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Skip to content Taste Of Cinema – Movie Reviews and Classic Movie Lists taste of cinema Main Menu Film Lists People Lists Other Lists Reviews About Write For Us Home > Lists > Film Lists > 10 Great Minimalist Films That Are Worth Your Time 10 Great Minimalist Films That Are Worth Your Time 30 April 2015 | Features , Film Lists | by Hassan Husseini 5. Alice (Jan Svankmajer, 1988) Even the literary layman is familiar with Lewis Carroll’s Alice’s Adventures in Wonderland. Even those who have not read it are familiar of the novel’s ubiquitous universe, of its psychedelic, transformative and absurd world of white rabbits with pocket watches and hookahsmoking caterpillars. Jan Svankmajer wallows in the absurd. His films are peculiar little things that he conjures up through the otherwordly jerky movement of stop motion. Svankmajer probably recognized the strange elusiveness of the novel as its crux so he narrowed his film down to a surreal collection of textures, weird movement and hyper sounds. The universe of the novel is translated into an oneiric streamofconsciousness tale that takes Alice’s most interesting element, that of spatial and temporal disorientation, and amplifies it.

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10 Great Minimalist Films That Are Worth Your Time

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  • 3/5/2015 10GreatMinimalistFilmsThatAreWorthYourTimeTasteofCinema

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    10GreatMinimalistFilmsThatAreWorthYourTime30April2015|Features,FilmLists|byHassanHusseini

    5.Alice(JanSvankmajer,1988)

    EventheliterarylaymanisfamiliarwithLewisCarrollsAlicesAdventuresinWonderland.Eventhosewhohavenotreaditarefamiliarofthenovelsubiquitousuniverse,ofitspsychedelic,transformativeandabsurdworldofwhiterabbitswithpocketwatchesandhookahsmokingcaterpillars.

    JanSvankmajerwallowsintheabsurd.Hisfilmsarepeculiarlittlethingsthatheconjuresupthroughtheotherwordlyjerkymovementofstopmotion.Svankmajerprobablyrecognizedthestrangeelusivenessofthenovelasitscruxsohenarrowedhisfilmdowntoasurrealcollectionoftextures,weirdmovementandhypersounds.TheuniverseofthenovelistranslatedintoanoneiricstreamofconsciousnesstalethattakesAlicesmostinterestingelement,thatofspatialandtemporaldisorientation,andamplifiesit.

  • 3/5/2015 10GreatMinimalistFilmsThatAreWorthYourTimeTasteofCinema

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    Thefilmsubstitutesmostofthedialogueinthenovelwithasurrealmagnificationofsounds,offootsteps,tickingclocks,creakingandcracklingofwoodandrustymetalandimagesofgrotesquetransformation.WeseeAliceinherroom,clutteredwithobjectslikerottenapples,butterfliesinglasscasing,fossilsandgeishafaceddolls.Wehearanantiqueclockticking.

    ThenweseeAlicethrowingstonesintoacupoftea.Whenshestaresatawhitebulbaboveherhead,wehearelectricalnoise.Herattentionisdrawnnexttoamodelrabbitescapingitsglassyconfinement.Itdressesinoldfashionedclothesandbreakstheglasswithapairoflongscissors.Thescenesareenhancedbysoundsthatseemanexaggerationoftheactualsounds,thatofcreakingwoodandclickingoftherabbitsfeetasitwalksoutofitsglassycell.

    Thefilmiscleveratrevealingtimeandspaceasillusoryandeverchanging.Onesecond,Aliceisinherroom,thenextsheistransportedtoasandywasteland.AdrawerappearsintowhichAliceisswallowed.Again,shefindsherselfinadifferentplace,thatofamoldycavernalludingtothatofCarrollsrabbithole.Theinterchangesarecleverlyinterwoven,robbingspaceofanysolidity.

    Theminimaltreatmentofthenovelbyfocusingonaspecificmood,enhancedbyaworldofrustynails,sawdustlunches,andtearsthatcandrownaroomprioritizesemotionoverthecerebral.Aliceattimeslookslikeshehasbeenswallowedbyacarpentryworkshopthathasgonehaywire.Svankmajerdepartsevenfurtherfromthenovelbynotgivingtheaudienceanykeytodecipherthischildnightmare.Hismainconcernseemstosimplydragusoffintothismenacinglabyrinthofmagnifiedtextureandsound.

    4.ThePassionofJoanofArc(CarlTheodorDreyer,1928)

    CarlTheodorDreyersvisualtranslationoftheaccountofJoanofArcstrialandexecutionisanutterlyminimalone.Dreyerhereminimizesthehistoricalinhisretellingandstressesoncapturingthegutchurningsufferingofhisunfortunatemaidpossessingheavenlyvisions.

    Thestorygoes:AcountrymaidleadstheFrenchtroopsagainsttheBritishoccupationandiseventuallycaptured.Sheisbroughtbeforejudgesofachurchcourtandaccusedofheresyforrevealingthatherbeliefshadbeenthecauseofcelestialvisions.Shewouldbetorturedandlatercrucifiedatthestake.

