10 ph bk 2 - keyboard - session 10 - ningapi.ning.com/.../10phbk2keyboardsession10.pdf · you’ll...
TRANSCRIPT
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
13
Step5.CoolDownSectiono Play3EasyTones–canbesame3youstartedwitho EndonesongwithaGlissandotoaMajorChord(135)o EndAnotherwithaRollOverorRollingArpeggioso AddabasssoloatphraseendingortheendwithaArpeggio
MusicNotebookWhenthesongsfromSession9arelearned–movethemtoyourEASYTUNEsectionofyourRingBinderandtheycanbeusedforFUTUREWARMUPorCOOLDOWNTUNES.
1. QueSera,Sera2. DeColores3. Du,DuLiegstMirImHerzen4. CamptownRaces5. WhentheSaintsGoMarchingIn6. CavallitoBlanco7. ThisLandisYourLand8. Jambalaya9. BigParade10. InHeaventhereisNoBeer11. WearingoftheGreen12. RockyTop13. YouAreMySunshine14. CaissonsGoRollingAlong15. WhiteChristmas16. VieniSulMar17. WingsofaDove18. Hofbrauhaus19. TheWildColonialBoy20. I’mAYankeeDoodleDandy21. BlueChristmas22. JingleBells(ALL)
23. OhMyPaPa24. BambooFlute25. MarinesHymn26. AmazingGrace27. ElPaso28. TheLittleCafébytheHarbour29. DeepintheHeartofTexas30. MacktheKnife31. You’llNeverWalkAlone32. JesusLovesMe33. ViveL’Amour34. Sugartime35. Edelweiss36. Rockin’AroundChristmasTree37. Don’tBeCruel38. NorwegianWood39. AwayinaManger40. WeWishYouaMerry
Christmas41. OvertheWaves
CONGRATULATIONS!
YouhavenowcompletedSession#10Remembertofollowthesestepsforeachofyourpracticesessions:
1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor2–likeascale,speeddrill,chordstructure
(Chordsonly–accompaniment)ofsong,etc.3. WorkonNewSongs–practiceassignedsongs.Startwithsection4. SightReading‐Whileyouarenowyourmostalert–readanewsong(sight‐
read)–startwithchordstructurefirst5. CoolDown–withyourfavorite3songs–canbethesame3youwarmedup
with
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
12
& # 43 .˙I
GA œ œ œonce had a
.˙girl
œ œ œor should I
.˙say
œn œ œshe once had
F
.me.
G
.˙D
& #9 .˙She
G œ œ œshowedme her
.˙room
œ œ œ"Is n't it
.˙good
œn œ œNor we gian
F
.˙Wood?"
G
˙ œShe
D
- - -
& # .. œ œ œaskedtold
meme
toshe
G mB
œ œ œstay
workedandin
shethe
œ œb œtold
mornmeing
toand
œb œ œsit
startaned
yto
.˙where.laugh.
C .˙! Œ Œ œ
IBut
- --
& #25 œ œ œtoldI looked
heraI
G m œ œ œrounddid
andn't
Iand
œ œb œno
crawledticed
offthereto
œb œ œwas
sleepn'tin
athe
.˙chair.bath.
A m .˙!
D
!
--
- -
& # .˙I
And
GC œ œ œsat
when
on
I
a
a
.˙rug
woke
œ œ œbi
I
ding
was
my
a
.˙time
lone
œn œ œdrink
this
ing
bird
her
had
F
.˙wine.
flown.
G
.˙D
-
-
-
& # ..41 .˙
WeSo
G œ œ œtalked
Iunlit
tila
.˙twofire
œ œ œand
isthenn't
sheit
.˙saidgood
œn œ œ"It'sNor
timewe
forgian
F
.˙bed."
Wood?
G 1.
˙ œShe
2.
