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The 189 Partimenti of Nicola SalaComplete Edition with Critical CommentaryEdited by Peter van Tour

Volume 3Critical Commentary

ACTA UNIVERSITATIS UPSALIENSIS

Studia Musicologica Upsaliensia NOVA SERIES

27:3

The 189 Partimenti

of NICOLA SALA

Complete Edition with Critical Commentary

Edited by Peter van Tour

Volume 3 Critical Commentary

© Peter van Tour 2017 Peter van Tour, Department of Musicology, Uppsala University. Box 633 SE-75126 Uppsala, Sweden Cover design: Laurens van Tour.

ISSN 0081-6744 ISBN 978-91-554-9784-2 http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-310891 Distributor: Uppsala University Library, Box 510, SE-751 20 Uppsala, Sweden

CONTENTS Legenda 357 Preliminary Remarks 358 Section A (The 107 partimenti in more than one autograph source) 359 Section B (The 35 partimenti appearing in one autograph source) 397 Section C (The 18 partimenti appearing in one autograph source and one non-autograph source) 402 Section D (The 27 unica appearing in the three non-autograph sources) 408 Errata 415

LEGENDA

In The 189 Partimenti of Nicola Sala the figures 2, 3, 4, 5, 6, 7, 8, 9 and x (10) are generally used over the stave, following common Neapolitan usage. In those instances where figures are placed under the stave in the Principle Source, The 189 Partimenti of Nicola Sala retains the original notation. The following abbreviations are used in this Critical Commentary: “189” The 189 Partimenti of Nicola Sala PrS The Principle Source (PrS) for each individual partimento is given in the left upper

corner of each transcription. Ch Alexandre Étienne Choron, Principes de Composition des Écoles d’Italie. Paris, 1808–

09. Reg II1 Nicola Sala, Regole del contrappunto pratico, book II. Nicola Salas treatise on

counterpoint in three volumes of 400 plates, that was printed at the Royal Printing Firm in Naples, in 1794.

Reg III Nicola Sala, Regole del contrappunto pratico (Naples, 1794), book III. A discussion of all available sources is given in the Introduction of volume 1.

1 There has been some confusion about the order of the three volumes of Nicola Sala’s Regole del contrappunto pratico. Since the volumes of Sala’s Regole are not numbered, libraries have ordered the volumes 2 and 3 differently. I here follow the order of the copy which is preserved at Statens Musiksamlingar in Stockholm.

PRELIMINARY REMARKS

The 189 Partimenti of Nicola Sala is primarily edited from autographs by Nicola Sala and from a few other eighteenth-century manuscripts that can be linked to the conservatory where Sala worked, La Pietà. The autographs considered here are F-Pn 4o c2 344 (dated 1776), I-Nc 46-1-34 (without date), and I-Nc S-1-94 (without date). The three other sources that will be considered here are the 1763 compilation manuscript I-LEcon Ms. BC4, the 1788 manuscript copy that may be assumed to have been written by Sala’s french student Louis Julien Castels de Labarre (1771–?), and the gathering fols. 101r–105r of the partimento collection I-MC 6-F-15/2.2

The Critical Commentary is divided into four sections (A–D), according to the following principles:

A) The 107 partimenti in more than one autograph source: the 13 partimenti in three autograph sources (the partimenti Nos. 25–34 and 74–76 appearing in F-Pn 4o c2 344, I-Nc 46-1-34, and I-Nc S-1-94) and the 94 partimenti appearing in two autographs (the partimenti Nos. 35–73 and 77–131 appearing in F-Pn 4o c2 344 and I-Nc 46-1-34).

B) The 35 partimenti in one autograph source: the 3 unica in I-Nc S-1-94 (Nos. 140–142) and the 32 unica in F-Pn 4o c2 344 (Nos. 1–24 and 132–139).

C) The 18 partimenti in one autograph source and in one non-autograph source: 18 partimenti in the autograph I-Nc S-1-94 and in F-Pn 4o c2 343 (18 partimenti: Nos. 143–160).

D) The 29 unica in one of the three non-autograph sources F-Pn 4o c2 343 (17 partimenti: Nos. 161–176 and 178), B-Bc 8531 (1 partimento: No. 177), I-LEcon Ms. BC4 (9 partimenti: Nos. 179–187), 3 and I-MC 6-F-15/2 (2 partimenti: Nos. 188 and 189).

The 189 Partimenti of Nicola Sala presents the partimento output of a Neapolitan maestro in a critical edition for the first time. No other Neapolitan maestro has been preserved in three different autograph sources, and the authority of the figurings in this edition is, for that reason, very high. The Critical Commentary starts with a large section of 107 partimenti that appear in at least two autograph sources: F-Pn 4o c2 344 and I-Nc 46-1-34. "For this entire section the autograph preserved in the Bibliothèque Nationale de France (F-Pn 4o c2 344, dated 1776) is chosen as the primary source for the transcription, while the undated Neapolitan autograph (I-Nc 46-1-34) is used as a secondary source.

2 For a more thorough introduction to the sources, see the ”Description of Manuscript Sources” in the introduction of: Peter van Tour (ed.), The 189 Partimenti of Nicola Sala, Volume 1 (Uppsala: Acta Universitatis Upsaliensis, 2017). 3 For more detailed information on I-LEcon Ms. BC4, see: Iacono, Sarah M. and Sullo, Paolo. “Manoscritti musicali di Terra d’Otranto. Collezioni e casi di studio tra ‘scuola napoletana’ e prassi esecutiva”. In Studi in memoria di Giuseppe A. Pastore, edited by Daniela Castaldo and Gabriella Pastore. I quaderni dell’Idomeneo. 33. Lecce: Salento University press, 2017.

359

Section A The 107 partimenti in more than one autograph source

A) The partimenti appearing in three autographs (Nos. 25–34, 74–76 in F-Pn 4o c2 344, I-Nc 46-1-34, and I-Nc S-1-94):

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 25 34–

Variant reading in I-Nc S-1-94 (mm. 34–36).

472 u Q u

Section in F major.

501 u Q u

Section in F major.

511 u Q 7e Section in F major.

26 21

Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

81 i u i E u Section in G major.

191 n Modulatory shift to C major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.

322 y Q 6e Section in F major.

511 6r 5e Q 6r 5e Section in F major. Confirmed by I-Nc 46-1-34.


27 111


191 u t y E u t y

Section in G major.

221 u E 7e Conformity with measure 54. Confirmed by I-Nc 46-1-34.

342


511 u t y E u t y

Section in G major.

711 u t E u t

Consequence of measure 70.

831 w ! 4w Section in F major.


883 y Q y

Section in F major.


951 u t y Q 7e t y Section in F major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.

971 u t y u Q t y

Section in F major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.

981 u t y u t Q y

Section in F major. Confirmed by I-Nc S-1-94.

360

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (27) 991

u Q u Consequence of measure 98.



1061 u Q u

Consequence of measure 105.

28 172


401 u W 7e Section in C major.

405 y W 6e Section in C major.

433

Slur added according to I-Nc S-1-94.

435 6t W 6t Section in C major.


623


29 51 u y u E y Modulatory segment to D major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.

153 u y u E y Cadence in D major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.

211 E e Section in A major.

221 E 7e 6r 5r E e E 7e 6r # 5r E e Cadence in B minor. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.

444 6t W 6t Cadence to C major.

464 y W y Section in C major.




59–

I-Nc S-1-94 here gives an interesting reading which replaces measure 59 with the following harmonic sequence (column to the left).

30 292 6t W 6t Modulatory segment to C major.

392


522 6t W 6t Modulatory segment to C major.

631 w W w More elaborate figuring according to I-Nc 46-1-34.

631


361

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (30) 782 6t W 6t Modulatory segment to C major.


1172


1222 6t Q 6t Modulatory segment to F major.






31 171 w E w Section in D major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.

272 E7 E 7e See Editorial Principles.

401 w E w Modulatory segment in D major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.

443 6t # 6t Section in B minor. Confirmed by I-Nc 46-1-34.

461 5r E e # 5r E e Cadence in B minor.

482

Slur added according to I-Nc 46-1-34.

612 y E y Modulatory segment in A major.

621 u y E u y Consequence of m. 61.

991


1011 u y W 7e y Section in C major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.

32 582 y W 6e Harmonic sequence leading to A minor.

591 E 9e @E 9e Part of harmonic sequence leading to A minor. Key signature lacking at beginning of stave in F-Pn 4° c2 344 and I-Nc S-1-94.

673 y W 6e Modulation to C major.


33 433 n Consequence of m. 42. Dropped signature at beginning of stave.

453 6r W 6r Section in C major. Dropped signature at beginning of stave.

461 6t W 6t Section in C major. Dropped signature at beginning of stave.




