Doktorske disertacijeDoctoral Dissertations

Doktorske disertacijeDoctoral Dissertations

Ivan Mlinar [05. 10. 2007.]Radoslav Buani [29. 02. 2008.]Vedran Ivankovi [12. 05. 2008.]Nana Palini [07. 07. 2008.]

Saetci doktorskih disertacija obranjenih na Ar-hitektonskom fakultetu Sveu ilita u Zagrebu u akad. god. 2006./07.

Summaries of doctoral dissertations defended at the Faculty of Architecture, University of Zagreb in acad. year 2006/07.

Doktorske disertacije | Doctoral Dissertations 16[2008] 2[36] PROSTOR 279

Ivan Mlinar

Urbanistika obiljeja zagrebakih stambenih naselja izgraenihod 1918. do 1963. godineDoktorska disertacija [saetak]

Urban characteristics of Zagreb residential estates builtfrom 1918 till 1963Doctoral Dissertation [summary]

The thesis investigates the planning, spatial disposition and construction as well as the urban characteristics of Zagreb residential estates built according to the planning docu-mentation in the mentioned period. The the-sis illustrates the spatial-planning documen-tation which had crucial influence on the town development as well as on the construc-tion of planned residential estates in the pe-riod between 1918 and 1963. The thesis also deals with Zagreb social and economic devel-opment describing the processes that direct-ly and indirectly affected residential construc-tion in general as well as the construction of planned residential estates in the analyzed period.The beginning of the analysed period is de-fined by the collapse of Austro-Hungarian Em-pire and the creation of the Kingdom of the Serbs, Croatians and Slovenes in 1918, while the end is marked by the Urban programme of the city of Zagreb and the beginning of the construction of the Zaprue residential es-tate in 1963.Zagreb housing construction in the 1918-1963 period consists of family houses and villas on the southern slopes of Zagreb mountain and in other parts of its periphery, then of rental housing with flats incorporated in existing town blocks, and planned residential estates on the town periphery.The setting of Zagreb residential estates built in the 1918-1963 period greatly influenced the urbanisation of the town periphery. The housing construction was mainly concentrat-ed in the eastern part of the town periphery and to a much lesser extent in the western and the southern parts of Zagreb periphery, in New Zagreb, on the fringe parts of the built town structure and on the southern slopes of the Zagreb mountain.The town-planning concepts of the planned Zagreb housing estates built in the 1918-1963 period are characterised by simplicity and the prevalence of orthogonal schemes, while a few examples of round and radial schemes are apparent as well.The housing typologies of Zagreb residential estates of the 1918-1963 period are detached, semi-detached and block family houses, uni-

U doktorskoj disertaciji istrauje se planiranje, pro-storni razmjetaj i izgradnja te urbanistika obilje -ja planski izgraenih zagrebakih stambenih na-selja, koja su se postupno razvijala u rasponu od skromnih do iznimnih urbanistiko-arhitektonskih primjera. Prikupljena je, klasificirana, valorizirana i analizirana dostupna relevantna literatura i arhiv-ska graa, usporedno je provedeno terensko istra-ivanje, nakon ega su dobiveni podatci sintezno interpretirani.

Autor: Ivan Mlinar, dipl. ing. arh. [1973., Zagreb] Sveuilite u Zagrebu, Arhitektonski fakultet

Mentor: Prof. dr.sc. Marijan HriZnanstveno podruje: Tehnike znanostiZnanstveno polje: Arhitektura i urbanizam

Podatci o disertaciji: 437 stranica, 7 poglavlja, 216 slika, 47 tablica, 1058 biljeki, 210 bibliografskih jedinica

Proceduralni podatci:Prijava teme: 02. 02. 2006.Prihvat teme, imenovanje mentora: 400. sjednica F.V. 21. oujka 2006.Izvjee mentora: 408. sjednica F.V. 18. 07. 2007.Povjerenstvo za ocjenu disertacije: imenovano: 408. sjednica F.V. 18. 07. 2007.