˙ Œ-
- - -
Norwegian Wood
John Lennon & Paul McCartney
© 2010 So Good Productions
arr. by Shelia Lee
4 5 2 1 4 3 2 1 5 1 2-1
4 2-1 2
5 1
5
4 1 4 3 2 1 5 1 2-1
4
1
1 2-1
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
11
& 44 ÓŒ œYou
A
œ œ œ œknow I can be
C
.˙ œfound
œ œ œ œ œsittinghomealla
.˙ œlone If
C 7
œ œ œ œyoucan't comea
F
.˙ œround at- - -
&8
œ œ œ œleast, please tel e
C
˙ œ œphone don't be
wcruel
D m
œ œ œ œ œto a heartthat's
G 7
wtrue.
C
.˙ œ œI don't- -
&14
œ œ œ œwant no oth er
F
wlove,
G 7
œ œ œ œba by its just
F
œ ˙œ œ
you I'm think ing
G 7
wof.
C
.˙ Œ- - -
& .. œ œ œ œDon't stop think ing
CB
œ ˙ œof me don't
œ œ œ œmake me feel this
.˙ œway come
C 7
œ œ œ œ œon o ver here and
F
- -
&25
œ ˙ œlove me you
œ œ œ œ œ œknowwhat I wantyou to
C
˙ œ œsaydon'tbe
wcruel
D m
œ œ œ œ œto a heart that's
G 7
wtrue
C
& ..31
.˙ œwhy
C 7
œ œ œ œshouldwe be a
F
.˙ œpart? I
G 7
œ œ œ œreal ly love you
F
œ œœ œ
ba by crossmy
G 7
wheart.
.˙ Œ- - -
Don't Be Cruel Otis Blackwell & Elvis Presley
© 2010 So Good Productions
arr. by Shelia Lee
Don't Be Cruel was inducted into the Grammy
Hall of Fame in 2002. Currently ranked as the
92nd greatest songs of all time, as well as the
fifth best song of 1956, by Acclaimed Music.
Recorded by Elvis in 1956
31 3
1 2 1 1 2 1 2 1
4 5 1 3-1
2
2 1 1 2 1 1 2 1 2 3-1
4 1
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
10
Step4.Read2NewSongs(LeadLineStyle)
o Don’tBeCruel&NorwegianWood LeadLineissheetmusicthatjustshowsthenotes,guitarcuesforbassesandusuallythewords.
Accordionists–willreadtheguitarcuesastheirbasses.
Playthebassandthechordsjustlikeitwaswritteninonthebassstaff.
Alternateoutofreflex–alternatefirston7thchords.
ChordsCues–ifwrittenasaLetteronlylikeCorG–thismeansMAJOR–otherwisethechordisnotated.
&?
44
44
Ó Œ œYou
!
œ œ œ œknow I can be
œ œœ
œ
C
CM
.˙ œfound
œ œœ
œœ œ œ œ œ
sit ting home all a
œ œœ
œ.˙ œ
lone If
œœ œ œ
C 7
C 7- -
&?
6
œ œ œ œyou can't come a
œ œ œ œ
F
FM
.˙ œround at
œ œ œ œœ œ œ œ
least, please tel e
œ œœ
œ
C
CM
˙ Óphone
œ œœ
œ- - -
Lead Line ExampleShelia Lee
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
9
&
?
43
43
Œ Œ œWe
1
!
œ œ œ œ œwish
3
you a mer ry
œ œ œCM
œ œ œChrist
1
mas, we
œ œ œFM
œ œ œ œ œwish
4
you a mer ry
3
œœ œD 7
œ œ œChrist
2
mas,
1
we
œ œ œG 7
- -
&
?
..
..
6 œ œ œ œ œwish
4
you a mer ry
œ œ œE7
œ œ œ œChrist
2
mas
1
and
1
a
œ œ œA m
œ œ œHap
2
py
5
New
œœ œœ
D m G 7
˙ œYear. Good
1
˙ ŒCM
œ œ œtid
4
ings to
œ œ œCM
- - -
&
?