362



34 32


42


653 m Unclear reading. Restored according to I-Nc 46-1-34 and I-Nc S-1-94.

723 m Section in D major. Confirmed by I-Nc 46-1-34.

971 6t @ 6t Section in C major.

74 321


401 o i 0t o 8y 0t Conformity with m. 39. Confirmed by I-Nc 46-1-34.

521 9u 8y 9u 8y 8t Unclear reading. Restored according to I-Nc 46-1-34.

601 5r E 8e u 5r E 8e 7t Conformity with m. 61.

611 5r 8e u 5r 8e 7t More elaborate figuring according to I-Nc 46-1-34.


731 4w # 4w Modulatory segment to E minor, more elaborate figuring according to I-Nc 46-1-34.

752

Slur added according to F-Pn 4° c2 344 and I-Nc S-1-94.

921



1033 Q e Section in F major.

1051 w Q w Section in F major.

1061 6t Q 6t Section in F major.

1071


1091 u Q 7e Section in F major. Confirmed by I-Nc S-1-94.

1131 u t y Q 7e t y Section in F major.

1151 w @ 4w Modulatory segment to C major.

137

Measure missing.

Restored from I-Nc S-1-94.

75 401 y y y t Conformity with m. 42.

551 6r e Figures lacking. Restored from I-Nc 46-1-34.

1171

y F-Pn 4° c2 344 gives a 3 and 6 in the same entry. Reading from I-Nc 46-1-34 is used instead.

363

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (75) 1233 b Section in F major. Confirmed by I-Nc 46-1-34.

1353 n Cautionary natural according to I-Nc 46-1-34.

76 161 t W t The c sharp (#3) in measure 15 is naturalized. Confirmed by I-Nc 46-1-34.

212 y E y Section in G major. Confirmed by I-Nc 46-1-34.

261 e E r e e E r Conformity with m. 9. Confirmed by I-Nc 46-1-34.

352


443 e Conformity with m. 126.

451 y y t y y W t Conformity with m. 127.

471 e e E r 5e 5e E 6r Conformity with m. 49.

491 5e # 4e 5e 5e # 4e Conformity with m. 47.

522 # 6t 7t 8y 7t Section in G major. Confirmed by I-Nc 46-1-34.

671 n Upper voices.

711 u y u W y Modulatory segment in D major.

801 e W e Modulatory segment to C major.

811 n Modulatory segment to C major.

831 u y t W u y t Section in C major.

863 6r W 6r Section in C major.


883 u W u Section in C major.

1001 6t # 6t Section in B minor.

1081 u y y Theme entry seems to take place in measure 107. Confirmed by I-Nc 46-1-34.

1211 w # 4w Modulatory segment to D major.


1401 u y W u y Section in C major.


364

B) The 94 partimenti Nos. 35–73 and 77–131 in F-Pn 4° c2 344 and I-Nc 46-1-34.

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 35 172 e E e

Cadence in D major.






1081 w W w Section in C major.


38 91 u E 7e Section in A major.

141 :ss: Signum congruentia added according to I-Nc 46-1-34.

241 u E 7e Section in A major.

331 t Unclear reading. Entry from I-Nc 46-1-34.

411

Slur inserted according to I-Nc 46-1-34.

431


462


521 u W u Section in G major.

621


632 W e Figure inserted according to I-Nc 46-1-34.

632


701 :s: Signum congruentia added according to I-Nc 46-1-34.

731 m Sharp inserted according to I-Nc 46-1-34.

922


1082


39 521 u y Figures lacking. Inserted according to I-Nc 46-1-34.

605 6t # 6t Figures lacking. Inserted according to I-Nc 46-1-34.

40 354 m Sharp inserted according to I-Nc 46-1-34.

401 E E e Section in A major.

471 6t # 6t Section in A major.

365

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (40) 511 6t # 6t Section in F sharp minor.

572


574 m Modulatory segment to A major. Inserted according to I-Nc 46-1-34.

676


751 y W 6e Section in G major.


41 301 u W e7 Modulatory segment to G major.

351 W u @ 7e Conformity with m. 372.

42 61 9u D 9ud The major third of this chord was corrected with help of the orchestral score of this piece, which is the Amen fughe at the end of Sala’s Dixit. (Source: I-Nc M. Rel. 3059, p. 101, m. 6). 262

Slur inserted according to I-Nc M. Rel. 3059.

272


322


341 5r e 5e The partimento versions in I-Nc 46-1-34 and F-Pn 4° c2 344 are corrected according to I-Nc M. Rel. 3059.

371 w 4w Figures altered according to the score in I-Nc M. Rel. 3059.

392 t # 4w t @ 4w Both I-Nc 46-1-34 and F-Pn 4° c2 344 have unclear readings. The score in I-Nc M. Rel. 3059 leaves no doubt about the intended figuring.

462


521 E e Section in B minor.

583 e Figures altered according to the score in I-Nc M. Rel. 3059.

63–65 The partimento versions in I-Nc 46-1-34 and F-Pn 4° c2 344 only give m. 63. The mm. 64 and 65 are inserted according to the score of I-Nc M. Rel. 3059. These measure were probably inserted aurally in practical performances. The Figures in measure 652 are editorial, added according to the score of I-Nc M. Rel. 3059

72–73 The partimento versions in I-Nc 46-1-34 and F-Pn 4° c2 344 give the half notes of mm. 72 and 73, but without any rests. Thesemeasure are restored according to the score of I-Nc M. Rel. 3059. The partimento versions may easily have been adapted aurally in performances with choir and orchestra.

741 Partimento versions in I-Nc 46-1-34 and F-Pn 4° c2 344 give a D, one octave lower. Adapted according to the score in I-Nc M. Rel. 3059.

742


745


781 The partimento versions in I-Nc 46-1-34 and F-Pn 4° c2 344 give a whole note with fermata. This last measure is also adapted to the basso seguente part in I-Nc M. Rel. 3059.

366

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 43 23 6r Passing chord. Confirmed by I-Nc 46-1-34. Similar entries in mm. 33, 104, and 114.

164 e E e Section in E major.

215 n Section in D major. Confirmed by I-Nc 46-1-34.

223 u W e7 Section in D major.

233 u W e7 Section in D major.

252 t W 5e Section in D major.

254 6t W 6t Section in D major.

283 n Section in D major.


674 W e Section in D major. Confirmed by I-Nc 46-1-34.

674


44 115


122


142 u E 7e Modulation to E major.

291 w @ 4w Section in D major. In the Principal Source one of the three sharps in the key signature is dropped in this actual stave.


53–54

In these measures both F-Pn 4° c2 344 and I-Nc 46-1-34 appear to show an error. In I-Nc 46-1-34 the old entries were erased and corrected. In mm. 53–54 the corrected version from I-Nc 46-1-34 was used.

45 133


163 e E e Cadence in E major.

311


453


481


721 w Conformity with m. 12. Confirmed by I-Nc 46-1-34.

723 y Conformity with m. 12. Confirmed by I-Nc 46-1-34.

73–74

Scribal error. Beams in mm. 73 and 74 are missing.

The notation is restored according to I-Nc 46-1-34.

367

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 46 181 u E 7e Section in B major. Confirmed by I-Nc 46-1-34.

203 6rd S 6rd The naturalised 3 in chord is put under the stave, according to I-Nc 46-1-34. Conformity with m. 403.

221


363 y y t Inserted passing note according to I-Nc 46-1-34.


511 E E e See Editorial Principles.

613 u y Figures lacking. Restored according to I-Nc 46-1-34.



47 61 y E y Modulatory segment to dominant key.

71 u E u Theme in B major. Confirmed by I-Nc 46-1-34.

81 6r 7t 6r 6r # 7t 6r Theme in B major.

311 n Section in A major.




381 u W 7e Section in A major.

401 u t y W 7e t y Section in A major.

472


472 m I suspect this to be a scribal error. This sharp is deleted with support of I-Nc 46-1-34.

60 6t e 6t Figures lacking. Restored from I-Nc 46-1-34.

611 e Figures lacking. Restored from I-Nc 46-1-34.

841 6t W 6t Modulatory segment in A major.

843 6t W 6t Modulatory segment in A major.

48 51 n Natural inserted according to I-Nc 46-1-34.


131 5r E e # 5r E e Conformity with measure 2.

252 w E w Modulatory segment to B minor.

263 w W w Natural inserted according to I-Nc 46-1-34.

368

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (48) 471 E e 6r 5r

E e

E e 6r # 5r

E e

Cadence in B minor.

491 5r E e # 5r E e Section in B minor.

57 All Figures in this measure inserted according to I-Nc 46-1-34.

49 91 u E 7e Cadence in E minor. Confirmed by Reg II (p. 82).


