrowska; Kurt Petermann (editors), Analyse und Klassifikation von Volkstanzen: 191-203. Krakow, Poland: Polskie Wydawnictvo Muzyczne.

1983c 'Hupmma" (Cirnica)[Shrovetide (the first Sunday before Lent)]. TannoBo H3KVCtbo 12:34-54. Sofia: Centar za Hudozestvena samodeinost.

1984 "PoflOHaâJiHHK Ha 5 t>JirapcKaia H a y ica 3 a TaHijoBHs: 4>o j i k o p " (Rodonaâlnik na Bulgarskata nauka za tancoviia folkor) [Initiator of the Bulgarian dance folklore science]. 5 •BJirapcKO Mv3HK03HaHHe (Bulgarsko Muzikoznanie) 3:66-70. Sofia: Bulgarska Akademiia na Naukite. (Summary in English.)

1985a TaHH0 B<fr0 JiKJi0 P (Tancov folklor) [Dance folklore]. Sofia: Bulgarska Academiia Na Naukite, Institut za muzikoznaniie. (75 pages.)

1985b "PaftHa KaqapoBa" (Raina Kacarova) [Raina Katsarova]. E ^jirapcrir c&ojTg.nop (Bulgarski Folklor) 1 l(l):84-85. Sofia: Bulgarska Akademiia na Naukite.

1985c "CepH03HH HrpH - npo6neMH Ha ycB02BaHeT0 Ha KJiacaêcKHstMy3HKaJiHO TaHHOB Oojikjqop ot zteTCKaTa caMOfleflHOOT" (Seriozni igri - problemi na usvoiavaneto na klasiCeskiiamuzikalno tancov folklor ot detskata samodeinost) [Serious games - Problems in the adoption of traditional folk music and folk dance by children's amateur groups]. XvaoêcTB^Ha MMoaeftHocT (Hudozestvena samodeinost) 8:11-14. Sofia: Komitet za Kultura.

1985d "EyeHeij" (Buenec) [Buenec (a type of chain dance)]. TaHUOBO M3kvctbo 3:37-60. Sofia: Centar za Hudozestvena samodeinost.

1985e "ByeHeq" (Buenec) [(a type of chain dance)]. Ia2IK>B0H3KVCTB0 (Tancovo Izkustvo) 3:37-60. Sofia: Centur za Hudozestvena samodeinost.

1985f "npoJieTHHHrpH" (Prolemi igri) [Spring dances]. TaHnoso H3kvctbo (Tancovo Izkustvo) 8-9:83-94. Sofia: Centur za Hudozestvena samodeinost.

Ilieva, Ana; Iskra RaCeva (MjiHesa, AHa; HcKpa PaîeBa)1985 "3a HSK'-'H TaHHOBii apxeTHiiH b MOMHHCKaTa npojieTHa 0 6 peziH0 CT" (Za

niakoi tancovi arhetipi v mominskata proletna obrednost) [Some dance archetypes of young girls' spring customs]. MzagKaJIHHXQPH30HTH (Muzikalni horizonti) 6:5563. Sofia: Sauz na muzikalnite deici v Bulgaria.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -29- Dieva

Ilieva, Ana (PlJiHSBa, AHa)1986a "EaBHHTe xopa b E tnrapcK aTa ônicjiopHa odpenHOd" (Bavnite hora v

Bulgarskata folklorna obrednost) [The slow dances in Bulgarian folk rituals]. TaHiioBo H3kvctbo (Tancovo Izkustvo) 1-2:39-64. Sofia: Centur za Hudozestvena samodeinost..

1986b "C’tdopHHaHapoziHOTBopêcTBo" (S’bori na narodno tvorCestvo) [Folklore fairs]. ST>JirapcK0Mv3HK03HaHiie (Bulgarsko Muzikoznanie) 3:3-7. Sofia: Bulgarska Akademiia na Naukite. (Summary in English.)

1987a "BtJirapcKHST TaHijoB <$>ojikjiop b nccTaHOBorre Ha atpacaBHHTe aHcaM6jin 3a HapoaHH necHH h TaHijH" (Bulgarskiiat tancov folklor v postanovkite na d'rzavnite ansambli za narodni pesni i tanci) [Bulgarian folk dance in the settings of the State folk song and dance ensembles]. B•&jrrapcKH<frojikjiop (Bulgarski Folklor) 13(3): 49-54. Sofia: Bulgarska Akademiia na Naukite, Institut za Folklor.

1987b "<£ojiK.nopHaTa aoTCKa nrpa KaTO o6yâBam 4>aKTop" (Folklomata detska igra kato obuCavas faktor) [Children's folk dances as a factor in education], yê6HO- b 'B3niiTaT6JTHaTa pa6QiajL&offlmc>Ba (UCebno-vuzpitatelnata rabota s folklora): 13-36. Sofia: Dom na literaturata i izkustvata za deca i iunozi.

1987c CHpHHqa; ToaopoBflSH; momhhckh npojieiHH HrpH npe3 BeJiHKH IIocth; na3apyBaHe; KyMHêHe; m i x o MacKapaaHH nrpa h KyicepH, cypBaicapH; pycanHH, KanymapH (Simica; Todorovden; mominski proletni igri prez Velild Posti; lazaruvane; kumiCene; muzki maskaradni igri - kukeri, survakari; rusalii, kaluSari) [Shrovetide (the first Sunday before Lent); St. Todor's day; Maiden spring dances during the Lent; St. Lazar's days; Customs kumichene (Palm Sunday maiden fortune-telling custom); Men's mask dances - kukeri and starci; Kalushari and Russalii]. Sofia: Bulgarska Akademiia na Naukite, Institut za Muzikoznanie. (100 page manuscript.)

Ilieva, Ana; Iskra RaCeva (Hnnesa, AHa; Hcicpa PaêBa)1988 HcTopHKO-THnonorHêcKH oêpK 3a pa3BHTHeio Ha BtnrapcKHSi

My3 iiicaJiHo -TaHqoB ̂ ojikjiop (Istoriko-tipologiCeski ocerk za razvitieto na Bulgarskiia muzikalno-tancov folklor) [Historical and typological review on the Bulgarian music and dance folklore development]. Sofia: Bulgarska Akademiia na Naukite, Institut za Muzikoznanie. (250 page manuscript.)

Ilieva, Ana (HjiHeBa, Ana)1989 <t>ojiKJiopHHTe TaHitH b wrosanaflHHTe *iacTH Ha EtnrapcKOTO

eTHHêcKO 36mjihiu6 (Folklomite tanci v jugozapadnite Casti na Bulgarskoto emiCesko zemlite) [Folk dances in the southwest parts of Bulgarian ethnic areas]. Sofia: Bulgarska Akademia na Naukite. (56 pages.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -30- Dieva

ADRIENNE L. KAEPPLERWashington, D.C., UNITED STATES

Kaeppler, Adrienne L.1967a "Folklore as expressed in the dance in Tonga." Journal of American folklore

80(316): 160-168. Austin, Texas: University of Texas Press for American Folklore Society.

1967b "Preservation and evolution of form and function in two types of Tongan dance."Genevieve A. Highland; and others (editors), Polynesian culture history: essavs in honor of Kenneth P. Emory. Bernice P. Bishop Museum Special Publication 56:503-536. Honolulu, Hawaii: Bishop Museum.

1967c The structure of Tongan dance (doctoral dissertation). Honolulu, Hawaii: University of Hawaii, Anthropology Department

1970 "Tongan dance: a study in cultural change." Ethnomusicology 14(2):266-277. Middletown, Connecticut: Wesleyan University Press for the Society for Ethnomusicology.

1971a "Aesthetics of Tongan dance." Ethnomusicology 15(D:175-185. Middletown, Connecticut: Wesleyan University Press for the Society for Ethnomusicology.

1971b "Dance in the Pacific (subject survey)." Meeting on studies of Oceanic cultures: 131-138. Canberra, Australia: Australian National University.

1972 "Method and theory in analyzing dance structure with an analysis of Tongan dance."Ethnomusicology 16(2): 173-217. Ann Arbor, Michigan: Society for Ethnomusicology.

1973a "Acculturation in Hawaiian dance." Yearbook of the International Folk Music Council for 1972 4:38-46. Kingston, Ontario, Canada: International Folk Music Council [ICTM].

1973b "Music in Hawaii in the nineteenth century." Robert Gunther (editor), MusikkulturenAsiens, Afrikas und Ozeaniens im 19. Jahrhundert:311-338. Regensburg, Germany: Gustav Bosse Verlag.

1973c "Gertrude Kurath and Antonio Garcia, Music and dance of the Tewa pueblos" (bookreview). American anthropologist 75(4): 1065-1066. Washington D.C.: American Anthropological Association.

1974 "Oceanian peoples, arts of (The performing arts: music and dance)." EncyclopaediaBritannica 13:456-461. Fifteenth edition. Chicago: Encyclopaedia Britannica. (Coauthored with Dieter Christensen.)

1976a "Dance." David E. Hur sr; Phillip Whitten (editors), Encyclopedia of anthropology: 113114. New York: Harper and Row.

1976b "Dance and interpretation of Pacific traditional literature." Adrienne L. Kaeppler; H. Arlo Nimmo (editors), Direction in Pacific traditional literature: essavs in honor of Katharine Luomala. Bishop Museum Special Publication 62:195-216. Honolulu, Hawaii: Bishop Museum.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -31- Kaeppler

1976c "Dance in Tonga: the communication of social values through an artistic medium."Daniel Lemer, Jim Richstad (editors), Communication in the Pacific: 15-22. Honolulu, Hawaii: East-West Communication Institute. (Reprinted in 1983, in Journal for the Anthropological Study of Human Movement 2(3): 122-128.)

Kaeppler, Adrienne L. (editor)1976 Reflections and perspectives on two anthropological studies in dance. CORD dance

research annual 7. New York: Committee on Research in Dance.

Kaeppler, Adrienne L.1977a "Polynesian dance as 'airport art'." Adrienne L. Kaepler, Judy Van Zile, Carl Wolz

(editors), Asian and Pacific dance: selected papers from the 1974 CORD-SEM conference. CORD dance research annual 8:71=84. New York: Committee on Research in Dance.

1977b "Foreword." Adrienne L. Kaeppler, Judy Van Zile, Carl Wolz (editors), Asian and Pacific dance: Selected papers from the 1974 CORD-SEM conference. CORD dance research annual 8:iii-v. New York: Committee on Research in Dance.

1978a "Dance in anthropological perspective." Annual review of anthropology 7:31-49. Palo Alto, California: Annual Reviews.

1978b "Melody, drone, and decoration: underlying structures and surface manifestations inTongan art and society." Michael Greenhalgh; Vincent Megaw (editors), Art in society: studies in styles, culture and aesthetics:261—274. London: Duckworth. (Translated into Polish and published 1986, Etnografia Polska 30(2~):147-159.)

1978c "The Dance in the Pacific by W.A. Poort" (book review). American anthropologist 80(1):152. Washington, D.C.: American Anthropological Association.

1980a Pahu and Puniu: an exhibition of Hawaiian drums. Bishop Museum miscellaneous publication. Honolulu, Hawaii: Bishop Museum.

1980b "Polynesian music and dance." Elizabeth May (editor), Musics of many cultures: 134153. Berkeley, California: University of California Press.

1980c "Pacific Islands: dance." Grove's dictionary music and musicians 14:57-62. London: Macmillan.

1980d "Introduction to dance literacy: perception and notation of dance patterns by NadiaChilkovsky Nahumck" (book review). Ethnomusicology 24(2):308-309. Ann Arbor, Michigan: Society for Ethnomusicology.

1981a "The performing arts of Papua New Guinea." The sixth festival of Asian arts: 130-135. Hong Kong: The Urban Council.

1981b "To dance is human: a theory of nonverbal communication by Judith Lvnne Hanna" (book rv/iew). American ethnologist 8(1):218-219. Washington, D.C.: American Ethnological Society. (Reprinted in Journal for the Anthropological Study of Human Movement 1(3):186-188.)

1983a Polynesian dance: with a selection for contemporary performances. Honolulu, Hawaii: Alpha Delta Kappa.

1983b "Dance as myth-myth as dance: a challenge to traditional viewpoints." Betty True Jones (editor), Dance as cultural heritage 1: selected papers from the ADG-CORD conference.


CORD dance research annual 14:5-8. New York: Congress on Research in Dance. (Keynote address to the American Dance Guild/Congress on Research in Dance conference, 1978.)

1983c "The performing arts edited by John Blacking and Joann W. Keali'inohomoku; theanthropology of the body edited by John Blacking" (book reviews). Ethnomusicology 27(2):359-360. Ann Arbor, Michigan: Society for Ethnomusicology.

1984 "The performer-audience connection: emotion to metaphor in dance and society bv Judith Lynne Hanna" (book review). Anthropologica. new series 26(l):61-63. Sudbury, Ontario, Canada: Laurentian University, Department of Sociology and Anthropology. (Reprinted 1988, Journal for the anthropological study of human movement 5(2) Fall:98- 99.)

1985a "Traditional transmission and the transmission of tradition in Polynesian dance."Becoming human through music: the Wesleyan symposium on the perspectives of social anthropology in the teaching and learning of music:29-42. Reston, Virginia: Music Educators National Conference.

1985b "Structured movement systems in Tonga." Paul Spencer (editor), Society and the dance: the social anthropology of performance and process:92-118. New York: Cambridge University Press.

1986a "Movement in the performing arts of the Pacific Islands." Bob Fleshman (editor), Theatrical movement: a bibliographical anthologv:586-600. Metuchen, New Jersey: Scarecrow Press.

1986b "Cultural analysis, linguistic analogies, and the study of dance in anthropologicalperspective." Charlotte J. Frisbie (editor), Explorations in ethnomusicology: essavs in honor of David P. McAllester. Detroit Monographs in Musicology 9:25-33. Detroit: Information Coordinators.

1987a "Pacific festivals and ethnic identity." Allesandro Falassi (editor), Time out of time:essavs on the festival: 162-170. Albuquerque, New Mexico: University of New Mexico Press.

1987b "Spontaneous choreography: improvization in Polynesian dance." Yearbook of theInternational Council for Traditional Music 19:13-22. New York: International Council for Traditional Music.

1987c "Hula Ki’i. Hawaiian puppetry by Katherine Luomala" (book review). Pacific studies 11(1): 149-153. Laie, Hawaii: Brigham Young University, Hawaii campus.

1988a "Pacific festivals and the promotion of identity, politics, and tourism." Adrienne L.Kaeppler, Olive Lewin (editors), The impact of tourism on traditional music: 121-138. Kingston, Jamaica: Jamaica Memory Bank.

1988b "Review of Bikmaus: a journal of T ipua New Guinea affairs, ideas and the arts. Papers presented at the Conference for Ethnomusicologists at Goroka. August 18-25. 1982. volume 4(3)" (book review). Ethnomusicology 32(2): 154-155. Ann Arbor, Michigan: Society for Ethnomusicology.

1988c "Review of Half a century of dance research, by Gertrude Kurath" (book review). Dance research journal 20(l):47-48. New York: Congress on Research in Dance.


1988d '"She writes the songs that make the whole world sing.' Songs of love by Tu'imala Kaho" (book and record review). Matangi Tonga 3(4):37-39. Nukualofa, Tonga: Vava'u Press.

1989a "Dance." Erick Bamouw (editor), International encyclopedia of communications 1:450454. New York: Oxford University Press.

JOANN WHEELER KEALIINOHOMOKUFlagstaff, Arizona, UNITED STATES

Kealiinohomoku, Joann1963a "Sword dance and drama by Violet Alford" (book review). Journal of American folklore

76:355-356. Richmond, Virginia: American Folklore Society.

1963b The Polynesian dance films of Ray Jerome Baker (research paper). (Presented to the Anthropological Society of Hawaii, held in Honolulu.)

1964 "A court dancer disagrees with Emerson's classic book on the Hula." Ethnomusicology 8(2):161-164. Middletown, Connecticut: Wesleyan University Press for the Society for Ethnomusicology.

1965a A comparative study of dance as a constellation of motor behaviors among African and United States Negroes (master's thesis, Anthropology Department). Ann Arbor, Michigan: University Microfilms.

1965b "Ula Noweo and Filmstrip of Hawaiian musical instruments" (audio-visual reviews).Ethnomusicology 9:207-208. Middletown, Connecticut: Wesleyan University Press for the Society of Ethnomusicology.

1965c "Dance and self-accompaniment." Ethnomusicology 9:292-295. Middletown, Connecticut: Wesleyan University Press for the Society for Ethnomusicology .

1967 "Hopi and Polynesian dance: a study in cross-cultural comparison." Ethnomusicology 11:343-368. Middletown, Connecticut: Wesleyan University Press for the Society for Ethnomusicology.