    Dreyersfilmdispenseswithspatialcontinuityorcostumedramaextravaganzainfavourofasuccessionofcloseups.ThestrikingelementisMariaFalconetti(thoughheronlyfilm)asJeanneDarc,whoembodiesthefearandsufferingweighingdownonthesacrificialmaidassheisaccusedandhumiliatedbeforeaseaofangryfaces.

    Dreyeraimshiscameraconstantlyatfaces,juxtaposingJoanofArcssad,teardrenchedwitheringfacewiththat

  • 3/5/2015 10GreatMinimalistFilmsThatAreWorthYourTimeTasteofCinema

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    ofthestubbornandunsympatheticfacesofheraccusers.ThoughDreyer,inoppositiontoBressonsrigorousdiscipline,makesuseofFalconettistheatricalbackgroundandemotionaldisplays.Butherestrictsthefilmtocloseupsandmediumshotsofthefaces,andsobringsusintocontactwiththefundamentalelementofthishistoricalaccount:despair.

    3.Suspiria(DarioArgento,1977)

    ThemuchimitatedbutneverrivaledDarioArgentotakesinfluencefromthemacabretalesofEdgarAllenPoeandconstructscolourfulandrichnightmares.GenerichorrormayhaveabadrepovertheyearsforitsoverinvolvementinsensationandindulgingthebodyinquickjerkyreactionsandthoughArgentodabblesincheapscareseverynowandthen,hisfilmsrelateverymuchtoagenuinefeelingofdread.

    Suspiriausesaversionofasimpleandoutdatednarrative.AnAmericangirlarrivesataballetacademyinMunichthatturnsouttobeafrontforawitchcovenwhosadisticallymurderstheyoungaspiringballetstudents.Notmuchelsehappensintermsofplot.AswithGlazerinUnderTheSkin,Argentosinterestliesinblazingavisualtrailofterrorandfearinsteadofrelyingonplotparticulars.Nothingdoesorissupposedtomakesenseinthefilm.

    Argentotakestimetocomposehisshotsanddecoratehisballetschool.TheschoolisenameledinredvelvetandhauntedbyrichGothicinteriors.Hisgeometriccompositionsindulgeintheschoolscomplexarchitectureandhelightssceneswithoverwhelmingreds,greensandblues.Thekillingsaredisturbinglygruesomenotbecauseoftheirviolentnaturebutbecausetheyareinstantlyattractivetotheeye.

    Thefirstkillinginthefilmisalabyrinthoftheunnatural.Itendswithagirlbeingstabbedandhungbytheneckinaspaciousroom,breakingtheceilingglass,suspendedlikeaniconsurroundedbycomplimentingarchitecturalshapes.Spilledbloodtakesonavelvetyrougecolour.Thecameraslowlytrailsdownfromthegirlssuspendedbloodiedfeettoherfriendlyingonthefloor,shardsofglassinherbodyandface.Thepoolsofblood,colouredglassshardsandcheckerboardfloorallformonebiggorymural.

    Argentoisapainterpaintingwithfatbloodystrokes,nonchalantaboutthepaintingscontent,rathertheatmosphereofitandhowitinstantlycreepsintotheunconscious.HeisreminiscentofBoschandhiscolourfullandscapesofthegrotesque.ThisiswhatgivesArgentotheedgeovermanyotherhorrorfilmmakerslookingtoinspirephysiologicalreactions.

    2.12AngryMen(SidneyLumet,1957)

  • 3/5/2015 10GreatMinimalistFilmsThatAreWorthYourTimeTasteofCinema

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    Maybethemostdramaticandprolixfilmonthislist,12AngryMenisstilldaringinitsspatialcondensation.Thefilm,exceptfortheopeningandepilogue,takesplaceinajuryroomandoccasionallyinthenextdoorbathroom.12menwithutterlydifferentqualitiesargueovertheinnocenceofaboywhoisconvictedofstabbinghisfather.

    Thecluespointtowardstheboysguilt,somostofthemenpronouncehimguilty.One,playedbythelankybuttenaciousHenryFonda,hasadifferentpointofview.Hedoesntsaytheboyisinnocentbutthathecouldbe.Theyarguefortheremainderofthefilm,somemoreaggressivelythanothers.Theykeepmullinganddiggingthroughcluesuntileventually,allmembersdecideontheboysinnocence.Butthetruthofthecrimeisneverrevealed.

    Ourexperienceiscenteredontheconfrontationbetweenthemen.ThecrimeiswhatHitchcockcalledaMcGuffin,adevicethatactsasatriggerfortheplotbutinitselfisunimportantandinterchangeable.Thoughhere,theMcGuffinservesnoplot.Moreimportantly,thecrimerevealsmoreandmoreaboutthe12personalities,theirbehaviorisobservedandtheirweaknessesgraduallypronouncedwhenreactingtodifferentaspectsofthecase.

    Thefilmsubstitutesspatialvarietywithamyriadofpersonalities.Acalmlycalculatingstockbrocker.Awisecrackingsalesman.Astubbornseniorcitizen.Avacantadvertisingmanwho,maybethinkingheisinabusinessmeeting,swayingbackandforthinhisdecisiondependingonwhatthemajorityagreewith.Andotherswiththeirownquirksandshortcomingsthatimbuethefilmwithvivacity.