141 w E w Section in B minor. Confirmed by Reg II (p. 82).


252 5rs W 5rs Section in C major.


341 w E w Section in B minor.

452 w @ 4w Section in A minor. Confirmed by Reg II, p. 83.

454 6r @ 6r Section in A minor. Confirmed by Reg II, p. 83.

512 E e W e Flattened according to Reg II, p. 83.

722 u E 7e Section in E minor.

81

This whole measure is missing in F-Pn 4° c2 344. It is restored according to I-Nc 46-1-34. This partimento accompagnato is related to a five-part massmovement Christe. This measure is also confirmed through in Reg II, p. 84.

50 181 # 4w Figures lacking. Restored according to I-Nc 46-1-34.

182 y Figures lacking. Restored according to I-Nc 46-1-34.

191 6t # 6t Cadence in B minor.

211 5r # 5r Section in B minor.

251


341 u y t Figures lacking. Restored according to I-Nc 46-1-34.





532 y t W y t Section in C major.


732


369

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (50)

903 6r W 6r Modulatory segment in C major.

911 6t W 6t Modulatory segment in C major.

922 # 6t W# 6t Modulatory segment in A minor.

923 6r @ 6r Modulatory segment in A minor.

1001 w W w Modulatory segment in G major. Confirmed by I-Nc 46-1-34.

51 251 o i Figures lacking. Restored according to I-Nc 46-1-34.

252 w # 4w Section in B major. Confirmed by I-Nc 46-1-34.

422


423 5r e Figures lacking. Restored according to I-Nc 46-1-34.

583 w # 4w Section in B major. Confirmed by I-Nc 46-1-34.

52 22


33 y According to I-Nc 46-1-34.


171 6t E 6t Section in G major.

225 i Supports entrance of theme in G major. Confirmed by I-Nc 46-1-34.


241 e According to I-Nc 46-1-34.

261


271 w E w Section in G major. Confirmed by I-Nc 46-1-34.


332



531 6t Q 6t Section in F major. Confirmed by I-Nc 46-1-34.

593 y Q y Section in F major. Confirmed by I-Nc 46-1-34.

631 u Q 7e Section in F major. Confirmed by I-Nc 46-1-34.

731 6t # 6t Section in F major. Confirmed by I-Nc 46-1-34.

782


912


370

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 53 102 w # 4w Section in G major.

146 u E u Section in G major.

171 5r # 5r Cadence in E minor.

181 u E u Section in G major.

211 5r # 5r Cadence in E minor.

256 y Passing note according to I-Nc 46-1-34.

272


336 e u Comformity with measure 146. Confirmed by B-Bc 8531, p. 46–47.

337 y Comformity with measure 147. Confirmed by B-Bc 8531, p. 46–47.







496 u According to I-Nc 46-1-34.


54 691 5r Q 5r Section in F major.

55 33 6r Conformity with measure 43. Confirmed by I-Nc 46-1-34.

153 n Section in C major.

182 e W e Section in C major.

201 w W w Section in A minor.

211 6t @ 6t Section in A minor.

382 n Section in C major.

395 n Natural inserted according to I-Nc 46-1-34.


464 u Q u Section in B flat major.

483 y w According to I-Nc 46-1-34.

371



493 6r Q 6r Section in B flat major.

494 6t Q 6t Section in B flat major.




56 363 6t Q 6t Section in B flat major.

57 241

Slur inserted according to I-Nc 46-1-34. Similar inserts in mm. 25, 100 and 101, also according to I-Nc 46-1-34.





741 w ! 4w Section in B flat major.

58 44 u W 7e Cadence in F major.

93 e Unclear reading. Figuring chosen according to I-Nc 46-1-34.

155 e y Conformity with measure 6. Unfortunately, I-Nc 46-1-34 has no figures in this measure.

191 6t Conformity with measure 163. Confirmed by I-Nc 46-1-34.

213


262 w ! 4w Section in A flat major.

341 w W w End of phrase in D minor.

431 w ! 4w Section in E flat major.

432 6t Q 6t Section in E flat major.


652 6r 5e 6r W 5e Editorial flat, due to modulatory segment in E flat in m. 64.

59 321 u Q 7e Section in E flat major.

331 5rs Q 5rs Section in E flat major.


363 y Q 6e Section in E flat major.


372




501


72

Measure 721–4 is according to F-Pn 4° c2 344. Measure 725 and their figures are missing in F-Pn 4° c2 344 probably due to a scribal error. This measure is restored according to I-Nc 46-1-34.

60 171 y 0y More elaborate figuring according to I-Nc 46-1-34.

731 o Unclear reading. Confirmed in I-Nc 46-1-34.

1192


61 127


141 w @ 4w Cadence in B flat major. Confirmed by I-Nc 46-1-34.

144 u W 7e Cadence in B flat major.

253 u Q 7e Modulatory segment to A flat major. Confirmed by I-Nc 46-1-34.


282 y Q y Section in A flat major.

291 u Q u Section in A flat major.

305 6t Q 6t Section in A flat major.

333 u Q 7e Cadence in A flat major.

334 u Q u Cadence in A flat major.

393 u Q 7e Cadence in A flat major.

402 w @ 4w According to I-Nc 46-1-34.

491 W7 W 7e See Editorial Principles.

491 e W e Cadence in B flat major.

523 y W y Section in B flat major.

572–3 5r e Figures according to I-Nc 46-1-34.

671 W 7e Cadence in B flat major. Placement below stave in accordance with I-Nc 46-1-34.

62 142 w W w Section in B flat major.

181 6t W 6t Section in B flat major.

185 6t @ 6t Section in B flat major.

321 w W w Section in B flat major.

373

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (62) 343 b Flat inserted according to I-Nc 46-1-34.

452 w ! 4w Section in A flat major. Confirmed by I-Nc 46-1-34.


465 u Q 7e Section in A flat major.

467

b Section in A flat major.

483 e Q e Section in A flat major.




522 b Section in A flat major.


543 w @ 4w Modulatory segment to E flat major.

571 5r Figures according to I-Nc 46-1-34.

572 e Figures according to I-Nc 46-1-34.



291 u W u Section in B flat major.



451 b Section in A flat major.



723 6r Q 6r Section in A flat major.





374

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 64 53 6t ! 6t Consequence of the E flat in measure 52.

61 u Q u Consequence of the E flat in measure 52.

114 6r Q 6r Consequence of the ! 2 in measure 112.

123 @ 6t @Q 6t The E flat in the figuring of measure 11 should be sustained in this chord.

132 9tf E 8e ! 9tf E 8e Consequence of the ! 3 in measure 131.

143 @ 6t @Q 6t Cadential segment in C minor.

144 6r ! 6r Cadential segment in C minor.

161 y Q y Section in C minor.

172 7t ! 7t Conformity with measure 182. Also avoidance of a harsh cross-relation.

173 e Q e Section in C minor.

194 6t Q 6t Cadential segment in B flat major.

243 y Q y Consequence of the E flat in m. 242.

245 y Q y Consequence of the E flat in m. 242.

251 u Q u Conformity with theme (lower voice, m. 2).

261 e 6r 5e e Q 6r 5e Conformity with m. 5.

311 u Q u Conformity with theme.

353 7t ! 7t Conformity with mm. 17 and 18.

453


461 u Q u Conformity with theme (lower voice, m. 2).

491 # 3o #Q 3o Section in G minor.

551 u y t Figures according to I-Nc 46-1-34.

552 # 4w Figures according to I-Nc 46-1-34.

561 y Figure according to I-Nc 46-1-34.

571 E 9e !E 9e Conformity with mm. 1–2.

604 W t The figures in 59 and 60 refer to uppervoice. This figure is taken from I-Nc 46-1-34.

622


624 u y t Q u y t Section in G minor.

671 8y ! 8y See Editorial Principles.

672 7t ! 7t Consequence of preceding chord.

375

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (64) 683 6r ! 6r Modulatory segment to G minor.


701 w ! 4w Section in C minor.

721 W t y t !W 7t y t Section in C minor.

754 W t y t !W 7t y t Section in C minor.

65 91 6t Q 6t Cadential segment in B flat major.

92 e 4w e ! 4w Modulatory segment to G minor.

93 # 6t #Q 6t Modulatory segment to G minor.

94 6r ! 6r Modulatory segment to G minor.

113 Q y Q y t Conformity with m. 1.

201 6t Q 6t Consequence of preceding C minor chord in m. 19.

202 e w e ! 4w Conformity with m. 9.

203 # 6t #Q 6t Modulatory segment to G minor.


221 t u E y Consequence of preceding chord.

222 6r More elaborate figuring.

382 w @ 4w Modulatory segment to C minor.

431 u Q u Modulatory segment to E flat major.

442 6r ! 6r Cadential segment in C minor.