1969a "Michigan Indian festivals by Gertrude Prokosch Kurath" (book review). Journal of American folklore 82(324): 176-177. Austin, Texas: University of Texas Press for the American Folklore Society.

1969b "Africa dances, film by United Nations" (film review). American anthropologist 71:800801. Washington, D.C.: American Anthropological Association.

1969c Dance silhouettes (research paper). (Presented to the Society for Ethnomusicology, held in Detroit, Michigan.)

1970a "An anthropologist looks at ballet as a form of ethnic dance." Marian Van Tuyl (editor), Impulse 1969-1970:24-33. San Francisco, California: Impulse Publications.('Reprinted!980. Journal for the anthropological study of human movement l(2):83-97, New York: New York University; also reprinted 1983, Roger Copeland, Marshall Cohen (editors), What is dance?:533-549. Oxford: Oxford University Press.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -34- Kaeppler, Kealiinohomoku

1970b "Perspective five: ethnic historical study." Joann W. Kealiinohomoku (editor), Dance history research: perspectives from related arts and disciplines:86-97. New York: Committee on Research in Dance. (Reprinted in 1979.)

1970c "Hula." Encyclopedia Americana 14:542. Danbury, Connecticut: Grolier.

Kealiinohomoku, Joann (editor)1970 Dance history research: perspectives from related arts and disciplines. New York:

Committee on Research in Dance (CORD). (Proceedings of the Second Conference on Research in Dance, 1969; reprinted in 1979.)

Kealiinohomoku, Joann; Frank Gillis1970 "Special bibliography: Gertrude Prokosch Kurath." Ethnomusicology 14:114-128.

Middletown, Connecticut: Wesleyan University Press for the Society for Ethnomusicology.

Kealiinohomoku, Joann1972 "Folk dance." Richard M. Dorson (editor), Folklore and folklife: an introduction^ 81-

404. Chicago, Illinois: University of Chicago Press.

1974a "Dance culture as a microcosm of holistic culture." Tamara Comstock (editor), Newdimensions in dance research: anthropology and dance-the American Indian. CORD research annual 6:99-106. New York: Committee on Research in Dance.

1974b "Field guides." Tamara Comstock (editor), New dimensions in dance research:anthropology and dance-the American Indian. CORD Research Annual 6:245-260.New York: Committee on Research in Dance.

1974c Dance is music in four dimensions (research paper). (Presented to the joint conference ofthe Committee on Research in Dance and the Society for Ethnomusicology, held in San Francisco, California.)

1974d "Review number one: caveat on causes and correlations" (review of Folk song styles and culm re by Alan Lomax). CORD News 6(2):20-24. New York: Committee on Research in Dance.

1975a "’Lessons from the dancing ground to the studio: implications of Pueblo Indian dancefor modem dance' by Valentina Litvinoff” (review). CORD dance research journal 7(l):33-34. New York: Committee on Research in Dance.

1975b '"Research resources' - 'American Indian peoples, arts of by Gertrude P. Kurath, andothers" (review). CORD dance research journal 7(2):26-27. New York: Committee on Research in Dance.

1976a Theory and methods for an anthropological study of dance (doctoral dissertation.Anthropology). Ann Arbor, Michigan: University Microfilms.

1976b "A comparative study of dance as a constellation )f motor behaviors among African andUnited States Negroes." Adrienne L. Kaeppler (editor), Reflections and perspectives on two anthropological studies of dance. CORD dance research annual 7:1-179. New York: Committee on Research in Dance.

1977a "Ethnodance." The religious character of native American humanities:144-154. Tempe,Arizona: Department of Humanities and Religious Studies, Arizona State University.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -35- Kealiinohomoku

1977b "Hopi social dance as a means for maintaining homeostasis." Journal of Association of Graduate Dance Ethnologists. U.C.LA. 1:1-11. Los Angeles: Department of Dance, University of California. (Keynote address for Dance Ethnology Forum, held at UCLA.)

1977c "The nature of dance: an anthropological perspective by Roderyk Lange (book review). American anthropologist 79:658-659. Washington D.C.: American Anthropological Association.

1977d "The sorrow of the lonely and the burning of the dancers by Edward L. Schieffelin"(book review). Dance research journal 9(2):25-26. New York: Committee on Research in Dance.

1977e "The tree of life. Flower Films" (film review). Journal of American folklore 90:377-378. Washington, D.C.: American Folklore Society.

1977f Dance and ethnomusicology (research paper). (Presented to the Southwest Chapter of the Society for Ethnomusicology, held in Phoenix, Arizona.)

1978 "Hopi social dance and how it functions." Discoverv:27-38. Santa Fe, New Mexico: School of American Research.

1979a "Perspective five: ethnic historical study." Joann W. Kealiinohomoku (editor), Dance history research: perspectives from related arts and disciplines:86-97. New York: Congress on Research in Dance. (Reprint; original publishedl970.)

1979b "Culture change: functional and dysfunctional expressions of dance, a form of affective culture.” John A.R. Blacking, Joann Keali'inohomoku (editors), The performing arts:47-64. The Hague: Mouton.

1979c "You dance what you wear, and you wear your cultural values." Justine M. Cordwell, Ronald A. Schwarz (editors), The fabrics of culture:77-83. The Hague: Mouton.

1979d "Review essay: Dance and human history, a film bv Alan Lomax." Ethnomusicology23:169-176. Ann Arbor, Michigan: Society for Ethnomusicology.

1979e Density of movement perceived as tempo indicators (research paper). (Presented to theSouthwest Chapter of the Society for Ethnomusicology, held in Phoenix, Arizona.)

I979f Gameel Gamal (film review). Journal of American folklore 92:259-261. Washington,D.C.: American Folklore Society.

Kealiinohomoku, Joann; John A.R. Blacking (editors)1979 The performing arts. World Anthropology Series. The Hague: Mouton.

Kealiinohomoku, Joann1980a "The drama of the Hopi ogres." Charlotte J. Frisbie (editor), Southwestern Indian ritual

drama. A school of American research book:37-69, Albuquerque: University of New Mexico Press. (Reprinted in paperback 1989, Prospect Heights, Illinois: Waveland Press.)

1980b "The non-art of the dance: an essay." Journal for the anthropological study of humanmovement l(l):38-44. New York: New York University.

1980c "Alan P. Merriam (1923-1980)." Dance research journal lS fP ^ -S S . New York:Congress on Research in Dance.


1980d

1980e

1981a

1981b

1982

1983a

1983b

1985a

1985b

1985c

1985d

1985e

1986a

1986b

1986c

1986d

The person as a work of art (research paper). (Presented to the Society for Ethnomusicology, held in Bloomington, Indiana; November.)

"Ha'aku'i Pele I Hawai'i" (dance record review). Ethnomusicology 24:335-336. Ann Arbor, Michigan: Society for Ethnomusicology.

"Ethical considerations for choreographers, ethnologists, and white knights." Journal of Association of Graduate Dance Ethnologists. UCLA 5:10-23. Los Angeles: University of California, Department of Dance.

"Dance as a rite of transformation." Caroline Card, and others (editors), Discourse in ethnomusicology 2: a tribute to Alan P. Merriam: 131-152. Bloomington, Indiana: Indiana University, Ethnomusicology Publications Group.

Dance ethnology-the state of the study (research paper). (Presented to the Society for Ethnomusicology conference, held at Baltimore, Maryland)

Response to key paper by Stephen Feld (research paper). (Presented to the ICTM Conference, held in New York.)

"The Tongan Lakalaka and The Punake of Tonga" (video reviews). Ethnomusicology 27:169-170. Ann Arbor, Michigan: Society for Ethnomusicology.

"Hula space and its transmutations." Betty True Jones (editor), Dance as cultural heritage 2. Dance research annual 16:11-21. New York: Congress on Research in Dance.

"Music and dance of the Hawaiian and Hopi peoples." Becoming human through music:5-22. The Wesleyan symposium on the perspectives of social anthropology in the teaching and learning of music. Reston, Virginia: Music Educators National Conference. (Symposium papers.)

"A tribute to A.M. Stephen and his contribution to Hopi dance ethnology." Christene L. Schlundt (editor), Proceedings: Society of Dance History Scholars 8th annual conference:25-34. Riverside, California: University of California.

"Cross-cultural, inter-cultural, pan-cultural, transcultural." Cross-Cultural Dance Resources newsletter 2:1. Flagstaff, Arizona: Cross-Cultural Dance Resources.

Cross-cultural dance research: rationale and applications (research paper). (Presented to the International Conference on Dance Research and the Meetings of the Americas, held in Mexico City.)

"The would-be Indian." Charlotte J. Frisbie (editor), Explorations in ethnomusicology: essavs in honor of David P. McAllester. Detroit monographs in musicology 9:111-126. Detroit: Information Coordinators in Detroit

"A tribute to Gertrude Prokosch Kurath." UCLA journal of cj.nce ethnology 10:3-6.Los Angeles: University of California, Department of Dance.

"The Japanese Bon Dance in Hawaii by Judy Van Zile" (book review). Dance research journal 17(2):94-96. New York: Congress on Research in Dance.

"Polynesian dance: with a selection for contemporary performance by Adrienne L. Kaeppler" (book review). Ethnomusicology 30:579-580. Ann Arbor, Michigan: Society for Ethnomusicology.


1986e

1987a

1987b

1987c

1987d

1987d

1987e

1988a

1988b

1988c

1988d

1988e

1989a

1989b

1989c

"Wherefore art though art? Does 'The Art of have to be affixed to the word 'dance'?" Cross-Cultural Dance Resources newsletter 3:1. Flagstaff, Arizona: Cross-Cultural Dance Resources.

"Nineteenth century Hawaiian chant by Elizabeth Tatar" (book review).Ethnomusicology 31:143-145; Ann Arbor, Michigan: Society for Ethnomusicology.

"Dance across Texas by Betty Casey" (book review). Dance research journal 19(1):47- 48. New York* Congress on Research in Dance.

"Zen dance by Sun Ock Lee" (book review), dance research journal 19(l):46-47. New York: Congress on Research in Dance.

"'Holistic' doesn't mean being a vegetarian." Cross-Cultural Dance Resources newsletter 4:1. Flagstaff, Arizona: Cross-Cultural Dance Resources.

Kurath's influence on the space-shape emphasis in Kealiinohomoku's work (research paper). (Presented to the Society for Ethnomusicology conference, held at Ann Arbor, Michigan; November.) .

The Hopi Katsina dance event (research paper). (Presented to the Scholars Conference on the Seasons of the Kachina, held at C.B. Smith Museum of Anthropology, California State University, Hayward, California; June.)

"Marian Van Tuyl Campbell remembered." Cross-Cultural Dance Resources newsletter 5:1,4. Flagstaff, Arizona: Cross-Cultural Dance Resources.

"Why this organization uses the word 'dance' in its name." Cross-Cultural Dance Resources newsletter 6:1-2. Flagstaff, Arizona: Cross-Cultural Dance Resources.

Hopi and Hawaiian responses to cultural contact (research paper). (Presented to the Quincentenary Program, held at the Smithsonian Institution, Washington, D.C.)

Aesthetic and aesthemic perspectives (research paper). (Presented to the Congress on Research in Dance conference, held in Toronto, Canada; July.)

"Introduction." Dance research journal 20(l):43-44. New York: Congress on Research in Dance. (Part of article by Gertrude Prokosch Kurath, "George Gershwin's Concerto in F at the Yale School of Drama.")

Themes and variations: the music and dances of Native America (research paper). (Presented to the Heard Museum, at Phoenix, Arizona; January.)

Variables that affect actions and reactions in dance ethnology research: a praxis (research paper). (Presented to the tenth Dance Ethnolgy Forum of the UCLA Graduate Dance Ethnology Association, held at the University of California, Los Angeles; February.)

Women anthropologists in the southwest and their field studies of Native American dance (research paper). (Presented to a conference of the Society for Dance History Scholars, held in Tempe, Arizona; February.)


RODERYK LANGEJersey, Channel Islands, UNITED KINGDOM

Lange, Roderyk1957 "I tancerze maja swoj alfabet [And the dancers have gotten their script, an article about

dance notation]. Wiedza i Zycie 2:93-97. Warsaw: Towarzystwo Wiedzy Powszechnej. (4 illustrations, 6 diagrams, 1 kinetogram; reprinted in 1957 under the title: "Od opisu ruchu do pisma ruchowego.")

1958 Podstawowe elementy kineografii: system Labana-Knusta z terminologia w iezyku polskim [Introduction to Kinetography Laban with Polish terminology]. Warsaw: Ministerstwo Kultury. (24 pages; 26 diagrams; 1 kinetogram.)

1959a 'Les recherches et la documentation de la danse populaire dans le Musee Ethnographique a Toruii" [Research and documentation of folk dance in the Ethnographic Museum at Toruri]. Ethnographica 1:144-146. Brno, Czechoslovakia: Moravske Museum.

1959b "Z wojewodzkich eliminacji zespolow tanecznych" [Review of folk dance groups inPoland]. Bulletin WDK 2:163-168. Bydgoszcz, Poland: Wojewodzki Dom Kultury.

Lange, Roderyk (editor)1959 Zasady zapisu tarica i ruchu, thimaczenie ksiazki Labana; redakoja merytoryczna

[Principles of dance and movement notation, translation of Laban's book], Warsaw: Centralna Poradnia Amatorskiego Ruchu Artystycznego. (61 pages; 114 diagrams.)

Lange, Roderyk1960a "Kinetogram tarica z Pahik 'wiatr'" [Kinetogram of a Polish dance]. The Folklorist

6(1 ):340. Manchester, England: The International Magazine-The Folklorist.

1960b "Pismo Terpsychory w shizbie etnografii" [Terpsichore script in the service ofethnography] (film script). Wytwomia Filmow Ozwiatowych 2. Lddz, Poland: State Film Production. (Lange also consulted on the film-making.)

1960c Taniec ludowv w pracach Muzeum Etnograficznego w Toruniu: metoda pracy ikwestionariusz [Folk dance research at the Ethnographical Museum in Toruri: fieldwork methods and questionnaire]. Toruii, Poland: Muzeum Etnograficzne w Toruniu. (58 pages, 2 illustrations, 1 kinetogram, bibliography, summary in English.)

1961c "Kinetografia: System zapisywania tarica" [Kinetography: dance notation]. Bulletin CPARA 8(23): 12-33. Warsaw: Centralna Poradnia Amatorskiego Ruchu Artystycznego. (9 diagrams, 3 kinetograms, music.)

Lange, Roderyk (notator)1961 "Two kinetographic scores" [notation scores]. Adam Glapa; Alfons Kowalski, Tarice i

zabawywielkopolskie: addenda. Wroclaw, Poland: Polish Ethnological Society.

Lange, Roderyk1963 "Tarice kujawskie" [Dances from the region of Cuiavia, Poland]. Literaturaludowa

4:13-20. Warsaw: Polish Ethnological Society. (2 kinetograms, music.)

1964a "Dziafalnozc: ozrodka toruriskiego w zakresie folkloru tanecznego i muzycznego" [Folk dance research in the Ethnographic Centre in Toruri]. Literaturaludowa4-6:202-205. Warsaw: Polish Ethnological Society.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -39- Lange

1964b Kinetographv Laban (movement notation) and the folk dance research in Poland (leaflet). Moscow: International Congress of Anthropological and Ethnological Sciences. (Summary of lectures given at the Moscow University in 1964.)

1965a "Kilka slow o folklorze tanecznym" [A few words about dance folklore]. Teatr ludowy 6:17-19. Czerwiec, Poland: ZwiazekTeatrow Amatorskich.

1965b "Rozdzial pt. 'Taiice' w pracy zbiorowej: Zarys stanu kultury ludowej ludnzci rdzennejzrodkowo-wschodniej czezci pow. zlotowskiego w woj. koszaliiiskim" [A chapter concerning dance in a report from an expedition in northern Poland in I960]. Lud 49:412-415. Wroclaw, Poland: Polish Ethnological Society. (Summaries in Russian, English.)

1965c "Recenzja pracy TadeuszaZyglerapt. 'Polskie tarice ludowe'" [Review of book: Polishfolk dances by Tadeusz Zyglerl. Demos 2:222-223. Berlin (East): German Academy of Sciences.

1965d "Autorecenzja pracy pt. 'Taniec ludowy w pracach Muzeum Etnograficznego w Toruniu'"[Auto-review of folk dance research at the Ethnographical Museum in Toruri]. Demos 2:221-222. Berlin (East): German Academy of Sciences.

1966a "Kinetography Laban (movement notation) and folk dance research in Poland." Lud 50:378-391. Wroclaw, Poland: Polish Ethnological Society. (1 illustration, 5 kinetograms, 2 maps, music, 2 synoptic tables with kinetograms and music; summary in Russian.)

