09.00 – 09.45

09.45 – 10.00Room: A—301

Keynote10.00 – 11.00Room: A—301

11.00 – 11.30

Session 111.30 – 13.00Room: A—301

Session 111.30 – 13.00Room: A—201

Session 111.30 – 13.00Room: A—101

13.00 – 14.00 Session 214.00 – 15.30Room: A—301

Registration

Introduction

BARSEA KeynoteChair —Sarah Gilligan

Coffee

Panel 1APanel chair —Katarina Nina Simončič

Panel 1BPanel chair —Madaleine Trigg

Panel 1CPanel chair —Sarah Gilligan

Lunch

Panel 2APanel chair —Sarah Gilligan

Please make sure that the team are made aware of any allergies, dietary & accessibility requirements

Welcome to Zagreb & FCVC2018FCVC2018 conference introduction and visionFCVC Network and the British Academy Rising Star Engagement Award (BARSEA)Ethos of the FCVC — collegiality, collaboration and convivialityHealth and safety, contact points etc.

Keynote — Professor Stella Bruzzi, University College London & Fellow of the British AcademyUndressing Cinema: 21 years on

Fashion Studies & TheoryŽarko Paić Creativity, body-design and contemporary fashion: the deconstruction of the luxuryKatarina Nina Simončič & Petra Krpan Synergy of Fashion and Architecture – ‘Final Home’Mia Knežević Fashion and consumerism in the former YugoslaviaIrfan Hošić Charles Frederick Worth and emergence of fashionable body

Costume Design

costume for stage and screenViveka Kjellmer Costume and the scenography of paper fashionJorge Sandoval The body as a theatrical device: the immaterial body as costume (via Skype)

Sexuality, Bodies and FashionNeil Kirkham & Emmanuelle Dirix Pornography, authenticity & perfor mance through social mediaVanessa Gerrie The Diet Prada effect: ‘call out’ culture in the contemporary fashion-scape Diana Weis Post-internet bodies: reading the female avatarGeorgina Ripley Body beautiful: representing diversity on and beyond the catwalk

Fashion Cultures & FranceMyriam Fouillet Rosine Delamare: Costume Design in Post-War French Cinema Marie McLoughlin The varied careers of the designers of Paris couture in World War IIGraham H Roberts From Roubaix with love: costume design, imagined geographies and collective memories in France’s fashion heartland

Session 214.00 – 15.30Room: A—201

Session 214.00 – 15.30Room: A—101

15.30 – 16.00

Session 316.00 – 17.30Room: A—301

Session 316.00 – 17.30Room: A—201

Session 316.00 – 17.30Room: A—101

17.30 – 19.00

Event19.00 – 22.00

Panel 2BPanel chair —Zdenko Zeman

Panel 2CPanel chair —Josette Wolthuis

Coffee

Panel 3APanel chair —Sarah Gilligan

Panel 3BPanel chair —Rachel Heeley

Panel 3CPanel chair — Nancy Deihl

Free time

BARSEAFCVC Network

reception

Hype, Ageing, Individuality and MeaningMarija Geiger Zeman & Zdenko Zeman ‘You can’t keep chasing this impossible thing’: (de)construction of the ageless beauty mythology and challenges of ageing in fashion modelling landscapeMirna Zeman Literary /medial fashions and hypesPéter Perhócs Meaning production in the realm of fashion: fashion products, cultural contexts and the construction of symbolic meaningScott Schiavone Re-designing the ’80s: fashion’s forgotten decade

Fashion and Costuming On & Beyond the ScreenLiz Tregenza Starke dresses the stars: Jean Simmons’ birthday wardrobeKatriina Heljakkalabels in the ludic ageMonica Geraffo Heroes for hire: teen superheroes and the market of identity constructionDjina Kaza Decoding the dress: reading features of costume design in

Fashion and Notions of ‘Authenticity’Dagmar Venohr Faking means making: vestimentary tactics of self-empowermentKieran Phelangeographies of Harris TweedNoel McLaughlin Rock, fashion unknown: the ghost of a Bonny Prince

Tajda Hlačar Laibach, anti-fashion and subversion

Collaboration & Creativity: Teaching and Learning in HERachel Heeley The perception of interdisciplinary learning, through

Monica Fusich The United States Department of State Fulbright programme: opportunities for academics, fashion designers, and students to return to Croatia and other countriesHelena Britt The Cloth: fashion, textiles and art - examining intersecting visual practice, 1983 – 1987

Costume & Fashion On & Beyond the ScreenKevin Huntmovie can inspire a fashion collection Kate HarveyElena Siemens Magical fashion in globalizing contexts Laura Gust The spectral female: the semiotic function of the nightgown in Gothic visual culture