451 5r e Figures according to I-Nc 46-1-34.

452 u y Figures according to I-Nc 46-1-34.

461 E 7e 6r Figures according to I-Nc 46-1-34.

462 5r Figures according to I-Nc 46-1-34.

463 E e Figure according to I-Nc 46-1-34.

471 Q e Figure according to I-Nc 46-1-34.

512 b Flat according to I-Nc 46-1-34.



622


376

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (65) 642 Q e W e Unclear reading. Natural confirmed by Reg II, pp. 92–94.


66 241 6r ! 6r Section in G minor.



701 6t Q 6t Cadence in E flat major.

702 6r Q 6r Cadence in E flat major.

67 63 y W y Leading tone to C minor.

133


182 e W e Cadence in B flat major.

354 6r Passing chord according to I-Nc 46-1-34.

452 6r ! 6r Cadence in B flat minor.


473 6t @ 6t Section in G minor.

584 6r Passing chord. Confirmed by I-Nc 46-1-34.


621 w Q w Section in F minor.

631 w ! 4w Section in F minor.

632 t Q t Section in F minor.

653 w @ 4w Modulatory segment to F minor.

661 8e W 8y Scribal error. Figuring according to I-Nc 46-1-34. Naturalised 6: modulatory segment to F minor.

663 n Modulatory segment to F minor.

742 5r @ 5r Section in G minor.

753 w W w Section in G minor.

762 5w W 5w Section in G minor.

772 n Section in G minor.

824 6t Q 6t Repetition of chord in measure 821.

377

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 68 252


481 e Q e Flat inserted according to I-Nc 46-1-34.

611 m Section in G minor.

861 6t Q 6t Cadential segment in A flat major.

863 6t Q 6t Cadential segment in A flat major.

882 @ 6t @Q 6t Modulatory segment to F minor.

883 6r ! 6r Modulatory segment to F minor.

1372


1373 n Section in G minor. Flat inserted according to I-Nc 46-1-34.

69 132 n Section in G minor.

142 5w W w5 Section in G minor.

192 n Lower voice. Section in G minor. All three flats in the key signature are dropped.

212 w W w Section in G minor.

222 n Section in G minor. All three flats in the key signature are dropped.

264 6t @ 6t Section in D minor.

36

The first half of this measure lacks in Principle Source.

Restored according to I-Nc 46-1-34.

382 b Flat inserted according to I-Nc 46-1-34.

471 Q Q e See Editorial Principles.


593



70 92 e w e W w Cadence in C minor.

111 u Q 7e Modulative section in D flat major.

141 e 6r t e 6r 5e Conformity with measure 151. Confirmed by I-Nc 46-1-34.

151 e 6r 5e e Q 6r 5e Section in B flat minor.

161 5e 6r 5e ! 5e 6r ! 5e Section in B flat minor.

162 4w Q 4w Section in B flat minor.

378

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (70) 171 u y t u W y t Modulative section in F minor.

172 w @ 4w Modulative section in F minor.

202 y w y Q w Section in B flat minor.

224 t Q t Consequence of flattened 6 earlier this measure (measure 222).

231 u Q 7e Modulative section in G flat major.

71 43 n Natural inserted according to I-Nc 46-1-34.

222


301


452 w W w Cadential segment in C minor.

677 e W e Section in F minor.

72 292 n Section in C minor.

303 n Section in C minor.



73 273 n Section in C major. Natural inserted according to I-Nc 46-1-34.


472 4w @ 4w More elaborate figuring according to by I-Nc 46-1-34. Modulatory segment to C major.

621 t E t Section in G major.

841 w V Last note was made a brevis according to I-Nc 46-1-34.

77 312 w E w Modulatory segment to B minor.

491 u Figures lacking. Restored according to I-Nc 46-1-34.

492 y t Figures lacking. Restored according to I-Nc 46-1-34.

493 w Figures lacking. Restored according to I-Nc 46-1-34.

531 w Figures lacking. Restored according to I-Nc 46-1-34.

541 6t Figures lacking. Restored according to I-Nc 46-1-34.

542 e w Figures lacking. Restored according to I-Nc 46-1-34.



379

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 683 w

Figures lacking. Restored according to I-Nc 46-1-34.

701 y W 6t Section in C major.

703 y W 6t Section in C major.

713 w # 4w Modulation to G major.

791

U Fermata according to I-Nc 46-1-34.

78 102


152 9u 8y 9u E 8y Section in D major.

172 u E u Section in D major.

221 w @ 4w Section in G major.

262


455 u E 7e Cadence in E minor.


601 7e @ 7e Section in C major.

602 w @ 4w Section in C major.

723 6t Section in C major.


803 e 0u More elaborate figuring according to I-Nc 46-1-34.

833 e 0u More elaborate figuring according to I-Nc 46-1-34.

992 u E 7e Modulatory segment to B minor.


1092 9u 8y D 9ud ih Section in D major. Confirmed in I-Nc 46-1-34.

1111 9u 8y 9u E 8y Section in D major.

79 654 6t W 6t Modulatory segment to G major.

664 y W y Modulatory segment to G major.

665 6t W 6t Modulatory segment to G major.

380

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 80 242 u y W 7e y Section in G major.

252 4w @ 4w Section in G major.

253 6t W 6t Section in G major.

36 This entire measure is missing in I-Nc 46-1-34.

442 u y E 7e y Section in A major.

81 191 u y Figures lacking. Restored according to I-Nc 46-1-34.

202 5r 5r e Figures lacking. Restored according to I-Nc 46-1-34.

211 t Figures lacking. Restored according to I-Nc 46-1-34.

282


482 y w y E w Section in F sharp minor. Sharp added according to I-Nc 46-1-34.

501 5r E e # 5r E e Section in F sharp minor.

521 w E w Section in F sharp minor.

82 392


681 e W e Natural inserted according to I-Nc 46-1-34.

841 y E 6e Theme in E major. Confirmed by I-Nc 46-1-34.

1041 6t W 6t Modulatory segment to D major.


1232


83 General comment on mm. 28–34 and mm. 53–58, see below.

173 y 8y More elaborate figuring according to I-Nc 46-1-34.

174 6t More elaborate figuring according to I-Nc 46-1-34.


402 u E 7e Section in E major.

403 u E u Section in E major.

412 w # 4w Section in E major.

646 u W u Section in D major.


677 6r W 6r Section in D major.

381

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (83) In partimento No. 83 two presupposed imitative sections (mm. 28–34 and mm. 53–58) are figured in the two main

autographs in different ways. Analysis of the figuring reveals a characteristical imitation, sequentially rising. The upper stave in G-clef represents the present editor’s suggested realisation, from which the figures have received their spacing.

28–34

53–58

84 221 6t W 6t Confirmed by Reg II, pp. 33–35.

85 313 6t W 6t Modulatory segment to A major.

791 y E# 6e Section in B major. Confirmed by I-Nc 46-1-34.

902

Upper voice. Slur added according to I-Nc 46-1-34.

1012


86 132 u 7e This 3 seems important as it represents the first note of the countersubject.

142


382

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (86) 184 n Section i A major.

193 n Section i A major.

203 y y t Passing note inserted according to I-Nc 46-1-34.

261 i i i Conformity with m. 29.

274 6t W 6t Consequence of the figuring in the foregoing chord (measure 273)

862 u y u y t Passing note inserted according to I-Nc 46-1-34.

87 631 r e r 5r e r More elaborate figuring, according to I-Nc 46-1-34.

692 w Missing figure, reconstructed according to I-Nc 46-1-34.

843 n Section in A major, confirmed by I-Nc 46-1-34.

852


891 u y t u y W t Modulatory segment to A major. Natural confirmed by I-Nc 46-1-34.

88 9

All slurs in this measure added according to I-Nc 46-1-34.

111


212 y t y W t Conformity with m. 37.

221 4w # 4w Section in G major. Confirmed by I-Nc 46-1-34.


372 y t y Q t More accurate figuring in I-Nc 46-1-34. Confirmed in B-Bc 8531, pp. 68–69.


454 t # 6t Usual modulatory segment. Confirmed by I-Nc 46-1-34.

455 6r Usual modulatory segment. Confirmed by I-Nc 46-1-34.

517 t E t Modulatory segment to G major (at the beginning of m. 52).

582 y t y Q t Conformity with m. 37.

591 w 4w Section in C major. Confirmed by I-Nc 46-1-34.

89 161 e e e E r More elaborate figuring, indicating theme entrance, according to I-Nc 46-1-34.

191 E e Section in G major, confirmed by I-Nc 46-1-34.

241 :s: Signum congruentia indicating entrance the theme’s scale-figure. According to I-Nc 46-1-

34.