1966b "Der Volkstanz in Polen" [Folk dance in Poland]. Deutsches Jahrbuch fur Volkskunde 12(2):342-357. Berlin: German Academy of Sciences. (5 kinetograms, music; summary in French.)

1967a "Przeglad wazniejszych wydarzerf zagranicznych w zakresie folkloru tanecznego w roku 1963" [Review of happenings in dance anthropology in 1963]. Lud 51(1):215-217. Wroclaw, Poland: Polish Ethnological Society.

1967b "Tadeusz Zygler (1906-1964)" (obituary). Lud 51(l):233-234. Wroclaw, Poland: Polish EthnologicalSociety.

1967c "Tarice kaszubskie na tie pokazu w Muzeum Pomorskim w Gdarfsku" [Dances ofCashubia, northern Poland. Reminiscences of a lecture/demonstration at the Pomeranian Museum in Gdarisk]. Bulletin 3(18):5-11. Gdarisk, Poland: Zrzeszenie Kaszubsko- Pomorskie.

1968a "Historia badari nad taricem ludowym w Polsce" [The history of research on folk dance in Poland], Lud51(2):415-452. Wroclaw, Poland: Polish Ethnological Society. (Summary in English.)

1968b "Recenzja pracy Zofii Nozyrfskiej pt. 'Tarice w Polsce na tie nrzeobrazeri spolecznych (okres od pradziejow do polowy XVI w.)" [Review of "The dance in Poland in relation to the background of social developments from pre-history to the first half of the sixteenth century" by Z. Nozyriska], Lud 51(2):628-630. Wroclaw, Poland: Polish EthnologicalSociety.

1968c "Recenzja pracy A. Gumieniuka pt. 'Narodne choreograficzne mistectvo Ukrainy'"[Review of "The national choreographic art of the Ukraine" by A. Gumieniuk]. Lud 51(2):630-631. Wroclaw, Poland: Polish Ethnological Society.


1968d "Recenzja artykuhi Zofii Nozyiiskiej pt. 'O wartozci i celowozci badaii przezytkow'" [Review of an article on relics in dance culture by Z. Nozyiiska]. Lud 52(2):305. Wroclaw, Poland: Polish Ethnological Society.

1968e "Przeglad wazniejszych wydarzeri zagranicznych w zakresie folkloru tanecznego za lata 1964-1966" [Review of happenings in dance anthropology 1964-1966]. Lud 52(2):345- 351. Wroclaw, Poland: Polish Ethnological Society.

1968f "Recenzja ksiazki Gertrude Kurath i Samuel Marti pt. Dances of Anahuac [Review of book Dances of Anahuac by Gertrude Kurath and Samuel Marti]. Lud 52(2):351. Wroclaw, Poland: Polish Ethnological Society.

1968g "Recenzja artykuhi H. Suna, 'Novajasistemakinetografii: zapisiej choreografCeskichdvizenija'" [Review of "A new system of kinetography, notation of dance movements" by H. Suna]. Lud 52(2):351-352. Wroclaw, Poland: Polish Ethnological Society.

1969a Bibliografia zagadnierf sztuki tanecznei z lat 1963-1964 [Bibliography of works on dance,1963-1964], Warsaw: Centralna Poradnia Amatorskiego Ruchu Artystycznego. (190 pages.)

1969b "Philosophic foundations and Laban's theory of movement." The Laban Art ofMovement Guild magazine. November:9-16. London: The Laban Art of Movement Guild.

1970a "The nature of dance." The Laban Art of Movement Guild magazine Mav:6-22. London: The Laban Art of Movement Guild.

1970b "The traditional dances of Poland." Viltis 29(1):4-14. Denver, Colorado: V.F. Beliajus. (20 illustrations, 6 kinetograms, 1 map, music, 1 synoptic table.)

1971 "Every man a dancer." Studio 25:26-32. Addlestone, England: The Art of Movement Studio. [Anniversary issue.]

1975a "On differences between the rural and the urban: traditional Polish peasant dancing."1974 yearbook of the International Folk Music Council:44-51. Ontario, Canada: International Folk Music Council. (Illustrations, diagrams.)

1975b The nature of dance: an anthropological perspective, London: Macdonald and Evans. (142 pages, 85 illustrations, diagrams.)

1975c Podrecznik Kinetografii-wedhig metodv Labana-Knusta [Handbook of Kinetography- Laban-Knust method]. Cracow, Poland: Polskie Wydawnictwo Muzyczne. (98 pages, 14 illustrations, diagrams.)

Lange, Roderyk (editor)1975a Laban's principles of dance and movement notation. Second edition. London:

Macdonald and Evans. (61 pages; 114 diagrams.)

1975b Polska piezri i muzyka ludowa, zrodla i materials: Kujawy [The Polish folk song and music, sources and materials: Cuiavia]. Cracow, Poland: Paiistwowe Wydawnictwo Muzyczne. (Song texts in English edited by R. Lange.)

1976a Dance studies 1. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (87 pages; illustrations; kinetograms.)


1976b Documentary dance materials 1: dances from Cuiavia. Jersey, Channel Islands, UnitedKingdom: Centre for Dance Studies. (10 kinetograms; 6 music examples; 1 illustration.)

Lange, Roderyk (notator)1976 Documentary dance materials 1: dances from Cuiavia. Roderyk Lange (editor), Jersey,

Channel Islands, United Kingdom: Centre for Dance Studies. (Kinetograms, music.)

Lange, Roderyk1976 "Some notes on the anthropology of dance." Dance studies 1:38-46. Jersey, Channel

Islands, United Kingdom: Centre for Dance Studies. (2 synoptic tables.)

1976-1977 "An answer to Drid Williams." Dance research journal 9Q):59-60. New York: Committee on Research in Dance,

1977a "A reply to Suzanne Youngerman's review in Ethnomusicology XX, 375-377."Ethnomusicology 21(1):99-101. Ann Arbor, Michigan: Society of Ethnomusicology.

1977b "Principles underlying the universality of Laban's movement notation." The Laban Art of Movement Guild magazine 58:8-14. London: The Laban Art of Movement Guild.

1977c "Principles underlying the universality of Laban's movement notation." Dance studies2:57-63. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

1977d "Dance folklore and the urbanised world." Dance studies 2:1-12. Jersey, ChannelIslands, United Kingdom: Centre for Dance Studies.

1977e "Dance folklore and the urbanised world." Monde de la Danse. Bulletin du ConseilInternational de la Danse--UNESCO 2:10-15. Paris: International Dance Council.

1977f "Some notes on the anthropology of dance." John Blacking (editor), The anthropology of the body. Association of Social Anthropologists 15:241-252. London: Academic Press.

Lange, Roderyk (editor)1977a Dance studies 2. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

(77 pages; illustrations; dance notation.)

1977b Documentary dance materials 2: dances from the Marais Nord Vendeen. part 1. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (Kinetograms; music.)

1977c Documentary dance materials 3: dances from the Marais Nord Vendeen, part 2. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (Kinetograms; music.)

1978 Documentary dance materials 4: dances from Cieszvn. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (Kinetograms; music.)

Lange, Roderyk1978 Tradvcvjny taniec ludowy w Polsce i iego przeobrazenia w czasie i przes -zeni

[Traditional folk dances in Poland and their changes in time and territory]. London: The Polish University. (85 pages; illustrations.)

1979a Folklor Kujaw [Folklore of Cuavial. Warsaw: Centralny Ozrodek Kultury. (Barbara Krzyzaniak, AleksanderPawlak are co-authors; 383 pages, illustrations, dance notation.)


1979b

1979c

1979d

1979e

1979f

1979g

Lange,1979

1980

Lange,1980a

1980b

1980c

1980d

1981a

1981b

Lange,1981

"The child as performer." Dance and the child. Keynote addresses and philosophy papers:46-57. Edmonton, Canada: Canadian Association of Health, Physical Education, and Recreation Dance Committee. (Conference held at the University of Alberta, 25-27 July 1978.)

"The Laban lecture-dance, the mirror of human condition." The Laban Art of Movement Guild magazine 62:7-11. London: The Laban Art of Movement Guild.

'The social and cultural significance of dance as seen in peasant and urban societies." Dance studies 3:45-64. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (Illustrations.)

"Comment to: Movements toward understanding humans through the anthropological study of dance, by Judith Lynne Hanna." Current anthropology 20(T):328. Chicago, Illinois: University of Chicago Press.

"Polacy na konferencjach IFMC" [Poles at the IFMC conferences]. The Polish daily (Tydzieri Polski) 43(256):8. London: The Polish Daily.

"Albrecht Knust, a dictionary of Kinetography Laban (Labanotation)" (book review).The Laban Art of Movement Guild magazine 63:43-44. London: The Laban Art of Movement Guild.

Roderyk (editor)Dance studies 3. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (80 pages; illustrations; dance notation.)

Dance studies 4. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (89 pages; illustrations; dance notation.)

Roderyk"Notation (commentaries on lectures)." A. Salter (editor), The Laban centenary symposium: 17-21. London: The Laban Centre for Movement and Dance at University of London Goldsmith's College.

"The characteristics of Mazurka-type couple dancing in Cuiavia (Poland)." Per altere Paartanz in Europa—Konferenzbericht:97-122. Stockholm: Dansmuseet, Arkivet for folklig dans. (Illustrations.)

"The development of anthropological dance research." Dance studies 4:1-23. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (Illustrations.)

"The development of dance research (summary of lecture)." Peter Cooke (editor),Studies in traditional music and dance. Proceedings of the 1980 conference of the U.K. National Committee of the IFMC:3-5. London: International Folk Music Council, United Kingdom Chapter.

"Diana Baddeley-Lange 1928-1981. A commemoration." Dance studies 5:3-12.Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (Photos.)

"Semiotics and dance." Dance studies 5:13-21. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (Diagrams, dance notation.)

Roderyk (editor)Dance studies 5. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (51 pages; diagrams; dance notation; photos.)


1982 Dance studies 6. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (62 pages; photos.)

Lange, Roderyk1982a "Razvoj antropoloskog prouCavanja igre" [The development of the anthropological study

of dance]. Narodno stvaralaStvo: folklor 21(82-84):37-48. Beograd: Organ saveza udruzenja folklorista Jugoslavije. (Summary in French.)

1982b "Semiotics and dance." Makedonski folklor 29-30:163-170. Skopje, Yugoslavia: Institutot za folklor "Marko Cepenkov." (Dance notation, diagrams.)

1982c "The tenth anniversary of the Centre for Dance Studies 1971-198L" Dance studies 6:38. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (Photos.)

1983 "Anthropology and dance scholarship." Dance research 1(1~):108-118. London: Society for Dance Research. (Tables, dance notation.)

Lange, Roderyk (editor)1983 Dance studies 7. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

(78 pages; tables; dance notation; photos.)

1984 Dance studies 8. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (79 pages; tables; map; photos.)

Lange, Roderyk1984 "Guidelines for field work on traditional dance: methods and checklist." Dance studies

8:7-47. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (Photos.)

1985a "Review, dance and music in South Asian drama: report of Asian traditional performingarts 1981." Folk music journal: 117-118. London: The English Folk Dance and Song Society.

1985b "Laban's system of movement notation." Dance studies 9:9-87. Jersey, ChannelIslands, United Kingdom: Centre for Dance Studies. (Dance notation.)

1985c "The principles and basic concepts of Laban's movement notation. Report of thePrinciples Committee ICKL." International Council of Kinetography Laban,Proceedings of the fourteenth biennal conference: Brighton, England: 2-13 August:l-43. [Columbus, Ohio:] International Council of Kinetography Laban.

Lange, Roderyk (editor)1985 Dance studies 9. J e rs e y , Channel Islands, United Kingdom: Centre for Dance Studies.

(92 pages; diagrams; dance notation.)

1986a Dance studies 10. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.(106 pages; diagrams; dance notation.)

1986b Documentary dance materials 5: Farruca, Jersey, Channel Islands, United Kingdom:Centre for Dance Studies. (Kinetograms; music.)

Lange, Roderyk1986 "Obituary-Gisela Reber 1913-1987." Dance studies 10:98-101. Jersey, Channel

Islands, United Kingdom: Centre for Dance Studies.


1988a "Dance notation and the development of choreology." Musica antiqua Vin. Actamusicologica 1:577-622. Bydgoszcz, Poland. (Illustrations, diagrams, dance notation.)

1988b O istocie tarica i iego przejawach w kulturze [About the nature of dance and itsmanifestations in culture]. Cracow, Poland: Polskie Wydawnictwo Muzyczne. (143 pages, illustrations, diagrams, dance notation.)

IRENE LOUTZAKI [PEVCC AoUT^CtKTl]Athens, GREECE

Loutzaki, Irene ( A o u T ? C £ K T l , P s v a )1979-1980 "Xopoi Tne OpEivnc- KctTctYpctq>n p£ tti p seoSo 'Kivno - ioYpacp i c t s

TOU Laban'” [Kinetography/Laban of the Orini dances in Serres, Macedonia].E8 V0 V0 gct> LKCC [Ethnographical 2:97-128. NaUTTA 10 V[Nafplion], Greece: IlEAO- iTOVVncriCtKO AaOYpCCcPLKOlSpXJUa [Peloponnesian Folklore Foundation], (Summary in English.)

1981-1982 "Ol x o p o i t w v M s v c tp c o v Kctt n v p a o L K n TTocpaorTctcrn TouQ p s t n p e e o S o Kivno’ iOYpa<J>iag tov AapTTCtv" [Folk dances of Megara],E8VOVDCfd)LKCt [Ethnographica] 3:81-112. NaUTTAiov [Nafplion], Greece: nsAO'novvnO'iaKO AaovpCtOLKOISpupa [Peloponnesian Folklore Foundation], (Summary in English.)

1983-1985 "0 Yctpos toe x o p e u t i k o spwpEvo. H uspL'lTtcocrn -tcav TTpocrouvajv ttic A vcctoalktiq PupuAicxQ u t o MLKpo Movao"Tinpi M a x s B o v i a s " [Marriage as a dance event. The case of the refugee from Eastern Rumelia at Micro Monastiri Macedonia]. EBVOVPacPIKCt fEthnographical 4-5:143-176, NCCUTTAIOV [Nafplion], Greece: neAOiTOVVincLCCKO AaoYpdcplkoIS pupct [Peloponnesian Folklore Foundation]. (Summary in English; reprinted as a Greek-English book, 1987.)

1984 Dance and society in a complex Greek peasant community (master's thesis). Belfast, Northern Ireland: The Queen's University of Belfast. (228 pages.)

1985 0 'rTCtoaSomaKOC yoooecrTnvEAAaSg [The traditional dance in Greece]. 0£CTCraAOV LKTl-Thessaloniki, Greece: <f> lAO|EV IOC 85-HELLEXPO-Philoxenia 85 HELLEXPO. (Greek-English edition; 71 pages.)

1987a 'Dances of the Aegean world." Music in the Aegean:53-71. Athens: Ministry of Culture-Ministry of the Aegean. (English edition.) "0 XOpOQ O’TO AIYCUO." M o u c t l k e c cr t o A i v c 10:53-71. A e n v c t [Athens]: YlTOUpYE 10 TIoA IT L0‘p 0 U - Y HO up YE to A l vet LOU [Ministry of Culture-Ministry of the Aegean.] (Greek edition.)

1987b 0 v a u o c toe y oog UT ix o Sqcouevq. H t t £ 0 iTTTajQ-n tcov ttooctcpuvqjvTTIC AvaTOALKTIC P 10 U U A L Cf £ CTO MlKPO MQ VgQ~TnP I MCiKSSOVLCtS [Marriage as a dance event. The case of the refugee from Eastern Rumelia at Micro Monastiri Macedonia]. N c t u n A l O V [Nafplion], Greece: r i E A O l T O V V n o ' L C t K O A c t O Y p C t c p i K O l S p u p a [Peloponnesian Folklore Foundation]. (Greek-English edition; 50 pages; reprinted as a book from an article, 1983-1985.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -45- Lange, Loutzaki

1987c 0 xopog, tog u a p a S s i Y U a u o Altuj tlkti q a M c t v n c [Dance, as a process ofcultural change] (research paper). (Presented at the IOFA World Conference "Folk Dance Today" held in Larissa, Greece; July.)

I987d 0 eopTacr i iog Tnc l nc I a v o u c t p i o u . To s e i i i o o i KctnnAsc cmo N eo M o v a c r i n p i A o u o x o u a n o touc TTpocrtpuvsc Tnc AvaTOAiKncPCjO(JLUA LCtS [Celebration on the first of January: The custom of the camel in the Neo Monastiri village, Domokos from the refugees from Eastern Rumelians] (research paper). (Presented at a symposium on "Man and environment in Greece", sponsored by the Greek Anthropological Society, held in Athens, Greece; December.)