Prof. dr.sc. Tihomir JukiProf. dr.sc. Marijan HriDr.sc. Darja Radovi-Mahei

Povjerenstvo za obranu disertacije: imenovano: 409. sjednica F.V. 25. 09. 2007.

u istom sastavu kao i Povjerenstvo za ocjenuObrana: 05. listopada 2007.Promocija: 27. veljae 2008.

form terrace housing, multi-storey block of flats and point blocks. Semi-detached family houses are the most present (1,664) and the greatest number of dwelling units (16,218) is to be found in multi-storey housing.At the very beginning of the 1918-1963 period the architectural design of the planned Za-greb housing estates was traditional, while after the first period the prevailing expres-sion was Modern.The total number of dwellings in the analyzed Zagreb residential estates built in the 1918-1963 period is 21,408, while an average num-ber of dwellings in a residential estate reached 535.2. The total number of residents in these estates is 74,928, with an average number of 1,873.2 residents per housing estate. The to-tal area of analyzed estates is 337.6 hectares with an average estate area of 8.4 hectares. The average number of dwellings per one hectare of the residential estate is 76.6, with an average number of 268.3 residents per one hectare of the housing estate.Traffic network and the landscaping of the planned Zagreb housing estates built in the 1918-1963 period were gradually developing from simpler towards more complex schemes, while at the same time the social equipment buildings and areas were also becoming more present in the analyzed estates.The analyzed planned residential estates built in the 1918-1963 period today still keep their main urban characteristics. Functional and design transformations in the residential es-tates are partly present. This could be seen in the examples of annexed family houses and in the examples of the interventions in commu-nal courtyards and communal areas of multi-storey housing and point blocks with the pur-pose of improving the living standard.Zagreb residential estates built in the 1918-1963 period have gradually developed from modest to exceptional examples both in the urban and architectural sense. They basically represent an attempt to solve the constant lack of housing accommodation in a cost ef-fective way, as well as the endeavour to ur-banize Zagreb periphery, which at the time still represented mostly an unbuilt area.

[Translated by Ivan Mlinar]

280 PROSTOR 2[36] 16[2008] Doktorske disertacije | Doctoral Dissertations

Radoslav Buani

Nikola Ivanov Firentinacarhitekt renesansne obnove Trogira krajem 15. stoljeaDoktorska disertacija [saetak]

Niccolo Di Giovanni FiorentinoThe Architect of the Renaisance Renovation of the Town of Trogirat the End of the 15th CenturyDoctoral Dissertation [summary]

Among the urban renewal operations carried out after the 1460s in Trogir, the Renaissance renovation of the city can be seen in the planned reconstruction of the main city squa-re, transformed in the same way that some of the prominent Renaissance centres on the other side of the Adriatic were redesigned. This refers primarily to the redevelopment of the central square of Corsignano, birthplace of Pope Pius II, better known as Pienza, and the remodelling of the Piazza del Erbe in Mantua, seat of the Gonzaga family and its dukes. This dissertation identified a similar redevelopment scheme of the centre of the city of Trogir, started in 1460, which, respect-ing the medieval structure, was content with the expansion of the city centre, remodelled with monumental buildings, as in the Pienza case. A painterly approach to the remodelling of the Trogir square similar to that of the two Alberti plans executed by his architects Ber-nardo Rossellino and Luca Fancelli is ad-duced. In these examples, he drew mainly on the use of a perspective inside a painting framed by an architectural framework; in-deed, the view onto the square of Trogir from the portico of the cathedral is a direct quote of the redevelopment of the Piazza del Erbe in Mantua already mentioned. It can be as-sumed with complete certainty that the role of Humanist involved in the design of the Tro-gir square was taken by Koriolan Cipiko, not just because his involvement in all phases of the construction of the square is borne out by documents in which he has various functions, from master of the fabric to orator to procura-tor of the contractor, who obtained material in Venice, sought for contractors of the oper-ations, negotiated with the doge about finan-cing and shaping the buildings of the square and found builders, whom he represented while drawing up their contracts, but also be-cause of his knowledge of the theoretical treatises of the early Renaissance. The paper shows that Koriolan Cipiko was familiar with Albertis theoretical work Della pittura and that his prologue was paraphrased by Korio-lan in the foreward to his own book. When he was appointed as procurator for Niccolo di Giovanni and Andrija Alei, Koriolan was au-