11
˙ œyou where
œ œ œE m
œ œ œev er you
œœ œD 7
˙ œare:
1
Good
2
œ œ œGM
œ œ œtid ings for
œ œ œCM
œ œ œ œChrist
5
mas
1
and a
œ œ œGM
œ œ œHap py
5
New
œœ œœ
D 7 G 7
- - - - -
&
?
17 ˙ œYear! We
1
˙ ŒCM
œ œ œ œ œwish
3
you a mer ry
œ œ œCM
œ œ œChrist
1
mas, we
œ œ œFM
œ œ œ œ œwish
4
you a mer ry
3
œœ œD 7
œ œ œChrist
2
mas, we
œ œ œG 7
-
&
?
..
..
22 œ œ œ œ œwish
4
you a mer ry
œ œ œE7
œ œ œ œChrist
2
mas
1
and
1
a
œ œ œA m
œ œ œHap
2
py New
œœ œœ
D m G 7
1.˙ œYear. We
˙ ŒCM
2.˙ ŒYear.
˙ ŒCM
- - -
We Wish You a Merry Christmas
© 2009 So Good Productions
arr. by Shelia Lee
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
8
&
?
#
#
43
43
..
..
Œ Œ œœA
!
..œœ Jœœ œœwaycat
intle
aare
œ œ œGM
A
œœ œœn œœmanlow
ger,ing,
nothe
œ œ œG 7
œœ œœ œœcribpoor
forba
aby
œ œ œCM
˙ œbed,
wakes,TheBut
œ œ œGM
--
-- -
&
?
#
#
6
.œ jœ œlitlit
tletle
LordLord
œœ œD 7
œ œ œJeJe sus,
sus laidno
œœ œ
œœ œœ œœdowncry
Hising
sweetHe
œ œ œGM
˙ œœhead.
makes,The
I
œœ œ
-- -
--
&
?
#
#
..œœ Jœœ œœstarslove
inThee,
theLord
œ œ œGM
B œœ œœn œœskyJe sus
lookedlook
œ œ œG 7
œœ œœ œœdowndown
wherefrom
hethe
œ œ œCM
˙ œlay,sky.
TheAnd
œ œ œGM
-
&
?
#
#
..
..
14 1. ..œœ Jœ œlit tle Lord
œœ œD 7
œœ œœ œœJe sus, a
œ œ œGM
œœ œœ œœsleep on the
˙ œœ
A m D 7
˙ œœhay. The
˙ ŒGM
- -
&
?
#
#
182. ..œœ Jœ œœstay by my
œ œ œœ
A m D 7
œœ œœ# œœcra dle till
œ œ- œ-
œœ œœ œœmorn ing is
œ œ œœ
A mD 7
..˙nigh.
..˙GM- -
Away in a Manger
© 2010 So Good Productions
arr. by Shelia Lee
Music by James R. Murray
GF# E
3 2 4
5
3
5
35
3 2
1
5 43
12
1
3
15
1
5
3
5
3
5
32
1
5
1
5
1
4
1
3
1
4
1
2
1
3
14
1
5
1
4
13
1
4
12
1
3
1
4
1
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
7
Step4.Read2NewSongs(SightRead)
o AwayinaManger BLOCK(KeyofG)–Doublenotehandpositions
• SpotalltheFNaturalsandF#s• WatchforthedottedQuarterNotes
SightReadingRules–reviewLHChords
• Watch–somebassesalternateand7thchordsDONOTALTERNATEFIRST
• WatchforMinorbasses
• ALSO–addaGArpeggioattheend!