511 u y E 7e y Section in G major, confirmed by I-Nc 46-1-34.

631 6t # 6t Section in E minor.

91 123 y W y Section in C major, confirmed by I-Nc 46-1-34.

383

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (91) 151 u W 7e Section in C major, confirmed by I-Nc 46-1-34.

483 n Modulatory segment to A minor, confirmed by I-Nc 46-1-34.

582 t Q t Consequence of the foregoing chord.



721

Upper voice. Slur added according to I-Nc 46-1-34.

763 t W t Consequence of the foregoing chord.

781 u W u The b natural indicated by the @ 2 of m. 772 should be maintained.

832 w Q w Section in F major. Entry according to I-Nc 46-1-34.

92 133 6t Q 6t Modulatory segment to B flat major.

145 6t Q 6t Modulatory segment to B flat major.

211 :s: Signum congruentia indicating theme-entrance. According to I-Nc 46-1-34.

331 Q6 Q 6e See Editorial Principles.

382 # 6rd W# 6rd The b natural from the first chord in this measure is supposed to be maintained.

93 392 7o 6i D 7od Section in A minor. Confirmed by I-Nc 46-1-34.

67

Measure 67 is lacking from the Principle Source. It appears not only in I-Nc 46-1-34, but also in the complete five-part texted version of this vocal fugue in Reg II (pp. 105–7). It seems reasonable to believe that the lacking of this measure is due to a scribal error and that it should be restored according to I-Nc 46-1-34 and to Reg II.

94 93 # 6t Figures lacking. Restored according to I-Nc 46-1-34.

94 6r Figures lacking. Restored according to I-Nc 46-1-34.


152 y w W y # 4w Section in A minor. The first of these alterations is confirmed by I-Nc 46-1-34.


211 # 4w Unclear reading. Restored according to I-Nc 46-1-34.

382 W7 W 7e See Editorial Principles.

95 41



133


275 6t "@ 6t Section in A minor.

384



461



611



631


701


722 i Figure lacking. Restored according to I-Nc 46-1-34.

96 101 e E e Unclear reading. Confirmed by I-Nc 46-1-34.

381 7t Q 7t A flattened 5 seems to be intended here. Confirmed by I-Nc 46-1-34.

411 I-Nc 46-1-34 gives here f sharp. Both F-Pn 4° c2 344 and the complete four part massmovent in score in the Regole (book 2, pp. 33–35) give f.

561 E e Unclear reading. Confirmed by I-Nc 46-1-34.

97 172 u y u E yy Section in D minor.

212 # 6t #Q 6t Modulatory segment to G minor. Confirmed by I-Nc 46-1-34.

213 6r ! 6r Modulatory segment to G minor. Confirmed by I-Nc 46-1-34.

802 u y u y i Conformity with measure 15.

991 E w # 4w Scribal error?

1081 o Q 9e Section in G minor. Confirmed by I-Nc 46-1-34.

98 65

Lower voice: Slur added according to I-Nc 46-1-34.

212 # 4e Q# 4e Section in G minor. Confirmed by I-Nc 46-1-34.

273 5r Q 5r Section in G minor.

293 6r ! 6r Section in G minor.

401 y W y An extra natural is added in I-Nc 46-1-34 to avoid a cadence in the beginning of m. 41.



533 y Figure lacking. Restored according to I-Nc 46-1-34.



772 # 6t #Q 6t Modulatory segment to G minor. Confirmed by I-Nc 46-1-34.

385

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (98) 773 6r ! 6r Modulatory segment to G minor. Confirmed by I-Nc 46-1-34.

99 94 y t Q y t Conformity with measure 2 (theme entrance starting in m. 82).

182 y t Figures lacking. Restored according to I-Nc 46-1-34.

414 7t ! 7t Section in G minor.

100 132 e W e Modulatory segment in F major.

141 e W e Modulatory segment in F major.



263 y W y Modulatory segment in B flat major.




383 p W p Section in F major.

401 u y t W u y t Section in F major. Conformity with m. 3.

413 u W u y t Modulatory segment in C major.

433 6r @ 6r Modulatory segment in C major.

571 9u 8y @ 9u 8y Modulatory segment in F major.

582


602 Slur added according to I-Nc 46-1-34.

622


803 e W e Section in F major.


821 e y t W e y t Section in F major.

841 w @ 4w Modulatory segment in B flat major.

851 w Conformity with mm. 83 and 84.

912 y W y Section in F major.

981 W e Modulatory segment in F major.

1001 u t y W 7e t y Modulatory segment in B flat major.


386

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (100) 1151 u y t W u y t

Section in F major.

1241 W e Modulatory segment in F major.

101 84 6t Q 6t Modulatory segment to A flat major.

174 u W 7e Modulatory segment in F major.

211 e W e Modulatory segment in B flat major.

241 e W e Modulatory segment in B flat major, in accordance with m. 242.

293 y W y Modulatory segment to B flat major. Confirmed by I-Nc 46-1-34.

301 e W e More elaborate figuring, according to I-Nc 46-1-34.

302 t t y t Q 5e t y t More elaborate figuring, according to I-Nc 46-1-34.

311


314 y Figure added according to I-Nc 46-1-34.

441 e Conformity with m. 511.

462 u W 7e Section in B flat major.

474 u Defectuous figuring. Restored according to I-Nc 46-1-34.

481 u Defectuous figuring. Restored according to I-Nc 46-1-34.

482 u Restored according to I-Nc 46-1-34.

511 e Cautionary figure according to I-Nc 46-1-34.


594 u Q u Part of cadence to A flat major.

702 6t More elaborate figuring, according to I-Nc 46-1-34.


81 w @ 4w Section in B flat major.

84 e W e Modulatory segment to B flat major.

154 6t W 6t Section in B flat major.


413 t More elaborate figuring, according to I-Nc 46-1-34.

423 t More elaborate figuring, according to I-Nc 46-1-34.

103 124 7t !A 7td Section in B flat minor. For comparison, see mm. 47–48.

131 6r ! 6r Section in B flat minor. For comparison, see mm. 47–48.

387

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (103) 133 W e Conformity with measure 491.

474 u Q! 7e Consequence of foregoing chord.

481 6r ! 6r Consequence of the two foregoing chords.

564 u W 7e Section in F major.

702

Conformity with m. 71. Confirmed by I-Nc 46-1-34.

104 362 w Conformity with m. 20. Confirmed by I-Nc 46-1-34.

363 y Conformity with m. 20. Confirmed by I-Nc 46-1-34.

105 581 w @ 4w Section in F major.

582 W W e See Editorial Principles.

106 221

Slurs added in mm. 221, 231, 241, 251, and 261. All according to I-Nc 46-1-34.

371

Slurs added in measure 371, 381, 391, 401, 411. Measure 371, 381 according to I-Nc 46-1-34. The other measures are slurred for reasons of conformity.

461 u Q u Section in A flat major.


622


821

Slurs added in mm. 821, 831, and 841, according to I-Nc 46-1-34. Slur in m. 851 for reasons of conformity.


902


962


107 35 W W e See Editorial Principles.



181



195 6t "@ 6t Section in G minor.


203 w "W w Section in G minor.

215 W W e See Editorial Principles.

223 y W y Section in G minor.

388

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (107) 232 w @ 4w Modulatory segment to B flat major.

241 y W y Modulatory segment to B flat major.




293 e W w Figures lacking. Restored according to I-Nc 46-1-34.





452 w ! 4w Section in F minor.

474 w Figure lacking. Restored according to I-Nc 46-1-34.

512


604 t Figure lacking. Restored according to I-Nc 46-1-34.

108 94 u W 7e Modulative segment to C minor.

223 yg A 6td Section in F minor.

322 w Figure lacking. Restored according to I-Nc 46-1-34.


564 u W 7e Section in F minor.

703 yg A 6td Section in F minor.


109 162


463 6r ! 6r Section in F minor.

562 y W y Section in C minor. Confirmed by I-Nc 46-1-34.

692

Upper voice. Slur added according to I-Nc 46-1-34. Conformity with theme (lower voice, mm. 2–3).

711

Lower voice. Slur added according to I-Nc 46-1-34. Conformity with theme (lower voice, mm. 2–3).

761

Slur added according to I-Nc 46-1-34. Conformity with theme (lower voice, mm. 2–3).

389

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (109) 841 t

Figure lacking. Restored according to I-Nc 46-1-34.

842 e Figure lacking. Restored according to I-Nc 46-1-34.

942


110 201 6r ! 6r Part of cadence in B flat minor. Confirmed by I-Nc 46-1-34.

275 e W e Part of cadence in B flat minor. Confirmed by I-Nc 46-1-34.