    Theroomgraduallyintensifiesastheargumentsbecomemoreheatedandthehostilityunfurls.Lumetheightensthebadbloodamongthemenbygraduallychangingthefocallengthofhiscameralensessothattheroomwouldlooksmallerandsmaller,asifclosinginonthecharacters.Limitingafilmandrestrictingitsspatialbarriershasalwaysbeenagreatvisualtoolforexploringamindindoubt,disorientationorinescapability.

    RomanPolanskididthesameinRepulsion,manaclingCaroltoherflattodrawherdelusionsofrapeaswellasTheTenanttoshowafracturedmind.SodidAlfredHitchcockwithhisfilmRope,wherehischaractersarecaughtatamoralimpasseaftermurderingtheircolleague.Itallunfoldsinasinglesetting.ThroughLumetscamera,wemoderatelycometoknowhis12characters,theirbehavior,andpeculiarhabits.

    1.Duel(StevenSpielberg,1971)

  • 3/5/2015 10GreatMinimalistFilmsThatAreWorthYourTimeTasteofCinema

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    Spielbergsfirstfeaturefilmsdealsintimatelywithparanoiathroughanelementaryanduncompromisedstoryline.Atravelingsalesmanisbeingchaseddownthehighwaybyasadisticfueltankerwhowantstoplaymindgames.Thefilminhabitstheunfortunatemansmindsetonhispsychologicaljourneytofindreasonforthetruckdriverserraticassaults.

    ForafilmbythemanwhodirectedSavingPrivateRyanandAI,Spielbergseemsathismostpotentinthissimplequicknarrativeofthoroughfaremolestation.Maybehavingmoremoneyandmoremeanscanmakeafilmmakerforgetabouttheintricaciesofthemodest.Onlyverylittleinformationisgivenoftheprotagonistandneartononeisgivenofhisassailant.Thefilmthenplacesusinapositionofinstabilitylikethatoftheparanoidtruckdriversvictim.

    Onceagain,theprotagonististaughtnomoralizinglessonsabouthisorthelifeofothers.Ourinitialthoughtsofwhatonemightcallaplotleadustobelievethatonceweknowwhothissadistonthestreetis,thenwegetaclearerpictureoftheunfortunateprotagonisthimself.Thatnotioniscrushedundertwotonsofsteel,aswegetnoanswerstothewhyoreventhewho.Duelisnotaboutthewhosorwhys.Itisaboutrawexperience.

    Thesalesmanlaterstopsnexttoastrandedandoverheatedbusfullofchildren.Heactsunhingedwhenthetruckisspottedagain.Herushesawayinhiscarandturnsaroundtospotthefueltankerstopbehindthebus.Thetruckdriverhelpspushthebusbackontrack.Thesalesmangrowsmoreconfusedwiththeerraticallymoralperformanceofhisassailant.Thefilmtellsusitisstrictlyaboutparanoiaandhowwetendtoexaggerateourownfearsasmuchastheimaginationallows.

    AuthorBio:HassanHusseiniisafilmfanaticfromLebanonandcurrentlyresidesinNewcastleuponTyne,England.HehasaBAinGraphicDesignandhasjustfinishedaBAinFilmStudiesfromNorthumbriaUniversity.HisresearchincludesEuropeanCinema,SexandTransgressioninthefilmsofPierPaoloPasolini,SerialKillersinfilm,andtherepresentationofdeathincinemaandtelevision.

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    CharlesBarnes 2daysagoWait,Suspiriaisaminimalistfilm?ThesameSuspiriawiththeboomingGoblinsoundtrack,bucketsofblood,andexaggeratedcolours,revellingintherampant,excessivemurderscenesofyoungwomen(andablindman)?

    Ohdear.

    Yourpieceonitonlyservestofurthertheideathatitisratherfarfromaminimalistfilms.Onthecontrary,Argento'sschtickwasbeingasselfindulgent,stylishandsadisticallybombasticashepossiblycould(anditwasglorious!).

    2

    GaryPorter 2daysago

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    GaryPorter 2daysagoThePerfectHuman.Afriendputonthisb&wDanishfilm,andmyimmediatereactionwas,ffs,getthatb*llocksoff.Within5minutesIwasutterlyenthralledandattheendaskedifhecouldrepeatit.Wonderousandunexpectedevent.

    Reply

    YigruZeltil 2daysagoSuchavaguedefinitionof"minimalism"...

    Where'sOssos?OrSyndromesandaCentury?Or4Months,3Weeksand2Days?OrUskiRoti?

    Reply

    DermotClarke 2daysagoSo...thisisalistoffilmsyoujustsortoflikeingeneral?Oralistoffilmsyou'veactuallysetagainstsomecriteria?

    Reply

    CaelusChampion 2daysagoLMAOatcomparingSexyBeasttoUTS.SexyBeastistenmilliontimesthepictureUTSis.Boring,pretentious,shallowBSmasqueradingasart.NOTFOOLEDJAY,NOTFOOLEDATALL

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