Then–playbothhands–withNOSTOPS
o WeWishYouaMerryChristmas BLOCK(KeyofC)
• PlaythefirsttimeHOLDthebassesineachmeasure
SightReadingRules–reviewLHChords
• WatchfortheEmandE7basses–shouldbemarkedontheLH(AboveA)
• Watchfortherepeat
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
6
Step3.NewSongTechniqueBlock/Absorb/Vertical
o OvertheWaves Shift–Useamiddle&bottomreedonyouraccordion
Block/Absorb/Vertical
Vertical
• WatchforalignmentbetweenRH&LH• OnlyAlternateonLongTiedNotes• WatchforPhraseEndings–LiftyourHand
StartatLast4Measures• 8va–meansplayanOctaveHIGHER(IfyouhaveahighDonyourkeyboard)
• StartLOUDandgraduallygetsofter(Slowspeedofyourbellows)
• EndwithyournoteDOWNandNOSOUND!
Backup4measures• Beginningof8va• WatchfortheBbbass• Liftattheendofthephaseandplay4measuresoutand4in.
Backup8measures• Startslikethebeginning• Startata“mf”MezzoFortelevelandcrescendothelast2measures
• Liftattheendofthephaseandplay4measuresoutand4in.
• Watchhowlastnotinsectionisthefirstnoteinthelastsection.
NOWstartatthebeginning• WatchDynamics(p,F,cresc,&Dim.)• PleasenotethatPHsaysDecrescendo–whichreallymeansDiminuendo.
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
5
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
4
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
3
& 44 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w
&6
œ œ œ œ œ œ1 2
œ œ œ œ œ œ3 5 œ œ œ œ œ œ3 2
œ œ œ œ œ œ w1
& .œ jœ .œ Jœ1 2 3 5 .œ jœ .œ jœ
1 2
.œ jœ .œ Jœ1 .œ jœ .œ jœ
1 2
.œ jœ .œ Jœ1 .œ jœ ˙
Session 10 Arpeggio DrillsShelia Lee
Dotted Quarter Note Introduction
Dotted Quarter note is 1 1/2 counts - like a Quarter Note added to an 8th Note
Dot after a note ADDS HALF the value of the note.
&?
#
#43
43.œ jœ œ
1
œ œ œGM
.œ jœ œ1
œœ œ
.œ jœ œ2 1
œœ œD 7
œ .œ Jœ
œœ œ
&?
#
#
5 œ .œ Jœ4
œœ œD 7
œ œ œ
œœ œ
.œ jœ œ1 2
.œ jœ- œ-
.˙
..˙GM
Dotted Quarter Note DrillShelia Lee
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
2
Session10Duringoneofyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek.
ReviewofDrillso Full“AllWhite”block&Arpeggios(1+3+5+1)o C,G,F,D,A,&BbScale–FullOctaveso MajorthenMinorChords–AllWhite.Blocktheminrhythmic
pattern.RolltheminrhythmicpatternSong#10PHBook2–OvertheWavesCompanionSongs:
1. Don’tBeCruel2. NorwegianWood3. AwayinaManger4. WeWishYouaMerryChristmas
LearnDottedQuarterNotesandMOREDoubleNotesLearnCrescendoandDiminuendoHowtoreadLeadLineMusic
Let’sGetStarted: Step1.PlayFirst
Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs
Step2.Theory–LearnDottedQuarterNotes
ArpeggioDrill Whenanotehasadotafterit–youADD½thevalueofthenote
• Example–HalfNoteGets2counts,DottedHalfNotegets3counts• Example–QuarterNotegets1count–
o DottedQuarterNotegets1½counts
EasiestwaytoLearnDottedQuarterNotesisto“SEE”theQuarterNoteTIEDtoan8thNote.
DottedQuarterNoteDrill• WhenplayingwiththeLH–holdtheDottedQuarterNoteuntil
youhaveplayedthe“2nd”countorbass–thenplaythefollowing8thnoteontheUporandofthecount.
MastertheAccordionWorkshops PHBook2‐Session10
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
1
Palmer&HughesBook2–Session10
InstructionandCompanionMaterial
PresentersSheliaLee&MarkRopel
MastertheAccordionWorkshops
Sponsoredby
5013(c)NonProfit