MATS NILSSONGoteborg, SWEDEN

Nilsson, Mats1984 "Seglam~en Goteborgsk klassdans" [Seglam~a working class dance from Goteborg].

Hembvgden 1(84):6. Falun, Sweden: Svenska Ungdomsringen for Bygdekultur.

1987 V&ga Stuffa [Dare to dance], Stockholm: Sammarbetsnamnden for folklig dans. (23 pages.)

1988 "Sverige” [Sweden], Henning Urup, Henry Sjoberg, Egil Bakka (editors), Gammaldansi Norden:219-238. Trondheim, Norway: Nordisk Forening for Folkdansforskning.

PETR NOVAK*Koln, FEDERAL REPUBUC OF GERMANY

Novak, Petr1968 Lidove tance z Homfho Poiizeh" I. II. - PffspSvek k historicke tvpologii lidoveho tance

[Folk dance from Homi Pojizef l - an account of the historical typology of folk dance] (doctoral dissertation). Prague: Karls University, History Department

1969 "K otazce studie mladsfch vrstev lidoveho tance" [To the question of the study of newer layers of folk dance]. Ceskv lid 6:325-332. Prague: Ceskoslovenska akademie vSd. Ustav pro ethnografii a folkloristiku.

1970 "Dobove doklady o zmSnach taneCniho repertoaru ze severovychodirich Cech v 19. stoletf' [The changes in the dance repertoire of northeast Bohemia in the 19th century]. Ccskv lid 4:21-25. Prague: Ceskoslovenska akademie vfcd. Ustav pro ethnografii a folkloristiku..

1971 "Problemy studie souiasneho stavu taneCnfho folkloru v Cechach" [Contemporary existence of folk dance forms in Bohemia and its research problems] (research paper). (Presented to the International Symposium of Ethnomusicology and Ethnochoreology, Umenovedny ustav SAV, held in Bratislava.)

Editor's note: A late addition. Some entries may be incomplete.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -46- Loutzaki, Nilsson, Novak

1972 "Obraz taneimho folkloru z £eskon£meckeho pomezf severovychodmch Cech z hlediska typologickeho rozboru" [Folk dance repertoire of the German/Czech border region of northeast Bohemia, researched on the basis of typological analysis] (research paper). (Presented to the International Symposium of Ethnology, sponsored by the Institute for Ethnography and Folklore of the CSAV, held in Prague.)

1976a VybSrova anotovana biblografie zavalnych pffsp&vku o folkloristickem festivalu ve Stralnici (1946-1975) [Selected bibliography about the folklore festival of StraZnici 1946-1975] (research paper). (Presented to the Theater Institute--Abt. Music, held in Prague.)

1976b "Novodobi zprostredkovatele folkloru" [The contemporary informants of folklore-an evaluation of stage production]. Tanegni listv 8:18-19. Prague: Kulturministerium.

1977a "Lidova epika na souCasne scene" [Folk epic on the stage today]. TaneCni listv 2:9-11. Prague: Kulturministerium.

1977b "Madarske lidove taneCni umSnf [Hungarian folk dance art], TaneCni listv 4:8-10. Prague: Kulturministerium.

1977c "Za Pavlem Krejch'm" [A portrait of the folk dance collector: Pavel KrejCf]. Tanegni listv 6:9-10. Prague: Kulturministerium.

1977d "Podil Ceskoslovenskeho statniho souboru pfsnf a tancfl na rozvoji folklomi tradice"[The unfolding of folklore traditions as exemplified by the Czechoslovakian state folklore ensemble]. Lidve um§m a dnesek:148-151. Brno: Blok.

1978a "Jarmile Kroschlove k 85. narozeniham" [Jarmile Kroschlove on her 85th birthday, a portrait of the excellent Czechoslovak dance pedagogy, dance theoretian, and choreographer]. TaneCni listv 4:6. Prague: Kulturministerium.

1978b "Pohled na souCasny stav tanefiniho folkloru v Cechach" [The contemporary state of folk dance in Bohemia], Tanegni listv 5:2-3. Prague: Kulturministerium.

1978c "Vychodna 1978 — 25 let" [The evaluation of the folklore festival in Vychodna, 25th anniversary]. TaneCni listv 9:2-3. Prague: Kulturministerium.

I978d "Lidove umSni v souCasnosti" [Folk art and presentation]. TaneCni listv 10:6-8. Prague: Kulturministerium.

1978e "Paedagogica et cooperatio. K problematice studia ethnochoreologie a ethnomusikologie" [Pedagogy and cooperation: Toward the problems of the study of ethnochoreology and ethnomusicology]. TaneCni listv 10:8-9. Prague: Kulturministerium.

1978f "StruCny narys historickeho vyvoje hudebniho a taneiniho folkloru -- uvod doproblematiky" [Introduction to the historical development of music and dance folklore (in Czechoslovakia)] (manuscript). Prague: Volkskonservatorium.

1978g "Studijm obor ethnochoreologie" [The development of a program of study inethnochoreology] (manuscript). Prague: Akademie der Musichon Kiinste-Tanzinstitut.

1979a "Za Otakarem Zichem" [In honor of Otakarem Zichem]. TaneCni listv 4:2. Prague: Kulturministerium

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -47- Novak

1979b

1979c

1979d

1979e

1979f

1980a

1980b

1980c

1980d

1980e

1980f

1980g

1981a

1981b

1981c

198 Id

"Dfte a folklor" [The child and folklore]. Tanegni listv 6:1. Prague: Kulturministerium.

"Kyjov - gtastna jedenactka" [Kyjov, an elf of happiness]. Tanegni listv 7:2. Prague: Kulturministerium.

"Zamyslem nad festivaly" [Thoughts about festivals]. Narodopisne aktualitv 16(4):281- 286. Stra2nice, Czechoslovakia: Ustav lidoveho umSni.

'"Ovaha o Dolnf Lomne" [Thoughts about the folklore festival in Dolnf Lomne (Silesia)]. TaneCni listv 10:17. Prague: Kulturministerium.

"Hudebnx slo2ka a jeji vztah k tanci" [Music and its counterpart in dance] (manuscript). Prague: Volkskonservatorium

"DStsky folklorm festival" [Children's folklore festival]. TaneCni listv 4:13. Prague: Kulturministerium

"Mezinarodni StraZnice" [The international festival in Straznice]. TaneEni listv 5:12. Prague: Kulturministerium.

"Hugo Boettinger (30.iv.1880 - 9.xii.l934)." Tanegni listv 5:11. Prague: Kulturministerium

"Folklor v dStskem scenickem projevu" [To the question of the performed representation of children's folklore]. Das Kind und die VoIkstradition:89-91. Bmo: Blok.

"Folklor u djetskom scenskom izraZavanju" [Children’s folklore on the stage] (research paper). (Presented at the International Symposium "Radost Evrope," held in Beograd.)

"Souiasny stav, Zanrove tendence, dramaturgicke problemy a potreby dalsiho rozvoje muzikality v oblasti folklomich souborfl'"' [Artistic presentation of folklore, problems of dramatury and conception] (manuscript). Prague: Theatre Institute.

"Zur Frage der kiinstlerischen Bearbeitung des Volkstanze" [To the question of the artistic interpretation of folk dance] (research paper). (Presented to the Study Group for Ethnochoreology EFMC-UNESCO, held in Stockholm.)

"Folklor na scen£" [Folklore on the stage]. Scena 11(81):1. Prague: Union der tschechischen dramatischen kiinstleru.

"Na tema folklor" [To the theme of folklore ]. Gramorevue 6(81):2-3. Prague: Supraphon.

"Zur Frage der kiinstlerischen Bearbeitung der tschechischen Folklore" [To the question of artistic interpretation of Czech folklore]. Folklor-Tarsadalom-Miiveszet 8:99-109. Budapest: Vilmos Voigt.

"Beitrag des Festivals von Straznice zurPflege und szenischen Auffiihrung der Folklore [Report of the Festival in Straznice, about the fostering and the staging of folklore." Zoran PalCok (editor), Rad 23 kongres Saveza udruzenia folklorista Jugoslaviie, Slavonski Brod. 1976:289-297. Zagreb: Savez udruzenja folklorista Jugoslavije.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -48- Novak

1984a "Zur Frage der kiinstlerischen Bearbeitung des Volkstanzes" [To the question of theartistic elaboration of the folk dance]. Ballet-Joumal/DasTanzarchiv 4(l):66-69. Koln: Tanzarchiv-Verlag Gisela Peters-Rohse und Kurt Peters.

1984b Wie man in Bohmen getanzt hat — Begegnung mit der Tanzmusik ab dem 14. Jahrhundert [The way one used to dance in Bohemia-meeting with dance music at the beginning of the 14th century] (research paper). (Presented to Haus der Begegrung, in Miinchen, Germany.)

1984c Zur dokumentation der Veranderungen im volkstiimlichen Tanzrepertoire[Documentation of the changes in folklorical dance repertoire] (research paper). (Presented to the Tagung der Kommission fur Lied, Musik-und Tanzforschung in der DGV, held in Freiburg, Germany.)

1985 "In Ungam wird nicht nur Csardas getanzt" [In Hungary one does not only dance the Csardas]. Tanzen 1. Seelze, Germany: Deutscher Bundesverband Tanz e.V.

1986a "Zur Dokumentation der Veranderungen im volkstiimlichen Tanzrepertoire" [Documentation of changes in popular dance repertoire]. Jahrbuch fur Volksliedforschung 31:96-102. Berlin: Otto Holzapfel und Jurgen Dittmar..

1986b Tanz mit Kindem [Dance with children] (booklet). Berlin: Deutscher Bundesverband Tanz e.V. (74 pages.)

1987 "Stilisierte Folklore von heute" [Stylistic folklore of today]. Tanzen 3:4-6. Seelze,Germany: Deutscher Bundesverband Tanz e.V.

1988a "Das Regionale und das Uberregionale im heutigen Brauchtumsrepertoire" [The local and the regional in contemporary folklore rerpertoire]. Musik im Brauch der Gegenwart 12:79-84. Vienna: Walter Deutsch und Wilhelm Schepping.

1988b "Hungarian dances 1784-1810." Geza Papp (editor), MusicaliaDanubiana 7:19-26. Budapest: Magyar Tudomanyos Akademia, Zenetodomanyi Intezet.

1989 "Spiele, tanze, mach Musik" [Play, dance, make music]. Tanzmusikalische Notizen.Tanzen 1:15-19. Seelze, Germany: Deutscher Bundesverband Tanz e.V.

ERNO PESOVAR*Budapest, HUNGARY

Martin, Gyorgy; Erno Pesovar1954a "A kanasztanc" [Swineherder's dance], Morvay Peter, Pesovar Erno (editors), Somogvi

tancok:58-77. Budapest.

1954b "A csardas" [Csardas]. Morvay Peter, Pesovar Erno (editors), Somogvi tancok: 145-149. Budapest.

Morvay, Peter; Erno Pesovar (editors)1954 Somogvi tancok [Dances from Somogvi. Budapest (316 pages.)

*Editor's note: Listings are not reviewed by the author: some entries may be incomplete.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -49- Novak. Pesovar

Pesovar, Erno1955 "A neptanckutato munkakozosseg modszererol" [About the methods of the Folk Dance

Study Group]. Tancmiiveszet 1955(2):312-313. Budapest.

M artin, Gyorgy; Erno Pesovar1958 "A Szabolcs-Szatmar megyei monografikus tanckutato munka eredmenyei es modszertani

tapasztalatai" [Results and methodological experiences in monographic study of folk dances in Szatbolcs-Szatmar county]. Ethnographia 69(3):424-436. Budapest: Akademiai Kiado.

1960 "A magyar neptanc szerkezeti elemzese. Modszertani vazlat" [Structural analysis of the Hungarian folk dance: methodological sketch]. Tanctudomanvi tanulmanvok 19591960:211-248. Budapest: Magyar T£ncmiiv6szek Szovetsege.

Pesovar, Erno1960 "Verbuvalas a reformkori Vas megyeben" [Recruiting activity at the age of reformation in

Vas county]. Vase Szemle 1960(2'):59-72. Szombathely, Hungary.

M artin, Gyorgy; Erno Pesovar1961 "A structural analysis of the Hungarian folk dance. A methodological sketch." Acta

Ethnosraphica Academiae Scientiarun Hungaricae 10(1-2): 1-40. Budapest: Akademiai Kiado.

Pesovar, Erno1961a "A simonfai verbunkok formai elemzese" (Formal analysis of the recruiting dance of

Simonfa village]. Nepraizi Ertesito 42:51-85. Budapest: Neprajzi Muzeum.

1961b "Berzsenyi es Terpsychore" [Berzsenyi and Terpsichore]. Neptancos 1961(11): 10-15. Budapest: Nepmiivelesi Intezet Tancosztdlya.

1963 "Der Heutige Stand der ungarischen Volkstanzforschung" [Contemporary view ofHungarian folk dance research]. Journal of the International Folk Music Council 15:5357. London: International Folk Music Council.

Martin, Gyorgy; Erno Pesovar1963 "Determination of motif types in dance folklore." Acta Ethnographica Academiae

Scientiarun Hungaricae 12(3-4):259-331. Budapest: Akademiai Kiado.

1964 "A motivumtipus meghatarozasa a tancfolklorban" [Determination of motif types in dance folklore], Tanctudomanvi tanulmanvok 1963-1964:193-223. Budapest: Magyar Tancmiiveszek Szovetsege.

Pesovar, Erno1964 "A magyar neptanc foff tipusai es torteneti retegei" [Main types and historical stratas of

Hungarian folk dances], Tancmiiveszeti Ertesfto 1964(3^67-70. Budapest: Magyar Tancmiiveszek Szovetsege.

1965a "Les types de la dans folklorique hongroise" [Types of Hungarian folk dances]. StudiaMusicologica Academiae Scientiarum Hungaricae 7(1-4'):103-108. Budapest: Akademiai Kiado.

1965b "A lengyel tancok hatasa a reformkorban" [Influence of Polish folk dances in the age ofreformation], Nepraizi Ertesito 47:159-177. Budapest: Neprajzi Muzeum,

1966 "Nemzeti jellegii balett torekveseinkrol" [Aspirations in ballet of national character],Muzsika 9 .1966(3):33-34. Budapest: Magyar Zenemiiveszek Szovetsege.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -50- Pesov£r

1967a "A csalogatos csardas" [Alluring csardas]. Tanctudomanvok 1965-1966:115-142. Budapest: Magyar Tancmiiveszek Szovetsege.

1967b "Europai tanckultura, nemzeti tanckulturak" [European dance culture, national dance cultures], Tancmiiveszeti Ertesito 1967(2^:38-43. Budapest: Magyar Tancmiiveszek Szovetsege.

1968 Ket tancpantomim: Bene Vendel tanca es Savanyo jatek" [Two dance pantomimes:Dance of Bene Vendel and Savanvo Play], Tancmiiveszeti Ertesito 1968(1 ):93-109. Budapest: Magyar Tancmiiveszek Szovetsege.

1969a "Der Tandel Tschardasch" [The Tandel czardas]. Acta ethnogranhica 18(1-3):153-185. Budapest: Academiae Scientiarum Hungaricae.

1969b "Gondolatok egy Liszt miirol" [Thoughts on a Liszt-composition]. Tancmiiveszeti Ertesito 1969(1): 12-25. Budapest: Magyar Tancmiiveszek Szovetsege.

1970a "Harom korverbunk" [Three circle form recruiting dances]. Tancmiiveszeti Ertesito1:122-131. Budapest: Magyar Tancmiiveszek Szovetsege.

1970b "A magyar tanckutatas 25 eve" [25 years of Hungarian dance research]. Tanctudomanvi tanulmanvok 1969-1970:79-89. Budapest: Magyar Tancmiiveszek Szovetsege.

197 la "Tanctorteneti emlekek Vas megyebol" [Historical sources of dance from Vas county]. Vas megyei tancoktatok kezik5nwe:5-54. Szombathely, Hungary: Vas megyei Nepmiivelesi Tanacsado.

197 lb "A neptanckutatasrol" [About folk dance research], Muzsika 14, 1971 (6):46-47. Budapest.

1972a A magyar tanctortenet evszazadai rCenturies of Hungarian dance history] Budapest: Nepmiivelesi Propaganda Iroda. (152 pages.)

1972b "A parostancok torteneti problemai a Kaipat medence tanchagyomanyaban" [Historical problems of couple dances in dance traditions of the Carpathian basin], Tancmiiveszeti Ertesito 1972(3):52-62. Budapest: Magyar Tancmiiveszek Szovetsege.