324 Last note in the upper voice of this measure is added according to I-Nc 46-1-34.

42 The alto line in this measure is taken from I-Nc 46-1-34. The Source F-Pn 4° c2 344 seems to show a scribal error.

502 w W w According to I-Nc 46-1-34.

111 92 6t E r "@ 6t E r Section in G minor.

112


123 e w e W w Section in G minor. Dropped signature (2 flats) in F-Pn 4° c2 344 and I-Nc 46-1-34.

142 5r "@W 6e @ 5r @W 6e Cadence in G minor (evaded towards C minor).



251 o 8y 7t o W 8y 7t Conformity with m. 113.

261 n Section in G minor. Confirmed by I-Nc 46-1-34.

283 t W t Consequence of foregoing chord.

311 n Section in G minor. Confirmed by I-Nc 46-1-34.

322 n Natural added on the second note in the alto voice for reasons of conformity with measure 58.

335 u E y Figures lacking. Restored from I-Nc 46-1-34.

351 ! 6t Figures lacking. Restored from I-Nc 46-1-34.

352


353 e Figure lacking. Restored from I-Nc 46-1-34.

363 e w e W w Section in G minor.

542 6t E r "@ 6t E r Section in G minor.

553 6t ! 6t Section in G minor. Confirmed by I-Nc 46-1-34.

555 n Conformity with measure 113.

563 e w e W w Conformity with measure 123.

583 n Lower voice: Dropped key signature.

390

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 112 212 @ 6t @Q 6t Section in C minor. Confirmed by I-Nc 46-1-34.

213 6r ! 6r Section in C minor. Confirmed by I-Nc 46-1-34.

271 u E 7e Modulatory segment in G minor.

722 @ 6t @Q 6t Section in C minor. Confirmed by I-Nc 46-1-34.


821 W e W e i u More elaborate figuring in I-Nc 46-1-34.

933 @ 6t @Q 6t Section in C minor. Confirmed by I-Nc 46-1-34.



1012 4w ! 4w Section in F minor. Conformity with m. 21.

1013 @ 6t @Q 6t Section in F minor. Conformity with m. 21.

1014 6r ! 6r Section in F minor. Conformity with m. 21.

1071 u Q 7e Section in F minor.

1073 b Section in F minor.

113 71 :s: Signum congruentia added according to I-Nc 46-1-34.





401

Ornament added according to I-Nc 46-1-34.

411 Ornament added according to I-Nc 46-1-34.

492 Q y W y Scribal error. Corrected according to I-Nc 46-1-34.



681

Ornament added according to I-Nc 46-1-34.

691 Ornament added according to I-Nc 46-1-34.


391

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 114 251 u Q 7e Section in F minor.

322 y e r y e W r Naturalised 4 according to I-Nc 46-1-34.

633 y Q y Section in F minor. Confirmed by I-Nc 46-1-34.

641 Q 7e !Q 7e Section in F minor.

671 u y Q u y Section in B flat minor.

732 @ 6t @Q 6t Modulatory segment to F minor.

733 6r ! 6r Modulatory segment to F minor.

755 o Q 9e Section in F minor.

756 b Section in F minor.

822 y Figure lacking. Restored from I-Nc 46-1-34.

861 6t A 6td Section in F minor.

861


115 155 u y Figures lacking. Restored from I-Nc 46-1-34. Conformity with measure 34.

192 w Q w Modulatory segment in E flat major. Confirmed by I-Nc 46-1-34.

263 t Q t Modulatory segment in A flat major. Confirmed by I-Nc 46-1-34.

284 6r Q 6r Modulatory segment in F minor.

442 6r ! 6r Modulatory segment in F minor.

783 6t A 6td Section in F minor. Confirmed by I-Nc 46-1-34.

801 6t A 6td Section in F minor. Confirmed by I-Nc 46-1-34.

116 63 W W e See Editorial Principles.


242


431 w 5w According to I-Nc 46-1-34.

532 5r e Figures lacking. Restored according to I-Nc 46-1-34.

623 n Conformity with measure 43. Confirmed by I-Nc 46-1-34.

821 5r Q e Figures lacking. Restored according to I-Nc 46-1-34.

922


991 Q 7e y t @Q 7e y t Consequence of foregoing chord. Conformity with measure 96.

392







421 b Section in E flat major.


572 w W w Section in D minor.

574 y Conformity with measure 94. Confirmed by I-Nc 46-1-34.

674 y Conformity with measure 94. Confirmed by I-Nc 46-1-34.

118 94 6t Q 6t Modulatory segment to E flat major.

551 W e Figure lacking. Restored from I-Nc 46-1-34.

594 6t Q 6t Modulatory segment to E flat major.

611 u y Figures lacking. Restored from I-Nc 46-1-34.

621 e Figure lacking. Restored from I-Nc 46-1-34.



802



119 241 e Figure lacking. Restored according to I-Nc 46-1-34.


243 W y Figure lacking. Restored according to I-Nc 46-1-34.


252 e Figure lacking. Restored according to I-Nc 46-1-34.

252


301 o i o i p Conformity with measure 29. Confirmed by I-Nc 46-1-34.

381 W y u W y Conformity with measure 5. Confirmed by I-Nc 46-1-34.

542 6t W 6t Section in D minor.

561 6t W 6t Section in D minor.

393




333 e W e Section in D minor.

401



581 u y t Q u y t Modulatory segment to G minor.

702


741


1001 u y t Q u y t Section in G minor.

1074


1171 E 9e i E! 9e i Section in G minor.

121 323 y Q y Section in G major.

331 7t ! 7t Section in G major.


581 E7 6r E 7e 6r See Editorial Principles.


883 6r ! 6r Section in G minor.


993 6t A 6td Section in G minor.

1031 w ! 4w Section in G minor.

1181 6tA A 6td Cadenza in G minor. Conformity with measure 126.

122 93

Conformity with measure 23. Confirmed by I-Nc 46-1-34.

181 6t Q 6t Consequence of the e flat in measure 172, resulting in a modulatory segment to G minor.

302 e Q e Start of modulatory segment to C minor. Figures confirmed by I-Nc 46-1-34.

311 6t Q 6t Modulatory segment to C minor.



431 6t Q 6t Conformity with measure 17.

394

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (122) 441 6t !Q 6t Conformity with measure 18.

451 6t ! 6t Conformity with measure 19.






552




651 6t ! 6t Section in B flat major.

702



1162


1182 b Consequence of the flat in measure 117.

1232


123 393


522 t W t Section in G major. Confirmed by I-Nc 46-1-34.

661 u W 7e Section in G major. Confirmed by I-Nc 46-1-34.

662 u W u Section in G major.

711 u W 7e Section in G major. Confirmed by I-Nc 46-1-34.

743 y t y W t Section in G major.

1081 y e Scribal error. Restored according to I-Nc 46-1-34.

124 264 6t W 6t Section in G major.

251 5r W 5r Section in G major.



303 u W 7e Section in G major.


395

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (124) 322 5r W 5r Section in G major.

481 w Figure lacking. Restored from I-Nc 46-1-34.

482 6t w Figures lacking. Restored from I-Nc 46-1-34.

483 t Figure lacking. Restored from I-Nc 46-1-34.

491 6t Figures lacking. Restored from I-Nc 46-1-34.

492 e 5rs Figures lacking. Restored from I-Nc 46-1-34.

493 6t Figures lacking. Restored from I-Nc 46-1-34.



642 6r # 6r Section in A major.

661 6r # 6r Section in A major.

661 m Section in A major.

125 251 u E 7e Risposta from measure 20, countersubject from measure 22 resulting in a g sharp in the countersubject. (measure 25 is related to measure 43).

681 6t # 6t Section in F sharp minor.


931




1142


126 152 6t W 6t Modulatory segment to C major.


453 6r E 6r Modulatory segment to D major.



127 691 6t # 6t Section in B minor.

1252 m Cautionary sharp inserted, remote distance to the flat in measure 1242. Confirmed by I-Nc 46-1-34.

128 429 n Cadence in C major. Confirmed by I-Nc 46-1-34.

396

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 129 111 6i y t 6i 6i 5u More elaborate figuring according to I-Nc 46-1-34.

121 4y e 4y 4y 3t More elaborate figuring according to I-Nc 46-1-34.

182


251 6i y t 6i 6i 5u More elaborate figuring according to I-Nc 46-1-34.

261 4y e 4y 4y 3t More elaborate figuring according to I-Nc 46-1-34.


621 r e Q r e Section in F major. Confirmed by I-Nc 46-1-34.

633 6r ! 6r Section in F major.

641 u Q u Section in F major.





130 703 6r Q 6r Section in F major.



821 u Q 7e Modulatory segment in F major.

912


932


952


109 Beams lacking. Restored from I-Nc 46-1-34.

131 441 5r # 5r Section in E minor.

502 5r # 5r Section in E minor.