Museum of Arts and CraftsTrg Republike Hrvatske 10, 10000, ZagrebExhibition preview & introduction by curator Prof. Katarina Nina Simončič The Sixties in Croatia — Myth and Reality

FCVC2018 drinks reception to mark the launch of the FCVC NetworkIntroduction of James Campbell (Intellect) & Intellect journal editors

17 July

th Conference— University of Zagreb, Faculty of Textile Technology

09.00 – 09.30

09.30 – 10.30Room: A—301

10.30 – 11.00

Session 411.00 – 12.30Room: A—301

Session 411.00 – 12.30Room: A—201

Session 411.00 – 12.30Room: A—101

12.30 – 13.30

13.30 – 14.00Room: A—301

Session 514.00 – 15.30Room: A—301

Registration

BARSEA KeynoteChair —Katarina Nina Simončič

Coffee

Panel 4APanel chair —Sarah Gilligan

Panel 4BPanel chair —Madaleine Trigg

Panel 4CPanel chair —Petra Krpan

Lunch

BARSEA ECRPresentation

Panel 5aBARSEA ECR Workshop

Registration

Keynote — Professor Vicki Karaminas, Massey University, New Zealand

queering of Harley Quinn

Cosplay, Fandom and Creative ProductionPaul Mountfort Cosplay at Armageddon: a photo-essay in costume

Irina Gordeeva Imagination and historical cosplay among the Soviet hippies as a quest for politicsCarolin Becke Images of adolescence: An investigation into the cos-tumes and aesthetics of Japanese idol performers

Costume Design Sue Prescott The sustainable curated wardrobe: designer and circular design Charlotte Østergaard In dialogue with material Damla Taymaz

Fashioning the VoiceJennifer Anyan, Tychonas Michailidis & Yvon BonefantPanel & prototype demonstration

Getting Your Work PublishedJames Campbell International Marketing Manager for Intellect Books

Early Career and Emerging Scholars and Practitioners Publishing Workshop – Drop in SessionTalk to James Campbell and the Intellect journal editors about your publishing ideas

suitable journal to submit your FCVC2018 paper toEditorial advice available from —Pamela Church Gibson — Principal editor of Film, Fashion and Consumption

— Editor of Studies in Costume and Performance

Session 514.00 – 15.30Room: A—201

Session 514.00 – 15.30Room: A—101

15.30 – 16.00

Session 616.00 – 17.30Room: A—301

Session 616.00 – 17.30Room: A—201

Session 616.00 – 17.30Room: A—101

17.30 – 18.30

18.30 – 20.30

20.30 – Late

Panel 5BPanel chair —Shaun Cole

Panel 5CPanel chair —Lara Kipp

Coffee

Panel 6APanel chair —Sarah Gilligan

Panel 6BPanel chair —Katarina Nina Simončič

Panel 6CPanel chair —Vongai N. Ruzive

Travel to venues

Activities, Flexible &at delegates’ own cost

Drinks / dinner at delegates’ own cost

Cross dressing, Queering Identities, Individuality and ExperimentationSally King The good, the bad and the fairy: pantomimic cross-dressing, gender and identityJenna Allsopp Re-interpreting ‘realness’ in Jennie Livingston’s Paris is Burning (1990)

‘Pakis from outer space’: Leigh Bowery’s postmodernist representation of the OrientFenella Hitchcock Camp strategies and reformist tendencies in men’s fashion

Costume, Skin, Bodies and PerformanceLara Kipp Puckered, wrinkled, scarred: skin as costume in the theatre of Howard BarkerLorraine Henry Black skin as heroic costume.Madaleine Trigg Interfacing and ‘intra-acting’: what materialises at the

Jelena Vojković & Lorena Lipošek More human than human: homage to Bladerunner

Costuming Identities on TelevisionShaun Cole Looking for Cucumber: archetypes, stereotypes and gay men’s style on television 2014-16Josie Wolthuis Serial costuming in British television crime drama.Lauren Boumaroun Red states, red robes: The Handmaid’s Tale cosplay as a symbol of resistance

Fashion Objects in Globalizing Contexts: Dressing Bodies, Cultures, and NationsJanice Li Cultural cross-dressing and the city: embodied displacement of Chinese elite women in London 1910-1940Justin Phan Engendering Vietnam: gender, fashion, and the neoliberal cultural politics of national identity Charlotte Nichols Faithfully antique but markedly original: the enduring legacy of Mariano Fortuny’s DelphosInés Corujo-Martín Nineteenth-century fashion dolls and the transnation-al construction of femininity