1972c "Nemzetkozi kapcsolatok a ,nep tanckutatas ban" [International connections in folk dance research]. Tancmiiveszeti Ertesito 1972(1 ):48-49. Budapest: Magyar Tancmiiveszek Szovetsege.

Halmos, Istvan; Erno Pesovar1972 "A magyar zenetorteneti hangzo emlekei a XIX. szazad elso felebol" [Early 19th century

Hungarian musical clocks]. Lajos Vargyas (editor), Nenzene es zenetortenet 1:110-116. Budapest: EditioMusica.

Pesovar, Erno1973a "Maglod tancairol. O maglodskych tancoch" [About dances from Maglod village.

Sokszinu hagyomanvunkbol 1:183-199. Budapest: Nepmiivelesi Intezet.

1973b "Die geschichtlichen Probleme der Paartanze im Spiegel der SiidosteuropaischenTanziiberlieferung" [The historical problems of pair dances reflected in southeastern European dance traditions]. Studia Musicologica Academiae Scientiarum Hungaricae 15:141-163. Budapest: Akademiai Kiado.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -51- Peso var

1974a "Archaische Paartanze in Siidosteuropa" [Archaic couple dances in southeast Europe]. Makedonski folklor 7(13):67-70. Skopje: Institut za Folklor.

1974b "Retheire emlekezve" [Remembering Rethei]. Muzsika 16 ,1974(10):47. Budapest.

Agoston, Lanyi; Erno Pesovar1974 A magvar net? tancmiiveszete. 1,2 [The art of dance of the Hungarian people].

Budapest: Nepmiivelesi Propaganda Iroda.

Pesovar, Erno1975 "Hagyomany es korszerUuseg a neptancmiiveszetben" [Tradition and modernism in folk

dance art]. Tanctudomanvi tanulmanvok: 157-162. Budapest: Magyar Tancmiiveszek Szovetsege.

1976 "Three round Verbunks." Roderyk Lange (editor), Dance studies 1:47-52. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

1977a "Contemporariners and folklore." Hungarian music news 1:5. Budapest.

1977b "Az ugros paros" [Leaping couples dances]. Tanctudomanvi tanulmanvok:243-263. Budapest: Magyar Tancmiiveszek Szovetsege.

1977c "Magyar tanckutatas es tanckritika" [Hungarian folk dance research and dance critics]. Horst Koegler: Balett lexikon:450-454. Budapest: Zenemiikiado.

1977d "Kiizdo karakterii parostancaink" [Our couple dances of a struggling character]. Nepi Kultura-Nepi Tarsadalom 9:329-355. Budapest: MTA Neprajzi Kutat6 Csoport.

1978 "A csardas kialakulasa" [Evolution of the csardas]. Magvar zene 19, 1978(2):218-224. Budapest: Magyar Zenemiiveszek Szovetsege.

1979a "A ritus szerepe Molnar Istvan miiveszeteben" [Role of rite in Molnar Istvan's art].Tanctudomanvi tanulmanvok 1978-1979:387-397. Budapest: Magyar Tancmiiveszek Szovetsege.

1979b "Rethei keziratos hagyateka" [Manuscripts in Rethei’s bequest]. Tancmuveszet 1979(11):24-25. Budapest: Maacz Ldszlo.

1980a "Paros tancok" [Couple dances]. Lajos Lelkes (editor), Magyar neptanchagvomanvok:265-305. Budapest: Zenemiikiado.

1980b "Dramatikus tancok" [Dramatic dances]. Lajos Lelkes (editor), Magyar neptanchagvomanvok: 341. Budapest: Zenemiikiad6.

1980c "Europai tanckultura, nemzeti tanckulturak" [European dance culture, national dance cultures]. Lajos Lelkes (editor), Magyar neptanchagvomanvok:8-10 Budapest: Zenemiikiado.

1980d "Bene Vendel tanca es mas lakodalmi halottas tancok" [Dance of Bene Vendel and other wedding choral dances]. Lajos Lelkes (editor), Magyar Neptanchagyomanyok:350-354. Budapest: Zenemiikiado.

1980e "The evolution of the czardash." Hungarian dance news 1980(1): 10-15. Budapest: Magyar Tancmiiveszek Szovetsege.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -52- Pesovir

1980f "Zwei tanzpantomimen" [Two dance pantomimes]. Festschrift fur Karl Horak:333-338. Innsbruck: Institut fuer Musikwissenschaft der Universitaet Innsbruck

1980g "Verbunktancaink szerkezeti sajatossagai" [Structural characteristic features of our Verbunk dances]. Nepi Kultura-Nepi Tarsadalom 11-12:451-467. Budapest: MTA Neprajzi Kutato Csoport.

1980h "The structural characteristic features of the Hungarian recruiting dances." ActaEthnographica Academiae Scientiarum Hungaricae 29(1-21:75-89. Budapest: Akademiai Kiado.

1980i 'Tancfolkloristak nemzetkozi kongresszusa" [International Congress of DanceFolklorists]. Tancmuveszet 5,1980(12): 10. Budapest: Madcz Laszld.

1980j "Archaische Partanze in der ungarischen Tanztradition und Tanzgeschichte" [Archaic pair dances in Hungarian dance traditions and dance history]. Henry Sjonberg (editor), Der altere Paartanz in Europa. Konferenz bericht:67-76. Stockholm: Dansmuseet.

M artin, Gyorgy; Erno Pesovar1980a "Az alfoldi tanchagyomany es Szabolcs-Szatmar megye tancai" [Dance tradition of the

Great Plain and dances from Szabolcs-Szatmar county]. Lajos Lelkes (editor), Magyar neptanchagyomanvok:29-36. Budapest: Zenemiikiado.

1980b "Legenyes, verbunk” [Lad-dance, verbunk]. Lajos Lelkes (editor), Magyar neptanchagyomanvok: 185-263. Budapest: Zenemiikiado.

Pesovar, Erno1981a "Bartok es a neptdncmiiveszet" [Bartok and the art of folk dance]. Tancmuveszet 6,

1981(4):7-9. Budapest: Maacz Laszld.

1981b "A magyarorszagi szlovaksag tankulturaja" [Folk dance culture of the Slovakians living in Hungary]. Tanctudomanvi tanulmanvok 1980-1981:283-316. Budapest: Magyar Tancmiiveszek Szovetsege.

1981c "Tanecna Kultura Slovakov zivucich v Mad’arsku" [Folk dance culture of Slovakians living in Hungary], Narodopis Slovakov v Mad'arsku 3:234-267. Budapest: Magyarorszagi Szlovakok Demokratikus Szovetsege.

1982 A tanc kolteszete I-II TPoetrv of dancel. Szombathely, Hungary. (52 pages.)

1983a "A forgos-forgatos paros a torteneti forrasokban es a tanchagyomany ban" [Spinning andwhirling couple dances in historical sources and folk traditions]. Tanctudomanvi tanulmanvok 1982-1983:255-283. Budapest: Magyar Tancmiiveszek Szovetsege.

1983b "A verbuvalas szabalyozasa 1809-ben." [Regulation of the recruiting acitivity in 1809].Tancmiiveszeti dokumentumok:238-250. Budapest: Magyar T&ncmiiveszek Szovetsege.

1983c "Martin Gyorgy (1932-.983)." Tancszok Kulonkiadas:r51. Budapest: Nepmiivelesi Intezet Tanc- es Zenei Osztalya.

1983d 'Tanckutatas es tanchagyomany Zala megyeben" [Folk dance research and folk dance tradition in Zala county], Tanckutatas es tanchagyomany Del-Dunantulon:50-60. Budapest.

1983e "Csardas Del-Dunintulon" [Csardas in the south-transdanube area]. Tanckutatas es tanchagyomany Del-Dundntulon:l 17-123, Budapest

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -53- Peso var

1983f "Szertartasos, dramatikus es jatlcos tancok" [Ceremonial, dramatic, and playing dances]. Tanckutatas es tanchagvomanv Del-Dunantulon:124-129. Budapest

1983g "Torteneti elozmenyek" [Historical precedents]. Edit Kaposi; Emo Pesovar (editors), Magyar tancmiiveszet:9-26. Budapest: Corvina Kiado.

Kaposi, Edit; Erno Pesovar (editors)1983 Magyar tancmuveszet [Hungarian dance art]. Budapest: Corvina Kiado. (245 pages.)

Agoston, Lanyi; Gyorgy, M artin; Erno Pesovar1983 A korverbunk tortenete. tipusai es rokonsaga [History, types and relations of the circle

Verbunk], Budapest: Zenemiikiado.

Pesovar, Erno1984a "Martin Gyorgy (1932-1983)." Tancmuveszet 9. 1984GN):21-23. Budapest: Maacz

Laszlo.

1984b "Gyorgy Martin: dance and music-ethnologist." Hungarian dance news: 1-2. Budapest: Magyar Tancmiiveszek Szovetsege.

1984c "Dances of the Slovaks in Hungary." Hungarian dance news:10-15. Budapest: Magyar Tancmiiveszek Szovetsege.

Kaposi, Edit; Erno Pesovar (editors)1984 Ungarische tanzkunst [Hungarian dance artl. Budapest: Corvina Kiado. (261 pages.)

Kaposi, Edit; Erno Pesovar (editors)1985 The art of dance in Hungary. Budapest: Corvina Kiado.

Pesovar, Erno1985a "A magyar neptanc teriileti-Torteneti tagozodasa" [Repatition Regionale-Historique de la

Danse Folklorique Hongroise]. Tanctudomanvi tanulmanvok 1984-1985:31-53. Budapest: Magyar Tancmiiveszek Szovetsege.

1985b "A csardas kialakulasanak szakaszai es tipusai" [Periods of development of the csardas and its types]. Tamas Hofer (editor), Ethnografia 96:17-29. Budapest: Akademiai Kiado.

1986 "A magyar parostancok torteneti retegei" [Historical strata of Hungarian couple dances]. Kandidatusi ertekezes tezisei:13. Budapest

1987 "A magyarorszagi cigany tanchagyomany torteneti jelentosege" [Historical significance of Gypsy dance tradition in Hungary], Tanctudomanvi tanulmanvok 1986-1987:273-257. Budapest: Magyar Tancmiiveszek Szovetsege.

1988 "The dance-historical significance of the Hungarian Gypsy dances." The international seminar .m Gvpsv dance. June 8-10. 1987. Kuopio. Finland. Publications 1:22-27. Helsinki: Dance Council of Finland.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -54- Pesovir

COLIN QUIGLEYLos Angeles, California, UNITED STATES

Quigley, Colin1979a "Traditional dance: all join hands." Decks awash 8:37-38. St. John's, Newfoundland:

Memorial University of New Foundland.

1980a Newfoundland dances and dance events: structured nonverbal communication (research paper). (Presented to the American Folklore Society conference, held in Pittsburgh, Penny sylvania.)

1980b Singles, doubles, and triples: musical terminology in Placentia Bay, Newfoundland (research paper). (Presented to the Folklore Studies Association of Canada, held in Halifax, Nova Scotia; about dance music)

1982a Folk dance and dance events in rural Newfoundland (master's thesis). St. John's,Newfoundland: Memorial University of Newfoundland, Department of Folklore. (398 pages; dance descriptions.)

1982b "An analysis of traditional dancing in rural Newfoundland as nonverbal communication." Journal of Association of Graduate Dance Ethnologists. UCLA 6:14-22. Los Angeles: University of California, Department of Dance.

1982c Folk speech as a key to the vernacular aesthetics of traditional dance in Newfoundland (research paper). (Presented to a conference of the California Folklore Society, held in Davis, California.)

1984 "A dance event ethnography: roller skating at Venice Beach." Journal of Association ofGraduate Dance Ethnologists. UCLA 8:21-32. Los Angeles: University of California, Department of Dance. (Labanotation; photographs.)

1985a Close to the floor: folk dance in Newfoundland. Memorial University of Newfoundlandfolklore and language publications, monograph series 3. St. John's, Newfoundland: Memorial University of Newfoundland, Department of Folklore. (127 pages.)

1985b "Review of Morris and Matachin by John Forrest" (book review). Culture and tradition9:107-108. St. John's, Newfoundland: Memorial University of Newfoundland.

1988a "A French-Canadian fiddler's musical worldview: the violin is 'master of the world'."Selected reports in ethnomusicology 7:99-122. Los Angeles: University of California, Ethnomusicology Program. (About dance music; music notation; photographs.)

1988b "Reviews of Drums of Winter and Gypsies on Motion Picture" (film reviews). DeirdreEvans-Pritchard (editor), Anthropos 88 International Festival of Documentary Film Catalogue:35-36. Los Angeles: American Film Institute.

1989 A "Running Set" in Newfoundland? (research paper). (Presented at a conference on OldTime Dancing in the Appalachian mountains, held in Johnson City, Tennessee at the East Tennessee State University Center for Appalachian Studies and Services; April.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -55- Quigley

PIRKKO-LIISA RAUSMAAHelsinki, FINLAND

Rausmaa, Pirkko-Liisa1975a "Vanhoja tanssikuvauksia kiijallisuudessa" [Old dance descriptions in literature].

Tanhuviesti 1-2:12-14.19-20. Helsinki: Suomalaisen Kansantanssin Ystavat

1975b "Kansantanssien keruusta" [Collecting of folk dances]. Kansanmusiikki 2:18-19. Kaustinen, Finland: Kansanmusiikkisaatio.

1976 "Suomalaisten kansantanssien keruu, julkaisu ja tutkimus'’ [Collecting, publication and research of Finnish folk dances]. Suomalaisen Kansantanssin Ystavat 75 vuotta 19011976:13-17. Helsinki: Suomalaisen Kansantanssin Ystavat

1977 "Katrillia ja pransiisia etsimassa: Emil Koskisen kertomus kansantanssien keruumatkasta 1916" [Loolang for Quadrille and Francaise: field work report of Emil Koskinen 1916], Kalevalaseuran vuosikiria 57:134-142. Helsinki: Suomalaisen Kiijallisuuden Seura.

Rausmaa, Pirkko-Liisa; Esko Rausmaa1977 Tanhuvakka: Suuri suomalainen kansantanssikiria [Folk dance chest: the great Finnish

folk dance book]. Helsinki: Werner Soderstrom Oy. (406 pages.)

Rausm aa, Pirkko-Liisa1978 "Kansantanssi" [Folk dance]. Otavan Suuri Ensvklopedia 4:2678-2679. Helsinki:

Kustannusoy. Otava.

Rausmaa, Pirkko-Liisa; Esko Rausmaa1979 Tanhuvakka Savelmisto [Music for Folk dance Chest]. Helsinki: Werner Soderstrom

Oy. (152 pages.)

Rausmaa, Pirkko-Liisa1981a "Kansantanssit" [Folk dances]. Anneli Asplund; Matti Hako (editors),

Kansanmusiikki: 164-171. Helsinki: Suomalaisen Kiijallisuuden Seura.

1981b "Vanhat laulutanssit" [The old song-dances]. Kalevalaseuran vuosikiria 61:186-196. Helsinki: Suomalaisen Kiijallisuuden Seura.

1981c "Heinolan polska" [Polska-dance of Heinola]. Kansanmusiikki 2:10-14. Kaustinen, Finland: Kansanmusiikkisaatio.

198 Id "Tanssiperinteen keruu" [Collecting of folk dance tradition]. Tanhuviesti 4:15-17. Helsinki: Suomalaisen Kansantanssin Ystavat.

198 le "Die alteren Paartanze in Finnland" [Pair dances in Finland]. Der altere Paartanz in Europa: Konferenzbericht. 1980:28-34. Stockholm: Arkivet for folklig dans, Dansmuseet.

Kivelii, Marjut; Pirkko-Liisa Rausmaa; Birgitta Karlsson1981 "Suomalaisten ja suomenruotsalaisten kansanleikkien ja kansantanssien bibliografia"

[Bibliography of the Finnish and Finnish-Swedish folkplays and folk dances]. KalgvalaSCTran.yaQsiiada 61:204-215. Helsinki: Suomalaisen Kiijallisuuden Seura.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -56- Rausmaa

Rausmaa, Pirkko-Liisa; Esko Rausmaa (editors)1982 Viola Malmi: Karialaisia kansantansseia [Karelian folk dances]. Pirkko-Liisa

Rausmaa/Esko Rausmaa. Helsinki: Suomalaisen Kansantanssin Ystavat. (95 pages; based on Ritva Sabelli's translation.)

Rausmaa, Pirkko-Liisa1984 "Dokera: Laulutanssejajapiirileikkeja" [Toy ball: songdances and rounds]. Helsinki.

Suomalaisen Kiijallisuuden Seura. (149 pages.)

1985 "Kalevalaiset laulutanssit" [The old songdances]. Kansarmusiikki 2:12-15. Kaustinen, Finland: Kansanmusiikkisaatio.