1295 n Cadence in G major. Confirmed by I-Nc 46-1-34.

397

Section B The 35 partimenti appearing in one autograph source

A) The 35 unica appearing in I-Nc S-1-94 (Nos. 140–142) and in F-Pn 4o c2 344 (Nos. 1–24 and 132–139).

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 3 73 e E e Repetition of D major chord in m. 66.

95 y Q 6e Modulatory segment to F major.


4 181 4w @ 4w Section in C major shortly after a section in F major.

185 u y u W y Section in C major shortly after a section in F major.

6 143 n Section in C major. Conformity with m. 5.

182 n Section in A minor.


7 93 u y Q e7 y Modulatory segment to E flat major

104 u Q u Section in E flat major.


154 u W e7 Section in F major.

9 94 u W e7 Section in B flat major.

144 e W e Section in B flat major.


10 311 u W 7e Section i B flat major.

391 Ch: 5r 6t Choron here proposes an erroneous figuring above a wrongly transcribed note (b flat instead of c). F-Pn 4o c2 344 leaves no doubt about the intended figuring.

461 t Q t Section in A flat major.


491 6t Q t6 Section in A flat major.

502 6t Q t6 Section in A flat major.

521 u Q e7 Section in A flat major.

11 61 u u y Conformity with measure 15.

12 133 u y W e7 y Modulation to C major.

152 u y W u y Section in C major.

398

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (12) 171 u y W e7 y Section in C major.

191 t W 5e Section in C major.



221 4w # 4w Modulation to G major.


13 73 # 6t #W 6t Modulatory segment to A minor.

74 6r @ 6r Modulatory segment to A minor.

161 5r # 5r The c sharp in the foregoing chord is supposed to be suspended.




306 t W t Section in C major.

313 t y t W y Section in C major.

365 u y W e7 y Section in C major.


14 342 6t Q 6t Segment in F major.

15 107 e E e Part of cadence in G major.

151 6t # 6t Section in G major.

154 y t i y t Unclear reading. Parallel situation to measure 26.

194 6t # 6t Part of cadence to E minor.

241 u Q e7 Section in F major.

272 y t y Q tt Section in F major.

16 172 5r # 5r Section in E minor.



17 231 6t Q 6t Section in F major.


311 u y Q 7e y Modulatory segment to B flat major.

399

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 18 213 6t W 6t Section in G major.

19 221 y E y Cadence in B minor (conformity with m. 213).

21 261 u y W e7 y Cadence in G major.

262 u W u Cadence in G major.

321 u W e7 Cadence in C major.

22 162 5r E e # 5r E e Cadence in B minor.

275 u W u Cadence in C major.

294 y W y Section in C major.

301 u W e7 Section in C major.

23 104 u y W e7 y Cadence in C major.


24 453 6r W 6r Section in C major.


511 u t y W u t y Section in C major.


671 W w w Superfluous natural.

132 103 e Conformity with mm. 3, 36, and 55.

411 e E e Conformity with m. 391.



133 146 E7 E 7e See Editorial Principles.

265 u W 7e Section i C major.

266 u W u Section i C major.

291 6t W 6t Section i C major.

134 83 u E 7e Natural progression in harmonic sequence. Conformity with m. 7.

453 u E 7e Conformity with m. 7.

502 e w e @ 4w Section in C major.


135 154 e E e See Editorial Principles.

241–8 Scribal error. Beams lacking. Conformity with m. 53.

400

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (135) 271 w E w Section in E minor.

563 Q7 Q 7e See Editorial Principles.

573 u Q 7e Section in F major. Conformity with measure 563.



136 355 6t Q 6t Section in F major.

397 b Section in F major.



425 6t ! 6t Section in F major.

137 121

Slur added. Conformity with measure 10.

141

Slur added. Conformity with measure 10 and 12.



672 6t Q 6t Modulatory segment from C major to F major.

911 ? 6r Unclear reading. Restored according to Ch.

138 152 u W 7e Section in C major.


373 u Q 7e Section in B flat major.




139 321 6t @ 6t Section in A minor.


391 u t y Q u t y Section in B flat major.

461 u t Q 7e t Section in B flat major.


511 ? 6 5 e y t Unclear reading. Conformity with m. 9 and relation to the theme (measure 1-7).

401

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (139) 682 t W t

Section in D minor.

691 yg A 6td Section in D minor.

702 y y y t Unclear reading. Similarity with mm. 58, 68, 78, and 104.

402

Section C The 18 partimenti appearing in one autograph source

and in one source written by a student of Sala

The 18 partimenti (Nos. 143–160) appearing in the autograph I-Nc S-1-94 and in F-Pn 4o c2 343.

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 143 154 u Q u Section in B flat major.

144 141 u Q 7e Section in F major. Confirmed by F-Pn 4° c2 343.

145 151 i i u i i E u Theme in G major.

341 r r e Q r Q r e Theme in F major.

146 12 5r 5r e Conformity with measure 30. Confirmed by F-Pn 4° c2 343.


172 5r Q 5r Section in F major.

292 5r E e # 5r E e Cadence in E minor.

331 u y u y t Fluency of line. Confirmed by F-Pn 4° c2 343.

147 71 t E t Section in G major.

81 u Conformity with measure 3.

82 # 4w y # 4w Conformity with measure 3.

113 y E y Section in G major. Confirmed by F-Pn 4° c2 343.

123 t y t E t y E t Section in G major.

214 u Q u Section in F major. Confirmed in F-Pn 4° c2 343.


148 201 u E u Section in G major.

282 y E y Section in G major. Confirmed in F-Pn 4° c2 343.

313 y Figure lacking. Restored from F-Pn 4° c2 343.

149 194 6t Q 6t Modulatory segment to F-major.

236 u Q u Section in F-major.

61– Incomplete from measure 61. Restored from measure 61 to end from F-Pn 4° c2 343.

150 183 y E y Modulatory segment to A minor. Confirmed in F-Pn 4° c2 343.

193 w Q w Modulatory segment to F major. Confirmed in F-Pn 4° c2 343.

19t 6r Q 6r Modulatory segment to F major.

403

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (150) 204 6t Q 6t Same chord as measure 201.

223 y Q 6e Section in F major. Confirmed in F-Pn 4° c2 343.

231 u Q u Section in F major. Confirmed in F-Pn 4° c2 343.

234 6t ! 6t Section in F major. Confirmed in F-Pn 4° c2 343.

263 y Q 6e Section in F major. Confirmed in F-Pn 4° c2 343.

282 w Q w Modulatory segment to F major. Confirmed in F-Pn 4° c2 343.

292 4w ! 4w Modulatory segment to F major. Confirmed in F-Pn 4° c2 343.

301 u ! 7e Modulatory segment to F major. Confirmed in F-Pn 4° c2 343.

403 y E y Section in G major. Confirmed in F-Pn 4° c2 343.

582 w @ 4w Modulation to C major. Consultation in F-Pn 4° c2 343 was not possible here.

The section between measure 50–59 is lacking in F-Pn 4° c2 343.

151 173 u y Q 7e y Section in F major.

193 u y Q 7e y Section in F major.



542 w E w Modulatory segment towards E minor.

551 E w w Both I-Nc S-1-94 and F-Pn 4° c2 343 give a sharp to this 2. Scribal error.

152 232 y E y Section in G major.

291 u y Q 7e y Section in F major.





36

This quoted measure 36 from F-Pn 4° c2 343 gives a more complete reading. In I-Nc S-1-94 the last note of this measure and the figures above it are missing.





404

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 153 152 y W y Section in C major.





492 u W 7e Part of cadence to C major.


572 y W y Modulatory segment in C major.

811 5r e u 5r W e u Section in C major.

154 61 b Implied by the natural in m. 62.

84 u W 7e Modulation to F major.


133 u Q 7e Section in E flat major.






272 n Section in F major. Confirmed by F-Pn 4° c2 343.

313 6r Figures lacking. Restored from F-Pn 4° c2 343.




462 @ 6r Conformity with measure 8.

505 6r According to F-Pn 4° c2 343.



701 Scribal error. The scribe wrongly notates a f on this last note! Restored from F-Pn 4° c2 343.

405

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 155 222 e W e Section in F major.

332 y Q y Section in E flat major.

691 6t @ 6t Section in D minor.

156 122 y W y Modulatory segment to B flat major.



401 w Conformity with m. 3.

402 y Conformity with m. 3.


241 w @ 4w Section in B flat major.


301 6t @ 6t Section in B flat major.

332 n Modulatory segment to G minor.

361 w Q w Modulatory segment to E flat major.




452 y Q 6e Section in A flat major.




493 y Figure lacking. Consequence of the figure 6 in m. 482.

531 w ! 4w Modulatory segment to F minor.