Protomajstor zahvata, koji je izveo veinu svih ra-dova na trogirskom trgu, jest Nikola Firentinac, kle-sar i skulptor, poznavalac traktata o graenju i arhitekt. Firentinac poput Brunelleschija, Rosselli-na i drugih albertijanskih arhitekata provodi u dje-lo projekt, zamiljen u filozofskim krugovima huma-nistike elite okupljene oko pape u Mantovi za nje-gova boravka na Gonzaginom dvoru. Svoj udjel u arhitektonskim realizacijama tog doba dokazati e Firentinac poslije obnove Trogira, preuzevi nakon smrti Jurja Dalmatinca mjesto arhitekta izabrana da dovri ibensku katedralu.

Autor: mr.sc. Radoslav Buani, dipl. ing. arh. [1958., Split] Arhitektonski fakultet Sveuilita u Zagrebu

Mentor: Prof. dr.sc. Vladimir BedenkoZnanstveno podruje: Tehnike znanostiZnanstveno polje: Arhitektura i urbanizam

Podatci o disertaciji: 209 stranica, 13 poglavlja, 13 ilustracija, 54 fotografije, 16 tabli s tehnikim nacrtima, 382 biljeke, 209 bibliografskih jedinica

Proceduralni podatci:Prijava teme: 10. travanj 1996.Povjerenstvo za ocjenu uvjeta: imenovano: 320. F.V. od 01. srpnja 1996.Prihvat teme, imenovanje mentora: 322. sjednica F.V. 12. studenog 1996.Odluka Senata: 8. sjednica Senata od 13. 02. 2007.Izvjee mentora: 406. sjednica F.V. 27. 03. 2007.Povjerenstvo za ocjenu disertacije: imenovano: 406. sjednica F.V. 27. 03. 2007.

Doc. dr.sc. Karin ermanProf. dr.sc. Vladimir BedenkoDoc. dr.sc. Jadranka Nerali

Povjerenstvo za obranu disertacije: imenovano: 413. sjednica F.V. 12. 02. 2008.

u istom sastavu kao i Povjerenstvo za ocjenuObrana: 29. veljae 2008.

thorised to represent these masters in the making of the contracts for the building of St Johns Chapel, and there is no reason to doubt that it was he, proficient in the law, that drew up the contract for the making of the chapel, as precise as an engineers de-scription of the work. From the wording of the contract it can be gathered that the person who drew it up also knew other works by Al-berti, particularly De re aedificatoria. In the first years of the operation, while the baptis-tery was being built, Koriolan relied on the work of the domestic builder Andrija Alei, because at that time it was very hard to bring in a skilled architect from the few workshops of the great artists of the early Renaissance who were occupied with commissions for the papal court and the surrounding principali-ties. The appearance of Niccolo di Giovanni in Trogir first drew the attention of the scholarly public a long time ago, but he has almost en-tirely been seen as a sculptor and not as an architect, although his architectural work out-weighs the other, in quantity and quality, par-ticularly if later realisations like the comple-tion of the building of ibenik Cathedral are taken into consideration. By propor tioning and developing the original idea he brought into this work an additional elegance, reject-ing the making of full columns between the niches with the statues of the apostles, mak-ing half-columns and pilasters instead. Par-ticularly significant is his skilled handling of perspective that brought in a unique effect of dynamics to the space of the chapel, reject-ing the original idea to close it off from the nave of the church with a stone lacework transenna. The analysis of the proportions of the chapel and the other operations of the same time on the square shows the unity of this work not only in the sculptural but also the architectural expression of the other buil-dings on the square and connects them di-rectly with the architecture of Niccolo di Gio-vanni. This is proved by a proportional analy-sis of the Church of St Sebastian with the clock tower and the Retable of Justice in the Grand Loggia.