1987a "Suomalaiset kansantanssit" [Finnish folk dances]. Suomen historia 7:54-55. Helsinki:Weilin + Goos.

1987b "Performance gestuelle des chants kalevaleens—la danse" [Gestural performance of thekalevala-dance]. JJ. Jocelyne Fernandez-Vest (editor), Kalevala et traditions orales du monde:217-225. Paris: Centre National de la Recherche Scientifique.

Kuusi, Matti; Pirkko-Liisa Rausmaa1987 "Mita on perinne?" [What is the tradition?] Tanhunopettaiamatrikkeli 1977-1987:22-25.

Helsinki: Suomalaisen Kansantanssin Ystavat

WILLIAM C. REYNOLDSEgtved, DENMARK

Reynolds, William C.1975a Preliminary report on human movement notation research project. Birmingham,

England: Radcliffe Trust. (64 pages.)

1975b Series of technical papers on Labanotation: Set 1. [London:] International Council ofKinetography Laban (ICKL). (80 pages; papers submitted to the ICKL bienniel conference in Herisau, Switzerland, August.)

1976a "Braille Labanotation for the blind." Action! Recording 4:2. London: Language ofDance Centre.

1976b "What is human movement notation?" Leverhulme seminar papers 3: 24-34.Birmingham, England: Birmingham Polytechnic. (Originally presented as a paper atthe University of London, Leverhulme Seminar on Movement Observation.)

1977 Labanotation: an introduction for folk dance. Egtved, Denmark: privately printed.(215 pages; workbook for Labanotation, especially for European folk dances.)

1979 "Movement notation: an aid to motor diagnosi ?" Proceedings of the Symposium onpsvchomotor diagnosis. Riiksuniversiteit Groningen. Netherlands. 6 Januarv:ri-27?1. Groningen, Netherlands: Rijksuniversiteit

Reynolds, William C. (editor)1979 Dictionary of Kinetography Laban (Labanotation) volume 1. Plymouth, England:

Macdonald and Evans. (420 pages.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -57- Rausmaa, Reynolds

Reynolds, William C.1984 What makes a good notation? (research paper). (Presented to the first International

Congress on Movement Notation sponsored by the International Theatre Institute of Tel Aviv University, held in Tel Aviv, Israel; August.)

Reynolds, William C. (editor)1986- ICTM dance newsletter. Egtved, Denmark: ICTM Study Group for Ethnochoreology.

Reynolds, William C.1987 The fallacy of the single recording and the nat-on-the-back criterion of prescriptive

validity (research paper). (Presented at the iCTM International Conference, held in East Berlin; August.)

1988a "Dance in the ICTM." ICTM dance newsletter 1:3-6. Egtved, Denmark: ICTM StudyGroup for Ethnochoreology.

1988b "Scientific criteria forjudging human movement notation systems." Proceedings of theInternational Conference on Coordination Method of Dance Notation. Naniing. China. 24-29 March: 166-174. Beijing and Nanjing, China: The Academy of Arts of China and the Nanjing Institute of Technology. (In Chinese and English.)

1988c Video versus notation (research paper). (Presented at the conference on DanceDocumentation, sponsored by the Nordic Dance Committee of the International Theatre Institute; held at the University of Copenhagen; December.)

1989 "Where do we start in describing a dance event?" Lisbet Torp (editor), The danceevent: a complex cultural phenomenon: 115-127. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

OWE RONSTROMStockholm, SWEDEN

Ronstrom, Owe1981a "'Ranningen' som kulturellt fenomen ['Ranningen' as a cultural phenomenon]."

Hembvgden 5:20-21. Stockholm: Svenskaungdomstringen for bygdekultur.

1981b "'Ranningen' som kulturellt fenomen ['Ranningen' as a cultural phenomenon]." Dans/Folkdans 3:53-55. Stockholm: Dans museet.

198 lc Strukturella drag i Europeiska danser [Structural traits of European dances] (manuscript). Stockholm: Stockholm Universitet, Institutet fdr folklivsforskning.

1983 "Vad ska vi med lekar till? [What -re we going to do with the children's games?]." Abrakadabra 2:8-15. Stockholm: V&r skola forlag.

1984 "Folkmusik och folkdans i Ungem [Folk music and folk dance in Hungary]." Gaida:!- 13. Oslo: International folk dance associations of Scandinavia.

1985-1986 "Om improvisation i folkdans [On improvisation in folkdance]." Gaida (5):8-l 1,(1): 17-20, (2):6-7. Oslo: International folk dance associations in Scandinavia.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -58- Reynolds, Ronstrom

1986 Studying dance and music among Yugoslavs in Stockholm (research paper). (Presentation to a meeting of the Dance Study Group of the International Council for Traditional Music, held in Neubrandenburg, DDR; April.)

1987 Danshusrorelsen i Ungem [The dance house movement in Hungary] (research paper). (Presentation to the Dance conference of Nordisk danskommitte, held in Helsinki; December.)

1989 "The dance event~a terminological and methodological discussion of the concept" Lisbet Torp (editor), The dance event: a complex cultural phenomenon:21-29. Copenhagen: IClM Study Group on Ethnochoreology. (Proceedings from the 15th Symposium of the ICTM Study Group on Ethnochoreology.)

ANYA PETERSON ROYCEBloomington, Indiana, UNITED STATES

Royce, Anya Peterson1967 Mexican dance forms: a bibliography with annotations. Stanford, California: Institute

for the Study of Contemporary Cultures. (? pages.)

1968 "An acculturational study of some dances of Oaxaca, Mexico." Anya Peterson; Ronald R. Royce (editors), Researches in Latin American societv:37-78. Stanford, California: Institute for the Study of Contemporary Cultures.

1974a "Choreology today: a review of the field." Tamara Comstock (editor), New dimensions in dance research: Anthropology and dance-the American Indian. CORD research annual 6:47-84. New York: Committee on Research in Dance.

1974b "Dance as an indicator of social class and identity in Juchitan, Oaxaca." TamaraComstock (editor), New dimensions in dance research: Anthropology and dance-the American Indian. CORD research annual 6:285-297. New York: Committee on Research in Dance.

1977 The anthropology of dance. Bloomington, Indiana: Indiana University Press. (238 pages.)

1979 "Comment on 'Movements toward the understanding of humans through theanthropological study of dance' by Judith Lynne Hanna." Current anthropology 20(2):328-329. Chicago, Illinois: University of Chicago Press for Wenner-Gren Foundation for Anthropological Research,

1983 Teaching the culture and society of Latin America; dance, dance-drama, and identity(lecture). (Presented at the 29th annual meeting of the Pacific Coast Council on Latin American Studies, held at Portland State University; October.)

1984a Movement and meaning: creativity and interpretation in ballet and mime. Bloomington, Indiana: Indiana University Press. (234 pages.)

1984b Collection and documentation of traditional dance (lecture). (Presented at the "Consultingseminar on the collecting and documenting of the traditional music and dance for the Arabian Gulf and Peninsula” sponsored by the Arab Gulf States Folklore Centre; December.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -59- Ronstrom, Royce

1984c "Art, the mundane, and art of the mundane." Opportunity, constraint, and change: essavs in honor of Elizabeth Colson (Festschrift for Elizabeth Colson). Kroeber anthropological society publications 63-64:135-149. Berkeley, California: Kroeber Anthropological Society.

1985 "Formal aspects of movement and meaning in dance and mime." Journal for humanistic studies. Warsaw.

Royce, Anya Peterson; Fran Snygg1985a "Looiting for me and Dance therapy: The power of movement" (film reviews). American

anthropologist 87(2):485-486. Washington D.C.: American Anthropological Association.

1985b "Mary Wigman: When the fire dances between the two poles and Dance masks: The world of Margaret Severn" (film reviews). American anthropologist 87(2~):487-488. Washington D.C.: American Anthropological Association.

Royce, Anya Peterson1987a "Masculinity and feminity in elaborated movement systems." June Machover Reinisch;

Leonard A. Rosenblum; Stephanie A. Sanders (editors), Masulinitv/feminitv: basic perspectives:315-343. New York: Oxford University Press.

1987b "Limits of innovation in dance and mime." Semiotica: Journal of the InternationalAssociation for Semiotic Studies 65(3/4):269-284. Amsterdam: Mouton de Gruyter.

1987c "The anthropology of performance and the performance of anthropology." Robert H.Lavenda; Emily A. Schultz (editors), Cultural anthropology: a perspective on the human condition: 146-148. St. Paul, Minnesota: West Publishing.

1987d Play, performance and popular culture (plenary address). (Presented to the conference "Sports and leisure in culture: An interdisciplinary conference," held at Indiana University—Indianapolis School of Liberal Arts; March.)

Royce, Anya Peterson; Anthony Seeger1987 "Music, dance, and drama." Jack W. Hopkins (editor). Latin America: perspectives on a

region:201-214. New York: Holmes and Meier Publishers.

GEZA SEBOKSempach, SWITZERLAND

Sebok, Geza; Janos Q uittner; Andras Takacs1976 A nvugati 6s kOzepso tancdialektusokhoz kapcsolodo hazai magyar faluk paraszt-tanc

anvaganak keresztmetszete [Oversight pertainirto the western and central dance dialects of folk dances in Hungarian villages in Slovakia.]. Bratislava, Czechoslovakia: A CSEMADOK Kozponti Bizottsaga. (48 pages.)

Sebok, Geza; Janos Q uittner1979 Del-szlovakiai magvar falvak hagvmanvos tancai [Traditional dances in the Hungarian

villages of South Slovakia]. Bratislava, Czechoslovakia: Osvetovy Ustav. (305 pages.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -60- Royce, Sebok

Sebok, Geza1980a "Alsonemedi regi tancelete" [Old dance life in Alsonemedi]. Ivan Balassa (editor),

Alsonemedi tortenete es nepraiza:497-500. Alsonemedi, Hungary: Alsonemedi Kozsegi Tanacs VB.

1980b "Schema svadby na silickej a plesivskej planine v obdobi 1920-1945" [The subject of weddings in Upper Selica and Plevisec between 1920-1945]. Narodopisne informacie 3:113-120. Bratislava, Czechoslovakia: Slovenska akademia vied.

1981 "A szlovakiai magyar neptanckutatas problemai" [Problems of Hungarianethnochoreological research in Slovakia]. Jan Botik, Margit Meryne Toth (editors), A csehszlovakiai maivar nemzetiseg nepraizi kutatasa: 172-174. Bratislava, Czechoslovakia: Csemadok Kozponti Bizottsaga, Slovenska akademia vied.

Sebok, Geza; M aria Sebok1986 "Magyar Tanchaz, Svajci Tanchaz" [Hungarian dance hall, Swiss dance hall], Gyula

Barczay (editor), Harmincev. 1956-1986:280-304. Bern, Switzerland: EPMSz Bern.

Sebok, Geza1989 "Ethnochoreological research in Switzerland in the eighties." Lisbet Torp (editor), The

dance event: a complex cultural phenomenon: 158-159. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

Sebok, Geza; Brigitte Bachmann-Geiser1989 "International Council for Traditional Music (ICTM)." Bulletin: Schweizerische

Akademie der Geisteswissenschaften:9-11. Bern, Switzerland: Generalsekretariat SAGW/SANW.

JENNIFER SHENNANWellington, NEW ZEALAND

Shennan, Jennifer1977 Waiata-a-ringa: a movement study of action-songs (master's thesis). Auckland, New

Zealand: University of Auckland, Department of Anthropology.

Shennan, Jennifer; Mervyn McLean1979 "Remarks on Youngerman's 'Maori dancing since the eighteenth century.’"

Ethnomusicology 23(3):493-499. Ann Arbor, Michigan: Society for Ethnomusicology.

Shennan, Jennifer: Allan Thomas1981 "Third South Pacific Festival of the Arts." Pacific arts newsletter 12. Wellington, New

Zealand: Pacific Arts Association.

Shennan, Jennifer1981 "Approaches to the study of dance in Oceania: 'Is the dancer carrying an umbrella or

not?"' Journal of Polynesian Society 90(2): 183-191. Auckland, New Zealand: Polynesian Society. (Reprinted June 1981 by Polynesian Society as article in Future Directions in the study of the arts of Oceania.)

1984 The Maori action song. Studies in Education 36. Wellington, New Zealand: New Zealand Council for Educational Research. (100 pages.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -61- Sebok, Shennan

Shennan, Jennifer; Allan Thomas1985 "Emergent dance forms." Proceedings from the Asia-Pacific festival. Wellington 1984.

Wellington, New Zealand: Victoria University of Wellington, School of Music.

ANNA SHTURBANOVA (AHHa m t p S a H O B a )Sofia, BULGARIA

Shturbanova, Anna(m-i>p6aHOBa, AHHa)1983 "3>ojikjiophh xopa ot MHsafiJiOBrpaacK©" (Folklomi hora ot Mihailovgradsko)

[Folk horos from Mihailovgrad district]. TaHCOBO h3kvctbo 12:51-64. Sofia: Komitet za Kultura.

1985a "Hskoh TeHaeHijHH b pasBHTneio Ha My3HicajiHO-TaHHOBHSi <£ojikjiop ot ceBepo3anaaHa5tJirapna:" (Niakoi tendencii v razvitieto na muzikalno-tancoviia folklor ot severozapadna Bulgariia) [Some trends in the development of folk music and dance in northwest Bulgaria]. 5i>rapcKH<f>oracjiop (Bulgarski folklor) ll(l):50-60. Sofia: Bulgarska Akademiia na Naukite, Institut za Folklor. (Summary in English.)

1985b "TpeTH HaxjHOHajieH n p e rjiea Ha a-bpxaBHHTe h npo^ecHOHajiHme aHcaM6nH 3a aapoaHH necHH h TaHHH" (Treti nacionalen pregled na durzhavnite i profesionalnite ansambli za narodni pesni i tanci) [Third national survey of state and professional folk song and dance ensembles]. 5t,rapcKn d-ojirjrop (Bulgarski folklor) ll(4):67-70. Sofia: Bulgarska Akademiia na Naukite, Institut za Folklor.

1985 Hm6oxickh KOJieaapcKH ByeHeK (Jambolski koledarski Buenek) [Christmas period men's dance Buenek (paper). (Presented to a conference held in T'opolovgrad, Bulgaria; manuscript is available in Sofia at the Bulgarska Akademiia na Naukite, Institut za Folklor.)

1988 "3a CtCTOSIHHeTO Ha MexayHapoaHHTe ‘STHOXOpeOJlOXKH H3CJieaBaHHS" (Za sustoianieto na mezndunarodnite emohoreoloshki izsledvaniia) [About the state of international ethnochoreological research]. 5.i>ra.T>c.KHd»ojiKJiop fBulgarski folklor) 14(3): 106-108. Sofia: Bulgarska Akademiia na Naukite, Institut za Folklor.

1989 "Boaa^^cTBOTO bmt>jkkhsiTaHrt” (Vodachestvoto v muzhkiia tanc) [Men's leadership of dances], &TOPH M e^JYHaPCfleH KPHrPSC no g-fenraPHCTHKa ztOKJiami —4>oJiKJiop [Second international congress on Bulgarian studies research papers-folklore] 15:442-447. Sofia: Bulgarska Akademia na Naukite.

Shturbanova, Anna; Todor Zhivkov1989 "The dance event: a complex cultural phenomenon." Lisbet Torp (editor), The dance

event: a complex cultural phenomenon:! 10-114. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -62- Shennan, Shturbanova

Snyder,1962

Snyder,1965

1967a

1967b

1967c

1968a

1968b

Snyder,1968

Snvder,1969a

1969b

1969c

1972

Snyder,1973

ALLEGRA FULLER SNYDERLos Angeles, California, UNITED STATES

Allegra Fuller (director)Bavanihan ('film). Rochester, New York: Bee-Cross Media. (16mm, 60 minutes; documentary on Philippine Dance Company.)

Allegra Fuller"Three kinds of dance film." Dance magazine 39(9):34-39. New York: Dance Magazine.

A filmic approach to dance: a theoretical exploration (master’s thesis). Los Angeles: University of California, Department of Dance. (95 pages.)

"The kinesthetic environment." Impulse:317-326. San Francisco, California: Impulse Publications.

"[about cine-dance]" Selma Jean Cohen (editor), Dance perspectives 30:48-51. Brooklyn, New York: Dance Perspectives. (The article is not titled; whole issue is about cine-dance.)

The relationship of film to dance: a report and analysis of problems, needs, possibilities and potentials in this area. Washington, D.C.: National Endowment for the Arts, Office of dance programs. (140 pages.)

"Sources of films on dance." Journal of health, physical education and recreation 39(5):79-82. Washington, D.C.: American Association for Health, Education, and Recreation, a department of the National Education Association.

