1909-1930. modernism: futurism italian poet marinetti challenged artists to show “courage,...

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Modernism 1909-1930

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Page 1: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Modernism1909-1930

Page 2: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Modernism: FuturismItalian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty of speed.”

Page 3: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Modernism: FuturismBoccioni

Urged painters to forsake art of the past for the “miracles of contemporary life,” which he defined as railroads, ocean liners, and airplanes.

Page 4: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Modernism: FuturismBoccioni and Marinetti founded a movement based on speed.

Page 5: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

The City Rises by Boccioni

Page 6: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Modernism: FuturismThe painters combined bright Fauve colors with fractured Cubist planes to express propulsion.

Boccioni tried to capture not just a freeze-frame still of one moment but rather a cinematic sensation of flux

Page 7: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Elastic by Boccioni

Page 8: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Unique Forms of Continuity in Space by Boccioni

Page 9: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Modernism: ConstructivismConstructivists combined the broken shapes of Cubists and the multiple overlapping images from Futurists.

Emphasized using industrial materials: glass, metal and plastic in 3-D works.

Page 10: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Modernism: ConstructivismFocused on geometric art reflecting modern technology

Art should be the engine for social purpose and change

Page 11: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Model for the Monument for the 3rd International by Tatlin

Page 12: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Propaganda Poster by Rodchenko

Page 13: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Modernism: PrecisionismPrecisionists straddled the borderline between representation and abstraction.

Simplified forms to an extreme, often very geometric.

Page 14: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Incense of a New Church by Demuth

Page 15: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Modernism: PrecisionismGeorgia O’Keefe

Best known for her huge paintings of single flowers like irises and calla lilies.

O’Keefe evoked nature without explicitly describing it and approached the brink of abstraction.

Page 16: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Poppies by O’Keefe

Page 17: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Red Canna by O’Keefe

Page 18: 1909-1930. Modernism: Futurism Italian poet Marinetti challenged artists to show “courage, audacity, and revolt” and to celebrate “a new beauty, the beauty

Cow Skull and Two Calico Roses by O’Keefe