532 W y5 !W 5y Modulatory segment to F minor.

533 6r Q 6r Modulatory segment to F minor.

612 y W y Modulatory segment to B flat major.

621 u W u Modulatory segment to B flat major.

67 This measure is lacking in Principal Source. Reconstructed according to F-Pn 4° c2 343.


406

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (157) 811 rs ! 6rs Section in A flat major.


842 y Q 6e Section in A flat major.


911 w W w Section in E flat major.

158 271 u Q 7e Section in A flat major. Confirmed by F-Pn 4° c2 343.

274 6t Q 6t Section in A flat major. Confirmed by F-Pn 4° c2 343.


433 6t Q 6e Section in A flat major.


494 u W 7e Modulatory segment to C minor.

522 n Modulatory segment to G minor.

525 u E 7e Modulatory segment to G minor.

159 162 n Section in G minor. Confirmed by F-Pn 4° c2 343.

411 9e 8y 7t Q e9 8y 7t Section in F minor.

451 u y t Q u y t Section in F minor. Consequence of flattened 6 in measure 44.

771 9e t Conformity with measure 21. Confirmed by F-Pn 4° c2 343.

831 :s: Signum congruentia added according to F-Pn 4° c2 344.

160 121 6t Q 6t Modulatory segment to B flat major.

123 E y5 E! 5y Modulatory segment to G minor.


154 6r ! 6r Modulatory segment to C minor.


241 e 6r 5r e e Q 6r Q 5r e Cadence in E flat major. Confirmed by F-Pn 4° c2 343.

261 w Q w Modulatory segment to B flat major.

263 6r Q 6r Modulatory segment to B flat major.


282 w ! 4w Modulatory segment to G minor. Confirmed by F-Pn 4° c2 343.

283 # 6t Q# 6t Modulatory segment to G minor.

407

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (160) 284 6r ! 6r Modulatory segment to G minor.

382 6r @ 6r Modulatory segment to D minor.

592 4w y 4w Figure missing. Restored according to F-Pn 4° c2 343.

408

Section D The 29 unica appearing in the four non-autograph sources

F-Pn 4o c2 343, I-LEcon Ms. BC4, I-MC 6-F-15/2, and B-Bc 8531

A) The 17 unica appearing in F-Pn 4o c2 343 (Nos. 161–176 and No. 178).

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 161 231 6t # 6t Section in F sharp minor.




162 225 y W 6e Section in C major.


242 w W w Section in C major.






381 w # 4w Section in D major.

382 t E t Section in D major.

391 w E w Section in D major.

163 262 6t W 6t Section in C major.






164 64 E 7e Part of cadence in B minor.

74 6t # 6t Part of cadence in B minor.


409

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (164) 162 w @ 4w Section in C major.


181 t 6t Section in C major.

182 6r W 6r Section i C major.


202 w @ 4w Modulation from C major to A minor.

203 t #W 6t Modulation from C major to A minor.

204 6r Modulation from C major to A minor.

224 u W 7e Section in A minor.

225 6r W 6r Section in A minor.

231 # 6t #W 6t Section in A minor.

232 6r @ 6r Section in A minor.

262 t # 6t Modulation to E minor.

263 6r Modulation to E minor.

292 t # 6t Modulation to E minor.

293 6r Modulation to E minor.

165 71 E E e See Editorial Principles.

245 m Dominant to C-sharp minor.

265 m Dominant to C-sharp minor.

342 m Theme in dominant key. Conformity with theme in measure 1.


167 245 y W 6e Section in C major.


292 u y W 7e y Section in C major.





410

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (167) 444 6t # 6t Section in B minor.

462 w W w Modulatory segment to G major.


168 393 y W 6e Section in G major.


169 173 u W 7e Section in D major.


251 y W y Section in D major.



271 y Figure removed, for reasons of conformity with mm. 22 and 32.

170 101 w W w Modulatory segment to D major.

102 t W 5e Modulatory segment to D major.


111 w @ 4w Modulatory segment to D major.


191 n Natural inserted due to cadence in D major.

244 u E 7e Conformity with measure 82.

343 7r y u y Unclear reading. Suggested solution.

344 y Unclear reading. Suggested solution.

171 251 u y W 7e y Section in D major.

293 y W 6e Section in D major.

331 u W 7e Section in D major.




622 n Natural inserted – section in D major.


411

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 175 84 m Part of E major chord.

104 m Part of E major chord.

304 m Part of E major chord.

176 132 e w e E w Section in F sharp minor.






282 w @ 4w Section in G major.


364 u W 7e Section in G major.


B) The 9 unica appearing in I-LEcon Ms. BC4 (9 partimenti: Nos. 179–187).

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 179 25 e w

Scribal error.

27 Original pitch F is changed into G, for reasons of conformity with mm. 20, 23, and 26.

81 4w Conformity with m. 3.

111 w e Unclear reading, probably scribal error.

193 w Conformity with m. 291.




271 td 6rs td Q 6rs Conformity with m. 295.

273 t Q t Conformity with m. 295.

285 y Unclear reading. Conformity with m. 12.


271 6rs Q 6rs Section in F major.

412

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) (179) 324 Q 6t y t Q 6t Q t y Q t Section in F major. Conformity with m. 10.

180 92 n Conformity with m. 52 (upper voice).

221 w W w Modulatory segment to A minor.

335 5r e 5r W e Conformity with the risposta in mm. 5–9.

343 e W e Yet to be written.

181 84 8y 7t 8y ! 7t Section in F major.

134 8y 7t 8y ! 7t Section in B flat major.



285 W y E y Section in A minor. I assume the natural attached to the figure 6 to be a misspelling.

301 2r @ 2r Section in A minor.

422 5r 5r e Incomplete figuring.

182 44 W7 W 7e See Editorial Principles.

146 y t y W t Section in C major.





351 4w ! 4w Section in B flat major.


371 u y u Q y Section in B flat major.

372 u y Q u y Section in B flat major.

466 e Incomplete figuring.

183 121 E7 E 7e See Editorial Principles.


331 u y u E y Section in D major.

403 5r E 5r E e See Editorial Principles.

441 ? w Unclear reading.


413

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 184 33 Upper voice, original pitch C, corrected to D (a major second higher), in conformity

with m. 13.


231 Q y y Scribal error?

241 y Conformity with m. 37.

362 Q y y Scribal error?

445 e Q e Section in A flat major.

463 ! 5u !Q 5u Modulative segment to B flat major.


522 e w Q e w Section in E flat major.


605 e Q e Section in E flat major.

185 153 m Section in D major. Thematic conformity with m. 21.


431 E 7e 6r 5r E E 7e 6r 5r E e See Editorial Principles.



553 m Section in D major. Thematic conformity with m. 21.

633 5r E 5r E e See Editorial Principles.

721 E 7e 6r 5r E E 7e 6r 5r E e See Editorial Principles.

186 111 5r W 5r Consequence of m. 10.


272 E e See Editorial Principles.


301 5r W 5r W e See Editorial Principles.

315 6r E 6r Consequence of m. 30.

591 5r W 5r Consequence of m. 58.

414

C) Two unica appearing in I-MC 6-F-15/2 (Nos. 188 and 189).

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 188 241 u W 7e Modulative segment to G Major.

242 u W u Modulative segment to G Major.

281 u W 7e Section in G Major.

D) The unicum appearing in B-Bc 8531 (No. 177).

Partimento Pr S “189” Reason for departing from the Principal Source (Pr S) 177 121 E7 E 7e See Editorial Principles.



351 u Q u Consequence of m. 34.



415

ERRATA Volume 27:1: Unpaginated introduction, Description of the Manuscript Sources

Shortly after the submission deadline of this publication an important article appeared that should have been added as a footnote to the section “Description of the Manuscript Sources.” This article, written by Sarah M. Iacono and Paulo Sullo gives new information about the manuscript I-LEcon Ms. BC 4, among other things.

See: Iacono, Sarah M. and Sullo, Paolo. “Manoscritti musicali di Terra d’Otranto. Collezioni e casi di studio tra ‘scuola napoletana’ e prassi esecutiva”. In Studi in memoria di Giuseppe A. Pastore, edited by Daniela Castaldo and Gabriella Pastore. I quaderni dell’Idomeneo. 33. Lecce: Salento University press (2017), xx–xx.

Unpaginated introduction, Bibliography

Iacono, Sarah M. and Sullo, Paolo. “Manoscritti musicali di Terra d’Otranto. Collezioni e casi di studio tra ‘scuola napoletana’ e prassi esecutiva”. In Studi in memoria di Giuseppe A. Pastore, edited by Daniela Castaldo and Gabriella Pastore. I quaderni dell’Idomeneo. 33. Lecce: Salento University press, 2017.

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