1 vorticist visions ”the artist’s objective is reality.” ”art at its fullest is a very great...
TRANSCRIPT
1
Vorticist Visions
”The artist’s objective is Reality.”
”Art at its fullest is a very great force indeed, a
magical force, a sort of life, a very great ‘reality’.”
(Wyndham Lewis)
English Vanguardism around the WWI
(VI)
2
Blast
3
Jessica Dismorr, The Engine (1914)Edward Wadsworth, Abstract Composition (1915)
4
Vorticist VisionsWyndham Lewis, Composition (1913)
C. R. W. Nevinson, Dance Hall Scene (c. 1913-14)
5
Vanguard spaces—Pastoral idiomsEdward Wadsworth, Landscape (1913)
Paul Nash, Void of War (1918)
6
Vanguard spacesWyndham Lewis, The Crowd (1915)
Stanley Cursiter, The Sensation of Crossing the Street (1913)
7
Vanguard spaces—wartime imagery Christopher Richard Wynne Nevinson, In the Air (1914)
Helen Saunders, Island of Laputa (1914-15)
8
Vanguard spaces—wartime imagery C. R. W. Nevinson, A Bursting Shell (1915)
Paul Nash, Void of War (1918)
9
The Representation of the human body
Wyndham Lewis, Man and Woman with Bulldogs (1912)Helen Saunders, Abstract Multicoloured Design (1915)
10
The Representation of the human body
Mark Gertler Merry-Go-Round (1916)
11
The Representation of the human bodyC. R. W. Nevinson,
From Britain’s Efforts and Ideals, The Acetylene Welder (1917)
From Britain’s Efforts and Ideals, Making the Engine (1917)
12
WWII Art:Neo-Romanticism
(VII)
13
14
15
16
17
18
19
20
Post-WWII Visions
Francis Bacon(1909-1992)
(IX)
”Painting is the pattern of one's
own nervous system being projected on
canvas.”
21
Second Version of Triptych 1944
- I (1988)
22
Second Version of Triptych 1944
- II (1988)
23
Second Version of Triptych 1944
- III (1988)
24
Second Version of Triptych 1944 (1988)
25
Three Studies for Figures at the Base of a Crucifixion (1944)
26
Painting 1946
(1946)
27
Study for Crouching
Nude(1952)
28
Study after Velázquez’s Portrait of
Pope Innocent X
(1953)
29
Diego Velázquez, Innocent X (c1650)Francis Bacon, Study after Velázquez’s Portrait of Pope
Innocent X (1953)
30
Rembrandt, The Slaughtered Ox (1655)Francis Bacon, Painting 1946 (1946)
31
Sergei Eisenstein, Still from The Battleship Potemkin (1925)
Francis Bacon, Study after Velázquez’s Portrait of Pope Innocent X
(1953)
32
The Cathedral of Light at the Nuremberg Rally in 1937 designed by Albert Speer
33
Albert Speer, The Cathedral of Light (1937)Francis Bacon, Study for Crouching Nude (1952)
Francis Bacon, Study after Velázquez’s Portrait of Pope Innocent X
(1953)
34
”Actually Michelangelo and Muybridge are mixed up in my mind together, and so I perhaps could learn about
positions from Muybridge and learn about ampleness, the
grandeur of form from Michelangelo.”
Eadweard Muybridge ”Infantile paralysis” from
the series Animal Locomotion (1887)Wrestling (1884-5)
35
Pop and Op Art(VIII)
”Pop art is: Popular (designed for a mass audience), Transient (short-term solution), Expandable (easily-forgotten), Low Cost, Mass Produced, Young (aimed at youth), Witty, Sexy, Gimmicky, Glamorous, Big
business.” (Richard Hamilton)
36
Richard Hamilton
Just what is it that makes
today’s homes so different, so
appealing?
(1956)
37
Richard HamiltonHommage à Chrysler
Corp. (1957)
38
The conical bra advertisement from the 50s and its incorporation into Hamilton’s tabular image
39
Bra ads from the 1950s
40
Chrysler Imperial ad 1957
41
Chrysler ads from the 1950s
42
Richard Hamilton$he
(1958-61)
43
Ads for household appliances and commodities from the 1950s
44
Ads for household appliances or commodities from the 1950s
45
Joe Tilson, Transparency, the Five Senses: Taste (1969) Screenprint on vacuum-formed sheet of perspex; relief
(1470*1470*50 mm)Joe Tilson, Cut Out and Send II (1968)
Screenprint on paper image (1013*686 mm)
46
Joe Tilson, Transparency I: Yuri
Gagarin 12 April 1961 (1968)
Screenprint and mixed media on plastic; relief
object (1219*1219*51 mm)
47
Richard Smith, Giftwrap (1963) Oil on canvas; relief (2019*5290*800 mm)
48
Richard Smith, Slot Machine (1962)Oil on wood, canvas and paper; relief (569*505*85 mm)
49
Richard Smith, Piano (1963)Oil on canvas; relief (1826*2772*1140 mm)
50
Bridget RileyHesitate (1964)Arrest I (1965)
51
Bridget Riley
Cataract III (1967)