[Translated by Graham McMaster]

Doktorske disertacije | Doctoral Dissertations 16[2008] 2[36] PROSTOR 281

Vedran Ivankovi

Ulica grada Vukovara 1945.-1971. i moderne vizije Zagrebau 20. stoljeu refleksije utjecaja Internacionalnog stilau hrvatskoj arhitekturi i urbanizmu nakon Drugog svjetskog rataDoktorska disertacija [saetak]

Vukovar street in Zagreb 1945-1971 and Modern Visionsin the 20th century International Style Impact Reflections in the Croatian Architecture and Urban Planning After the Second World WarDoctoral Dissertation [summary]

The subject area of the Doctors Thesis en-compasses the research of the active period of the Avant-garde post war planning and de-velopment of the Town of Zagreb by way of new modern architecture that after some key political perturbations at the beginning of the 1950-ties became the official style in the new social order. In the urbanological search-es and the crucial step that the town made towards the river, that took place almost si-multaneously, the author came up with a pos-sible impact of the models as are for instance Le Corbusiers apolitical towns, inspired by the technocracy and technical revolution, de-fining the ideological and stylistic detachment of the Croatian architecture and urban plan-ning from the Middle European circle. In this context, the author analyzes, arranges ac-cording to unique characteristics and evalu-ates the significance of the Zagreb urban planning in the visions of the fifties of the 20th century, which embodies the intercontinental modern relationship of architecture and ideol-ogy, having emerged in Croatia from its own notions of the development models with closely connected determinants of general ur-ban planning issues of that time and the spe-cific political pretensions, that were at the end of the fifties and in the sixties in the same in-terrelationship favored by all the countries freed of the western imperialism.The realization of the present Vukovar street is the most obvious example of derivation of known urbanological models in the 20th cen-tury in Croatia, in the first place due to the preferences of the architect Vladimir Antoli a great Zagreb visionary whose complete opus is for the first time being systemized and evaluated in this Thesis being eastern idealistic starting points specifically and knowingly deprived of the soc-realistic con-siderations and possible impacts. Therefore, this big street the first and only modern boulevard in the Town of Zagreb came into existence in the unique conjunction of the Eastern and Western impacts, that along with the recognizable mega project dimensions in the concrete town area of the post war Za-greb, represent the highest reaches of the Croatian urban planning.

Tema doktorskog rada vezana je za istraivanje ak-tivnog razdoblja avangardnog poslijeratnog plani-ranja i izgradnje Zagreba novom modernom arhi-tekturom. Realizacija dananje Ulice grada Vuko-vara najekletantniji je primjer derivacije poznatih urbanolokih modela 20. st. u Hrvatskoj. Prvi i jedi-ni moderni bulevar Zagreba nastao u jedinstveno-me spletu utjecaja Istoka i Zapada koji, uz prepoz-natljive dimenzije megaprojekta u konkretnome gradskom prostoru posljeratnog Zagreba i uz je-dinstvenu stilsko-konstruktivnu tenju pedesetih da revolucionarne umjetnike ideologije s poetka stoljea vjeto i sintetski sazima na jednu ljudsku mjeru odnosa veliina i oblika, predstavlja i najvee dosege hrvatskog urbanizma 20. stoljea.

Autor: Vedran Ivankovi, dipl. ing. arh. [1978., Mostar] Arhitektonski fakultet Sveuilita u Zagrebu

Mentor: Prof. dr.sc. Mladen Obad itarociZnanstveno podruje: Tehnike znanostiZnanstveno polje: Arhitektura i urbanizam

Podaci o disertaciji: 332 stranica, 7 poglavlja, 2 kataloga, 3 crtea, 235 slika, 421 biljeka, 280 bibliografskih jedinica

Proceduralni podatci:Prijava teme: 24. veljae 2006.Prihvat teme, imenovanje mentora: 400. sjednica F.V. 21. oujka 2006.Izvjee mentora: 413. sjednica F.V. 12. 02. 2008.Povjerenstvo za ocjenu disertacije: imenovano: 413. sjednica F.V. 12. 02. 2008.