Allegra Fuller (director)Gestures of sand (film). Los Angeles: University of California Media Center. (16 mm., 14 minutes; film about Margalit Oved Marshall.)

Allegra Fuller"The scene on film, a new dimension." Focus on dance 5: composition. Washington, D.C.: American Association for Health, Physical Education and Recreation, National section on dance.

"Films that show children how to learn by dancing." Film news 26(2):p-p. New York.

"Films: who can make them, how can we use them?" Dance magazine 63:35-41. New York: Dance Magazine.

"Some aspects of the nature of the rhythmic experience and its possible therapeutic value." AmgrisanDance Therapy Association; proceedings qf fog sixth annual conference 2:128-149. Columbia, Maryland: American Dance Therapy Association.

Allegra Fuller (director)Reflections on choreography (film). Los Angeles: University of California Media Center. (16mm, 14 minutes; documentary on choreographer,Marion Scott.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -63- Snyder

Snyder, Allegra Fuller1974 Using anthropology as a tool for defining "folk" and "ethnic" dance in education (paper).

(Presented to the national convention of the American Association of Health, Physical Education and Recreation, held in Anaheim; April.)

1977a "The dance symbol." Tamara Comstock (editor), New dimensions in dance research:anthropology and dance-the American Indian. Dance research annual 6:213-224. New York: Committee on Research in Dance

1977b "The media for research and publication in dance." Dance and film:31 -33. Ontario, Canada: The Art Gallery of Ontario.

1977c Film as a means of holistic communication (paper). (Presented to the Western Dance History conference on resources and teaching methods, co-sponsored by Barnard College and the Dance Collection of Research Libraries of the New York Public Library at Lincoln Center, held at Barnard College, New York City; February.)

Snyder, Allegra Fuller (director)1977 Baroque dance 1675-1725 (film). Berkeley, California: University Extension Media

Center. (16mm.; 22 minutes; supported by the National Endowment for the Humanities in Washington D.C.)

Snyder, Allegra Fuller1978 Levels of event patterns: dance in a holistic context (paper). (Presented to the conference

on "Traditional dance in the 20th century" co-sponsored by the Congress on Research in Dance and the American Dance Guild, held at the University of Hawaii at Manoa, in Honolulu, Hawaii; August.)

1980 Aspects of world ritual and their relation to the dance/movement therapy (keynote address). (Presented to the 15th annual conference of the American Dance Therapy Association, held in Los Angeles, California; October.)

1981 Chapayekas and Pascola contrast and consistencies: two dimensions of the Yaqui Easter (paper). (Presented to the "Faces of fiesta: a symposium" sponsored by the Center for Latin-American Studies, held at San Diego State University, in San Diego, California; November.)

1982a "Film as a means of holistic communication." Journal of the Association of Graduate Dance Ethnologists 6:27-29. Los Angeles: University of California, Department of Dance.

1982b Education and the student in dance ethnology (paper). (Presented to the Society forEthnomusicology annual meeting, held at the University of Maryland, at College Park, Maryland; November.)

1982c Untitled video loop (video anthology). (12 minutes; selections from ethnographic films; prepared for an exhibit "Celebration: a world of art and ritual" sponsored by the Smithsonian Institution, held at the Renwick Gallery of the National Mul jum of Art, Washington, D.C.; March 1982-June 1983.)

Snyder, Allegra Fuller (director)1982 When the fire dances between the two poles (film). Berkeley, California: University of

California Extension Media Center. (16 mm; 45 minutes; about Mary Wigman, 18861973; supported by the National Endowment for the Arts.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -64- Snyder

Snyder, Allegra Fuller1983a What happened to the hobby-horse today? (paper). (Presented to the joint meeting of the

American Ethnological Society, the Southern Anthropological Society and the Association for the Anthropological Study of Play, held in Baton Rouge, Louisiana; February.)

1983b Examining the dance event from a world perspective (paper). (Presented as part of "Celebration, the world of art and ritual" co-sponsored by the Smithsonian Institution Office of Folklife Programs and Renwick Gallery of the National Museum of American Art, held in Washington, D.C.; April.)

1983c Roads to the future—new perspectives on the work of Rudolp Laban and Mary Wigman (paper). (Presented with a film showing to the Laban/Bartenieff Institute of Movement Studies, held in New York; May.)

1984a "Dance in a ritual context: a dance ethnologist's point of view." Dance-a multicultural perspective:22-32. Surrey, England: National Resource Centre for Dance, University of Surrey.

1984b Shamanism, the primacy of imagery: cross-cultural perspective (paper). (Presented to the 5th annual conference of the American Association for the Study of Mental Imagery, held in Los Angeles; May.)

1986 "The power of masks--the European tradition." Masks—the festival of masks newsletter4(2):8. Los Angeles: Craft and Folk Art Museum.

1987a Cosmology, dance and transformation (paper). (Presented to honor's program students, held at University of Colorado in Boulder, Colorado; April.)

1987b Gertrude Kurath-twenty-eight years later (paper). (Presented to the Society forEthnomusicology 32nd annual meeting, held in Ann Arbor, Michigan; November.)

1989 "Levels of event patterns: a theoretical model and its application to the Yaqui Easterceremonies." Lisbet Torp (editor), The dance event: a complex cultural phenomenon: 120. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

PLACIDA STARO*Milano. ITALY

Staro, Placida1981a "Ma i balli veri erano i lisci" [But ballroom dances were the real ones]. Folkgiomale: 10

15. San Daniele del Friuli, Italy: Folkgiomale.

1981b Stato della ricerca e documentazione [The present situation of dance research anddocumentation] (research paper). (Presented to "Danza tradizionale in Italia," sponsored by the Museo delle Tradizioni popolaii, held in Roma; June.)

1982a "Una proposta di discussione: i laboratori ed il revival della danza popolare" [A proposal for discussion: workshops and folkdance revival]. Folkgiomale 1(2): 19-23. San Daniele del Friuli, Italy: Folkgiomale.

Editor's note: Listings are not reviewed by the author; some entries may be incomplete.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -65- Snyder, Staro

1982b "Metodo di analisi per un repertorio di danze tradizionali" [A method for the analysis of folk dance repertoire]. Culture musicali l(2):73-93. Roma: Bulzoni.

1983a "Un repertorio di ballo saltato" [A repertoire of jumping dances]. Cammelli S. (editor), Musiche da hallo, halli da festa:79-137. Bologna, Italy: Alfa.

1983b La danza tradizionale: metodi di rilevamento e confronti critici [Folk dance: research methods and critical discussion] (research paper). (Presented to "Danza tradizionale: metodi di rilevamento e conf'onti critici," held in Prato, Italy; April.)

1983c Stimolo sonoro e risposta motoria [Sound stimulus and motor response in dance](research paper). (Presented to "Danza tradizionale: metodi di rilevamento e confronti critici," held in Prato, Italy; April.)

1983d La prassi violinistica di Melchiade Benni [M. Benni’s fiddling technique] (research paper). (Presented at "Strumenti popolari in Italia" sponsored by Societa Italiana di Etnomusicologia - Civica Scuola D'Arte Drammatica "Piccolo Teatro," held in Premeno, Italy; September.)

1984a "Ballo popolare e autori colti" [Folk dance and literature]. Folkgiomale 2(8/9):46-49; 2(10):33-34. San Daniele del Friuli, Italy: Folkgiomale.

1984b "Balli emiliani categoria standard" [Emilian dances: a standard category], Folkgiomale 3(13):14-15. San Daniele del Friuli, Italy: Folkgiomale.

1985a "Musica per danzare" [Music for dancing]. Culture musicali 2(4):57-69. Roma:Bulzoni.

1985b "Musica per danzare" [Music for dancing], R. Leydi; F. Guizzi (editors), Strumenti musicali e tradizioni popolari in Italia. Roma: Bulzoni.

1985c "Analisi del repertorio di danza della Val Po" [Analysis of the dance repertoire of Val Po]. Culture musicali 4(7/8):57-90. Milano, Italy: Unicopli.

1985d "Documento letterario e danza etnica" [Literary documents and ethnic dance]. Culture musicali 4(7/8): 127-146. Milano, Italy: Unicopli.

1985e II violinista trasformista [The ever changing fiddler] (research paper). (Presented at "Incontri folcolorici dell’Arco Alpino," held in Trento, Italy; September.)

Staro, Placida (editor)1985 "Bibliografia sulla danza popolare itahana" [Bibliography of Italian folk dance]. Culture

musicali 4(7/8): 147-194, Milano, Italy: Unicopli.

Staro, Placida; Donata Maria Carbone1985a Introduzione alia scrittura del mo vi men to [Introduction to movement notation]. Milano,

Italy: Civica Scuola D'Arte Drammatica. (60 pages.)

1985b Introduzione alia scrittura del movimento. 1 [Introduction to movement notation]. Bologna, Italy: Universita di Bologna. (68 pages.)

Staro, Placida1987a Cultural identity and dance aggregation: dance companies in northern Italy (research

paper). (Presented at the International Council for Traditional Music Conference, held in East Berlin; July.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -66- Staro

1987b La documentazione etnografica tra demologia e ricerca scientifica (research paper).(Presented to the third conference of "Citta di San Daniele," held in San Daniele, Italy; December.)

1987 "Rota: regola e improwisazione tra realta e rappresentazione" [Rota: rule andimprovisation between reality and symbolical representation]. Ettore Castagna (editor), Danza tradizionale in Calabria: 27-55. Catanzaro, Italy: Cooperativa Lombardi Satriani.

1988a Dance, iconography, and Kinetography (research paper). (Presented at the InternationalCouncil for Traditional Music Iconography Study Group meeting, held in Orta San Giulio; May.)

1988b Kinetography and anthropology of dance. (Presented at "Laban: Art and science ofmovement" sponsored by the Laban Dance Festival, held in Ascona, Switzerland; July.)

1988c Problemi di metodologia nella ricerca etnocoreutica [The methodology in ethnocoreuticalresearch]. (Presented at "Inventario delle ricerche e catalogazione delle danze tradizionali italiane," held in Penne San Andrea, Italy; July.)

1989 "Widespread models for the analysis of folk dance." Lisbet Torp (editor), The danceevent: a complex cultural phenomenon:81-92. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

LISBET TORPCopenhagen, DENMARK

Torp Jensen, Lisbet1983 "Europzeiske Kzededanse" [European chain dances]. Sven Tito Achen, Gunver Kyhn,

Mogens Brondsted (editors), Humaniora 1981-1982 5:107-12. Copenhagen: The Danish Research Council for the Humanities.

1986a ’"Hip hop dances'—their adoption and function among boys in Denmark from 19831984." Dieter Christensen (editor), Yearbook for traditional music 18:29-36. New York: The International Council for Traditional Music.

1986b Danish women’s dances in the 19th century and the late 20th century-tradition and "counter-tradition" (research paper). (Presented to the HI encuentros intemacionales- cultura traditional, sponsored by the Sociedad ELAI-ALAIS, held in Portugalete [Bizkaia], Spain; March.)

1986c A comparative method applicable to the analysis and systematization of European chain and round dances (research paper). (Presented to the meeting of the ICTM study group for ethnochoreology, sponsored by the GDR ICTM national committee, held in Neubrandenburg, GDR; May.)

1987a "European chain and round dances-a comparative study." Roderyk Lange (editor),Dance studies 10:13-48. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -67- Staio, Torp

1987b Rebetika--the songs and dances of a Greek subculture, their function and modes ofexpression-the creation of a cultural identity (research paper). (Presented to the 29th conference of the International Council for Traditional Music (ICTM), held in Berlin (East), GDR; July.)

1988 "The Anastenaria (Nestinari) ritual as performed in the village of Lanadha, Thessaloniki, by famlilies originating in Kosti village in Bulgarian Thrace." Proceedings of the second congress on Bulgarian studies:312-317. Sofia, Bulgaria; Bulgarian Academy of the Sciences.

1989 "The dance event and the process of transformation-a case study of the Anastenaria in Langadha, Greece." Lisbet Torp (editor), The dance event: a complex cultural phenomenon:74-80. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

Torp, Lisbet (editor)1989 The dance event: a complex cultural phenomenon. Copenhagen: ICTM Study Group on

Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology, held in Copenhagen, 1988.)

HENNING URUPVirum, DENMARK

Urup, Henning1972 "Registrering af spillemandsmusik med henblik p i databehandling" [Registration of

fiddler music for data processing]. Dansk Aarbog for Musikforskning, Danish yearbookof musicology 6:236-239. Copenhagen: Dansk Selskab for Musikforskning.

1975 "De danske Polsk-danse' belyst under anvendelse af komparativ koreografiskanalyseteknik" [The Danish "Polish-dances" examined by comparative choreographic analysis]. Musik & forskning 1:80-94. Copenhagen: Musikvidenskabeligt Institut, K0benhavns Universitet. (English summary.)

1975 "Musik- og dansemasssige oplevelses- og udtryksfaktorer" [Factors of experience and expression in music and dance]. Svensk tidskrift f5r musikforskning. Swedish journal of musicology 57(2):41-46. Stockholm: Svenska samfundet for musikforskning. (English summary.)

1976 "Dansk spillemandsmusiks forudsaetninger, kilder og sslige karaktertrask" [The sources for and the character of Danish fiddler music]. Musik & forskning 2:31-47. Copenhagen: Musikvidenskabeligt Institut, K0benhavns Universitet. (English summary.)

1980 "Spillemandsmusik og folkedans i Danmark omkring 1979 - vilkirenes indflydelse"[Fiddlermusic and folk dance in Denmark about 1979 - influence of the circumstances], Nordisk Musik och Musikvetenskap under 1970-talet - en kongressrapport:202-210. Goteborg, Sweden: Musikvetenskapliga Institutionen, Goteborg Universitet.

1980 "Danish couple-dances in folk-tradition." Der altere Paartanzjn Europa,Konferenzbericht:21-27. Stockholm: Arkivet for folklig dans, DansmuseeL

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -68- Torp, Urup

1981 "Danseskolevirksomhed i Danmark" [Dancing schools in Denmark]. Henning Urup (editor), Meddelelser fra Dansk Dansehistorisk Arkiv 1:5-23. Copenhagen: Dansk Dansehistorisk Arkiv, Musikvidenskabeligt Institut, Kobenhavn Universitet. (English summary.)

Urup, Henning (editor)1981 - Meddelelser fra Dansk Dansehistorisk Arkiv [Information from the Danish Dance History

Archives]. Copenhagen: Dansk Dansehistorisk Arkiv, Musikvidenskabeligt Institut, K0benhavns Universitet. (Annual yearbook of the dance archive; English summary.)

Urup, Henning; Ivan Hansen; Per Norgard; Dinna Bjorn1981 "Forholdet mellem musik og dans - specielt belyst ud fra en analyse af 'Tidligt ForSrs

Danse' af Per N0rg3rd og Dinna Bj0m" [Relations between music and dancing as illustrated through an analysis of "Dances of Early Spring” by Per Norgird and Dinna Bj0m]. Musik & forskning 7:191-239. Copenhagen: Musikvidenskabeligt Institut, K0benhavns Universitet. (English summary.)

Urup, Henning1983 "Danish research in Denmark." Roderyk Lange ('editor). Dance studies 7:7-20. Jersey,

Channel Islands, United Kingdom: Centre for Dance Studies.

1984 "Claus Schall som dansekompositor" [Claus Schall as a dance composer], Musik & forskning 9:5-26. Copenhagen: Musikvidenskabeligt Institut, Ksbenhavns Universitet. (English summary.)

1985 "Historisk danseforskning - metodeproblemer og kildemateriale" [Problems concerning sources and historical dance research], Musik & forskning 10:5-30. Copenhagen: Musikvidenskabeligt Institut, K0 benhavns Universitet. (English summary.)

1987 "Dansekolevirksomhed i Danmark - f0 r og nu" [Activities of Danish dancing schools - in former times and the present]. Nordisk forening for folkedansforskning. Brev 10:4-7. Stockholm: Nordisk forening for folkedansforskning. (The Nff is based at the Dragvoll Universitetscenter in Norway; the article is published in Danish.)

1988 Rytme og rytmefomemmelse i folkelig dans og music pi Fan0 - specielt i lokaltraditioneni $0 nderho [Rhythm and the feeling of rhythm in dance and music in the local tradition in the village Sanderho at the island Fan0 ] (research paper). (Presented to the Norwegian National’Committee of the ICTM, held at Dragvoll Universitetscenter in Trondheim, Norway; January.)

Urup, Henning; Henry Sjoberg; Egil Bakka; and others1988 Gammaldans i Norden [Old time dances in the North], Trondheim, Norway: Nordisk

forening for folkedansforskning. (In Norwegian, Danish, Swedish languages.)