Fashion, Spaces and Popular CultureRachel Heeley The evolution of the fashion image as seen through digital mediaAvery Novitch Jenneration Z: How Kylie Jenner embodies Guy Debord’s Society of the SpectacleJennifer O’Meara Sartorial satire: merging fashion and identity politics on

Walking TourOld Town, Art Park & Grič Tunnel, Mimara Museum, Museum of Broken Relationships,Mestrovic Gallery ,Archeological Museum, Museum of Modern Art

18 July

th Conference— University of Zagreb, Faculty of Textile Technology

-

09.00 – 09.30

Session 709.30 – 11.00Room: A—301

Session 709.30 – 11.00Room: A—201

Session 709.30 – 11.00Room: A—101

11.00 – 11.30

Session 811.30 – 13.00Room: A—301

Session 811.30 – 13.00Room: A—201

Registration

Panel 7APanel chair — Silvia Vacirca

Panel 7BPanel chair —Petra Krpan

Panel 7CPanel chair —

Coffee

Panel 8APanel chair — Silvia Vacirca

Panel 8BPanel chair — Vanessa Gerrie

Registration

Costuming the Past on Screen Danielle Dove Veiled sights, veiled secrets: Neo-Victorian gothic (re-)visions in del Toro’s Crimson Peak (2015)Stephanie Mulholland Haute hauntings, or, contemporary Gothic television’s guide to Victoriana power-dressingSilvia Vacirca Dressing history: Piero Tosi and the quest for historical accuracy

Global Fashion CulturesLydia Caston Fashioning the ‘Femme Arabe’: European representations of the Algerian woman and dress (1855 – 1910)Anna Kleiman Dress to oppress: Israeli Minister of Culture wears JerusalemNilay Ulusoy It’s hard to do fashion in Istanbul ‘or not?’Liana Manasyan St Petersburg as a source of inspiration for fashion designers

Fashion Cultures: Flash presentations (10-15 mins each)Aisha Asif God save the subculture: how the decline of subcultures has affected product longevityKatherine Kidderqueen beauty and fashion is adopted into mainstream culture and what are the repercussions for homosexual society?Tabitha Walsh A woman’s eye: the female form within photography.Rowan Saunders Do you think my socks look bad in these? Exploring the shifting meanings of socks and sandalsVongai N. Ruzive Visuality of the wheelchair in fashion media: inclusivity or exploitation?

Fashion, Costume and Popular CultureClaire Monk ‘Graceful masculinity’ in ‘dreamboat heaven’: costuming, undressing and marketing the Edwardian male in the 1980s in Mer-chant Ivory’s Maurice (1987)Bethan Bide Housecoats not haute couture: experiencing austerity on screen in the post-war cinematic output of Ealing StudiosJess Berry Evil lairs and bachelor dandies: modernist architecture, spies, and the suit on screen

Fashion, Film, Branding & Photography Nick Rees Roberts Between promotion and criticality: the paradox of

Mirela Holysustainable fashionSilvano Mendes Fashion settings: the architecture of the catwalk as branded communicationsPamela Flanagan Mise-en-scene: performative spaces for fashion

Session 811.30 – 13.00Room: A—101

13.00 – 13.45

Session 913.45 – 15.15Room: A—301

Session 913.45 – 15.15Room: A—201

15.15 – 15.45

Keynote15.45 – 16.45Room: A—301

Plenary16.45 – 17.15Room: A—301

Panel 8CPanel chair — Madaleine Trigg

Lunch

Panel 9APanel chair — Sarah Gilligan

Panel 9CPanel chair — Nick Rees Roberts

Coffee

BARSEA KeynoteChair — Petra Krpan

Closing plenary Sarah Gilligan, Petra Krpan & keynotes

Costume, Fashion & the Museum Astrid Fendt, Ulrike Nägele & Elke Katharina Wittich Decoding antiquity: Divine X Design – a cross cultural fashion and art exhibition project

The League of Extraordinary Makers: Crafting the ‘Real” in Fantasy and Superhero CostumingHarriet Parry Holy feasibility fetish! The Batman of Christopher Nolan’s Dark Knight trilogyAnthea Mallinson Marvelous costumes: VFX, believability and the maker’s handClare M. Wilkinsonsuperhero[ine]Cathleen S Lewis

Fashioning MasculinitiesNicola Brajato Practices of resistance. Antwerp fashion and the subver-sion of masculinityRoberto Filippello Fashioning disaffection in Paradise LostJay McCauley Bowstead Inclusive masculinities in men’s fashion

BARSEA KeynoteMasculinities: fashion and costume on and beyond the screen Pamela Church Gibson (London College of Fashion)

Closing plenary Key issues and future directions FCVC2019 venue & organisers.

19 July

th Conference— University of Zagreb, Faculty of Textile Technology