Prof. dr.sc. Marijan HriProf. dr.sc. Mladen Obad itarocidr.sc. Darja Radovi-Mahei

Povjerenstvo za obranu disertacije: imenovano: 415. sjednica F.V. 15. 04. 2008.

u istom sastavu kao i Povjerenstvo za ocjenuObrana: 12. svibnja 2008.Promocija: 28. listopada 2008.

The thesis explores the genealogy of devel-opment visions and expansion plans for Za-greb in the 20th century, as well as the geneal-ogy of building of the Vukovar street form the beginning and the first urban plans of archi-tect Valdimir Antoli executed from the late 40-ies until 1971. when the first General ur-ban plan of Zagreb was employed. This plan marks the end of a great age of visionary ur-ban designs based on the premises of func-tional urban planning and the Athens Charter. The work of Vladimir Antoli is also explored, as he was one of the greatest Croatian urban planners who devoted nearly his entire life to urban designs for the city of Zagreb.The contribution of the thesis is multiple. First-ly, it unveils surprising facts about the life and work of the architect Vladimir Antoli which were mostly unknown until today, and which have to do with the urban genesis of Zagreb and the development of ideas of building a fully designes ideal city of the 20th century, and thus envisioning the Vukovar street. It also explores Antolis contribution to the urbanisation od cities in Southeast Asia Mianmar, Malesia and Indonesia in th 1950-ies and 60-ies, as well as his drawings and sketches made in Paris in 1927, The sec-ond contribution is unveiling facts about the urbanisation of Zagreb in the first months and years after the Second World War. Third-ly, it systemises plans for Trnje made through-out the 20th century as a indivisible part of all visions for the expansion of Zagreb towrd the south. The fourth contribution is the siste-matisation of all building along Vukovarska street in the context of post-war late Modern-ism form 1945-1971, i.e. from the emergence of first post-modern conceptions in Croatian architecture. The fifth contribution is an eval-uation of Croatian architecture and urban planning and their specific, compared to Western Europe sometimes even humanizing (or close to man) design characteristics of the late phase of the Modern style, which de-rives from a comparison to similar or different European examples.

[Translated by Gordana ali]

282 PROSTOR 2[36] 16[2008] Doktorske disertacije | Doctoral Dissertations

Nana Palini

Rijeka kazalitaNastanak, kontinuitet i znaenje kazalinih zgrada i scenskih prostorau razvitku urbane strukture gradaDoktorska disertacija [saetak]

Theatres of RijekaFoundation, Continuity And Significance Of Theatre Buildings And StagesIn The Development Of The Citys Urban StructureDoctoral Dissertation [summary]

The topic of the doctoral thesis is the little-known and so far insufficiently researched architecture of Rijekas theatres. The paper corroborates the basic scientific hypothesis: the uninterrupted continuity of theatre build-ings and stages from the Middle Ages to the present day, and the biggest number of the-atre buildings in Croatia, in both relative and absolute senses. The paper is the result of several years of field and archive research and presents a detailed survey of the places and buildings in which theatre activity was carried out, shedding light on the foundation, continuity and significance of over fifty public and private theatres, small scenes, theatres of amateur groups and open-air theatres.The first documented theatre had a close connection with medieval passias and half-liturgical plays, which were being performed in churches of that time. On arrival, the Jesu-its 1629. established a School theatre, which was followed by a public theatre. The first real theatre building Theatre Bono-Gerliczi which was the first constructed theatre built on our ground, Rijeka had at the time of baroque, in 1764. At the end of the 18th cen-tury, Andrija Ljudevit Adami, a patritian of Rijeka, brought a project for a new theatre, which had to be constructed instead of the Bono-Gerliczi Theatre, which had been dilapi-dated. The theatre, which was named after his owner and builder, was built up several years later, in 1805. The building Casino Pa-triottico had been built in 1845 at the Korzo by the project of Antonio Deseppi and some time later had been adapted for the National Reading Room. Private initiatives established a kind of theatre with a seasonal importance, so called arenas, and the first was Amphithe-atre Zoppetti, constructed in 1843. In the late 19th century, the Municipality came to be an initiator of a theatre for the first time, and the project was proposed by the architects from Vienna, Ferdinand Fellner and Hermann Hel-mer. According to their project a great Mu-nicipal Theatre was being built (opened to the public in 1885), but, at the same time, the private initiative did not fall behind: a tempo-rary object was composed of parts belonging to former theatres Theatro Ricotti-Fenice