Urup, Henning1989 "The Danish dance history archives." The dance event: a complex cultural

phenomenon: 160-161. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th Symposium of the ICTM Study Group on Ethnochoreology.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -69- Urup

JEAN-PHILIPPE VAN AELBROUCKBrussels, BELGIUM

Flagel, Lou; Claude Flagel; Jean-Philippe Van Aelbrouck1979 Special Portugal: Douro Litoral [Special Portugal: Douro Coast] (booklet). Lou Flagel;

Claude Flagel (editors), Danses autour du monde 16. Bruxelles: FM and Ministere de la Culture fran?aise de Belgique. (25pages; dance descriptions; kinetograms; booklet accompanies 2 EP recordings, #45160-161.)

1981 Special Hongrie Ng 2 [Hungary Special] (booklet). Lou Flagel; Claude Flagel (editors),Danses autour du monde 18. Bruxelles: FM and Ministere de la Culture fran9aise de Belgique. (30 pages; dance descriptions; kinetograms; booklet accompanies 2 EP recordings, #33180-181.)

1984 Special Portugal: Minho [Special Portugal: Minho] (booklet). Lou Flagel; Claude Flagel (editors), Danses autour du monde 19. Bruxelles: FM and Ministere de la Culture frangaise de Belgique. (26 pages; dance descriptions; kinetograms; booklet accompanies2 EP recordings, #45190-191.)

1984 Danses d'improvisation [Improvised dances] (booklet). Lou Flagel; Claude Flagel (editors), Danses autour du monde 20. Bruxelles: FM and Ministere de la Culture fran^aise de Belgique. (24 pages; dance descriptions; kinetograms; booklet accompanies2 EP recordings, #33200-01.)

Van Aelbrouck, Jean-Philippe1986 "Introduction." Le contredanses du journal musical liegeois "L'Echo" (1758-1773

[Country dances of Liege's music journal "L'Echo" (1758-1773)]:IX-XLffl. Documents sur la danse et la musique populaires en Wallonie 1. Bruxelles: Commission Royale Beige de Folklore. (Kinetograms, diagrams, bibliography, list of dances; 108 pages of facsimile reprints-music, dance notations; "Forward" by Jean-Michel Guicher.)

1987a "Notes." Trappeniers: recueil de contredanses [Trappeniers: index of country dances] :1- 2. Documents sur la danse et la musique populaires en Wallonie 2. Bruxelles: Commission Royale Beige de Folklore. (72 pages of facsimile reprints of 3 volumes published by Trappeniers with music and dance descriptions.)

1987b "Annonces concemant la musique dans les gazettes et periodiques bruxellois au XVIIIe siecle (1741-1780)" [Music advertisements in Brussels magazines and periodicals of the 18th century (1741-1780)]. Tradition wallonne 4:761-799. Bruxelles: Commission Royale Beige de Folklore. (Listings, illustrations.)

1988a "L'Art de bien danser, d'apres les principes du sieur Bacquet-Clavigny" [The art ofdancing well, after Sir Bacquet-Clavigny's principles]. Tradition wallonne 5. Bruxelles: Commission Royale Beige de Folklore. (Kinetograms, diagrams, notes on the minuet; facsimile reprint of a dance manual printed in Toumai, 1780.)

1988b Folkdance in Wallonia: historical elements of its reconstruction (research paperpresentation). (Presented at the second world conference on Folk Dance Research, sponsored by the International Organization of Folk Art (UNESCO), held in Larissa, Greece; July.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -70- Van Aelbrouck

JUDY VAN ZILEHonolulu, Hawaii, UNITED STATES

Miner, Judy1969-1970 "Labanotation: its use for movement comparison." Journal of dance 2(1):48-51. Los

Angeles: University of California, Department of Dance.

Miner, Judy (notator)1971 "An example of Bharata Natyam adavu" (Labanotation score). V intle Hood (author),

Ethnomusicologist: 120. New York: McGraw-Hill.

Van Zile, Judy1972 "Book review: Jones, Clifford R. and Betty True. Kathakali: an introduction to the

dance-drama of Kerala." Asian music 3('2'):55-57. New York: Society for Asian Music.

1973 Dance in India, an annotated guide to source materials. Providence, Rhode Island: Asian Music Publications. (129 pages.)

1976 "An approach to dance." UNESCO workshop on the techniques of recording oraltradition, music, dance, and material culture:43-45. Solomon Islands: UNESCO.

Van Zile, Judy (editor)1976 Dance in Africa. Asia and the Pacific: selected readings. New York: MSS Information

Corporation. (177 pages.)

Van Zile, Judy1977a "Energy use: an important stylistic element in dance." Asian and Pacific dance: selected

papers from the 1974 CORD-SEM conference. Dance research annual 8:85-96. New York: Congress on Research in Dance.

1977b "Film, a research tool in dance ethnology." Selma Landen Odom (editor), Dance and film:35-36. Ontario, Canada: Art Gallery of Ontario.

Kaeppler, Adrienne; Judy Van Zile; Carl Wolz (editors)1977 Asian and Pacific dance: selected papers from the 1974 CORD-SEM conference. Dance

research annual 8. New York: Congress on Research in Dance. (173 pages.)

Van Zile, Judy1979a "An exploration in score interpretation." Teachers bulletin 4:1. 7-8. New York: Dance

Notation Bureau.

1979b "Dances of Asia." Festival of Asian Arts souvenir program:20-23. Hong Kong:Festival Publication Committee.

1979c "Exploring notation as a research tool: implications of selected projects on Asian and Pacific dance." Proceedings of the eleventh biennial conference. 13-22 August 1979. International Council of Kinetography Laban: 18-34. [No place of publication:] International Council for Kinetography Laban.

1981a "Judy Van Zile comments on: 'The human action sign and semasiology,' by DridWilliams, in Dance research collage." Dance research journal 13C2V44-45. New York: Congress on Research in Dance.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -71- Van Zile

1981b "Notating Japanese Bon dances as performed in Hawaii." Teachers bulletin 8:2-4. New York: Dance Notation Bureau.

1981-1982 "Seeking notation solutions, with reference to Japanese bon dances in Hawaii." Dance research journal 14(1-21:53-54. New York: Congress on Research in Dance. (Republication of 1981 article, "Notating Japanese Bon dances as performed in Hawaii.")

Van Zile, Judy; D am ans Kirchhofer1981 "Bon dancing in Hawaii." Honolulu 16(5):118-123,152, 154, 156, 158-159.

Honolulu, Hawaii: Honolulu Publishing Company

1982 "Indian Dance: an art of many forms." InnAsia. (summer):13-17. Hong Kong: Hong Kong Publishing.

Van Zile, Judy; Billie Mahoney; Maria Szentpal1982 "Technical report." Proceedings of the twelfth biennial conference of the International

Council of Kinetography Laban 14-23 August 1981:22-40. [Columbus, Ohio: Ohio State University,] International Council of Kinetography Laban.

Van Zile, Judy1982a The Japanese Bon dance in Hawaii. Honolulu, Hawaii: Press Pacifica. (93 pages.)

1982b "The musician as dancer." Journal of Korean dance l(l):37-44. Seoul, Korea: Societyof Korean Dance Studies.

1983a "Balasaraswati's'Tisram Alarippu': a choreographic analysis." Bonnie C. Wade (editor-). Performing arts in India. Essavs of music, dance, and drama. Monograph series 21:47-104. Berkeley: University of California, Center for South and Southeast Asia Studies. (Reprinted 1987 in Asian music 18(2):45-102.)

1983b "Japanese Bon dance and Hawaii: mutual influences." Social process in Hawaii 30:4958. Honolulu, Hawaii: University of Hawaii at Manoa, Department of Sociology.

1984 "How much does a score say?" Proceedings of the thirteenth biennial conference 3-14 August 1983:104-106. [Columbus, Ohio: Ohio State University,] International Council of Kinetography Laban.

Van Zile, Judy; Betty True Jones, Peggy Hackney, Irmgard Bartenieff; Carl Wolz1984 "The potential of movement analysis as a research tool: a preliminary analysis." Dance

research journal 16(l):3-26. New York: Congress on Research in Dance.

Van Zile, Judy; Ilene Fox; Jane Marriett (compilers)1984 "Technical report." Proceedings of the thirteenth biennial conference 3-14 August

1983:6-98. [Columbus, Ohio: Ohio State University,] International Council of Kinetography Laban.

Van Zile, Judy (consulting editor)1985 Dance as cultural heritage 2. Dance research annual 15. New York: Congress on

Research in Dance. (216 pages.)

Van Zile, Judy1985-1986 "What is the dance? Implications for dance notation." Dance research journal 17-

18(l-2):41-47. New York: Congress on Research in Dance.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -72- Van Zile

1986 "Japanese Bon dancing in Hawaii: servant of many masters." Asian and Pacificquarterly of cultural and social affairs 18(2):24-30. Seoul, Korea: Cultural and Social Center for the Asian and Pacific Region.

Van Zile, Judy; Christine Eckerle; Ilene Fox; Jane Marriett, Sheila Marion;William Reynolds (compilers)1986 "Technical report." Proceedings of the fourteenth biennial conference. August 1985:50

105. [Columbus, Ohio: Ohio State University,] International Council of Kinetography Laban.

Van Zile, Judy1987a "Ch'oyongmu: an ancient dance survives." Korean culture 8(2):4-19. Los Angeles,

California: Korean Cultural Service.

1988a "Examining movement in the context of the music event: a working model." Dieter Christensen (editor), Yearbook for traditional music 20:125-133. New York: International Council for Traditional Music.

1988b 'Tourism and Japanese Bon dancing in Hawaii." Adrienne Kaeppler, Olive Levin (editors), Come Mek Me Hoi Yu Han. The impact of tourism on traditional music. Jamaica: Jamaica Memory Bank in Collaboration with Jamaica Information Service.

1988c "The value of universality in dance notation systems, with selected examples fromLabanotation." International conference on Coordination Method of Dance Notation and application, digest of papers: 175-181. Nanjing, People's Republic of China: Academy of Arts of China and Institute of Technology.

1988d Dance research, writing, and publication in South Korea: an overview. (Presented at the International Congress, "Beyond Performance: Dance Scholarship Today," sponsored by Federal Republic of Germany, Center of the International Theatre Institute, held in Essen; June.)

1988e Dance research: the challenge for the future (keynote address). (Presented at the thirdHong Kong International Dance Conference, sponsored by the Hong Kong Academy for Performing Arts and the Institute for the Promotion of Chinese Culture, held in Hong Kong; July.)

1989 "Japanese Bon dancing in Hawaii: a complex cultural phenomenon." The dance event: a complex cultural phenomenon:54-61. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

VICKY RISNER WULFFWashington, D.C., UNITED STATES

Risner, Vicky Jo1974 Dance etl ipgraphv data inventory: the development of a descriptive model and.its

application to secondary data (master's thesis). Los Angeles: University of California, Department of Dance. (120 pages.)

Wulff, Vicky Risner1976 A cross-cultural dance research model: a prolegomenon (research paper). (Presented at

the Congress on Research in Dance annual conference, held in Philadelphia, Pennsylvania; October.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -73- Van Zile, Wulff

1983 Dance and dance related materials in the Performing Arts Library (paper). (Presented at the Society for Dance History Scholars meeting, held at Columbus, Ohio; February.)

1985 "Katherine Dunham." Practicing anthropology 7('3):9. Oklahoma City, Oklahoma, United States: Society for Applied Anthropology.

1986a "Three noteworthy publications." DCA news. Summer:?. New York: Dance Critics Association.

1986b "Selected bibliography of dance newsletters." DCA news. Winter:2. New York: Dance Critics Association.

Wulff, Vicky Risner; Setha Low1987a Dance movement analysis as an anthropological method (research paper). (Presented at

the Society for Applied Anthropology international Conference, held in Oaxaca, Mexico; April.)

1987b Dance/movement analysis: Possible applications for urban design research (research paper). (Presented at the University of California at Los Angeles Dance Ethnology Forum, held in Los Angeles; February.)

Wulff, Vicky Risner1988 "Theatrical movement: a bibliographical anthology edited by Bob Fleshman; Dance: an

annotated bibliography. 1965-1982 by Fred R. Forbes" (book reviews). Dance research journal 20(l):50-52. New York: Congress on Research in Dance.

ZHOU BING*Beijing, CHINA

Han Shui [Zhou Bing]1960a "An enjoyed performance o f’Praising Potatoes’" (dance review). Dancing en masse

2:25. Beijing: China's Dance Research Group.

1960b "Trained dance leaders and groups, booming everywhere." Dancing en masse 6:23. Beijing: China's Dance Research Group.

Zhou Bing1961 "The styles and characteristics of three big dances in Shandong Province." Dazhong

Daily. August. Jinan, China: Dazhong Daily.

1977a "Preserved folk dances contribute to a higher level of art." Dancing 1:29. Beijing: China's Dancer's Association.

19771 "Shandong folk dances introduction, 1.” Dancing 1:37. Beijing: China's Dancer's Association.

1977c "Talking about dance language." Dancing 2:19. Beijing: China's Dancer's Association.

* ‘ Editor's note: Some translations of Chinese language titles are not verified, due to lack of communication with Zhou Bing in Beijing, May-June of 1989.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -74- Wulff, Zhou

1977(1 "Shandong folk dance introduction. 2." Dancing 2:34. Beijing: China's Dancer's Association.

1977e "Shandong folk dance introduction, 3." Dancing 3:38. Beijing: China's Dancer's Association.

1977f "Shandong folk dance introduction." Dancing 4:19. Beijing: China's Dancer's Association.

1982 "Carrying on our national traditions." Dancing 4:p-p. Beijing: China's Dancer's Association.

1983a "A tour to the 'Cei Shon Tang’". Dancing Art 5:225. Beijing: China's National Arts Academy, Dance Research Institute.

1983b "A selected performance by Shandong people." Dancing 1:43. Beijing: China's Dancer's Association.

1984a "A primary analysis of hand movements of 'Chu' Dance." Dancing Art 8:129. Beijing: China's National Arts Academy, Dance Research Institute.

1984b "Research on gesture of the shaman." Hunan Dance 1:1. Changsha, China: Hunan Dancers Association.

1985a "The kinds and forms of Han shamans in Hunan province." Hunan Dance 1:26. Changsha, China: Hunan Dancers Association.

1985b "A joyful harvest of folk dances." Dancing Art 10:59. Beijing: China's National Arts Academy, Dance Research Institute.

1985c "New research on the dancing step 'Yu'." Dancing Art 12:134. Beijing: China's National Arts Academy, Dance Research Institute.

1985d "A view from the folk festival 'March 3rd'." Dancing 4:12. Beijing: China's Dancer's Association.

1986a "The oldest dance notation--Eight Diagrams Dance Notation." Dancing Art 14:172. Beijing: China's National Arts Academy, Dance Research Institute.

1986b "The folk custom from Lantern Festival." Dancing 3:47. Beijing: China's National Arts Academy, Dance Research Institute.

1986c "The relationship between Shaman and 'nine songs' by ancient author Qu Yuan.”Dancing Art 16:166. Beijing: China's National Arts Academy, Dance Research Institute.

1986d "'Little flower' and 'Little soldier1." Dancing Art 17:19. Beijing: China's National Am Academy, Dance Rese rch Institute.

1986e A review and rethinking about choreography of the last ten years (research paper). (Presented to the Aesthetic Ideal 1986 Conference, held at ??.)

1986f "The ancient dance of Begging for Rain." Dancing 8:42. Beijing: China's Dancer's Association.

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -75- Zhou

1987a

1987b

1987c

1988a

1988b

1988c

1989

"Eight diagrams and dance." Guizhou Dance 2:22. Guizhou: Guizhou's Dancer's Association.

"The method of studying 'Chu' shaman." Dancing Art 21:34. Beijing: China's National Arts Academy, Dance Research Institute.

"A bright pearl-On the Eight Diagrams Dance Notation again." Studies of Zhou Yi 2:104. Jinan, Shandong, China: Department of Research of Zhou Yi Studies. (A bibliography.)

"The functional aesthetics of 'Eight Diagrams' from the angle of dance." Studies of Zhou Yi 2:60. Jinan, Shandong, China: University of Shandong, Editorial Committee of the Department of Research of Zhou Yi Studies.

"Z-Ching and dancing (research paper). (Presented at the ICTM Dance Study Group Symposium, held in Copenhagen; August.)

"The dance of space and time (research paper). (Presented at the Oriental Aesthetics Conference, held at Beijing.)

"Ecological environment and dance culture." Lisbet Torp (editor), The dance event: a complex cultural phenomenon: 133-139. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

ICTM STUDY GROUP ON ETHNOCHOREOLOGY -76- Zhou

1989 dance research

Documents

kaeppler united states

dance researchpublished

colin quigley united

traditional music study

roderyk lange united

helene guilcher france

jeanmichel guilcher

reynolds denmark