Predmet doktorske disertacije malo je poznata i do sada nedovoljno istraena arhitektura rijekih kaza-lita. U hrvatskoj povijesti arhitekture Rijeka zauzi-ma specifino mjesto, a po brojnim projektiranim i realiziranim graevinama ove namjene predstavlja gotovo fenomen. Karakter sredozemne luke koja je putnicima, gostima i pomorcima morala osigurati mjesta za zabavu, specifian politiki poloaj grada koji je bio predmet interesa ak etiriju drava, kao i kompleksna etnika i kulturna pripadnost njego-vih stanovnika utjecali su na brojnost i multiplici-ranje ovih graevina.

Autorica: mr.sc. Nana Palini, dipl. ing. arh. [1961., Rijeka] Arhitektonski fakultet Sveuilita u Zagrebu

Mentor: Prof. dr.sc. Vladimir BedenkoZnanstveno podruje: Tehnike znanostiZnanstveno polje: Arhitektura i urbanizam

Podatci o disertaciji: 737 stranica, 10 poglavlja, 333 ilustracija, 967 biljeke, 217 bibliografskih jedinica

Proceduralni podatci:Prijava teme: studeni 2001.Povjerenstvo za ocjenu uvjeta: imenovano: 363. sjednica F.V.

od 20. studenog 2001.Prof. dr.sc. Velimir NeidhardtProf. dr.sc. Vladimir BedenkoProf. dr.sc. Sonja Jurkovi

Prihvat teme, imenovanje mentora: 366. sjednica F.V. 26. veljae 2002.Odluka Senata: 5. sjednica Senata Sveuilitau Zagrebu od 17. prosinca 2002.Izvjee mentora: 408. sjednica F.V. 18. 07. 2007.Povjerenstvo za ocjenu disertacije: imenovano: 408. sjednica F.V. 18. 07. 2007.

Doc. dr.sc. Karin ermanProf. dr.sc. Vladimir BedenkoDoc. dr.sc. Julija Lozzi-Barkovi

Povjerenstvo za obranu disertacije: imenovano: 417. sjednica F.V. 17. 06. 2008.

u istom sastavu kao i Povjerenstvo za ocjenuObrana: 07. srpnja 2008.

(G. Matich 1880, N. Predonzani 1888, E. Am-brosini 1901) which became a permanent theatre house that was more adaptable to frequent changes of the publics taste and market demands, while the Municipal The-atre being of an exclusivistic character was oriented to guest performances as they did not have a steady cast, and the number of performances were few.The period of historical styles is considered the time when majority of theatres in Europe and in our country had been built.At the end of Secession and the beginning of the modern age, between 1911 and 1914 the new building of the Teatro Fenice has been built, according to the project of Wagners and Hoffmans student architect Theodor Trx-ler and constructor from Rijeka Eugenio Celli-goi. That was one of the first European the-atres that had been built in reinforced concre-te. During the period of Secession smaller variety theatres were being built.The most significant theatre of the period be-tween the world wars was the theatre hall of the Cultural Home in the town of Suak (J. Piman 1934), presenting one of our best ex-amples of the Croatian Modernism due to nu-merous circumstances; (it was realized in 1947 according to the project that was being worked out by A. Albini). In the same period there were some little stages: Teatro variet Romano (1921), the Theatrino Cappuccini, the Luxor Cinema, which became later the center of the Viktor Car Emin Amateur Theatre (B. Emili 1937) and lot of theatres in factories, so-called Dopolavoro.All these buildings are closely connected with a mutual problem, and that is a location inad-equuacy on which they had been built. The theatrical architectural inheritance of the for-mer town presents for the modern one, judg-ing by its general appearance, a burden, and not profusion. If we are to change it, it is nec-essary to make the first step, and that is to know to make surveys on the basis of re-searches, which is the foundation of impartial assessments.

[Translated by Ante Lako, Tanja Pakvan epi]